one of the things about being an educator is that you hear what parents want their kids to be able to do a lot. they want their kid to be an astronaut or a ballerina or a politician. they want them to get off that damn phone. be better about socializing. stop spending so much time indoors. learn to control their own temper. to just "fucking listen", which means to be obedient.
one of the things i learned in my pedagogy classes is that it's almost always easier to roleplay how you want someone to act. it's almost always easier to explain why a rule exists, rather than simply setting the rule and demanding adherence.
i want my kids to be kind. i want them to ask me what book they should read next, and i want to read that book with them so we can discuss it. i want my kid to be able to tell me hey that hurt my feelings without worrying i'll punish them. i want my kid to be proud of small things and come running up to me to tell me about them. i want them to say "nah, i get why this rule exists, but i get to hate it" and know that i don't need them to be grateful-for-the-roof-overhead while washing the dishes. i want them to teach me things. i want them to say - this isn't safe. i'm calling my mom and getting out of this. i want them to hear me apologize when i do fuck up; and i want them to want to come home.
the other day a parent was telling me she didn't understand why her kid "just got so angry." this woman had flown off the handle at me.
my dad - traditional catholic that he is - resents my sentiment of "gentle parenting". he says they'll grow up spoiled, horrible, pretentious. granola, he spits.
i am going to be kind to them. i am going to set the example, i think. and whatever they choose become in the meantime - i'm going to love them for it.
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Jason as a nibbler, a neck biter, a vampire. Not literally, he doesn't need blood to survive, no, but the way his mouth somehow always finds your neck, always finds a way to catch his teeth on your carotid, you'd think he did.
He comes up behind you so innocently sometimes, his hands ghosting over your hips and his hair tickling your jaw. His beautiful, soft, jet-black hair that is so quickly replaced with sharp nips of his teeth. You pull away, pushing his head back with your hand, and he groans; what did I do, his eyes say when he lifts his head to look at you. "You're biting me." you point to the teeth marks on your neck, indents a little deeper where his canines were. "I'm loving you."
You patiently wait for the day he gets carried away and accidentally draws blood, the day when the permissiveness of your flesh gives way to this indulgent behavior of his. He'll nose at the tiny droplets of blood collecting around the puncture wounds, licking and laving as a pool of iron collects on his tongue. Pulling away, looking like a wolf who's just devoured its prey, with blood smeared on the tip of his nose and his pupils blown wide.
He'd tasted blood before when he'd punched too hard, when he'd been punched too hard; the taste was always bitter in his mouth, too metallic, and always lingering long after he'd washed it away with water, but not yours. No, yours was welcome, just as bitter and metallic but also sweet? Comforting? Welcome? Yes, welcome. He'd welcomed you into his life a multitude of times, made room for you in places he'd previously thought to be too cramped. In his home, in his mind, in his heart, but the one place he could never figure out how to integrate you was his body.
Of course, he'd had sex with you, let you touch him in ways he had never been touched before, seen him at his most vulnerable, but it would never be the same for him as it was for you. You could never be inside of him the way he was inside of you. He thought he'd never know how it felt to walk around with ghosts of you inside of him the way you did when he came too deep or stretched you out too much. He thought he'd never know what it felt like to carry a part of his lover around with him outside of a material object. Now, he knew otherwise; he knew there was an alternative—a painful, bloody alternative—but an alternative nonetheless.
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mmm thoughts of private executioner!blade, who is high priestess!kafka's bodyguard. well, more like her guard dog, as many fearfully seem to think.
he is aloof and gruff and rough around the edges, his name capturing it perfectly. when in the eyes of the public he either keeps to himself or stands ready by kafka's side, but when out he lurks in the shadows ready and waiting to carry out her death orders.
you, yourself, haven't had very many pleasant encounters with him... if you can even call them that. that being said, you haven't had many pleasant encounters with anyone. notorious for your... less than pleasant disposition, for a lack of better words, you have more people who'd rather see you run through than those you can call a friend.
in a dog-eat-dog world, you had no choice but to protect yourself. that, however, ultimately became your demise.
"oh? so you're the one sent to kill me. can't say i'm all that surprised."
standing before you is the feared executioner. his sword is tucked inside the sheath attached to his hip, that ever-present dark swirl of an aura stifling the air. he doesn't say anything, instead opting to silently stare down at your slumped and worn-out form. you find that his gaze doesn't bother you; rather, it's oddly comforting knowing someone will see you in your last moments.
"i've never asked you for a favour before, so this will be my first and last request for you." in all honesty, you're not sure where this chattiness stems from. considering you're currently in a holding cell under the crime of attempted murder towards kafka (a poisoned wine you were most definitely framed for, though you can't say you were surprised) and are awaiting for your turn to be under the guillotine for your public execution, you probably should be a little desperate towards the private executioner in front of you.
and yet, your mind is nothing if not peaceful.
with a huff, you relay your request, "can you make sure it's quick? painless, preferably, but i'd rather you just get it over and done with."
silence blankets the cold chambers. moisture accumulated along the cobble ceiling drip in a steady rhythm, like a clock ticking away the seconds. it's unnerving, almost, how there is not a single sound other than your impending countdown.
"why?" comes his low mutter, effectively causing a ripple within the stagnant air. you almost think you misheard him, but his following words cease the thought, "why won't you ask me for help?"
had it not been for the abrupt shuffle and clanging against the metal bars, you would have never looked up to see him in your last moments.
his scarred hands gripping the metal until his knuckles turn a ghastly white and blood dripping from his palms is what greets your sight. as your gaze slowly trails up, you almost let loose a laugh of disbelief; who would have thought blade, the infamous guard dog of the high priestess, could make such a desperate expression? one looking as though his whole world crumbled before him, in which he can do nothing but sit and watch.
(you will never know of the anger and desperation which coursed through his veins the moment he heard of your predicament. had it been anyone else, he wouldn't have cared. but you're not anyone else; you're you — unapologetically, wholeheartedly. it didn't take him long to hunt down those behind it, cutting them down without thought and putting an end to their miserable lives. he rushed as soon as he could when kafka gave him the order, no thoughts other than you, you, you, occupying his mind.
you will never know of the anguish which overcame him when he found you in such a state, your once healthy complexion and defiant gaze reduced to nothing but a tiredness which had always sat quietly behind your disposition. he's almost positive the muscle which unwillingly keeps him alive tore at the seems from your request, the acceptance in which you displayed causing his mind to go astray. even as he damn-near begs you to rely on him for help — to run away with him to some place no one knows of you and start anew there — you merely smile, resigned and peaceful.
you will never know of how much blade is willing to put on the line for you, for you never made it to see the complete and utter carnage he wrecked in your name.)
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"Colin should have grovelled more!" "Penelope folded too easily"
I think statements like this typically come from people who like Penelope. . .but don't really understand her. And don't really understand just why she cares for Colin, and just why him groveling would not in any way bring her peace.
Penelope and Colin are kindred spirits in their loneliness, in season 3 more than any others. Penelope had lost her friendship with Eloise, and Colin didn't really have a close friend circle to begin with. Except with Pen. Pen was the person he could put the mask down for, could open up to, (in particular with their 'dreams' discussion) and that's why he couldn't even entertain the idea of giving up talking to her in Season 2. She is a vital part of his life, and holds so much significance and importance to him.
I imagine that's what made their silence over his travels especially painful for him. They spent such a long time talking after Season 1, and he even informs her that her letters were so encouraging, that it helped him heal something inside of himself. That if she could see him in a gentle way. . .so could he. (And he repays this, because he is honest to god out here acting and looking at her like she hung the moon in the sky). But without her presence in his life, he spiraled. Didn't feel confident in being who he is, and thus put on his persona more firmly. We know this because he wrote in his journal that "I want to be less needy, less insecure, while still maintaining the core of my vulnerability that makes me who I am". That he misses his family, that he misses home.
And we know, from the books, that Home? Home is Penelope. Penelope is his North Star, is his guiding force, and who I argue he feels he needs. In his very first scene, he looks toward her house, tries to find her in the window. When he does not, he returns to his family. In the outdoor gathering, he looks for her and finds her, eager to talk. He states aloud that he misses her, and I imagine he wrote it, too. Not hearing back from her over the course of his travels was surely something that hurt him, but he doesn't hold any ill will toward her for it, only wants to reconnect again. In fact, the one and only time he brings up how he misses her and that she didn't respond, she makes very clear the reason why: she heard what he said and it hurt her. And he's ashamed of it.
Colin hears her call him cruel, and instead of ruffling his feathers about it, instead of getting upset, instead of having a chip on his shoulder as I feel so many men would about it. . .he understands why she does so.
Penelope is a woman who has been largely treated poorly in her society. She feels unheard, she feels undesired, and in her circumstances, and I can't help but ask myself. . .has anyone ever truly apologized to Penelope for hurting her, before? Her mother? Her sisters? Eloise, likely, but. . .anyone else? And the way Colin did? Because of all the characters in the show, Colin? Colin knows how to apologize. He has a lot of practice in it. And very importantly: Colin, a man of privilege in his society, apologizes. . .predominately to women. To Marina, to his mother, and multiple times to Penelope.
Ultimately, Penelope wants to be heard, Penelope wants to be understood, Penelope wants to feel desired.
And Colin checks every single one of those boxes. He informs he is not who he was before, and then he proves it to her. He hears that he hurt her, and he comments on it directly. An entire night apart, and he comes back to her 'Because I embarrass you' with 'I am most certainly not ashamed of you', replies to her 'I am a laughingstock' with 'you are clever, and warm, and I am proud to call you my good friend'. He hears her proclaim her own insecurities, and empathizes so deeply with her. He listens. He understands. He makes clear that he cares for her, and that she *is* desired. 'You lift my spirits' 'I seek you out at every social assembly'. That she helps him see the world in ways he loves, that he sees HER and how much she has cared for HIM, that she makes him feel appreciated, that he appreciates her, in turn.
And then? Then? He shows her. He tells her, and he shows her. His actions all throughout Season 3 reinforce this apology. He continues looking for her in every corner of every ballroom, he continues complimenting her, he laughs at her jokes and respects her boundaries, he is ever so gentle with her, he listens to her with an attentiveness that no one else has ever given her. To Lady Whistledown? Sure. But to Penelope? Who else in the entirety of that ton has listened to Penelope the way Colin has?
Absolutely no one.
Penelope Featherington ghosts Colin Bridgerton for months with no explanation, and Colin comes back wanting to reach out to her, and she finally tells him why.
And he apologizes. Because he listens. Really, truly listens. And really truly cares.
I need you to understand how rare that is, even nowadays, but especially back then. That Colin is the kind of man who can put his hurt to the side and realize he made a mistake, that he said something callous, and he adores her, and he can't lose her, and he has to see her and make it right.
Because that's why Penelope fell for Colin. Not because he's beautiful, not for his charm, not for his family. But for his heart. Because he shows her kindness in a world that so often disregards her. Because he seeks her out and tries to understand her, truly hears what she has to say and compliments her, says he's sorry and looks at things from her perspective.
Because he saw her when she was invisible.
Penelope Featherington, who grew up in a house that made cruel jabs at her, has Colin Bridgerton come to her and say he regrets what he said, and that he was wrong, and that he understands why she's mad at him. Penelope Featherington who has so rarely had much of anyone tell her that they're sorry for what they said about her, sits before Colin Bridgerton as he professes how much she means to him. That he cannot even spend a full day away from her knowing they're on bad terms with each other without making it right. That he sees how she is hurting and he has to in any way he can amend it. She is lonely, with no one really in her corner at the start of season 3, and she feels like she lost it all, and Colin comes to her and says 'no, I'm here and I appreciate you and you are special to me, please let me in and let me prove it'. Is it any wonder why after she shakes his hand, she stands in the sun, and she feels the warmth of it, she can smile? That she can breathe, again? That she can be truly content for the first time in the season?
Because Penelope Featherington does not want Colin to beg. She knows him. She knows the tender, full heart he hides behind the new cavalier persona. She knows the soft underbelly of Colin Bridgerton.
He never had to grovel. All he had to do was love her. Assuredly. Fervently. Loudly. Unapologetically.
And he does.
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Every time I watch Shore Leave, I become more convinced that Ruth is dead.
Like, Jim's hellbent on chasing after Sulu, Yeoman Barrows has just been attacked, and then he stops for these flowers with a look of wonder on his face?
My theory is that he's terrified he'll be too late and something will attack Sulu, he thinks something along the lines of "how many more flowers will I have to lay on graves?" and then he sees the exact flowers he lays on Ruth's grave and he has to stop and take one and smile sadly.
And then the whole conversation with Ruth, I mean... Yeah, it does make sense if they were once together and then broke up, but the /pain/ and /longing/ in his eyes, man.
(Also this leaves open the possibility that because he's already seen one dead loved one on this planet, after McCoy is "revived", he might be half-convinced that the McCoy who came back was just a reconstruction because he wanted to see him, and the real Bones is still just as dead as he was. Oh, I want to write this fic so badlyyyy.. if it wasn't a work night ...)
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My worst anxiety regarding season three of Good Omens is that the ending will be lovely, but that it will pass too quickly.
I trust that it will be a happy ending; we know it will be. And I want to see that. But almost more than I want to see that, I want to see them breathe. I don't want "they kissed and made up and went off to their cottage and clinked glasses whilst watching the sunset and saying witty sappy things, and everyone sighed, satisfied." That's not too different from what we got at the end of season one, and it's lovely, but these two have been waiting so long.
so. long.
And I want the ending to be long enough that there's space for that "finally." I want there to be room for their emotions. I want them to giggle like teenagers, I want them to find stupid excuses to kiss each other, I want them to hold each other and cry, I want them to talk about the things they always stopped themselves from talking about, I want them to address the complexity of their feelings. I want there to be some recognition of the relief, and of the wounds that still ache. I want to see them slowly, slowly relax into security. I want them to tentatively reach for each other, each time fearing that they won't be there, and each time collapsing under the weight of their relief to find that they are.
I want to see them make plans for their future and let themselves be hopeful about it. I want to watch the reality of their happy ending sink in. I want to watch them heal.
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