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#i think its because ive gone too long in this au without anyone who *doesnt* know ain
organatwins · 11 months
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exploding you with my mind tell me EVERYHGIN about your padawan ocs i need to hold them very gently in my hands like theyre those bagged goldfish you get at the fair. i need them in my hands to hold and sob over because thyere so fcute im gonig to scream.
WAUGHH THANKIES TYSM THIS IS SO KIND!!!!!!!!!!!!!!! okay so first before i go into this you haveto know theyre originally from an outline for a dinluke visual novel gamei started coding and never finished. heheh. the story was originally just about din settling into life with luke and the students while training with the darksaber, but the players choices and how they had din interacting with luke andthe children deteremined the ending.
the padawan children in this au were:
Alluria- a young pantoran girl with bright eyes and a brighter smile, shes very happy with her life on yavin IV and loves studying the force with her fellow padawans, though tends to be alittle air headed and unfocused in her excitment. she wants to be everyones friend! has trouble actually,,, making friends,,, comes off kind of too strong and too much and scares away the other students who are much more reserved than she is
Reina - the youngest baby my darling reina...a young rodian girl who was seperated from her family during imperial rule- and has entrusted masterskywalker with the very important mission of helping her find them (her brother has passed without her knowing, they were extremely close- her mother holds vigil for reina every night and prays for her safe return) and believes whole heartedlysomeday they will. she was extremely shy and soft spoken when she first came to lukes academy- but has since warmed up enough that her very caring and empathetic nature is begining to shine through,, luke thinks she will be a healer
Lylah - a sleepy (almost narcoleptic) twilek girl who has visionsof the future when she dreams- when the force decides shes ready fora vision, she is already fast asleep. luke has seemingly endless patience for her, as he cant imagine having the burden of the future onhisshoulders at such a young age. Lylah is very reserved . quiet and to herself, but not in an aloof way. i think she just knows she wont be awake very long and tries to conserve energy.
Ryo - the oldest and most troubled of all my girlies... came from a very rough home life where her use of the force was punished from a very early age, despite her not being able to control it. using the force scares her, soshe rarely joins the other padawans during training. stays back and tries not to make friends really, becus she feels like this only temporary . and hey, maybe shes right, yknow? lylah has been having visions of a dark force watching them... maybe ryo should be tho one to go investigate,, she doesnt think anyone would even notice she was gone..... the bare bones plot to this vn (since i will probably never go back to it): Din is visiting Grogu at the Jedi Praxeum for the first time; he has met up with Luke on outer rim planets quite a few times but he is the first parent to be allowed to know the location of the actual school. He does not take this lightly. He is introduced to a small handful of other students, as well as invited to stay as long as he likes and observe any of Grogus classes. He does not take this lightly either. Din sits in on as many classes as he can, both enthralled by luke and the desperately need to be as close to grogu as possible. Theres DEFINITELY a scene early on where din walks in on luke training by himself in the dagobah tank-esque look like a little sweaty,,, its a dating sim, fucking sue me. Anyways. Din starts noticing more and more about luke, starts falling in love, you KNOW, the usual, but conflict wise he also notices one of lukes older students seems very troubled… Din points this out to Luke, who has very much noticed and is worried about this students pull to the dark side. He asks Din to talk with the student, give them an outside perspective from quote “a good mans point of view.” Din is hesitant, but agrees for both Luke and his students sake. The student is further gone than Luke had thought, and lashes out at Din, then runs away. Luke is very worried, but also wants this student to have the time they need to let out their emotions on their own… he's just scared of crossing the line either way and not giving them enough or too much time… defos DEFOS a scene where luke cries about how practically raising these kids by himself is so scary and he doesnt know if he's cut out for it, while Din assures him that ofc he is and that he isnt alone. He gives Luke a keldabe kiss, assuming he doesnt know what it means (he does) and assures him that he will never be alone if he doesnt want to be… later, Luke asks Din to come with him; as he has sensed the student off planet and where Luke suspects a sith artifact to be. They battle the student turned sith; and their sith inquisitor “master”...  possible endings ensue.
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longingfreesia · 2 years
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bluhen gets a phone call from his mother while on a date
double update. something has come over me. i made it 3 & 1/2 whole years without including any proper shipping in this. i tried so hard, man. anyway, Again, cw for, well. implications of a bad parent, via a character's behavior. if this makes sense. some discussion of that.
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aprito · 4 years
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hello <3 since i got these asks at the same time i decided to combine my thoughts on them in this post. yet another annoying sjw essay from yours truly on this blog 
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before i get into these i think i need to preface why im like. i guess overly hyperfocused on a certain unproblematic base (same age au / platonic canon) for them and avoid the ped0philic content like the plague lol
tw for pedophilia ment, rape ment if that makes you squicky. ALSO THIS IS LONG AND RAMBLY
as i’ve mentioned a couple times already, ive been into the ship since i was 12, back when it was very very common to not only post untagged (nsfw) canonverse content of the two in writing and in drawing but also non con and the like, so you can imagine how bad my first impression online was. thinking back on it ...as a child i found it disturbing but didnt really register how problematic it really was?? (i know, but i also lived in the middle of nowhere and had no one explain this to me) 
skip to 2014 aka me coming back to naruto at 17ish and i had kinda become hyper aware of the fact that there was an increasing amount of people online who had come forward with explaining how fictional problematic content, mostly pedophilia, had been used to groom them into starting relationships with adullts. it was also a time where a lot of people didnt believe these victims, not registering how common it was for minors to be online friends with adults who had no boundaries and no qualms exposing them such content. not gonna get into my personal life here but i was lucky to not having gone through this myself. like... it kinda was my first time truly realising how fiction can EASILY be used to manipulate others irl (and yes i will not argue this, if you dont think fictional media can form and manipulate people’s opinions on attitudes, countries, cultures and virtues, pick up a book about the effects of propaganda media at least once please) 
i, being young, still liking the dynamic but not really the romance, would point this out here and there in the fandom and get into fights with grown adults in their mid 20s who assumed i automatically hated the ship(s) and tried to restrict their freedom of speech or whatever, heard everything from the “age of consent doesnt exist in naruto” to the “sasori looks like a child what does it matter” despite people clearly playing on him being older and experienced. it made me so upset that people were just consuming all this content uncritically and exposing children to it tbh?? not really just sos but a lot of minor/adult ships in naruto in general. and thats where i sat down and thought, i do not want to be a grown adult talking down to children that point out how unsafe the fandom is. theyre absolutely right in drawing these boundaries and calling out adults who defend the uncritical consumption and creation of this content. i do not want to consume or create content that predators could use to groom minors, and i absolutely do want to let younger people in fandom know that i am respecting their comfort zones and want them to have a safe and fun experience. after all, naruto is not an adult show and i think a lot of people forget that!!!! i am not perfect in that regard but its something that i, at the age of 23, am very passionate about and strive towards to.
and i guess thats where same age au was born for me and i have been sticking to it ever since. 
so finally we can move to the first question 
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aside from the fact that we both dont like canon sos, i dont think it would work out even if i wasnt prejudiced to it anyways. in all honesty, 35 year old canon sasori is not a redeemable character to me, given the fact that he’s easily amongst the cruelest villains in naruto (torturing and killing and taxiderming people for his own fun personal gain, never for a goal that served anyone but himself. how do you redeem having over 300 corpses in your backpack that you felt absolutely no remorse for killing). sasori was legit one of the only cruel villains that didnt had someone else pull the strings, which sends a clear message on kishi’s part, who absolutely loves to redeem villains LOL.
being that old, he obviously had already been very manifested in what he believed in, even if it was shakey, to the point where the first crack in that world view (sakura and chiyo protecting each other) immediately had him give up on his life all together. that, in my opinion, is not a man who’s going to know what healthy relationships would look like, regardless of it being romantic or not. 35 year old sasori to me has the same appeal as an expired can of tuna and he’s probably very happy 6 feet under. he’s supposed to be a failed gaara in that sense that he had no one to look out for him and therefore was never going to experience anything but a bad ending in life. its fine that hes dead honestly, it wraps up his short character development the best IMO.
adding to that, seriously, sakura was obviously interested in knowing why he was that way, and called him out for being seriously fucked in the head, but it’s weird to me that people assume she had any interest in actively rehabilitating him, let alone starting a serious romantic relationship with him. sakura who’s not only very, uhm, immature and straight forward when it comes to her romantic viewpoints also, as a big bootlicker, wouldnt soil her standing in the village by starting anything with a disgraced and far too gone criminal like sasori. shipping that version of sasori with sakura intimately is still going to set her up for a huge power imbalance that would be difficult to handle imo, even if she was the one in the fight ultimately exerting her power over him. i would still look at it and think damn she deserves better than having to play therapist for man like that lol.
additionally, even if you ignored all of this, you cant really ignore that sasori had already known her as a child, and that had been his first and most impactful impression of her. i dont think that sasori would look at 35 year old sakura and see her as a grown woman and not the little green girl she was in the fight. plus, you easily fall into predatory comparison territory between the “childish” and “womanly” and i have seen way too often in fic just being boiled down to her now being fuckable. a lot of of ships do this and i would just like to remind yall thats it not normal for adults to want to start relationships with children they have seen grown up or known as a child when they themselves were fully grown adults. therefore, maybe if sakura hadnt met sasori before it would be less of a problem? but that also obviously defeats the point of the dynamic and the reason he died in the first place. so yeah, it sounds kind of doomed especially if you were to make it romantic. 
WHICH BRINGS ME TO THE SECOND QUESTION
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let me preface this that im not fundamentally against age gaps, even if im not super interested in it. after all, colorblind had a 5 yr age gap (with sakura being 21), even if, say, i wrote similar fics today i probably would make it smaller lol. i think it can be handled well if both parties have enough life experience to deal with it, and the author is cautious of where the age gap starts, i think a 10+ year age gap would be fine in a scenario where the younger party (i guess sakura) was at least 25-27ish, meaning she has completed most of her most formative life stages and probably had been in relationships before, meaning she would be able to handle it without having to fear a huge power imbalance. the older the younger party is the less the age gap is going to matter tbh .TsukiHoshino and AngelOfDeath10 both handle age gaps in their fics really well imo, so i do not mind reading about them.
unfortunately, a lot of people in this fandom think making sakura barely "”””legal””””” (18, not even 20 which is hilarious to me because the source material is obviously japanese) because they both cannot stand her being past her “prime years” of being young fertile and fuckable to much older men as well as thinking a 20 year old is automatically old enough to handle that type of relationship. ive seen a lot of unironic takes that believe it will absolve them of callout posts if they throw around age of consent and “shes 18 now suckers!!!” enough lmfao. absolutely hilarious. aging a minor up without aging the adult down seriously reeks of predatory “cant wait until youre 18″ narratives and thats why i find it similarly disturbing as straight up pedo shipping.
ultimately, sasosaku is and will always be a inherently problematic ship in canon, which is why i think it should always be handled a little more responsibly in fandom spaces, ignoring or outright excusing the main problem factor, which is sasori, isnt going to convince anyone that the dynamic in itself is well written and interesting enough to explore in aus, like giving sasori the redemption most of us wanted him to have by aging him down to a point in time where he was still realistically going to allow being positively influenced, similar to gaara. 
so really, what i think is well handled age gap and how most people handle age gap in the naruto fandom are two different worlds at times lol 
tl;dr
canon shippers have never been anything but gross when i was younger and i didnt wanna be like that, even if youre “smart”enough to differenate, actual creeps dont really care and might use your content to blur the lines, sasori isnt rly redeemable so romantic canonverse realistically wouldnt make much sense and is still iffy, age gaps are fine if they are handled well, but given that the dynamic doesnt really need the age gap to still work im not that invested on making that an essential part of my shipping experience.  
thank you for reading and hope this makes sense!
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neo-shitty · 3 years
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toffee!
hehe glad i could make you laugh, oooh that sounds awesome! yeah id love to be tagged it sounds great :)
YES the differences are so fucking weird. like, they do know they're the same age right? i feel like its just an exagguration of how much the persons role in the group matters, like we see chan being held up as such a mature, old leader while jungkook who is literally the same age, is still babied etc. like enha hyung line is basically the same age (if a bit younger) as chenle and jisung but somehow the rules are different?? as you point out, still legal but still bizarre. hehe yeah, i mean where else are we going to rant? quora lol. mmm, hopefully more people can just write less smut abt people who are barely adults
ah, no prob it didnt take long. yeah i think thats right (i keep forgetting you know my url lol) mmhmm :( i think if that happened irl there would be some major trauma going on. knock wood it never happens to you or me lol (/hj)
hehe same! oooh glad Redemption For Cheese was realised! yess we cant rllycomplain that theyve written/produced too much good music lol. yeah, ive dragged him into being a stay so *dusts hands off* mission accomplished. mmm yeah, they tend to have a certain vibe but tbh it couldve worked if they were any other group but ¯\_(ツ)_/¯ ahh ur one step ahead of me on the stages of listening to ssick i think, still not convinced but thats okay! hehe, it had to be said. yesss the itch in the back of my brain is very satisfied by sorry i love you, felixs vocals deserve to be appreciated! (side note i feel like hes trying to sing more like his speaking voice, sorta husky, but tbh i wouldnt be mad if he sang like in glow, his sweet honey vocals made my life lol. but i think ive heard him say he doesnt like singing like that cos it makes his normal voice less husky, so what can you do)
> YES SOMEONE SAID IT. seungmin rap KING, he sped thru that rap like it was nothing, he deserves more rap lines. i do like how they gave minho some melodic rap lines this comeback, my guy deserved to show off those skills that made him not be eliminated (flashbacks to stay collectively wanting to murder jyp) and we already know changbin can sing, my man murdered masked singer. hyunjin can obviously sing as can jisung and felix, and i want to hear chan rap more! i feel like he started as part of 3racha (as a rap unit not producing) and then just became a vocalist (which im fine with, but it could be nice to hear him flex his rapping skills) and was partially replaced by hyunjin. anywayyy
back to album talk. lmaooo sad music to twerk to PERFECTLY describes silent cry. yes secret secret is and will always be, a masterpiece. hehe glad i could make you laugh :) i just felt like they have similar vibes. putting off skz stuff bc of not having time to cry IS the kpop stan life summarised. oh my beloved track, red lights. ahh thats okay, we can have different opinions, but by god the lyrics are *chefs kiss*. *banging on table* TWISTED AU TWISTED AU TWISTED AU. yess id love to see ur take on it! sdfghjkl it would have been glorious
no no! not stupid, just able to predict my brainwaves. ooooh thats so cool! makes me want to go there (wherever there is lol) yeah the waves are pretty good here, but none of my familys a surfer, so we dont rlly enjoy the full potential lol. YES moving on to gone away, it is indeed a heartwrenching track, but the vocals and the bloody key change? makes me want to brave being sad just to listen to it. mmm yeah, good point :( i feel like ive just gotten used to overthinking so much so that it doesnt matter what mood im in, ill do it anyway, so might as well just do what i feel like doing anyway.
yeah i think ur right! it is quite comforting knowing that all the tracks will get the love they deserve. i feel like also people assume kpop is just one genre which is utter bs. there are so many different vibes and feels and songs, i couldnt get into kpop (of which i thought only the bright cheerful present day bts stuff existed smh) until i heard gods menu so... idk where i was going with this but yeah. :)
YES FUCK YG, theyre literally on the brink of being kicked out of the big three and they are holding their salvation hostage without letting them do ANYTHING. idek what thought process goes thru their minds but arghhh its so infuriating. yess lisa's cb will be awesome but ot4 is the gold standard here.
hehe, glad u could get to this point. no no! u dont sound like a cult member at all lol yeah, i loooove some of their songs but the whole 23 members thing is getting to me. thats prob a common problem with nctzens but what can i say? im a simple girl with a limit to how many korean boys i can give my money to. atm im just trying to get into ateez and finish memorising enhypen's faces. also kard is kinda sucking me into their fandom atm, as well as eric name lol. ah what can you do? ooh thats good!
hehe i love it too! its exactly like online penpals, that was rlly well put. aww ty! hmm im okay, recovering from a bad case of rsv so thats fun. im doing okay mentally, starting therapy soon (after having to convince my mother that its not just smth i can brush off). physically i wont go into, basically i should be doing stretches to help but they dont completely fix it so my lazy ass doesnt do them, plus i got told recently im going to be stuck with this condition for the rest of my life so thats fun! ah, before you type smth dw abt me ill be fine. the weather atm is cloudy but warm, its been raining on and off today which is good for the garden. uhh i just finished reading sunburnt veils and im in the middle of prom theory which is rlly good. ummm ive got a concert tonight? that i may or may not be able to sing in (bc of the whole rsv thingo) and uhhhh idk. my dog is cute? im drinking tea rn? ive got a school dance coming up?
wbu? hows ur day going, how are you? whats the weather like on ur end? done anything interesting lately? found smth that makes you rlly happy? just any random thing youve been dying to tell someone?
no no! dont apologise, i love these exchanges. i think im happy to continue them for a long time :) on the other hand, if you get tired of them, feel free to just not answer at any time. goodness gracious this was a long ask haha hope it isnt too annoying
<3 w.a. 🐺
sorry it took me a bit to reply, i was fixing my theme ;n;
yeah, i figured it was because of the roles too. my friends and i still get taken aback when 3rd gen idols are the same age as 4th gen ones. in my head it doesn't add up sometimes. PLS THE RANT AT QUORA SKJDK tbh tho it's just going to be normalized as the years pass? esp that the boys are growing older and the amount of explicit fics will just increase. i might have to start blocking tags.
i had to look up the previous ask to remember what we were talking about xd i hope the events in champagne problems never happens to anyone. realistically, it probably happens a lot. damn i really won't wish that pain on anyone. dragging your brother into being a stay i whEEZED JFKSA additional noeasy music enthusiast o.o and ALL I CAN SAY WITH YOU GUSHING ABT FELIX IS AHA WHIPPEEEED OML can't blame you tho, i also want to hear felix sing more in other shades (if that makes sense HAHA) i really hope they'll do the role exchange in the next comeback :( or like in the near future bc i know they can do it :( the day i hear seungmin rapping it i will respectfully pass away. minho was given more lines this comeback thank fUCK i could rmb my irl being vocal abt her frustration. i don't get why minho barely has center time/lines in title tracks??? like the line distribution in the past eras just made me ???? if seventeen can balance lines with 13 members why cant a group of 8 do the same? moving on. i haven't watched the stray kids show simply bc i don't want to cry HAJS but i've seen clips. imagine if skz debuted without minho and felix?!?!? i rmb another irl catching bias feels towards changbin bc of the masked singer only to find out that the man's a rapper. i love how skz's vocals were highlighted this comeback :c there were a lot of mellow tracks! i find it cute when chan sings/raps bc it gets kinda obvious that he's a foreigner? the accent (im not even sure if it's the accent) it just shows. "putting off skz stuff bc of not having time to cry IS the kpop stan life summarised." CORRECT.
abt the twisted au o.O i'll inquire my irl if she wants to write it or not. if she doesn't want to, i'll do it. i miss writing twisted aus <3___<3 and i also miss going to the beach with my friends :' ) but it's starting to get cold here and i don't think i'll be able to enjoy the beach as much as i would if i went beaching in the summer. so maybe next summer? gone away really has an sm-ballad vibe. the thing about skz being a self-producing group, their songs don't sound like typical jype songs? and i just appreciate that bc in all honesty im not a fan of jyp groups at all. PLS the overthinking. i wish i could mute overthinking.
anyone who assumes kpop is just one genre obv hasn't listened to a single track. if kpop was just one genre why do i like some tracks more than the others??? oh you've only recently become a kpop stan? tbh im not a fan of the bright songs of bts either. i liked their older ones *chefs kiss* really matched high school vibes. yg has good artists and they're just wasting the talent ~.~ that strategy they have will get tiring eventually. people will stop waiting on blackpink and move on to newer more active groups ://
HAHAHAH yeah the 23 members is pretty overwhelming! it was the reason i didn't bother stanning before quarantine started. i don't regret stanning tho, met my ult bias in that group <3___<3 i don't really purchase albums unless i like the tracks xd ohhh getting into ateez just in time for the comeback! let me know what you think about them! i was fond of them at some point but grew out of it. good luck with memorizing enhypen! it took me a while to distinguish to people there XD i haven't checked out kard yet but chan plays their songs during lives and they're sexc hype music me likey *u*
i had to look up rsv im sorry. i'm glad you're recovering! please rest more and don't stress yourself out. bro i wish i could go to therapy too bc i have weird issues i can't justify and i need a professional to tell me what's the reason behind it. stuck with what condition btw? what happened? i'm sorry in case i just forgot. yesterday was a bit rainy for me too :(( it's not the type of rainy that makes me anxious so B) oh concert! good luck and i hope you'll be able to sing but i also don't think it's best for you rn :c what's your dog's breed? and yes i just finished drinking tea too. AAAAA i miss school dances :(( the last one i was supposed to have was cancelled bc of covid.
i was less productive today and i'm teetering between being mentally stable and becoming a hermit again. i'm anxious with a lot of things atm so like : D not the best state. today it was a bit sunny but not hot hot which was nice. i changed my theme today bc i couldn't wait for sept. 1st. and no i haven't found anything that makes me happy HAHAHA shit like that's hard to identify. don't have anything to say too, i'm just thinking about why i'm procrastinating too much atm T_T and i'm listening to this rap song atm and one of the rappers sounded like han.
it isn't annoying! i enjoy the long exchanges but i do admit it takes me awhile to type down a reply. so if i get more busy, it'll prolly take a bit longer for me to reply.
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no-worshiped-roads · 4 years
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Alright next part of mutant au
Zuke has finally arrived to eve’s district and boy does the conversation go south fast
Eve is just... so angry
She makes it clear she thinks zuke abandoned her and zuke has no idea what shes talking about
Most of this fight is dodging and talking/arguing
Thing is zuke and eve had been running away ftom horrible humans that kept them prisoner, at one point they wind up seperated
While running zuke fell down a cliff and the humans presumed him dead, he survived obviously but eve was recaptured while he was out
Some mutants from vinyl city found him and brought him back to be healed
By the time he woke again 3 days had passed and he had no idea where he was
He also found the humans were long gone with nadia from his rescuers
It took another week to heal and he’s got back problems from it
At some point, about 2 weeks later tatiana rescues nadia from the humans
She had been outside of the city making sure they were far away cause they had been close to discovering them when she found them with nadia
After rescuing her and taking her back to the city she gave her time to heal
It took nadia a long time to trust anyone again because to her, it seemed zuke abandoned her and saved himself
Especially when years passed before they had contact again (nadia learned he was in the city but zuke didnt know till after mays kidnapping given that she went by eve)
Zuke actually has to start fighting back which doesnt help especially with a particularly hard blow is landed on her head
It isnt till after eve retreats into her own dimension that theyre able to talk things out, somewhat. Eve at least understands he didn’t abandon her but she seemed really disoriented
Zuke asked her where may was and she seemed to be even more confused when he heard may shout
He left her dimension in a hurry to try and find may, since she was defeated, her other dimensions should have disappeared and dumped their contents back into reality
Unfortunately by the time he gets to where he heard may theres nothing. Just some scorch marks leading out the door
Kliff calls and tells him he needs to go and face the head of nsr, tatiana, in order to get may back and stop all of this
It later occurs to zuke as hes heading to face tatiana that kliff called him and knew what happened
Without zuke telling him
Tatiana
During the talk with eve tatiana had shown up. It didnt take her long to track down where may was held. After a bit of a scuffle, cause may did not go down without a fight, she was able to winnand knock may unconcious.
Thing is while may is strong she has poor control. And tatiana is stronger. I mean fire and time powers so. Yeah.
May wakes up in a chair at nsr tower on the upper floor. Before her with their back turned is tatiana.
“Awake i see.”
May finds she cant move desite not being tied down or anything.
“Dont bother. I used my time abilities to freeze your body in place. You will wait here for our meeting.”
“M-meeting?” May cant help but to feel nervous.
“You dont think i run this on my own do you? I have an individual at my side that needs to meet our newest members of nsr. And help to prepare them.”
“Im not gonna to join nsr! Zuke will bust me out of here and-“
“I plan on him coming. He’s a perfect addition as well. Since you two seem to make a good team, i’ll likely put him in your district.”
“Why are you doing this?”
“To protect others.”
“No? Why are forcing them into this, taking them away if they dont want to? Why-“
“Enough. Your friend has arrived.”
Zuke manages to get up to the tower, finding that these fights are a lot harder without may. He sees may in the chair and goes to rescue her only to be stopped by tatiana. The two fight eachother, with zuke barely being able to avoid losing. Zuke gets knocked down but before tatiana can freeze him too may attacks from behind.
Zuke managed to fight her long enough that she was letting her power on may slip till may could move again. The two fight her side by side till they win. With a very disoriented tatiana on tge fround they realized that all the artists seemed confused and lost after their defeat. As they wonder that out loud, a voice interrupts them.
Kliff
Kliff shows up at the end of the fight congratulating them for helping form a new nsr. And joining it as their newest members.
Theyre understandbly confused when this happens, but dumbfounded when kliff reveals who they really are
Theyre the real head as nsr as they revealed, and kliff has been controlling everyone by force
kliff is a psychic genius, but his powers arent strong enough to control so many prople, much less ones as strong as the nsr artists
So he made chips that went in heads to amplify their powers, mainly his mind control powers, and when he hot a hold of sayus team he was able to make them upgrade the chips, but had no need to use em yet
However the chips had been wearing off, and he no way to get the update into them cause they had weakened do much he was shut out unless the artists were severly weakened
Kliff tricked b2j into fighting nsr to weaken them so the chips could be reprogrammed to be stronger, while simultaneously getting the two out of hiding so they can be controlled as well
Zuke is still confused but mayday stiffens remembering the injury she woke up to in eve’s realm
“Seems one off you figured it out”
“Wh-may?”
Mayday
He activate the chips and while its a bit useless on tatiana given how weak she is, it works well on mayday
Zuke is frozen st first seeing mayday gets into a fighting stance at him and is blown off his feet when she attacks
Zuke mainly dodges and tries to talk to her as she attacks mercilessly
Zuke is reluctant having to fight her but when nothing he says snaps her out of it, he realizes he has no choice
The fight isnt easy as mays powers out match his easy in power
However he has one advantage over her
Control
May is strong, but has poor control over her powers
So he uses that against her to make her powers backfire on her till he manages to win
She collapses to the ground and doesnt move and this freaks zuke out till he finds her pulse
Kliff part 2
Now zuke is beyond pissed, with may out cold by his feet
“What the hell is wrong with you?!”
Kliff (k): see you will be a perfect canidate. Tatiana was right, you two make a good team.
“Why are you even doing this?!”
K: “why? WHY?! HUMANS! THAT’S WHY!”
K: humans are vile disgusting creatures that hunt torture and kill us for sport or entertainment or some bullshit holier than thou attitude, pretending they were some kind of savior for humanity!
K: I am going to build up the strongest mutants and unify them, to protect the weaker who cant fight back. And any human that dares to stumble across here? The artists will KILL them.
“Wtf kind of logic is that?! Youve taken away their will and are trying to make them into killing machines!”
K: hah. It doesnt matter if you understand, you just need to obey.
“You know for someone who hates humans so much, you sure sound like some ive met before.”
This pisses kliff off and the fight starts though its not much of one
Like i said kliff is a weak pyschic relies on controlling stronger mutants in order to get what he wants
So he’s easily beaten
So Kliff activates something on the satellite, it was meant to send out a beam over the city to control everyone all at once
But it wasnt ready and kliff causes it to short circuit and fall
Zuke panics cause hes the only one at ready to stop it but then tatiana and may start coming around, cause when the satellite went out of commission so did the signal that Kliff was using to amplify his powers and control over them
It mostly happens like it does with thr original game in stopping the satellite including kliff getting smacked, but with more confusion because Tatiana doesn’t really know who they are since she’s been under control for so long
They stop the satelite and kliff keeps trying to fix it so he can regain control before eventually slinking off
The end kind of has them all talking and figuring out what’s happened and where to go from there
They keep nsr around but allow others being controlled to go free once their chips are removed and actually make it a place of protection, rather than the oppresive fear it had been before
And there is a lot of aftermath stories if you all have questions about them
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wizisbored · 4 years
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What are some of your favorite lines you've written for your fics? (Also I'm sorry things aren't going well right now. Sending love 💜)
right its time to go diggin im using this as an excuse to reread everything because i cant think of any lines off the top of my head even though i know theres a shitton
premptively putting a cut here because this will probably end up long as shit and you know what fuck yea to that because fuck yea to being proud of what youve made
SO
hallelujah, first thing i posted:
If those bastards want to make her part of their shitty musical, then she’s going to make it difficult. Or at least inconvenient.
The hive is not inconvenienced in the slightest.’
- idk if this is as funny as i think it is but i find it funny
"Nobody dies with dignity, Emma. There's no honour in the thing, however you dress it up."
- wrote that to sound creepy and now i cant decide whether i actually think its true
But he’s holding her like she’s his salvation, as if it’s his life hanging in the balance.
- salvation is just a good word tbh
It’s hopeless, but she refuses to be killed by a game of fucking ‘got your nose’.
purgatory, intended to be a shitpost but now i unironically think of it as the best thing ive ever written
After a few years (or maybe seconds, it’s not clear) / it takes a moment (or maybe it doesn’t, who knows?) / An undocumentable amount of time passes. /  They might have slipped into an uneasy silence lasting millenia - or milliseconds - if it wasn’t for the jolly tune that suddenly fills the air. / for minutes or years or millenia or maybe even eons / After a brief, indescribably long nap / But the incomprehensible amount of time seems somehow shorter this time.
- 2 in one of fucking with the concept of time and hinting at an unreliable narrator, hell yea. its about the weird atmosphere, baybeeeee
“Does one day of trying the hardest we could outweigh years of not trying at all?” Emma wonders aloud. Paul squeezes her hand.
“I damn hope so.”
He doesn’t ask if she believes in Hell.
- even without context i like this line but in context it really helped set the sombre tone so i could do a full 180 at the end of the chapter
Emma wonders whether they’ve been sent to musical hell for failing to stop the musical apocalypse
- love the implication that there is a hell dedicated to annoying people via musical theatre
“You said- you told her you’d never be in a musical?”
“Yes.”
“And then you died performing a musical number?”
“I- yeah, I did.”
“Brilliant! Now, that is stupid!”
- probably my best characterisation of death, sounds like something that would be said in a stupid deaths bit, i can hear it in his voice
teachers pet
“It’s only blatant if people know about it. So in actual fact this is secret favouritism.”
- hidgens gives absolutely 0 shits about the ethics of the situation good for him
“And if that is kidnapping, well, consider yourself kidnapped.”
- once again ethics simply do not matter
“Oh, where is your sense of adventure? Are you not curious about the results of washing baked beans?”
- this line hants me when im trying to make stew or just have some fucking beans on toast because I am curious about the results of washing baked beans
“Well, if it isn’t, and we both die, then I’ll be quite disappointed. We did spend all evening on this, after all.”
- priorities
finishing what we started, actually originally a scrapped ending idea for igtlt that i liked too much to abandon entirely
“How many bullets?” He eventually asks.
“Enough.”
- they just know what theyve got to do
Only thing left to say is a big ol’ fuck you to… God, everyone else in the fucking world. Oh, and God. Fuck you God, you prick.
- gotta love them tto refs
wildfire, almost 20,000 words of angst that im going to read through because fuck it why not
She doesn't understand the order, at least not yet; a dog doesn't understand the first time she's called to heel. But that can change. Though, from the bared teeth of this dog, the trader guesses it may take a while.
- this is actually something i really like doing in narration, calling a character something in dialogue or comparison and then directly calling them it in the narration
He understands; she doesn't want to show weakness to someone who could exploit her, doesn't want to show gratitude to someone she hates. But the tribeswoman is tired and scared and hurt, and it's obvious. She's broken, at least for today.
The loneliness, however, refuses to wane. It settles in her chest like a physical need, a craving for closeness.
- got inspiration for this description by thinking about hugging my partner while i was stuck in lockdown
"You can say that again," the older woman mutters, shaking her head. "God-fuckin'-damnit, Lauren, why d'you never think about the implications?"
Jemilla turns to her with a questioning look. "Who's Lauren?"
"She-" Molag begins to explain, then pauses. She thinks for a moment, then shakes her head. "I don't even know."
- crossover jokes hell yea
He’s tolerable, she’s decided, at least relatively so, but not trustworthy. If she could truly trust him then he wouldn’t be involved in all this. If she could trust him, she wouldn’t know him.
The thinly-veiled threat in his grin
She stares up at the man, shaking, whimpering, pleading. Wordlessly begging for him to stop.
- gotta love reaching the breaking point
She probably looks insane, bruised and bloody and laughing quietly to herself in a cage. She doesn’t care. They can think she’s insane, just as long as they don’t think they broke her.
laughing as they rediscover half-forgotten days spent as children let loose in a world that seemed so huge and yet so small at the same time
“You know, kids like Zazzalil - scrawny little things born as Autumn died - they’re not supposed to see Spring.”
- i will see any character without a detailed fleshed-out backstory and say ‘is anyone going to make headcannons about that’ and then not wait for an answer
Maybe the pain will shock her out of her head.
im going to live twice
It feels more like a bag of broken crockery than a human.
- this was the only time ive ever had to describe something really gory and decided to make it as uncomfy as possible
she notices with a concerning level of non-concern
Paul Matthews is gone, boy. And if I catch you using a dead man’s name again, well.
- its about the ✨forced disconnect✨
It stares at him, and for a moment he sees the young man that Benny used to be, silently pleading for the agent to tell him he'll be okay.
"In my defence, that was the Colonel's idea.” The man raises his hands in surrender. “I wanted to call you Lauren. I was outvoted.”
- i will take literally any chance to make a 4th wall joke and that is a threat
“I’ll see what can be done,” he assures it, knowing full well that nothing will be.
- xander doesnt flat out abuse emma in the way mcnamara and shaffer do but hes still cruel in subtler ways
“No chance of being hurt?”
Xander nods. “No chance of you being hurt.”
-  ✨foreshadowing ✨
If only he was free, free to just get up and go find Blue and tell her - actually tell her, out loud, with words - that she’s going to be okay. If only he could say that and have it be the truth.
She holds onto that piano. Right now, as she kneels crying into the tabletop, it's all she has.
- ‘sir thats my emotional support near-complete stranger’
smoke and feathers
Irony can be a cruel, twisted bitch.
- probably the best opener ive written
There’s a sort of pathetic irony in the fact that she slipped on a stone while wading across a shallow stream and broke her neck.
The stars move across the sky, and she still doesn’t know why.
- sounds poetic and all while also being a fuck you to the chorn twist because i hate it
It seems like every time she looks away the moon goes from waxing to waning and back again, time marching onwards in one unending night, swallowing one unending forest.
Even with her limited view of the person’s face, Zazzalil can see the softness in their expression. She’s hit with a pang of longing for Jemilla.
They share those tender looks that make Zazzalil long for home.
The kind of silence only shared between people who can appreciate the simplicity of each other’s presence
aaand thats pretty much all of em. i know when you said ‘some’ you probably meant less than this but i will give a consice answer to a question when pigs fly. i was going to do the double e au too but its past 1 am now and im going to bed. thanks for this ask because whether intentionally or not you just made me read 48,860 words of fic and thats a damn good distraction when things are getting a bit shitty :)
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angrylizardjacket · 6 years
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when i said it i thought it was true [3] {Ben Hardy}
A/N: 2973 words. Fake Dating AU.
[part 1] [part 2]
Roger Taylor has barely spoken two words to you since the start of filming, and it’s caused you so much anxiety. Were you disappointing? Did you not look or act accurate enough? Sometimes you catch him watching you when you’re with Ben, the two of you in costume, and he just looks... pensive. 
Brian’s nice enough, soft spoken and always kind when he speaks to you, actually mentions that seeing you and Ben together makes him a bit nostalgic, and you’re not quite sure what to make of it. 
The day you see the real Amanda, the woman you’re playing, you feel like you’re about to pass out. It’s as if you’ve got a direct look into your future, she could be your mother, though her hair’s just a little lighter than yours, hence the wigs they keep putting you in. She’s incredibly beautiful for her age, but that’s not the most striking thing about her. She cries the first time she sees Rami in costume, and she doesn’t speak to Roger. 
The moment she meets you, she has to take almost a full minute, hand covering her mouth as she looks you over. It’s like a test, and all you can do is stand there awkwardly in full costume, watching as she tears up a little.
“What do you think?” Brian asks with a proud smile, and she lets out an incredulous laugh. “It’s a little uncanny, isn’t it?” Nodding, she approaches you, smiling brightly and greeting you warmly. 
“Feels like I’ve gone back in time.” She’s surprisingly soft spoken, and she tugs at your collar, straightening it, before she rests her hands on your shoulders. “I’m flattered they’ve got you playing me, dear.” She tells you, and you think you might cry.
She only stays on set for about a week, the week you’re filming on the Garden Lodge set. The two of you are talking before filming starts for the day, you’re trying to glean any information you can that would help bring depth to your character, and Ben joins you. It’s the first time she’s seen him in full costume, and when he presses a kiss to your temple in greeting, her voice dies in her throat. Ben looks confused, concerned as she has to excuse herself.
It keeps happening, something about seeing the two of you in costume, together and sweet, it’s something she can’t stomach. She can talk to Ben normally, even when in costume, but the moment you arrive, and he smiles at you like he does, she feels her heart in her throat.
“I loved Roger, perhaps to my detriment.” She admits, taking a long sip of wine. She’d invited you out to dinner with her before she has to fly back to her family. “And I know what they’re saying in the movie, but he never really loved me.”
When you go to Ben with this information, he’s quiet, before he admits that Roger told him that when they were younger, their relationship was far from the sanitised version that was being presented in the film. 
They’d been together for years, and there was no doubt in anyone’s mind that she loved him, and he took her for granted, always assumed she’d be there when he got back from trips and tours, he’d even proposed to her, and yet he’d do any pretty young girl while he was away because he knew he could get away with it. He’d cheated on her, and lied to her, and strung her along because it was easier than letting go. 
Roger Taylor can’t bring himself to speak to you; you’re the spitting image of his biggest fault. Perhaps the way they’ve got it in the movie is his attempt at an apology, not that she’d accept. 
Something about your relationship with Ben changes after that. It doesn’t feel like a performance, the way it used to, it feels more grounded. Neither of you are sure how to deal with the new information, but when the cast go out for dinner together, he’s got a hand on your knee under the table, and when you’re hanging out in his trailer between scenes, you let yourself fall asleep against him where you’re watching Netflix. The two of you go out with some of the others for the night, and he kisses you as you’re leaving the club together, his hands holding your face so softly, the kiss so surprisingly tender that you don’t even hear the click of the paparazzi’s camera from where they’re hiding around the corner of the building, and when you see the kiss on instagram the next day, you don’t think you care.
“Have you seen my nice, black blouse?” You called, elbow deep in a pile of clean washing on a Saturday morning.
“Which one?” Ben calls back from the shower, and you frown at the clothes before you; you really had meant to fold them sooner.
“The nice nice one, the one I wear for callbacks, you know the one I’m talking about.” And you move to rifle through the closet again, glaring at each piece of clothing as you flip past it.
“You sure it’s here?” The shower shuts off while you’re eyeing off a perfectly fine cream shirt that could serve as a decent replacement if you came to it. “Are you sure it’s not at your place?” He asks, stepping out of his adjoining bathroom wearing only a towel.
“No, I’m pretty sure I came back here after my last callback.” You mused, and you could hear him getting changed behind you as you tried to recall the last time you’d found yourself in the shirt in question.
“This would be easier if you just lived here.” He muses, letting the statement hang in the air. After a beat, you turn to look at him, brow creased as you considered his words. “If you want to, you can.” He offered, standing there in just a pair of jeans, his hair still damp. It might be the most beautiful thing you’ve ever seen.
“Are you serious?” Voice quietly hopeful, your expression brightens as he nods, grinning. Blouse forgotten, you cross the room in a few paces, throwing your arms around him. “Really really?”
“‘course I am.” He doesn’t tell you he loves you, but it’s there in the tone, in the way he kisses you, and it’s there when he spends the next twenty minutes helping you look for your shirt, though when you admit you don’t need it for a few days, he suggests breaking in the bed to fill the time.
“It’s the same bed.” You laugh as he flops back on it, coaxing you over.
“Yeah, but it’s ours.”
The wrap party for Bohemian Rhapsody is... a lot. It’s a bit overwhelming; you’re by Ben’s side and everyone wants to talk to him, congratulate him, and they want to talk to you, tell you how beautiful you look. Everyone is everywhere at all times, and the only constant is Ben. 
His arm is around your waist when the two of you are standing by the bar, he’s chatting to someone who’s name you’ve forgotten, though you’re pretty sure he’s the second assistant director or something, and you’re trying to communicate to the bartender what you want over the music, leaning over the bar. The moment the bartender finally nods in recognition and scurries off to get your drink, Ben turns, sees your eyes shining bright in the light of bar, and he forgets what he’s saying, just for a moment. The guy he’s talking to leaves, pulled away by someone in the crowd, and you turn, smiling brightly, confusion creasing your brow when you see Ben watching you.
“What?” The bar is in a terrible location, far too close to the band they’ve got set up, but Ben can read your lips well enough in the bar’s fluorescent lights. He shrugs, doesn’t even attempt to answer as the band, not ten feet away, blast their way through a guitar solo. They’re mostly playing classic rock, a few Queen songs here and there of course, and they’re not bad, they’re just loud. 
With your drink in one hand, you take his without thinking, weaving through the crowd, his fingers linked with yours. When you find the door to the courtyard, which is significantly quieter, you feel like you can breathe again. The air outside is cool, and you drop Ben’s hand now that you’re not likely to lose him in the crowd, and the two of you find seats to the side by a tall table. 
“You don’t have to stay with me all night.” You tell him, resting your head on your arms, watching as he lights up a cigarette. It was a filthy habit, but damn if it didn’t make him look a hot. Hotter. 
“I know that, dude,” he pauses, taking a draft and looking, watching all the people talking and laughing and bopping along to the music, “I like your company.” He says it easily but it still has you grinning, and when he catches sight, he grins in return.
He doesn’t leave your side. Not for the rest of the night. 
Photographs are being take all night, and when you look back on them, you see you and Ben sitting side by side, his arm around you as you lean into him, laughing, and he grins at something off camera. You see the cast together for a group shot, all smiling brightly, most a little tipsy, and you’re holding Ben’s hand, your linked fingers just visible in a gap between Allen and Lucy. You see the two of you in the background of a shot of Rami looking absolutely ecstatic; you’re fixing Ben’s hair, and he’s giving you such a soft, endeared look that you hadn’t noticed at the time. If you crop it enough to make it your phone background, you don’t feel the need to call attention to it; for reasons you can’t quite articulate, it makes your heart warm.
It’s strange, and the thing that terrifies you is that it doesn’t feel like acting. It’s that grey area you keep finding yourself in, where it feels so familiar, and it’s like swimming upstream to remember that it’s all fake. 
The two of you don’t even share a kiss, not even when you’re both tipsy, not even when you lean in to murmur something in his ear, and his answer brings his lips inches from yours. You want to kiss him, to forget that it’s all fake, but he sees you hesitate, and presses a gentle kiss to your cheek. Lips twisting in to a sad smile, you look out at the crowd of coworkers around you, dancing where the band had been replaced with a DJ, and you take another sip of your drink.
You’ve passed tipsy and dived straight into being drunk by the time you’re ready to head home, or well, back to your hotel room, but that required a taxi. Ben’s not much better off, and when you tug him into the back seat with you, he doesn’t argue. He’s the one who tells the driver the hotel they’ve got you all set up in, and you just lean against him, eyes fluttering closed, contentment filling you as he wraps his arm around you. 
“I don’t have any makeup wipes!” You gasp into the silence of the hotel elevator. It feels like the most natural thing in the world to head to his room, your arm tucked into his to keep you from swaying in place in the elevator. It might also be that Ben refused to let you be by yourself after you almost face planted getting out of the taxi.
“I’ve got some in case of emergencies.” He assured, fidgeting with his key card before the elevator comes to a stop.
“See, this is why I love you.” The words come so easily that neither of even catch at first as you make your way down the hall. Ben slows once your words have sunk in, and you both realise what you’d said. “I didn’t mean it like that, I’m sorry.” Voice quiet, there’s a sudden sinking sensation in your chest that dampens the whole night for you, but he doesn’t say anything, just opens the door and starts rummaging through his suitcase for the wipes once he’s inside. Once he tosses them to you, he follows it quickly with an oversized shirt to sleep in. 
There’s a solid five minute argument about who would sleep on the sofa, both of you trying to give the other one the bed. It takes you yanking a pillow from the bed, laying on the sofa and refusing to move for Ben to concede defeat. The sofa, however, is the single most uncomfortable piece of furniture you’ve ever had the misfortune of trying to sleep on. Sucking up your pride, you clutch the pillow to your chest as you make your way to the edge of the bed. He’s turned away from you, engrossed in his phone.
“Ben?” You ask, and he looks over his shoulder at you, eyebrows raised in question. “The sofa is really uncomfy.” You pouted. With a grin, he shifted, making room for you.
“Holy shit.” Ben looks like he’s just seen a ghost. The two of you are in a nice restaurant in the city, it’s not five stars or anything like that, actually it happened to be your favourite little hole-in-the-wall restaurant with surprisingly good food and excellent service, and you were treating yourselves to a night out before Ben had to step outside to take a call. You didn’t begrudge him, that’s just how life was for the two of you. “Holy shit.” He repeated, and you looked up from your meal with raised eyebrows. 
“What’s up?” You ask, and to see the smile spreading slowly over his face has your heart warming. When he meets your eyes, he’s beaming.
“I think I’m going to be in X-Men.” He said quietly, and your fork fell from your hand, clattering against your plate.
“Holy shit.” You echoed, and he laughed a little, taking your hand when you offered it to him, squeezing gently. 
The stars seem to shine a little brighter as Ben beams up at them, your hand in his as the two of you walk home. Sure, there’s paperwork, nondisclosure agreements, rehearsals, and a few months until filming actually begins, but Ben’s landed a role in a high-budget action movie, and you’ve never been prouder. 
He spends the next few weeks in countless meetings, almost constantly in and out of phone calls with his manager and various producers, and when he’s not filming with Eastenders, he was usually training. He’s barely home, though neither of you are home a lot, you’re busy with your own projects, but when you see each other, he’s elated. You haven’t seen him this excited or motivated about a project before. 
Sometimes you miss him. Of course you miss him, you love him after all, he’s your boyfriend and your housemate, and you tell him all of this over dinner and he looks like he wants to say something, like he wants to freeze this moment in time forever, to bottle it up if he could.  You’re so proud, and you love him so much, and it’s the most beautiful thing in the world to watch those two parts of you coming together over a microwave dinner.
In the weeks leading up to filming, things change, and you feel like you never see him anymore. It’s not like before, then you were just busy, now he’s all over the country, in meetings and fittings and workshops. He calls, but your bed is so empty and sometimes you just want to come home to him and he’s not there, and he won’t be home until the end of the week. Things are still good and bright when you see each other - he’s always eager to make up for lost time - and you never once doubt how much he cares about you, but you feel... out of sync. 
The two of you had fallen asleep not facing each other, but you wake with his arm draped across you, and it feels so familiar, so right, that it stings when you actually come to and realise where you are. 
It’s been years since you’d woken up next to him, and you’d forgotten how pretty he is in his sleep. Part of you thinks that’s a good thing, that if you start to remember now you might keep dwelling. Another part of you urges you to go back to sleep; pretend or not, you should savour this moment you’ve missed so dearly. That’s the part that wins.
You expect when you wake again, for him to already be up and moving, as far away from you as possible, but instead you hear a sleep-rough greeting in your ear, and feel his chest firm against your back, his arm still around you where you’ve tucked yourself against him.
It’s not pretend, it feels like history repeating itself, and so you let yourself forget it’s fake for the moment, lean into him just a little and give a sleepy greeting back. Your heart already aches knowing how lonely you’ll feel once either of you move.
“I forgot how nice you smell.” He murmured, and that’s when you feel your heart already beginning to break. Instead of letting yourself crumble, your link your fingers with his hand where it’s slung over your waist.
“I forgot how warm you are; you’re like a furnace.” And you hear him laugh at that as he leans into you too, and let yourself bask in the moment.
the rat pack: @hotspacedeacon @strangeandwonderfulconcepts @itssaje @d-r-e-a-m-catchme ​ @callumidiot @rockandrollandshit @bohorap @pietrorunsforme @sweetfierceimagines @itsjackothy @mhftrs @sherlockiantheatrenerd @softbenhardy @multifandomgirlrandomstuff @virtualsheepeat @smile-nine @i-padfootblack-things @deaconsroger @spookyfrances @holyurlbatman @your-idiotic-excellency
(crossed out means it wouldn’t tag; i’ll try again for the next part, lemme know if you wanna be tagged xx)
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chapter 11.5 -- okay, 12, it’s chapter 12, fine, fine. I should stop trying to predict how long my chapters will be. I’m always wrong. the Fae AU keeps escaping all my predictions. it’s fine. it’s cool. 
[Beginning] [Chapter Masterlist] [ao3]
It is not, as Apollo expects, the worst road trip he has ever been a part of. Trucy likes to sing along to the radio – she has a surprisingly good voice – which stops Clay from starting up his usual road trip tradition of bellowing out “Ninety-Nine Bottles of Beer on the Wall” and seeing how much he can get through before someone slaps him. Trucy claimed shotgun, as “the woman with the magic map”, meaning Apollo is shunted to the back with Ema, who upends her bag on the floor to pull from it a jumbo-sized pack of Snackoos and offer a handful to him.
“None for us?” Clay asks, pouting in the rearview mirror.
“Backseat privileges,” Ema replies.
Trucy cranks the radio up as a familiar guitar riff begins.
If it’s extortion, it works; she and Clay have not finished the first verse, Trucy’s almost-operatic interpretation running up against Clay’s off-key warbling, before Ema is shoving the Snackoos up between their seats, offering a trade of chocolates for an end to the car-vibrating force of Guilty Love.
“Not a fan?” Clay asks.
Ema groans. So does Trucy. “Don’t get me started,” Ema says.
“Yeah, please don’t,” Trucy adds.
“He’s a pretentious fuckin’ diva who—”
Trucy begins yelling out the chorus to the song over the second verse emitting from the radio.
They are all still arguing – Ema berating Clay’s taste in music while Trucy moves into an attempt to sing My Boyfriend is the Prosecution’s Witness to the tune of Guilty Love and Apollo tries to turn the volatile atmosphere anywhere else – when the song ends. Trucy shushes everyone, violently, smacking Clay on the arm and then flailing back at Ema, and turns up the radio. A DJ is in the middle of saying something.
“—announced today on their social media. While fans are disappointed, no one can say that the break-up comes as a surprise, after the sentencing of guitarist Daryan Crescend for murder in July, and the three months of, ahem, radio silence that’s followed. And earlier this week, leader singer Klavier Gavin’s brother was indicted on a second count of murder – I can’t say I blame him for maybe wanting to duck out of the spotlight. Gavin’s brother was previously charged in April, for—”
Trucy changes the channel. A commercial for a local furniture outlet doesn’t help break the awkward spell fallen over them. “Yeah,” she says, after a full minute, during which time they discover their new channel is a country music channel. “No real surprise.”
“Brother and bandmate,” Clay says quietly. “Hell of a year.”
“Hell of a six months,” Apollo says. And he was there for all of it – he was there for more of it than Klavier ever was. Klavier wasn’t there in April, not when Kristoph fell, not when any of them could have had any idea what was ahead. How much magic would surround them.
“If my older sister had been convicted of murder, I was gonna crawl into the dirt and die,” Ema says, “so I’m with the fop on that one, actually.”
There is a worrying lack of hypotheticals in the second half of Ema’s scenario. No “would have”s. Like she was where Klavier is, but the trial had a different outcome, and the frozen expression on her face, her eyes gone blank, she looks like she has caught up with her own words. Said too much. Apollo doesn’t know much about her as a person, her life before failing the forensics exam, how it was that she knew Mr Wright, but he can sympathize with that fear of having given away too much, turned the conversation down a path that should stay blocked off.
“You have a sister?” Trucy asks, turning around in her seat. “You seemed kinda ‘only-child’ to me.’ “Yeah,” Ema says quietly. “Older sister. Her name’s Lana. We don’t… talk much.”
Apollo doesn’t know why the name feels like it strikes something in his brain, the way Ema’s did when she first introduced herself.
“Oh.” Trucy visibly wilts. “Sorry.”
Ema shrugs, slumping back against her seat, her arms folded. “It happens,” she says. Her eyes are glazed over, settled in Clay’s direction. Her mouth quirks in the beginnings of a smile. “She took me to the Space Museum once, not long after it first opened.” The wistful smile has grown a little larger. “Back when I didn’t know what kind of scientist I wanted to be, so I wanted to go everywhere, and she was like ‘Ema I’m not taking you to the fucking tar pits again, how about space?’, and—” She shakes her head. “Sorry. Your jacket got me thinking. Do you work there or something?”
And that is the question that Clay most likes to be asked, that or literally anything else ever about space, and that is the end of any of them getting a word in edgewise – but while Apollo’s heard it all before, Trucy has questions galore, and Ema sits forward, slowly losing the pretense of not being enraptured.
-
They have driven for over two hours by the time Trucy directs them to pull of the highway at an exit that tells them there is nothing for them that way but another 38 miles until Kurain Village. “Is that where the Fair Folk live?” Ema asks dryly, in her voice none of the nervousness that people tend to have. Apollo hasn’t spoken much with her about magic, doesn’t know what she thinks – but, well, she knows Phoenix. That’s clue enough that caution comes secondary.
“Not really,” Trucy says. “They just named it that. It’s part of our world. Sometimes some of the fae do show up and hang around, I think – Maya tried to convince Daddy to move out here, once, apparently, but he wouldn’t leave the office.”
“Who’s Maya?” Apollo asks. Sometimes he realizes how little he knows about Phoenix’s personal life, too.
“Daddy’s friend. She’s – wait, stop! Here! Turn down this road here!”
“This is not a road,” Clay says, hunching over the steering wheel. “This is some dirt, off the road, not even in the shape of a dirt road.”
The car groans as Clay turns it off of the asphalt into the dirt. Trucy pops open the door and stands, holding herself between the door and the car roof and turning her face to the sky and the no-longer-distant mountains looming above them. She says something, muffled, and points into the trees. “We’re close,” she says, ducking back inside the car. “Let’s park and go – we’re close.”
“Park right here?” Clay asks, raising a doubtful eyebrow.
“Barely anyone comes this way,” Trucy says. “Like, one bus, except I’m not even sure if this is on its route. It’s fine.”
“I’m more worried that this is some sort of sacred ground that we’re stomping on,” Clay says, but he turns the key and then smacks his head against the top of the wheel. “How much are we going to regret just walking out there?”
“Probably we won’t,” Trucy says. She flings the door open and jumps out, stretching her arms up into the air. “C’mon already!”
“So what are we doing now?” Ema asks, crumpling the Snackoos bag back into her bag and tumbling forth from the car like a liquid spilled. “Just walking into the woods until we find treasure or a bear?”
“We do have a map.” Trucy waves it at her. “But yes. That’s what we’re doing.” She lowers the page halfway to her side and then stops, tilting her head back. “I’ve been here before,” she says. “Grandpappy and I – sometime – sometime after my mom died.” She takes a few slow steps toward the treeline, her movements uneven, as in a daze. “It was just the two of us. And we came here, and we buried—” She spins around, eyes wide, looking at all and none of them. “We buried his grimoire.”
Without another word of warning, she dashes into the woods, sending them scrambling to catch up to her. It’s colder here than in the city, though Apollo didn’t think they went up too far in elevation. Leaves thickly coat the ground; do they hide rings of flowers beneath them or do those in their magic break through? They finally reach Trucy when she, focused on her map, walks straight into a tree and takes some time to properly reorient herself.
“Do you know why here, of all places?” Apollo asks. “Is it because of the mountains, and he was…?”
He stops. Does Trucy know what her grandfather was? Phoenix didn’t say. Of course he didn’t.
“He said this is where he landed,” Trucy replies, crunching a leaf beneath her foot. “He said he fell, and this is where he landed.”
“Was he—” Clay’s sense, that question that they all know they shouldn’t ask, that question that Apollo has asked again and again anyway, wars against curiosity, against more than wanting to know – needing to know, to understand what is Trucy’s family. “Was he, erm, one of – Them?”
He can’t even bring himself to offer up one of the epithets. This close to the mountains, Apollo isn’t sure that he could bring himself to speak of them plainly like he has learned to.
“Yeah,” Trucy says. “But I’m human. Don’t worry.” She flashes a grin, one of her usual grins, but it is tempered by the speed with which is vanishes from her face again, replaced by a frown of concentration. “I think we must be close, but not quite yet.”
“Hey, Trucy?” Ema asks. She pushes a branch out of the way and it snaps back to nearly strike Clay in the face. “Not to pry, but – if your grandfather was one of the Fair Folk, are you the changeling, or was it your mother?”
Trucy stops.
“Wait,” Ema says. “Not a changeling – that’s the fae child. The human kid, the one swapped out. Is there a word for that?”
“I don’t think so,” Trucy says. She hops over a log. “I don’t think there’s a name for people like that.”
She doesn’t answer the first question. Maybe she doesn’t know, either.
“When you say you buried it,” Apollo says, aware that there is nothing subtle about this lifeline he is throwing to pull her away from questions best left avoided (am I a child stolen away, raised by the fae? Did they take me from the life I should have had?), “have we come all this way to be foiled for want of a shovel?”
“Oh fuck,” Trucy says.
“Hey!” Ema barks, her sharp rebuke the manifestation of that urge Apollo feels to scold her for that. “Language, young missy!” She folds her arms across her chest, her glare a fond one. “Where did you learn that?”
“My daddy’s a card shark,” Trucy says, countering Ema with a smug grin of her own.
“I thought he was a piano player,” Clay says.
“Only because you’ve never heard him play,” Trucy replies. “Easy mistake to make.”
“Considering it was all magic that hid the map,” Ema says, with nary a pause to acclimate everyone to the idea of throwing the conversation back past that latest sharp turn, “wouldn’t it be magic to hide it again, logically speaking?”
“Where’s the logic here?” Clay asks. Ema snaps a twig off a bush and flicks it at him. “And I mean, if it’s just covered up with some illusion, couldn’t anyone stumble into it?”
“Maybe it takes the map, too,” Apollo says. “Or maybe only a Gramarye can unveil it.”
He steps up onto a tree stump, like the extra five inches can grant him some kind of special insight or a better view in the forest of brown. Then he is falling, the wood rot giving way beneath his foot, a sharp jolt running up his leg from the twist of his foot. “Shit!”
Trucy winces. “Ouch. Poor Polly. I—”
“Apollo,” Ema says, very seriously, but somewhat muffled by her hand over her mouth. “Move. Move right now.”
“What?” He sits up, dislodging his foot from the stump, and looks about himself. The forest floor of dead leaves has cleared, as though by a strong, concentrated wind, revealing browned dead grass encased by a perfect circle of blue flowers. “Oh. Oh shit.”
Without an ounce of grace, still on his hands and knees, he scrambles and rolls his way out of the faery ring. “So according to the map,” Trucy says, and above his head Apollo hears the flutter of the paper, “I think we found it.”
“Only a Gramarye, huh,” Clay says dryly.
“That was only supposition!”
“So who’s gonna stick their hand in a rotten tree stump?” Ema asks, producing a flashlight from her bag and shining the beam down into it. “I volunteer Trucy, because she’s wearing gloves, and is our Gramarye.”
Trucy kicks up the leaves on her approach, searching for hints of another ring around the stump, more than just Apollo’s that sits adjacent to it. “If I get bit by a squirrel and get rabies and die, it’s your fault,” she says, kneeling down next to the stump and brushing her hair back to peer down into it.
“Statistically, your chance of getting rabies from a squirrel is negligible,” Ema says. “That shouldn’t be your worry.”
“What should I worry about, then?” Trucy asks. “Can you bring the light a little closer?”
“Bats, racoons, foxes, feral cats and dogs, and right now, probably non-rabies Fair Folk curses, since we’re fucking around by a ring.”
“I’m still concerned about bears,” Clay says.
“I’m not,” Ema says. “I’ve already got my plan, which is to trip you into its path.”
“General ‘you’, or me, specifically?”
“You specifically. Nothing personal, though. I just know Trucy and Apollo better than you.”
“This is way heavier than I thought,” Trucy says, falling off-balance and dropping something dark and rectangular. “Oof! Okay. Okay. We got it!” She lifts it up onto her knees, a thick book with a black cover and a character emblazoned in flowing purple script on it. “I knew I remembered this.” Her voice is quieter as she opens the book and flips through the rough-edged pages. “Grandpappy’s grimoire.” She closes the cover again, reverently, and keeps it balanced on her legs as she turns back to the stump. “Light again, please. I thought I saw something else.” Trucy has her head nearly in the hole, which can’t help her with her light situation, and she sits back and plunges her hand in again. “Yep! This is a – a funny-looking magatama?”
She holds it up, the blue stone sparkling in the flashlight beam, but also seemingly with its own interior glow, and Apollo gasps.
Three sets of eyes turn to him.
“That’s a mitamah,” he says, and to his own ears he sounds like he’s choking, but he feels like he’s choking too, and maybe the others don’t notice but he doubts it. “That’s someone’s soul.”
Trucy drops it into the leaves.
“What?” Clay looks suspicious – Trucy looks horrified. “How do you know?”
(“There’s no reason to give away your soul,” Dhurke told them, sternly, the sternest he ever got. “Never.” And then they tried to argue, to come up with reasons, because of course they did, and he hugged them both close. “You’ll make great lawyers someday, always looking for reasons and other ways, but this one – promise me. Nahyuta. Apollo.” He prodded each of them in the chest. “Don’t let someone else get their hands on your soul.”)
“The tail of it is different.” Apollo picks it up, brushing off the dirt and leaf particles that cling to it, and points to the longer, squiggling protrusion that extends from the loop. It doesn’t fully connect like a magatama, either, more like a hook than a circle.
It feels warm in his hand, humming through his fingers and up into his ears. It reminds him of the office – familiar, but disturbing, because there is no reason that it should feel so familiar and comforting.
“Could it be your grandfather’s?” Ema asks.
“Wouldn’t that mean he’s still alive?” Clay asks. “Is that possible?”
“It couldn’t be,” Apollo says. If he stares at the mitamah he thinks he can see flecks of gold within the blue, like stars on a constellation chart. “The Fair Folk don’t have souls like we do. They can’t sell them or manifest them like this.”
“Is that why they want human souls?” Ema asks.
“How do you know?” Clay repeats.
Apollo’s heart has stoppered up his throat.
“It makes them stronger,” Trucy says softly. “When they buy names, or souls, it makes their magic stronger. But this – this can’t be that.” She hugs the grimoire up to her chest. “It can’t just be that.”
“Should we just… put it back?” Ema asks. “Someone’s probably looking for it, right?”
“It’s been seven years and no one has come before us,” Apollo says. The humming isn’t as steady now, seems more like a song, and familiar, damned familiar. “No, we can’t just leave her here.”
In the silence, even the song seems to stop. “What?” Apollo asks. Their three sets of eyes are on him again, even more piercing, Trucy’s wide and Clay’s narrowed and Ema’s narrowing too.
“‘Her’?” Ema repeats. “Why ‘her’?”
“I…” Apollo swallows his heart. “I don’t know, but I… I know?”
“I don’t think you should be holding that in your bare hands,” Clay says.
But the alternative seems to be dropping her in the dirt again, and Apollo’s fingers curl tighter around the stone. He can’t do that, either. Trucy unties her scarf from around her neck and silently passes it to him, letting him wrap the stone up in the red fabric and then cradle it close again. The song thrumming in his ears ceases. “I guess we should take it to Mr Wright and ask him if he knows what to do,” Ema says. “He’ll know what to do with it. Her?”
Trucy’s gaze is unfocused, her head slowly drifting away from the horizon back toward the stump. “Trucy?” Apollo asks. “Are you okay?”
“He wouldn’t do that,” she says. “Just buy up someone’s soul all for himself. He wouldn’t. There had to be some other reason. It wasn’t just power, there had to be a good reason.”
(“There’s no reason,” Dhurke said. “Never.”)
“He gave me magic, as a gift,” Trucy says. “He was a good man.” She looks up at Apollo, blinking her blue eyes furiously. “Wasn’t he?”
-
It takes them another forty-five minutes to stumble out of the woods and find Clay’s car again. Ema makes everyone nervous talking about the odds of them stumbling across a body decomposing in the undergrowth – “I have zero desire to ever get caught up in one of your murder investigations,” Clay says, picking up a branch from the bushes and brandishing it like a baseball bat – and bears. The two of them are at least doing a good job of filling the silence left by Trucy, uncomfortably quiet, walking in a trace. Apollo tugs her by the arm out of the way of trees. He could put the mitamah in his pocket but hasn’t, has kept it held close to his chest.
The story that Phoenix spun of the Gramaryes is gnawing at him. A woman, on the bad end of a deal with Magnifi – Apollo doesn’t want to think about the possibility.
(Trucy must be thinking about the possibility, mustn’t she?)
She crawls into the back seat of the car, depositing the grimoire in the middle, and Ema makes a mad dash for the front seat, leaving Apollo to sit on the other side of the grimoire, separated by it from Trucy. The only time she speaks is to call Phoenix and ask him if he is at the office – he is, because she directs Clay to go back to the office.
It is a long, quiet ride home, some subdued conversation between Ema and Clay about their fields of science rising over the country music still on the radio. Trucy taps Apollo’s hand and beckons him to hand her the mitamah. She takes off one of her gloves and weighs it in her hand with an ever-deepening frown until she wraps it back up and passes it back to Apollo.
Ema shouts “Yellow car!” and hits Clay on the shoulder. He hits her back and tells her that she needs to specify no punch-backs next time.
-
Phoenix is sitting on the floor leaning against the couch with two notebooks and a stack of papers spread out in front of him, the coffee table shoved to the side, a pencil in his mouth and another tucked behind his ear, when they stagger into the office. Apollo is mediating an argument about the merits of Eldoon’s for a late lunch – Ema does not want to brave it, while Clay wants nothing more than to do so. Phoenix does not look up.
“Hey, Daddy,” Trucy says wearily.
His head snaps up, dislodging the pencil behind his ear. “What’s wrong?”
“You always complain about your back hurting, and now look what you’re doing.” Trucy’s words sound forced through a smile. Phoenix’s frown deepens. He watches Trucy walk past him to deposit the grimoire on his desk.
“We went looking into the envelope you gave her the other day,” Apollo says. “The real last page.”
Phoenix doesn’t look back from Trucy right away. “A full expedition team, huh?” he asks, raising one eyebrow as he looks over Ema and Clay. “Who’s this?”
“Er, oh, yeah. I’m Clay Terran. Apollo’s roommate.” Clay points with his thumb at Apollo, even though they all know there is only one Apollo that they know. “You’re Mr Wright, yeah?” He doesn’t do a good job of feigning enthusiasm.
“I know that look,” Phoenix says, standing with a wince and an audible crack of some of his joints. “That’s the ‘I’ve heard about you and it’s nothing good’ look.” He lets Clay splutter for a full two seconds before he grins crookedly and adds, “That’s fair.” Almost immediately, his expression flattens out to something stern and almost entirely foreign. “Trucy,” he calls. “What’s wrong?”
“We found my grandfather’s grimoire,” she says, sitting on the desk and holding it up, only for it to slip from her hands and crash to the floor. “And Polly has the other thing that was with it.”
Apollo unwraps the mitamah.
Has he ever seen Phoenix surprised? The man spent seven years an unbeaten poker player, and this past half-year absolutely inscrutable to Apollo’s eyes. There is nothing controlled in his reaction; his mouth falls open and his eyes go wide, turning blue immediately and staying blue, horror apparent in how they linger on the mitamah. “Oh,” he breathes. “That is – yeah.”
He reaches forward with trembling hands and scoops up the scarf spread across Apollo’s hands. He holds it cradled close, too, his free hand cupped beneath the one holding it, prepared to catch the stone should it slip, but still not having touched it with bare skin. “So,” he says. “The ‘source’ of Magnifi’s magic – that grimoire, and this soul.”
“But,” Trucy says, “that…” She stops. She chews on the inside of her cheek. Mr Hat, the wisp, is visible, bobbing frenetically around her shoulders. “It’s…” Her shoulders slump. “Do you know what to do with that, Daddy? Is there a way to know what person a soul belongs to?”
“Not from looking only at the mitamah,” Phoenix answers. His eyes still hollow blue when he turns them back to Trucy. “I am not particularly familiar with mitamahs, honestly, but I’ll look into it and see what I can do to get it back to her.” He takes the stone in one hand and offers Trucy her scarf back. “If the fae who has possession of a soul is still alive, they can just give it back – not that many are willing to, mind – but since he’s dead – well.” He shakes his head. “Thank you, though. For helping Trucy, and bringing this back.”
It’s a firm end to the conversation, not that Apollo knows what more to ask about a soul. Ema, though, is frowning, her arms crossed, her mouth twisting like she is puzzling out something. “We were gonna go get noodles at Eldoon’s,” Apollo says. “If – if you wanted to come, Trucy.”
“Oh!” She looks surprised, like she hadn’t expected to be addressed. “Um.” Her heels bounce against the desk. “Thanks, but I’m okay.”
Her hands, curled around the edge of the desk, shine red. Apollo doesn’t even need that to know she’s lying.
-
“We all agree she’s not okay, right?” Clay asks.
They were silent for a block down from the office, Ema not even complaining about losing the Eldoon’s battle. (Apollo was prepared to tell her that she didn’t have to come, but she had attached herself to them without a cursory protest.)
“Definitely not,” Ema says. “I guess she doesn’t want to believe that her grandfather was the double-dealing type of Folk – which, I’ve read the case file on his death, I’d believe that about him in a hot second. There’s nothing worse than a blackmailer like that. Also.” She plants herself firmly in the sidewalk. Apollo and Clay both bump into her. “None of us referred to the mitamah as ‘she’ or ‘her’, right? Like you were, Apollo.”
“None of us but Trucy even talked about it,” Apollo says. Clay nods. “Why?”
“Because Mr Wright did.” Ema’s forehead creases. “He said he would ‘get it back to her’. He wasn’t even touching it, was he?” Apollo shrugs. Ema shrugs too. “He knows something. More than he said.”
“He always does,” Apollo says.
They reach Eldoon’s, and Ema says that it’s weird to see the stand without a corpse attached. The look that Clay gives her makes her and Apollo both laugh. Once they have their noodles, they walk another few blocks to People Park and find a bench not far from where the noodle-stand crime scene once stood. Apollo has learned to be grateful for the mouthfuls of broth that taste of so much salt to sting. It feels a little more like safety, like salt across a doorway.
He starts to say what he’s thinking, that Trucy might be worried that the mitamah is her mother’s, or at least he is, but the words die on his tongue, shriveled by the salt. He doesn’t feel right to tell Clay and Ema about Trucy’s mother’s death, when he has no idea if Trucy knows or not. Phoenix has made him the guardian of family secrets that aren’t his and something about that feels wrong. Maybe necessary in some way, to understand the case, to understand what happened with Kristoph, but still wrong.
Instead, he helps Ema explain to Clay her earlier comments about Magnifi and blackmail. You can’t refuse, and we both know the reason why – Trucy can’t know he did that. She seemed to idolize him. What a hard way to fall.
He’ll text her tomorrow, Apollo decides. Check in, see how she’s doing.
(There’s probably someone else he should check in with, too, the events of this week all considered.)
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saints-row-2 · 6 years
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in fallout Tuesday and Ezra-Kane work together long enough to take down the Legion but completely destroy their partnership during Lonesome Road and turn to blows when it comes to deciding if theyre gonna work with House or not and Tuesday runs Ezra-Kane out of town before the ending of New Vegas. when they see each other again in Fallout 4 its intensely aggressive and the only reason they dont fight it out there and then is bcs theyre both working with Atticus (both to take down the Institute, but also in Ezra-Kane’s case to take down the Brotherhood, and in Tuesday’s to minimise damage to the Brotherhood). they leave off in Fallout 4 with the desire to never see each other again and Tuesday promising Ezra-Kane that he wont fucking hesitate to come after him if he feels that Ezra-Kane has gone too far down the ‘he who fights monsters’ path.
like Ezra-Kane and Tuesday have the same fundamental goal; they want to take down bad people. but as ive said before, Tuesday is driven by a desire to always be good and destroy evil. he always wants to do the right thing. Ezra-Kane, on the other hand, wants to stop evil preemptively by becoming such a powerful force that he can stop anyone else from gaining power. so while Tuesday is kind of aimlessly wandering around doing shit, Ezra-Kane has a structured plan, a lot of which involves doing shit that could be seen as for his own gain. 
Tuesday doesnt think Ezra-Kane is fundamentally evil, and hes thrown enough by Ezra-Kane’s ‘ends justify the means’ style plan that he doesnt really know if he should do anything about Ezra-Kane, but he knows he cant justify helping or working with Ezra-Kane. Ezra-Kane thinks Tuesday is naive, endlessly slapping band-aids on the Wasteland without any kind of actual plan (and uses Tuesday’s abandonment of the Mojave when the Mojave needs leadership and Tuesday’s working with Maxson’s Brotherhood as proof that Tuesday doesnt know what hes doing) and doesnt want anything to do with him bcs he thinks Tuesday’s a joke. they just personally hate each other more than anything.
in the 80s au/in my El Reino stories they DO start off working together, in order to deal with the mystery in the story (which im still working out) and eventually turn on each other bcs theyre kind of destined to always hate each other. in El Reino, Tuesday is a PI and Ezra-Kane is just a rich kid with connections to the mafia, who he also despises. again, Tuesday’s primary goal is just to do good things, but Ezra-Kane’s is initially to kill the don, Drago, as revenge. eventually he realises this wouldnt actually help El Reino at all, and he risks either whoever Drago’s replacement is, or worse, one or more of the mafia families outside El Reino taking over. he decides he needs to, again, become more powerful and challenge the entire local organisation.
in this universe again, Tuesday doesnt think Ezra-Kane is evil, but does think he’s power-hungry and immensely doesnt trust him. Ezra-Kane, again, doesnt give a shit what Tuesday thinks because he thinks Tuesday is pathetic. and again, neither of them directly challenge each other. 
in Fallout, Ezra-Kane thinks that the whole world is sick. hes so traumatised by what he sees in the Wasteland after leaving the vault that it destroys his ability to believe anything good can grow there, and he becomes hellbent on reform by any means necessary. in El Reino, Ezra-Kane is specifically traumatised by the mafia due to teenage interactions with the mob, and while initially his anger is towards Drago as the mafia’s leader, like i said he turns to a larger plan. essentially its the same plan as in Fallout, to form his own ‘gang’ (again utilising connections that Teddy Tallahassee has) and challenge a larger organisation. although here its an isolated strand of the mafia (Drago deliberately cut himself off from other families and has an extremely contentious relationship with other branches of the mafia) not the Brotherhood, and Tuesday isnt connected to them. 
theyre still the same characters in both versions like i very specifically wanted to capture their exact personalities and try to recreate reasons for them to be the same and try to recapture events of the story. the story opens with Tuesday arriving in El Reino and ends with him leaving, kind of a mirror to how the courier in the start of New Vegas is seemingly a new arrival there and then ultimately ‘vanishes’ at the end of the story; Tuesday returned to the Mojave after spending time away and then left at the end when the pressure of taking care of the new New Vegas got to be too much. in El Reino, he arrives back after spending time away and eventually leaves again because of his fear of commitment to a cause, and because of the seemingly insurmountable number of issues in El Reino ruining his love for his hometown. 
i think the character whos largely changed the most is Atticus but ive talked enough for an incredibly self-serving post
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artificialqueens · 7 years
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I'll kiss it better
Hi! This is the first fanfiction ive ever written, so hope its not that bad! Its a trixya highschool au where they’re both girls. The whole story will be Trixie’s POV :) also im from Norway so my English is not the best so sorry if there is alot of misstakes :(( hope you enjoy this anyway !
It was just a regular day, nothing new. The day had started with trixie aplying her barbie makeup, putting on one of her too many pink outfits, having classes that she was focused in, meeting her friends Violet and Pearl and eating gross food in the cafeteria. All tho, a day wouldnt be normal without spending her luch staring across the room at the popular’s table. Not that she cared that they were popular, but she did care that the most beautiful girl she had ever layed eyes on was on of them.
“Trixie! Omg can you stop looking at Katya and focus on me for a few minutes??” Violet said frowning at Trixie that clearly had spaced out in the middle of Violets monologs about herself.
“Wait what did you say?” Trixie looked back at Pearl and Violet who were both looking at her, Violet rolling her eyes as usual.
“If you wasnt so focused on ms. I let the whole school bang me, you would have heard that i was talking about what im going to wear for my next model job next week.” Violet said looking back at Pearl who gave her a sympathetic look, knowing how much Violet became annoyed when people didnt listen to her.
“Im sorryyyy. Its just that-”
“Yes yes Katya is beautiful, katya is amazing and Katya is the best creature that has ever lived, we know.” Violet said looking more upset.
“But i mean she may be-”
“No Trixie. She is not a lesbian. She has sucked off half of the football team, also, i dont even get why a slut like her would be popular.” She said crossing her arms like a kid throwing a tantrum.
Trixie hated how much Violet disliked Katya. It was obvious that she was jealous of her populaity, but no one ever said anything. Pearl was too busy loving Violet and supporting everything she said, and Max who usually sat with them, was too shy to say somthing unless it was about something being too vulgar for her. Trixie usually ignored her and focused back at Katya, but calling her a slut was not ok.
“Just because she likes dick doesnt mean she is a slut.” Trixie said trying to defend Katya like she had been her best friend since kindergarten.
“Trixie omg you just said it yourself, she likes dicks not pussy so get over it already.”
The bell rang before Trixie got to say anything else, so she ended up just rolling her eyes and got out of the cafeteria as fast as she could.
The next class was maths, and even tho Trixie liked to focus on her school work, she couldnt help but think about what Violet had said. Its not like she belived it herself that Katya was a lesbian or a bisexual, but thinking she was straight was way too negative. The sadest part was probably the fact that Katya didnt even know who Trixie was, even after soon 3 years in high school. Not that Trixie had noticed Katya before the start of the 3rd year either, but it sucked having a crush on someone who had abselutely no idea that you existed.
-
It was a week later, and Trixie was sitting in the cafeteria again, listening to Violet talk about how her photoshoot had gone yesterday. Today Max sat beside her on their table and listened with full enthusiasm while she was talking. She heard something about the photographer being a pervert and Pearl getting upset over this and Max wanting to call the police, but honestly right now she couldnt care less, cause Katya was wearing shorts for the first time since fall and her ass looked so great in them. Not to mention her hair being tied up in a long curly ponytail and a black crop top with some sort of cigarette print on it, to be honest it was hard to say with Katya being on the other side of the room, but at least she got to stare at her from behind, which might have been the greatest part of her week. She started thinking about how it would be to actually talk with her, she always laughed loud and had the biggest and most happy smile she had ever seen, so she could probably do it if she went for it. Pffth like she was ever gonna be brave enough to even say hi to her in the hall, at least not with her bitch committee following her.
“Are you staring at that girl again?” Asked Max looking at her with a hopeless look. Max was the one she had known the logest and probably the most supportive of the group, but it didnt mean she helped alot in her crush situation.
“No no, i was just, um thinking about the math test next week, thats all.” Trixie said with a half smile and got her focus away from Katya.
“You need to get yourself together and say hi soon. You cant just stare at her for two years without even trying.” It was the most suportive comment she had gotten out of any of them forever and she was happy with Max trying to help her. Not that it was helping but at least it wasnt Violet saying focus on me and not that slut.
“But she doesnt even know i exist…” She sight and got up ready to get to her next class.
“Try a hi anyways, unless you dont want her to know that you exist.” Pearl said as they walked on their way to their different classes.
Trixie was daydreaming on her way to her class, thinking about all sort of things, till she was half way up the stairs. She felt someone behind her lifting up her skirt. At that moment she was so unconfortable and upset that she turned around, ready to punch the pervert who was trying to take a peek at her panties. There was a bunch of people, both boys and girls standing behind her giggling and wispering to each other, but at the very front, right in front of her was Katya. She was trying not to burst into laughter while her friends around her was laughing their asses of.
Trixie felt her cheeks heat up and she turned around and ran up the stairs almost tripping, but made it into on of the bathroom stalls. She felt tears running down her cheeks as she thought about the most embarrassing thing ever happening to her comming true. There she was having this great idea that Katya was this amazing person who everyone liked because she was funny and warm hearted. She was wrong, she was just another part of the whole mean girls group. She couldnt belive why anyone, at least not her, would do that to her for no reason other than a laugh. She was angry at her, and most of all herself for letting herself having a crush on her for so long when in reality she was just this cold hearted bitch.
-
That night was filled with ice cream and her three friend spening their time talking about how much of a bitch the mean girls are and why Trixie shouldnt blame herself for wearing short skirts.
“She was probably just tring to act cool in front of the guys. Not that im taking her side, but maybe its more to the story?” Pearl said trying to find out why she would do that.
“I mean i already said she was a filthy slu-”
“Language Violet.” Max interrupted.
“Omg shut up. I already said she was an attention seeking bitch.” Violet said looking back at Max to see if he was alright with her saying bitch, Max gave her a look of approval.
“I know you did, b-but i still dont get why i could have a cursh on her when she was this kind of person all along..” She tried holding back herself from tearing up again.
“You didnt know sweetheart, its not your fault.” Max said and gave her another hug.
“Look tomorrow you’re gonna go over to her with confidence and tell her to fuck off ok?” Violet said and looked at the other people shaking their heads.
“No thats just being imature Violet, let her ignore her if she wants to, maybe its just better to forget the whole situation.” Max said, but Trixie didnt really listen anymore, she as tired from crying the whole night and wanted nothing more than to forget this day and most of all, forget Katya.
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the-static-and-i · 5 years
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Aftermath (wip)
//This is gonna be a long one (because im like halfway through writing it i think? If even that?), and i was gonna hold off and keep it as a total surprise, but my brain literally wont shut off unless i share every last fucking writing apparently, so take this as it is, and ill post the completed and edited one later today probably, with a real summary :P
TWs: character death, grieving, mourning, suicidal thoughts, mentions of Lucky and Cam (disappearing), survivor’s guilt, general guilt. So much guilt. 
Renee couldn't handle sleeping in the same room Sam had been in not 4 days ago. She had spent a lot of time with Eli and Sofia and Kat, trying to ignore the emptiness in her head. Sam was the more dominant of the two of them, and now with her gone, Ren didnt know what to do with herself; for being the more confident of the two, she didnt have the will to do much of anything. 
By the fourth day though, she figured she couldnt sit and cry on Sofia's couch, finally dragging her ass back to her own cabin. She slowly looked around, remembering every blanket fort and hug that Sam had made and shared, every movie they had watched, and every bowl of popcorn she had eaten. The room felt.. empty now. Grey and dull and lifeless. Or maybe it was Ren feeling that way..? She couldn't tell the difference anymore. 
She slowly idled around the room, eventually ending up in her room. She picked up Sam's teddy bear, her favorite that had gotten her through so many bad days. Ren hugged it tight, feeling almost as if she was hugging Sam. She found herself crying again, her knees giving out as a sob broke through her pursed lips. She clutched the bear -- Peter? -- to her chest, biting his ear to muffle herself.
--
She didnt know when exactly she had fallen asleep, but Ren found herself opening her eyes groggily, pushing herself up from the floor. As she stood, she saw the bag Sam had brought with them originally sitting next to the wardrobe, almost completely empty, save a sketchbook and a small fox plushie with a ribbon and a handmade tag that read "Auburn". Reading Sam's handwriting caused her to tear up further, so she set aside the small fox and grabbed the sketchbook.
She flipped through, seeing so many sketches, through various states of completion, the last two causing her breath to catch. On the left of the page was a half finished sketch of Sam holding her hand up to a mirror, her reflection clearly being Renee, smiling back so happily. She lifted a hand to her mouth, trying to hold back a dry sob, lowering her fingertips to the page after a moment. The right page was a half finished Renee in a dress, holding a blue rose, with a roughly-sketched Genesis in a beautiful black dress, almost holding Ren's hand. Across the top in Sam's best cursive was the phrase "For Good."
Ren found herself tearing up once again, the song immediately playing in her head. She couldnt remember all of the words, but the parts she could hear were distinctly in Sam's voice, "So now its up to you, for both of us.. i know im who i am today, because i knew you.. i do believe i have been changed for the better, and because i knew you, i have been changed for good..." Ren sobbed as the words repeated and replayed, what she thought Gen sounding like filling in some of the other half, "just to clear the air, i ask forgiveness, for the things ive done you blame me for.. whatever way our stories end, i know you have rewritten mine, by being my friend..."
She couldn’t hold back the tears, quickly setting the book aside so she didnt fuck with the pages further, bringing her hands up to her face so she didnt have to see anything but the darkness. 
--
Finally, Ren had packed up her bag fully. She didnt know where she was going, but she knew she couldnt stay in the cabin anymore; there were so many memories everywhere here, and she couldnt stop replaying all of them. She left Auburn and Peter on the bed, with a short note saying that Eli and Jackie could have them respectively, before leaving out the front door. She considered just walking off the property until she collapsed somewhere, but decided that was a horrible train of thought that she didnt wanna follow, so instead she headed towards the road, caught between borrowing someone else's car and calling a ride. 
She glanced up at the main house, briefly remembering the conversation about getting an apartment that Sam--.. that she was supposed to have with Ceph. She debated that too; it wasnt that she didnt want help, it was more that she didnt know if she could face an entire house of memories and people that might try to comfort or stop her, and she hadnt actually mentioned leaving to anyone. The fact that she left without Kat noticing was a miracle, and she couldnt handle explaining herself to anybody -- not when she was still explaining to herself.
"Renren..?" A quiet voice called behind her, causing Ren to tense up. She wanted to pretend she didnt hear him, wished she had made up her mind, wished she could disappear without hurting anybody, but.. She turned around to face Eli, not actually meeting his eyes. She doesnt speak, she hadnt since--.. 
Eli stepped closer, his hand coming into Ren's view. He reaches for her hand, her shoulder, before pulling away entirely. She wanted to hug him, but couldnt bring herself to move. She should explain, but she still didnt know why she was even gonna leave, and now he was going to blame himself no matter which she picks, and- 
"Ren? Eli?" Another voice comes from the direction of the house, louder and more concerned than Eli's had been. Ren notices Eli turn to Jinx, sees Jinx's feet enter her field of view, can practically feel his worry rolling off of him. He had so much worry for someone so young.. "You two okay-?" Jinx sounded almost like he wanted to say more, but decided against it. 
Ren nodded to his question, glancing down at the bag that was still clutched in her too-tight grip. This was a mistake. She shouldnt-- she couldnt leave all of this behind. This was.. well, she was happy here. Everyone she cared about was here, well.. almost everyone.. 
She lifts a shaky hand to run through her hair, habitually sticking her thumbnail in her mouth and gnawing at it afterwards. 
"'m fine, but Renren..." Eli trailed off, and Ren felt a pang hit her chest; the first emotion to break her numbness, and it was guilt, how fitting.. These two shouldnt have to walk on eggshells, its not like she was a ticking time bomb.. 
But as she looked down at her white knuckles, as she chewed her nail down to the pink, as she remembered the voice telling her to join Sam and Cam and Lucky, she wasnt so sure of that anymore.
"Renren, stop," Eli pulled her hand from her mouth, and only then did she notice she had bitten down hard enough to draw blood. Her eyes followed Eli's hand back up to his face, tracing over every worried and distressed and upset mark, and she wished for nothing more than to hold him until they all faded.
Logically, she knew it wouldnt work like that, but she couldnt help but drop her bag and pull him into a hug anyway. It was the first one she had initiated and the first she had reciprocated, and that realization made her heart pang again. Eli was suffering and mourning just as much, and now it was like he lost both sisters.. She squeezed him a little, resting a hand on the back of his head. 
Eli hugged her back quickly, his arms around her waist. She could feel the fabric of her shirt becoming damp near his face, but she didnt mind. It was just a shirt, and he was so much more important. She gently brushed through his hair with one hand, the other releasing him and holding a welcoming hand out to Jinx.
He stepped closer, his body tense, but he joined the hug anyway, one hand resting on Eli's shoulder and the other on Ren's back. She rested her hand on his back, just below his shoulder so he could easily duck out when he got uncomfortable. 
Her legs were shaking by the time they all finally parted, Eli softly sniffling and Jinx looking a little awkward. Ren rubbed her arm, her hand feeling oddly empty without the bag, her arms feeling oddly empty without them, but her heart feeling a little more full. She pointed up to the house, waiting for both boys to acknowledge the gesture before she picked up her bag and stepped forward, wanting one of them to lead the way. In truth, she didnt want to be alone, and didnt know how to confidently lead anymore, even if it was just inside a big fucking house. She didnt know how to hold herself anymore, and her legs felt like weak cement, both too unstable but too heavy to move. 
Eli grabbed Ren's hand, wrapping it round his shoulders, Jinx coming around to take her bag, and the three slowly made their way inside. They were so patient and understanding, and they were so strong.. they shouldnt have to be strong, and another guilty pang flashed through Ren's chest.
~~
// Fin for now <3 Is gonna get worse before it gets better i think, so im sorry in advance? I promise im gonna write fluff soon, i need it so badly and these two assholes arent gonna stop me from giving them fluff, no matter how hard they’re apparently trying?? 
//Also, in case you couldnt tell, this is Post Cloak AU! Hopefully it stays an au! :)
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