#i saw some of your ideas and

[canisalbus]

I've been following you for years, and I love your art. Seeing you repost your older art pieces reminded me how much I loved the angry, bitter, miserable Machete art and how it resonated with me... but a part of me is also so happy to see the current art of him being happy. Cute art of him as a unicorn, or chilling in a bathtub with Vasco. Like, we're all growing and healing :')

[driftingballoons]

Despite losing their memories, I always imagined Hero had some instinctual feelings regarding the world. Namely, that somehow something simple like a sunrise was a rare treasure that they never got to experience before

[uncanny-tranny]

The bourgeois or "exploiting class" doesn't inherently include the person who gets their nails done biweekly, or the disabled person who has a carer, or the guy who got a $70 video game for full-price, or the person who relies on medication (yes even the ones you don't think they "need"), or anything else like this. None of these people will, on average, have the ability to exploit workers by means of ownership or whatever.

While you are busy fighting with fellow workers, you are still being exploited by your boss, by capitalism, by (potentially) not having healthcare, by being overworked and underpaid, and so are they.

[cametotheshowinsd]

THE ROARING TWENTIES (1929) | Written + Directed by Taylor Swift *ALL-TALKING PICTURE* Flapper Clara falls in love. With a Princeton sophomore. Every night they spend together feels like a dream. All the social occasions, the scent of wine she tasted on his lips, dance floor reflecting broken mirrorball lights, tossing pennies in the pool, sneaking in campus, night walks around the Nassau Hall, joking about school dorms, long dinner that seems never end and sophisticated conversations. His innocence and passion. Her wide-eyed gazes. Breathes that felt too close in the dark. Finally, one day, the kid went down on his knees and pulled that damned rock out of his pocket. Will Clara say "yes"?

[luck-of-the-drawings]

smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.

[ragnarlothcat]

I know I’m a chronic overthinker but I’ve been in the same fandom for three years or so now and I was reflecting that writing seemed so much easier when I first started out. Just looking at my output since 2021 shows a clear trend: I’ve been writing much less and it’s been taking me way longer.

I figured that I’d gotten a little burned out and that three years is a long time to focus solely on the same two guys making out and that there’s a limit to the number of situations I can put them in before I start to get bored. But I don’t think that’s quite my problem because even now, a million years later, I have ideas for dozens of fics and AUs that would be interesting to explore or funny to write.

No, it’s that I’ve let the larger fandom overwhelm me and it’s left me constantly second-guessing my writing. And I don’t mean that I’ve gotten nasty comments or asks, because I haven’t! All the other fans have been consistently wonderful and fun people with really valuable insights. And it’s not that I’ve been obsessing over stats or comments or worrying about going against popular headcanons. I mean, I’m just as excited as anyone else to see an AO3 email in my inbox but I’m also perfectly happy posting niche fics for an audience of me and my three weirdest friends.

It’s more that after so long engaging with other fans and other fics and the general meta, I’ve ended up writing too self-consciously. I’ve read so many interpretations of canon events, analyses of characterization and comparisons between fiction and real-world politics over the years, and I’ve enjoyed them because I genuinely care about these stories and these characters! I like seeing what everyone else thinks and then considering their points of view, no matter how bewildering they might seem at first.

But now it feels like I’m writing almost defensively, like I have to justify every choice I’m making based on this enormous and contradictory body of information. Three years ago I’d have written a scene in a few thousand words and moved on to the next plot point with my momentum intact. Now I’m constantly wringing my hands over things like physical details (I guess he’s not exactly a redhead) or broader social implications (is this trope misogynistic?) or finicky logistics (these locations are too far apart for this scene to make sense) or controversial character nuance (does writing this guy as a kind, doting husband make me an abuse apologist???) and the result is that I’m paralyzed with indecision and a ridiculous need to support everything I write with a lot of context that isn’t especially fun to write or, I suspect, especially fun to read.

I’m aware that this problem is entirely in my own head and that no one has asked me for any of this. And it’s not that all those questions aren’t interesting and important things to contemplate. But I miss the days of sitting down at my laptop and going “wouldn’t it be funny if these dorks played a video game together?” and then writing exactly that.

I don’t know. Were my fics better three years ago? I kind of doubt it. I’ve looked back at some of them and if nothing else I now have a better grasp of what tense I’m supposed to be using. But I definitely had more fun writing those older stories, which maybe feels more important.

[soothedcerberus]

Erik!! I keep seeing your adorable centaur OCs and I always wanted to ask what's the story behind them??

Plushi!! Sorry for the mega-late reply… 🥺I was so happy to get this ask but I didn't know how to explain my silly ocs…I will try now-more under the cut.

Dael Braam (dwarf) is a cooped up farmhand looking to see the world, but being immune-compromised from birth it took a lot of persuasion to convince her parents to let them go. They relent under the condition that she finds a capable and strong person to travel with to keep her safe… Just so happens that a strong and capable centaur knight is visiting in town…

Rembrandt (horsey) was created from a dark fusion spell by an amateur mage, who had intentions to construct a powerful warrior to do his bidding.

However, the spell cast did not result in a powerful and fully-armored warrior…. but instead a frail baby knight centaur, with only its top half made of living armor. The mage, not wanting to raise any kind of child, promptly abandons his creation. He can always try to make another one after all.

Into adulthood, Rembrandt still carries a lot of pent-up abandonment and self-esteem issues. You wouldn't know that from the proud facade he puts on though, lying about being a royal knight yet helping all those he comes across with a smile, but never staying long. When the opportunity of having a long-term travel companion (and perhaps a friend…?) arises from Dael requiring a bodyguard, his craving for companionship and affirmation outweighs his worries about her seeing eldritch elements of himself.

Dirk (beefy dragon thing) is the second (and more "successful") attempt from the same mage to create a powerful monster. Think Rembrandt's "big evil" brother. Except he's quite a bit younger. Dirk emerged fully-developed except for his wings-which remain as little nubs. Despite his brawn and warrior-appearance, Dirk was mostly a glorified errand boy, using his impressive strength to terrorize the nearby towns and their land-collecting resources for the mage.

Dael and Rembrandt meet Dirk after hearing word of a giant dragon-knight ravaging villages (and their livestock yum yum).

(I also like the idea of the mage sending Dirk to capture Rembrandt + Dael when he recognizes is his first attempt is not only alive and strong, but also quite proficient in battle.)

One way or another Dirk ends up roaming with the two. At first, Dirk is over-confident, rude, and stubborn... Overall a huge pain for them to travel with. After being shown kindness for the first time and being subject to more than a few humbling situations, Dirk allows a protective, loyal and softer side of him to emerge.

Lots of found family shenanigans and adventures occur-and yeah! This was rambly but thank you for reading about my guys! 💖

[chirpsythismorning]

S5 opener REAL

[fromtheseventhhell]

I also find it funny that fandom will only accept Lyanna being her non-conforming, wild self in the context of saying that Arya isn't meant to be pretty; Any other day we get back-to-back posts about how Lyanna is actually super traditionally feminine cause she sniffled at a song once, so she's actually more like Sansa. Instead of constantly speaking on Arya and Lyanna, how about you guys reflect on why your standards of beauty for women are attached to how well they perform feminity within the patriarchy?

[ganondoodle]

(idk if anyone wants to keep hearing my opinions on totk book stuff but-)

apparently it says that rauru DID have kids, multiple even, which yeah... is kinda necessary for zelda to even be connected to them so much so that sonia can SENSE a blood connection (which, even with all the excuses with magic, is just a little too far for me to suspend my disbelief bc its over, OVER, ten thousand years worth of generations that seperate her from them that one lil touch of the hand can sense that (feels more like an attempt to make you care about them or .. see them as zeldas "better" parents just bc they exchange a few nice words, i never got the feeling they were 'better' parents and its also kinda disrespectful to her actual parents, like sure rhoam wasnt the best but i wouldnt call rauru better just bc he was polite)- i could see maybe the light power of hylia or sth but since its the coolest dude that ever lived rauru now that had it which still doesnt make sense and makes me unreasonably annoyed and she can sense BOTH of their powers in her? nah) the fact theres NOTHING about them in the game itself is just so ... no way they planned any of this

i dont think theres anything they can do or say that wont make be believe they either

are making it up alla 'fix it in post' mentality trying to hastily explain stuff the game never bothers to do to try and appease fans or let it appear as if they thought about it at all

something went really REALLY wrong during development, which kinda seems likely given how the game turned out (im sorry i cannot let go, its not just the writing, the game design too and how little was changed in the map while being so damn expensive, i dont know how people dont feel scammed q_q)

given that they (allegedly) spent the last entire year of development on polish (where??? where????? huh??? like it would make it more understandable (EXCEPT for the price) if there was alot of trouble, which was also bc it got delayed and ... turned out like this, but they dont want to say it, especially given their reputation, with that quote i have heard way too many times 'a delayed game blah blah') i just??

are they just gonna go and do it like they did with kashiwa (kass)? "they uuuh where flying around the whole time ony cool sonau tech maschines, you just dont see or hear from them ooooorrr they were uuuuh out of the country at the time" (sending invitations to other continents to join their glorious kingdom ;) )

(bet they are also gonna say they did all the stuff like ... moving the shrines around (lol?) and lifting the islands up into the sky- which is still weird bc ... didnt they also say they were living in the sky before coming to the surface?? so where?? did they park all their islands on the surface and the mystery kids had the keys so they had to repark them back into the sky after they returned off camera?? xD also why are the islands so different as an environment if they where from the surface? like even the STONE up there is different- and if they were first in the sky then on the surface and the nback in the sky .. why is there not a single yellow tree or grass in the past- you cant really argue that it changed bc they were up there so long bc .. nothing else changed, the suddendly and totally always there sonau buildings are largely in prime condition, only some slightly moldy, and what we see of the glorious past looks barely any different from the present, aside from like ... some standard trees shuffled, no castle yet and that glowy uwu filter DESPITE that stupidly long time frame between it)

[salsa-di-pomodoro]

Ok but can we talk about the absolute horror of being watched and monitored 24/7 that the ancients must have had. The citizenship drones being like an Alexa that's constantly following and listening to you (except it's five pebbles and not Alexa lmao). The fucking OVERSEERS. THEY'RE CALLED THAT FOR A REASON. BECAUSE THEY'RE SUPPOSED TO BE WATCHING THEIR CITIZENS AS WELL AS THE ENVIRONMENT ALL THE TIME. (I would talk about the fact that they all show arti fucking ads as well but honestly idk what else to say about that. Capitalism got yet another society 😔). That's some fucking nightmare fuel dystopian society settings we are being hinted at. You know the Big Brother Is Watching You thing. The book. Yeah that's what it reminds me of.

The Iterator Is Watching You.

[zeravmeta]

seeing a bunch of yugitubers finally white knuckling teeth clenching admitting that links were actively detrimental for the game and that pendulums were not the core issue is so satisfying, actually

[hanzajesthanza]

i think it would be really funny if regis had a kind of fucked-up haircut

“he could save everyone except himself” but like with regard to the barbery, and not the surgery. kind of like when chefs don’t cook very well for themselves. or when fashion designers wear sweatpants all day.

but moreover. i think the aesthetic effects of a bad haircut would help to dampen his natural lugosian allure and good looks. to reduce any potential suspicions

[revehae]

we need to kill everyone at sm entertainment

[televisedanime]

Assorted Junes

[rickybaby]

with all the recent news surrounding checo's performance clause with rbr, it got me wondering about Daniel's deal with McLaren. Did he also receive a similar contract clause from that team? like Ik that he was dropped without his prior knowledge but was he given options beforehand??

Daniel in fact had no such performance clause in his McLaren contract. He had an option to extend for 2023 that only he could trigger, which meant McLaren couldn't unilaterally decide to not extend him for 2023.

This was why Zak Brown went on his media tour criticising him and playing musical chair with his seat until he signed Piastri behind Daniel's back. They wanted Daniel to trigger that exit clause on his own so they wouldn't have to pay him out. In the end, Daniel left $18mil richer