#i mention him in like every other post

[todayisafridaynight]

Your dad sounds like a beautiful person internally and externally.

my dad's the best guy in the world and im not exaggerating at all he is in fact a very cool dude and im lucky to call him my peepaw :)

[iridescentmirrorsgenshin]

This is an analysis of Kaveh and Alhaitham’s argument posted on the Port Ormos bulletin board!! Because it is crazy actually!!

I think this exchange of theirs out of the three posted throughout Sumeru is particularly interesting, and this is due Alhaitham openly expressing that Kaveh does not understand what Alhaitham is really trying to say to him: “I have never denied what you meant, but you don’t understand what I am saying to you at all.”

This exchange is relevant in various ways in exploring the motif of communication. As according to their usual rapport, the two disagree over their differing philosophies, as in sensibility versus rationality, however, Alhaitham’s particular concerns in Kaveh spending his money on “nonsense” highlights the underlying reason for this exchange. From this comment, the argument is recontextualised through Alhaitham’s intention for getting involved, as Kaveh prompts the workmen to take his money in order to help them out.

When Alhaitham states that this is a meaningless action due to the inevitability of people rising or falling on their own accord, rather than solely critiquing Kaveh’s “impulsiv[e]” altruism, as Kaveh interprets, Alhaitham is directly contradicting his own comment – as he is interfering on Kaveh’s decisions.

As concern is evidently the intention behind his interference, Kaveh cannot perceive this, and instead attempts to critique Alhaitham’s perspective in return, although Alhaitham states: “Make no mistake. I have never denied what you meant…” This response asserts that Alhaitham does not deny, but rather agrees with, Kaveh’s statement of “mutual assistance, fairness, and righteous anger” driving the world.

In lieu of this, rather than continuing the argument, Alhaitham claims that there is no point to it, as Kaveh does not understand what he is saying, as in, Kaveh does not understand that his intentions in interfering are out of concern. He follows this up, regardless, by criticising Kaveh’s handling of his budget, as, evidently, Kaveh has offered to give his own money to these workmen, and refuses to pay for Kaveh’s drinks for that month.

For Alhaitham, Kaveh’s lack of self-prioritisation leads him to impulsive altruistic acts which serve to jeopardise his own position, particularly regarding money. If Kaveh can afford to give away money, he can afford to pay his own tabs, is the takeaway from this exchange. Although, similarly to the exchange between them posted in Puspa’s Café, this applies to one particular month, insinuating that Alhaitham will continue to pay for next month’s tabs of his own accord.

The main argument, as well as the disagreement over the speaker of Kaveh’s quote, serves as a humorous exchange, but as a motif for communication it acquires a new meaning. The two hold perspectives which contrast the other which puts them on unequal footing, demonstrated within the argument over the speaker of Kaveh’s quote. Although it is not disclosed who is actually in the right, both are convinced of their respective viewpoint. There is an element missing here, a potential solution to this problem, and it lies within the idea of “correctness” established within A Parade of Providence.

The omission of there being an objective, correct answer to this particular debate serves as a parallel to their conflicting viewpoints, with the basis of their exchange being to “prove” to the other their “correctness” – here, it is in regard to Kaveh.

However, “correctness” being the basis of their exchange, and thus, relationship, is challenged with Alhaitham shutting down the initial debate due to Kaveh’s misunderstanding of his meaning. Correctness, then, and its importance, is called into question within this exchange, with Kaveh being the one to chase it; his last message being that he would “prove” himself to be right.

At the core of this bulletin board exchange is the idea that Alhaitham harbours an alternative ‘meaning’ than the one that Kaveh assigns to him: “… you don’t understand what I’m saying to you at all.” This is a meaning which Kaveh cannot perceive due to his current understanding of Alhaitham. This represents the standing of their current relationship, where Kaveh believes Alhaitham holds him in disdain, although this belief is incongruous with Alhaitham’s actions which show his care for Kaveh.

In these instances of communication through the Bulletin Boards, it is interesting to note that Kaveh is revealed to have been drunk and “scribbling” on these notice boards, and hopes that Alhaitham does not know.

Although this is a humorous detail, it adds another layer to the unreliability of their method of communication, as Kaveh has no recollection of these exchanges with Alhaitham, and therefore could not have properly interpreted Alhaitham due to an altered state of mind. It is uncertain whether Alhaitham is aware of Kaveh’s being drunk whilst responding to him, or whether he is believed to have been lucid, which creates another element of unreliability in their exchanges.

Alhaitham understands Kaveh’s thinking and the reasons for why he acts as he does, but he cannot articulate his concern in a way that Kaveh will understand, both out of Kaveh’s incapability of receiving goodwill, but also due to his logical manner of expression. Kaveh perceives Alhaitham’s concealed expressions of concern as personal gripes and criticisms of his beliefs, and therefore believes that their relationship is based on the scholarly principle of proving the validity of one’s philosophies.

The Port Ormos Bulletin Board reinforces the core essence of their relationship: Alhaitham is invested in a personal regard, whereas Kaveh cannot see this due to his perception of Alhaitham and Alhaitham’s inability to communicate in a way Kaveh would understand.

(Update: For more analyses like this, the essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)

[rox-of-iu]

no thought only MQF in brain* (*even more than usual yeah.....)

ok lads listen up. i love allllll Mu Qingfang designs ok? all the interpretations are cool and valid and dear ok BUT. whenever I personally try to draw MQF without a 'stache he just looks to me like a first-year med student ok hjdfhkfd

but anyway. when i was scrolling around and being completely normal about MQF i saw a lot of ppl say stuff like 'this is my 'mqf is actually pretty' agenda' and its alwaysss about peeled mqf SO I HAVE A POINT TO PROVE OK. mqf with a moustache can be also a prettyboy ok?? i can prove it 😭😭

so here are my qingfangs where i turned up the babygirl vibes to absolute max as i could hsdfjkhdskfh 💜

[beastcouture]

arcade gannon is just a man who happens to be blonde. he's not a blonde manTM the way char aznable or lestat de lioncourt are. if that makes sense.

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[eri-pl]

So, Vanyar are the good guys, right?

The boring, faultless Elves?

...except that part where Ingwë (that's the Vanyar king, right? I tend to mistake him with the Teleri one) plays matchmaker so that his sister could marry Finwë despite the fact that Finwë has a wife (who is dead but anyway) and we all know how it ended.

Seriously. In one of the alternate tellings of the story, he knows Indis loves Fnwë, he invites Finwë for a visit and tells Indis to go sing on (the mountain? a balcony? anyway somewhere) and Finwë falls in love and this looks very much planned.

Which is just

just

it was even before the Valar said that Finwë can divorce, that this is even a possibility.

Since I learned about that I have a strong hc that many Vanyar are very "letter of the law", "if it's not forbidden, it is ok" kind of persons, while simultanously blaming the Teleri for not going to Aman fast enough and the Noldor for leaving (I'm not even talking murder, just leaving would be enough) and if they got whatever terrible order signed by the Valar, they would do it without question.

[gladiatorcunt]

thinking about rafe & coryo & anakin & astarion and how imo their inherrent appeal (if you pick up on any) is supposed to be in the fact that something is extremely wrong with them (or they aren’t meant to have any appeal at all). bc i don’t understand the stans who are so selective with reading and hearing they try to argue otherwise like were you so blinded you ignored the glaringly & obviously bad things about them??????? rafe & coryo & anakin later especially?????????

[idekwtf-is-happening]

Damien’s currently getting cancelled on Twitter for *checks to make sure I’m reading this shit right* apologizing for a joke he made five years ago where he mentioned the conflict in Gaza

[crystalleoi]

au doodle... wanted to write a short interaction between these two :)

[the-acid-pear]

Dave and Steven's relationship is so fucking mental literally THE toxicest of yaois 💥

[volfoss]

i think honestly what irritates me about yoshidas work SO much is that people will tell you that banana fish is THE gay manga (ignoring the many things that came before it and were more groundbreaking, ie MW literally having on screen (or like. on panel but still.) gay sex in it and that came out like a decade before BF did) when there really isn't barely any gay rep outside of the pedophiles and the one time ash drops the f slur. like im sorry but somehow yasha, a work she wrote in 1996, has more gay rep in it but also has the same issues.

i truly do not get how people can enjoy banana fish with the rampant racism every 2 pages or the rampant sexual assault plotlines (on women and ash bc he is just... written like how yoshida writes women lmao) that are handled IMPOSSIBLY bad and sincerely i hoped yasha would be better because it had been like a decade or so between works. and then it proceeds to continue with the heres our blonde genius protagonist who everyone is weird as fuck to and will sexually harrass and everyone finds it a VERY funny joke to point out how feminine he is when theres barely any women in the work (if you exclude the ones that are being raped/killed/creepy to minors. which to be fair yasha has toned down the sa a LOT) and that its funny that hes kind of gay except not really!! and its just absurd to me how it just persists in all of her stuff because she is not an author that handles gay stuff well. like the scene in banana fish where ash is completely ok getting gang raped and did it solely to get into the hospital when its been SHOWN that he has a lot of trauma with that. and then right after his friend makes a joke at ash's expense about that. like sincerely and genuinely is this what we are hyping up as the old retro gay manga. go read some tezuka and stop reading shit that the most the main characters do is share a kiss in a nonromantic sense and is obsessed w making every gay person be evil!!

[lord-squiggletits]

unpopular opinions meme: anything on Earthspark?

(Haven't watched Season 1 part two yet so take this with a grain of salt)

I avoid looking at fandom tags generally since I tend to not like a lot of popular takes in general, but people's takes about Optimus being brainwashed/shadowplayed/replaced by a clone in Earthspark really annoy me because it demonstrates a couple troublesome things about self-professed Optimus fans (or anyone really interested in OP in general):

People can't handle the fact that Optimus might make mistakes

Because of this, they then rush to remove agency from him (to make the bad things that happen not his fault)

In doing this, they completely erase, downplay, or even lambast as flaws the very traits that make Optimus who he is.

To take this from the top, Optimus "freedom is the right of all sentient beings" is, and has always been, a person who cares deeply about the rights of other species. This is a trait he's had in EVERY continuity: he values all lives, even small and fleeting ones, as equal to Cybertronian life, and he strives to protect uninvolved aliens from the horrific consequences of the Autobot-Decepticon war. This is one of his primary traits. This is a GOOD TRAIT OF HIS and it's LITERALLY ONE OF THE FUNDAMENTAL PARTS OF HIS PERSONALITY.

In Earthspark, we specifically hear Optimus say "we are guests on this planet" with regards to living peacefully alongside humans. GHOST is a suspicious organization and not only do we see this as the viewers, OPTIMUS HIMSELF acknowledges this by choosing to hide the Terrans from GHOST and openly saying that he doesn't know if GHOST is trustworthy, but it's currently the best option they have and he's trying to find another way.

Earthspark Optimus has no shortage of nuance. He's not a dunce; he acknowledges on multiple occasions that he doesn't completely trust GHOST, that he's willing to hide things from them, and that he would do something else to live peacefully with humans if he knew of a way to do so.

But the fandom seems to get one whiff of anything "problematic" happening due to Optimus (not just Optimus, literally every Autobot and even Megatron collaborates with them too, but for some reason blame for working with GHOST only ever falls on Optimus) and they immediately jump to this bizarre headcanon they have that Optimus is a total idiot and couldn't possibly be aware of any negative consequences of working with GHOST. People seem to think that if anything bad happens because of Optimus working with GHOST, it HAS to be because he was literally brainwashed into working with them.

Optimus believing in the rights of all sentient beings? Optimus being willing to make compromises for the sake of other species besides his own? Optimus knowing that he's making morally gray choices/questionable allies and doing it anyways because he thinks it's his best option? Nope. Nope, clearly he has to be brainwashed or a clone or something.

It's really frustrating because people jump to this black-and-white view of Earthspark's plot where they're like, "GHOST is evil and this clearly means that Optimus is an idiot for even attempting to work with them." But like. What else is he supposed to do? Just let the Decepticons run around stealing from humans, damaging their property, and killing them? Is Optimus supposed to grab a random piece of human land and go "this is mine now, me and all my people are gonna live here now." That would be literal colonialism, and keep in mind that humans had nothing to do with the war to start with-- Earth is just the unfortunate planet that the war happened to land on, dragging humans into a Cybertronian conflict.

It's just.... so fucking frustrating as an Optimus fan lmao. It's gotten to the point that I don't even look at Optimus content made by other Optimus fans because too many of them have this idea that Optimus can't be a normal person who makes bad choices (knowingly or unknowingly), he has to be an eternal paragon of goodness and this means that in order for him to be Good (TM), he can't be responsible for anything Bad And Evil, which means that if anything Bad happens (inevitable in any plot involving conflict, drama, or conspiracy), we have to swoop and take away Optimus' culpability for the situation. Because having Optimus be responsible for bad things happening would make him Not The Perfect Good Guy, and if Optimus isn't The Perfect Good Guy then we don't care about him and we hate/ignore him (which is exactly what people do with IDW OP btw: throwing out a perfectly good/interesting character who's no more bad or good than anyone else in the story because Optimus Has To Be Good).

Another example of people taking away Optimus' agency is the all-too-common TFP/Aligned headcanon in which people like to say that the Matrix literally turned Orion into a different person, Optimus, therefore none of the decisions OP made as Prime were "actually him" and it was just Primus imposing his will on him or something. Really annoying! Ideas like this don't make Optimus any more interesting, they just make him a helpless victim to forces outside of his control who manipulate his every action!

TLDR: Earthspark Optimus is fine actually, people just refuse to take his perspective and instead default to "Optimus is stupid/brainwashed for working with GHOST" instead of coming to the rational conclusion that maybe OP is doing the best he can in a bad situation.

[taegularities]

…

[nerosdayinanime]

sabito = dirtbike redneck. you cant convince me otherwise

[meatmensch]

Music I think Roy Kent likes and why

Madonna. In season 3, episode 3, Roy said, "[Pre-Madonna] means before Madonna, female vocalists didn't have to work that hard." This implies a great respect for Madonna and her craft. Also, it's an example of a very specific kind of queer guy misogyny that I find very humorous and implicative (of him being queer).

The Sex Pistols (and other punk rock). Two of their songs are in the Ted Lasso soundtrack. One of them specifically plays when Roy is about to do some pundit work for the first time. I think it's meant to be his hype up music. They're also, of course, anti-fascist and anti-monarchy, which I think Roy would vibe with. He's giving punk.

The music of the Muppets. Canonically (not that I necessarily consider this kind of thing canon, lol) a Muppets fan, I think he'd love the soundtracks to the movies, as well as the numbers they do on the original show.

Rap; Salt-n-Pepa, Queen Latifah, and Beyoncé. I just think he would like them. In season 1, episode 6, Keeley mentions that he has rapped, implying at least some interest in the genre.

Leonard Cohen. I think Roy's Jewish, and he's a broody, sensual bitch. It adds up perfectly. Sidenote: while "She's a Rainbow" by the Rolling Stones was a great choice for the song he runs home to football to, I think Cohen's "Ain't No Cure for Love" would've fucking slayyyed..."I loved you for a long, long time / I know this love is real / It don't matter how it all went wrong / That don't change the way I feel / And I can't believe that time is gonna heal / This wound that I'm speaking of" "I've got you like a habit / And I'll never get enough" "I don't need to be forgiven / For loving you so much"

Klezmer. Again, if Roy is Jewish, and we know he loves and misses his grandad...it's simple. He HAS a record player and a dope sound system, and on his shelves there ARE old klezmer records that he remembers dancing around to with his grandad in their old flat.

Amy Winehouse. Again, if Roy is Jewish, and we know he is broody and bitchy, it is a given. "Rehab" is his anthem when his knee gets bad and he is reluctant to treat it.

Disco; Donna Summer and Jessie Ware. It's just great workout music, and it slays, and if he's queer, well, yes, of course he likes disco.

Pop rock; Elton John and Queen. If he's queer...it's a given. I think he particularly likes "I Think I'm Going to Kill Myself" and "Rocket Man", as he is suicidal (I can't find the interview where Goldstein said this) (it's just Word of God anyway), and the most rocket man motherfucker ever.

The music of the people he loves; Led Zeppelin, Cream, Tina Turner, and Stevie Nicks. Phoebe, Keeley, and Jamie like these musicians. He's a caring uncle, boyfriend, and friend. He is listening and learning. Also, I think Phoebe would be into some weird stuff, like outsider music - maybe some Tiny Tim. I think Roy would also enjoy the music of other friends, from plenty of other genres.

[nebulousfishgills]

As much as I love playing embrace Dark Urge runs (discussion in therapy pending), there's something so narratively satisfying about how a Resist Durge playthrough can go once you get to the Bhaal Temple. Your character steps into the ring with Orin, it's intended to be a duel, but odds are you're getting eviscerated pretty quickly. You then switch to one of your other characters in your party and throw an attack, effectively breaking the duel and setting the whole temple upon you.

(Adding a cut because this ended up being longer than I thought)

But, I think it's a very satisfying way to play. Your party members have grown fond of your Durge, seeing them as a friend, a family member, even a lover. They've watched you and your pain over your Urge and what it makes you do or want to do. Maybe you've slipped up once or twice, but you've been trying so hard to be the hero they know you can be, that Faerûn needs. So, when it comes time to finally face your demons and you're getting so horribly hurt in the process, they can't help but rush to your defense. It'll put all of them in danger, but it doesn't matter because they want and need to help you, their ally and companion.

Bonus points if you select your character's romanced companion as the savior/duel interruptor to make it extra delicious. They've fallen in love with you, stayed with you when your Urge craved their blood the most, maybe by this point in the game you've helped put their demons down as well. They see you in pain, a final valiant effort to overcome your Urge against the power of Orin, a whole cult, a god of murder himself. They want to protect you, save you as you saved them.

I'm also fond of the extra beauty of Astarion being your Resist Durge romance since it puts the two of you in very similar situations. Fighting against the will of your masters, finally defeating your demons with your newfound companions' help and being offered the greatest power you could ever fathom... only to deny it, ignore power in favor of your party and your love.

This isn't even mentioning just how goddamn good the Withers resurrecting you cutscene is. This skeleton in your camp with unknown and unfathomable power (also apparently supposed to be Jergal himself if I've done my research properly?) is able to bring you back to life, free of your Urge. The line along the lines of "Bhaal could only destroy what of you that he knew, but because you've grown past your Urge and become your own person, he couldn't destroy that new growth" is just so weirdly powerful narratively. Tav may be a default character for you to create upon making a new save file, but Durge is the canon protagonist and I think that entire scene shows it the best. It's a beautiful secondary climax of the narrative (primary being battling the Netherbrain of course).

And, perhaps it's just an oversight on Larian's part or something that'd be a bit difficult to work into the cutscenes mechanically, but I think that it could only get more impactful if your companions could comfort each other during these moments. Everyone and their mother wishes you could hug Astarion after he kills Cazador, but also imagine your romanced companion cradling your body after Bhaal kills you. It seems just a little odd that they all (meaning your party) kinda just stand around staring at your corpse, especially with how close y'all have gotten.

Idk, I have a lot of thoughts about this section of the game in this particular type of playthrough and some of them are hard to articulate into words. It's just such a damn good narrative peak and can really make you feel things.

I've completed I think two resist Durge runs and just hit this point on my third and it really stuck out to me this time (then again my new antidepressants are kinda fucking with me so that might be playing a role). I left it as my last mission before dealing with the Netherbrain and I think it helped build the anticipation of that moment. Everyone else has been helped by you, and now it's your turn to come into your own. I really felt so connected to my character walking into the temple, feeling like everything has been building to this, that regardless of what happens our suffering will finally end. And you have your party there to help you in your time of greatest need as you've done for them.

There's a reason this game was Game of the Year, the narrative is just so powerful and the replay-ability is just insane. I've beaten this game ten times, heading for my eleventh and it truly just never gets old and never fails to make me feel so many things so strongly.