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#idk I'm here for the vibes
cheeseceli · 3 months
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Stan list
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Get to know me a little bit more (me ranting about the groups I like)
Favourite groups
Stray Kids
- since Oddinary
- bias: Han
- bias wrecker: Seungmin (+Lee know)
- fav song rn: Item
IVE
- since after like era
- bias: Leeseo (inclined to ot6 tho)
- bias wrecker: Rei (+ all of them)
- fav song rn: Holy Moly
BTS
- since yet to come era
- bias: Jimin
- bias wrecker: Jin/Suga
- fav song rn: I need U/Run
I like it very much
Ateez
- since guerilla era
- bias: Yeosang
- bias wrecker: Yunho
- fav song rn: answer/halazia
Tomorrow X Together
- since the chaos chapter: freeze era (technically)
- bias: Yeonjun
- bias wrecker: Beomgyu
- fav song rn: Skipping Stones
Blackpink
- since as if it's your last era
- bias: Jennie
- bias wrecker: Jisoo
- fav song rn: lovesick girls
Seventeen
- since face the sun era
- bias: Dino
- bias wrecker: The8
- fav song rn: habit/to you
Xeed
- since dreamland era
- bias: Jaemin
- bias wrecker: Bao
- fav song rn: blue
EXO
- since monster era (technically)
- bias: Chen
-bias wrecker: Baekhyun/Chanyeol/Kai
- fav song rn: groove/mama
Enhypen
- since bite me era
- bias: Jay
- bias wrecker: Jake (I think)
- fav song rn: drunk dazed
Babymonster
- since predebut
- bias: Pharita
- bias wrecker: Chiquita
- fav song rn: batter up (they only have 2 songs😭)
I like it and want to get to know more
Nmixx
- since funky glitter Christmas
- bias: Sullyoon
- bias wrecker: Haewon
- fav song rn: break the wall/dash
Dxmon
- since burn up
- bias: Minjae
- bias wrecker: ?
- fav song rn: spark
E'last
- since thrill
- bias: ?
- bias wrecker: ?
- fav song rn: dark dream
Lun8
- since wild heart
- bias: ?
- bias wrecker: ?
- fav song rn: wild heart
Aespa
- since black mamba
- bias: Giselle
- bias: Karina
- fav song rn: savage (I'm sorry)
WayV
- since moonwalk (I think)
- bias: ?
- bias: ?
- fav song rn: on my youth
Mamamoo
- since mic on
- bias: Solar
- bias: Wheein
- fav song rn: gogobebe/egotistic
Boy next door
- since one and only
- bias: Leehan
- bias wrecker: Riwoo
- fav song rn: Serenade
Stayc
- since So Bad
- bias: Isa
- bias wrecker: ?
- fav song rn: teddy bear
Dreamcatcher
- since Boca
- bias: ?
- bias wrecker: ?
- fav song rn: scream
Shinee
- since hard
- bias: Minho
- bias wrecker: Taemin
- fav song rn: days and years
tripleS
- since girls' capitalism
- bias: ?
- bias wrecker: ?
- fav song rn: girl's capitalism
Everglow
- since Bon Bon Chocolat
- bias: ?
- bias wrecker: ?
- fav song rn: First
New Jeans
- since gods
- bias: ?
- bias: ?
- fav song rn: ditto
Red Velvet
- since beautiful Christmas
- bias: Joy
- bias wrecker: Yeri
- fav song rn: RBB/Pose
(G)I-DLE
- since latata
- bias: miyeon
- bias wrecker: minnie
- fav song rn: nxde
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outer-stars · 11 months
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"hey, it's that waybright kid"
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dylanconrique · 27 days
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they really weren't kidding about the rom-com vibes in this season.
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frenchfry99 · 8 months
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Look who's back from yet another flight! 🌈✉️
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Also him and his wifey as humans lol
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(plus Daria being silly :3)
Being more of a background character, Sean would mostly be shown in some educational pieces of the show (mostly geographical themed) and a sort of "arts and crafts" lessons with Eddie, telling about all the lands, cultures and puppets Sean had a chance to see (and various fun stories from his flights too!).
Sean may come off as rather shy, but he's as energetic and talkative as his wife, who oftenly would join him on his part of episodes.
His job as a pilot is to fly puppet travelers on his plane from the neighborhood and/to all other places of colorful puppet world and/or delivering mail, which could include anything from various personal requests of neighbors, to new goods for bodega and to letters as well (maybe that's why he gets along so well with the neighborhood's mailman and bugdega owner?). So he's quite the busy bird I'd say!
Sean always has a joke or pun up his sleeve - this guy sure likes to have a good laugh!
He's transmasc, bi & poly
I'm super burned out and dry on ideas lately so I'll infodump more abt him later 💔💔 local himbo pilot my beloved-
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Template by @/cloudysunflowr
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crookedgrifter · 6 months
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sigh. is this something
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rukafais · 8 months
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Peeking into the drow tag is incredible because people really do just be out here saying shit like BEFORE LARIAN DROW HAVE ALWAYS BEEN SEXY AND EVIL AND NEVER NUANCED EVER
Like damn I don't expect anyone to read an almost 40 book series but if you're going to do big informative rundowns you should at least do your research and look at a couple modules or something
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fearandhatred · 5 months
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Summary:
Aziraphale comes back wrong. Crowley tries his damnedest to figure out what happened, until he doesn't.
~~~~~
omg here it is FINALLY i know i said it would take 3 years but i lied i guess. i'm so excited to write and complete this actually. i got the idea when i first got into ethel and listened to preacher's daughter on repeat 300 times in a row so that should give you some idea as to what this fic will be like
that being said please mind the tags + don't like don't read ok love y'all any support is appreciated <3
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As promised-
I also made a paper-collage style version of this poster after watching a tutorial from TextureLabs, do check that out too!
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kayvsworld · 5 months
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sorry to be doing mcu throwback complaints again and EXTRA sorry for it to be about cacw and aou, sorry, i just am thinking again that if marvel had. in aou. committed to letting steve rogers see that captain america graffiti calling him a fascist with his own two eyes i would have forgiven many of their subsequent deeds and crimes
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ifindus · 2 months
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Franor?
Actually first time drawing this pairing even though I thought I'd gotten through most Norway ships by now. There'd def be a lot of love-hate in this relationship too.
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cuubism · 9 months
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hello friends. despite my 9 million existing dreamling wips i'm feeling the need to branch out a bit for the sake of my mental variety. what pairing other than dreamling should i write a little something for? could be romantic or platonic
other way of phrasing i guess: any pairings you really want to see more fics for in the fandom?
#i actually do have one someone asked me for ages ago i've been meaning to get to so i'll try to do that too#bonus points if it still involves dream bc you know i love dream XD#probably wont do any romantic pairings /between/ the endless because well yeah#but open to exploring pretty much anything else... feel free to send whatever if you want. dont worry about if i'll like it#if i can't vibe with it or find it uncomfy i just won't write it no harm no foul#not me soliciting little prompts fully knowing that motivation is a fickle beast and who knows if i would get to writing them XD i want#to though! or like. idk. if anyone wants to share headcanons about their favorite pairings i am happy to receive them#the sandman#a couple that are bouncing around my head already:#rose meeting desire. this could be really interesting i think (they are of course her grandparent)#calliope and lucienne post-calliope's imprisonment: i think their dynamic could be interesting since they both have/had close relationships#with dream. but of course calliope's relationship with him fell apart. i think lucienne with whatever context of it she had would probably#be sympathetic to calliope's perspective but still staunchly On Dream's Side so the speak bc she is ultimately very loyal to him... could b#an interesting convo.#additionally - calliope and johanna. both suffered things recently. both had curious interactions with dream where they recently saw both#his vicious side AND a kinder more understanding side of him... [dream gave rachel a peaceful death at johanna's request etc]#but they've come out of their suffering really differently (granted it was different types of suffering. but)#wow here i am asking for people's ideas and then just coming up with my own XD#anyway#wait two others: i'm fascinated by the potential dynamic of lucienne and the corinthian they only had like one short scene together in the#show but can you imagine. spending eons being loyal to dream and then going opposite directions with that loyalty. being among dream's inne#circle so to speak except lucienne is her own entity while corinthian was /created/ by dream. they have the most fascinating venn diagram o#personality traits and narrative positions...#secondly. and this is kind of crack. but like. imagine johanna and corinthian in the same room XD 'hi i'm an exorcist and this is my pet#serial killer' 'yeah my lord gave me a vacation to go kill some demons' why doesn't he try to kill johanna? bc she tried to destroy him#first time they met and he can't help but respect it XD
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batsplat · 1 day
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hello, i have a question. what is the difference betwwen a hard and a dangerous racer? is there some sort of characteristics like how succesful a racer is or is more of a "a dangerous racer races on the limit and that's dangerous. a hard racer races on the limit but. its just a hard racer". thank you for answering!
completely in the eye of the beholder, I'm afraid. it's a perpetual debate, and one where everyone draws the line differently... very much a case of one man's dangerous manoeuvre is another one's hard but fair overtake... that being said! I'll have a go at coming up with a general framework with which people assess this stuff
let's bring in two strawmen, which feels like the most direct way to illustrate the possible stances you can take on this debate. to be clear, nobody really fits neatly in either ideological category - but, well, these are pretty much the two most extreme positions anyone could have:
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when people are describing something as 'hard racing' (as opposed to... idk, 'clean' racing), they are usually talking about a) contact between the two bikes, and/or b) an action that forces the other bike to take evasive action. what constitutes forcing evasive action? well, this is all very nebulous and hard to define - there's crossing another rider's racing line, making them pick up the bike mid-corner, forcing them wide/off-track, not yielding in situations where one of you will have to yield to avoid a crash... but this is always an assessment that will depend on the specific circumstances. not every block pass is considered hard racing, for instance, even though you are quite literally 'blocking' the other bike. contact is the more straightforward one... if you initiate a move that leads to contact, then most people would agree this is 'hard' racing
so say you are in the 'A' camp. according to this line of thinking, pretty much every contact is 'dangerous' riding and should not be allowed. here's what gibernau said about jerez 2005, included in the sete post:
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let's not discuss the merits of the jerez 2005 move specifically here - this is an expression of a broader ideological position. "this is not a contact sport" "it's not about hitting another guy"... so, according to this stance, actions that knowingly result in contact should not be acceptable and as a result need to be penalised. taken to the logical extreme, any and all 'hard racing' is dangerous
let's go to the other extreme, 'B'. let's say you're very pro-hard racing, to the point where you think that contact is more than fine and that it is unreasonable to call it 'dangerous'. sure, of course it is dangerous, but inherently all motorcycle racing has a lot of risk attached. racing that involves contact is basically acceptable. even within this extreme, my lovely venn diagram allows for some actual 'dangerous' riding - either behaviour that is wholly irresponsible during races... or stuff that doesn't count as hard racing because it's not 'racing'. here are some examples:
stuff that happens during races but is like... egregious misbehaviour. cf romano fenati pulling a rival's brake lever during a race - obviously dangerous and no longer really exists within the confines of actual racing
in either races or non-race sessions - not following proper safety procedures like for instance ignoring yellow flags. again, should be pretty obvious why that's dangerous
poor behaviour in non-race sessions,the general tag for not exhibiting appropriate care, awareness for your environment, all that stuff... the extreme example is marc barrelling into the back of another rider after the chequered flag had been waved in friday practise at phillip island 2011 (more on that here). it's also things like faffing about on the racing line, see the pecco mugello dramatics
so, yes, everyone will agree that there's some stuff that counts as 'dangerous riding' that's distinct from 'hard racing' just because it's not actual racing. that's the most straightforward stuff... but yeah, anyway, those are basically the two extreme positions you can take. you can say that all contact is bad and dangerous, that any time you're forcing another rider to take evasive action and are making a pass that isn't 1000% clean, you are putting others at unnecessary risk. or, you can say, hey, everything goes, rubbing is racing on steroids - sure, there's a small category of things that aren't acceptable, mainly stuff that isn't actually racing, but otherwise you should be allowed to brute force yourself past riders whenever you please
obviously, they're strawmen for a reason. basically nobody holds either of these positions in their entirety - and in race situations, there's always going to be actions that are seen as hard racing by some and as dangerous by others. so, unfortunately, we're going to have to dig a little deeper here, and figure out by what metrics people draw the line between hard and dangerous. let's... hey, how about we bring in casey stoner, just this once. as a treat. here's what he said after laguna '08:
“I’ve been in hard racing all my life, some very aggressive racing, but today was a little bit too much. I nearly went in the gravel so many times and I don’t think it was necessary.”
hard racing? casey's done that before. some very aggressive racing? no issue. but what valentino did at laguna was "a little bit too much" and not "necessary". the specific thing casey cites is nearly going into the gravel - and indeed, forcing other riders wide/off-track is one of the types of racing behaviour that most finely straddles the line between 'hard' and 'dangerous'. for other examples, see suzuka 2001 in which biaggi forced valentino off-track and valentino flipped him off when he eventually got past (a few more details here), qatar 2012 where marc forced luthi off-track and got slapped after the race (here) and sepang 2015, where... uh. you know. or how about argentina 2018 where... look, I think you get the point - plenty of controversy comes from forcing your opponent's bike into places where it's simply not supposed to be
while we're at it, let's throw in a little excerpt from casey's autobiography about the race:
A lot of it was fair racing, he was out-braking me on the inside and riding better than me around a lot of the track. If it had all been like that I would cop it sweet. But a couple of moves off camera added to my frustration. I risked running off the track, and racing at the limits like that as we were I even became worried about my safety.
(does have to be said that the pair of them spend... relatively little time off-camera, never when the bikes seem to be particularly close - but of course the problem this statement creates is that by definition you can't judge any footage you don't have access to)
so, let's strip away the details and think about what casey is actually talking about here. it's a risk/reward calculation. this is what's at the heart of this riding standards debate: what level of risk is acceptable for what level of reward? there are situations in which there is inherently a higher level of risk in a way that isn't caused by either party - influenced by the circuit layout, what the weather is like, how hard you're both pushing aka how much on the 'limit' you are, and so on. but even if that risk isn't your 'fault', if you are riding at very high speeds on a dangerous track, you can still be considered a dangerous rider if you're not exercising appropriate levels of caution
so, let's break it down even further and try and come up with some basic criteria by which people judge whether a specific move is 'hard' or 'dangerous'. how about this: (1) does the action have a reasonable chance of coming off, (2) is the risk you're taking proportionate to the reward, and (3) is the move likely to cause serious harm to you or the other rider. let's take them one by one
listen, it needs to be plausible that you're going to be able to pull this move off. if you're firing the bike from fifty miles back into a gap that doesn't exist, then this is by definition an unnecessary risk. you are not going to do yourself any good and you are also not going to do the other rider any good. (sometimes it might be in your interest to crash the other rider out so you might as well, but unsurprisingly this is frowned upon. see the 1998 250cc title decider.) obviously, this is going to be affected by your skill level - if you're a mid rider, there will be fewer moves that are 'plausible' for you than for the best riders
this is basically the common sense metric. if you are riding in a pack, make sure to keep in mind that crashing in this situation could get ugly. if you are fighting for p5, maybe a different approach is fitting than fighting for p1. if you can make an overtake a lap later as long as you're patient, in a way that's a lot safer than doing it now, perhaps just do that instead. don't be silly in the wet! this comes down to stakes, whether it's worth it, how likely the move is to succeed... and also what the consequences would be if you got it wrong, for both yourself and other riders. you're making an overall judgement based on all of those factors... sometimes you need to take risk, but it's better to make sure that risk is reasonably sensible
however high the potential rewards are, there's a certain level of risk that is no longer acceptable, where the 'risk/reward calculation' stuff has to be thrown out of the window because the reward no longer matters. this is basically the catch-all for 'wholly irresponsible riding' - anything that's just going too far
so, uh. obviously everything described above is super subjective... but that's what people are judging in my opinion, this is the standards they are using in their head to determine where they draw the line. so, as an example, to bring back the stuff from this post about the inter-alien ideological differences:
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and again, this is also what the debate after aragon 2013 was about:
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if you think aragon 2013 is unacceptable to the point of being dangerous, then you probably take quite a hard line view and think pretty much any action that could lead to contact needs to be stamped down on. while that contact did have unpleasant consequences for the other party (dani wasn't able to walk for several days and his title bid was basically over), it is perhaps a little worse than could have been reasonably expected in that situation. in that sense, there's a bit of surface level similarity with jerez 2005... there, valentino made the pass for the win at the last corner, knowing he would probably bump into sete while doing so. neither rider is knocked off their bike (though sete has to leave the track) and it is at a slow corner, with relatively 'light' contact. unfortunately, as a result of where valentino's bike impacted sete's body and sete's preexisting shoulder issues, it ended up injuring sete (see here for valentino learning of this perhaps a little later than was ideal and only after he'd taken the piss out of sete for dramatically clutching his arm). at aragon 2013, marc was harrying dani and sticking very close to his rear tyre as he applied pressure to his teammate before he made a small misjudgement, getting his braking a little wrong and clipping the back of dani's bike. he happened to cut a crucial wire in the process, causing dani to highside a few moments later
these aren't equivalent situations and each have their own risk/reward profile. but the basic point is this: inviting contact with another rider will always generate more risk, and can always have unintended consequences... even when the action is relatively innocuous and the rider would not have expected this outcome. if you are in the 'all passes should be clean passes' school, this risk is fundamentally unacceptable. even trickier - what if contact is made as a result of a move you initiated but the other rider could have avoided? of course, you started it, but they could have yielded... and maybe they should have, maybe that would have been the wise, the sensible thing to do in that situation. it's always important to remember that at least two riders are involved in all these situations - and there are many cases where contact and/or crashing is not 100% the fault of any one party. so, for instance, there are several moments in laguna 2008 that are so risky in part because casey is also refusing to yield. that's not to necessarily imply any blame or fault! of course, it might not be ideal for the most aggressive riders being able to bully everyone else as they please because they know they can generally rely on everyone else being more sensible and yielding. but the differing outcomes resulting from the choices made by the 'other' rider will always help influence perception of any race situation - a move that is seen as 'hard but fair' might have been seen as considerably more dangerous if the other party hadn't yielded
and yes... yes, there is absolutely a question of your success rate. this links back to point (1) - is the move plausible? there are moves that aren't really considered examples of 'hard racing' and certainly not dangerous... because they worked. take valentino's last corner move at catalunya 2009, at a corner where you don't traditionally overtake (remember, before the race jorge was going around tempting fate by saying that if you're ahead by that point you're sorted). sure, he goes for a gap that exists, but it could easily have gone wrong - and if a lot of other riders had tried that, then it would have. how do you think yamaha would have felt if valentino had taken both yamaha riders out at the very end of the race to allow ducati to claim an unlikely victory and an increased championship lead? here's another one: misano 2017 and marc making a last lap move in treacherous conditions to snatch the win. no contact required to make that risky as shit - and if stuff like that goes wrong too often they call you an idiot at best and dangerous at worst. of course, both valentino and marc have had moments where they very much did not pull off moves they were intending, which is how we get ambition outweighing talent and 'I hope he can learn from this one and improve for the future', among other hits. but, relative to the amount of risk they're regularly taking in their racing, they get a lot of reward for their troubles... because they're very good at what they do. the risk/reward calculation is one that they... uh, can both be very adept at, but it's also one that's fundamentally easier when you're skilled enough to pull off a lot of moves that would be beyond the capabilities of other riders. it's when you don't know how to judge your moments, when you keep trying moves that you can't pull off - that's where other riders will start having a problem with you
which is where we get to reputation! how different incidents are judged will also depend on the existing reputations of the riders involved and whether they are seen as 'fair' racers or not (an even more nebulous term, if possible), versus hard racers, dangerous racers... often, this is a question of quantity too - with certain riders on the grid, you will notice they're involved in controversial incidents disproportionately often. how likely people are to pay you the benefit of the doubt... how likely they are to believe you as to what your intent was in a certain situation, perhaps the most nebulous concept of them all. 'hard' and 'dangerous' aren't assessments that are made in isolation, and how severely riders are judged will often depend on their pasts and how those pasts are perceived by others
where you get into really sticky territory is... okay, both valentino and marc have more often than not (arguably) been able to stay on the right side of 'the line', where their moves might be hard but aren't putting anyone else in active danger - but that's because they are at least theoretically capable of exhibiting a good sense of judgement and are also good at what they're doing, as covered above. here's a question: do they bear any responsibility for when younger and/or worse riders copy their moves and/or general approach to racing, with worse consequences? when they have been criticised, when they are called dangerous, at times it's not just what they're doing in the moment... it's what they're inspiring. so you've got stuff like this from sete:
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even more drastically than that, after the death of a fifteen year old rider in supersport in 2021, one of his fellow rider said this about marc (which marc unsurprisingly strongly pushed back on):
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(just worth remembering, this is a rider who did walk away from the sport as a result and was clearly deeply affected by what happened - the marc comments were part of a longer statement that got overshadowed by this part and the resulting controversy)
setting aside the merits or lack thereof of these specific assertions, what of the general questions they raise... can you be a dangerous rider in an indirect fashion like this, by the very nature of your legacy? are riders who helped bring about a more aggressive baseline standard of racing in any way responsible for anything that happens as a result of this standard? (even worse, there's a line of succession here - after all, who was marc's biggest inspiration?) or does individual responsibility reign supreme here? athletes are by design only interested in their own successes, aren't they - and 'legacy' is so abstract, how can anyone know how others will be influenced by what they do? how can we even begin to assess how big an influence individual riders really are? let's not forget that there will be other factors - riders in the past have discussed how particular characteristics of the moto2 class have bred more aggressive racing, or the influence of the size of motogp bikes, or how difficult it is these days to overtake in a completely 'clean' manner, or the rules themselves and to what extent they have actually been enforced etc etc... maybe there's also an element of people focusing on the easiest, most visible explanation in the form of star riders, without giving proper consideration to the underlying factors that will influence an era's style of riding. again, how you feel about all of this will vary from person to person - but part of the hard vs dangerous debate is inherently forward-looking. and it's hardly just legacy... your hard/dangerous moves may also be setting a precedent in the present. to what extent is it the duty of riders to worry about that?
so then, that's what I've got. how you draw the distinction between hard racing and dangerous riding will come down to your individual ideological position and what you think racing even entails. do you think all contact is objectionable? do you think only the most extreme of transgressions - most of which don't qualify as 'racing' per se - should be labelled dangerous? somewhere in between? everyone will draw the line in a different place, according to the situation and their individual biases and understanding of events. it comes down, generally speaking, to how you judge the risks and rewards of a certain move, whether you think what a rider attempted was 'worth' it. all of which depends on whether the rider could realistically have managed whatever action they were attempting, whether the potential rewards were proportionate to the risks, or whether the whole thing was just too flat out dangerous to ever be worth it... of course, none of these are objective standards by which you can assess the racing, but they should give you a rough indication of what people are even talking about when they're distinguishing between hard and dangerous racing. riders as individuals are also far from consistent in their stances (surely not!) so you do have to play it by ear a lot of the times... and while there are plenty incidents where the majority can agree whether it is 'hard' or 'dangerous', there are plenty more where you're going to get a lot of contradictory opinions. no definitive answers here - unfortunately a lot of the time you'll just have to make your own mind up
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averlym · 9 months
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no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein
(click for better resolution!)
:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''
close up!
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#adamandi#vincent aurelius lin#i'm back with the posters! or smth! idk!!#i'm maybe just a bit obsessed with vincent. such a Character.#where can i run is sustaining me single-handedly through this exam season (<- has cried thrice in the last two days; alas; but moving on)#my stress response was that in a fit of apathy i shut myself down from academia and stopped to paint this#six hours total? on this funky little thing! had to push myself to finish the magnifying glass but!! looks so cool. i'm impressed with my e#fun fact: all the shades are hand-coloured. aka everything is digitally hand painted hooray!! i havent painted for a long time (ish)#smth about this musical makes me want to paint. it's very lovely that way#it's also a miracle i haven't gotten carpal tunnel or any wrist injuries so far... i'm a lucky person! hooray#i had so many thoughts to ramble about and now i don't recall any of them.#-! about this piece: inspired specifically by that one line that i doodled in the margins of a math practice last night#the diagonal slant was very. thinky. the rendering and angle were kinda contradictory to do but it's fineeee (draft was diff. pov)#i liked the red abstraction. and the way that people (misc) gave same vibes as red blood cells.#green for vincent because contrasting colour!! considered a spotlight that was more obv bc. again theatre lighting is so cool. but that was#a bit too literal? i think. so just fun little highlights. no one look at the accuracy of anything here though.. shadows do Not do this#also like hehehe lin. forest. forest of people. i really liked thinking about that. hehehe#i didn't know the font to use!! or quote!! so i slapped on the name of the musical and called it a day... the blank one is in the google-#-folder if you want to add your own stuff :') also also i wasn't sure about cropping at all. so again high res in google drive link#which is under the keep-reading sign! kind of a choose your own adventure because i'm lazy :3#ajhshdhfhfhfhf i think i've been fuelled by the tags under each post so far. so intensely. so very nice.#also when the cast or creators drop fun facts... serotonin right there.. they're all so nice waaagh it's so cool that they like my stuff ><#<laughs> really grateful that the whole fandom's so sweet <3 thank you for your support TvT#alright!! off to mess about with chemistry. jiayou me.#oh yes. a post script about the cropping crisis: i wasn't sure how small i wanted to make him. in proportion to the crowd. so if you see it#on mobile ig it's tiny and on laptop it kind of makes sense ...
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mysticalcats · 19 days
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experienced an autism loss today
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cj-the-random-artist · 5 months
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This turned out a bit darker (visually) and a bit more. Green. Than I intended. But I stand by it looking nice. This was honestly an "I haven't drawn a human character in like 2 weeks I forgot how to draw humans so I gotta draw a human" so. Scar. Also good for him for winning Secret Life, man deserves it :D
Have good day :D
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yardsards · 1 year
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a pet headcanon of mine is that after they're done with the sigil removal, emira expands her horizons and starts studying the psychological side of healing, pulling in some resources from the human realm and combining it with boiling isles methods (i imagine the field of psychology in the boiling isles, while existent, was often pushed aside as just a lesser branch of the healing coven back when belos was in charge. i do imagine there's often magic like the memory tweezers involved)
and i imagine she ends up focusing in on like, art therapy and self-expression, because she knows how important that can be, after having her individuality stifled so hard when she was young
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