#i'm still nervous about posting here

[andeptus]

ooo i need to go back to making serious art...

[lakesparkles]

I'm still feeling so normal about them....

Once again, today I have some fast doodles of Betty and Simon (well, I drew these mostly today, so it was kinda fast to me). I don't have much to say, I'm still learning how to draw these two in my art style - still mixed with the AT one. All the nice comments and support I got in my last post of them made me feel better about this, so thank you a lot for that!!

And I wanted to draw them with Marceline at least once! I love when people draw that.

Another thing I loved was when some fanfics I was reading mentioned Betty having freckles (just like some other fanart of her) so I wanted to draw her this way as well :D

[introspectivememories]

too many of you guys think nico is the loser and not lewis for letting the divorce go on for so long. like they're both losers about each other. emotionally constipated idiots who can't talk about their toxic homoerotic friendship that imploded on itself like 8 years ago and are now making it everyone else's problem. yeah nico's on television or in beer gardens talking about lewis all the time but like every other month some reporter is like "lewis, what's your favorite moment in your career?" and lewis no hesitation is like "oh man, karting, y'know? everything was simpler then" and then spends another six months skirting around nico's name. like this whole thing they're doing in the media isn't some kinda extended foreplay for them. they're both still pressing on the bruise to make sure it's still there!!! every few months, they're literally just asking on public television, does it still hurt for you like it does for me? and like clockwork, someone will release new information about them or one of them will say something about each other (in my heart, he's still my best friend/yes... and teammate) and the answer will remain the same, yes, of course, always.

[babacontainsmultitudes]

Let's Talk About Lincoln And His Dads, Okay?

I think people claiming that Lincoln and Grant "aren't so different after all" because, like everyone else in the show, they both have blood on their hands, have mostly missed the mark on where the core of Lincoln's issues with his dad(s) lie in the first place.

Moreover, I'm tired of people insinuating that Lincoln's troubles pale in comparison to Normal's or Scary's or Hermie's, and I'm tired of people saying that Lincoln is overreacting, or that Lincoln is a hypocrite for calling out his dad's behavior, or that he is in the wrong for setting boundaries, or that he's ungrateful, or that he's responsible for ensuring his dad's emotional wellbeing and not the other way around!

*breathes* So let's. Let's finally talk about Lincoln and Grant (and Marco also him).

[WOAH THERE! Hey you, yeah you, this is a long-ass post, mhm, it's one of those, so please keep that in mind before venturing below the cut. Maybe grab yourself a drink or a bite to eat first, yeah? Additionally, sorry the transcript stuff is a bit messy in this one, tumblr has a 30 image limit and well, I had to find workarounds. Also, I haven't yet added alt text for the transcript screenshots- I plan to when I have a bit more energy for it, but I apologize for any inconvenience this may cause in the meantime!]

Part 1/4: "Honesty is hardly ever heard, and mostly what I need from you"

Lincoln is certainly a pacifist at heart (in more recent times important examples of this include Lincoln's refusal to harm Scary in the Swallows household, as well as Lincoln being the only one of the teens to successfully avoid using violence in front of d00d during their most recent standoff with Willy), and in good paladin fashion functions as the group's moral compass the majority of the time.

Despite this, Lincoln's morals are not so simplistic and idealistic as to not differentiate between different motives for violence, nor does he view acts of violence in and of themselves as signs that a person is "evil" or "irredeemable". He can for example, see the difference between the acts of Willy and those of the kiddads, as he tries to explain when confronted by the other teens on the matter:

In fact, even after Grant tells Linc all of this during the incursion:

Lincoln's primary goal is still to save his dad first and foremost, then offer him the room to explain himself, without immediately chalking him up as a bad person because of what he has done.

Lincoln certainly doesn't approve of Grant and his violence, though he can understand that things are seldom black and white. But the killing is far from the only issue here. In fact, it's not even the main issue.

Grant creates a foundation based on trust and accountability whose importance in the Li-Wilson household is hammered in from the very first episode.

And we see throughout the early episodes of the season just how strongly Lincoln believes that Grant would never lie to him.

Then of course the incursion point encounter happens. There are several elements of this encounter that we will gloss over for now and go back to later, but of immediate importance is the fact that this interaction serves as direct confirmation for Lincoln that his dad has in fact been lying to him his entire life.

Additionally, he learns that Grant possesses a deep hatred of himself, wants to die, perceives himself as "broken beyond repair", and fears that Lincoln will somehow wind up just like him. That's a lot for one kid to have dropped on them, let alone all at once and without warning!

So- Lincoln wants to confront his dad after this both because he wants his dad to explain himself and take accountability for his dishonesty and for his actions more generally, and because he is concerned for his dad's wellbeing.

Now let's look at how Grant has, over the course of the season, responded to Lincoln's attempts to get him to take responsibility for his actions, and talk about his mental health:

The first thing Grant does is pull a classic Wilson "we'll talk about it later". Then the very next thing he does is lie to Lincoln again, now pretending that his plan is to fix things with Erin by offering her a gift (when of course he's actually set out to steal the sun)

Then as a deflection when Lincoln further tries to confront him about the lying, he indirectly equates everything he has kept secret from Lincoln (see the incursion point stuff) to "little white lies" and, contrary to the philosophy he so heavily instilled in Lincoln, argues that sometimes lying can protect the people one cares about:

Which as a point of interest I would like to compare and contrast to something Lincoln says in an earlier episode:

"lies can protect" vs "protecting is also trusting"- anyways moving on,

From there Grant's plan to steal the sun eventually comes to light (heh) and gets foiled, forcing the teens to be the mature ones in the situation and try to negotiate something with Erin. While he is certainly disappointed by everything going on, however, Lincoln's priorities vis-à-vis Grant are still, first and foremost, to ensure that he is safe, and when time allows for it get an apology from him and get him to talk openly about everything he has withheld. At this point in time Lincoln, while obviously angry at his dad, still very clearly cares about his dad and just wants to be able to talk with him without all the lies or deflection or excuses.

Then the teens are backed into a corner when their attempts at negotiation go sour, and ultimately wind up helping Grant steal the sun. Once that is over, Lincoln tries to confront his dad again, now with regards to some of the things he said about himself:

(Do note that last bit especially as it will be of relevance in the next section)

Then after Grant ignores the other teens when they try to talk to him, Lincoln calls him out and once again asks him to apologize, in part for having told Lincoln previously that they were dangerous and that he was not to hang out with them:

(as you might have guessed, Grant does not apologize).

Then it is established that the "zone of truth" in the Li-Wilson household isn't actually a spell but an agreed upon promise between Marco, Grant, and Lincoln to tell only the truth when someone calls upon the zone of truth, further cementing the degree to which honesty is an important Li-Wilson family value. Whilst in the zone of truth, however, Grant beats around the bush with regards to his intentions, and the teens ultimately decide that they do not want him to come along with them to the church of the doodler, as he is untrustworthy, in addition to Lincoln saying that he needs some space for his own sake. Grant then pretends to respect this decision, though he is in fact once again lying through his teeth, and sneaks back on later.

Before exiting the bus for the first time, however, Lincoln tries to get his dad to open up a bit about his feelings. Grant's response?

Time after time after time, Grant refuses to confront himself and address anything from what occurred at the incursion, and in fact adds on to everything with a whole new slew of lies, and with each failed attempt at connection the rift between Lincoln and Grant increases. And Lincoln, true to his values and how he was raised, is not a hypocrite in wanting openness and accountability from his dad. Lincoln is not and has never acted like he is perfect and beyond making mistakes, but Lincoln takes responsibility for his actions, even when the degree to which he is actually complicit in the crime at hand is questionable. He writes a letter to the families of the firemen because he feels responsible for their deaths. He apologizes to Taylor for lying to him about the bracelets and helps not only Taylor but also Nicky escape the clutches of the FBI, even though the consequence of doing so could easily have been his own death. When he thinks he may have inadvertently lead Hero on, his immediate decision is to take accountability for it and clear things up. All of this in addition to consistently apologizing to his friends when he thinks he may have hurt them for one reason or another.

This is also an important thing to consider when we talk about the place of violence in the show. Yes all the characters, including Lincoln himself, have had to kill at some point or another for the sake of survival and protecting the ones they love. But Lincoln does not use the blood on his hands to justify violence in future decisions. Despite the fact that he has had to kill before, Lincoln, as mentioned in the beginning of this essay, continues to try incredibly hard to act as pacifist whenever he can, choosing to protect those around him with as little collateral damage as possible. Does he have a perfect track record? No! Does he still try his damned hardest to choose kindness and mercy? Absolutely! And this is an important distinction especially between Lincoln and Grant.

And then Grant kills Terry. Now Lincoln must shift his priorities towards protecting his friends from his dad, but in running after Scary still finds himself forced to confront him. So what does Grant have to say regarding his actions?

Both Lincoln and Scary are right to be furious with this response, Terry Jr. is dead and all Grant can offer in response is what is essentially another excuse. Grant's mental state does not absolve him of responsibility or accountability for his actions, which as Lincoln points out (and repeats later) consist not only of the singular choice of shooting Terry, but of every choice he has made before and after that. "I'm sorry your dad is broken" obviously doesn't bring Terry Jr. back, but perhaps more importantly demonstrates that Grant is still not willing to reflect on his actions any further than that and work on himself moving forward.

So Lincoln does what is perhaps the most difficult thing he has done in his life, and disowns his father. This is not a rash, impulsive decision. As established, Lincoln has given Grant many chances throughout the season to address his behavior and at least fucking *talk* with Lincoln about his mental state, but he refused. He refused, not because he means harm, but because Grant truly believes himself to be fundamentally broken and irreparable, and doesn’t see the effect that his own suffering is having on his son. This, in addition to continuously failing to take Lincoln seriously and treat him as more than a little kid, both in failing to listen to Lincoln's voices of concern as well as in disregarding any of his proposals to go about things differently (whether that means avoiding violence, trusting rather than lying, or both).

So when Lincoln says:

"It's not about what you just did now, Dad. It's all your choices. You chose me. There wasn't some passion, or, or just a kid. You chose me as your kid, knowing you were broken. You can't take that back. And… I love you, and I hate that you made me love you, when… you are who you are and you knew it."

This isn't Lincoln saying that Grant should not have had a kid because he is mentally unwell or has trauma, it is Lincoln saying that Grant continues to make choices without acknowledging his agency in those choices and the effect they have on those around him, instead choosing to pin his mistakes on his perceived brokenness without any resolution to do something about that.

And before you say, "but Grant didn't have a choice in becoming Lincoln's parent since he saved him from the Titanic":

This simply isn't true, as strictly speaking there was nothing stopping Grant and Marco from putting Lincoln up for adoption if one or both of them did not feel themselves to be ready or capable of taking care of a child and

Ignoring Lincoln's exact phrasing, "choosing to be a parent" is not just about the literal choice to have a child, it's about every choice you make before and after that. It's choosing not to express your concerns over parenthood with your spouse, which based on Grant's track record:

-Is definitely in-character for him. Conversely, in Marco's case, it may be choosing not to ask your partner about their feelings on the matter (because, really, asking Grant on the spot while literally on a sinking ship if he's okay with adopting the baby they just found is kinda rough). It's choosing not to go to therapy (not that we know whether Grant specifically did/does or not but all the same). It's choosing not to apologize when your child is upset with you because of something you did. It's choosing not to take them or their friends seriously. It's choosing to lie instead of trust. It's an endless amount of choices that Grant (and Marco) made every step of the way!

As a final note for this section, what's particularly unfortunate is that even with Lincoln's disownment, Grant still has failed to show any major signs of change. Note this telling exchange (from episode 40):

Grant: I-I understand that. I just thought. Just something that just occurred to me. Hey Dood.

Dood: Yeah?

Grant: Why did you kill those two guys?

Dood: Because I love you so much and I wanted to protect you.

Grant: Okay. That's all I wanted to know.

In which Grant is still making excuses rather than owning up to or apologizing for anything or striving to change his behavior in the future. What's great about Grant's "point" here too is that the two guards that d00d killed were absolutely unnecessary deaths, so this example does anything but work in Grant's favor.

Part 2/4: "My mother hates her body, we share the same outline"

But this is only part of the problem. As aforementioned, we learn early on and see repeated on multiple occasions that Grant thinks ill of himself to the point of believing that he deserves death, and does not want Lincoln to be anything like him.

This affects Lincoln in two major ways. Perhaps most obviously, it leaves Lincoln greatly concerned for his dad's wellbeing, which in turn acts as his main motivation for trying (and failing) to get Grant to explore and explain those feelings. Additionally, however, Grant's self-loathing also has a passive but deeply damaging effect on Lincoln's self-worth. The most important indication of this is when Lincoln says:

"Okay. Look, Scary, I just... You know what? I don't even care. I just needed a friend and I don't know… I don’t know what you're going through, but… no, my dad always said you can't love somebody unless you love yourself, right? Well, last time I asked him if he loved himself, he… He doesn't. So… I don't know, so maybe he doesn't love me either. And you seem to know what that's like, and, you're my friend! You're dealing with these things and I'm just here. I just, I don't know! I don't love myself either! I don't know! But I know that more people will die if we can't do this together, and you're the only person, like, in this group— I mean you guys are, I mean— [sighs] Look, you can go. I'm not going to stop you. You go if you want to go. I'm done."

Also classic Lincoln move to say he doesn't care then proceed to hug Scary through an Eldritch Blast. In this essay, on why people misuse the word "apathy" in applying it to Lincoln,

Though the issue comes up again in a less obvious but very interesting way when Lincoln says that:

Which I assume probably seems pretty out of left field. To explain a bit what I'm trying to get at here, consider the following scenario:

Your parent, who you care about immensely, possesses certain qualities (say, idk, intrusive thoughts or mood swings or delusional thoughts or *something*) that they possess great shame over, and truly, wholeheartedly believe makes them "evil" or unlovable or even outright deserving of death. Of course, you do not believe that your parent is any of these things, it hurts to see that they feel this way about them-self, so you try your best to support them, even if you know deep down that you are their child and this should not be your responsibility. Your parent does not see the effect that their mental state is having on yours, does not take your voices of concern seriously, and mostly leaves you feeling like you are talking to a wall.

This hurts already, but it gets worse. You are your parent's child, and you are human, and so you inevitably find yourself with some of the characteristics that your parent loathes so much in them-self. Maybe you have similar thought patterns. Maybe you've made similar mistakes. Your parent doesn't love them-self because of these qualities that you now see in yourself, so how can you be sure that they do not hate you for them too? Do they believe that you deserve to die for these things as well? Your parent obviously assures you to the contrary, after all, they love you more than anything. But your parent fails to offer any meaningful line of distinction between their flaws and yours (after all, there isn't one, not really), and continues to assert that, unlike you, they really do deserve to die. Your parent is a hypocrite, and their reassurance does little to convince you.

Hopefully that makes some sense. With regards to the "dreams about killing my dads" part, mostly what I'm trying to say is that these dreams, while certainly very different from Grant's conscious thoughts about violence, still tread the line of mimicking them to some degree, and Grant's "I deserve to die because of how my brain works, don't be anything like me because that's bad!" really doesn't leave Lincoln with a healthy way to process and interpret this fact about himself, even if these dreams don't actually say anything about who he is as a person.

Anyways all that to say, on multiple levels Grant's unwillingness to even try to love himself and treat himself better has been having effects on his son that he can't even begin to realize, in addition to everything discussed in the first bit.

"But baba," I hear you say, "what about Marco? Why has Lincoln seemingly disowned both of his dads?"

Part 3/4: Three is the loneliest number

Well, I think there's a couple things going on here. For one thing, I think in a sense Lincoln sees his dads as kind of a "package deal", which is to say that from his pov disowning Grant means Marco would have to pick a side, and though it pains him immensely (as we see evidence of on several occasions), Lincoln would ultimately rather give up Marco than have Grant be left alone without either of them, because he will always love and care about Grant, and because he's selfless that way.

Additionally, for a good long while, Lincoln doesn't actually appear to harbor any resentment towards Marco:

However, this later part of the season has brought with it a new wave of disillusionment, and in its wake Lincoln has finally come to question the last major issue characterizing his relationship with his parents: social isolation.

We have known from basically the first episode of the season that Lincoln has lived a very isolated, lonely life, and that the only reason he's even going to public high school now is because he finally convinced Grant to let him:

As a side note, I have seen discussion of the fact that since Lincoln was rescued from the Titanic, it's possible that he was homeschooled solely because he did not legally exist. The above statement from Matt seems to work against this theory, in addition to the fact that if Lincoln was missing legal papers to get into elementary school... That would also prevent him from going to high school. Also, I mean. If you actually were to find an abandoned baby there's a whole legal process you're supposed to go through, and since Lincoln surely wouldn't have any close blood relatives around, that would still leave the possibility for Grant and Marco to adopt him legally if they wanted to (and if they chose not to go through said process, that's kind of on them?). Which isn't to say that this theory is out of the question, but in any case being homeschooled is one thing, whereas the actual degree of social isolation Lincoln goes through growing up is way more than just that, as we will delve into.

Now, we know that Grant eventually puts an end to Lincoln and Normal seeing each other on the basis that Lark and Sparrow are dangerous, which... Itself is actually fair tbh, in particular given what we now know about Hero. Not fair to Lincoln or Normal, obviously, but understandable. Much less acceptable, is the fact that Lincoln actually grows up without any friends his age whatsoever:

We understand of course that the motives behind this extreme social isolation are not malicious or otherwise done with ill-intent, but that doesn't make this even remotely okay! Of course then Lincoln is very clingy and perhaps even territorial over his dads, to the point where one of his biggest fears is his parents having another child who would take some of their attention away from him- they've created an environment in which they are basically all he has!

As a direct result of this, Lincoln gets lonely very easily, and when he finally does make some friends of his own, he will do anything and everything for them, even if it means risking his own life (at least then he isn't alive and lonely!)

This is also why Lincoln is so especially distraught after the loss of Mr. Kicks, a digital avatar whom he considered his best (and only) friend.

Additionally, Lincoln's fear of returning to his lonesome childhood creates an unfortunate scenario in which he cannot be honest with his dads about the fact that he is being bullied at school

Even though that is definitely the case (and in fact we see it first-hand on many occasions), because to do so would run the risk of his dads taking him out of public school, and that, to him, is worse.

Lincoln beginning to view this aspect of his childhood (the isolation but also the over-protectiveness and overbearing attitude more generally) for what it is is why Matt's intros have recently shifted from "schooled at home" to "schooled in prison", in addition to pretty directly saying that high school was like heaven compared to his home life (in episode 40), and I don't think Lincoln is even remotely in the wrong for looking back at his isolation and thinking "hey, even if you had good intentions, that was kind of fucked up actually, and I need to distance myself from you for my own sake."

Not that Lincoln wanting freedom from his overbearing dads is a new thing! I mean apart from what one can logically infer from Lincoln convincing Grant to let him go to public school, Matt does drop a bunch of telling details here and there such as Lincoln's favorite sound being "the silence of being home alone and free". It's just that now is when these feelings are finally starting to come to the surface.

It is also something that Lincoln naturally would hold against both Grant and Marco, because they are both aware of and responsible for this aspect of his upbringing (whether Marco acted actively or as an enabler in the matter notwithstanding- though I would look no further than both Grant and Marco getting red cards the one time they tried letting Lincoln play soccer with other kids to observe how that family dynamic plays out), hence feeling the need to cut himself off from the both of them in order to set a long-overdue boundary. That said, to be honest with you, I really don't think he's actually all that upset with Marco, and would mostly just like to see him again.

If the events of the Titanic help to ease any aspect of Lincoln's frustration, it would be this one. Not in the sense that it magically makes what Lincoln went through growing up okay, but it does still recontextualize Grant and Marco's degree of overbearingness and (part of) why they are how they are, and I absolutely think that Lincoln would have sympathy for that.

So, where does that leave us?

Part 4/4: What remains (+ the case study of Scary)

"But baba," you say, "Grant and Marco are not just their mistakes! They've both done so many things right as parents, and they love Lincoln more than anything!"

I turn to you, tears in my eyes. "I know," I say, "I know, but that does not contradict or erase the fact that they have inadvertently hurt Lincoln in many, many ways, and he has a right to be upset with them, and express that, and set boundaries if he feels the need to."

You sigh. "So do you think Grant is a good dad or a bad one?" you ask.

I shake my head. "He's just... He's just a dad. A dad who's had a rough swing of things from the beginning. He never meant to hurt Lincoln, and I truly believe he's got a good heart, but I want to see him try harder. I need to see him try harder than he currently is to better himself, for Lincoln's sake as much as his own."

Is... More or less how I feel. I absolutely agree that as a parent Grant obviously gives a shit, and my intention here is absolutely not to say "hey actually, Grant is awful!"

As I mentioned at the very beginning of this essay, however, collectively I have found over the course of the season that Lincoln's trauma and struggles have gone severely understated and undermined, sometimes to the point of even turning him into the bad guy or depicting him as acting dramatic for a decision that I think was very brave of him, actually. So... It does feel necessary to me to point out that, as much as I care about Grant and recognize that he's suffered immensely too, he's still made a lot of mistakes over the course of the season, and still has a lot of room to grow as a person.

As things currently are, I would not blame Lincoln if he did not forgive Grant by the end of the season. Do I think that's what's gonna happen? No lol.

If you'll excuse a mini side-tangent, because for now I don't really want to make this a separate post, the mid-season evolution of Lincoln and Scary's relationship is actually a great case study for Lincoln's capacity for forgiveness, in addition to his inability to give up on people:

Tony Pepperoni's murder is, I would argue, an attack against Lincoln most personally (relative to the other teens). Aside from Lincoln having the strongest pacifistic tendencies of the group, it's in his home, it's in front of Marco, as established in the 3rd section Tony Pepperoni, by virtue of having been over for dinners at the Li-Wilson household before, is someone Lincoln knows more personally than the other teens and one of the only people in his life he could have possibly approximated to a friend. Most importantly though, Scary goes behind Lincoln's back in letting Willy out and disclosing the location of the party, and that is a significant breach of trust.

So Lincoln kicks Scary out of the house (and more or less out of the group by extension) because protecting the others from her is the most important thing at that point in time (sound familiar?). For the next bit, Lincoln's behavior towards Scary becomes a juggling act of keeping a close eye on her to make sure she doesn't cause more harm (and yes, it's also when they are meanest with each other), but also keeping a close eye on her to look after her (a notable example of this being that he doesn't leave her behind in the hall of mirrors, even when it would have been easier and perhaps even "beneficial" to do so in the context of the anchor quest).

And yet despite all the mutual hostility, Lincoln without question also fights the hardest to get Scary back. He breaks the pick as a sign of trust (and as Freddie put it: "that's love babeeey") and to show her she's welcome back in the group, follows through on this decision despite the fact that it creates a temporary rift between him and the others (Normal and Taylor) who oppose her return (perhaps a good time to also say as a reminder that Lincoln was the most against letting Willy out in the first place), breaks a door down to protect her from Willy even when everyone else in the house treats him as crazy for doing so, refuses to fight Scary when she goes on the offense, and hugs her through a god damn eldritch blast because he can't let her leave and hurt more people but still cares about her to the point that he would literally choose to die before hurting her or giving up on fighting for her. Like, if that's not love and forgiveness, I don't fucking know what is. This in addition to him encouraging the others to go easy on her and otherwise looking out for her past that point.

So do I think Lincoln Li-Wilson has it in him to forgive Grant in spite of it all? That is a resounding yes from me. Will the events of the Titanic facilitate this if only by painting Grant's situation in a more sympathetic light and showcasing some of his virtues? Totally, I mean, there's a reason Anthony decided to make the arc go this way. But will I be a bit disappointed if this forgiveness comes without any major growth on Grant's part? Also. Also yes yeah.

MM. I DON'T REALLY KNOW HOW TO END THIS ONE TBH. Heh. Well, thank you for one thing, for taking the time to read a post this long. If you're reading this not too long after I posted it I am most definitely pacing around rn going "oh god they hate it!" but uh. Well that's a me problem lol. Anyways, I hope this proves to be at least somewhat insightful? ...Yeah no apart from that I really am struggling to end this properly and honestly I'm real sleepy lol so I'll just say again (whether you agree with the points listed here or not) THANKS FOR HEARING ME OUT Y'ALL AND TAKE CARE.

[mihamihoku]

/cw dead animal

I- well, long time no see huh

Soo, I kinda went aside from the fandom and watching DetCo for months and switched my attention to the uni stuff and my own OCs, so there probably won't be much activity here aside from the reblogs for some time <:") Sorry about that

But I still wanted to show a bit of things I had in my files that I didn't get to finish or. Well. I'm honestly not sure if I ever get to finish them at all. This sketch back from autumn 2022 is one of those. I still really love this idea and how the composition turned out etc, that's why I wanted to show it to ya even if I never get to finish it <:)

I liked exploring dynamic between Gin and Shiho/Haibara, and in my animal/anthro AU I had an idea of like, Gin kinda seeing her as a pest after her betrayal of BO + like a hunt object. Not like literally seeing her as a rat, but acting and relate to her as that <D More like a metaphor I think

[sunsetzer]

On one hand, I want a final fantasy 6 remake, because the game is criminally underrated and the amount of fan content (which is all absolutely fantastic btw) is Not Enough for my neurodivergent, hyperfixating brain.

On the other hand, that would inevitably encourage more people to join the fandom, which would be great, except it seems these days the bigger a fandom gets the more toxic it becomes, and I really like what we have going on over here in our little corner. We all just love the game and its characters and nobody fights about who should and shouldn't date who or who you shouldn't like because they're ~problematique~. Nobody's trying to make one ship morally better than another, nobody's calling anyone names or threatening to doxx people who don't agree with their opinions. It's so peaceful and I love that for us. We're just vibing. Moisturized. Unbothered. In our lane. Flourishing.

[running-in-the-dark]

it's been a month since we moved into the new apartment -

I'm so stressed. everything is stressful. we're still not done building the kitchen but it's getting there (slowly). mostly we just need to wait until we get a couple parts that weren't in stock when we ordered the rest. I'm hoping it'll be done by next weekend.

some of it is very frustrating with my brain specifically. I'm so bothered by all the tiny little things that no one else would even notice - like, some of the handles on the drawers are very slightly crooked (as in, less than a millimeter higher on one side) - but for me it's so obvious that it's impossible to ignore. my husband didn't even know what I meant when I pointed it out to him. there's also been a few slightly bigger issues, but we've solved them now (I think).

my eye has been twitching for like three to four weeks. not all the time obviously, but every few minutes. it's very, very annoying.

we still have no new info about when we'll have internet finally. it could take a while still.

on Monday a guy has to replace something in the electric roller shutters in one room - but we don't know which one yet. so either I'll have to let him into my room (awful, uncomfortable, will have to tidy up tomorrow so he could even get to the window), or I'll have to get both our cats into their carrier if it's the one in my husband's room (awful, difficult, one of them doesn't like that so he'll be scared and I'll feel bad).

also on Monday the electrician will install our stove (if he has time). then we're getting two ikea deliveries. and I've got an appointment with my (new) GP because I need a prescription, and I'm very (verrry) nervous about it.

I miss watching TV. I miss tumblr and YouTube and messaging my friends whenever I want and sending them photos all the time. I miss order and structure and (some level of) routine. I miss using real cutlery (we still haven't found ours lol).

when I was finally starting to get used to the noises in this place, the family above us moved in with their baby that cries all the time very very loudly and most of the time right above my room. so now everything is different again and I'm not adjusting well and once again I can't sleep.

but, I've listened to 14 audiobooks since we moved! that's been nice. it was the same way when we moved the last time (just over a year ago..). my favourite by far was The Thursday Murder Club. I've got the other ones in the series but I'm trying not to listen to them too quickly, so I'm gonna listen to three other books first (one is done already, so I should get there on Monday or Tuesday hopefully).

[yoinkschief]

If I did some "Your Character Here" Commissions for the Eddsworld crew, would you want to see it?

This would include 2 different poses/interactions between each of the four boys with a self insert :)

They would be in a similar style to the Eddsworld (OG/Beyond) style

Examples of my art and prices will be shown under the cut :)

Lineart

$5.00 No Background option available

Base Colors

$8.00 + $2.00 Simple Background

Simple/Cel Shading

$10.00 + $2.00 Simple Background

Better Shading

$12.00 + $2.00 Simple Background

These are examples and won't be used in the final product if I open up YCH commissions, these are simply references or examples of what they would look like if I did

Like I said, there would be two different versions of each EW crew member; one platonic and one romantic

That means there would be a set amount of slots I'd be able to fill up before they're genuinely just gone, but that means there's EIGHT slots so :)

[fiepige]

Summary:

“HOLY SH-” Miles and Gwen simultaneously turned to cover Pav’s mouth so as to not alert the creature in the middle of the carnage below them. The creature either didn’t hear him or it was too preoccupied with whatever it was doing. To his regret Miles soon realized what that was, as another wet snapping noise broke the silence once more. The creature was crouched down on all fours over what Miles assumed was the body of an officer, though it was so mutilated that it was hard to tell for sure. Its head was buried into the chest of the body beneath it, another wet snapping noise emerging as it pulled out a couple of ribs between its bloodied jaws... Or The Spider-Gang goes looking for Hobie. They don’t like what they find.

Hey guys, remember how I mentioned that I was working on a Venom!Hobie fic a while ago? Well the draft is done and so is the first chapter!

[spinspoon]

there is something very fun about the fact that 95% of all my recent drawings are of ocs

[sysig]

2023 Art Purge

Original edition! Ended up having to split the doodles into two parts, I didn’t mean to end up with so many left over but oops - onto the commentary!

Remember crayon Edgar? I drew this one at the same time! Loosely based off Circus Baby but really just more of a general cutesy look - layering with colours is fun :)

Eyes, every year. Two general eyes, and two characters! Bottom left is Souichi, and bottom right is Vivian :) Vivian always gets a spare eye haha

Some concept art for a false backpack I still kinda wanna make - it’d be a prop for a game I made earlier this year, as the prize container! It’s meant to be kind of like a pop-up shop that can fold away fairly small and hold a bunch of small items safely and inconspicuously, though it wouldn’t actually work as a real backpack lol

Some Cherubsona concept art, thinking about their hair and the light rays - I considered having a single asymmetrical hair tuft, I think while I was still on the fence about having asymmetrical wings as well - I’m happy with the final design :)

And some baby angels! Based on my DQIX/AGE headcanons/actual canon lol, took a few tries to get a design I was happy with before settling on the bottom-most one with the fuzzed ears, lolling about haha. Cute!

Also thinking about “Fallen” designs, since my cherubsona is meant to be a fallen angel - or even just biblically accurate angels! Maybe they became more normal-looking after falling haha

More Charm doodles based on the Hungry idea - neither Frankenstein nor Zombies were quite what I was looking for, but they were close! Poor Charm, even if it is a Look

More eyes! Concept sketches of the Yanderapy boys :D Mitsu’s swirls and Ishida’s sleepy ♥ eye expression haha

An alternate panel of Mitsu being shy to admit his love language haha, I wanted his expression to be a little more visible but him hiding in the book is also very cute haha

Little doodle of Ishida singing Daisy Bell! He’s half-crazy all for the love of Mitsu after all

Technically these are from later in the year but I was really hoping to have the set up for a silly concept rolling - Ishida wants to play a game! The game would allow each of them to take a turn, with the goal of the game to be to sneak a gift into the other’s bag or pocket when he’s not looking. A cute and silly and fun concept to reverse pick-pocket the other and give a little treat! Totally harmless and not at all strange or weird or with any kind of underlying sinister vibes!

The punchline of course was that since they’re both yanderes that it basically turns into stalking each other, which as featured here, Mitsu is very into, who could have guess lol. The double punchline is that they’re both so aware of/obsessed with each other that they notice each other right away, but play along because it’s obvious that they’re both enjoying it haha It’s yandere enrichment! Ishida would also get a real rush from “hunting” Mitsu, as would Mitsu enjoy being “hunted” - yet more twisted love languages ♥

Random deer :) Actually one of the animals I considered for Dahlia early on but decided to scrap, because I don’t know how to draw deer lol

Also went through a couple scrapped designs for her artist friend, just to make sure I explored all my options thoroughly! I’m glad I did, but I’m happiest with the one I decided on, of course

Brief Dahlia and Tala meeting. They’re unsure of each other! Squirrels and dogs don’t have the best track record admittedly

Bit of vent :( Bar’s always good for it ♥

Bucket! :D Been a bit since I drew anyone from that cast, though I somehow made him on-model by accident lol, and of course he’s still cute! That’s the important part really

Eyesssssssss <3 <3 On the left were some quick comparisons between dot/filled-in eyes and eyes with a differentiated pupil and iris, since I’ve been defaulting to dark eyes a lot lately (it’s the Vargas influence lol); and on the right were a bunch of Cure eyes! I think at least partially studied off of some character creators? Lots of eye styles to choose from, which one suits her the best hmm. She has very sparkly eyes

And another sort-of study off a character creator haha, it’s very cute! Not very Cure, though

One of the early ideas that made me want to dig her out of storage was actually an animation idea that was maybe a liiiiiittle ambitious to go about making without her having a fixed design lol - I’ve always been a fan of magical girl transformations that completely glow-blot out the body and then they explode into frills and bows and fluff at the end haha. I would still like to come back to the idea at some point!

Ended up with a good handful of muscle studies, even after the ones I already posted - a lot of the poses ended up silly haha

And a lot of skull/face/neck studies as well, with mixed success :P

I’ll get it figured out eventually!

Sometimes it’s fun to just doodle around, shapes :) My own original human style feels so constantly in flux with the fanart I like to make and having so many non-human characters haha, probably doesn’t help that I prefer high stylism

A trio! They look kinda familiar, hmmm....

Yet more eyes lol, the first trying to figure shines. You can really see what a lack of editing does to the implied shapes pfft ♪

Always trying to figure out how to dragons! Another one I’ll have to get to Someday. There’s gotta be a trick to them >:0

Out of general studies and tests - hey I thought Just Desserts already had a sona??? And that she was like the most important and best and all that?? I got curious what my sona might be in the JD universe without being the villain haha, and I came up with a Chocolate-Chip Brioche Bun lad! :D I’ve always had something of an affinity for brioche, also somewhat inspired by Edgeworth’s cravat haha. But would Charm still exist and be wreaking havoc, or would this be the alternate universe Charm equivalent?? ‘Cause they’re definitely not “Charm”

Speaking of Charm tho! She’s holding a tooth lol - something something, candy people mining teeth? Because cavities? I dunno lol, but she’s certainly not all that much bigger than a tooth so that’s some fun scale for you :)

And finishing off with some cutesie little chibis :) I made the first as a reference for proportions, and the second to show how my holosona would look in that style haha, what a cute evil computer

[dizzblaine]

Well I guess after spending a little over a decade as a fan of the series, it was about time I quit being a huge coward and threw my boy out there into the world. Or at least in the fandom itself—not that I do much in it to begin with.

So, hi there! My name's Andre, and this is my pride and joy who I've been tinkering around with for many many years now. I'm fully aware of how much of a cop out it is to go with SRTT's default Boss option, but I was 16 at the time and thought he was real neat. I do like to think I've sort of made him my own over the years with the amount of time I've spent just working on background stuff, his personality, and in general my thoughts on where the series could have gone, but I digress.

So this here's Django, he's a big boy who's also a huge fuckin' weirdo and has fully embraced the role of being a monster in the eyes of the people. I really liked the idea of having a customizable character and taking that to the extreme by having him not really develop a sense of identity or purpose up until he was brought into the Saints. He had always been self-aware of the fact that he had some sort of disconnect between himself and other people, which kept him from truly forming any bonds outside of his immediate and extended family.

Joining the Saints would forever change that as he found himself drawn to not only its members, but the criminal lifestyle as well—which was totally not helped by the fact that nearly most of his family were practically in the life as well in one way or the other. Bit by bit he would take notice of how others would act and adopt those traits for himself in order to form his own kind of identity and fit in with the gang better. Yet his true fully realized identity wouldn't be born until a certain Revelation much later in life.

Django's someone who I would consider ruthlessly ambitious—wanting nothing more than to see just how far he can take things with the Saints because he both loves the hell out of his gang, and wants to spite everyone who has ever doubted him. He holds no regrets for his actions and fully embraces the worst aspects of himself. He is not someone to be proud of. He is not someone to aspire to. He is a sick man who lives for this shit because not only has it given him a sense of purpose and identity, but it truly makes him feel alive.

I'll probably make more posts going off about him in the future. But for now, I think this is a pretty decent introduction.

Thank you very much to @spengs for this art that I commissioned a very long time ago!

[six-of-cringe]

*smashes this at your feet like a 40 and dives into a hole to rot*

[seahydra]

Aaahhhhhh I forgot I have teeth extraction tomorrow. Hell world

[skrunksthatwunk]

Chapters: 1/1 Fandom: 龍が如く | Ryuu ga Gotoku | Yakuza (Video Games) Rating: Teen And Up Audiences Warnings: Graphic Depictions Of Violence Relationships: Majima Goro & Sagawa Tsukasa Characters: Majima Goro, Sagawa Tsukasa Additional Tags: Genderfluid Majima Goro, Mentioned Saejima Taiga, he's not here though, majima gets dress coded (devastating), Solitary Confinement, Angst, Bittersweet Ending, Implied/Referenced Self-Harm, Suicidal Thoughts, yeah this one's not pretty sorry guys, Homophobia, Mental Breakdown, thinking about sagawa's sparrow thinking about sagawa's sparrow thinking about sagawa's sparrow th, featuring an oc: majima's shitty unnamed landlord, Abuse, look i don't know how to classify it in particular but it's. Not Good. You Know How It Is With Them, Dead Dove: Do Not Eat, in a very traditional sense like. the warnings are no joke, Hurt/Comfort, In The Worst Way Possible, Emotional Manipulation, Emotional/Psychological Abuse, ooh yeah forgot those tags exist. need those for sure, THE PLOT CAN ALSO BE DESCRIBED AS FIVE NIGHTS AT MAJIMA'S PLUS BONUS NIGHTS, also majima accidentally almost gives himself a gay earring situation, which. in hindsight is not explained well, basically around that time gay men used to wear an earring on their right ear, to signal that they were gay. majima's is on his left he's just scared, and sagawa is either messing with him or an old fart who doesn't know hip gay things, take your pick, Relationship Study, Canon-Typical Violence

Summary:

"Woaahh, hold up there, Tiger. What's going on here?" Sagawa said. "What?" Sagawa reached for his face. Majima tensed up as Sagawa's hand brushed the taut cord of his eyepatch. He couldn't tell what he was doing until his hot, sweaty fingers pinched his earlobe. "You pierce this yourself?" "Yeah." "God, it looks awful."

or, in short, majima gets dress coded and sent to gay baby jail

HEY I UH. I MADE A FIC IF YOU GUYS WANNA READ IT. NO PRESSURE OBVIOUSLY

[that-was-anticlimactic]

his brand of make believe convinces me it’s real

“Sorry,” he said sheepishly. “I’m just tryin’ to—I don’t think you’re ridiculous. And… I know that whatever you’re hiding ain’t ridiculous either.” And it was the truth because Aren loved listening to Shun and he loved loving Shun. Dark Reunion wasn’t real, nor was Shun part of the Jet Black Wings, but his imagination, his ability to make believe and create everything out of nothing was as real as flesh and blood. It was magical, something that Aren didn’t know was possible before he met Shun.

Now, he believed in things that didn’t exist, he listened with bated breath as Shun told him stories about things that never happened. It was Shun that made them real, by thinking and feeling and emoting in a way that most people weren’t able to do.

So, no, nothing about Shun was ridiculous. Not when he could make dragons real and everything exist simply by choosing to believe, choosing to pretend.

[or: aren wonders why shun always wears those "bandages" around his hands]

☆4,600 words | kubokai☆

big shoutout to @matcherry for beta-reading for me! you were a huge help and i couldn’t have done it without you <3

☆part three of my ts awareness month fics☆