hey animators
heres a link to a spreadsheet of a ton of anonymous tips of what its like to work at different studios. could be useful if youre looking for jobs or wondering what its like in the industry (like i am :P)
feel free to repost--i found this on a class discord and am just doin my best to spread it around !
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because i feel like it's been so long since updating, here is a peek at chapter 11
He’s lost in thought again, eyes glazed over with some kind of appreciation as he taps his ringed knuckles against the bar. He almost resembles a kid in a candy store yet you nearly take it as pity, that vengeful little monster within you ready to pounce on its prey and feast on you for the remainder of the night.
“Yeah.” He exhales. “Yeah, they’re perfect.” It’s said in a whisper, as if he only wanted you to hear him although no one else was close enough to hear.
“Are you sure?” You ask, hands placed atop the bar as you lean closer to him, worry etched into your features. “Cause I can–”
“They’re perfect.” He affirms, louder this time. His gaze finds yours, huge chocolate buttons so filled with such adoration you become overwhelmed, palms turning clammy. The monster inside of you has been smothered for the time being.
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someone on twitter mentioned how the daughter troy allegedly has in 8b could be an adoptive daughter and not a bio daughter and I lowkey can't stop thinking about it bc I feel like that would solve all the problems/hesitations I have about troy having a kid
the idea of troy having a kid with someone just absolutely does not compute in my mind. like... troy getting with someone and potentially being in a relationship and then having a child??? genuinely baffling to me. and idk maybe that's just bc I have the s3 version of him in my mind and when we see 8b troy he'll be different enough that him having a kid would compute more? but rn something about that doesn't feel very troy
but the idea of him having an adoptive child, like maybe he had friends who had a kid and something happened to them and he made a promise to look after the kid or maybe it was even kinda he got lumped with looking after this kid and over time they got closer and now he thinks kf her as a daughter? idk I think something like that sounds wayyyy more interesting than him just having a daughter via some relationship he was in
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Shounen protag Firestar is awesome and cool and I love those types of designs, especially with the fire motif lending well to anime hair, but I know when I get to him, I want to make him look kind of like a geek? At least when he's Firepaw/Fireheart. I always saw him as the type that, while gullible and easy to persuade, is always questioning things and seeking out knowledge. He wants to learn each and every type of clan job there is, and he's all too willing to sniff around when Tigerclaw is acting suspicious. He's definitely an action guy, but he uses his head a lot and takes special care when making tough decisions, something that he honed when he became deputy.
So in my hypo-rewrite au, I wanna lean into this a bit. He joins the clan ready to stuff his brain with every bit of clan culture, their festivities, their training, their contruction, their meals, their practices, and he even becomes a bit of a medic assistant, spending a lot of time with Spottedleaf in the medic's den (NOT romantically like in canon, I wanna retool Spotty as well, but she's a mentor figure the same way Bluestar and Yellowfang are). He's ambitious, he is that guy who is striving for that 4.0 GPA, he wants to prove himself and be in every single type of patrol. And this combined with his knowledge from when he was a kittypet, makes it easier for him to note when things don't line up, and when that happens, he's shoving his nose in it.
But he's book smart, but not street smart. When he goes into a conversation unprepared, he can be tricked pretty easily with "Um, Tigerclaw was obviously at the border with brokenstar's lackeys cause he was telling em off, DUH." Because he still wants to see the best in people despite that- and that can be a double edged sword. So while he's a little detective, yeah he needs the help sometimes. He's also not great with thinking on the spot, he needs a lot of time to ponder what action he's going to take on sniffing out evidence for his case. He doesn't really hone this until he's deputy.
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the thing of it is if we all just individually liked or disliked taylor swift, it would be normal, but as it stands there are people who are obsessively reverent (and defensive) over everything about her and those people are insane and insufferable and wrong. and there are people who hate her vehemently and refuse to entertain the idea of any value (or even acknowledge talent) in anything she makes and those people are generally not insane but they're also kind of insufferable and observably wrong. everybody needs to stop talking about this woman online until we can figure out whats going on
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I've only got 4 episodes left in season 4 of ML, and I'm feeling like this show is going through a bit of an identity crisis. It started as a simple monster-of-the-week superhero show with small hints at plot here and there, but now in season 4 it really feels like they're trying to focus a LOT more on the plot aspects and it's kind of collapsing in on itself lol
I understand it's not uncommon for modern cartoons to start with a simple premise and then start building up a plot later on, but with Ladybug, it feels like they want to have a big story but aren't willing to break away from the base formula of the show. Which is kind of an issue, because the base formula includes having a character press the "revert everything to the status quo" button; aka, if anything of consequence happens, it doesn't actually matter because it'll always be fixed/reversed by the end of the episode. There's essentially little to no plot development , because the forumla literally does not allow for it.
Ladybug doesnt need to have a huge overarching storyline (I honestly enjoyed it more when they weren't so focused on the plot), but it just feels kinda lame for them to dangle all of these different plot threads in front of the audience only to immediately say "just kidding!" and then pretend they never happened. It can come off as very fanfiction-y at times (Oblivio and Chat Blanc come to mind), and they've done the identity reveal fakeout so many times now that when it actually happens, I'm not sure I'm gonna have much of a reaction other than "finally lol". Their lack of dedication to letting anything change in the status quo is SUPER obvious with Chloe.
Chloe has a full redemption arc set up in seasons 2&3 (making her sympathetic, giving her a sad backstory that explains why she is the way she is, making her have moments of lucidation where she admits she's a bad person), only to have her turn evil in the season 3 finale because... she's the mean girl. I'm not even saying Chloe HAD to be redeemed; the idea of having an antagonist try to redeem themselves, only for them to fall even farther, is super enticing to me! The problem is, the show very clearly set up a normal redemption story, and then just changed its mind last second because "she's the Mean one". It's really jarring!
Its like the show has all of these ideas for dramatic storylines, but instead of picking one plotline and focusing on that, they just decided to do all of them and have none of them matter lol
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