#i liked this but i wished it was more structured

[howlsofbloodhounds]

Howl I'm thinking about Nightmare's gang being a cult again.

Just how fucked up is it that Killer had to go through that twice? First with the Something New Player rewiring how his brain works entirely, while Chara meticulously breaks down his boundaries and reworking his identity until only they could decide who he is. Only for Nightmare to do exactly the same once Killer finally killed them.

And not only that, but now he has to watch as the same exact thing happens to others. And Stage 2 can push for apathy as much as they want to try and protect them from that crushing realization, but eventually it's gonna hit. Eventually Killer's brain is gonna let its thoughts wander in that direction because boredom is always gonna be the greatest threat for it. And then Killer will wish he'd never done that, because this whole time he's kinda been complicit in their indoctrination.

But, then again, by then he doesn't really know another way to live. He knows that once he broke free of Chara's very similar conditioning, but he doesn't have a concrete idea of what could come next. He doesn't know what life outside a cultish structure looks like and that makes the prospect of ever leaving terrifying.

I think Color coming in and showing him that there is a possible future out there for him is the saving grace he needed all along. And also the push he'll need to get the others out too. Because he's definitely not gonna let them leave for as long as he doesn't see an exit. Whether they hate him or not for it.

It is extremely fucked up. And that’s why I’ll keep saying that Something New is a psychological horror until someone eventually starts writing a fic about it. /lh

And the realization that hits is still very likely going to be tinged with that deep seated apathy that chara reinforced. I can’t see killer breaking out of his belief that he’s emotionless, that emotions are signs of being weak and that attachments are threats to his autonomy and independence, for many many years, with a lot of set backs, and I can’t see it happening when he’s under nightmare.

I don’t really think killer has broken free from chara’s conditioning—despite how much he’d like to claim he is free now that they’re dead. Because they cant be dead when their voice still rings in his mind, and their eyes still watch him everywhere he goes. A constant lurking shadow.

Chara never died, killer never escaped. they just became more elusive.

I think there’s still a lot going on in killer mind he doesn’t realize is conditioning, such as his belief in his emotionlessness. His kill or be killed, controlled or be controlled mentality. Even the reason why he turned on chara was still within the confines of what they taught him—the most determined decides fate, the strongest controls the weakest, and he had no need for them anymore. and so he will make them suffer.

with nightmare, i do think he wont even realize or care what’s happening to the others—because its just how things work. not until color comes along, showing him that things don’t have to be like that. before that, i can see killer helping only in ways that would benefit or amuse him, or whenever nightmare tells him to help someone—because he doesn’t think theyd ever willingly help him if it came down to it.

but if he realized somehow before color comes along—because he definitely wouldn’t take into consideration anything horror, murder, or cross have to say about it because they are apart of the weak/the controlled and they’re just struggling to realize that. it is inevitable, and it’s pointless to try and change it. or at least that’s his justification for avoiding any responsibility.

but i can see any attempts to “help” them being tainted by his worldview and what he’s been taught; such as teaching them how and when to avoid upsetting nightmare, teaching them the rules of the place, trying to teach them when to go to limp and stop resisting, how to learn how to enjoy the pain of themselves or of others. best ways to torture others, and how to “go away inside” if they truly can’t handle it.

and he definitely wouldn’t let them leave unless nightmare says so, which is unlikely. In his mind this place in castle can be learned and then eventually become predictable, they’d struggle outside of the castle because of who they are and what they do. that’s really the only kindness he knows how to give.

..i can definitely see spiting the Chara in his head for being a huge motivation for certain more “merciful” or “kinder” things. just to prove to himself they don’t have control over him anymore, and to spite them even beyond the grave.

{ @stellocchia }

[atamascolily]

Sometimes I forget that Madoka's magical girl bow is literally a rose, and that we see it sprout and grow into its final form in its first appearance.

Homura also gets a bow in this episode, which I have always interpreted as the manifestation of her wish to remember Madoka's existence (since her old wish was rendered invalid by Madoka's becoming an eternal concept), thus becoming "Bowmura Akemi". However, it's not until it manifests in Rebellion that we see it isn't merely evocative of Madoka's bow, but its mirror.

Is the height difference between the bows significant here? I have no idea. Ditto for Madoka's bow being in bud while Homura's is in full flower.

Okay. So you remember Walpurgisnacht's trees, right? Those weird things that are mostly in the background and which are never directly commented upon or explained, but which are juxtaposed with Homura an awful lot? There's a common trope in myth, literature, and fairy tales about planting a staff into a ground and having it grow and magically turn into a tree, and now I'm wondering, Is this where Walpurgisnacht's trees come from? Because what is a bow but a curved wooden staff tied to a string....?

And yes, the bow is a rose bow (or a black rose bow), and the trees are almost certainly cherry trees, so the botany gets a little mixed, but it probably doesn't matter since a) magic and/or metaphor, and b) Madoka is associated with both pink roses and pink cherry blossoms, just like Homura is associated with black roses and bare branches, so the symbolism still works out.

This is all highly speculative, and I have no idea if this is where SHAFT is going or if it's just a coincidence, but I can't look at the bow anymore without wondering what would happen if someone stuck it in the ground, and what it might become. Especially since we may end up seeing that bow again in Walpurgis no Kaiten.

Meanwhile, back in Rebellion, Homura and Madoka appear to be doing some kind of Connect (or proto-Connect, since the Magia Record concept hadn't been fully developed yet) akin to Madoka and Mami's Tiro Duet attack earlier in the film. What's interesting about this shot is that there's no sign of black roses anywhere, which is not how Connect usually manifests in Magia Record, where the nature of the fusion is more obvious (i.e., Kyouko's spear + Iroha's crossbow becomes a giant crossbow that fires spears instead of arrows in the MR anime), but which may symbolize how Homura "blooms" in Madoka's presence.

In addition, the bow is now huge and I think it's not only what they're holding in their hands, but also the entire structure that's supporting them (which has wings!!) because you can see two sets of purple and pink jewels on either side. Maybe it's just me, but the "branches" of the structure are awfully tree-like and I can see what might be a few leafy shoots by their feet.

Also, they appear to be standing in the canopy of the cherry tree that has blossomed in Homulilly's skull with no transition whatsoever, which is why the background is abruptly pink. Which raises a question I had never considered before: is their combined bow the cherry tree itself (or a part of it)??? Is that what's happening here??

And if that's truly the case, then maybe my earlier thought about Homura's black bow somehow becoming one of Walpurgisnacht's trees isn't so far off base after all...

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[maxiwaxipads]

i wrote how everyone in noir bouquet would fight a while back so here you go !!!

Badobarm

Frontliner and tank, he's capable of taking incoming damage for teammates and taunts to distract! Able to give defensive buffs, and cover for allies if they require healing or need to prepare upcoming attacks. Capable of commanding teammates efficiently, he's the party member who keeps everyone's morale up! If Badobarm is there, it will be swift and victorious!

Badobarm naturally charms his opponents with good workplace practices and being a good boss.

Badobarm (Shoujo filter*) - " Work with me where you can even survive on minimum wage and budget efficiently ~ ♡ " (the enemy, who is suddenly under a charm status effect!)

Chaco

A mid-range support character who can bolster the speed and attack of allies! Chaco can debuff the defensiveness of SEEDs, but it isn't too significant of a debuff. Out of all Noir Bouquet, he's the most nimble and able to move freely through a battlefield.

His skateboard was once ordinary until Pochacco blessed the skateboard with his magic! It can easily move through difficult terrain and is even more sturdier than it was before. (<- Maybe climb walls, but I'll consider it) Chaco can also ram his enemies with his skateboard!

If there had to be a character with stealth capabilities, it would be Chaco who can silence his breathing and footsteps. Under a situation where a retreat is necessary, Chaco would be the quickest to flee with or without his trusted skateboard!

Arupek

"A close-ranged attacker at trying his best!" But in all seriousness, Arupek is a long-ranged attacker whose water gun is tampered with different nodes able to perform supportive (healing) and offensive abilities.

His gun is a special item able to convert water into a specialized magic of its own. Once water is inserted, it is unable to be deposited. After some time, the specialized water reverts back to its original state and loses its magical properties.

As long as Arupek carries water around, he's able to reuse the water gun for a long time! He makes sure to label the water he carries as "drinkable" or "ammo."

Arupek is capable of using dark-type pokemon attacks!

(So I had the idea that being contracted with a lord gives you special abilities, and Arupek inherited a venomous bite from Pekkle) (Doesn't easily share his food with others in fear of them being affected with venom) (When he's around Badobarm, Arupek makes sure to finish his food quirk even if he dislikes it or it isn't to his preferences)

Arupek, who sees Badobarm scooping the rice from his plate into one place--intending to eat it...!?

Arupek - "Oh--WAIT! WAIT! DON'T EAT IT!" "I'll finish it. I swear! You're a good man, Badobarm! I don't want you to die!" Badobarm - "...Be my guest?"

Badobarm, who thinks highly of Arupek because he can finish his food!

Tuxam

A magic DPS, but I couldn't decide between mid-ranged or long-ranged, but he seems mid-ranged to me? Has a more practical understanding of magic and can use it for mundane tasks. Resistant to cold statuses and weather!

When it comes to magic, I think Tuxam is the strongest or on par with Pikero? Slightly (physically) stronger than the average person, but when pitted against other knights, Tuxam doesn't appear that strong. I imagine this also applies to things like his stamina and how quick he can be.

Tuxam is a character who is motivated by helping others, even if it is a strict standard. May take incoming damage for allies even if it harms him. (<- Something that he's definitely scolded for(?))

Hangyon

A close-range or mid-range attack, Hangyon is both a DPS and a terrible support character! He's a wildcard able to quickly adapt to his situations, and able to use anything within his hands as a stratagem.

I imagine Hangyon is a high-damage DPS to the detriment of his allies. Someone capable of breaking the 4th wall, and whether Hangyon knows he's a character is left vague.

Hangyon who breaks the 4th wall to ask the audience what's the best move in this situation.

Hangyon - "Ehe~ ♡ I can't hear you anyway! I'll just attack them silly."

But I like the idea that his awareness is kept intentionally vague.

Pikero, who I wrote as an offsite strategist considers Hangyon as a bomb or considers him too unpredictable to follow orders. I imagine Badobarm can sway Hangyon to take battles more seriously(?)

Hangyon who can debuff both his allies and his enemies. (And maybe even buff(?))

Pikero

A strategist who prefers staying far away from the battle! In return, he observes the situation from afar from an objective angle and determines the best actions for a plausible win.

Compared to other knights, Pikero can use magic from long distances but requires the help of "drones" to carry the magic and cast it. Because he casts his magic from a long distance, it may take a while for it to cast and he would have to inform the rest of Noir Bouquet when making incoming attacks or casting supportive spells

Pikero is also capable of casting supportive magic, like healing or giving buffs. I imagine it is obvious to tell when Pikero can cast a spell, so an enemy would have to time their attacks to avoid drone strikes or prevent Noir Bouquet from receiving buffs! (Maybe a drone has a brief moment before casting the spell)

Mentioning the drones again, they're able to perform multiple tasks for Pikero and aren't solely for battle. When Pikero casts magic through the drones, they have to carry it all the way there and it requires multiple to transport and cast.

(To visualize, imagine a vague trail of drones going back and forth similar to a cable line to deliver the magic) (Pikero has separate drones tasked with observing and recording the battle from afar, and drones who act as the cable lines and cast the magic itself)

These drones can easily be destroyed, and a slight disruption can misdirect the spell itself. But once a drone is attacked, you would have to destroy the other drones before his information is quickly relayed to Pikero.

(Possibly can overheat(?)) (Maybe bad weather can affect the performance of the drones, I could see it(?)) (I feel like I powercrept Pikero...?) (May also take a while to set up, especially in long-distance places from Keroppi Kingdom) (Maybe they also take a while to assemble(?))

(Even without the cable line drones, Pikero can still provide good insight by just observing the situation) (I imagine the drones Pikero uses for battle are all-purpose(?))

While Pikero will rarely appear in battle, I think he's faster than Chaco when there's a dire need to retreat.

I wrote to myself once, "I think everyone can agree Pikero is the weakest in Noir Bouquet." I wrote that twice. I still agree with me thrice. (lovingly)

Noir Bouquet's Physical Strength:

Pikero < Tuxam < Arupek < Chaco < Badobarm < Hangyon

Noir Bouquet's Magical Strength:

Badobarm < Chaco < Hangyon < Arupek < Pikero < Tuxam

(Again, Pikero and Tuxam might be equal to each other(?))

Noir Bouquet's Physical Defense:

Pikero < Arupek < Tuxam < Hangyon < Chaco < Badobarm

Noir Bouquet's Magical Defense:

Pikero < Hangyon < Chaco < Arupek < Tuxam < Badobarm

NIGERUNDAYO!

Badobarm < Tuxam < Arupek < Hangyon < Chaco < Pikero

(Badobarm is intentionally slow to save time for everyone else and ensure everyone makes it out safely!)

edit: have you ever reread something you’ve written and realized I USED THE <> WRONGLY???? Sure, I haven’t actively used <> in years it terms of schoolwork, but LIKE???? you know the example that the alligator eats the thing that is smaller than the other? i thought about that… but maybe the alligator was eating the one with the most meat rather than the weakest prey… I have had a lot of grammar mistakes before but like????

[civetfish]

Nerd-to-nerd communication

Something super pointless and self-indulgent I've had on the backburner for a while. I love trying to make the pieces they gave us fit together!

Al-AN and Robin would absolutely bond over learning about each other's biology. I could talk about this forever but I'll get into all of the headcanons I have for these two in another post eventually

Below the cut is another version with some extra bits and pieces and the transcription

Transcript :

Architect Anatomy A. Architect "Brain" - Doesn't "store" information so much as allow for easy communication with the network B. Brainstem - connects the information received to the central nervous/circulatory system C. "Heart" - Circulatory system pumps the bioluminescent fluid to other organ systems and surface veins. Each node connects to a vast vasculature network D. "Kidneys" - Organs that filter the bioluminescent "blood" and other bodily fluids, absorbing and distributing collected material E. Nerve Center - Receives raw sensory data and filters it. Filtering can be unconscious or intentional

F. "Respiratory" Tract - Intakes gases or liquids and filters out material for use. Disposes of waste on exhale. Provides cooling to internal systems

The respiratory tract functions less like a set of lungs and more akin to a computer's cooling system, with the ability to absorb material from the environment to use in other parts of the body. It also would likely help the architect's body analyze the environment it is currently exposed to on a molecular level. It is also truly unidirectional, with the intake vents near the "collarbone" and the exhaust vents on both sides of the abdomen

The architect organ cache in-game felt like it was definitely not a complete model of the internal organs, so I wanted to come up with something to fill some more space. I also just really liked the idea of Al-An being capable of something similar to breathing, without having a respiratory system in the traditional sense. Feel free to use any of this in your own headcanons if you would like :)

BONUS - a gif of all the layers!

[ganondoodle]

man i really wish people would stop blaming demise for ganondorf being 'evil'

do you really think ganondorf being merely a puppet of an old, long dead and forgotten god of death is more compelling than him doing what he does bc he has other reasons we never get to see bc hes supposed to be an unquestionbly purely evil villain? (and lets ignore that opposing hyrules royal family is basically akin to being purely evil couhg couhg sheikah-yiga cough)

(aside from that it implies that demise is the source of all evil for no reason so its really just shifting the blame to yet another blankly evil character ... )

[supergraphicultramoderngirl]

(whispering into the void) you can’t be mad at a game for having battles when that is one of the whole points of the game. it’s not a tv show it’s a recording of a game where battles are one of the main components. you can’t only want roleplay just watch a tv show for that. anyway please don’t smite me

[nyaskitten]

It's so funny how season 11 re-established that sometimes Zane can just. See the future, and then it's literally NEVER brought up AGAIN for some insane fucking reason, and then they decide Lloyd gets visions instead.

[dungeons-and-dragon-age]

it also once again makes me painfully aware of the woes of being a dragon age dwarf enjoyer (<- being starved for proper lore) 😔

[angeltannis]

The fact that Symmetra’s seemingly only childhood friend was a boy she fundamentally disagreed with everything about and disliked pretty much everything that he stood for - and that it was exactly the same for him - is so so so funny to me. Unlikeable neurodivergent bitches gotta stick together

[fiapple]

i'm getting towards the end of the skypeia arc, & i'd like to say just how much i adore the way the female strawhats have been treated.

just... every aspect of how the way their characters have been previously contextualized influences the story-line is treated with a masterful amount of consideration. we're given so many layers to both of them that enrich not only their characters specifically, but the arc, and the one piece world as a whole. without nami & robin having their specific skills, and their specific values, without those being built upon, the story would have come to a halt.

you could not have skypeia without nami & robin being who they are as individuals. not just because they never would've gotten there without nami, but also because the way these women think is itself foundational to the machinations of the arc as a whole.

to be totally upfront, if you think any other strawhats were more central to the skypeia arc than nami & robin were you are full-on fucking lying to yourself.

[kickedin17]

This feels obvious but maybe it's not so. The silence in Paladin Strait is. The strait. That's the crossing. He can't sing because he's schwimming. Right

[anghraine]

Maybe it's just because I'm sleepy and my brain is tired and irritable, but I do wish fandom in general weren't so absolutely intent on casting all familial or quasi-familial relationships into some near approximation of US nuclear family idealization.

Acting as a caretaker for a child doesn't automatically make someone their "real parent" or "adopted parent" or "any parent at all" if the child doesn't see them that way. These caretaking relationships can be messy, begrudging, or essentially coercive (in both fiction and IRL, and in life, forcing children into situations where "they'll be taken care of" is often coercive and/or predatory).

And sometimes a caretaker adult, whether a natural parent, adoptive parent, some kind of guardian, or more amorphous caretaker, is ... bad, actually. It's understandable for the children they take care of (whether literal children or now-adult people who experienced it previously) to have had negative experiences they have complicated feelings about, to have complicated feelings about their caretakers that may not distill down to "real parents", to be capable of harsh criticism of their former caretakers, even if they love them.

Sometimes it is the simpler scenario where a child is adopted and it looks very much like a conventional "nuclear" relationship (though even then, the child can have more complex and inconvenient feelings than they're often supposed to have). But—okay, I may be biased from coming from a family that was licensed for foster care, which saw a lot of children essentially forced into foster care with varying complicated feelings about it that didn't always equate to "this person who looks after me is my mother"—even after a long time, sometimes.

And there's frequently a nasty pressure on children placed in "care" to either reach out to their birth or adoptive parents, or to wholly turn their backs on them and accept their current caretakers as the only parents who matter. But usually things are messier than that. You can care about a caretaker, you can respect and love them, and still not feel like you're their child. Or maybe you do! It just depends.

This can happen with siblings as well, especially when there's a big age difference—yeah, one of the siblings may be functionally filling the shoes of their parents as well as they can, but it doesn't necessarily make them actual parents in the eyes of their younger siblings (or themselves). It can, but doesn't have to. Or maybe it's something messier, like when the relationship is almost parental, but not quite, and the exact nature of the dynamic is hard to pin down.

There's also the case where the relationship may have been parental at one point, but one of the parties (usually the caretaker) burned bridges so badly that the child (often an adult at this point) cuts ties and doesn't deny that the caretaker filled a parental role back then, but wholly rejects it as any kind of current reality. This can happen with biological family, but also with looser caretaker relationships as well (esp the cultier ones).

I'm thinking of a lot of fandom examples of these kinds of indeterminate caretaker-child (or former child) relationships, where either we know or have good reason to believe the child doesn't regard a former caretaker as exactly the same as a parent, or we just don't know what the nature of the relationship is, and fandom will be absolutely insistent that the only possible way to read it is parent-child.

And also, sometimes there's nothing wrong with the caretaker relationship, but it's still not parent-child. It simply doesn't map onto this parental mold that fandom tries to box all adult-child caretaking relationships into, because family is more complicated than a single, very simplistic model allows.

[1tsjusty0u]

man. totk couldve been so good

[clonehub]

nobody can talk to ridge about fighting for the republic once he's succesfully escaped it, he's gotta be probably the most critical of the republic government out of all the clones. saying "our purpose [as clones] is to fight!" will get you "who told you that? The Kaminoans that 'bred' us for money or the government that won't pay us and won't let us vote?"

[astragatwo]

In contrast to my last two Rain World OC posts, these guys aren't one offs and are part of my current core OC group. More info about them under the cut since it's lengthy.

First starting with The Serpent —

The Serpent is one of AV's many bio-engineered slugcats - if you can even call him a slugcat at this point - as part of a simple passion of experimenting with flexible slugcat biology

They share several traits in common with red lizards, those being constant hyper-aggression, tremendous strength, projectile spit and size

As for similarities with slugcats, well, a general elongated shape? Oh, mobility, unlike red lizards, the Serpent is very adept with vertical movement

AV didn't really have a clear goal in mind with the Serpent unlike the rest of their tube babies, they just sort of... happened.

The spontaneity of their creation though has been very interesting as despite initially being created with the solitary lifestyle of a red lizard, the Serpent still keeps his slugcat instinct of adopting random children they find

Though the Serpent seems at first, displeased with this development but rest assured that if you ever LOOK at his pup wrong they will kill everyone in the room and then himself

Though not pictured in his reference since he was my first Rain World OC, created with very little knowledge of the lore and started as a one-off, he has a citizen ID drone which AV uses to keep track of him

He was also simply created out of my desire to have a long slugcat and my obsession with red lizards combined so there's that, too

Speaking of AV, moving on to Administrative Violence —

Named after the song of the same name by Lauren Bousfield, you'd expect them to be - well - violent. They're not, at least not with those they commonly interact with

They are actually quite sweet with Blown Blooms, their partner, and Peach the slugcat

Weather conditions, all things considered, are pretty mild where they are but far, far off into the distance their partner Blown Blooms isn't so fortunate and natural erosion as well as other random unfortunate events unrelated to weather, has taken quite the toll on them

As a result and fearing for Blooms in every way possible but especially for their communication's inevitable severing and also Blooms being lonely all on their own, AV created a slugcat who resembles a strawberry lizard - a species of lizard Blooms is especially fond of

Peach was designed for protection and companionship first and foremost and an emergency messenger/relay secondly.

Outside of worrying for Blooms' condition and yearning & longing for close physical proximity to them the way creatures who aren't supermassive structures have the luxury of, AV spends most of their time studying their bio-engineered slugcats.

Each and every one of them is given a citizen ID drone for ease of tracking as well as general classifications

They couldn't give a shit about whatever problem the other iterators are working on - just these funny little slugcats

They take the occasional interest in other animals too but it's mainly slugcats

And finally, Blown Blooms and Peach —

Blooms, like AV, is named after a song of the same name by Lauren Bousfield. Peach is just named after her colors.

Blooms, like their partner AV, has a complete disinterest in the great problem and a very big interest in bio-engineering

This time with plants rather than animals though they have a soft spot for small critters but they're usually never the subject of any experiments - just study and admiration

However, due to a deteriorating state, Blooms isn't quite able to use their equipment to manipulate genetic information like they used to - which is upsetting

So instead, they help AV with their current studies as well as keeping tabs on their own prior experiments

They have Peach now, though, which brings a much appreciated break from constant studying and nice close companionship

Peach will often catch prey outside and come back to eat it with Blooms and occasionally Blooms will play around with Peach and levitate the prey around for Peach to chase in anti-grav

The event that pushed AV to create Peach was when a creature entered Blooms' chamber and attacked them, partially damaging their puppet before being killed and then expelled from the chamber

Blooms is absolutely still capable of themselves and ultimately damaging the puppet a bit is nothing when taking account the sheer scale of an iterator - but AV will be AV

Plus, Blooms isn't complaining about getting a cute little companion from AV

And general trivia/info —

Everyone here is aroace. All of them. AV & Blooms' relationship is non-romantic in a sapphic way

The Serpent's pup's name is Pipsqueak

I know rudder tails shouldn't curve like that but I decided that after I finished drawing the Serpent and I wasn't about to redraw anything at that point

The other Iterators in AV and Bloom's local group are Illuminated Crown of Fire, Projections of Watchful Eyes, and an unnamed lunar-eclipse inspired iterator.

I have little information on them right now, but they are each based off of solar eclipses, stars and lunar eclipses respectively

In all, this local group is just a bunch of experiment freaks to varying degrees except for ICoF whose presence is often forgotten because of how little they speak but is also ever looming

And that's all! Thank you for reading this far in <3