There are some books that are functionally boy’s adventure books, but are not advertised as such (Stuart Gibbs is a good example), but I absolutely know what you’re referring to. I have some experience in the public-facing library/bookselling field, so I have a guess at some of the reasons that boy's adventure books are currently out of fashion.
Shonen anime, and graphic novels trying to cash in on being similar to shonen anime, are currently considered to be the main replacement.
The dual successes of Diary of a Wimpy Kid and Captain Underpants are seen as the overall representation of “what boys want to read”. As with any success, middling-to-bad (or at least incredibly cynical) knockoffs are rife.
Right now, books aimed at boys who have poor experiences around masculinity, or little interest in it, are extremely popular. So any story that celebrates masculinity is going to be looked at as being somewhat dangerous.
If you’re not interested in toilet humor and are a masculine kind of guy, you’re going to be looking at slim pickings.
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P.S. I'm a WWII guy, except for a few years when I was a Spanish-American War guy -- I thought that was the same as having a personality.
Here's my observation on the popularity of Captain Underpants and Dogman: it ties in to an absolutely well understood track for stages of development in boys.
Now, keep in mind that I am not an expert in childhood development or education, but in the past, the reading habits of boys went through three comic book reading stages that maps, roughly, onto their growing capacities as they get older:
Archie/Harvey Comics Stage. This is usually a boy's first comic book, friendly and humorous and childlike. In the past, every boy's first comic is usually Archie, Jughead, or Richie Rich, or Casper the Friendly Ghost, Peanuts, Garfield, or Wendy the Good Little Witch. They like surreal humor, and the absence of concrete thinking and unreality of these books is a positive, as it matches the non-concrete thought processes of young kids, which is why adults often have trouble relating to this: if you ever saw a kid's drawings from this stage, people just float or fly in space, their feet not on the ground, and the sun is often drawn with a face. Notice that kids absolutely accept as a given that Pete and Pete are two brothers with the same name, which is something adults have a problem grasping. If you ever asked yourself why Spongebob Squarepants lives in a pineapple under the sea, of all things, instead of accepting it as a given (of course he lives in a pineapple, what do you expect?), you're probably past this stage.
Superman/Batman Stage. After the Archie/Harvey stage, boys move on to Superman and/or Batman, as their imagination capacities develop, they start to envision adventure and science fiction/other worlds apart from just humorous surrealism. Because they start to experience stories vicariously as their imagination expands to include putting themselves into the story, they tend to start to want adventure and action at this point, power fantasies of muscles, freedom, swordfighting, karate and sweet jump kicks, swinging over a rickety bridge with a rope, and wrestling a monkey (this is also the age that in decades past, boys got obsessed with Tarzan, and in more recent times, got into Adventure Time, a show about two brothers with no parents). All this is mingled with fantasy and science fiction as the ability to think in terms of other worlds and places emerges, but they still prefer pro-wrestling like good and evil as clearly delineated, as their moral reasoning is not super well developed. There are female villainesses in stories at this level, and their master plan is often to get the hero laid, which is a sign of evil instead of good. The fact that Batman and Superman seem to always have all the answers and win cleanly is a plus at this stage, since stories are lived vicariously as opposed to handled and seen with distance. Some people don't move past this stage, and you can usually identify these people because as they identify closely with a main character's state and emotions, put a book down when things get bad for the main character, and often say things like "wow, why does this writer like killing off characters or making them suffer?"
X-Men Stage. After a phase of being into Superman and Batman, most kids move on to an X-Men phase, usually by 6th Grade, but it depends on the kid. They start to be aware of society and the individual, and with that, in the case of many, comes an awareness of being on the outside looking in, so themes of being an outsider, rebel, and alienation start to be important. This is the stage your kids start to turn into little jerks who mouth off to you, and the reason why is the same reason kids (usually) move on from Superman to X-Men: it's the era that kids start to develop moral reasoning, a muscle they flex and apply to every aspect of their life and play with like a new toy. They probably aren't able to articulate it this way, but they like the idea of conflict with society, rebellion (as they are conscious of an individual and society for the first time), and even the idea of moral dilemmas. Also, because boys are going through puberty at this point, they start to find girls interesting, which is why the X-Women like Rogue, Storm, Marvel Girl, and Psylocke were so much more alluring and appealing than Lois Lane and Betty and Veronica. They also start to be aware of status for the first time, a person's relationship in comparison to others, something younger kids are only barely cognizant of, which is why they like things being hardboiled and "cool."
You could, for more modern times, update this list of stages to the Spongebob Stage, Adventure Time Stage, and Jojo/One Piece Stage. In the 1950s, the trajectory would be Tom Swift and other "boy with a helicopter" stories, then boyish gee-whiz adventure writers like H.G. Wells and Jules Verne, and finally, big-idea, believable guys like Heinlein and Asimov by age 12-14. The exact content is not important, the developmental stages in boys are.
If you're a Star Trek fan as a kid, Captain Kirk is usually your favorite character early on (in the Superman/Batman stage), where you vicariously experience and enjoy his coolness and ace-status (as a kid, I thought Captain Kirk was cooler than all the comic book superheroes put together), and then it usually becomes Spock as you get older and start to relate to his alienation and the fact he is different from everyone else. Star Trek deserves some genius prize because it has the adventure, cool monsters, and moral framework to appeal to kids at the Superman stage, but then grows up with them with dilemmas and big ideas as they enter the X-Men stage.
I do believe the reason Harry Potter has such a fan following is the books grow up with you. Harry Potter started off whimsical and charming (Harvey/Archie Stage), then became about adventure and good versus evil (Superman/Batman Stage) then was about moody teenagers, where the heroes are outlaws on the run from the clueless government and pair off with each other in love stories (X-Men Stage).
There are bound to be problems when something aims at one stage but has fans of the other. Hulk Hogan and John Cena are often hated by a certain kind of wrestling fan because they are Batman/Superman heroes kids love because they experience their strength and indomitability vicariously, and only grow to prefer the X-Men-like "cool rebel" Rock and Stone Cold later on. You don't like John Cena, or Superman, because he's not for you.
Now, all that said, when you talk about how boys don't move past Dogman, the Archie/Harvey Comics is the stage of development you're talking about, that books like Captain Underpants, Diary of a Wimpy Kid, and Dogman operate at. And the reason they seem to be dominant is that boys stop reading after the Archie stage. In other words, in my opinion, you're confusing effect with cause: they have nothing for them except manga after this point as most boys stop reading entirely past the Archie/Harvey Comics stage.
Why? Your guess is as good as mine, it is simply the largest and underdiscussed social problem of our time, boys stop reading and often never read again. "Young Adult" essentially means girl's books now.
The reason why nobody is examining this issue is simple: men's rights advocates are not particularly concerned with helping boys, but more with bitterly whining about ex girlfriends and gripes with the family court system. So when a legitimate social issue happens that affects boys disproportionately (the fact boys stop reading entirely around age 9-10 and never read a book again in their lives) they have nothing to say and are not particularly interested in the issue.
As someone with a concern and interest in helping boys, I was initially very sympathetic to the Men's Rights idea that society leaves them behind, and it does happen more or less as they say it does: society lets them slip through the cracks, especially in the school system, where they are seen as a problem to be solved, especially when high spirited (normal). However, there was very little sympathy in that group for boys who were physically abused and beaten by parents. Most believe in corporeal punishment, as they care less about boys and more about the primacy of paternal authority - just as you'd expect from bitter, divorced dad, malicious pieces of shit. And boys being molested is often treated as a joke, and not with the seriousness and primacy the issue deserves.
Likewise, despite the talk of feminism helping men, women's rights are not especially concerned with helping boys either, because...well, why would they be? It also doesn't help that the leadership and vanguard (though not necessarily the rank and file or activist base) of women's rights movements are usually professional, striving educated women (a group with high rates of sociopathy and reduced empathy) so their focus is on access to elite institutions and professions. This is more especially obvious in the UK than in the US, where feminism is more explicitly linked to class, as one can see with JK Rowling. As a consequence of this, #MeToo was not about waitresses or gig workers who endure horrible harassment, but about access to elite institutions. There's a reason why when we picture sexual harassment, it's in business suits at a law firm, and not a diner waitress bothered by creeps or her manager.
I will say this: I am very heartened that #MeToo and activism and so on are now starting to include boys who were molested. Very few changes in our culture have been positive and that is one. There's a reason male survivors of sexual abuse and molestation keep their head down, were not included as a part of #MeToo initially, and that is starting to change. Self blame and guilt is a part of every abuse victim, but it is especially crushingly intense with boys too young to understand, and who are trained to endure and not ask for help from male friends.
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Jujitsu Kaisen: Happy Ending
Intro
What if at the end of JJK, everything was just a dream. Yuji Itadori was in a real deep sleep and everything we have saw was just imaginary. However, everyone was still apart of Yuij’s life. Here’s a list of everything that would happen if everything was a dream.
Disclaimer, these are all my thoughts and opinions, and also not fully confirmed when making this. So, things might change during time when we get next chapters and other stuff. Another thing, I’ve barely even finished JJK, so don’t be mean and just help inform me on anything that I missed or did wrong.
The main group
Obviously, Nobara Kugisaki and Megumi Fushiguro would be Itadori main friends.
Since in the dream Nobara is seen using a hammer and nails as her like main weapon, she would have been a very like working hands person. She’s slightly tomboyish who, if this was taken in America, would work in workshop. But even working with her hands, Nobara still is girly. Shopping and being her girly pop self. But even without her weapons and cursed energy, she still has the same attitude.
Now Megumi, his main weapon are his cursed animals. Since he has a lot of them, he would probably have the same amount in the real world. Besides the elephant bc that can’t be really possible. He would have his demon dogs, snake, frogs, rabbits, and bird things. I don’t really know what it is, so I think he might just have a standard pet bird. Also, since this is supposed to be happy, Megumi would know that Toji is his dad. I believe the backstory would be that his mom and dad went through a break up, making Toji leave Megumi until he was a teen. the reason why it was long is bc Toji and Megumi don’t see each other till Megumi was like a teen. Also, Megumi’s mom is alive, bc happy family.
Second Years
There aren’t big changes, besides well Panda. Maki Zenin would be herself bc I don’t really know what to change of her cause she’s technically a normal person. She would just be her badass self.
Same with Toge Inumaki. He would be basically a quiet kid and have his friends speak for him. Instead of saying “Tuna with Mayo,” and being carful speaking, he would say one or two words out to people. If he wanted to have a full sentence he would tell it to his friends and they will speak it for him.
Now Panda, there are two ways to go at this. The first thing I thought was making him like a Tuxedo cat that would follow around the group. But my friend had a better idea. They thought of making Panda a mascot and now writing this it sounds so much better. Panda in the real world would be this big chubby dude that is cuddly like a bear, adding to the idea of bear. He volunteered to be the mascot which is, obviously, a Panda. He still is confident, loving self, but not with fur.
Sorcerers
Obviously, most of the sorcerers would be a worker at the high school. Do I know what position they would be yet? Not really, besides the principal being the principal. In the making of this, I don’t know what each sorcerer would teach or position they would be in, but I would like ideas. However, the only person I have a position for is Satoru Gojo. He would be like a Teacher’s assistant. He would still be an upper class student, but would mostly help not only teachers but lower class students. He’s also really good with time management and still has his piercing blue eyes, but doesn’t have that big power in them. They will however give you a headache if staring at them for too long.
Cursed Spirits
Since there are many cursed spirits we could talk about, I’m just gonna talk about the main four.
Let’s start off with the icon who created the group and is technically not a cursed spirit, Suguru Geto. He is basically, for my goofy obsession people out there right now, Bradly Uppercrust the Third. However, Geto isn’t that snooty and stuff. He’s still his chill controlling self, and taunts Itadori and his gang while in school. Just imagine Itadori, Megumi and Nobara passing by Geto, Mahito and Jogo in the hauls. While passing by in the hauls Itadori and Geto make anger eye contact. Mostly Itadori glaring while Geto is smirking and looking straight into Itadori’s eyes.
Now onto the crackhead Mahito. He’s basically just himself but just doesn’t reform others when touching them. He still touches them but the only reason why the thought of reforming others came to mind is bc when Mahito touches you, it is so uncomfortable that your whole organs move around weirdly. Also his hands are so cold that it makes your limbs twist and turn.
Lastly, the fireball himself, Jogo. So, he’s obviously a person, not a pimple looking volcano. Also before I continue, if it sounds like I’m insulting him, it’s bc I am. Jogo is definitely a big back gremlin. That’s really the only thing I think of if he was a human.
Jogo definitely, as a kid, set ants on fire with a magnifying glass. As a teen, he uses illegal fireworks and small strong fire sticks. He also sets trash cans on fire. Basically, Jogo is an arsonist.
Junpei Yoshino
So, there’s a reason why I have a hatred for Mahito. It’s not bc he touches people but it’s bc he killed the adorable Junpei. I could go the happy way and make Junpei live, however there’s another way.
The alive way is the scene from the first season intro, where we see Junpei hanging out with Itadori and his gang.
The other way is while walking to school, Itadori would pass by a cemetery, and see a grave stone with Junpei’s name on it. This is giving justice to the hurtful death of Junpei Yoshino 😭
Anyway, that’s it for now. Have any ideas, pls send suggestions. Anyway, bye 😘 ✌️
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I saw a post about how Carmen Santiego has great character designs and diversity through race and body types. I considered it a good post and one that makes a good point...And then below it was a reblog about how a person went "If Carmen Santiego can have a diverse cast of HUMANS, then what the hell is up with Hazbin Hotel and Helluva Boss?"
First of all...What the hell do either of those two things have in common? They sure are animated shows, I'll give you that. Except that one's a children's animated spy thriller and the other two are adult musical comedy dramas in Hell. Stylistically and tonally, neither of them have anything to do with each other and you just randomly made a point because...you hate Hazbin and Helluva? Cool. Congratulations. Now get a new personality and just fucking watch something else if these two shows made your hatred this obsessed when you randomly attack a show through a post that has NOTHING to do with it. The OP wasn't attacking Hazbin Hotel or Helluva Boss. Unless they constantly attack it and they made that post to prove a previous point, something that does NOT come across in that original post, there's no reason to go "Hey, why didn't these completely different shows with their own styles take notes of this kids show with ITS unique style?"
And here's the thing: I like Carmen Santiego. I like the way that it looks, and I think its style really is unique compared to other animated series that have come out around the same time. And I do agree that it has a great diverse cast that shows off a lot of body diversity where every single character looks unique in their own way. But here's the thing: I would not go out of my way to attack other shows, to the point where I'd hijack someone else's post to say, "Yeah, this show is WAY better than this other one I hate." And if I had in the past...I'm sorry. I really am sorry. I hate that I acted that way and I will try to do better. Because that's what I do with media criticism or talking about stuff I don't like. I try to act BETTER than I have in the past because that's not how you talk about media. Whether you like it or hate it, it's never a good thing to talk about something you hate when the discussion is about something someone else loves. Sometimes it makes sense, as there are often two products that are similar to each other. Like Marve/DC, Star Wars/Star Trek, and The Owl House/Amphibia. Those are media where there's a lot to compare and contrast, with people being unaware that the main reason why they like the other basically boils down to personal preferences when it comes to consuming media. But with Hazbin/Helluva and Carmen Santiego, there's really NOTHING to compare and you're just going out of your way to talk about something you hate when it's not relevant to the conversation. It's like people who hyped up Puss in Boots: The Last Wish just to shit on Velma. Yeah, The Last Wish is a thousand times better than Velma, but there's nothing similar about both products that make the discussion worth it. You're just using something you love as a weapon towards something you hate.
I get it, people like some things and hate others. It's how we're wired as human beings and I can't stop that. Nor do I think I CAN stop it. But just feel like this is making media discussion worse when all we can think of to do when discussing something we love and bringing in something we hate into the conversation. It's not necessary, and you're feeding the creators that thing you hate by still talking about it. You want to know the best possible way to react to "objectively bad" media? Stop talking about it. Stop watching it. STOP ENGAGING.
If you don't fucking like it, stop consuming this piece of media and go watch something you enjoy instead. Give THAT your time. Show how THAT does everything right and sing its praises. Raise up this one thing that you believe is "objectively good" so it can effectively overshadow this thing you consider "objectively bad." There's a way to discuss media without shitting on something you don't like.
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"Stoppit. I'm not going in the piss pool."
"You know you want to," Mal drawls, scooping up a handful of water. "It'll feel good once you're in it. Aren't you like, dying in that?"
Carlos tugs the hood of his sweatshirt up over his head. "No. It's not that hot."
"With the amount of chlorine in public pools, the percentage of actual piss to water is probably very low," Evie says helpfully. "Probably less than 1%, if we assume that the maximum number of children based on occupancy and general health data, say about thirty kids, are constantly pissing in the water in very small amounts."
Carlos shudders. "You're really not helping."
Oh, right. He’s got a selective thing about germs, courtesy of growing up around her hellish wickedness, the master of animal-related health code violations. Mal’s pretty sure that Cruella never did horrible things with animal piss, but she’s not willing to swear on it. The taxidermy eyeball hat she caught a glimpse of the one time she ended up inside Hell Hall while Carlos’s mother was in still haunts her nightmares sometimes.
"I'm not baking myself like a potato either," Evie points out. "If you're having a germ freakout, you can go stand under the sprinkler by the gift shops instead. I can't see where it's drawing water from, so it's probably not coming from the kiddie pools."
Huh. It would be weird if every attraction in the park drew water from the kiddie pools, but considering the wild shit they've seen in Auradon thus far, not actually that weird. They've seen cows with shoes on, and a giant metal crab left out on the side of the road, and more weird-ass grocery stores than they'd ever dreamed of back on the isle, including the one that sold bubble gum powder by the jug, so like, piss fountains? Totally a possibility.
“Piss fountains,” Mal says out loud, just to try out the sound of it. “Auradonian piss fountains doesn’t sound very magical.”
“They banned magic.” Carlos says. His voice is so flat that it might as well be made of the gum Mal found on her shoes last night. “So like, if you’re trying to help, you’re fucking failing at it.”
“I wasn’t.”
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