#i want to learn to dive

[lemonadeslice]

🩸 🩸 🩸 // ❄️❄️❄️

i watched a scary boat show. i have been thinking about it for weeks.

[loveyourownsmiilee]

Resource for Important Buck & Eddie Episodes:

Hello friends! Tis I, back with another compilation. This time I was asked by a lovely follower if there was a list of important Buddie episodes, so I decided to make one because I’m not sure if there are. I also had another follower ask me if I could highlight pro Buddie writers & directors, which I’ve also done. Blue is pro Buddie writers & red is pro Buddie directors. When I say “Pro Buddie”, I just mean that some of their directions can be seen as them angling the romantic route. Again these are all just my own opinions based off what we’ve seen come to play on the show. It just helps you distinguish who can be seen as writing these guys a little bit more than platonic, and who doesn’t. Because this is very lengthy, I have included it all under the cut. I hope you guys enjoy!!

•2.01-“Under Pressure” written by Tim Minear & Brad Falchuk // Directed by Gwyneth Horder-Payton

Need I say more??? Eddie introduced through Buck’s eyes WHILE HE IS PUTTING ON A SHIRT. They have some heated words in the gym while they’re trying to get a rise out of each other. The episode ends with Eddie complimenting Buck and him blushing like a little boy with a crush. SO CUTE! The start of their partnership.

• 2.02-“7.1” // Written by Zachary Reiter // Directed by Bradley Buecker

Eddie is hesitant to tell Buck he has a son for some reason (totally not because he’s worried about what this new crush may think) and to his surprise, Buck is completely delighted. He spends the whole episode comforting Eddie about the safety of his son. Buck literally imprinted on the Diaz boys in this episode.

• 2.03-“Help Is Not Coming” // Written by Zachary Reiter & Tim Minear // Directed by Bradley Buecker

Buck and Eddie working seamlessly during the quake. The most important part of this episode is Buck taking Eddie to pick up his son. It’s so wholesome and the whole moment in which he’s watching Eddie and Christopher reunite is heartwarming. Literally the beginning of the Buckley-Diaz family trio we all know and love.

• 2.04-“Stuck” // Written by John J Gray // Directed by Sarah Boyd

Eddie is struggling with child care because his Abuela ends up in the hospital after watching Chris. What does Buck do?!?! He tells Bobby ahead of time that they’ll be bringing Chris to the fire station. That little cute moment of Chris sliding down the pole with Buck and Eddie helping is so precious. Then he introduces Eddie to Carla because he wanted to help him. Like are you kidding me?!?!! I love this episode so much, especially when you consider how flirty they were throughout it.

• 2.10-“Merry Ex-Mas” // Written by Christopher Monfette // Directed by Brad Buecker

So much goodness in this episode! We get a glimpse of jealous Buck when he finds out Shannon is back and *gasp* is sleeping with her estranged husband. We have that cute Buckley-Diaz family moment with the Christmas elf mistaking them as a family and Buck being all adorable and not correcting her. We get Eddie offering up his marital problems as if he has to explain himself to Buck lol. Sooo much goodness in this episode.

• 2.13-“Fight or Flight” // Written by Kristen Reidel // Directed by Millicent Shelton

I’m only including this for the sole purpose of when Buck was in hospital jail and distraught because his sister was missing, they had Eddie be the one to come in and talk to him. This was like the first real time we saw Eddie be Buck’s person for any and all times he’s needed someone to lean on. I love their moment together in the hospital.

• 2.18-"This Life We Choose" // Written by Tim Minear // Directed by Brad Buecker

Not a hugely important Buddie episode but like Eddie just lost his wife and then has to witness his partner stuck under a whole firetruck. He looked like he wanted to cry so bad. And the fact that a trained medic who could have helped them lift the truck off Buck, sat there and held Buck's hand, providing him comfort was just everything. Don't even talk about how when Bobby comes back and they're all talking about how everything is back to normal, Eddie looks sad when he says, "Almost." THEN THE FIRST EVER BUDDIE HUG!! Buck was in so much pain, still recovering but he could NOT miss Eddie's little ceremony and it was just so freakin sweet I cannot.

• 3.01-"Kids Today" // Written by Kristen Reidel // Directed by Jennifer Lynch

THE INTIMATE BUDDIE HUG!!! Chris making Buck a card while Eddie watches fondly. Then Eddie takes Christopher to Buck’s house to help him get out of his depressive funk. Peak wholesome Buck and Chris scenes that eventually lead to one of the best story arcs of the show!!

• 3.02-"Sink of Swim" // Written by Juan Carlos Coto (JCC) // Directed by Brad Buecker

Buck and Christopher in the aftermath of the tsunami. Eddie thinking they’re ok the entire time. Buck acting like a whole ass parent and jumping into the water to search for Chris. Ahhh I love this episode!!

• 3.03-"The Searchers" // Written by David Fury // Directed by Chad Lowe

Buck searching for Christopher the entire episode. Him crying while trying to tell Eddie he lost Chris. Eddie’s lone tear at the thought of his son being gone. The Christopher and Eddie reunion while Buck crashes. THE ENDING WHERE THEY COME HOME TO BUCK!! “Buck, there’s nobody in this world I trust with my son more, than you.” 🥺

• 3.05-"Rage" // Written by Lyndsey Beaulieu // Directed by Jann Turner

All I’m saying is divorce at the grocery store. “No but he filed a stupid lawsuit and now I can’t even talk to you because of it. You know how much Christopher misses you?! How could you, you’re not around.” LITERALLY HOW IS THIS REAL?!?

• 3.06-"Monsters" // Written by Christopher Monfette // Directed by Tina Mabry

The make up after the divorce. I loved this so much. Their little hug in the end where Buck just wanted to hold onto him a little longer but Eddie was in so much pain.

• 3.09-"Fallout" // Written by JCC // Directed by Marcus Stokes

THE KITCHEN SCENE™️

• 3.10-"Christmas Spirit" // Written by Andrew Meyers // Directed by Alonso Alvarez-Barreda

So many Buckley-Diaz family feels with this one. Buck making gingerbread houses with the boys while Eddie looks in like a lovesick fool. Buck helping his boys be together for Christmas!! Then, them opening presents with their son 🥹

• 3.11-"Seize The Day" // Written by Lyndsey Beaulieu // Directed by Sarah Boyd

“This is Eddie’s house. I’m not really a guest.” NO he’s not because he lives there, duh. I mean who even?!? They’re so married it’s not even funny.

• 3.12-"Fools" // Written by Andrew Meyers // Directed by David Grossman

Buck helping Eddie think of new ways in which Christopher can enjoy the things he wants to. The little family skateboarding scene in the end 🥹

• 3.15-"Eddie Begins" // Written by Robert M. Williams, Jr. & Christopher Monfette // Directed by Robert M. Williams, Jr.

This episode is literal gold. Just everything about it is so wonderfully done. What platonic best friend wouldn’t dig through 30 feet of wet earth while screaming at the top of their lungs for their best friend who’s been buried?!?! Totally platonic behavior right there 👀

• 3.18-"What's Next?" // Written by JCC & Kristen Reidel // Directed by Jennifer Lynch

Buck being a concerned parent over sending Christopher to camp!! I love the little glimpses we get of them coparenting. Jealous Eddie my absolute beloved. No seriously, just an hour of Eddie being so petty and jealous while worrying over his dumb partner. Then, the party after where they take cute pictures and enjoy themselves!!

• 4.03-"Future Tense" // Written by Andrew Meyers // Directed by Marita Grabiak

The entire Buckley-Diaz family scene at the Diaz residence?!? Buck and Eddie acting like coparents while Chris is his adorable self. One of the first episodes in which you really see their coparenting dynamic and it’s wonderful.

• 4.04-"9-1-1, What's Your Grievance?" // Written by Nadia Abass-Madden // Directed by Brenna Malloy

Eddie being the one there for Buck when he’s dealing with the aftermath of the horrible family dinner with his parents. The entire scene where Eddie is comforting him at the station gym and looking at Buck with such fondness will never not be old.

• 4.05-"Buck Begins" // Written by JCC // Directed by Jann Turner

Literally love Eddie in this episode. I know people say he was barely in it, but he was in it in such a profound way. Him reassuring Buck he’s not defective and that it’s not his fault he couldn’t save his brother. Being the first one to grab the line and help Buck save the guy. The whole “No, I know you did”. AHHH SUCH A FOND FOOL IN LOVE!!

• 4.08-"Breaking Point" // Written by Bob Goodman // Directed by David Grossman

Once again, coparenting at its finest. Christopher calling an actual Uber to run away from his dad, to his other dad!!!! Screamingggg!!! And Eddie immediately asking Buck for help when he can’t find him 🥺

• 4.12-"Treasure Hunt" // Written by Bob Goodman // Directed by David Grossman

Some good, peak jealous Eddie in this one. I love how he used his pretty face into convincing Buck to let him team up with him and the reporter. He was also jealous and we love when Eddie’s jealous.

• 4.13-"Suspicion" // Written by Lyndsey Beaulieu & Andrew Meyers // Directed by Brenna Malloy

This will forever be one of my all time favorite, and most iconic Buddie episodes. The shooting scene™️ I can go on and on about the brilliance of this scene. I mean choices were made and I love every single one of them.

• 4.14-"Survivors" // Written by Kristen Reidel // Directed by Robert M. Williams, Jr.

Buck telling Chris about his father!! Buck breaking down in front of Chris!!! Buck staying and watching after Chris!!! Eddie waking up and asking for Buck!!!! THE WILL REVEAL!!! “Because, Evan”!!!! SO MUCH GOODNESS!!!

• 5.01-"Panic" // Written by Tim Minear & JCC // Directed by Brad Buecker

I’m including this because it’s very important to Buddie’s progression. We have them heavily staring at each other like they wanna jump each others bones in the station. Then Eddie has an actual panic attack because of the idea of a ready made family with his girlfriend. Then Buck being a concerned partner and inquiring why Eddie was in the hospital!!! So much goodness.

• 5.02-"Desperate Times" // Written by Lyndsey Beaulieu & Andrew Meyers // Directed by Brad Buecker

Buck basically telling Eddie to break up with his girlfriend by using himself as a metaphor. Mhmmm sure. And then the whole Buck and Chris hug is so precious to me!! I just love it so much.

• 5.03-"Desperate Measure" // Written by Kristen Reidel // Directed by Ben Hernandez Bray

Eddie literally telling Buck he’s gonna go break up with Ana will never not be iconic. And then him telling Ana to go home just makes it more iconic.

• 5.04-"Home and Away" // Written by Bob Goodman // Directed by Brenna Malloy

Eddie being the one who was there for Buck, again, when he needed someone, is everything especially considering Buck had a whole ass girlfriend at this time. Eddie confirming that he knows Buck by telling him he’s the guy who likes to fix things is such married behavior. And the whole “Ice goes on the eye bud” AHHH so much affection in those words.

• 5.06-"Brawl in Cell Block 9-1-1" // Written by Andrew Meyers // Directed by Paula Hunziker

Buck and Eddie literally taken hostage together!!!! The captor immediately going after their Achilles heel and threatening their son. Buck becoming a protective papa bear and getting hit with the back of the gun!! Pretty boy and the kid!!! Buck screaming and running after Eddie because he thought he got shot again!! Brilliance. Andrew always has our back!!

• 5.10-"Wrapped in Red" // Written by Lyndsey Beaulieu & Nadia Abass-Madden // Directed by Brenna Malloy

Eddie struggling with Christopher’s behavior and once again confiding in Buck. Because Buck is his person and he tells him everything, especially when it comes to Chris. Then the ending where Eddie tells them he’s leaving and Buck looks heartbroken!!! Oh the angst.

• 5.11-"Outside Looking In" // Written by Bob Goodman // Directed by Shauna Duggins

The Buckley Diaz family dinner in which Eddie may or may not have positioned his husband’s girlfriend’s food lol. He was so petty I can’t. The kitchen conversation between the two of them where Buck tells Eddie he doesn’t have to pretend with him. Don’t even get me started about the ending scene where Eddie comes, sees Buck and immediately smiles because he’s happy. But then leaves because he doesn’t want to damper Buck’s happiness.

• 5.13-"Fear-o-Phobia" // Written by Andrew Meyers & JCC // Directed by Marcus Stokes

Literally BUCK BROKE DOWN THE DOOR TO GET TO EDDIE!! Because Christopher called him instead of 911 and Buck immediately dropped what he was doing and ran to his boys. I will never get over Eddie allowing Buck to see him at his most vulnerable because that really is a sign of pure unconditional love and trust.

• 5.14-"Dumb Luck" // Written by Taylor Wong // Directed by John J Gray

Buck being Christopher’s and Eddie’s backbone through Eddie’s recovery with his ptsd!!! Coloring with Christopher while Eddie’s at therapy is such a dad thing. The whole “I misunderstood the assignment” thing with his drawn heart. Ahhhh chewing glass. Then the equine therapy family outing. Like they’re a whole ass family.

• 5.16-"May Day" // Written & Directed by JCC

Just Buck and Eddie being partners again as if no time has passed. Eddie seamlessly working beside Buck like he’s meant to be there. Them helping save Bobby is just everything and more. And the scene where Buck chose to stand by Eddie’s side while his girlfriend and the woman he cheated on her with have a talk. Not suspicious or weird at all.

• 5.18-"Starting Over" // Written & Directed by Kristen Reidel

Buck helping Eddie fix up the holes in his walls because he’s the guy who likes to fix things. Eddie helping him out in return with his relationship troubles because at the end of the day, those two always have each others back.

• 6.01-"Let The Games Begin" // Written by Andrew Meyers // Directed by Jann Turner

THE BUCKLEY DIAZ FAMILY DINNER SCENE!!! THE COUCH THEORY!!! SO MUCH FORESHADOWING!! I love this episode so much!!

• 6.10-"In A Flash" // Written by JCC // Directed by Brad Buecker

No thoughts, just Buck getting struck by lightning and Eddie screaming his name 5 times, while running up the ladder to get to him. Let’s also remember that Eddie had also been thrown off the ladder but didn’t hesitate to go after his partner and then tried to PULL HIM UP TO HIM 🥺 Also Eddie calling Buck a cowboy before the lightning hit is so funny because the man was flirting!!!

• 6.11-"In Another Life" // Written by Lyndsey Beaulieu // Directed by Joaquín Sedillo & Jann Turner

Eddie being the one to eventually get Buck’s heart to start again is some soulmate type shit. The iconic “DO MORE” while the doctors are wheeling Buck into the operating room. Let’s not forget Eddie grieving like an actual widow with his all black attire, grown facial hair and the tears. Then smuggling Christopher in to see his other parent and not being able to look at Buck is heartbreaking. His immediate happiness and awkward flirting once Buck is back is typical Eddie being a gay disaster but we love him.

• 6.12-"Recovery" // Written by Andrew Meyers // Directed by John J Gray

Buck going to his safe place which happens to be Eddie’s house to escape all his guests!!! Falling asleep immediately once he gets settled in on Eddie’s COUCH!!! Then the talk about the shooting and Buck being so honest with only Eddie. I mean come onnn.

• 6.13-"Mixed Feelings" // Written by Stacey Rose // Directed by Jihane Mrad Balaa

The Buckley Diaz family scene where they’re helping Chris with his homework is soooo sweet. And the fucking sexy poker date game, whatever you wanna call it. They looked so hot and what for huh?!? Eddie looked like he wanted to jump Buck’s bones the entire night. And then finally the ending scene with Buck and Chris being a literal father and son while they baked cookies!! I mean it’s all there in front of us.

These are the episodes we have aired so far. But I will include the remaining episodes of season 6 with the writers and directors and let you all decide for yourself whether or not those episodes will be good for us in terms of Buddie!

• 6.15-“Death and Taxes” // Written by Taylor Wong // Directed by Greg Sirota

• 6.16-“Lost and Found” // Written by Lyndsey Beaulieu // Directed by Brenna Malloy

• 6.17-“Love Is In The Air” // Written & Directed by JCC

• 6.18-“Pay It Forward” // Written by Andrew Meyers & Nicole Barraza Keim // Directed by Brad Buecker

[indie-summer]

a disruption of routine

for @cycleprompttuesday

prompt: rain

note: title inspired by this amazing post by @flourbray, go check it out

—

One look at Jonas and Tadej already knows what he’s going to say.

“I should get going,” he tells Tadej with a sigh, then hugs him a little harder before letting go.

The predictability doesn’t make things any easier. It’s been a while since the same pattern is repeated: every time they do this — whatever this is — Tadej wants Jonas to stay the night. He never says it out loud, and Jonas always leaves.

He won’t ask this time, either.

Instead, he just watches carefully as Jonas untangles himself from his arms, gets up and starts putting on his clothes. Once Jonas is completely dressed and probably ready to go, Tadej looks away. He can’t shake the feeling that this is wrong, so he avoids eye contact. He looks out the window and stares at the gray sky, full of tumultuous, dark clouds.

“You know, I think it’s going to rain,” he says casually, then is hit with an idea. He adds, “Maybe you shouldn’t drive home tonight.”

It’s a six-hour drive. Another reason why they don’t do this as often as Tadej would like to. When they’re not battling each other at stage races, all they have are sparse afternoons amidst busy race schedules and training camps. Tadej knows that is why Jonas won’t think of this as an actual relationship.

Jonas drives, Tadej drives. To Monaco, to Annecy, to Lugano. You come, I’ll come next time, they tell each other. Next time takes forever to come. What Tadej wants is to board a plane to Denmark and settle in Glyngøre for a while. He never tells that to Jonas.

Now, Jonas’ eyes follow his and he frowns. “It doesn’t look too bad. I’ll probably avoid it if I hit the road now.”

Tadej doesn’t know why it’s so hard for him to just ask Jonas to stay. Confessing his desire for Jonas all these months ago was easy. He felt so brave back then—but in hindsight, taking the first step came naturally, when for years he had noticed the way Jonas looked at him.

Now, the idea of blatantly asking Jonas to spend the night feels as challenging as climbing the Col de la Loze.

“Forecast says it’s gonna rain,” he insists, after pulling his phone from the nightstand to check the weather app. “Come on, I’ll get worried if you get caught up by it on the road.”

Jonas makes a puzzled face. Tadej senses his hesitation and waits for the denial, but Jonas just asks, “Is this your way of telling me to stay?”

Actually, Tadej knows why he never asks Jonas to stay.

He doesn’t want to impose, and he doesn’t want to demand. He knows he takes up too much space. Jonas is a man of routine, and these stolen afternoons are already a disruption of it. Tadej hates routine and needs to be entertained most of the time. He’s terrified of this difference between their natures, and won’t call attention to it.

At the same time, he really wants to have Jonas to himself for the whole night.

“I mean, it’s the safe thing to do,” Tadej replies without really answering. He can see in Jonas’ disappointed blue eyes that this is not what he wanted to hear.

"I really shouldn’t. I already missed training ride today—"

“We can ride tomorrow morning,” Tadej interrupts him. “You can borrow one of my bikes, we’re the same size. I won’t even look at your numbers.”

Jonas smiles, and Tadej is flooded with hope.

“I won’t ride for hours and then drive for even more hours after that,” he says, but before Tadej’s hopes are completely crushed, he adds: “I’ll drive home first thing in the morning, if it’s not raining.”

Tadej will happily take it, especially when Jonas gets rid of the clothes he’d just put on and falls into bed with him, lips searching for his, fingers digging into his skin.

Despite the weather forecast, it doesn’t rain.

Sex with Jonas is great, but waking up next to him is better.

Tadej first feels it in his nose. Not just the smell, but also the pressure of Jonas’ collarbone against the tip of it. He can’t help but inhale deeply, even before he moves.

“I know you’re awake,” Jonas murmurs somewhere above him. Tadej pretends not to hear it and keeps his eyes closed. Jonas lets his fingers run lazily through Tadej’s hair and kisses his forehead. “Come on, I should probably get going.”

“It’s too early,” Tadej objects, then hides his face in the crook of Jonas’ shoulder.

Jonas chuckles.

“I never took you for a sleepyhead. Thought you’d be one of those people who are full of energy early in the morning.”

Tadej kisses Jonas’ neck and feels, rather than hears, a low moan rising in his throat.

“Do you think much about early mornings with me?” Tadej asks, lips brushing against the sensitive skin under Jonas’ ear.

“Yes,” Jonas replies without hesitation. He wraps Tadej’s waist in his arms and pulls him even closer. Their legs are entwined and Tadej can feel the goosebumps on Jonas’ skin.

“I can be full of energy, with the right motivation,” Tadej teases, then nibbles his ear. Jonas pants.

Tadej finds out that sex right after waking up next to Jonas is even better.

It doesn’t take much to convince Jonas to have breakfast before he leaves. Tadej teaches him how to use his fancy coffee machine. He toasts the bread and makes them scrambled eggs.

Jonas eats like a starved man. “It tastes so good,” he says, mouth full.

“So does your coffee,” Tadej replies, taking one last sip. “Shame I already drank it all.”

Jonas smiles and offers, “If you want more, you can just ask.”

Tadej wants to ask for so much more.

He clears his throat and decides to start small.

“The weather is actually nice this morning. Wanna go for a ride?”

Jonas’ eyes sparkle with some kind of mischief. Tadej recognizes this look — it means Jonas really wants something he shouldn’t. He pushes just a little.

“Come on—a short ride, I promise.” And since Jonas still doesn’t say anything, he delivers the final blow, a challenge: “You can’t tell me you get too tired to drive after a 20k ride.”

Jonas looks almost offended. “I don’t.”

“So let's go.”

“Fine,” he concedes, and Tadej tastes sweet victory. “But I’m not wearing your UAE kit.”

Tadej doesn’t even try to hide the smugness on his face.

“You’ll look better in Slovenia’s lime green, anyway.”

Jonas laughs and, from the way his heart starts racing in his chest, Tadej knows he’s not going to let him go. He leans in and kisses Jonas on the mouth, hard and demanding. Jonas is taken by surprise at first, but after a beat, kisses him back. They end up in the bedroom again.

Jonas and Tadej are careful with each other in bed, but not after, on the roads. They attack on the climbs and race to imaginary lines. They end up in Nice and park Tadej’s bikes by a café, around lunchtime. The owner is a friend, so she gets them a table in a reserved corner, with a sea view. Under the table, Jonas rests his leg against Tadej’s, and it feels almost as good as holding hands. Despite the nice weather, there’s a storm inside Tadej’s chest. The air feels heavy around them and smells like longing.

It takes them almost four hours to come back.

“I’m sorry we didn’t stick to 20k,” Tadej offers when they leave the bikes in the garage.

Jonas shrugs and pulls him into a quick kiss.

“I’m not,” he admits, then asks, “Is it supposed to rain tonight?”

Tadej checks the weather app on his phone. It’s somewhat cloudy now, but no, it won’t rain tonight.

“Yes,” he lies, feeling just a little guilty.

Jonas frowns and stares at the ceiling for a moment. Tadej doesn’t think he believes him, anyway. Yet, he starts to ask: “Should I—”

“Yes,” Tadej repeats, this time speaking the truth. “You should stay another night.”

Tadej wakes up next to Jonas. Again. They have sex right after. Again. They take a shower together, then Jonas makes coffee and Tadej toasts bread. Again.

Tadej finds out he doesn’t mind this routine at all.

Now, Jonas is the one who looks out the kitchen window. It’s a bright and sunny day.

“It doesn’t look like it’s going to rain today.”

Tadej feels a lump in his throat, but still muster the courage to ask:

“Do you want to stay anyway?”

Jonas’ eyes search and find his, and he smiles contently. Tadej can’t help but flash him a wide grin in response.

“Let me call the team,” Jonas says with conviction. And to Tadej’s questioning look, he replies: “They’ll find a way to get my bikes here, since I’m going to stay for a while.”

[blinkpen]

i will read chainsaw man when it concludes and we are officially in the clear to Not have gotten done like Usagi Drop at the very last second

[madame-mongoose]

I was like. So chill and cool about Simon. He's my little wet blanket my sock covered in mud. But then the fuckkngm NEW EPISODE and now they combined Simon with my other fav character tyep which is silly whimsical and now. Now I'm unwell

[blueberryspyder]

I know my blog doesn’t have like, any followers, but I wanna make it clear that transmisogynists are not welcome here. I also know for a fact I have some people I need to unfollow for being transmisogynists. The last few months I’ve been very, very confused by wtf “transandrophobia” was, and I had only ever seen the “good” side of it, and never the side of it being used to actively hurt trans women. I’ll admit I’m still confused on certain things, but I’m not above admitting that I might be wrong and I’m willing to learn, so thank you for your patience.

To any trans women/trans fems who follow me: I support you, and I want you to feel safe here.

Edit: I’m retracting the bit about transandrophobia, since some of y’all have been really kind (genuinely) and helped explain the theory to me (as well as the antisemitism behind the “truther” term, which I apologize for).

To any fellow trans men/trans mascs that follow me: I want you to ALSO feel safe here. Even if my original message came from a good place, it was still worded poorly and painted us in a bad light. I won’t delete this post cause I don’t want to hide from my misconceptions and help others like me who are confused, and because I want to stand behind the message that transphobia of any kind is NOT welcome here. Thank you 😊

[skitskatdacat63]

Fernando and Fisi pictures that I like and enjoy a normal amount (pt. 1: 2005)

[piratespencil]

Fascinated by Taliesin very specifically pointing out that until the latest ep, Ashton has barely physically touched anyone in Bell's Hells.

The fact that he specified that it's because touch hurts, but also brought this up while talking about Ashton starting to become more comfortable with BH and being more willing to talk to them about things... Also thinking about the fact that it was Orym, specifically, who reached out to touch them twice this past ep... Is Ashton happy about that? Or not?

Idk it was just really interesting to me that Taliesin brought that up as something that Ashton is very aware of.

[greyias]

I was today year's old when I discovered that if you unequip your instruments, you can whistle for the perform action.

[viktoriakomova]

Not to get Sad but like. I miss not knowing what’s going on with gymnastics in a way lmao? Like I peer pressured (complimentary, pat-on-back celebration worthy 😎) some of my normie friends into getting bama szn tix and I brought them to a meet last year and they were so so jazzed about like. ALL of it.

In a way I do understand bc it’s all just so impressive to Normies who mostly can’t even touch their toes let alone do a passable cartwheel etc so like EVERYTHING is awesome by default. And that’s not true of basketball football etc like most able bodied people can do the basics of those sports even if their performance is terrible. Most people can throw a ball or dribble it even if they suck, or carry it and run at some speed. But yeah ykwim

Like one of my friends, his favorite skill is a double pike on floor. He just thinks it’s the most impressive thing and he loves watching it every single time, he doesn’t know shit about difficulty ratings he’s just watching what’s in front of him and in a way I’m extremely jealous of him 😭😭😭😭

[p1ssmagg0t]

One of my favorite parts about scuba diving is fish swimming right up to you, I also like seeing underwater trees

[cuteniaarts]

Behold, my latest and most enamouring new obsession:

Malina, Lady of the Chief of the Northern Water Tribe. As if Red Lotus child OCs weren’t niche enough

[kingofmyborrowedheart]

I feel like Oliva has got to get used to being asked about the inspiration behind songs in interviews especially since she’s trying to present herself as a singer-songwriter. It’s a type of question that artists get asked all the time and it doesn’t require a full in depth answer, just a simple explanation and that explanation won’t change how fans connect to the song.

[jemgirl86]

Oh, I’m probably about to sound pretentious lol, but everyone online “discovering” 🤪 “Blackbird” and its meaning today, like it wasn’t a popular song, originally performed by one of the most popular bands of all time, and written by a member of said band who is one of the most famous songwriters of all time, is annoying tf out of me tbh lol. What’s next? Y’all gonna discover a little known song called “Thriller” and the even less well known artist who performed it? 🌚

[stellarish]

Quick practice feat. the boys from @chikinan's Homebound <3

[absentmoon]

if you remember my prime submas days ur entitled to a veterans discount