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konaizumi · 3 years

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A Tale of a Thousand Stars ep 8 thoughts/reaction

did i watch this episode secretly on my phone while i was in class bc i couldn’t stand waiting a whole hour to watch the new ep? maybe

tian visiting torfun’s memorial to leave flowers and tell her that he’s going to pha pun dao was sweet

also him and phupha missing each other again was just a really nice scene and phupha wondering who left her flowers

i have decided to forgive dr nam for last episode (the snooping not the flirting thing) bc i know he was just concerned about his friend and he didn’t intend for phupha to have that kind of reaction, but he still should’ve confronted tian directly before telling phupha

the way tian is looking at longtae in the beginning, seeing how supportive he’s being and knowing that he’s probably about to lose longtae as well

god this scene was so painful to watch, just knowing what was coming

but the editing that combines tian’s speech with phupha reading through the notebook

also, thank you to the writers for confirming that the tian/torfun similarities are bc he’s been reading the notebook and not because torfun’s spirit is possessing him, i didn’t think they would do that but nice to have confirmation

poor tian really did go there with the best intentions

oof, when the music goes silent when phupha interrupts his speech

also, i said this last week, but it should’ve been the rangers responsibility to tell everyone torfun had died and the fact that they didn’t only added to tian’s burden and the animosity aimed at him, and it annoyed me the way the rangers (perhaps unintentionally) let tian take on the full blame and didn’t admit that they had known about torfun’s death from the start

god and the way tian’s heart break is visible on his face as soon as phupha interrupts/confronts him and he realizes that phupha won’t be on his side

and mix’s acting in this scene (and the entire episode) is just so good, you can see the way he’s desperately trying to keep in together and not completely break down, and his heartbreak when he realizes he’s all alone

also, i made a longer post about how i understand phupha’s reaction, I think it’s pretty natural and that he’s not overreacting, however, i do wish he hadn’t confronted tian so publicly like that

just everything about this scene is just so good in the most painful way, especially the sad orchestral version of the theme song

now i think this ep is too sad for me to say it’s my favorite, but from a narrative/cinematography perspective it is my favorite, it was just really well done

i was really hoping the kids would have a bigger role this ep and begin the forgiveness process for the rest of the village, so i was excited when Meejoo came but then p’aof decided to stab me directly in the heart when she asked what death is

(also im sorry but how old are these kids that she doesn’t know what the word death is?)

(also given that everything that happens in this ep happens within like a 30 hour period, i still hold hope for the kids forgiving next ep once they have some time to process)

at least they didn’t make me watch the scene where tian had to explain what death was, that would’ve killed me

i understand the villager’s reactions too, and i do kind of wish tian would just stay home and give them some time to grieve and process before trying to interact with them–i don’t blame tian for keeping the truth from them this long, but he does need to respect the pain they’re going through

also this scene with phupha really fucked me up, the way phupha remains stone faced even though he’s clearly in a lot of pain

“i wish i could return it to her” one of the things about this story that really fucks me up is that you can’t have both torfun and tian--torfun had to die for tian to live, and if torfun had lived then tian would have died and all the characters are in a way stuck with this moral dilemma of “choosing” between tian and torfun, even if the decision was already made for them, and tian has had to deal with this problem since the beginning and made his choice a long time ago that he would have preferred that torfun had lived instead of him bc he feels like she had more to live for and left behind more than he would’ve

also the scene is so much more painful knowing that just that morning phupha had finally said out loud that he wanted tian to stay

and i was really ton this scene between understanding phupha’s reaction and where he’s coming from but also being like “please stop talking to my son like that, he feels bad enough as is”

i have often had the emotion of “i want to walk through the screen so i can give this character a hug” and i have literally never felt it stronger than this episode of atots

also thank you to dr nam who told phupha not that he was wrong for his actions, but that he should’ve confronted tian differently, also for figuring out that tian wasn’t the driver

the fact that tian just walked through the tea field so he knows that either khama was lying to him or that longtae saw him in the field and hid from him

poor longtae tho, thought he knew what was coming then was hit with “im responsible for her death”

you know what? i didn’t realize khama would have such a recurring role from the first episode, but i really like him--he’s trying to do his best for the village and that isn’t always easy and he’s the first to try to think about tian’s perspective even when it’s clearly difficult for him

also i love khaotung, he does a really good job as longtae, and as much as i loved him as chonlatee, i prefer him in more mature roles like longtae or fong

did dr nam really think phupha would keep letting tian stay in his room?

it came as a surprise to likely no one but i am glad to have definitve confirmation that tian was in fact not driving the car

against my wishes, tul did not show up this episode to give tian a hug so i hope he’s in the next ep to provide some much needed emotional support

tian’s involvement in torfun’s death is also complicated because to say he had no responsibility in it would be wrong but to say he had full responsibility wouldn’t be right either, there was so much of the situation that was just due to chance, as it the case in any accident, so i appreciate the nuance of the narrative in that tian does take responsibility (even if he takes too much) but other characters like longtae argue that it’s not his fault, bc it’s easy from an outside perspective to say it’s not tian’s fault but it would be much harder to be in tian’s position and not feel responsible that his actions lead to torfun’s death

longtae is truly best boi

tian saying he’s okay with just longtae understanding him is so sad but at the same time it’s good that he’s not trying to force other people to understand or forgive him

now i really want to know what torfun’s wish is bc you know it’s going to be all meaningful and thematically relevant

istg if i had a fucking nickel for every time tian has tried to give me a heart attack

i spent the entirety of part 4 yelling at tian to just stop being stupid

like i get it, you don’t feel like you have the time to waste to go find phupha, but still

also im worried that maybe the reason he was so adamant about doing it himself and not finding phupha was because he didn’t feel like he could go to phupha or that phupha might not believe him

tian please just listen to longtae being the voice of reason

or at least send longtae back to the village to go get phupha if you’re this determined

as soon as he pulled out his phone i fucking knew the flash would go off bc tian can’t be smart without also being dumb

pls don’t hit my son he has a weak heart

longtae running away like “i didn’t sign up for this shit”

pls stop hitting my son

i was wondering how tian’s dad would become involved in the story again and tian name dropping him to escape being killed by poachers was not it

but sakda was clearly scared when tian first said the name so obvi they’re connected and i’m assuming the person who called tian’s dad was either sakda or one of the other men there which means that tian’s dad is doing illegal shit (surprise surprise)

tian i know you’re stressed but pls let rang provide first aid

that montage at the end tho really hit me

also the parallels between this scene and the one when tian fainted in the field, it’s literally the exact same scene but the roles are reversed

also the fucking post credits scene, the emotional whiplash, the pain from knowing phupha said this stuff literally hours before everything went wrong

the way i squealed when phupha said i do (and throught the rest of the scene), it was literally the sweetest thing, it might be my favorite phutian moment so far

so for the last two episodes, im assuming that tian’s dad coming to get him and the dad being involved in illegal stuff will be the main external conflict, i wouldn’t be surprised if next ep ended with the dad showing up and demanding to take tian back

also the next ep preview, khama telling tian to forgive himself, im weak

this episode just made me feel so much, the story is just so complex and nuanced, and the characters are real and messy, and pls more bl in the future that aren’t afraid to tell more serious stories (as much as i love the romcom style of most bls i would love some more variety)

#1000 stars #atots #a tale of a thousand stars #1000 stars ep 8 #atots spoilers #1000 stars spoilers #konaizumi reactions

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iridescentides · 3 years

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i watched the ep twice bc i didnt take notes the first time BUT. hsmtmts 2.04 thoughts under the cut

gina first. my favorite part of the episode was when she admitted that she feels out of place living in someone else’s house and that she wanted a bigger part in the play. i was SO worried they were gonna just let her happily sideline herself in a “yay she learned her lesson about not being the center of attention” kind of way bc i would not be able to handle that two seasons in a row. let her be angry!!! she has a lot to be upset about

the gina/carlos conflict was awful bc theyre making carlos unreasonably annoying this season. last season he was nice, he was enthusiastic, not competitive and just rooting for other people. idk why they needed to flip him so drastically to being spoiled, rich, selfish, pushy, and bitchy. and on top of that i have not been vibing with the pieces of dialogue theyve been giving him this season just to score woke points. its so unbearably obvious that even though hes a brown gay character, he was written by a white gay person who thought, on some level, that he was giving the gen z kids the #hashtag representation they wanted. his delivery of every line that screams “remember, im mexican” is so awkward, it doesnt land well, and im begging them to stop. they want so badly to commodify his character and parade him around as a “look how diverse our show is!” thing and im so so sick of it bc you can tell, with all the surface-level pieces of dialogue, that they dont actually care at all

(”look around, theres not a lot of me at this school” we GET it, this show wants to be glee so bad)

im honestly starting to slowly ship rina less and less. in season one i loved seeing someone make gina happy, especially since she had no friends before opening up to ricky. but now its just a whole mess and i wish she would love herself a lil more to realize that its not worth all this stress. he made a choice and no amount of conflicted moments of eye contact is going to fully take that back. im not necessarily against love triangle plots, but i HATE the whole “women wait around hopefully while male character, whose decisions have already hurt multiple people, makes up his mind” bullshit

that being said, gina handled the situation like a CHAMP, im dying over how quickly she was able to mask her pain and make the joke about the twix bar. im love her

we were absolutely ROBBED of an ej/big red performance this episode!!! i am at my LIMIT we better get gaston next week or i will riot

on the ej train, him not getting into duke was extremely predictable. we all kinda saw that coming and knew that would be his main point of growth this season. im glad they didnt wait super long to do it. now please @ writers i am BEGGING you to give my man more screen time than one scene per episode

its very odd that they keep making mr mazzara have emotionally tough conversations with the students. i will do a parallel gifset of those once the season ends. i liked his convo with ej for the most part, but he really didnt have to beat him over the head with the “youre an emotionless robot” thing again. its clear ej is gonna throw himself into av club or whatever (even though at the end of last season that was supposed to be big red?) and discover that he has a lot going for him. because he does, he literally has everything going for him, thats why they had to make his “problem” not knowing himself. bisexual ej caswell ftw

i love the parallels between ej and nini this episode? i think since the beginning ive felt that there was a lot about them under the surface that was similar. it was interesting seeing ej tell nini about duke first, instead of the obvious choice of ashlyn. i wouldve loved to see how that scene wouldve gone with ricky, gina, carlos, or big red though bc each reaction and attempt at comforting him wouldve been so different. i didnt love that nini had to be pulled away from the conversation, but im glad they can still talk to each other after everything that went down. and i love the juxtaposition of ej’s convo with mazzara directly following nini’s convo with miss jenn bc theyre essentially the same.

speaking of, i loved miss jenn in this episode. her stories are always so funny, but i loved seeing her care so much for nini and guide her, like a teacher. i loved how she pointed out that everyone who loves nini just wants her to be happy

im glad nini is leaving yac bc there was no good way to keep that up honestly. but im pretty annoyed that they were so obvious about it? like, they immediately made it the worst place in the world without exploring it very much. the place is super unrealistic, ive never been to drama school but im sure it wouldnt be like that. no creative arts place for KIDS would be so impossibly limiting. plus the weird bluish coloring in comparison to the nice warm tones of the rest of the show was, again, a dead giveaway. why send her to the school at all if it wasnt even gonna matter?

even though im glad nini left yac, im NOT looking forward to the way miss jenn is about to bend over backwards to put her in the play somehow. she plays obvious favorites and im so annoyed

(sidenote: nini just? decided to leave yac without consulting her parents??? ummm)

granted is a very good song, one of my faves so far

ricky deciding to tell nini he wants her to stay was stupid. what did he think that would accomplish? who in their right mind would drop out of a good school for you?

i loved when nini said yac was missing something, and miss jenn said “ricky” and nini said “you.” that was so so sweet and cute

i think the kourtney/howie thing is gonna grow on me. i hate amatonormativity so im not a big fan of them introducing a whole ass character exclusively so kourtney can have a love interest, but i loved the gesture he made of bringing her the pizzas and her flashcards. i feel like kourtneys love language is acts of service, and she was literally this meme when he did that for her:

i liked seeing ashlyn try to be there emotionally for gina! i want more of them together

overall this episode was okay. not enough songs, and i wish they were spreading out the emotional conversations through the season instead of packing them all into literally one episode, but what we did get was pretty good.

after watching the preview i see that next weeks episode is gonna be about carlos’s party, and i love party episodes. BUT i hope that after that ep we finally get an advancement on the north high stuff! i dont give too many fucks about lily, but i wanna see my son asher angel

#me @ myself every time i write one of these: we GET it youre a gina and ej stan #hsmtmts lb #hsmtmts spoilers #txt #waffle words of wisdom

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dangermousie · 4 years

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So, because I am obsessive, I went through and rewatched the MV they put at the end of ep 5, to see which scenes we haven’t yet seen as of this week.

I assume they will all be aired soon because they obviously pre-filmed a lot, but this drama is not completely pre-filmed, so they are unlikely to be in ep 15 or similar - frankly I can’t imagine them being any late than next week.

Anyway, here are the scenes I found.

Scene 1:

Did he do it for their 5-year house anniversary? Some other occasion? Or maybe at random because he wants to put extra effort in to keep their relationship sweet and normal (little does he know that train has left the station.) I do think that means he came up with some lie as to why he was in the house with Moo Jin and Do Hyun Soo’s sister because I cannot imagine him doing this if he knew she knew, at least not without a lot of other working through it. Hmmm.

Scene 2:

No idea, but the way she looks at him kills me. She loves him so much and I can’t get over her strength because she believes he doesn’t feel the same way but she doesn’t hate him or blame him for it because he’s treated her so consistently well.

Scene 3:

OK, where are they, because it’s not their house. And why is he bleeding from the head? At the rate he is going, he will need a month-long hospital stay to fix all the damage he’s going through in this drama. Also, she is clutching him (my heart!) while you can see him look like he wants to flee and is barely restraining himself from it. I wonder if it’s the aftermath of the scene we saw in the preview with him in the employment agency gangsters or the fight in the bar (the dark environment screams the former, the blood possibly the later.) I wonder if he’s freaking out because he realized she found out about him or “merely” because she’s seen his darker side and so he’s worried she will walk. I bet she grabbed him though because she is beyond worried for him.

Scene 4:

I would totally be screaming if it wasn’t for the fact that people would think that I am crazier than I already am. Does this take place shortly after the previous scene? His jacket is the same and he still has the blood in the same place. But it’s clearly in their house and the lights are on. When she reaches for his hand !!!! and he is almost crying !!!!! and he holds her face !!!!!! Yeah, no emotions, yeah right!

You know I keep thinking about how, provided the drama doesn’t kill him off, it is so so good his identity is out to her and he will know it and she will love him away and he will know it. Because I don’t think he could truly address his trauma and heal while he is Baek Hee Sung.

I mean, their marriage, idyllic as it was, was not fully real because him being the perfect Stepford husband is honestly a sign of damage. I was chatting about this in messenger but it’s a sign of his trauma and past abuse that it looks like he never ever had a problem with anything in the marriage or relationship - she has to work late and ditch in the middle of even a make-out? He doesn’t even look grumpy. He never ever demurs, not even by a look, from anything going on or anything Ji Won or Eun Ha want. And honestly, I think even if fully healed, he’d be mostly happy with the marriage and the division of duties (he clearly thrives on being the homemaker and caretaker, an unconscious but thorough repudiation of what his father tried to make him.) BUT! I cannot imagine anyone fully functional, no matter how happy and devoted occasionally not being grouchy or sometimes not wanting his wife to work long hours, or hell - maybe just once not making a fancy feast for every meal. But he never even allows himself to think that because he cannot acknowledge even to himself any displeasure or reluctance because anger or any other negative emotion he associates with daddy dearest and he does not want to be like him at all costs. He needs to learn it’s OK to feel good things but also negative things - normal people feel that and don’t start abusing and murdering.

And also, the reason he refuses to acknowledge anything but perfect behavior on his part is because he has zero self-worth. I don’t mean he is self-pitying because he’s matter of fact about it, but he genuinely believes he has nothing to bring to a relationship but what he can do for Ji Won and Eun Ha - he has no inherent value in himself so he must keep demonstrating value through actions. I mean this is a man who is genuinely happy he thinks his daughter has nothing of him in her. He basically lives erasing himself insofar as he’s able. And because of that it never occurs to him that a monster could never raise a girl as sunny and happy and functional as Eun Ha. Many “normal” people spend less care and effort on their children than he does on her. It also doesn’t occur to him that a monster would not want to want nothing or demand nothing; monsters view their wishes as paramount and nothing else matters. What his father was doing was the ultimate “only I matter and what I want is the only thing that matters; to such an extent that he could literally kill others if it pleases him. The way HS lives is the very opposite of it. His sister had to push and prod him for him to even be able to express/comprehend that he wants something as mundane as to keep living as a person with his own shop and caretaker for his wife and daughter. But of course in his head, all of his life has been somehow perverted into a masterpiece of selfishness.

Anyway, I should stop blabbing.

#kdrama #flower of evil #moon chae won #lee jun ki

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soft-sunflower · 4 years

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Flower of Evil Thoughts- Episode 12: Part 1

Okay, just when I think these episodes can't get any better than the last, I get CONTINUOUSLY proven wrong! How is this show SO amazing!? Okay, let's start with the recap and my thoughts.

WOW this episode really started off with a bang, didn't it?? I was floored how crazy unmother found out the real Heeseong, her real son, was a serial killer. I was legit creeped out by the fact that he kept commemorative photos of his kidnappings and killings, but what really fucked me up was the fact that he kept their fingernails. So NOW we know where the other sets of fingernails went... I guess Do Minseok kept the ones on the right hands and Heeseong kept the ones on the left hand. Just ughhh ewwww. This is seriously so disgusting. That really grossed me out. So, was unmother going to commit suicide? She held a blade to her wrist and then she looks out the window, and what does she see?? Heeseong... trying to bury a body in the rain. I mean what even??? This whole family has upped the evil factor. If there's any flower of evil blossoming? It's the Baek family.

And who's body is it!? None other than Do Hyunsoo! The man he just hit with his car! I mean REALLY!? He was going to legit BURY Hyunsoo alive??? This guy is the psychopath, this guy is the batshit crazy one, this guy is the serial killer. NOT Hyunsoo. It's kinda funny, I was talking to my husband and I said. "Well, the synopsis sorta got it right. Heeseong is definitely a serial killer, only it's the REAL Heeseong and not the fake Heeseong, which is Hyunsoo." We both were like "Yep. Heeseong IS a serial killer and did it right along with Do Minseok." Funny, that.

He’s so casual like “Oh don’t mind me. Just gonna bury this man I hit with my car alive. Go back inside.” So, ole Mommie Dearest over here goes all feral on her serial killer son and straight up stabs his ass declaring she’s scared of him. You know what, lady? I am too. He’s kinda terrifying. I swear if you gave that boy an axe and told him to go chop wood, he'd turn it around and do a Lizzie Borden on your ass. This family as a whole is a complete whack job.

Oooookay so we're back in the present now, and what do we have here??? Heeseong. Sitting up in his chair and guess what he's doing. SPEAKING. NORMALLY. None of that "I just got out of a coma and I'm slow" speech he'd been doing since last week. Yeeeeah I knew his bullshit he was pulling was a whole-ass act. Okay, so last week, when I saw the preview at the end of Ep 11 and they were all screaming about finding a buried body? I had a theory that it was going to be the maid's body they find, considering the way the crazy mother was freaking at out her wanting to know what all she knew. Now you have Heeseong being threatening with this lady. I'm getting death flags everywhere for her.

Oh look... creepy hospital trash dad is deep the blood cleaning Heeseong's car, phone rings and there we got trafficker man, Yeom Sangchul. Soooo, Heeseong owed him money and dad paid him off to cover his son's ass??? DUDE. What is WRONG with this family!? What is WRONG with these people!? They're legit messed tf up! And can they STOP trying to "take care of" Hyunsoo already?? The constant putting out a hit on him is getting frustrating. "Either Hyunsoo lives or we do." UM. You both are TWISTED old FUCKS who don't deserve life after all the crap you've pulled. Hyunsoo deserves life. He's more human than all of you. You don't, if that's how it's going to be. I'd love to watch them rot in prison.

YAY!!! There's our couple!!! Coming out of Hyunsoo's shop looking like a legit BADASS power couple!!! YASSSSSSSSS!!! And... what's this??? What?? Detective Choi wants a cup of coffee??? Weird... it almost seemed as if Jiwon WAS expecting some kind of Swat team out there to arrest her husband. Jiwon looks confused on what's happening, Hyunsoo is just quietly accepting it all. And when they go inside and Sunbae almost appears, reluctant and hesitant. He even thanks Hyunsoo for being the informant, which I did NOT expect. I knew there was a reason why I liked him from the start. He's redeeming himself.

Haesoo is really stunned over the fact that Jiwon knows the truth about Hyunsoo and who he is. And of course she's in a panic because she believes her brother left and so now would be the perfect time to turn herself in. Moojin tries his hardest to stop her, because obviousy he doesn't want to see her go to jail, but he's gotta stop being so pushy...

Sunbae has a great personality, but when he starts questioning Hyunsoo over the murder he doesn't waver. Hyunsoo straight up tells him he had no motive for murdering the village head, unlike Jiwon who's crying out that he didn't do it. That's right. Because he DID NOT. The look that the husband and wife give each other, Jiwon just looks stricken by the fact that after what they went through last night, Hyunsoo still won't tell the truth. That he was not the one who murdered the village head. Hyunsoo just looks at his wife calmly. His expression is unreadable. He may have just been silently pleading with her to please respect his wishes. This is what he wants. He doesn't want this for his sister.

Oh, Noona... not only was Hyunsoo's past so incredibly traumatic for him, but it was for you too. You've been deeply affected by this because of your overwhelming love for your brother and it's precious. It really is. It's heartbreaking watching him get thrown into repeated exorcisms at such a young age for something that was never even wrong with him. ALL of the adults in his life FAILED HIM. His father, the therapist, the villagers, and even his only friend along with his pack of cronies. They BRAINWASHED him into believing he was a bad person just like his father was, and it's HEARTBREAKING. It's so utterly HEARTBREAKING. I LOVE how strong-willed Noona delcaring she doesn't feel sorry for killing the old bastard who put this poor child through all of this.

They threw things at him, beat him, hurt him... And when they cut to Hyunsoo after being beaten, he just looks dead inside... it's so devastating knowing that they forced him into believing he was being possessed by his father's ghost, to the point that he saw his father's ghost. Now, maybe he really DID see his ghost, but the fact that he was so brainwashed into believing these things? My heart literally ACHES for Hyunsoo... Noona is right. Moojin is NO better. He turned his back on Hyunsoo when he needed him most. Tied him a tree, beat the crap out of him, stoned him. And every single person in that town FAILED Hyunsoo. Hyunsoo was the only real HUMAN out of all of them. And that is SO DEVASTATINGLY HEARTBREAKING. Because he was so unjustly and unfairly FAILED by people he needed most, EXCEPT for Noona.

Okay, Sunbae knows something is going on. He knows that Hyunsoo claiming he killed the old man and how easily the weapon was found was just TOO convenient. He knows. NOW, I'm DYING to know who this one another witness was that said Hyunsoo wasn't a bad person? Was it Noona? Was it someone else? Because every single person in that village ostracized him, that we know of, asides from Haesoo. So what gives??? I want to know who it was... I'm just gonna place a bet that it was Haesoo who had her brother's back because she was the only one who ever did.

Oh.. oh Sunbae... you are 100% and fully fledged redeemed. REDEEMED. Don't imprison an INNOCENT man!!! I think he KNOWS Hyunsoo is innocent, and the look on Hyunsoo's face... he knows the Hyunsoo and Haesoo's childhood tragedy. My heart just twisted. Sunbae. T_T Sorry, but the fact that Sunbae is letting him go, simply by saying he isn't interested in Do Hyunsoo anymore, and that Do Hyunsoo is a good person... I swear I had tears in my eyes because of the hope in theirs!!! I was smiling and had tears in my eyes just like Jiwon because FINALLY!!! He can live his life, he can be with his family, he can love his wife openly and happily, he can raise his daughter with no fear, and... wait, hold up... it's too damn happy. Way too happy. Something bad is going to happen... I can feel it. Yep. Something is coming to literally fuck up their happiness and it's stressful. It really is.

OH GOD this SCENE. This next scene!!! I cried during this scene. I found myself sobbing because of the pure innocence of this scene alone. Our precious baby girl, Eunha!!! She's back!! And she's running and crying in his father's arms... You can already see the emotion on his face as he stoops down for his baby, and he's crying too... It's like years upon years of all these emotions that were built up and hidden behind iron walls are spilling out of him now that the floodgates have burst. Like he just can't help itself, and it's a beautiful thing. It's so good for him, it's cathartic and just what he's needed for so so long. All the years he spent locked behind that wall, believing he was something he wasn't, it's all been set free. He can FEEL. And he show what he's feeling without being told otherwise. He's free to love.

"Daddy! I missed you so so so much!!"

Oh, little sweetie, he did too. He really did. So very much. All the years he's spent watching you grow and raising you, all of those memories and feelings for you, you precious little angel, are welling up inside of him and bursting out of him, on top of the fact that he doesn't have to say goodbye to his baby girl simply due to the fact that he's Do Hyunsoo. That's why he's crying. From the day she was born, to each one of her milestones and young triumphs throughout her life are so important because he sees it all so differently now. When Jiwon't mother says "She acts like they've been separated for years" and Jiwon remains quiet? Because in a sense, they have. Sure, he's seen Eunha almost every single day of her life, but he hasn't really SEEN her til now because he had a heavy, dark veil covering the eyes of his heart.

He's seeing Eunha for the first time and feeling her with his heart, and i find that so overwhelmingly beautiful. Jiwon assures her mother that it's nothing when she worriedly asks what's wrong, that she's never seen him like this before. And Jiwon just tearfully smiles so gently and so softly at her precious family while they cry and embrace because she loves them so much. It's sweet how Jiwon's mother is concerned for them though lol. I wonder if she'll find out...? And how ADORABLE was it when Eunha told her daddy not to cry again because he misses her? She's such a precious little angel and such a good little girl. His kiss on her forehead was the sweetest thing too. What REALLY made me melt in tears was the fact that Hyunsoo says:

"Eunha-ya, daddy loves you a lot."

And Eunha's arm heart... just... GOSH. T____T And even though she tells her daddy not to cry, you can see him tearing up again as he waves bye bye to his little girl off to preschool. It's so beautiful and refreshing to see him finally finding his emotions and finding his feelings and expressing them so honestly. And his little kiss on her forehead. Just end me. I can’t get over how precious the moments these two share truly are. It’s beautiful. ♥

Wooooowwww, so Jiwon was planning on quitting her job as a police officer??? But here we have Sunbae trying to encourage her to seriously think about this decision, because he's right. Giving up a job like that could have a huge affect on her entire life. And to get to work and work like crazy because they're mad busy lol. Ah, Sunbae.

And I just can't get over Hyunsoo and Jiwon's love. I really can't. I love how holds her hand and strokes it gently with his thumb. She asks "What were you thinking about in front of the store earlier?" And BAM! I was right! He was remembering the very first time he ever held Eunha. I'm sure he probably wanted to cry the first time he held her because his heart was likely overwhelmed with all sorts of feelings, but he didn't know how and he couldn't figure them out. And then he says when he met Jiwon, every single moment of his life was filled with first times and I just... I can't... Jiwon has been the most beautiful, welcoming, warming and positive force in his life. If it weren't for her, he may not have ever began his healing process from years upon years of trauma. I love the focus on their hands. I really do. Almost like he didn't want to let her go back to work, and even asking her if she'll be alright. Hyunsoo, you are such a wonderful husband to her. Goodness.

I do love how when Jiwon entered her workroom and the police chief snapped at her, Sunbae was quick to step up with the continued story of Eunha was sick and he sent her home, so she's not been made aware of the situation, which is half-true. Jiwon had NO idea that Yeom Sangchul busted loose and is on the run. Now, here's something interesting...

"How's your kid? Who's sick? Your first or second?"

WAIT... now why are they making it a point to show that Jiwon only has one child right now??? Is there... is that foreshadowing?? Could there maybe be a chance that Eunha might get a brother or sister in the future??? Or is that just my wishful thinking and overthinking it because the police chief just doesn't know enough about her as a person and that's what they're showing us? Hmmm... Well, here's hoping we get that happy ending with Jiwon pregnant and them having a new baby! *fingers crossed* lol Sorry. Just some Hyunsoo/Jiwon fanwishes. Anyway... I got a good chuckle out of the chief trying to cover his ass by passing out energy drink packets and of course Sunbae being his hilariously greedy self with wanting two and talking about the chief being cheap HAH! I laughed. And then Sunbae gets a call from Hyunsoo... WHAT!? What is going on now??? Wanting to talk where Jiwon can't hear?

So, Hyunsoo is still sitting at the front gate in his car and he's thinking back to something Yeom Sangchul said. "Think hard about it. Whom did you tell this secret to? Who do you think ratted you out to me?" Ooooo, I think Hyunsoo's onto something, though. I get why he doesn't want Jiwon to know, but hasn't he learned his lesson yet? Honey, things go south when you keep secrets from your wife. She's also a police officer. You do realize that, right? And she's a badass one at that. I get you're protecting her from knowing that someone is out to get you, but you gotta tread carefully love... you don't want to break trust between the two of you. You need her trust now more than anything.

Oh look, there's human trafficking trash man eating and the equal trash son laying in bed watching the news on his tablet. And her comes trash mom. Is he really still going to continue pulling off that whole fake slow talk "I just got out of a coma. Feel pity for me" crap? Please. We know he can speak just fine considering he did it earlier with the housemaid. Can he spare me the innocence? And why does he still seem to have himself convinced that Hyunsoo is going to kill him?? Hell, if anything, Hyunsoo will just want to help catch his ass and have him thrown in prison for the disgusting stuff Do Minseok did with him.

So, Moojin is going to play the noble idiot again once more for Haesoo by looking for Hyunsoo? Well, you don't gotta look too far, bro. He's a lot closer than you think. Also, the more I think about it, the more I'm with Moojin. Not because my heart is shriveling over him telling Noona to stop saying she'll turn herself in, but I agree. Sunbae let Hyunsoo go saying he has no interest in him anymore. If Noona goes to the police station now and outright admits to killing the village head all those years ago, there's also a chance that they'll all find out that Jiwon's husband is Do Hyunsoo. Sunbae might be willing to overlook that fact, but that doesn't mean the others will.

Side note, but Moojin, why do you think you deserve a SHRED of care from Haesoo after the shit you've pulled? Sorry but that got on my nerves. Stop comparing yourself to Hyunsoo and your importance to Noona. Hyunsoo is her little BROTHER. He's family. There's a HUGE difference. Jeez, Moojin. Stop being so pushy and clingy. She doesn't WANT to go home. She WANTS to go to the police station. You have no right to tell the driver where to send her. Ugh he's so frustrating sometimes. I have such mixed feelings about him.

Alright, so Hyunsoo and Sunbae are at a cafe now talking about the fact that Hyunsoo has a pretty good idea of who's put a hit out on him. That he'll give Yeom Sangchul a shit ton of money to kill him. And it flashes back to trash dad trying to talk Hyunsoo into leaving if he gives him 10 times the amount. WHY can't these people just leave him alone?? For fuck sake. Hyunsoo states it's just an assumption, but we know he's not wrong and he won't tell Sunbae who thinks the person is til he can confirm it for himself with Sunbae's help. This treading into some very dangerous waters.

Moojin, good grief why do you keep bothering her? We're all well aware you like Haesoo, but she isn't interested in a relationship with you or anyone else. She's at the police station, and it's kind of sad because she believes that Moojin is all Hyunsoo has left. She shows up and just about outs herself when Jiwon smoothly covers it up by claiming she's here to identify the human trafficking victims since it's connected to her father's serial killings.

Okay, so... I LOVE this scene. I LOVE their discussion on the rooftop. It's excellent because it's just what Haesoo needs to hear, no matter how harsh Jiwon came across, it was necessary. Haesoo wastes no time in admitting that she knows Jiwon knows everything, and that Hyunsoo had a very justifiable reason for living as Baek Heeseong. I do love how protective she is over her brother, and yet again, she admits to Jiwon that she killed the village foreman and not Hyunsoo. Haesoo, no... she does not think her husband is a dangerous person because they just spent the night before talking about literally everything. Hyunsoo told her everything he could possibly think of. Jiwon loves him unconditionally. She does not think her husband dangerous for a moment.

"Haesoo, Hyunsoo is no longer a little boy that you need to look after. He's the father of my child. He's my family. He's my person. Now, he has a wife who will stand by his side... no matter what happens. He told me his sister is a very kind person. Whenever something bad happened when he was young, he was always the first to be suspected. He told me you always went around telling people he's innocent. He didn't care what other people thought, but you were always the one who cried and felt upset about it. Because you're so kind, he thought you wouldn't be able to endure other people's criticisms. That's why he took the blame. He didn't care what other people thought about him. If you turn yourself in, he'll no longer be a wanted criminal. But he'll feel guilty and indebted to you for the rest of his life. I don't want that. So... please respect your brother's decision. And... you should be the one to feel guilty instead."

"I'm horrible, aren't I?" No, Jiwon. You are not. I won't lie, your words were harsh, but they had to be said. This was totally necessary. They absolutely had to be, because Haesoo needed to understand and know the importance in all of this. She needed to know that her brother is not alone. That he has a loving wife and family to stay by his side. Jiwon tells her that what they talked about today is that if Haesoo recognized any of the victims in regards to her father's crimes and that is supposed to say no. Noona cries and thanks Jiwon for trusting Hyunsoo. Because it's what he needs. A wife to love him, trust him and help him. Haesoo tells Jiwon that while she's still alive, she'll do everything she can to repay her... while she's still alive?? Is anyone else getting possible death flags from Noona...? I'm worried. Really worried about her. Like it has me nervous. If something happens to her after everything Hyunsoo did for her... I just don't even want to think about it.

#flower of evil #lee joon gi #moon chae won #do hyun soo #cha ji won #baek eun ha #lee joongi #moon chaewon #lee junki #lee jun ki #do hyunsoo #cha jiwon #baek heeseong #jang heejin #flower of evil episode 12 thoughts

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snowstorm808 · 3 years

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More than Friends review eps 9-16

I previously posted my review of the first half of the series because I could not contain what I felt. It was quite impulsive of me but I wanted to let out everything I thought and felt for this drama. It is becoming better every time in such a way that I see the little creative ideas the writer or director is putting into each episode along with the development of the story. Familiar yet refreshing. I decided to create a new post because I saw that the first half recap was way too long if I would still add the remaining episode reviews because I just could not help it. I do understand that the length could be frustrating but I want my words to be read too, so thank you for everyone patient enough to read my words.

Episode 9 - Watching this episode made me realize a double standard I never really noticed before but I guess drama watchers would be able to relate to; the difference of pitiful and pathetic for female and male leads. I’m not yet certain if it’s deliberate but female characters locked in one sided love often seem pathetic but when it’s a male character they seem pitiful? Woo Yeon did seem pathetic in her one sided love in the earlier episodes so why does Soo get to be pitiful? It’s the same for the past dramas I’ve watched too. It’s just a food for thought. Based on last week’s preview, I really thought Joon Soo would punch Lee Soo after the drunk call but he held back so good job, Joon Soo. Honestly, I thought he wouldn’t be able to hold back because not only was he angry of the fact that Woo Yeon was getting swayed by Soo, but also because he knew how much it hurt, and hates the fact that she would still be hurt over the latter after a decade. This is why I keep wanting Joon Soo because he never thought selfishly when it came to Woo Yeon. I also love the fact that his character is being shown as someone seemingly perfect with a lot of flaws too. I love seeing his flaws and even relating to them! Being used to holding back is probably the reason why I write so much because I swear I can’t talk this much at all. I really hope he would stop holding back for his own sake. I think the most favorable Soo I have ever seen was him drunk calling his dad. I love the fact his parents went to his house to talk and console him. I also realized that Soo really closed himself up enough to have no one but his dad to drunk call. That was sad because the high school gang never really shunned him but he was the one who kept his heart closed. I half expected his folks to announce that hey would be back together because I feel that’s where those two are headed to eventually. As for Woo Yeon, I’m somehow glad she mustered up the courage to break up with Joon Soo after everything. As much as I was dreading it, I also felt that it was the right decision. She knew that it was too cruel to let him hurt quietly so I’m glad she had that decency; I could see that she was doing her best to be firm with her resolve. On her behalf, I get it why it’s difficult for her to let go of her feelings for Soo so I do not think she’s a weird one for that. I know that this is where my ship stops its sail but I’m satisfied that it’s not as I feared it would. The fight scene was reminiscent of Jealousy Incarnate, I just hope Dong Jun faked the punch because I know how athletic he has been from his Idol days which is enough for me to be scared for Seung Woo. Conveniently, it was only after this that Soo decides to take a break from pursuing Woo Yeon after ruining her chance to start anew with someone. Eventually, I know that Woo Yeon would not be able to defy the flow of her feelings towards Soo but I hope he can also grow up more because right now, I can still see him being selfish and self centered in his approach.

Episode 10 - How can one episode contain so much emotions? And it was all types of emotions at that! I mean one moment it’s awkward, cute, upsetting, lovely, funny then sad and even more! This episode was a roller coaster of emotions in my opinion. First thing’s first, the younger guy Jinju dated is a total loser and a scumbag. Good thing Sang-hyeok was there to the rescue. I feel so bad for Young-hee because every time she takes a step forward, she’s always dragged two steps back. She has a strong personality but it does not mean her situation does not wear her down too. So here comes the roller coaster because Lee Soo and On Joon Soo drinking together and ending up at Woo Yeon’s place is super cute. That includes her parents’ “interview” with the two men while they try to show off their “qualities”. I literally said “boom” when Joon Soo “let slipped” that Soo was the jerk Woo Yeon’s parents have been hunting for. That was really petty but I guess it’s his little revenge on Soo for interrupting their relationship when he used to date Woo Yeon. I am not going to lie about not loving the misunderstanding Soo had when he saw them together in the restaurant while he was with his parents. He tends to act so victimized which I really dislike then he readily blows up at Woo Yeon. But then again, it makes these characters more human then the usual kdrama characters I watched in the past. Lee Soo should really learn to express things more clearly so Woo Yeon would stop thinking that he’s simply bored or fooling around. As for Joon Soo, it’s a lost battle and I feel bad for him because he has become a masochist which is why I need to take care of him. I need Woo Yeon’s cooperation for this...

Episode 11 - Soo is finally given the chance he keeps on missing. As much as I am sad for my ship, I’m happy Woo Yeon and Soo are coming around although it isn’t the full circle yet. I do feel really bad for Joon Soo but it has always been clear how strong Woo Yeon’s feelings have been for Soo. I like how she at long last clearly stated that she will always give Soo the chance whatever he does because it has been evidently true for the past episodes. I guess that’s enough proof that feelings can’t be controlled easily. My favorite part in this episode would be her giving Soo an ultimatum because I always had a feeling he thought of her as a port always there for him. My second favorite in this episode would be Sang Hyuk and Jinju! He’s so sweet and caring which is exactly what she needs. Will they be my favorite couple? Hehe. I just want to take a bit of time to swoon over Joon Soo because he cares a lot for Woo Yeon though it isn’t returned, I appreciate him wishing her well. I can’t help but wonder if there will be another drama between Woo Yeon and Soo, because if he hurts her one more time then I would prefer her to be alone (I’ll be taking Joon Soo.)

Episode 12 - I never thought Soo and Woo Yeon together would be this mushy haha. They are making up for the lost time and I like seeing them happy and somewhat letting go of the inhibitions they had. And for the first time, I think I want to scold the writer for adding a character like Yura because seriously, those two no longer need another person to interrupt them. I suppose it’s to make up for the remining episodes? But then it could be expound on things like commitment issues for Woo Yeon and Soo, and taking the next step for their relationship. I do secretly hope for Joon Soo to make a comeback but not necessarily in a romantic light. Obviously, Soo is the one being careful now when it comes to dealing with Woo Yeon. I like seeing him nervous of losing her because it keeps him on his toes though I hope he would be more direct about it instead of acting cool so she won’t misunderstand anymore. I remember him saying he dated around too but Woo Yeon seems more like the one used to dating. I guess he never really thought of the other party when dating. I can sort of imagine his ex-girlfriends putting more effort than him.

Episode 13 - Lol, Soo should’ve been more sensitive when Woo Yeon insisted on going home by herself. I find it so cute when she defended Soo from her parents, she was so cheeky to point out her dad’s faults. After everything they have been through I hope they can do well from now on but something tells me otherwise. At least Woo Yeon finally said the magic words Soo has been so anxious to hear. It seems she was too nervous and being careful to say it though I had the initial impression that she must’ve had a stigma of some sort to those three words. I somehow feel nervous about Soo’s job offer from the airline because it might lead to a fight or even a break up. Speaking of a break up, I’m sad Hyun-jae and Young-hee had to part ways though it was one-sided. I do get the pov of his family but I can’t relate to the pressure of marriage. By the way, am I the only one who thinks Kwon Yura’s character is waste? I mean I don’t see much purpose for her character because she does not threaten the main lead’s relationship other than making Woo Yeon want to doll up herself. I must say one of my favorite scenes in this episode is when Woo Yeon went to the salon and told the staff she’s meeting with her boyfriend’s woman. I love how the customers and salon staff reacted even calling in their boss to style her. Was it a parody? I’m not sure because I have sworn to lay my hands and eyes off all dramas that deal with a husband’s mistress. Nevertheless, it was super witty and I had a lot of fun watching that scene including the one where she deliberately posed further behind Yura to make her face look smaller. Lastly, Sang-hyeok and Jinju are finally together! They look so cute together and make the perfect couple. In fact, all three couples seem to be perfect for each other because they complement each others’ personalities well.

Episode 14 - This must be the episode where everyone breaks up or gets rejected. But before that, I can’t get over the expression Woo Yeon’s mom wore when she said to pack up contraception for her trip with Soo. One minute they were having a lovely mother-daughter moment then she suddenly brings that up. As much as most people would find it awkward, I think it was so funnily straightforward. Her mom cares which suddenly reminds me of the reaction of Young-hee’s mom when she found tons of condoms in her drawer. Another reaction I really enjoyed was when Woo Yeon and Soo found out Jinju and Sang-hyeok are dating! The way she splashed water out of shock really showed how it was the farthest thing in her mind. From the time Soo’s work offer came, it already seemed ominous along with Woo Yeon’s offer so I was not surprised with the break up. Maybe it was for the better; I have been mulling over Woo Yeon’s reasoning that she might end up hating Soo if they stayed together. The loneliness was eating her up which I believe is realistic in a long distance relationship like theirs. Soo shouldn’t have readily agreed regardless if he was thinking of her or not. Considering these two pursued their careers, I think this would leave less regrets in their hearts because they were able to fulfill the dreams they had. Their feelings for each other will always be there because they are Soo and Woo Yeon. I just need to wait how they will get back to each other.

Episode 15 - While watching this episode, I couldn’t stop thinking that this is the episode I finally see Lee Soo as someone heartbroken and not self centered, also, am I the only one who thinks his hair styled up is way better than his hair down? At last, I got to see Soo’s feelings of longing for Woo Yeon instead of his attitude of forcing his feelings like earlier into the series. I think it’s his maturity plus his sincerity in wanting her back because he now knows how it is to lose her. Their break up might just seem like another ploy by the writer to extend the series but I also think it was helpful to both Woo Yeon and Soo. In the first place, they decided to be apart so their careers could flourish which made them busy and drift apart. It also brought to light the insecurities they had especially Woo Yeon who had been so used to be the only one who in love. I think her fears of having the person she loved and wanted the most surfaced which keeps her from returning to him even if he’s practically begging her back. I just hope Soo would’ve made efforts to contact Woo Yeon or get her back after that break up call just as he was when he was courting her instead of stepping back. I guess it was partly a good thing because they were able to achieve certain things for their careers during that time too. Meanwhile Young-hee’s mom’s death was inevitable but at least they got to resolve the hard feelings and she was able to convey her love for her children. I think among the deaths I’ve seen in kdramas, this is the most touching for me. I must really be getting old to be sentimental like this. I also felt envious of the leads’ friendship. This episode showcased it the most especially how they supported Young-hee through the most difficult time in her life. I also love how they quietly support the complicated relationship of Soo and Woo Yeon. They have never attempted to kill him so yup they are good people.

Episode 16 - Loose strings are tied up in a pretty bow as the friends gear up for each of their happy endings. Joon Soo decides to let go of his feelings for Woo Yeon (he’s finally free to walk towards me! Yay!) I really like their hug because it sums up the affections and friendship they had. Good thing Soo wasn’t there to tear them apart. I also like that Soo is still a bit jealous of Joon Soo because whenever I remember how arrogant he was about stealing Woo Yeon away, I still want to punch him. His mom’s pushing aka guilting Woo Yeon was indeed effective, heh. Seriously though, it seems to me that his mom did it because she did not want him to end up like his parents and perhaps it was her way of making up for their negligence and mistreatment of him. I love the fact that Soo and Woo Yeon continued to fight and make up even after getting back together, it was very much in their character. It’s also nice that Soo’s parents decided to give their relationship another shot. It makes me think that they too learned from their son. Jinju’s and Sang-hyeok’s wedding pictorial was super lovely, it was very smart of them to trick Soo into it haha. Young-hee and Hyun-jae are finally back together too! Thank goodness, they’re getting married instead of returning to dating. As much as I cringed with their cheesiness, it was very much welcome and cute to watch. All six of them had their own cringey and cheesy way of saying and doing things. I think this drama has one of the most satisfactory endings ever, now, if only On Joon Soo can find his way to me...

More than Friends has met the amount of romance and tension that I always look for yet refreshing and not too cliché. I love the little details and the way it explored different types and stages of relationships including of different age groups. I hope other viewers would also get to see how the writer tried to portray these in the drama. Watching the ending made me realize the drama’s title was probably referred to these couples because they started as friends and became more than just that. Honestly, their situation is quite idealistic but I think it’s so cute if it does happen in real life. I’m happy I watched this even if it was mainly for Kim Dong Jun. Literally before watching this, I watched Moment of Eighteen then even prior to that, I watched Meow, The Secret Boy. MoE was sad because Junwoo had to put off his dreams and relationship to help out his mom. I initially wanted to skip or wait till later to watch it but ended up being hooked to it. Hehe.

One of the things I find fascinating in this drama is the casting! Shin Ye Eun’s step mom in MTSB became her actual mom while her dad became Lee Soo’s dad this time. There lots of familiar faces which made me like the drama even more.

#more than friends #shin ye eun #ong sungwoo #kim dongjun #p.o.#ahn eunjin #baek soo min #choi chan ho

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elizabeatrice · 4 years

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Walking Blind + Thoughts on The Little Mermaid Being Episode 12

Let’s Talk About JSHK Anime #2

Warning: Manga spoilers up until Tanabata Arc (basically that + the entirety of season 1 + the skipped arcs)

I’m gonna talk about how the anime keeps proving my predictions wrong with skipped arcs, and later right, with consequences. Due note that this isn’t me hating the anime (because I love it). Just my funny experience attempting to Sherlock my way through the anime, plus my thoughts on The Little Mermaid being the finale.

No deduction works when it comes to predicting this series.

It all started when episode 5, The Confession Tree, came out. I was looking forward to it ‘cause I’m hananene trash af. Legit thought the entire episode was gonna be about Kodama.

But then the episode preview pics came out and I was like, “Sakura wtf are you doing here you don’t show up again until three chapters later?”

My first prediction was ep 5 would be entirely Kodama, and then ep 6 would be Young Exorcist. Seeing that these arcs serve to build up Nene and Kou wanting to know more about Hanako, I thought it’d be nice that we set aside two episodes just for that.

But then Kodama finished somewhere around the fifteenth minute mark, and we started Young Exorcist Part 1. Which was, you know, fine. But then instead of continuing, they jumped right to the end of the arc when Nene met Sakura for the first time, and then kept going to No. 5′s rumor and revealed Tsukasa early. Next episode’s title preview confirmed it, too. Ep 6 was gonna be 4PM Bookstacks.

Okay. I still had hope. Maybe they just rearranged the order.

On the other hand, the lack of ‘Part 1′ in the title was alarming. And it came true. They packed four chapters into one episode. A lot of things got cut. There wasn’t enough room for the op, and they had to run the credits while the episode was still ongoing. Though, tbh, other than Tsuchi’s line about him being able to change the books (with dire consequences), I didn’t have much problem with the cut scenes.

Then this thing showed up.

Before ep 5 I didn’t think we’d get Donuts until around episode 9-ish. But nope the No. 7s would meet each other in ep 7 (lmao see what I did there?). Again, I was fine with it, but I was a bit upset about Young Exorcist.

Someone said it may be moved to the finale, and I didn’t like that idea. Mostly because Yashiro, our main audience POV, isn’t in the arc. And it just sounds weird having a finale without your main audience POV.

They could put her there, sure, but that would mean adjusting Nene and Teru’s every future interaction. Even without shipping goggles or Nene’s romance-colored glasses, do you think Nene would still act the same towards Teru if she saw him hurt Hanako like that? ‘Cause that was brutal. Like she wouldn’t run and protect him like she did when they met Kou.

They put Kou and Teru’s resolution from Young Exorcist into their convo in episode 7. This kinda makes Teru a bit useless, though. I mean, he still doesn’t do much in the manga but the tension between him and Kou was supposed to set up this badass fight. Since it didn’t happen, and Young Exorcist isn’t gonna be the finale either, then he’s pretty much useless.

Anyway, the thing about Teru being onto The Broadcasting Club?

Not from the manga.

I’m not sure if Manga!Teru is really onto them. As far as I remember, it wasn’t hinted anywhere in the manga. Do correct me if I’m wrong. So what was the point of that change?

I didn’t get pissed until halfway through episode 7 and suddenly Mitsuba was there, but no fishes.

“What is he doing here, where’s that puffer fish, where’s his murder? Hello?”

I was very neutral about Mitsuba from the very beginning but when he showed up where The Little Mermaid (and my fish murder!!!) was supposed to be I kinda began to grow undeserved resentment toward him (I’m cool now though!). Totally, totally undeserved, because it wasn’t his character’s fault.

I was happy because Mitsuba stans got to see him animated (he was cute, and his VA was so good). But putting him in episode 7??? I mean they just left Hanako and Nene’s tension unresolved like that. That makes the episode really choppy in my opinion. They could’ve had the coolest final shot of the season of Tsukasa murdering that fish to scare and excite the anime-onlys. They missed that chance.

We got to episode 8. Pretty solid. Still would’ve preferred if its first bits weren’t in Donuts, but solid.

Preview title basically confirmed they’re skipping The Little Mermaid too. That was when I lost hope in Young Exorcist. But I tried to compromise. If they weren’t animating The Little Mermaid, then they have to put Hanako and Nene’s conversation and pinky promise in The Little Mermaid at the end of ep 9.

Episode 9 turned out to be my favorite. It was all thanks to Natsuhiko. He really cheered me up over our loss of two arcs. And my prediction was right for once. Hanako apologized for ruining the donuts. That’s definitely not the point of their tension (Tsu-ka-sa and trust), but it was still nice and I’d take what I could get. The hug. The hug was very nice.

I was mostly content, excited to see my boi Akane the next week. But then I thought, wait, we only have three episodes left. And we’re definitely reaching Hell of Mirrors, ‘cause No. 3′s silhouette is in the OP. Then the horrifying thought hit me.

They were gonna skip Searching.

But! The freaking post-credit showed up followed by this:

“They skipped Searching AND Clock Keeper??? Why on earth would you highlight Akane, with Teru of all people, in the OP then?! Paralleling Mitsuba and Kou no less!”

Due notice, yet again, the lack of ‘Part 1′ in the title preview. Before the episode actually aired, this was my train of thought: “Okay so they skipped The Clock Keeper and Searching, and decided to outdo episode 6 by packing 6 chapters (yeah, I counted “Reach Out Your Hand”) into one episode. Ahahaha ... what?”

Thankfully, they proved me wrong. Kay. Good. Thanks a bunch for fooling me with that title preview.

But then it freaking hit me. You got one episode left. The finale. Sure, Clock Keeper as a finale will be perfect. It’s a good hook for season 2. However. You can’t do Clock Keeper without doing Searching. It’d basically be almost the same as doing Donuts without doing The Little Mermaid. The finale wouldn’t feel resolved this way, because, again, there’s tension between Hanako and Nene (and Kou too) that isn’t resolved yet.

Not that Searching addressed the cause of the tension, but at least it brought the trio back to their status quo (well, with a bit of kounene and hananene development haha). Also, without Searching, it’ll only end like this:

Clock Keeper itself is 5 chapters. They can cut and modify. Sure. But y’all saw ep 6.

So that’s why I was sure we’re definitely not getting No. 1 this season. To me, that leaves three options for the finale.

A. Delivery + Tanabata Arc

Best pick in my opinion

It’s the direct continuation to Hell of Mirrors

The main trio are all there, especially our audience POV

More glimpses of Amane is always a plus point

The ‘getting hit by a bull, waking up in the past, and seeing your boyfriend before he died’ is just so random I think it’d be a pleasant surprise for the anime-onlys

Just wholesome in general, leaves the audience feeling good

The-ma-tic!!! You begin the series with Nene’s wish and end it with Amane’s isn’t that just asdfghjkl wish wish wish, everything’s about wishes in JSHK

B. Young Exorcist

Classic boss battle finale

Just Teru’s badassery *chef’s kiss*

Hanako getting emotional (something we haven’t really seen before)

Getting deeper into Hanako’s motive (episode 8 would’ve been more impactful had we had Young Exorcist before it, what with his view of disappearing/exorcism for ghosts being salvation)

Kou’s character development

^ counter argument: he already got the character development he went through in Young Exorcist in episode 6 and 7, plus, he and Teru already resolved their disagreements - though, not as impactful as in the manga

Also wholesome, HanaKou is great I love their friendship so much *sobs*

C. The Little Mermaid

@emee-ems pointed out here: “it started with the mermaid so they’ll end it with the mermaid” and I agree

Yashiro being persuaded to leave Hanako, while their friendship was what began the whole series? That’s some good conflict right there

Seeing Hanako worried about Yashiro leaving him? Good shit

Also wholesome (extra shipping content never hurts, either)

Hanako willingly opening up to Yashiro for the first time!!! That’s a big milestone for them

Yashiro accepting that he’s just not ready instead of not trusting her like she’d thought is *chef’s kiss*

That pinky promise! Starting the series making a bond due to unfortunate circumstances and ending the series making/staying loyal to a bond out of choice??? Good shit

Aaaaannnnddddd the verdict was:

Mmmmmkay.

I did previously think we’re gonna end the season with The Little Mermaid. But here’s the thing. It only works if everything is in chronological order.

Why? Because the tension that led to this arc in the first place is resolved already in episode 9.

The whole point of TLM is that conversation at the end, really, where:

Hanako apologizes for ruining the donuts (he already did in episode 9)

Hanako thanks Yashiro for telling him that she liked him

Hanako admits that he had a little brother and that he killed him (Tsukasa already confirmed both of this for Nene, both in episode 7 and episode 9)

So having Hanako repeating all this seems kinda redundant. Nene already knows. Sure, it’ll be nice to hear it from him directly ... but it’s too late now, isn’t it? It’s been four episodes. She’s met Tsukasa three times now. However, point number 2 is still available.

Furthermore, since Hanako already apologized in episode 9, I’m not sure if the fishes can use what happened in episode 7 to persuade Nene to leave him. I mean, she forgave him already. Tension resolved. They hugged and all. And it’s been so long since then.

Animating the fish murder scene is also kinda useless. It was supposed to give the audience a glimpse of how dangerous Tsukasa is. But we already know that. We saw him rip someone’s heart out and force-feed it to someone else.

The first half of The Little Mermaid Part 1 and The Broadcasting Club at the end of Part 2 are already animated in episode 7. That leaves them even more room for extra scenes. I hope they take good advantage of that.

Basically, they have to make a lot of adjustments and I’m curious to see what they’re gonna do.

I am happy that we’re gonna see The Little Mermaid. The way Hanako wipes Nene’s face with his sleeve, and then cradles her head? I need it, they make my heart melt. Can’t wait.

#jibaku shounen hanako kun #toilet bound hanako kun #let's talk about jshk anime #bea rambles

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yiqiie · 5 years

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IDOL PRODUCER S2: E3 THOUGHTS

every week, i’ll sit down and watch the newest episode of Idol Producer Season 2 《青春有你》and write down all my thoughts. nothing get’s left out so get ready for a bunch of memes, shit posts and rants as we get through another season of our fave survival show

feel free to send me any questions to my inbox and i’ll answer them asap!

a/n: I AM READY i’ve been so hyped after the previews i’m finally feeling a bit of the excitement i got from last season again

start time: 7:32 am

my wifi has been pretty good lately so i’m praying i won’t have to take all day to watch this ep again

THEY’RE DOING THE CALLS

NO NO NO

wait omfg yaochi’s mum

SHI ZHAN’S MUM HUNG UP ON HIM LMFAO

HIS FACE

zyx you’re a little shit ahahahahaha

also i love your dimple uwu

no one in A class ;;;;

JOLIN I LOVE YOU MY QUEEN

GUAN YUE UWU WHY ARE YOU SO CUTE MY BBY

wait i got too caught up i forgot to write something

but like what he said is true

you’ve got people who are already such all-rounded people compared to people who are maybe only good at singing so it’s gonna be harder for some people than it will be for others

i love jolin so much guys she’s teaching them move by move

i think the mentoring is so much better than last season though

i think they focused way too much on like being strict last time but this time they’re actually doing move by move teaching

it might have something to do with experience tbh

but once again jolin is the cutest human and she’s my number 1 pick lmao

hu chunyang uwu he’s so shy

i love li ronghao teaching though

YES BOY GO I REMEMBER YOUR DEEP VOCALS

the poor thing but look at how hardworking

they’re so nervous though poor babes

XU LONGHAN AHAHAHAHAHAHAHAHAH

HE’S SUCH A MEME

so baby pick-a me!

i’M CRYING

ZHANG PD LEGGO

i remember when he was teaching mask and all of the boys were doing zyx neck exercises and it WAS THE FUNNIEST THING

HOW THE FCK IS HE DOING THAT

i’m sorry i’m supposed to be focussed on the trainees but i’m mesmerised by zyx lmfao

dude that is some pretty crazy workout

balance

WHO SAID BALANCE

they’re asking pd hard questions ahahahhahahaha

CALLING THEM ALL REPORTERS AHAHHA

li wenhan teaching uwu what an aesthetic

yaochi’s smile is so adorable

GUAN YUE YOU’RE SO CUTE SHUT UP GET OUT

XU LONGHAN AGAIN AHAHHA

THAT HIGH NOTE BRUH

yao mingming is so cute honestly

oh no baby ;;;

he forgot some of his lines

YEAH BOI GOIGN UP TO B

please tell me they’re going to A

omg

i will cry

pls pls pls i’m begging

YES

YES YES YES I’M SO PROUD OF YOU BABES

i really have to get better at names

wait someone got to A

since when

what who is it???

only 7 people went up from F ;;;

please tell me someone went up to A

F TO B THAT’S AMAZING

no baby don’t cry no no no

oh shit i’m crying

YES BABE

I’M SO PROUD OF YOU

YOU DID IT

okay i’m sobbing i can’t even see my keyboard

[break while i get a tissue box]

LMAO ADDING IN A CHEWING GUM AD

lol the subtitles aren’t matching the sound

LOOK AT THAT VOCAL POWER

now there aren’t subtitles

wait no they’re back

LIAN HUAIWEI MY PRECIOUS BUB

wang jiayi you’re so hardworking i believe in you gorgeous

YOU CAN DO IT

YOU’RE IN B I’M SO PROUD

well we already know wenhan is in A

BUT I’M PROUD OF YOU BUB NONETHELESS

guan yue my number one pick baby

HE ALWAYS MAKES THIS FACE

IT’S FCKING ADORABLE

istg if zyx makes another trainee cry

NO NO NO NOPE

YOU ARE NOT DOING THIS TO ME

oof his vocal power though

LIAN HUAIWEI YOU ARE SUCH A MEME I LOVE YOU SO MUCH

‘hold me i’m going to faint’

i CAN’T BELIEVE THIS BOY

jia yi is holding the fcking yoghurt milk drink and practising

I CANNOT DEAL OMFG

honestly my heart hurts so much for these boys they work so hard

LIN MO DON’T CRY BUB

sorry lin mo crying for his teammates is making cry

wtf jia yi those vocals holy shit

lian huawei is such a meme i can’t believe this boy

GUAN YUE YOU LOOK SO BEAUTIFUL IN PINK

sorry this is turning into a guan yue fangirl rant

back to the topic

damn that’s a lot of people in A

THEY GET MORE MILK AHAHAHAHAHAHAH LMFAO

sorry HE’S SO CUTE

also did jia yi change his hair colour?????

zyx has his proud face on

casper’s ‘YOU GOIN A MAN’

xu fangzhou’s visuals though omg

honestly the improvement over three days is so much obvious this season then last year

you can really see how much they put in and how much they’ve improved

no babes don’t cry no no

‘my killing part is really weak’

SAID WHO

EXCUSE ME SIR

lmfao no one wanting to perform first ahahaha

AHAHAHAHA THAT WAS SO CUTE

LI WENHAN THAT WINK

EXCUSE ME

GO AWAY

guan yue’s smile IS HONESTLY

JIA YI

COME ON DON’T DO THAT

WHY ARE YOU SO ADORABLE

he forgot the moves because he kept smiling AHAHAHA

LIAN HUAIWEI

OMFG AHAHAHAHHAHAHAHAHAHAHAH

i’m saying it again

I REALLY LOVE THEIR NEW UNIFORMS

i’m finally loving the new song

my CUTE BABY BUB

CHEWING GUM ADS

jia yi don’t smile at me like that

you know i can’t handle it

GUAN YUE

MY HEART

GAH

DON’T DO THE PHONE CALLS

DON’T DO IT

[brb getting my tissue box]

okay no one crying so far

we good

YAO CHI’S MUM AHAHAHHAHA

wait someone’s mum is brushing their teeth AHAHA

okay this is just really cute

NO NEED FOR TISSUES

this is hilarious omfg

‘it doesn’t matter if i can see you on weibo or not’

LMFAO THIS IS SO FUNNY

oh guan yue ;;;

i’ve seen people on weibo saying that they don’t want them to show this bit and that people shouldn’t make a big deal out of it so i won’t talk much

oh fuck where are my tissues

no baby don’t cry you’re making them so proud

NOPE

WE ARE NOT DOING THIS

lin mo pretending that there’s a bad signal so his mum doesn’t hear him cry

perhaps my heart is breaking

so is it gonna be this way producer team

you’re gonna make me laugh and now you’re giving me all of this emotional stuff

I CAN SEE THROUGH YOUR SHIT

no li wenhan nope no no no

i can’t even see my screen

[break while i get water]

ooooo group performances!!

what are the songs this time

pls don’t tell me there’s gonna be a PPAP level song

wait like ‘dream’ as in the season one dream???

that was god-tier

NAMANANA YES YES YES YES

no one’s gonna beat zyx though just saying

ooooo we have a ballad!

IT IS SEASON ONE DREAM LMFAO

it isn’t idol producer without some good old voting

who’s number one pick

li wenhan?

i bet it is

LOOK AT THIS BROSHIP

WENHAN YOU GO BABE

pls pick a good song though

LI WENHAN X JIAYI WHAT A BROSHIP

GUAN YUE’S SMILE IS SO ABSOLUTELY BEAUTIFUL

4As LMFAO

AHAHAHHAHA HE WISHED FOR IT AND GOT CHOSEN

LMFAO HIS FACE

he thought he was gonna be able to chose his song

but he’s become li wenhan team’s competitor

no one wants to be chosen anymore because li wenhan AHAHAHHAHAA

wait my wifi cut off how did we get here again

oh wait three As in the other team

now we’re onto the next song

IT’S AN F BABY

WHO’S GONNA BE DANCING NAMANANA

oh the poor baby’s face ;;;;

THIS IS ACTUALLY SO FUNNY

before everyone wanted to be the next on picked

but now no one wants to be picked anymore

HE LITERALLY FELL OVER BECAUSE HE DIDN’T WANT TO BE CHOSEN AHAHAH

wait

what

one team per song can’t perform on stage at all

what the hell

what’s the point of live voting then?????

5 vocals and there are 4 rap parts AHAHHAHAH

i love how there isn’t even competing in their team they just kinda force chunyang to be leader lmfao

LI WENHAN A GORILLA AHAHAHHA I’M CRYING OMG

‘whoever has muscles, let them be centre’ AHAHAHHAHA

THEY’RE ALL CRAZY ISTFG

this is so funny i can’t believe this omg

PREVIEWS LEGGOOOO

wait they’re just kinda spoiling who’s gonna be able to go on stage

not gonna lie though isn’t that kind of unfair?

oooo these groups look really fcking good

he CHANGXI OMFG

wait li wenhan group’s outfits are low-key ugly lmao

they literally just revealed who’s performing ahahaha

honestly this is really unfair to the people who don’t get to perform

finish time: 11:03am

that’s all folks; tune in next week for another episode of mai’s shitposting whilst we suffer through another survival show together!

#idolproducernet #qcyn-net #idol producer #idol producer s2 #qing chun you ni #qcyn #青春有你 #mai shitposts #idol producer s2e3 #series: ip s2 thoughts #text posts

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nexusradiodance · 5 years

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The Disco Fries Talk New Music, Vassy, The Price Is Right.

Disco Fries Interview.

American production duo The Disco Fries consisting of members Nick Ditri and Danny Boselovic, took time out of their busy Miami Music Week 2019 to chat with us in the BPM Supreme-Nexus Radio Lounge about their latest projects.

Year after year, the powerhouse DJs continue to release what seems like an endless stream of infectious singles like “Follow Me” with Gazzo featuring Jones, “The Light” with Niko the Kid, and “U Make Me” with Raquel Castro– and they’re just getting warmed up.

View this post on Instagram

In 2015 when we were working on our Autonomous EP we were pitched a topline from @deeadam, @thisisreigns , and @kstewartmusic called “Born Ready.” As massive fans of @rudimentaluk and @sigma, we decided we wanted to make a Drum N Bass record with our flare and “Born Ready” was it. The track didn’t at all fit the sound of the rest of the EP but we stuck it on there anyway as the last record because WE loved it and ultimately it and the remixes of it went on to become one of our most popular songs to this day. . As fans of late 90s and early 2000’s R&B and hip hop we wanted to bring a vocal like that into our world (pun intended.) Connecting with @imdeeroze through our buddy @clintonsparks helped us spark the idea for our single #MyWorld which ultimately was one of our most supported tracks on @1001tracklistsofficial and was released on @laidbackluke’s @mixmashrecords imprint. . Recently we did a remix for our buddies @tritonal of their single Love You Right. We flipped the track from being a straight feel to a triplet funk vibe. The original already served the club so we wanted to bring something out of left field to enhance the song in a different way. . This has always been about creating what we want to hear, not chasing a sound. You’ll never catch up to the ever changing sound of music. Create your lane so your fans can drive down it and you can enjoy the journey. No one remembers the performer who is a cheap imitation, they remember the original artist. . Producers get to producing! Our #RaveRevival @splice #ProducerChallenge is live now!!

A post shared by DISCO FRIES (@thediscofries) on Feb 19, 2019 at 4:33pm PST

Nick and Danny hit the ground running in 2019, the New York City natives already have two catchy singles working their way up the charts: “Moving Mountains” featuring Ollie Green and “Concrete Heart” with Vassy. They attribute their consistency to being ‘producers first, and DJ’s second, and get all the music out without it stepping on the toes of the last thing that we just put out’.

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The producers also talk about their fiery new track ‘Moonlight‘ which is slated to be released sometime this month (May) on Spinnin’ Records. And they share our sentiment about the multi-platinum award-winning recording artist Vassy, with whom they recently collaborated with on “Concrete Heart“: ‘she’s (Vassy) just nonstop […], she’s like one of the hardest working people in music, so it’s cool to be part of that record’. This is Take5 with The Disco Fries!

Rons: This is RONS for Nexus Radio and we are in the BPM Supreme Lounge during Miami Music Week with The Disco Fries!

Disco Fries: Yo, what’s up?

Rons: Oh, it’s crazy. How’s your Miami been so far ?

Disco Fries: Good. I think this is our 12th year in a row here. So it feels good to be back.

Yeah, we’ve played a couple of times already and we were looking forward to seeing you with your furry boots on, so now the week is complete! We can go home after this, that’s it!

Rons: Well, for me, a week is not complete unless I get a new track from you guys. You guys are so… Put out so much great music.

Disco Fries: Thank you.

Rons: How do you keep your schedule going and put out so much great music?

Disco Fries: I think we were always producers first and then DJ’s second. So our focus has always been like lots of music, lots of music. The biggest problem has been figuring out how to get all that music out without it stepping on the toes of the last thing that we just put out. So, we just really make it a priority [ to put out new music ].

New Music: Moonlight & Moving Mountains.

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Rons: What’s your new record [that’s] out now?

Disco Fries: So, our new record is called Moving Mountains, featuring Ollie Green on vocals. It is out on Enhanced music, and then the GATTUSO remix just came out. So [we’re] pretty psyched about that because we’ve been working on that record for a while and now we’re pushing into it. It’s nice that it’s finally moving because anything that sit[s] on the hard drives for too long. It’s like ‘hey! It’s going to die on the hard drive.’ … but this one came together quick. Ollie’s such a dope writer. We worked with ‘Hook-N-Sling‘ on it too on the writing and those guys are super proficient. We knocked it out and yeah! It’s [finally] out.

youtube

Rons: What’s coming up on the horizon for you guys?

Disco Fries: So, we’ve got a track coming out- I think at the top of May on Spinnin’ [Records] called Moonlight, which is another vocal one with Danyka Nadeau and this guy called BadJack. We’re psyched on that one, it’s got like this kind of like a throwback vibe. For me anyway, it makes me think of like Cascada, D.H.T. That riffy kind of record, and it’s like an emotional thing. I think it’s pretty cool. We also just put out a record with Vassy called Concrete Heart that we co-produced. So we’re pretty excited about that and it’s doing really well, and she’s just nonstop man. She’s like one of the hardest working people in music, so it’s cool to be part of that record. And then we’ve got a bunch of other stuff we really can’t talk about, but there are a lot of tracks that are on the hard drive [ that are getting released.]

What Are Disco Fries?

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KICKING OFF 2019 with a BANG!! . We’re hitting the road on a bunch of shows with our buddies @tritonal, @hereissj, @shaunfrank, @apekofficial, and @breathecarolina for the U&ME TOUR!! Jump to TritonalMusic.com for all the dates and tickets. Let’s goooo!!

A post shared by DISCO FRIES (@thediscofries) on Jan 11, 2019 at 10:34am PST

Rons: Now, you’re all probably get sick of this question, but for the people who don’t know, what exactly are Disco Fries?

Disco Fries: French Fries, cheese, gravy. It’s Jersey diner food. If you’re Canadian, it’s similar to Poutine, although I know you think it’s far inferior. It’s more or less the same thing. And [it was] the first thing that Nick and I ate or it’s what Nick and I ate before our first studio session together at his place in Jersey. And we needed name. And that’s it, it stuck.

Rons: OK. Now you know what’s up next, it’s Take 5 time, the fun questions. Name one ridiculous thing you’d like to add to your artist rider?

Disco Fries: Socks. I want to wear a clean pair of socks every day for the rest of my life. And if I can do that through an artist rider that would make me a happy man. It’s The least exciting thing you could possibly add, but oh man! That would bring me so much joy. And T-shirts, which we got the idea from Fat Man Scoop. Scoop adds like quadruple XL T-shirts to his rider for every show. But T-shirts are cheap- and I feel like it’s way better than alcohol cause everybody needs a shirt on! [laughs]

Rons: Yes! When Nervo got this question they said ‘G-strings,’ they want fresh g-strings at every show- I’m not kidding!

Disco Fries: Maybe we should! but we don’t want stale g-strings. That’s for sure [laughter]!

Rons: Speaking about “G”, what’s your favorite way to relax and keep it? G-rated.

Disco Fries: I’m big on cooking, I like cooking at home, I can kind of zone out, maybe listen to a podcast or something. That’s my wind down after being in the studio. Also like aimlessly driving. So like I’ll do a drive to Danny’s house from Jersey because he lives in Virginia. It’s four hours of peace and quiet and usually Joe Rogan talking to somebody ridiculous on a podcast, but it’s peaceful.

Rons: [laughter] I’m just imagining Joe Rogan doing a track with you guys.

Disco Fries: Yeah, we’ve got to grab a pre-drop sample.

The Price Is Right.

View this post on Instagram

When we started this journey, it was never about having our name in lights… but it feels damn good to see our name in lights in the center of the capitol of the world #TimesSquareNYC!! . Swipe to preview our new single #MOONLIGHT ft. @danykanadeau & @badjackofficial out May 10th on @spinninrecords

A post shared by DISCO FRIES (@thediscofries) on May 1, 2019 at 4:53pm PDT

Rons: What game show do you think you would do well on?

Disco Fries: Oh! I mean, I’m big on jeopardy. I don’t know that I’m smart enough to really go home with any money, but I’d like to think I could do something like The Price Is Right for sure.

Rons: I can totally see you on The Price is Right!

Disco Fries: Yeah! I mean, I want to spin that wheel…

Want to know more about The Disco Fries?- including who is their favorite Spice Girl, their upcoming collaboration with our Trance Music Queen JES, and what makes them laugh? Listen to the full interview below!

The Interview.

from Dance Music – Nexus Radio http://bit.ly/2PQZ54q

#IFTTT #Dance Music – Nexus Radio

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firebirdsdaughter · 5 years

Text

Oh, yeah!...

... How could I forget!

I’ve got my tea... (well, not that tea, not yet)... Time to rewatch the Zi-O 22 raw for rambles!

In no order:

Yeah, yeah, yeah. I really don’t care, Kuro Woz.

In other news, Shiro Woz was actually weirdly tolerable this episode. I fully expect him to go back to being a manipulative bastard next week, though.

Oh god, I guess I have to get used to the guy, since we’re apparently keeping him. I still say bring back Woz.5. I loved him.

Even the suit actor is doing the head tilt.

I am now significantly more concerned about that shot in the opening of Sougo walking away from the other two...

When is Trinity coming out, again? The boys will have to be getting along by then...

Now, see, they’re alone, so Geiz is like ‘okay, I can admit to having feelings again.’

Well, I guess that question got answered by the end of the episode.

I think Junichiro wanted Sougo to deliver something, but Sougo got stuck in the mirror world (also some angel put the thing about Geiz freaking out when Sougo got pulled into the window on the TV Tropes Heartwarming page for Zi-O and I thank them so very, very much), so now he’s trying to get Geiz and Tsukuyomi to do it.

Geiz was gonna straight up henshin right in front of Junichiro if an enemy came out of the mirror, oh my god. XD

EVERYONE’S EXPRESSIONS IN THIS SCENE.

I just love how Geiz goes from ‘ready to fight it’ to ‘WTF?’ to ‘Oh yeah, he’s here’ to pretty much just checking out of the whole situation over the course of a minute or so.

Seriously, Gaku’s expressions in this scene were golden. Shirei’s, too.

I think that’s her name. I’m slowly learning their names but names are hard.

Geiz is like ‘you’re an idiot, fine, I’ll explain.’ I guess the reason is that their Rider Kicks have slightly different effects. I didn’t even think of that. Interesting.

Tsukuyomi is so frustrated by Geiz’s lack of self preservation and that is very valid of her.

Hm... Okay, so having given it some thought, I think part of Sougo’s muted reactions are that he’s one of those people who projects a cheery exterior all the time and bottles stuff up. So, like, when his ‘negative’ (so to speak--like sadness, pain, anger, all that stuff) emotions show even a little bit, it’s like the tip of the iceberg. Which isn’t healthy, but it’s a possible explanation. I still wish they had made him react even a little more at the end, but that’s just my opinion.

Geiz just freaking teleported to the door there.

Geiz feels bad bc he actually considered going through with Shiro Woz’s idea. And he probably feels bad about feeling bad about that, bc he’s a soldier, and soldiers are supposed to complete their mission no matter the cost.

I guess she’s looking at Sougo, but it feels like she’s looking right at me, and even though she’s pretty and I love her, that sort of thing always makes me uncomfortable. I can’t look real people in the eye, stop trying to make me look tv characters in the eye!

Aw! There’s something twistedly heartwarming about Mirror¡Sougo tormenting Sougo about his relationship w/ Geiz. Good drama.

Also, I remain alone on the casual SouGeiz raft and it is still funny. XD

Sou Okuno remains much too cute for me to be frightened of him in any capacity.

I really wanna know what that line said. Something about Geiz and Puma Zi-O, but I don’t know.

Well, Sougo just died. (by which I mean, he fell over)

WAGA KYUURANGERS.

Shiro Woz being suspiciously tolerable. I’m sure he’ll be back to his usual manipulative jackass self next ep.

Aw! Tsukuyomi is breaking out the Hawk Droid now!

I keep getting this incredibly in depth Chinese State Farm ad and it’s hilarious.

Shiro Woz is dead now, too.

Honestly, he’s on the right track.

Yes, he is technically Kamen Rider Ryuki. By which we mean, he was Kamen Rider Ryuki, but then time got totally rewritten so that he wasn’t. Twice!

Not that I think he enjoyed it that much the first time... At leats he met Ron, though. Man, this is making me want to go back and watch Ryuki proper.

Lessons for the Mirror World: Don’t talk to your Mirror Self, it’s a bad idea. Also something about accepting yourself.

He looks different w/ short hair and older, but every now and then, he turns his head or makes a particular face, and it’s like ‘yeah, that’s him, that’s the boy.’

Shiro Woz died again.

I’m just gonna start assuming that Rider and Sentai weapons magically go back to their pocket dimension as soon s they’re thrown offscreen (thinks of all those times in Ex-Aid where you could literally hear them hitting the ground somewhere).

WAGA KYUURANGERS.

And thar he go. Goddamnit, Geiz.

Kudos to Okuno for pulling off as truly adorable and hilarious confused Mirror¡Sougo face for this whole scene. He’s just like ‘wth, dude?’

See, this is part of why I think Sougo’s the ‘hide all my ‘negative’ emotions’ kinda person. Bc he’s like ‘I’m really scared’ but he’s never shown it. Which isn’t healthy, sweetie, please talk to someone. Who... Isn’t your Mirror World self.

If they do do ‘balance of light and dark’ thing for Zi-O, I really hope they do a thing about Geiz and Tsukuyomi being his sort of ‘main anchors’ for the ‘light’ part. If that makes any sense.

Me when someone falls over in Toku ‘Whelp, he’s dead.’ Me when someone actually dies in Toku ‘Nah, he’s fine.’

WAGA KYUURANGERS.

Man, though, I hope they don’t remember the entirety of the time reset. Bc he’d have to remember dying, and she’d have to remember him dying in her arms. And they’re EIGHTEEN.

Shiro Woz.exe has stopped working.

Also, in that overhead shot, you can totally see Another Ryuga standing next to the tree before he respawns. XD ^^

Or maybe that’s a crew member. Either way. ^^ XD

Still wish they coulda given him more of a reaction, but I can justify it. He prefers to keep things in, and he probably guessed what the situation would be when he got there and was mentally preparing the whole way. Still wish we coulda had a small ‘mentally prepared but not quite ready for the real thing’ moment. I guess he does seem a little perturbed, but... Nrgh.

Spent several minutes rewatching this part, partially for angst lover reasons, and partially bc I was trying to see if I could see Gaku still breathing even though he’s playing dead. I actually didn’t notice any moments, but maybe someone else did.

God, I hope he didn’t hold his breath that whole time. Though who knows. Maybe he has the breath holding skills of an olympic swimmer.

I accidentally paused on a shot of Kuro Woz while Shiro Woz was flying into the scene to grab him and it looked kinda hilarious.

Keisuke be like ‘Hello, my suit actor!’ ^^ Poor boy over here talking to himself.

So what is going to happen w/ these two? Will the Wozes fuse? Will there be a third, true Woz? Will he not be a manipulative jerk-face? The questions are numerous.

Also, what’s the history between him and Geiz? I care more about it bc of Geiz than bc of Woz.

But also... Woz Fight!

CUTE. Makes one remember all the hijinks that went on at the office.

See? That’s Sougo reacting to something. :/

Now the other two are worried though, bc that’s a Puma Zi-O power. God, please, please don’t break up the Zi-Ot3. I’m putting my faith in you, dude who wrote Ninninger! I mean, you gave us Kinji and the Igasakis! (crap, that was the family name, right?) Admittedly, slightly lower stakes, but I’m counting on yooooooooouuuuuuu! *continues howling off into the distance for no reason*

But Geiz is straight up like ‘it’s my fault,’ the poor baby. Like. He’s not even blaming Sougo. He seems to be saying that he caused Sougo to make that choice. Bc the online translator says something like ‘led him’ to that ‘path’? Then gain, the online image translator also like to periodically translates things as ‘it’s all about sex’ and for the life of it cannot decide on what ‘Ouma Zi-O’ translate as. My favourite remains ‘the ostrich.’

Tsukuyomi apparently makes a note that one isn’t supposed to ‘play with time or someone’s life’ and now I’m like... About... Two or three of Sougou’s ‘steps’ towards becoming Puma Zi-O were bc he was trying to save Geiz? What if... What if the reason he became Puma Zi-O was that breaking the ‘rules’ of time does mess w/ your head and he kept using to to try and save Geiz from himself, or something... Like, wasn’t there some other time travel thing about the universe really trying to kill someone and someone else trying to prevent it? Like, coming back to my ‘die to prevent Puma Zi-O’ thing. If it’s something like that... Like, what if it seems like in the end that most sure way to prevent Puma Zi-O w/out killing Sougo is just letting Geiz die? I mean. He’d accept it in a heartbeat, I’m pretty sure, but if it does come to that, I’d prefer they found a third miracle option.

Of course, she could actually be saying something else entirely and I just went off on an aimless tangent.

But Geiz’s face during this talk... Like, I definitely think he's upset bc at this point he doesn’t want to kill Sougo at all anymore, and he also now feels like he’s responsible for destroying the future on one hand and starting the process that turned adorable little Sougo into Puma Zi-O on the other. My poor baby.

Also Tsukuyomi is talking directly at me again, and it is still making me uncomfortable!

And now they both stand there and look kinda sad.

Where the hell are they, anyway? Why’d they come back out here?

Shut up Kuro Woz, I don’t care.

Also, hi Kikai! ^^

And now for a completely clashing goofy promo!

I am still nervous, and the tea and shirts are ready to go, but one of the preview images looked like the boys having a normal conversation, so I’m still hedging my bets. Do right by me, Ninninger man! Not that I have anything to offer if you don’t, but, you know....

Okay, maybe I’ll buy something.

That’s all folks! Virtual lemon meringue pie for anyone who read all that nonsense. Or whatever type of pie you like. If you don’t like pie, cookies or cake or anything is fine.

Still hoping for good friendship drama. Love the Zi-Ot3, suspicious of how tolerable Shiro Woz was this ep. Suppose I’ll have to get used to him, since we're apparently keeping him. Now instilled w/ a desire to rewatch Ryuki.

Tea and shirts remain on standby.

#Kamen Rider Zi-O #also I'm still just out here casual shipping SouGeiz by myself and it's hilarious #I'm having a great time #XD #anyway having rambled a lot out there i don't have much to say here #^^#Zi-O Spoilers #Timey Wimey Rider #have I mentioned I love Geiz?#my precious tsundere son #(don't make them turn on each other Toei do the good drama that I love so!)

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b-sidemusic · 6 years

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THE B-SIDE BUMPER BACKTRACK 2017 - PART TWO

Whoever you talk to, and whatever they're into, the consensus seems to be that 2017 has been an incredible year for the East Anglian DIY music scene. For Part Two of our Festive Retrospective Extravaganza, we spoke to yet more promoters, writers, DJs and artists from around the region about their favourite albums, tracks, gigs and moments from the last 12 months, including Fightmilk, The Interesting Times Gang, Kyanos, Graceland, Desperate Journalist, Sophie Mahon, Kulk, Clown Smash Everything, F.O.X and more...

LILY RAE

The Tyler Durden of Fightmilk club. www.fightmilkisaband.bandcamp.com

Album of the Year: ‘Juniverbrecher’ by The Indelicates. It’s spooky, furious, and you can dance to it. In other words, an ideal album. Track of the Year: ‘Prom’ by SZA. You can just put it on repeat for about an hour and not get bored of it. Lovely. Gig of the Year: I’ve got two: Julien Baker at (London’s) Union Chapel, for my favourite super sad telecaster porn or Tundra at The Hunter Club (In Bury St Edmunds), which was the most fucking amazing thing I’ve ever seen in my life. You could make beer-glitter angels on the venue floor after the set. Moment of the Year: Princess Nokia throwing soup at a racist. More throwing soup at racists in 2018, please. Turns out it’s a very versatile food. Tip for 2018: This is the year you go to the dentist, pal.

HANNAH CUTLER

Leader of The Interesting Times Gang. www.facebook.com/interestingtimesgang

Albums of the Year: ‘Superman’ by Wednesday Campanella. Also, ‘A Deeper Understanding’ by The War On Drugs and 'Every Valley' by Public Service Broadcasting. Tracks of the Year: ‘How Do You Sleep?’ by LCD Soundsystem. Moments of the Year: Not sure if I have any. To be brutally honest, my absolute favourite album I’ve listened to this year is ‘Power Windows’ by Rush. But it was released in 1985.

KYANOS

AKA Seth, Sam, Zach and Fintan: a four-headed psych beast who answer as one. www.kyanosbaby.bandcamp.com

Albums of the Year: ‘Flower Boy’ by Tyler the Creator; ‘The Ooz’ by King Krule; ‘Sketches of Brunswick East’ by King Gizzard and the Lizard Wizard with Mild High Club; ‘Drunk’ by Thundercat.

Tracks of the Year: ‘Rolling Stone’ by King Gizzard and the Lizard Wizard with Mild High Club; ‘For the First Time’ by Mac Demarco; ‘Call Me Up’ by Homeshake; ’Moment I Feared’ by Snoop Dogg.

Gigs of the Year: Homeshake; Chic; Yung Lean; Jamiroquai; King Krule.

Moments of the Year: Being mentioned in NME. First headline gig in London. The release of (debut EP) ‘Elevator to Japan’.

Tips for 2018: Treat 'em clean, keep it mean and have a sweet dream.

MATT CATLING

Ipswich Smokehouse’s Freakverbrator. www.freakverbration.blogspot.co.uk

Albums of the Year: Alvvays - ‘Antisocialites’; Slowdive - ‘Slowdive’; Cigarettes After Sex - ‘Cigarettes After Sex’; Frankie Rose - ‘Cage Tropical’; Fever Dream - ‘Squid’; Thurston Moore - ‘Rock n Roll Concussion’; The Gluts - ‘Estasi’; Kamikaze Girls - ‘Seaform’; Anne Hart - ‘Impossible Accomplice’; Idles - ‘Brutalism’.

Tracks of the Year: No Vacation - ‘Mind Fields’; Hazel English - ‘Fix’; Softer Still - ‘Company’; Major Leagues - ‘Good Love’; Lowtide - ‘Alibi’; Desperate Journalist - ‘Hollow’; METZ - ‘Cellophane’; Diet Cig - ‘Tummy Acre’; Is Bliss - ‘Into A Dream’.

Gigs of the Year: Part Chimp at Cambridge Portland Arms, 13th April; London DIY Pop Fest 2017, 28th-30th April; Desperate Journalist at Bury St Edmunds Hunter Club, 17th June; Kamikaze Girls at Ipswich Smokehouse, 23rd June; Indietracks 2017, 28th-30th July; Liverpool International Festival of Psychedelia, 22nd September; Pinkshinyultrablast at London Hackney Oslo, 20th October; Cambridge Indie Pop all-dayer at The Blue Moon, 18th November; Amusement Parks On Fire at London Borderline, 25th November.

Moments of the Year: Covering festivals like DIY Popfest, Indietracks and Liverpool Psych Fest. Interviewing bands I love such as pinkshinyultrablast, and getting myself an AAA pass. Putting on gigs at The Smokehouse. Getting back into blogging.

Tips for 2018: Keep on plugging away with what you’re doing. Get into covering gigs and festivals. Create your own blog or do your own radio show about your own interests.

MAXIE GEDGE

Graceland sticksmith and PRS Foundation guru. www.soundcloud.com/graceland_band

Albums of the Year: 1. Nubya Garcia - ‘Nubya’s 5ive’ 2. Hannah Peel - ‘Mary Casio: Journey to Cassiopeia’ 3. Lana Del Rey - ‘Lust for Life’ 4. Princess Nokia - ‘1992 Deluxe’ 5. The Big Moon - ‘Love In The 4th Dimension’

Tracks of the Year: 1. Flohio - ‘SE16’ 2. Superorganism - ‘Something For Your Mind’ 3. Charli XCX - ‘Boys’ 4. Sink Ya Teeth - ‘If You See Me’ 5. Goat Girl - ‘Crow Cries’

Gigs of the Year: Mykki Blanco - Meltdown at Southbank Centre; Hannah Peel and Mary Epworth at Norwich Arts Centre.

Moments of the Year:Ray Blk speech at Women in Music Awards and (documentary) ‘The Ballad of Shirley Collins’.

Tips for 2018: Flohio; Soeur; Bonzai; IDER; Maya Law.

NEIL JONES

Bringer of rock thunder to Cambridge 105fm and KLFM; Operations Manager at Cambridge Live. www.cambridge105.co.uk/shows/neil-jones

Album of the Year: Wayward Sons – ‘Ghost Of Yet To Come’.

Tracks of the Year: ‘Play’ by Marmozets.

Gigs of the Year: Subterranean Festival at Cambridge Corn Exchange; Marillion at the Royal Albert Hall; Iron Maiden at Nottingham Arena.

Moments of the Year: On a personal level, launching the new Subterranean one-day festival at Cambridge Corn Exchange, which is back for 2018; a (partially) reformed Guns ’n’ Roses playing the UK; and Prophets of Rage slaying Download.

Tips for 2018: Milk Teeth’s 2017 EPs showed a promise that should be delivered upon in 2018, and Cambridge bands Hollowstar and False Hearts are great bands with a bright future.

PAUL JENKINS

Our man in Norwich. www.outlineonline.co.uk

Albums of the Year: In order: Peter Perret - ‘How The West Was Won’; Madonnatron - ‘Madonnatron’; Jay Ducker - ‘Country Sober’; Mogwai - ‘Every Country’s Sun’; Amadou & Mariam - LA CONFUSION’; Wooden Arms - ‘Trick Of The Light’; British Sea Power - ‘Let The Dancers Inherit The Party’; Wire - ‘Silver / Lead’; The Jesus & Mary Chain - ‘Damage And Joy’; Ho99o9 - ‘United States of Horror’. (I’ve not included compilations. If I had, ‘This Was The Sound of Sugar Town’, ‘This Is The Sound Of Sugar Town Volume 2’ and ‘The Best of Chris T-T’ would have been in there.)

Tracks of the Year: In order: Zero UK - ‘Things You Love’; Gaffa Tape Sandy - ‘Beehive’; Ho99o9 - ‘United States of Horror’; Janet Street Slaughter - ‘The Sensitive Side of Bill Sykes’; Mega Emotion - ‘Sick Burn’; Charlotte Gainsbourg - ‘Deadly Valentine’; Jim Jones & The Righteous Mind - ‘Something’s Gonna Get Its Hands On You’; Madonnatron - ‘Mother’s Funeral’; Marc Almond - ‘Something Bad On My Mind’; Peter Perret - ‘Troika’.

Gigs of the Year: Almost every gig I have been to this year has had at least one excellent act on the bill so picking highlights is tougher than ever but here goes (in date order): Ho99o9, Norwich Waterfront, January; Nightingales and Graceland, Norwich Arts Centre, February; Horse Party and Claws, Bury St Edmunds Hunter Club, April; Melt Banana, Mega Emotion and Algae Bloom, Norwich Arts Centre, June; Magoo, Norwich Arts Centre, July; Dowling Poole and Last Great Dreamers, London Borderline, September; Gaffa Tape Sandy, Norwich Arts Centre, October; Bad Apples, Norwich Owl Sanctuary November; Wonk Unit, Owl Sanctuary, November; Icicle Works, Norwich Arts Centre, November. Honourable mentions also to British Sea Power, Subhumans, Wire, The Lovely Eggs, Rainbow Girls, Hot Raisin, Tubes and the four Quireboys/Last Great Dreamers dates I managed to get to.

Moments of the Year: Driving, crewing and doing merch for Last Great Dreamers when they supported Quireboys in Aberdeen, Glasgow, Newcastle and London; chatting to Alex from Wonk Unit before their Owl Sanctuary gig about addiction and being sober - anyone else would have been dull as chuff but Alex was his usual entertaining, engaging self (haven't paid any attention to him, though); meeting the various members of The Tubes - albeit briefly – after their show at the Waterfront.

Tips for 2018: Charlotte Carpenter, Bryde and Tibetan Night Terrors should break through to some mainstream success. The next She Makes War LP and Last Great Dreamers’ LP number four will be absolute belters. I have not seen New Scientists yet but everyone I know who has seen them says they are destined for big things. Ooh, and I’ve had sneak previews of the next Lovely Eggs and Hookworms albums, and they are crackers.

RICHARD HAUGH

BBC Introducing in Suffolk’s other lovely chap. www.bbc.co.uk/radiosuffolk

Albums of the Year: Dingus Khan - ‘Dunce Kap’. The wait had been too long, but I’ll let them off for that. Sadly, it’s so far only been available at two gigs, but a full release early in the new year [our spies tell us it’ll be out in April - Espionage Ed.] should be celebrated.

Tracks of the Year: Bessie Turner, ‘Words You Say’ – just wow. It never gets boring. And Gaffa Tape Sandy’s ‘Water Bottle’ and ‘Beehive’. It’s really hard to be a stand out indie band but Gaffa Tape Sandy have managed to do just that.

Moments of the Year: My memory is terrible, so I may well be overlooking things, but earlier this week I went to Maida Vale with Bessie Turner and spent the day being stunned by her talent and how much she’s achieved this year. She only released her debut single in April but went on to play at Latitude and has become a firm favourite of Jo Whiley’s. It’s refreshing to see that good things can happen to artists who are doing everything on their own terms, without the reliance of industry connections or a large pile of cash.

Tips for 2018: Hopefully the momentum behind Bessie Turner and Gaffa Tape Sandy will result in further nice things for them both. I’ll also be eagerly awaiting new music from Leaone, Amy Milner and Radio Orwell, who are now a very good live band.

RICHARD ROSE

R*E*P*E*A*T Records’ lone honcho. Does his lists a little differently. www.repeatfanzine.bandcamp.com

Loves: Idles – ‘Brutalism’ Bury St Edmunds #RockCity (and Sugar Town records) International Blue Tories eating themselves Superglu at Washing Machine You Flexi Things SIAH and Saltfen, Beverley Kills and The Baby Seals Relevant Records The Graffiti on Gilbert Rd – JC for PM / I “heart” Catalonia‘ Flawed Is Beautiful’ – These Animal Men / S*M*A*S*H DVD Desperate Journalist – ‘Grow Up’ Introducing ten year old punks on stage (Sound Wave) Vinyl Joanna Gruesome Hardcore Hobbies Strongbow Gaffa Tape Sandy green vinyl The A14 The Batts’ debut EP Finally seeing The Skids live, 40 years on at Cambridge Junction Jeremy Corbyn – kids singing for him at gigs, millions voting for him at the polls, Tories running from him, despite the shit spreaders Badges Badgers My new and lovely red 'entry level' turntable Damage and Joy Janet Street Slaughter Vanilla Coffee Leon Britton (the footballer not the politician) S*M*A*S*H at The Portland Arms Spiders God's Favourite Band Swansea Bay The Virtues at Washing Machine Goldblume

Hates: Lists Football Lads Alliance Retweets of Fascists by fingers on buttons The job you hate but are too scared to pack in Hedge Funds wrecking our clubs The A14 Punctures POP STARS and anyone else without an opinion Fancy cider Punk rock nostalgia Originality Handwriting

SEYMOUR QUIGLEY

B-Side news editor; Washing Machine operator. www.washingmachinebse.co.uk

Albums of the Year: The Baby Seals - ‘The Baby Seals’; Gaffa Tape Sandy - ‘Spring Killing’; Slowdive - ‘Slowdive’; Underworld - ‘Beaucoup Fish’ (re-mastered); Janet Street Slaughter - ‘Janet Street Slaughter’.

Tracks of the Year: Fightmilk - ‘Pity Party’; Gaffa Tape Sandy - ‘Beehive’; Songhoy Blues - ‘Bamako’; Charlotte Gainsbourg - ‘Deadly Valentine’; Bicep - ‘Glue’; Blue Mean Eyes - ‘Escapade’; Desperate Journalist - ‘Hollow’; Goat Girl - ‘Cracker Drool’.

Gigs of the Year: Desperate Journalist at the John Peel Centre, Stowmarket, February; SuperGlu at Bury Fringe Festival, May; Ryan Jordan at The Rehearsal Rooms, Bury St Edmunds, November; Gaffa Tape Sandy at The Hunter Club, Bury St Edmunds, December.

Moments of the Year: Playing 'What I'd Do' at [former band] Horse Party's final gig, at The Hunter Club in April - still not sure how I managed not to weep the tears of horrible sadness.

Tips for 2018: I’m really excited about Sun Scream, The Glitter Shop and Lemondaze. If Slowcoaches release a new album, I will be so so happy. Also: Grimes.

SIMON BAKER

Green Mind’s perennial thrill-monger. www.greenmind.co.uk

Album of the Year: Waxahatchee – ‘Out In The Storm’. Lyrically superb demolition of an abusive relationship coupled with some of the best indie rock I’ve ever heard. So many hooks.

Tracks of the Year: The whole of ‘Out In The Storm’.

Gigs of the Year: Too many to mention, but here’s a short list: Melt Banana at London Highbury Garage – always earshredding and just incredibly fun.

The Jesus & Mary Chain at Cambridge Junction – one of mine and a show I’m incredibly proud of. Bucket list band, coupled with an “all killer, no filler” set list. Nearly exploded when the really chiming bit in ‘Some Candy Talking’ kicked in.

Waxahatchee at End Of The Road – horrible rain all day, but they managed to cut through the rain and were essential.

Car Seat Headrest at End Of The Road – “KILLER WHAAAAALE, KILLER WHAAAALLE!”

Idles – superb live band, but I put them on twice while I was dealing with a recurrent brain condition, so never saw a whole set due to being tired all the time. I need to rectify this in 2018.

Fickle Friends at Junction 2 – straight up pop band with no pretensions. Seeing 350 kids having a brilliant and unpretentious time made this jaded old bastard smile.

Tips for 2018: Idles are clearly going to be the band of 2018. There are so many tedious trench coat wearing post-punk revivalists and Idles just destroy all of them, by being wittier, cleverer and funnier and having their own ideas.

SIMON DROWNER

Desperate Journalist mover, shaker and bass-wielding groove-maker. www.desperatejournalist.co.uk

Albums of the Year: Peter Perrett - ‘How The West Was Won’; LCD Soundsystem - ‘American Dream’; Dexy - ‘Tear It Down’; IDLES - ‘Brutalism’; Moon Duo - ‘Occult Architechture Vol. 1’.

Tracks of the Year: Makthaverskan - ‘In My Dreams’; FEWS - ‘LaGuardia’; Sheer Mag - ‘Just Can't Get Enough’; Ride - ‘Charm Assault’; British Sea Power - ‘Bad Bohemian’.

Gigs of the Year: LCD Soundsystem at Alexandra Palace; Paul Draper at Scala; Ezra Furman at The Barbican; Peter Perrett at The Electric Ballroom; Moonlandingz at The 100 Club.

Moments of the Year: Desperate Journalist playing Scala. Releasing, and eventually selling out of, our album ‘Grow Up’ on vinyl. When the General Election exit poll results came in and half the country (and media) had egg on their faces.

Tips for 2018: Calva Louise, Gaffa Tape Sandy, Bad Nerves, White Trash.

SOPHIE MAHON

Your new BF. www.soundcloud.com/sophie-mahon

Albums of the Year: One which deserves a mention is an instrumental album by one of my bucket list session musicians. Admittedly I don’t normally go for instrumental albums but ‘Trigger’ by Jacob ‘Quist’ Quistgaard is fun and good for when you don’t know what lyrics you need to hear. An album I only discovered this year after reading Nile Rodger’s autobiography is his solo album ‘Adventures In The Land Of The Good Groove’. Yes, it was made in 1983, but it’s Nile experimenting at his peak. David Bowie liked it so I think it deserves a mention.

Tracks of the Year: These questions are much harder to answer than I thought! I’m quite fond of Tears For Fears recent single ‘I Love You But I’m Lost’, very catchy chorus; you’ll wake up at two in the morning with it on your brain. Bryan Ferry’s jazz reworking of his songs for the German TV series ‘Babylon Berlin’ are beautiful (a continuation from his album The Jazz Age’ if you’re interested), particularly ‘Bittersweet’, which he recorded new vocals for too. The song becomes ten times darker, melancholy and weary; I had to listen to it on repeat for at least an hour. Lastly an old track, which I discovered recently, is Etta James’s cover of ‘It’s Alright’ by Curtis Mayfield. The snare is like machine gun fire; give it a listen, that’s all I’ll say.

Gigs of the Year: Chic at The BBC, ABC with Kid Creole and The Coconuts as support and Bryan Ferry at Hampton Court. So much I could say about these, but all it boils down to is that they’re legends for a reason, which is why I will always try to see them whenever possible.For my own gigs, playing The Hunter Club for the first time was awesome - such a great crowd and the first time I have seen strangers dancing to my music, which has always been my aim so it felt great. The second would be playing the Inbetweeners Stage at Latitude - while neither the stage nor the audience were massive, just to be part of something so big was incredible.Actually another band to mention was Divine Comedy, they were at Latitude and I went to watch because they were the only band on that day that I vaguely knew. Best decision I ever made, Neil Hannon is eccentrically English [Actually he’s Irish, but you wouldn’t know it from his singing voice - Lineage Ed.], his lyrics are witty and clever and the performance was so light hearted it made a nice change. I didn’t stop listening to his music for about two months afterwards.

Moments of the Year: Releasing my first single ‘2BF’ and it getting played on BBC Introducing in Suffolk, bit daunting but the feedback on the whole has been pretty positive, thanks to everyone who liked it.Tony Hadley leaving Spandau Ballet; I am still upset.

Tips for 2018: Start as you mean to go on; I live by this and it seems to be working so far. Also just do what makes you happy, the music, image, brand and performance will naturally be more genuine and original, plus you feel happy too. Finally, invest in a bigger car - there is, I find, only so much you can fit in a Ford KA. Or go acoustic; it’ll fit in nicely.

THOM LONGDIN & JADE ASHLEIGH SQUIRES

Together, they are Kulk. www.kulk.bandcamp.com

Albums of the Year: One of our albums of the year is Ty Segall’s self titled album. We discovered Ty through the band Fuzz (who encouraged the purchase of the Fuzz War guitar pedal, which has been a huge impact on our sound). We bought the album as it was engineered by Steve Albini and has a classic rock and roll/garage fuzz feel. Well worth a listen, especially ‘Break A Guitar’. Our other album of the year would be Courtney Barnett and Kurt Vile’s ‘Lotta Sea Lice’, this is their first collaboration of hopefully many. This is on the lighter side of our listening, but is poetic and beautifully bluesy. Highlights of this album include ‘Over Everything’ and ‘Untogether’ .

Tracks of the Year: Our first track of the year is ‘Tasteless’ by Shame. We first discovered Shame supporting Slaves; their sound is best described as indie but in a punk way, the music is heavy and the lyrics are angry but not distorted. If you like ‘Tasteless’ you will love ‘Gold Hole’ and ‘Concrete’. We are also huge fans of Sunflower Bean, so naturally their new single ‘I Was A Fool’ would be on this list. This song is a homage to classic rock with still a hint of psychedelia from their previous album sound. We look forward to this new album next year and seeing them live again.

Gigs of the Year: Our best gig of 2017, which could possibly be the best gig of our lives so far, would have to be in Brixton on Hallowe’en this year: Melvins and Red Kross. Melvins are an inspiration to our music and it was amazing to see them live, with an even heavier sound than on record. For us, the highlight was ‘The Bit’. They’re a must-see for any heavy music fan. The Wytches at Norwich Waterfront studio was another best gig of 2017: the psychedelic riffs and heavy drums with the grit of Christian Bell’s vocals makes for an amazing live show. Their cover of Misfits ‘Cough/Cool’ (from their home recordings) live was particularly exciting. Their support acts - We’ll Be Detectives and The Weirds - created a great sense of what was to come.

Moments of the Year: One of our best moments was our first gig, at The Smokehouse Ipswich, which we organised with our friends Con Party and Jessie Ingate. The night was terrifying but it was amazing to play amongst friends for the first time. We were also amazed after being asked by John Peel’s wife, Sheila, to play on BBC Radio Suffolk for the unveiling of John’s BBC Music Day Blue Plaque award - it was a huge opportunity and we really enjoyed every moment. One of our biggest achievements this year would be the amount of awareness and money raised for the mental health charity Mind, through a gig we organised at The Smokehouse and an online campaign supported by the East Anglian Daily Times, in tribute to our friend Cameron Ray. It was co-organised with Cameron’s friend and celebrated his life through the connection we had with him through music. This moment sadly came from tragedy but it was everyone coming together that made it special. Finally, re-recording our first single with Jamie Robertson has been a massive highlight of the year, the whole process has been great and Jamie has really helped us create something that sounds like it should. When we met Jamie for drinks to discuss the recording it was high on the list that it sounded like “you are in the room with us and can’t get out”, and he has done us proud. It’s very likely that we’ll be able to release it early 2018.

Tips for 2018: We’ve decided to direct our tips at people who want to start bands and want to start gigging: 1. If you want a start a band but there’s only you and a mate who plays bass, go for it and jam together. Basically, start a band with what you’ve got not what you want. Even if you’re not Grade 8, if it sounds good to you it will to others. 2. One of the best tips we can give if you want to start gigging is to support local artists and go to gigs. Enjoy local music and it won’t be so scary to become part of it. Support the scene and it will support you. Speak to people and don’t be afraid to send promoters your stuff. 3. The most important tip of all is keep playing, even if you only have three songs. You want to be able to play them backwards with your eyes closed. Make the most of the one song support at your local pub, no gig is beneath you.

ZAK WHITTAKER

Drum punisher, Clown Smash Everything/Janet Street Slaughter. www.clownsmasheverything.com

Albums of the Year: My album of the year is Slowdive's self-titled comeback, followed closely by ‘Stubborn Persistent Illusions’ by Do Make Say Think and Von Spar's 'Garzweiler' EP.

Tracks of the Year: My tracks of the year are 'Anthem For No State (Pts 1-3)' by Godspeed You! Black Emperor, 'No Longer Making Time' by Slowdive, and a special mention to the 3 unreleased gems that cropped up on Radiohead's 'OK Computer' reissue.

Gig of the Year: Best gig has to be Shellac at London’s Electric Ballroom back in October. Also, I almost forgot about Part Chimp's triumphant and deafening live return at Cambridge's Portland Arms in April.

Moment of the Year: My moment of the year: Probably Theo (Morris, former Janet Street Slaughter guitarist) spectacularly stacking it off the stage at the final JSS gig in November!

ZOE KENT

F.O.X’s singing stadium superstar. www.foxtheband.com

Album of the Year: Lana Del Rey - ‘Lust For Life’. I love everything she does, her voice is so haunting and powerful and I love the visions she creates in her lyrics of broken surburbia. Always takes me somewhere else.

Tracks of the Year: ‘Cover Me’ by Depeche Mode. The first time I heard this song it was like a lightning bolt, I always knew it was incredibly powerful and then when we supported them on tour it became almost their new anthem. A song of two halves. It's beautiful.

Gigs of the Year: It has to be Depeche Mode in Bucharest: it was the most beautiful stadium and the most perfect day. I've never seen them so on fire as I did there, the energy could be felt the entire way round the stadium and I just watched in in awe of it all. I'll never forget the thousands of lighters and phones lighting up the stadium - magical!

Moments of the Year: When we were invited to fly with Depeche Mode on their private jet to Leipzig. It was a true rockstar moment and I totally forgot my fear of flying!

Tips for 2018: My tip would be Amethysts, from Suffolk. I think they've got great songs and star potential - plus they're very nice people.

Click here to read Part One, featuring SuperGlu, Gaffa Tape Sandy, The State, The Glitter Shop, Blue Mean Eyes, Sun Scream, Young States, Lemondaze, Druids, Italian Books and more!

Words & Collage: Seymour Quigley

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rbeatz · 7 years

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A Preview of Governors Ball Music Festival 2017

Governors Ball in New York City is this weekend, and I’m going. I’m also brining my camera to take pictures and live tweet/Instagram the whole shebang. Follow rBeatz on social media for live updates

Governors Ball (aka Gov Ball) launched in 2011, featuring music acts playing rock, electronic, hip-hop, indie, Americana, pop, folk, and more. The entire production is run by the festival promotion company, Founders Entertainment, the same company that puts on The Meadows Music and Arts Festival.

I attended the very first Gov Ball in 2011 on Governors Island, headlined by Pretty Lights, Girl Talk, and Empire of the Sun. The event had the highest attendance of any event held on Governors Island in history. Due to the event’s strong performance, Founders Entertainment moved the festival location in 2012 to Randall’s Island, so more people could attend. They also extended the festival from one day to two days.

2012 was also a huge success, so in 2013, Founders Entertainment bumped the festival up to three days. Unfortunately, in 2013, there had been a big storm that first Friday, causing cancelations for much of the bigger headliners, such as Kings of Leon. Friday’s rain ran into Saturday, leading to a fairly muddy weekend.

I attended the event again in 2014. Outkast is one of my favorite groups and seeing Big Boy and André 3000 settle their qualms and get back to performing got me to purchase a ticket fairly quickly. I was immersed throughout their entire performance, singing along because that’s what you do as a die-hard fan.

2015 and 2016 also saw heavy rain. I purchased 2016 Sunday tickets to see Kanye in action, and I was disappointed by the cancellation. I did not attend the Kanye afterparty that got shutdown by the NYPD. No matter the rain situations of past, Governors Ball has still brought a successful track record. We look towards this year’s event to do the same.

According to Weather.com we have some fairly nice weather lined up. Partly sunny on Friday with a 20% chance of rain, partly sunny on Saturday with a 0% chance of rain, and 50% chance of rain on Sunday. Fingers crossed!

Below, I will take you through each act I expect to attend, a bit about the act, and the act’s newest (or best IMHO) project. If you’re wondering, “WHO IS THIS GUY WRITING THIS?!?” I’m someone deeply passionate about the arts, music in general, and my tastes lean more towards electronic, soul/funk, and hip-hop.

I have outlined the acts I plan to see in GREEN. There are a total of 67 acts, and just like every 3-day festival, I might get tired and not get to everything. I will do my best and air live what I see on rBeatz social media with a longer recap-article next week.

DAY 1 – Friday, June 2nd

Jenaux

The 25-year old from New York City is a prolific live performer and remixer who busted into the dance music scene in 2014. He is known for his funky electro beats, which is personally my favorite genre (shhhh don’t tell the other genres). The song below is 7 months old, but it’s one of my favorite songs I’ve ever posted on rBeatz.

Michael Blume

Michael Blume is an alternative R&B artist living in New York City. The Yale University graduate is a mix of various genres: jazz, hip-hop, soul, electronic, and R&B. He independently released his first EP, WHEN I GET IT RIGHT, about a year ago. His lyrics approach topics such as materialism, LBGTQ rights, and civil rights. If you’re in the mood for something different, something neo-soul/R&B, take a listen. Below is his most popular and my favorite song off the EP, Colors.

Blossoms

The 5 piece band from Stockport, England was formed in 2013 as a British indie-pop band. In late 2016, they released their debut album, Blossoms. The album reached the #1 spot on the UK Albums Chart in its first week. Below is their most popular music video from the album.

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Francis and the Lights

A renaissance man in the music world. Francis Farewell Starlite aka Francis and the Lights is an unconventional yet effective vocalist and singer-songwriter with a bittersweet but energetic vibe. The guy has worked with Kanye and Chance The Rapper. What else is there left to say. Below is one of my favorite projects of his with Chance The Rapper. It’s a reprise of Dear Theodosia from the Broadway musical and trendsetter, Hamilton. Lin-Manuel Miranda released a compilation of notable rapers remixing songs from the enormously popular spectacle.

Kehlani

Oakland born R&B singer has been through a lot and tells it all. Raw, authentic, and real, Kehlani’s performance will make you feel. She has a unique mix of ethnicities: African American, Caucasian, Native American, Spanish, and Filipino Native American. A human ahead of her time with a rhythm to beat. She signed to Atlantic Records in 2015. Below is a glitchy/percussive remix from Kehlani’s debut album, SWEETSEXYSAVAGE, made by Norwegian artist Coucheron. It’s also her newest release

Charli XCX

The London-based edgy singer really came into the spotlight from her massively popular feature with Iggy Azalea, Fancy. If you haven’t heard of this one, you’re living under a rock. Since then, Charli XCX has delivered her own massively popular singles including, Boom Clap and Break The Rules. Two months ago, she released her mixtape, Number 1 Angel. Lipgloss feat cupcakKe is my favorite song of the mixtape. Super hyphy!

Tove Lo

Swedish pop-star who burst on the scene with Habits (Stay High) went to a high school whose motto was, “fuck reading, let’s play music.” She was the singer in a rock band in her earlier years, showing in the raw, gritty emotion of her voice. She switched to electronic elements, which veered her away from the rock scene. Below is a Taylor Gang (independent label founded by Wiz Khalifa) remix of her popular song WITH Wiz Khalifa, Influence.

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Danny Brown

Detroit rap phenom, Danny Brown, busted through the scene with his 2011 mixtape, XXX. Danny is known for his individuality and being a unique figure in rap. Signed to A-Track’s Fools Gold Label, Danny Brown, released his third studio album, Old, which reached the #18 slot on Billboards Top 200. Below is his most recent music video directed by simultaneously lovable and hatable, Jonah Hill.

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ScHoolboy Q

The South Central LA Hip-Hop rapper and Black Hippy member, Quincy Matthew Hanley aka ScHoolboy Q, is a prominent lyricist and Interscope artists. He is considered one of raps emerging voices. Born in Germany to military parents, ScHoolboy Q and his family quickly moved to Texas for 3 years than LA. His upbringing is described as a life-shaping balance of sports, school, drugs and gangs. His first major-label studio album, Oxymoron, was released in early 2014 and debuted at number one spot on the US Billboard 200. Below is one of my favorite remixes EVER of ScHoolboy Q’s The Purge / Rapfix Cypher by 20syl.

Lorde

After releasing the enormously popular, cross-international, hit, Royals, back in the middle of 2013, Ella Marija Lani Yelich-O’Connor aka Lorde, became the youngest solo artist to reach a US number-one single on the Billboard Hot 100 since 1987. She was 16 years old. She was singed to Universal Music when she was 13 years old. The dream pop and indietronica singer/songwriter from New Zealand has earned two Grammys, a a Brit Award, ten New Zealand Music Awards, was named among Time’s most influential teenagers in the world in 2013, and in 2014, was part of Forbes’s “30 Under 30” list. Two weeks ago, she released the Chromeo remix to her popular song, Green Light.

Flume

The Australian dance-music maker and production luminary, Flume, burst into the scene in 2012 with his single, Sleepless and remix to Hermitude’s Hyperparadise. Most fans of electronic music should know both of these. Since then, his career has skyrocketed to be one of the top names in electronic music. From bedroom producer to international sensation is most producers dreams and Flume’s reality. The producer is know for his control over the atmosphere in his sound and dynamic arrangements. Take a listen to his newest single, Hyperreal , featuring Kučka.

Chance The Rapper

Probably my favorite rapper right now. The only reason I wont leave Flume early for Chance is because I want to see what Flume has in store for his finale. Chance from Chicago is everywhere right now, and it’s well deserved. His third mixtape, Coloring Book, became the first streaming-only album to win a Grammy Award. It won Best Rap Album. Chancelor Johnathan Bennett aka Chance The Rapper is a shining light in the music industry because he proved that independent artists can make it too. Francis The Light and Chance The Rapper recently released this music video. It’s beautiful.

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DAY 2 – Saturday, June 3rd

VANT

The four-piece band from London, England aren’t only here to make music, but also to make a statement. Make no mistake, Vant vent. They vent about Syria, environmentalism, sexual assault, inequality, racism, religion, social media isolation, and the all-out self-destruction of mankind through a mask of punk rock. Take a look at their music video, Peace & Love, below. It’s a video that brings to light the violence that took place in Kiev and Amman in October of 2016.

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Welles

Welles is a dichotomy of peace and anger who has been compared as a mix between Kurt Cobain and John Lennon. His voice is reminiscent of the 60s and 70s rock n roll era with a similar tinge of psychedelic funk. The native from Ozark, Arkansas released his album, Codeine, last week. Life Like Mine below is my favorite song from the album.

Dua Lipa

Dua Lipa is a British singer/songwriter who began her music career at the age of 14, releasing popular covers from artists such as Christina Aguilera and Nelly Furtado on Youtube. She signed with Warner Bros. Records in 2015 when she was only 19, and released her first single at the age of 20. In 2016, The Fader, released a documentary entitled, Sea In Blue, about the life of Dua Lipa. She is set to release her debut studio album, Dua Lipa, TOMORROW!!! Stay Tuned. Below is her new music video with Miguel for her single, Lost In Your Light.

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The Range

The Brooklyn producer fell in love with making music on the computer after falling in love with Baltimore club. Since then, he’s brought in influences from early ‘90s jungle, early ‘00s grime and mid ‘00s electronica to create his very own unique vibe. James Hinton aka The Range was raised by his mother, a music teacher, on a farm in Pennsylvania. He graduated from Brown University with a degree in physics. After graduating, he worked in a lab and was a music teacher at Brown. In 2013, he began focusing on his music career full-time. His second album, Potential, released in March of 2016 was a compilation of over 200 hours scanning obscure YouTube clips for audio samples.

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Stormzy

Stormzy, AKA The Problem, AKA Big Mike, AKA Stiff Chocolate was suppose to go to Oxford University, graduating at the top of his class, but then a couple of his youtube videos started gaining popularity and things changed. His most popular song to date is his freestyle, Shutup, which was released as a single and hit number eight on the UK Singles Chart. Stormzy is a self-described “a child of grime” influenced by the likes of Wiley and Skepta. 3 months ago, the Brit released his debut studio album, Gang Signs & Prayer. Below is a song from that album, Cigarettes & Cush, featuring Friday performer, Kehlani. It’s super sexy!

Rae Sremmurd

I’ve never witnessed and act with more energy than the Tupelo, Mississippi duo, Rae Sremmurd, formed by two brothers, Swae Lee and Slim Jxmmi. These two have been on FIRE, working and touring, releasing two studio albums. Their debut album, SremmLife, sold over 1 million copies in the United States. These guys are viral makers, making platinum-selling single after platinum-selling single. No Type, No Flex Zone, and Throw Sum Mo were three platinum sellers from their first album. Along with Black Beatles, inspiring the viral sensation ‘Mannequin Challenge,’ the duo has amassed close to 1.5 BILLION plays on youtube with these four hits. Below is the duo’s newly promoted track from their record label, SremmLife Crew Records.

A$AP Ferg

The rapper from Harlem, New York City is the second most popular act in the infamous hip-hop collective, A$AP Mob. Darold D. Brown Ferguson, Jr. aka A$AP Ferg really hit the spotlight after huge success from his single, Shabba, of his 2013 Trap Lord album. Complex named the song the 3rd best released song in 2013. The song was an ode to one of the best dancehall artists of his generation, Shabba Ranks, one of the first Jamaican DJs who brought dancehall into the limelight. Below is his new music video with Remy Ma. I’m sure he’ll play it in the mecca of East Coast pride. Maybe Remy might even show up and represent NYC. It was her birthday was 2 days ago, so shoutout!

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RÜFÜS DU SOL

The Australian alternative dance trio is a constant chart topper in the Land Down Under. Both of their albums have reached the #1 spot in Australia. Their sound can be described as dreamy vocals, moody synths and driving kicks. They’ve accompanied a beautiful quote about electronic music to the Governors Ball website that I’d like to share.

“For us personally, we were each drawn to electronic music because of the euphoric nature of it. At its core, it brings people together to dance of course. I’m sure I’m not the first person to say this, but our favourite artists are our favourite because we’ve shared moments listening to them with friends or family that you can’t recreate. Moments that you remember forever.”

Below is their most recent music video to Innerbloom, off their chart topping album, Bloom.

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Marshmello

I dono? Marshmello is a Marshmallow that produces bangers. Here’s it’s new song.

BANKS

Jillian Rose Banks aka Banks broke out in 2014 after her release of the single, Goddess. She became the talk of the town, her voice being compared to the likes of Fiona Apple, Erykah Badu and Lauryn Hill. There was a wave of alt-pop/R&B and she was at the front of it. Jillian’s creation process is an exploration of raw expression and solace, something that you can really hear from her breath. Take a listen to her new single, Crowded Places, put down the technology for a second, and take it in. Beautiful.

Childish Gambino

Donald McKinley Glover aka Childish Gambino is a multifaceted hero in the entertainment industry. He is an extremely successful actor, writer, producer, comedian, rapper, singer, and songwriter. When I say extremely successful, I’m talking writer on 30 Rock at the age of 23; main actor in the NBC sitcom, Community; producer, director, and star of the FX series, Atlanta; and two time Grammy-Nominated musician. Success doesn’t even begin to describe his illustrious career, and he’s only 33 years old. Legend. The song below is a song that I haven’t been able to get out of my head since it came out. It’s from Donald’s third studio album, “Awaken, My Love!” The song speaks for itself.

from rBeatz.com http://ift.tt/2rqhSau

#rBeatz.com #A Preview of Governors Ball Music Festival 2017 #Music #Fun #Dance #Love #Baila #rBeatz

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crypt-addict · 7 years

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EXCLUSIVE: Review of the ‘Demonstration (I)’ EP by CHURCHGATE.

**This is a direct copy of last weeks review of the pre-single in support of this EP - along with the addition of the reviews of the 3 new tracks; in order to review the Extended Play in full. Just to clear up any confusion caused**

Wow? Who would have thought the day would come where i…an unimportant reviewer in the depths of tumblrs’ half-arsed pastel, goth and alternative dungeons would have the chance to exclusively preview and review such a spectacular release?! I have tried my hand at reviewing many mainstream albums before, with pretty hit and miss responses; but i assure you - this is one review you definitely need to read through and listen to the end product, because by GOD you need CHURCHGATE in your life, like NOW.

The duo, consisting of Murdo and Jessie, is arguably, one of the best independent queer and alternative/dark synth bands to come out of 2017 so far, and in my opinion, the best. Raining from two very different corners of the country, with a 100 mile journey between them - this is one of the best musical outcomes of a long distance friendship i have seen, in my good decade of observing the DIY and alternative scenes. Mixing earworm guitar and synth leads, with haunting ghostly and scream-like vocals - which seep into your bones and out of your every nerve - shivering your senses and leaving you hungry to press the repeat button, like a hit of the best drug you have encountered; CHURCHGATE are definitely a force to be reckoned with. Don’t sleep on this release, because these guys are going to be big, sooner than you might think! Without any further ado, lets get into the track by track review:

–TRACK BY TRACK REVIEW–

WEEPING SONG: Beginning with sharp, and harsh guitar strikes, with a catchy but off-putting (in the best kind of way) synth structure soon jumping in, pulsating and enrapturing you like a siren of the post-goth era, Weeping Song is the début single everybody wishes they could put together. Reminiscent of some fucked up, euphoric musical smoothie, consisting of Alice Deejay’s ‘Better Off Alone’ and CRIM3S’ ‘BREED’ - with a pinch of Cocteau Twins; CHURCHGATE have clearly redefined the dark electro genre as we know it.

No ounce of emotion is spared as you focus onto each personal and relatable lyric, from “broken bone, forgotten home” to “still holding hands, we are the weeping” - it’s obvious just how much this song hits home, for me at least. I don’t know about anyone else but what captivates me with music is being able to have a sense of relation with the artist who wrote the lyrics, and with such a powerful tone its clear to see how much effort went into not just the complexity of the lyrics, but the instrumental- which in itself has countless layers of instruments, further drawing out emotion.

I don’t quite know how to say it in words, without sounding like a psycho - but music really does sometimes have the ultimate power to make you ‘feel’ sadness but also strength, the strength of ‘keeping-on-keeping-on’ and regardless of what shit life throws at you, carrying on with some façade of happiness, which eventually turns into true overcoming of sadness, and a real sense of happiness after all. Few songs manage to draw it out, but those that do leave a lasting memory on your heart and in your head. CHURCHGATE managed to reach that flag-post in their first track; something many bands can’t achieve til their final years together, or never at all.

My favourite thing about the lyrics is that they are relatable ina sense that, each verse could be taken with a variety of definitions. For example, my stand out lyric is perhaps one of the verses which could most definitely be interpreted into many different scenario’s - “pierce the night, with our light // held you down, without a fight”. For me the line suggests that whomever the song’s point of view is about, has overcame some trouble, and the light is suggestive of the dark times being over, but the struggle was hard, given that whatever held them back was so easy to give in to. With genre’s constantly moving on in terms of musicality and vocal techniques; it is a constant struggle to have your own sense of uniqueness within the community - but this track has no trouble finding its own benchmark within a variety of genre’s - and for that reason alone, is why i find myself so hexed whilst listening to it.

Musically, the song has a few key ‘changes’ in structure - around the half way point, the guitars become more prominent for a while, before becoming engulfed, but not overshadowed by the synths once more. A synth breakdown follows, where more layers gradually gravitate over the main melody until the bridge - where the guitars become highlighted once more. Leaving no stone unturned, the outro within itself, manages to give you one last shiver - refraining the synth melody that kicked in initially after the intro by itself, before submitting itself into a sea of white noise glory. I cannot do anything but recommend this track to anybody - regardless of their strict genre rules or tastes in music, i have all hope and trust that this track will go far. I’m calling it right now! And for that, this track deserves no less than a 10/10.

BELLS RING: Channeling a twisted take on the original dream pop track, originally by Mazzy Star - this cover is sickeningly sweet, in the strangest of ways. With Murdo’s aggressive, almost demonic mumbling of the lyrics, eerily distorted synth accompanies and Jessie channelling 80′s rock with his guitar leads - this is nothing short of a dark synth-wave take on a once serenading track.

Lines such as “Bells ring into the night, Sounds like a mistress on a rainy night” have a more mellow mumble, whereas the chorus; bearing lyrics such as “Nobody wants to know your reason why” resonate a creepier, more mischievous tone. All the while between the glorious guitar, short bursts of clashing synths give a sense of uneasiness, followed by a warm nostalgic feeling once more.

All in all, this cover is a gem amongst many covers of the song a quick YouTube search can find you. And in comparison to other artists who may decide to play it safe when using a cover as a b-side, CHURCHGATE went far, far, FAR from the ‘norm’ partially by choosing such a track that was little known to begin with, and also by conjuring up such a daring, whimsical and unique take on the track - vocals in particular. 9.7/10

PURE: Portraying a guitar lead reminiscent of oldschool college punk and rock works, pure is one of the softest and most mellow tracks on the EP - or so you thought...As the drums and synths drop into full on anarchy not long after the relaxing almost introduction.

Lyrics such as “I’m pure for you” and “The end has never been quite so sweet” cannot help but trigger a sense of abandonment of a relationship, with the one side feeling so much emotion for the other, whom has nothing quite left to give. Pure is to me, a great representation of not feeling good enough for somebody - and paired with the wholesome instrumental track makes for a lowkey banger if i’ve ever heard one! 8.9/10

FLORAL INTERLUDE: The perfect pairing of uneasy synth randomness and beautiful guitar riffs has the outcome of floral interlude. The shortest track on the album, and serving as a sickly sweet intro of sorts to the next track, i have never been so in love with an interlude in my life! I usually have the opinion that they’re pointless little half-afterthoughts to an album, but as of late, i really do believe they can add a lot to the theming and atmosphere of a release. In this case; that is ESPECIALLY the case!

It kinda reminds me of an old classic, yet i can’t put my finger on anything in my mind. It feels so nostalgic to my childhood, but i have no idea why or what to reference it to and i’m unsure whether to be creeped out or amazed by that - so i’m just gonna go ahead and say i’m shook instead!

Lyrically, the track is quite dark and beautiful - referring to being sprawled across a bed of dying leaves and’fleurs’ spouting from one eyes. The lyrics spread across your ears like jam but in the thought of them, after listening twice or three times, that’s kinda a scary thing to happen to someone?! Eitherway i’m so impressed with this interlude, and will scream from the rooftops of its greatness as i bask in this prickly rose garden it layed out before me; or should i say it encouraged to grow out my iris’ hahah. 9.9/10

PRECIOUS THING: Well, where do i start? We learnt from Bells Ring that CHURCHGATE don’t do conventional and fitting in when it comes to covering iconic tracks! In this instance they put their own spin on possibly one of the best punk rock/glam anthems to come out of the 80′s.

Keeping the guitars relatively similar, but possibly harsher - it is the vocals that completely suck you into this cover. Insturmentally, the track seems to be like a mashup of the original ‘precious things’ with the total cliché of american dream aesthetics and sounds, whereas Murdo’s vocals seem to malform into a gorgeously creepy, double-angst-raged embodiment of Joan Jett, screaming out the obviously sexual intended lyrics - such as “I will hold you down” and “You are my precious thing, as long as you remain beneath me”.

I didnt really know if 80′s punk could ever be topped, and i say this with no disrespect to the greats who coined the genre - BUT FUCK, CHURCHGATE REALLY CAN DOMINATE ANY GENRE AND TURN IT INTO A GOTH ROCK, SYNTH GLAZED, WITCH HOUSE, TRAP DOUBLE-DIPPED EXTRAVAGANZA! If you don’t enjoy this track are you really as punk as you think? 9.4/10

*TOTAL RATING: 9.9/10*

Overall, i see big things happening for these guys. They definitely have their heads screwed on, and their ideas mounted together in order to define themselves within the already diverse musical playing field. With a benign exterior, and an interior almost like being hit in the face with a candy-covered machete; i genuinely have nothing bad to say about this release! Now please excuse me whilst i drown in my tears at how emotional i feel after listening on repeat for days, hahah.

Always remember to support the artist! - you can get your very own copy of Demonstration (I) via churchgates’ bandcamp page ��

#album review #albumreview

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