#i will die on this hill girl carry on walkin past it !!!!!!!!!

[lorenzosmicropp]

"I didn't zoom in" did you suddenly regain good eyesight to see that leg hair??! I know yo blindass zoomed in !!

GIRL it was so obvious !!! It wasn't exactly hard to spot !!!!!! Stop slandering me on tumblr dot com !!!!!!

[solynaceawrites]

Wires [5]: Marie Walters

Rating: Mature Archive Warnings: Graphic Depictions of Violence, Major Character Death Categories: F/F, F/M Fandom: Devil May Cry Relationships: Dante/Original Female Character(s), Implied Nero/Kyrie, Implied Vergil/Original Female Character(s), Implied Lady/Trish, Dante/Lirael Thorne, Dante/Lir Characters: Dante, Morrison, Nero, Original Female Character(s), Lirael Thorne, Lir Additional Tags: Alternate Universe - Detectives, Violence, Gore, Dark, Horror, Supernatural Elements, Implied/Referenced Alcohol Abuse/Alcoholism, Serial Killers, Angst, Eventual Romance, Eventual Smut Summary: In Red Grave City, a serial killer stalks the streets. Lirael Thorne, recently transferred from Fortuna and looking for an escape from her past, winds up on his trail. Hunting him with her veteran partner, Dante Redgrave, they try to piece together the wires that bind the three of them together. In a race to catch him before he leaves more victims in his wake, the things thought buried will come to the surface, tearing lives and comfort apart.

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“A void in my chest was beginning to fill with anger. Quiet, defeated anger that guaranteed me the right to my hurt, that believed no one could possibly understand that hurt.” —Rachel Sontag

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There’s a particularly gruesome quality to death in the daylight. It’s a stark reminder that everyone will eventually die, a brush with human mortality that leaves those who see it uncomfortable, and the fact that the sun now is hidden by clouds and rain does nothing to lessen the effect. The body is located in an open expanse next to a jogging path, tucked neatly underneath a statue of an angel in prayer; all around the scene, yellow tape is strung from tree to tree to create a barrier that keeps the gathering of curious onlookers at bay, even if does nothing to stop them from craning their necks, their whispers drowned out by the patter of water on leaves and grass. Lir takes in everything else: the blood, the slick, dark asphalt of the trail, the cops in jackets with Forensics emblazoned on the back picking carefully through the debris. So much for good forensics, she thinks bitterly, though he’s never left us much to begin with.

At her side, Dante stands with his hands in his coat pockets, his expression frustrated and thoughtful. “Couldn’t have picked a better day,” he says tightly. “We’ll be lucky to get anythin’ off of her now.”

Lir nods in agreement. Back up at the top of the hill, a cruiser is idling at the curb with an officer standing by the back door and a man seated within, his face drawn and miserable. “Witness?”

“Dunno. We’ll have to ask.” He cranes his neck, then shouts, “Simmons!”

The young officer walks over hesitantly, his wide eyes darting from Dante’s face to the body and back again. Lir remembers how upset he’d been by the first victim and feels a mixture of pity and annoyance; Homicide is always tough on rookies, but if his stomach is truly this weak, he’d be better off in another department. “Yessir?”

Dante gestures to the statue. “You gonna fill us in?”

“Oh! Right. Sorry, sir.” Simmons fumbles a notepad from his belt and flips it open. She notices how he favors his right arm, which is slightly odd looking: like it was broken once and never quite healed correctly, leaving his hand resting a little crooked. He holds the notepad close to his body to keep it safe from the rain, which by now is a soft drizzle. “The call came in forty-five minutes ago. A woman walking her dog heard shouting and what she described as a girl begging, and she thought it was a domestic until someone said, and I quote, ‘I’m going to fucking kill you, you bitch.’ That’s when she phoned 9-1-1.”

It doesn’t sound at all like their killer, and her shoulders tighten with a new frustration. A distraction is the last thing they need now. “Where’s the witness?” Lir asks.

“Officer Galstin is getting her contact information, but I already took her statement,” Simmons responds, not meeting her eyes.

“And the guy in the cruiser?” she prompts.

Simmons glances over his shoulder. “He was here when Officer Galstin and I arrived. There’s blood all over him, and he had a knife on him, but he clammed up as soon as he saw us and tried to run. I caught him,” he adds with a bit of pride, and Lir looks down and notices the mud on the knees of his trousers. “We cuffed him and read him his rights, but he hasn’t said a word so far.”

Dante places his hands on his hips as he surveys the scene. “You rope everything off?”

“Yessir. Put up evidence markers on anything that looked interesting and contacted the M.E., too.”

Lir feels a begrudging speck of respect. “You did good, Simmons. Go see if Galstin is finished with the witness, then take our suspect back to the precinct and get him settled in interrogation.”

“Yes ma’am.” He flushes. “Sir.”

She waves off the mistake, then turns to Dante. “Doesn’t look like this is our guy.”

“Nope.”

“Morrison said it was.”

“That’s my fault,” Simmons interjects. “When I heard there was a killing in the park, I thought . . .”

“That’s alright, Simmons,” Dante says before Lir can think of a way to verbalize her frustration at the false alarm without ripping him a new asshole. “Rookie mistake. From here on out, get your facts before you come to any conclusions. Go help Galstin.”

The youth snaps a salute and hurries off, and Lir lets out a slow sigh. “Fuck,” she mutters.

“Don’t hold it against him,” Dante advises.

“I’m not,” she replies sharply. At his raised brow, she shrugs. “Like you said, rookie mistake. Doesn’t mean I can’t be pissed that someone else is out here killing women, now.”

He snorts. “At least this one was stupid enough to hang around.”

“Yeah.”

Together, they cross the clearing towards the statue and the body beneath. At first look, it’s easy enough to tell that the man who did this is not the same as the one who mutilated Sophie Marsons: this victim is clothed, her knitted scarf knotted around her throat, the front of her white shirt ripped and soaked with blood. Dante lets out a low whistle while Lir leans down, pulling a pair of gloves from her pocket and sliding them on. Trish is standing nearby, talking to a man with a camera, and Lir calls out, “You got your pictures?”

“Yup. Look to your heart’s content, Detective,” Trish replies.

Lir lifts the girl’s arms, first her right, then her left, taking in the deep cuts to her palms and fingers. Then she carefully tugs the scarf to reveal the livid bruises and claw-marks beneath before reaching into the purse on the ground next to the body. Inside is a wallet that she opens, pulling out the driver’s license. “Marie Walters.” Lir rocks back onto her heels. “She fought, and she fought hard. There are defensive wounds on her hands, and the ground is churned like she was kicking.”

Dante nods. “Reads like anger to me.”

“The scarf, though . . .” she murmurs. “Why start with strangulation, then end with stabbing?”

The leaves rustle as he crouches next to her. “You gotta think like a pissed off man, Lir. Look around you. What do you see?”

She bristles at the coaching. “A struggle.”

“Walk me through it.”

“I’m not a rookie, Dante.”

“Humor me.”

Huffing, she pushes herself to her feet and moves from marker to marker, talking as she walks. “They came down from the road. There are skid marks up here, which means one of them slipped in the mud and the other probably kept them from falling. Somewhere around here,” she pauses by a cone next to a tree, “they paused for a bit. There’s a half-smoked cigarette with lipstick on it that matches the shade she’s wearing, so she was either comfortable enough to enjoy a smoke with him or nervous enough that she needed one to calm down.”

“Right.” He stands, shoving his hands in his pockets. “So, somewhere between the cigarette and here is where the argument started. It gets heated, probably somethin’ she says going by what the witness heard. Strangling someone carries a lot of different meanings, but . . .”

“It’s a silencing tactic,” Lir finishes.

“Mm-hm. He didn’t want to hear what she had to say, and didn’t want anyone else to hear it, either. You know how long it takes someone to die from suffocation?”

The casual way he asks the question throws her so that she can’t formulate a reply other than, “No.”

“Five minutes until brain death occurs, if consistent pressure is held.” Dante looks around. “Public park, people walkin’ their dogs, he needs her quiet so no one knows what’s goin’ on. Now, even if you know what you’re doin’, strangling someone with a scarf ain’t easy. They’re in pain, fightin’ back, scratchin’ you and themselves bloody to get you to stop. You lose pressure for a second, the screamin’ starts.”

Lir’s stomach twists, shoving acid up her throat. “He didn’t know that. That’s why, when she wouldn’t stop struggling, he used the knife.”

“That’d be my guess.”

“What a bastard.” She takes off her gloves, shoving them into her pocket. “I say we go talk to the guy Galstin and Simmons pulled in.”

Dante nods in agreement. Together, they climb the rain-slick slope back up to the road, and Lir bemusedly uses the towel he offers to clean mud from her boots before getting into his car. The station is only a few blocks away, but morning rush traffic delays them so that what should have been a ten minute trip winds up taking closer to forty, and in that time Lir’s mind stews. It flips back and forth between Sophie and their newest victim, Marie Walters. Two women, murdered by men, brutalized and terrified and left to rot. Her nails bite into her palms as bile flavors her mouth. Are they connected? Or did this new bastard just get enough courage from seeing someone else do it that he decided to take a life, too? She’s so tense by the time they arrive at the precinct that her jaw aches from being clenched, and Lir forces herself to relax as they head inside to avoid any probing from her partner.

At the back of the building, down a hallway lit with bright white fluorescents, are the interrogation rooms. The three of them sit on the left-hand side, each with two doors: one for the observation room, one for holding suspects for questioning, separated by a wall and a pane of one-way glass with recording equipment set up to capture the conversations that occur within them. Lir and Dante step into Observation 1, where they find Morrison waiting, watching the man through the window.

“His name is Jonas Miller,” Morrison tells them. “No prior arrests, lives in Hyde Park with his wife, Lucille.”

Dante makes a low noise of surprise that mirrors how Lir feels. Hyde Park is one of the more affluent neighborhoods in Red Grave City, a gated community with manicured lawns, neat hedges, and large houses that start out with six figure mortgages. “He give you anything?” she asks, stepping closer to the glass.

“No. Hasn’t even asked for a lawyer.”

“Huh.” Miller certainly looks like he could afford one without a problem. Even from here, she knows that the watch on his wrist is a Rolex, that the shoes on his feet are too nice to be anything other than genuine leather, probably Gucci. “I’ll take him.”

“You?” Dante doesn’t sound angry, just startled. “Why?”

Lir is already halfway out of the door. “Because he killed a woman. Being questioned by one is going to throw him off.”

The door shuts off his answer. She pauses for a moment outside of Interrogation 1 to put her thoughts in order and breathe deeply to fight off the anger that’s been getting sharper all morning, since she first spotted that guy in the alley where Sophie died. Then she opens the door and steps inside. 

Miller doesn’t look up as she takes the seat across from him and pulls out a notepad and a pen. His eyes remain downcast, focused on his hands, and Lir takes him in. His hair is mussed, his eyes bruised and bloodshot, and there are deep scratches in the tanned skin of his face, neck, and forearms. His shirt is too dark for her to tell if there’s blood on it, and if there was any on his hands, he’d been allowed to wash it off, a fact that makes her frown even as she takes the cap off of her pen and writes the date and time at the top of the paper. “Jonas Miller,” she says. He flinches. “Want to tell me what happened this morning?”

“Nothing,” he mumbles. “I don’t know why I’m here.”

Her fingers tighten on her pen. “You were found in Tellula Park with the body of Marie Walters. Officers Simmons and Galstin both stated that you ran from the scene with a knife in your hand.” Miller says nothing. “If we test that knife, do you think it will match the wounds on Marie Walters?”

Slowly, seeming dazed, he shakes his head. “I didn’t touch her.”

He’s lying, a voice whispers. The hair on the back of her neck stands on end at the sound of it, furious and grieving and not at all her own, and she takes a slow breath and counts to ten until the gray at the edges of her vision recedes. “We have a witness, Mr. Miller, one who will be able to identify your voice threatening to kill someone, we have your knife, which will match Marie Walters, and, going from the state of your face, there’s going to be enough skin under her nails to crucify you in court. If you cooperate with me, there’s a chance that the D.A. will work with you. If you don’t, then whatever it is you’re hiding is going to be blasted in the news. Do you understand?”

That gets his attention. He stares at her, his eyes wild, and stammers, “My wife, I-I have to get home to my wife—”

“I’m very sure Marie Walters would have liked to go home, Mr. Miller,” she says coldly.

“My wife is—”

“Why did you kill Marie Walters, Mr. Miller?”

“I never—”

“Did she threaten you, Mr. Miller?” Lir knows she should stop, that anything she gets out of this confession is going to be shit if she goads him any further, but, fuck, he’d been Mirandized and hasn’t asked for a lawyer, and it feels good to see him squirm. “According to her license, she was five foot five and weighed one-twenty. She was half your size, a college girl, so I’m struggling to see how she could have been so dangerous that you stabbed her eighteen times and strangled her with a scarf. What did she do to piss you off, Mr. Miller? What could a girl like that have possibly—”

“She lied to me!” he shouts, slamming his hands on the table. Lir refuses to let that frighten her, because there’s a gun at her hip and a knife in her boot, and he’d be an idiot to come after a cop with all the trouble he’s already about to get himself into. “She swore that she was on the pill, that she didn’t want anything other than a-a partner, and then she called me and said she was pregnant and demanded I leave my wife or she’d tell, and I . . . I . . .” He tapers off, hiding his face in his hands. “I just wanted her to shut up. Just once. She was such a bitch, always mouthing off, I just wanted her to shut the hell up for once.”

“So you killed her,” Lir states flatly.

Whimpering, he nods. A wave of revulsion rises within her; here is a man who looks no older than forty, with a million-dollar house and a wife, wearing designer brands, a man who had decided that he wanted to get his dick wet with a girl half his age, who had killed that girl like she was gutter trash when the consequences of his actions came to fruition, and he’s snivelling like an infant. “Did it ever occur to you, Mr. Miller, that it takes two to cause a pregnancy?” Her voice is ice. “Or did you simply assume that you were too good for a condom?”

His head snaps up, his mouth agape with shock. “What—”

“This is how it reads to me, and how it will read to a jury.” She pushes back her chair and stands. “You entered into a relationship with a college student, telling who knows how many lies to your wife. Did you promise Marie Walters that you loved her? That you would leave your wife for her? And then,” she continues, ignoring his sputtering, “when she, quite naturally, got pregnant—birth control fails, Mr. Miller, all the time—you killed not only her, but her unborn child, all because you were too much of a coward to deal with your actions. You are nothing more and nothing less than a repugnant, low-life, inexcusable—”

The door slams open, and Morrison steps inside, his face passive but his eyes furious. “Thank you, Detective. We’ve gotten what we need from him. The interview is now over.” To Miller, he says, “Officer Simmons will be along to book you while the D.A. decides which charges to press. Excuse us.”

Lir follows Morrison when he leaves, knowing that she’s fucked up but too wired to care. In the hall, Dante is waiting, and he gives a little shake of his head when he catches sight of whatever expression is on her face. Don’t, he mouths. 

Morrison turns on her. “Are you out of your mind, Detective Thorne? Do you want that man to walk free? Because that is the only reason I can think of to explain why you’d behave so irresponsibly.”

“I got the confession,” she starts.

“A confession that we’ll be lucky to get admitted,” Morrison snaps. “One look at that and whatever defense attorney Miller hires will petition to get it thrown out on the basis of coercion! You didn’t question him, Thorne, you rode his ass and degraded him, and we’re lucky that he was read his rights and denied an attorney, because those are the only things that might sway a judge into keeping the confession intact.”

“He killed her!” Her voice raises despite her attempts to keep it under control, and she sees Dante wince from the corner of her eye. “It wasn’t some accident. He took a knife with him, he fucked her and then he stabbed her eighteen goddamn times! And you think I rode him too hard?”

Morrison’s mouth twists. “You might want to reconsider your tone unless you want to be working vice from now on, Thorne.”

She opens her mouth, only for Dante to step forward, his hands raised placatingly. “Chief, it’s been a long day. Hell, a long weekend. Neither of us have slept more than four hours, we lost a suspect this morning, and we’re getting nowhere with Marsons. Thorne’s a damn good detective, but even good ones have bad moments from time to time.”

Morrison cuts his eyes from Dante to Lir. “That true, Thorne?”

As much as it humiliates her to do so, she takes the lifeline Dante has given her. “Yessir.”

“Fine.” Morrison studies her a moment longer before turning away. “Even if we lose the confession, forensics will get enough to nail him. You go home and rest. I don’t want to see you for twenty-four hours, understood? I’ll need that long just to clean up this mess.”

She nods, and he glances at her over his shoulder. “I expected better from you, Thorne.”

Then he’s gone, leaving her to wallow in the unpleasant heat of chastised embarrassment, swallowing thickly against the tears that prick her eyes. A hand grips her shoulder, but she refuses to look at Dante, merely shrugging when he says, “Let me give you a lift home,” wishing, not for the first time, that her father was still around to give her advice.