#i think he said this as a Joke btw

[funsizedshark]

pacing around in circles muttering to myself about daniel and louis and the years between the first interview and now...... daniel telling armand "he didn't even want me in the end" after offering to get on his knees for him instead... they didn't fuck but for decades "i really thought we did" / "do you want to now?"... daniel is old and dying in a penthouse full of impossibly young beautiful immortal beings and louis still laughingly offers something that daniel thought for years he'd gotten already. and then it turns out that not only he didn't, but something in him had assumed they did have sex and never explored that further and he's gone through this entire second interview so far under that assumption because that bridge has been crossed already. except it hadn't and when louis says "do you want to now" you can see the change in his expression like for the briefest of moments he really is considering it

[ducktracy]

are you anti "sour-puss" daffy? that characterization of him is the primary one in my head. like duck amuck is epitome of daffy in my mind.

CRACKS KNUCKLES SO LOUDLY THEY EXPLODE. i’m giving my “HEADS UP THIS WILL LIKELY BE EXHAUSTIVE” warning now because i love love love love love love love love any chance to talk and analyze and pontificate about the duck. TLDR: YES AND NO

SO. i don’t consider myself “anti sour-puss” so much as i would consider my stance “if Daffy has to be more egocentric and miserly than he usually is then i prefer a very specific set of circumstances for this to be the case”. i have warmed up to the Jones and Freleng duck of the ‘50s onward CONSIDERABLY in recent years—there was a point where i just refused to touch any Daffy short made after a certain point because i knew it would make me frustrated and sad and mad and that’s, respectfully, ridiculous!

it took me watching the Speedy and Daffy cartoons to realize that Daffy in THOSE shorts is what i thought Daffy was in the Jones and Freleng shorts. it dwindles a bit over time (compare how he behaves in The Hunting Trilogy to something like Ali-Baba Bunny, which is a short i still have yet to come around to for that reason—i don’t like the “MINE MINE MINE GO GO GO DOWN DOWN DOWN” duck very much and my issue was that i thought he behaved that way in every single cartoon after a certain point which is thankfully incorrect!), but there’s still some nuance. by the time we’re getting to shorts where Daffy is saying “HOW MANY TIMES DO I HAVE TO TELL YOU NOT TO STARVE ON MY PROPERTY” is when i fully throw in the towel lol

another thing that’s helped me warm up is the realization that Daffy’s personality change is not nearly as objective as it’s made out to be. he has always had an ego, he’s always been reckless, impulsive, and yes, this absolutely includes the ‘30s shorts! Chuck’s Duck is Chuck’s Duck from day one with the line “not bad for a guy that never took a lesson in his life!”.

Scalp Trouble has Daffy on an ego trip fancying himself as an army general (and there is a legitimate, honest to god small dick metaphor joke in that short because he has this huge giant sword sheath that is indiscreetly phallic in design, only to reveal a tiny little dagger), ordering people around and essentially LARPing in this role we immediately know is way too big for him. and when it comes time to battle, what does he do but spend the majority of his time cowering in a corner.

he’s always had these traits! maybe they’re a bit more primitive earlier on, some other traits are a greater priority. but Drip-Along Daffy is one of my favorite Chuck Jones shorts because it’s basically a sequel to The Great Piggy Bank Robbery. and you could argue the same with Duck Dodgers! all shorts have him fantasizing about a hero role that is clearly too big for him to fill, and he is absolutely getting the biggest kick out of assuming this role. Drip-Along is still early enough to also have this sort of innocence and unflappability (that may more accurately be described as delusion or ignorance): when Daffy gets no reception whatsoever in the bar, instead of screaming at everyone to look at him, he just marches to the next order of business and indulges in his next part of his fantasy. this NEVER would have happened had the short come out 5-10 years after when it did.

likewise, the Daffy of the ‘50s and ‘60s is still insane, it’s just a different manifestation of how that’s the case. earlier on, he’s a bit more visibly unhinged. his HOOHOOHOOing fits are a catharsis that you can just FEEL crawling up his throat and dying to get out, and in the really early shorts you can see this sort of half and half battle between cognizance and succumbing to insanity (The Daffy Doc and Porky’s Last Stand especially come to mind). it’s an insanity that relieves itself through sheer manic catharsis. as time goes on, he matures a bit, he knows how to keep better wraps on it; the manners in which he gratifies his impulses just shifts.

and also, Daffy can still very much be a sourpuss early on! Bob McKimson’s Daffy, whose interpretation is very integral in my sort of mental default of who Daffy is, can be very bitter and cynical in particular! or, again, early shorts like The Daffy Doc or Scalp Trouble where he’s more argumentative and his ego is clearly much more tender.

the seeds of what Daffy would become have all been planted, and so that’s allowed me to bristle a bit less and lower my haunches. and i am making more progress in coming around to the later shorts! i’ve been on a Chuck Jones kick recently and been watching lots of Chuck Jones Daffy shorts and enjoying them. i love Drip-Along, Duck Dodgers, Duck Amuck, Deduce You Say, Robin Hood Daffy—i’ve even come around to Rabbit Seasoning which is kind of NUTS to me because there was awhile where i was acting like Bugs and Daffy shorts killed my firstborn. “pronoun trouble” is an inside joke with my friend and dear lord i laugh every time at Daffy’s reactions to Elmer falling for Bugs’ drag act, and the ENDING!!!! omg. i love it. i’ve come around to Beanstalk Bunny as well! it’s a great short!! in getting to know the duck better and understanding how nuanced his development is, i’ve gone a bit softer which is good.

i was just chatting about this recently—i think most of the thorns in my side come from the Daffy and Bugs pair-ups. what i like best and get most out of each character, i get none of when they’re together. i’d rather see Bugs behaving and doing something else, and the same for Daffy. i’m not opposed to a sourpuss Daffy so much as i really don’t like seeing him suffer. i feel like the Bugs and Daffy shorts “punch down” a bit more on him, and i still haven’t found a way to really properly articulate this… i’ll just copy and paste what i was saying the other day here:

Daffy earlier on has all the traits above we talked about, but the difference is that he isn’t really shamed for them outright? of course we’re meant to laugh at his cowardice as he says “go… back… in again….” to the giant towering rat gangster he screamed at to confront him, we’re of course supposed to laugh at the asininity and selfishness of him dodging the draft and taking the Little Man From the Draft Board down with him by locking him in a safe and suffocating him. Daffy isn’t exactly meant to be a role model (but that still doesn’t stop me from finding his bombasm and exuberance and zest for life extremely empowering!), but there’s less narrative pushback against it. seeing Daffy be Daffy and have every action be interrupted by another character rolling their eyes going “oh brother” is where i have a problem, it just sucks the air out of the room for me. especially when Daffy is made to feel ashamed or beaten down for this as well. that’s why i enjoy shorts like Beanstalk Bunny or Drip-Along so much, ending with stuff like “it’s a living!” or being contented in his new position that is often very degrading and a direct consequence of his impulsiveness. a huge part of Daffy’s charm for me is his resilience (even if that equates to ignorance at times), if he wants something he will go to absolutely asinine lengths to get it! and i love that! his drive is so admirable! and i just feel like after awhile that resilience is lost. the issue isn’t that Daffy is a loser, as he’s lost quite a bit before that—moreso, he doesn’t have that good humor about being a loser anymore

I’M ALMOST DONE I PROMISE. but my tags in that video post, as i said in them, i watched The Million Hare the other day which is a short i very much dislike. and it’s not really out of anger or “UUUURGH NOT MY DAFFY”, but moreso it just makes me SO. DAMN. DEPRESSED.

this is the most soul sucking image i’ve ever seen. i get genuinely sad that the cartoons have devolved to starting with “characters watching TV because they’re too bored to do anything, and Bugs just joins him”. no part of this is the resilient, impulsive, manic, pleasure seeking duck that carried us through the past few decades. and this certainly doesn’t represent the wily, impish, inciting rabbit of the past few decades either! Bugs has a greater excuse since i know there’s the pattern of his domestication and Jones’ rule of Bugs minding his own business before being provoked, etc. but man. this image just represents all of my problems with the later shorts and dynamics. the characters are hollow and so are the stories and the directors are checked out or moving onto greater things, and i think all of that just coagulates and manifests in the characters.

I HAVE SO MUCH MORE I CAN SAY but i’m finally realizing i’ve gone on way way way too long and don’t even know if i answered the question all that well LOL. don’t even get me started on “modern”interpretations of Daffy… [starts ranting about how TLTS killed my family for the 80th time as i’m gently lured into the nursing home].

BUT! to answer your question! i’m not really opposed to a more cynical and conceited duck because those traits have always been there, just in varying degrees of intensity. my ideal duck is definitely one locked in the ‘40s—Frank Tashlin and Bob Clampett’s Daffy have always been my favorite, but i’ve sort of adopted a coagulation of Art Davis, Bob McKimson, Norm McCabe and Friz Freleng’s duck as my mental default. i am extremely protective and loving and fanatical of Daffy, i love him more than any cartoon character and i resonate with him more than any cartoon character! i bet he too would also spend an hour typing up a diatribe on his character evolution and how he’s been sorely misrepresented. maybe. Daffy is one of the most varied characters of all time, and it’s really hard to pin him down for this reason. i like a duck that best has a bit of a balance between his traits, and i get more chafed when he’s made more narrow and transparent and just “flanderized” (for lack of a better word) to one or two tropes that then speak louder than his character. i prefer shorts that are more sympathetic and celebratory of Daffy rather than admiring how funny he is as a loser. which, he is funny! but IUNNO. i like a more upbeat and resilient and charming duck, and he can be all of these things later on, but it unfortunately does get fleeting

[skitskatdacat63]

“Do you think love can bloom even on the battlefield?”(Monaco 2010-2013)

[skylarbee]

if any of you are still feeling weird about that infamous interview, here is what alex said about it (and why that ashley girl doesn't like him). i really want to point out that what alex says here is the exact same thing us, miles fans have been saying since forever. so, if you are a fan of alex, but throw shit at miles, just remember that your favourite also supports him. and maybe think twice before starting arguments with miles fans and keep in mind that alex has the same opinion about it all.

Alongside Arctic Monkeys, Turner has a long-term side-project called The Last Shadow Puppets with his best friend, the Birkenhead singer-songwriter Miles Kane. During the promotion for their last album, the two did an interview with a female journalist from the music webzine Spin. Turner was being his usual unforthcoming self, so Kane attempted to break the ice with some groan-inducing banter. This included inviting the journalist up to his hotel room when she asked what he was doing after the interview, which, in hindsight, was pretty stupid (he realised as much the next day and emailed her to say sorry). The result, though, was a lengthy op-ed calling out Kane’s unprofessionalism and the misogyny of the music industry at large. Personally, I found some of her complaints against him a tad flimsy — holding eye contact for too long, high-fiving her, “yanking” her in “for a not entirely consensual kiss on the cheek” as she said goodbye, and not least the idea that interviewing a rock star is ever supposed to be an exercise in professionalism. What did Turner make of it all? He sighs. “I think he made a joke he shouldn’t have made and realised he had misjudged the situation.” I thought it was a bit OTT, I tell him. “Yeah, I’m not sure it was deserving of that response honestly, but you just can’t make a joke like that.”

(from 2018, this interview)

[marsbotz]

btw this is what i mean by the weirdddd kinda sus dru scene. the brooding. plus a funny subtitle typo

[yeonban]

Tobiascore

[shalom-iamcominghome]

You know, now that my dad knows about... all of this (as in, my religious views and community), I have yet another person to infodump to about judaism. This is great because I don't have many people at all who have the privilege of me speaking about everything from kosher to purim to hair coverings after marriage to views about g-d to traditional differences all in the span of twenty minutes (which then turns into an hour and a half)

[marblerose-rue]

click for better quality!

carnation pink / honeyfern

[prisonpodcast]

some ccs are just straight up nuts there’s no other explanation

[hojiteaversion]

...this is a man who knows she will ACTUALLY kill him if he crosses that line, and while that would be hot, he's not suicidal 🙌

[bhaalrespawn]

this mostly happens on tiktok but i feel like im actually going insane whenever i see people say things like "if you think gortash is hot, you're lying to yourself". besides just the fact attractiveness is subjective and whatever, gortash is literally Just A Guy. like there is nothing uniquely physically unattractive about him. he just looks like a regular 40-something guy that is a little emo.

[macadam]

Is it too late to mention that it’s always irked me when writers add to a finished story on twitter, and then it gets treated as canon?

This is, of course, different from the tweets where writers answer questions about unclear scenes that were already put in a story, or gaps in the narrative from scenes/chapters being cut. Those types of additions don’t bother me at all. But adding in completely mundane facts or events seemingly out of nowhere—on twitter no less—seems… like it shouldn’t be allowed?

I might be misreading how the fandom responds to this stuff though. I’ve always thought people took it with a grain of salt but it’s hard to figure out the line in the transformers fandom, when even undisputed canon is taken lightly and shuffled around in a blender.

I don’t write this with heat but I do have big feelings about it all the same. Jro’s tweets about random character facts that didn’t happen in the comics shouldn’t exist on the same level as, y’know, actual canon. I will die on this hill

[no-one-hears-me]

"please don't do that" = my inspiration to do that

[mercurialsmile]

so I'm gonna tell yall what we ain't about to do.

this year, we aint gonna make fun of people in the south trapped in any ice storms or bad weather that may occur. we aint about to make jokes about how southerners cant drive in ice and snow (altho it is true i dont need any northerners being an ass about it)

I will reiterate what I said a couple of years ago: the roads in the south are not made to handle ice. they are not built to handle snow. we do not have snow chains down here, at least not typically.

I dunno about other states, but we all know jack shit has been done about the Texas grid. If the power somehow fails again, we aint gonna make fun of us who have no power. we aint gonna be an ass about any rolling black outs. we aint gonna tell southerners they deserve to freeze to death just because we happen to live in the south or a red state.

[stressedjester]

You know how I've posted before about my "boyfriend" saying eggish things? Well I think I may have started cracking his egg a little after making a joke that he constantly says stuff that sounds trans as hell

[mettywiththenotes]

Another short burst of Tomura and Izuku interaction (or them just staring at each other)