#idk if this is... wise to post like idk if this is good and this chapter is mostly exposition and scene-setting but

[heartless-brainrot]

so i was planning to do heartless art for pride but i forgot and now its 11:42pm on june 30th so have this for now

i sware ill do something art in july

[kakyogay]

more shadow because the silly

[^context for that^] been reading a whole lotta post-movie fics and making up my own in my head. The regulator rings (if that's what they are idk I'm new to all this) are wrecked and chaos energy is just pouring outa the fella, making wounds worse and ruining any progress his accelerated healing could do (BECAUSE ANGST YOU FOOL).

oh and also a wee bit of a doodle for the fic I'll Be There With Lavenders by XenoCG because twas very cute and saw the outfit collage they posted (I already tagged them on insta I don't want to bother them again ouuuuhgh)

[painom]

Hello! Can I just say that I really appreciate you doing this? I've always been a big fan of your analyses and your ability to get to the root of the characters. Thank you for continuing to let us read your wonderful thoughts and stories.

On your old blog, you discussed your headcannons for Lyney, one being his tendency to forget things like where he put his wallet because him and his mind are very busy. Unfortunately, I didn't save the post (my biggest regret ahhhhh!) and I would love to read your analysis once more. If it's okay with you, could you go over your headcannons for Lyney again? The old, the new, whatever's on your mind and whatever you're willing to share. Thank you so much!

Thank you for the kind ask, anon! Here you go!

New Lyney Headcanons

Self-focused - Though he never seems like it, those that know Lyney well know that he’s often running low on sleep. And really, he has no one to blame but himself. During the day he’s often distracted with magic shows, helping people, little tasks around the hotel, running missions for Father, and much more. And at night? He can often be found alone in his room planning new tricks, arranging missions for his siblings, studying to become the next “king” of the House, and things of the sort. If Lynette and Freminet didn’t keep an eye on him, no doubt he would stay up the whole night if given the chance! Those two welcome all the help they can get. 

Relationship-focused - When it comes to his relationship with you, Lyney never lies. You know he would never do that to you. And sometimes, the knowledge almost lulls you into a false sense of security. Yet you know better. You’re smarter than that. Where Lyney doesn’t lie, he omits. Half-truths so easily fall from his mouth as drops of rain from the sky. Your comments of concern are often brushed off and your questions redirected. As much as you try, you know the truth. He doesn’t want you to know. He doesn’t want you to shoulder his burdens with him. 

old lyney headcanons below!

Would Lyney be honest with you?

With his outgoing and fun personality, it oftentimes is easy to get caught within his flow. Lyney is the charming sort, after all, that one may very well forget that he is subject to the same struggles as the rest. Get to know him well enough, though, and you will quickly realize that this is not a fact he wishes others to know. More than a desire, he needs to be seen as someone in control, as someone without weakness. That’s his role as the big brother. And if that means lying, avoiding, and omitting the truth to accomplish it, then an accomplished performer like himself will do what he must. 

Does Lyney prefer to pursue or be pursued?

With a penchant for flair and dramatics, it’s clear to see Lyney prefers to pursue the people he’s interested in. Really, it’s one of the things he goes all out. With a trick up his sleeve, he won’t hesitate to dazzle you with flowers pulled from nowhere and fireworks from his tophat. He wants you to be enchanted. He wants you to be impressed! You are, aren’t you? You like it, don’t you? So focused on charming you that he often loses sight of much else. Fun fact, should you attempt to turn the tables, however, you can expect his mask of self-confidence to fall to reveal a rather flustered expression beneath. 

Headcanons

Self-focused - If there’s one thing that’s true about Lyney, it is that he is a very busy person. As a person with multiple masks and roles, his thoughts are often preoccupied with House missions, performances, new tricks, and things of the like. So, much to the dismay of others, it’s easy for things to become buried under the multitude of other tasks he needs to take care of. How often the simple things become forgotten—where he last left his wallet, tea time with his siblings, the sale on storybooks at the bookstore. During those times, he really can’t help but appreciate his siblings and their ability to keep him on track. Really, he doesn’t know what he’d do without them!

Relationship-focused - It doesn’t hit you at first, but it doesn’t take you very long to notice how hard Lyney tries for your relationship. Normally this would be a good thing, but it is different with Lyney. Every day he tries to charm you. Every day he attempts to enchant you. You tell him he doesn’t need to try so hard, but that only seems to light a fire beneath him to do even more. You see it in his eyes. He needs to know you are still in awe of him, that you like him as much as he does you. And then it sinks in, doesn’t it? He doesn’t trust you. He doesn’t trust your feelings for him. He’ll never show his true face to you.

old tags for this post: #okay let’s talk lyney for a bit i think the biggest thing to know about lyney is that at his core he is an insecure person insecure and anxious #imo he’s extremely attached to his title of ‘big brother’ that he needs to fulfill the duties if such he needs to protect his siblings and be a person others can rely on #this belief is so strong that he refuses to rely on arlecchino for help and snaps at freminet for trying to get him to open up #he really cares about the way he’s perceived #remember when the traveler found out he’s part of the fatui and he spends his time bending over backwards to try to get them to trust him ‘like me! like me! please. i’m trustworthy i’ll never lie to you please!!’ #honestly imo that’s just one if his faults like lyney is unstable #idk what possessed arlecchino to make him her successor like he’d crack under pressure #lynette is a way better option #but anyway bc of these things he would not trust his partner in a relationship #he wouldn’t rely on them he’d never feel secure which would prompt him to keep trying too hard to ensure he’s still the person he thinks you fell in love with #the most important thing to remember with lyney is that he is a performer and the face he shows to the world is essentially a mask

What’s Lyney’s breaking point in a relationship?

It’s hard to imagine, really. With how much Lyney may seem in love, the idea there’s a point a relationship would be too much for him is hard to believe. But when you really think about it, his breaking point is simple. As strong as his feelings may be for you, his devotion to his family and its cause outweighs everything else. Should your relationship with him ever reach a time where it encroaches upon that which is the most precious to him, then there’s nothing more he can do than let you go.

old tags for this post: #i think the key thing to take in here is that lyney cannot function without his family he is extremely reliant upon them to the extent that he will become unstable without them #just look at the archon quest when wriothesley captured his siblings any and all logic completely went out the window #lyney is an anxious insecure mess and the only thing that holds him together is playing the role he has to as big brother #if your relationship with him ever reaches the point that you transcend into being counted as his family.... he will have no breaking point #the breaking point will be his mind or body. whichever breaks first

[luvingsolace]

Please please more long haired nico its the BEST design choice. i will cry if you give him emo highlights /pos

this is all I got… this is all I got….

Im in both a very intense art block and a moment in which my hand doesn’t seem to answer my commands so this is. Terrible. I’m sorry. Also I did this before the ask so I tried to put some suggested highlights (???) in Nico’s hair but I’m not sure it worked😭 anyway….

(Nico has no shirt because I was simply too lazy to do that!😀)

[bacchuschucklefuck]

caps from comic Im doing

[sleepyvib-es]

I said it before but no rachel and possibly no charlena (“non essential” characters) all the while testing scripts for a certain medic who doesnt even show up in ttc is so beyond disrespectful

[neuropteran]

robbies for whenever gay thoughts overwhelm you so bad you malfunction a little bit [x]

[telesodalite]

Every now and then, I stumble across that "Fulcrum was Pivot" theory/headcanon post again, and I have a thought about it, not exactly a theory at this point, obviously, and not backed up by any evidence whatsoever, but a funny headcanon/au that relates to it

What if Pivot and Fulcrum were twins? More specifically, identical twins.

Separated at birth, from one of the last Cybertronian hotspots, as the planet began to steadily decline, and resources continued to run out, one was taken away by the Decepticons, off to further and help build the future of the Decepticon Empire, and the other brought into the Autobots, learning and helping to further science and their continued survival. Neither one ever knowing about the other, or what happened at the hotspot they both came from.

We don't know much about Pivot, other than that he was lucky enough to find love in the shape of Chromedome, which uh... makes the "lucky" part a bit debatable, seeing as the next fact we know about him is that he's dead, and that Chromedome erased his memory of him, and that Brainstorm is the one that carries the burden of those forgotten memories.

But what if Pivot had one hell of a chin, and a coppery orange face, with bright warm golden optics, and little winged finials over his audials, maybe he smiled real wide too, maybe he had a big laugh in contrast to his leaner frame, maybe he had a terrible taste in comedy, maybe he was smart, another bright mind in the dark halls of the New Institute, and he fell in love, and he was loyal, and he committed, and maybe he was brave, too brave, and he messed up, or ended up in the wrong place at the wrong time, or he ran towards danger, and then he was gone, and Chromedome forgot him, but Brainstorm didn't.

(And somewhere, far far away, Fulcrum feels an odd pang in his spark, unfamiliar and strange, almost like a rip or a tear, a sudden separation, which is probably concerning, but then it's nothing compared to the damning shadow of an Autobot dreadnought breaking through the atmosphere above him as he steps out onto freshly cyberformed ground, and it's background noise compared to the cold sinking feeling in his tank, and the sharp jittery urge to run as far away as he can as gunfire erupts and voices scream and shout around him, and he forgets it as his pump hammers a panicked doomed beat in his audials as he's dragged back home to face his commanders and his people as a coward and a failure.)

Years and years and years pass, and its been a long time since they've chatted in person, old contacts, subpar wartime spies, a handler and his insider at the bar, on a victory lap, and isn't it funny how the universe brings you together? But Brainstorm can't focus as Misfire chatters on, because that mech in his group is nagging at his processor. Because there's something so terribly, painful familiar about that face, those optics, even the chin?! But he can't place it. Somethings too different. The frame, the mannerisms, the voice. But maybe Misfire notices the wandering look, he waves, and Fulcrum turns, and it hits Brainstorm when he recognizes that look, that smile, that fond exasperated crinkle of warm golden optics, directed towards the mech beside him, because this has happened before, and suddenly, for a moment, he's back in the New Institute, with Chromedome at his side, and it's Pivot sitting across the room smiling at them.

Cue Brainstorm desperately trying to figure out how and why Fulcrum looks so much like Pivot.

Did Pivot somehow live?? Did the Decepticons kidnap him, then brainwash him, and then turn him into a bomb?! Is this just an imposter!?! Who's... not really good at being an imposter... Did Chromedome and Pivot secretly create an evil Pivot clone in the labs without including him or letting him know!?!?!?!

Shenanigans ensue

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[sukugo]

question!! if tumblr does go down, where are you guys going to? or at least where are u most active outside tumblr?

[skatiet]

weird that no one’s talking about how in another universe, kate went to medical school with tom, but she wasn’t made for the pressure of hands-on practice, and she’s a little squeamish, so she went into research instead, and one day her project intersects with juliet’s work, and kate’s with tom, and juliet’s with edmund, but neither can quite manage to smother whatever they’re feeling about the woman they’ve been holed up in an office with for weeks

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[sweetevoltrap]

Sylus reclaiming Little Bomb as a teasing nickname...

[mulders-too-large-shirt]

s4 episode 10 "paper hearts" thoughts

(muffled crying) (sniffing) (conspicuous wiping of eyes) hey guys, welcome back to my liveblog

little did i know! little did past me know what i was getting into when i typed my opening lines below. but presumably YOU, the reader of this post, knew what i was signing up for, so i shall spare my words and just share that i thought it was a VERY VERY good episode, even if it was darker than my usual preference. i tend to like some bantering, but i don't see how bantering could have fit into this one. so let us begin.

i haven’t seen an episode in a few days, which probably explains why this week has been awful. i would wax poetic about how i have missed our agents, but i honestly cannot wait any longer and Need to watch this episode right now. which i think is an emotional one???

(author's note: yeah <3)

i need to TEAR into this, bro. like a bear in a trash can or something.

reading the episode description and this sounds evilllll!!! i still assume everything about samantha is a lie!! it saves time!!

mulder is sleeping… on a BED?? a proper bed?? i can’t tell. it’s so dark. if it is a bed, this is IMMENSE character development.

he sees a red light in the sky :0 and on his walls!! it says “follow” WHAT!!! what does that mean!??

it’s leading him to a car?? wait, he’s at a park? was he camping and that’s why he had a bed? why was he camping? who lured him out here with a laser like a cat… what does “mad hat” mean in this context?

and he is full on chasing this light. i love that for him. the music is super whimsical.

WHAT IS LESS WHIMSICAL is the body of a child sitting in this forest. what the HELL????

okay, tone change, i see you!

but the child sinks into the leaves??

oh girl. they really got me with the whole “it was all a dream" thing, and I FELL FOR THAT!!!

he is actually just sleeping on his COUCH, which i knew had to be the case, because he would NOT use a bed in his apartment. beds are a luxury you only get to experience in motels if your name is fox mulder.

damn, maybe that's why he likes to travel so much... cozy hotel bed... really makes you think

nooo he had a nightmare :( this is sad. he never seems to actually sleep.

he’s gonna find that park he dreamed of and drive there even if it is the middle of the night. in his leather jacket. yes. he means business!!

and he is going to the spot where he saw a body of a child… where now he sees…. dirt 

so the next morning, he’s directing people who are digging stuff up. they look like police

ENTER SCULLY!!!! YAYYYYY :D i cheered!!! she wants to know what’s going on 

“you called for forensic excavation at 5 am on a sunday, what are you looking for?” (he grabs her arm, looking delirious) <- ohhhh i knew after seeing this moment that this episode was gonna wreck me

he asks her to give him a minute, and when she’s all “you’re out here because of something you saw in a dream?” he gives her this look of “it’s not that simple and you KNOW that”. funny how you can say that with just a look.

but someone calls him over!!! NO! there is the skull of a child in there!!!

omfggggg

wait, we literally haven’t even gotten past the intro yet, and i’m already sat at the edge of my seat…………

we are sooooo back, baby!!!

hey, that intro was different from the standard too, i think. but whatever.

scully is deeply confused, asking to hear about his dream. the forensic investigators are digging, but he is implying they aren’t going fast enough… so he’s digging with HIS HANDS!!!! 

oh, he is gonna mess some evidence up this way…

but he insists he knows what happened. 

he describes the murder in great detail, and scully asks, you learned all of this from your dream? and he says no, i have this murderer’s MO memorized; it’s a guy named john lee roche.

so it is the power of careful study AND prophetic dreams at work that make mulder such a good investigator

it seems deeply wrong to see mulder in their office with only a t shirt on and not his fancy suits, but it is the weekend, and desperate times. this serial killer- roche- was very hard to catch back in the day. at the FBI, he was nicknamed “paper hearts” because of the heart trophies he took from the victims… oh… i see where this is going. the title is making sense now.

mulder was brought onto the case because he was thought to be able to get into the victim’s head……. omg… his reputation…. and he concluded the killer had to be someone ordinary who traveled a lot, like a salesman. and he was!!! roche was a vacuum salesman!! 

(do we still even have those?)

scully points out that it was his profile that caught the bastard, and he just shrugs his shoulders. i would expect him to normally be more “yeah, i did that!!”, but it seems this one is very personal to him. not much to celebrate if you only caught the guy after the horrific murders happened.

he says they never found the hearts cut from the cloth, and he always wanted to count them and see if they really added up to 13. after this, he realizes that there were more than 13. this is really sad.

scully says maybe she can explain his dream!!! and maybe he solved it in his sleep when his subconscious took over! oh, she is a good friend

“you said it yourself once… you said a dream is an answer to a question we haven’t learned how to ask” <- YES he said that in 2x12, right? i always thought it was so poetic, and the fact that it was never mentioned again bothered me a little- BUT SHE REMEMBERED!!!

she’s telling him that he did good work, and they can identify the girl and put her to rest, and what if i cry about the way she leaned in to reassure him?? hey. what if i cry?

it’s time to look at some bones. scully seems to have found an identity pretty quick; her name was addie, and she went missing in 1975. 

but mulder pushes back, saying that if that were true, it would mean roche started way before they thought he did. scully points out that the clothes and height match.

oh my god…. the way he’s looking at the bones, and she asks if he’s gonna be okay if they verify it… he shakes his head yes, but it seems hollow. she is trying to be so careful around him. it's making me emotional.

so, they go off to pennsylvania to try and make an ID with addie's relatives. scully does the talking, presumably because mulder is going through a Lot Of Feelings, and the minute they say they’re with the FBI, the dude who answered the door asked “you found addie?” ohhhhh :( 

he immediately identifies the fabric pouch they found with the bones as made for addie... he used to slip quarters in it from the tooth fairy

bro, this episode is sad as hell.

“i used to think that missing was worse than dead because you never knew what happened” (cut to mulder) (cut to him looking at the portrait of addie on the wall) i’m gonna scream re: the implications about samantha

addie’s father asks if there were other victims they didn’t know about, and mulder looks very very very sad. i can sense him feeling that he needs to solve this, and that he’s gonna think he failed for not finding the others before. yes, i know where this is going 

all of a sudden, he remembers from his dream that the killer drove a white el camino, and he probably kept the hearts in there. the car was sold in 1992. that was a while ago. i am feeling some doubts in terms of them still being in there.

“don’t you think the car might have been searched at least once already?” “not by me” <- DAMN!!! oh my god. his sense of duty. that ancient and primal Guilt in him. yeah yeah, i’m eating this up 

they go to visit the car, where a young gentleman has been putting flames on the side. he seems giddy to hear a serial killer once owned his car. which i feel is valuable commentary on the commodification of the true crime industry and how it dehumanizes the suffering of the victims through sensationalism. but mulder is not gonna listen to him blabber, he is gonna get to WORK.

(man, i wonder how these two feel about the rise of true crime as an entertainment industry... i want to hear their thoughts)

they are sleuthing together. mulder takes a knife and cuts right into the seat!!!! he says something is wrong…. and remembers the “mad hat” clue…. he thinks this means it’s in the camper shell??? i fail to see the connection but that is okay, it wasn't my dream

mulder’s acting like a madman, ripping into the fabric of the camper shell, where he finds a copy of alice in wonderland…. WITH A HEART IN IT.

they are leaned in together, counting the hearts, and it would be an incredibly touching moment if it weren’t in such a sad context.

they find 16 hearts :( and he sadly says that means he had two more victims they didn't know about :(

they’re going to go visit roche. or not? someone is playing basketball. 

OH. they’re letting this serial killer, who casually addresses him with a "hey mulder", play basketball?? by himself? that can’t even be fun…

they ask roche why he only claimed there were 13 victims. he said 13 sounded more magical. why is this dude at once so Normal seeming and viscerally scary?

oh… “i understand you take this very personally, mulder” oh no. oh no oh no oh no.

“sink one from there and i’ll tell you” (very high pressure basketball shot that mulder makes on the first try) well okay!!! an athlete!

roche says that if he brings the hearts back, he’ll tell him everything, which was not part of the deal. i am of the opinion that he should not get to see the hearts again, and that if he does, it will be very inappropriate.

oh my god. mulder’s at his desk with the hearts, all organized by name, falling asleep with his glasses on as he holds the last two. he can't even stay awake, he's working so hard to figure this out.

another red light moment!! it is guiding him places…. a dream??

NO!!! NO. it’s leading him to the news of watergate. oh no. i know where this is going.

he sees samantha, and he’s quoting what he said back then when The Incident went down, line for line, because he must have rewatched it a thousand times

we relive the scene, including the flashes of lights. he grabs the gun. this time, and opens the door…. and it’s… roche…?

(well, if it is really him behind the crime, how did he do the whole shaking everything and making stuff float bit? really makes you wonder. because i recall samantha's body floating horizontally for a bit)

but back to real world, where mulder wakes up screaming “samantha!” and again. i WILL cry. oh my god…. there’s a terrible realization in his face as he holds the hearts up.

no, no, no, stop making him suffer.

back to the prison. mulder is without scully this time, but with roche, who asks if he has the hearts. 

mulder is questioning him about the weird comments yesterday, the whole "it's personal to you thing", then jumps right into “where were you in 1973?” and holy FUCK it’s tense.

“what, the whole year?” “november. the 27th of november. do you know what i’m getting at?” oh my god….

roche claims to have sold a vacuum cleaner in martha’s vineyard to mr. mulder at that time…. 

he’s going on and on about his father choosing the vacuum. and mulder’s face is so steely. but when he asks “what do you know about my sister?”, his voice is wavering.

again, roche insists that he brings him the hearts before he learns anything. which causes mulder to punch the shit out of him.

when the guards come in and roche snitches on mulder for punching him, the guard is like “i didn’t see it” which is deserved. more than deserved, actually.

but scully saw it go down!!! i thought he went on his own… guess she was outside watching

she is trying to talk sense into him post-prisoner punching, which has happened a few times now and makes me worry about mulder's employability if anyone knew he had a tendency to get physical with these villains, but i digress.

scully is explaining that roche can use the computer to look up anything he likes and find out where mulder’s from (it’s true! be careful what you post, guys!) and she thinks that he is using emotional blackmail. she thinks roche saw mulder’s heart on his sleeve and took advantage of that.

it would make sense that if he knows that he will spend the rest of his life in prison, he would torture mulder for funsies...

“scully, do you believe that my sister samantha was abducted by aliens?” oh my god we’re going there. i never thought we would go there.

“have you ever believed that?” she doesn’t answer, but she hangs her head… because what do you even say to that?

“no. so what do you think happened to her?” 

he doesn’t know what he believes, but he has to find out… and that shot of scully’s face…… please kill me, it would be easier for all involved :(

in connecticut, mulder is at… his mom’s house? looking in the basement. did he just show up?

he apologizes twice for waking her up and asks how she is doing :( awww :( he was so worried :( oh this grown man… he is a baby to me….

so he pulls out the fabric hearts and asks if she recognizes them. and when she gets confused and tries to explain her memory isn’t as good after the stroke, he smiles, and hugs her, pats her back, says it’s alright.

OHHHHHH THE WAY HE HUGGED HER AND SMILED................. I WILL YELL. I AM YELLING NOW. AHHHH.

anyway. he falls back on a different line of thinking to try and get answers out of his mother: did dad ever buy you a vacuum cleaner? the answer: yes, he did, a long time ago, and it’s down here. he’s tearing through old decorations to find it, and it is the brand that roche claimed it was. he slams his fist down.

now hold on. i’m willing to bet he just named the most popular vacuum of the early 1970’s. because they’ve put too much work into this whole “samantha was taken by aliens or the government” storyline to debunk it entirely. what about her files in the west virginia archive? what about his father choosing which child he liked better? what about the whole “they took her as insurance so mr. mulder wouldn’t snitch on the cataloguing of humans and planning for alien colonization” thing? too much has been invested in this…. i think it can’t be true, but rather we’re exploring mulder’s emotional state with this sick and twisted excuse 

skinner has summoned mulder!!! he is no longer allowed to work on the roche case because he punched tf out of him!!! mulder turns to scully with suspicion and skinner clarifies that she wasn’t the one who reported it (although she should have) but rather the whole thing was videotaped!!!

if i've said it once i've said it a million times: she's real as hell

skinner says that he should have mulder’s ass in a sling (okay, elaborate on that), but he tries to explain that roche might have information on his sister. scully says that it looks possible- he spent most of 1973 in boston, took a trip to martha’s vineyard in october… and it’s adding up.

she loves to do her research. i know she was an academic weapon in college.

skinner says this is even MORE of a reason to get someone else on this case, but scully says that no one knows roche better than mulder, it’s still his case, and we have to find the victims!!!

(angry skinner voice) (forcefully pointed finger at groveling mulder) "you tread very lightly" (forcefully pointed finger at scully) "you see that he does"

he basically said “watch your man, scully, or ELSE”

back to roche. they present to him the hearts, and he has a sick smile. i do not like this

“name them” “well, i think you know one of them already” oh that is evil

(said with the most fury that has ever been concentrated into scully’s voice per word) “prove it” <- she is not gonna let him do this alone, nor will she let him be manipulated!!! she is the best friend out there!!

roche is smiling, talking about watergate, how mulder and his sister were playing a board game that night. he says he was watching from the window. why does he know all of this?

he has this weird fixation on playing games, and says to pick out a piece of fabric, and he’ll give the location of the body it came from. fifty-fifty chance it’s samantha, and either way he gets a victim’s location.

what is up with this dude? why is he so casual about all of this? he does seem so… normal, despite the things he is saying.

at the location roche gives them, they find the words “mad hatter” carved into the rock. uh oh. that is showing up again. he starts digging with his hands.

scully is trying to talk sense into him, saying they need to get an excavation team, but his voice is strained as he tells her to “just help me, scully”. so she joins in, and they find something. he looks like a wild animal.

in the autopsy room, he’s approaching the bones, taking a deep breath as he goes over the case information, trying to prepare himself to see his sister.

there are visible tears in his eyes as he runs his hands over the fabric, then announces (in form of a question) that “it’s not her, is it scully?” there is a sense of relief involved, but still, pain from lack of answers.

samantha broke her collarbone when she was 6 on a rope swing in their backyard, and as he realizes this little girl's collarbone is intact, he’s crying and he’s sighing with relief.

“it’s not her”, she says; “it’s somebody though” is his reply. ohhhh my god. ohhhhhh my god. oh my goooooooood. it's somebody's grief that they have carried with them for decades just as he has. it isn't that much of a relief to know it isn't her if someone else has felt like he has since the 70's.

back to roche. he gives the name of the girl who they did find, with incredible detail on where she lived. scully’s voice is forced as she asks what year this happened, and he’s going on and on about the vacuum he almost sold the victim’s mother.

so mulder presents roche with the last heart, saying that is belonged to his sister. he’s making a big game of this, saying “you need me to lead you through”, to bring him to the place where his sister is buried. to which i think, no tf you don't.

he said he can’t wait to see mulder’s face, and you can hear scully exhale and say “oh god”, and that is how you know things are going to go DOWN.

she says he will see the inside of his cell instead; “you’re going to rot there” (holds the door for mulder) (all things considered, she showed excellent restraint)

she looks incredibly furious at these shenanigans, but softens up to ask if mulder is okay. she says that if they give roche what he wants, he could string them along forever. and it makes sense. there has to be another way to figure out if he is telling the truth.

back at home on his couch, mulder is pondering. he has a few fish in his tank. you need a bigger tank, i think, but idk if people cared about that in the 90's.

NO! he picks up the phone and calls for A REMOVAL ORDER OF A FEDERAL PRISONER!!!!!!!!

he gets on the plane with a handcuffed roche.

what the fuck, i thought we were NOT going to go down this route? what is he thinking?

roche asks to use the bathroom on the plane, but instead starts talking to a little girl, and mulder has to get there NOW, but there’s a stewardess in the way. oh no, what has he done...

scully is forced to tell skinner that mulder did, in fact, let the serial killer out. OH!!! skinner says “you let me down” to her…… oh my god……. that really hurts

she says that she had left mulder to his own devices for one day to get some sleep… do we believe her? honestly, yeah i do. especially because of how furious she became when roche brought up the idea that he could be let out.

she’s trying to advocate for mulder in his absence, talking about the “uniqueness” of the situation with a level voice, and skinner says yeah i know, i said that this situation was really unique the last time we talked, now let’s go and clean up this mess.

oooo skinner is MAD and i don't really blame his anger at mulder, but it's rude af to blame scully for the things mulder did... skinner confirmed anti-feminist, blaming a woman for a man's actions

(i jest. mostly. skinner and i still have beef and we probably always will. every time i think we're past it, he does something else that pisses me off, so we are constantly on uncertain ground. which is very father coded, all things considered)

cut to mulder cam, who is bringing roche to his old house?? roche is unsettlingly tall. he says he sat on the couch when his dad bought the vacuum… and then walks through what he claims happened the night of the murder. mulder’s thoroughly quizzing him, and he’s answering them correctly, even where his parents went once they left. or is he guessing at it all??

he claims to have cut the power, that the door was unlocked, and he walked in…. 

and mulder tried to get the gun, but he claims he froze… 

OH! GAG!!!!!! MULDER BROUGHT HIM TO THE WRONG HOUSE!!!!!!!!!

he says his father bought this house AFTER the divorce… dude, how many properties did this guy own??????

but still. the point is made clear. roche is a fake.

so how did he know these things? perhaps, mulder proposes, that when he got into his head investigating the case, maybe that link goes both ways. that's a terrifying prospect

“and you’re in the wrong house, you stupid son of a bitch” <- this is a powerful line, but you can really hear the massachusetts come out when he says it. i think that’s really cool. i mean, is DD actually from there? i think he is, right? because he went to school with jfk jr. famous boston blood there.

if it’s not a purposeful detail or a inadvertent thing that slips into an actor’s performance when a scene is Emotional, then maybe i need verification: did y’all hear the massachusetts when he said that, too….

roche is scrambling to cover his tracks, saying it was just geography that he messed up, not the actual details, but he has now been exposed as a FAKE and a FRAUD

mulder doesn’t buy it, despite his claims he’s telling the god’s honest truth. hmm. perhaps leave the lord out of this.

then he’s sitting and holding that cloth heart. we hear his sister’s voice in the car, which is pulling away. and he grabs her, holds her close. 

BUT HE WAKES UP AND ROCHE IS GONE AND HE IS HANDCUFFED!!! scully and skinner are at the door!!! roche must have manipulated him in his sleep?

omg…….. 

skinner is letting him have it, saying there’s a predator loose because of him, and how can he explain himself, and. while i agree. if i were in his shoes and there were any chance of getting an answer to the one question that has kept me up at night almost my whole life, i’m not sure if i wouldn't have fallen for roche’s lies as well. it is hard to imagine. i'd like to think i wouldn't, but how can you ever know?

it is a dark and ugly thing that mulder did, letting him out.

but we at least seem to get confirmation that the dream connection theory is accurate?

he asks for skinner’s phone, saying there was a child on the plane, and roche is probably going after her

NO! someone called ten minutes ago with the same name requesting the same information from the airline!!!! 

it seems that the girl’s babysitter believed roche’s lies that her mother was in an accident and he needed to pick her up, and she blames herself for letting her go with roche. but mulder says it isn’t her fault, and it’s his fault instead. 

oh my god…. he tells scully she was right, and when she asks if he no longer thinks roche took samantha, he says it doesn’t matter anymore………. because that grief that has ruled him forever has now been put onto someone else............. how terrible he must feel...

he thinks that roche will be somewhere nearby, and scully is pulling up his old address. he lived on alice road, and mulder says that has to be it, because he got the idea from alice in wonderland!

(i have never read the actual alice in wonderland book. did the mad hatter kill people and take hearts from their clothing? i thought he just. made tea and said weird stuff???)

skinner is in disbelief, but acquiesces to mulder’s knowledge, rounding up his men.

at the apartment, they can’t find anything. mulder is running in a field, climbing into a huge lot of busses??? old run down busses??? i'm confused at why this exists, but following along in terms of plot

he pulls out a tiny gun hidden in his sock (slay) and sprints towards the sound of a girl screaming, but with so many identical busses, where is she???

he hears some movement in one of them…. and finds roche and her in there together. 

and roche is saying that he does think they share that nexus like he claimed. everything is very very tense. 

mulder announces that he is going to take this girl home, and when roche points out that he has a gun, he asks the child to do a favor: count to twenty out loud, quietly and slowly. he has a way of talking to kids like they’re equals and i’ve always found it endearing, but now i’m wondering where tf he is going with this.

roche has the gun pointed at the girl… and we know he is capable of pulling it

roche is trying to say anything he can to get mulder to not kill him, asking how sure he is it isn’t samantha who was the last victim. but i don't think that is gonna work anymore.

and when the kid hits twenty, mulder pulls the trigger

JEEZ, we really saw some blood action go on there!

so the poor girl runs away screaming to scully, who is saying that it is okay, and that she has her (and i am emotional when ever they work with kids okay? especially after that convo in home where they talk about wanting families. whatever.)

and i’m left paused at roche’s dead head, which i feel in real life would have a lot more blood and gore, but for the sake of this being TV, it still is kinda shocking!

mulder’s holding the gun out, staring at roche’s body.

wait. we’re back at his office now. i am going to use this time to analyze the articles on his wall.

“strange activity down under” “are UFOs flying in colorado?” “ranchers shaking their heads over mysterious cow deaths” “US reports visits of UFOs to bases” (picture of crop circles, creepy creatures, a list of planets i think? and the famous poster)

pan to a very very sad mulder. scully knocks and comes in. she is staring at him. they are not saying anything for a few seconds that feel very very long.

oh my god. she comes in with the fabric analysis of the heart. all they can say is that it was made between 1969 and 1974.

she assures him it’s not samantha, and that they’ll find who the little girl really is. 

“how?” “i don’t know. but i do know you.” (he looks up at her while fighting back tears) <- i am going to bite something. her unwavering belief in him will be the death of me.

“why don’t you go on home and get some sleep?” she asks, so gently (at this, he breaks into laughter, which gets a smile out of her)

and he wraps his hand around her waist, leaning his head into her, while she strokes his hair

then he puts the last heart in his desk drawer.

oh my gosh………

where to even begin....?

first thought: he must be laughing at her saying that because she knows damn well that he will not be able to rest, but also because it is comforting to hear how she believes in him. that, or “go on home and get some rest” is their code for “i’m letting you do what you want and not asking questions”, but i doubt that, because she claims to have said that to him earlier, and i feel scully would never EVER have let him release roche if she had known he was even sort of thinking about it.

second: yowch. this one hurted!

it took me an hour and 51 minutes to get through the 45-ish minute episode because i was SO glued to noting every moment. 

i tend to prefer the episodes that are more lighthearted, so i did feel that absence here. that being said, i don’t think it would be possible to explore this side of mulder with there being humor in the plot or script, especially after we have seen how he uses it as a defense mechanism. when he can’t joke about something is when you know he’s hurting terribly. 

it was dark. very dark. but i still enjoyed it for the character analysis. i love a character analysis episode, i love diving into what makes someone who they are. there was this sick relationship between roche and mulder where you knew he was going to do anything to get the answers, no matter what the risks were or who was placed in danger. and i think that shows the scary and dark side of mulder that can get overlooked; how his bloodhound-like need to sniff out an answer can and will endanger himself and others. but he is aware of this fact, and seems regretful, especially when he says it doesn’t matter anymore if he finds samantha, because he inadvertently put another child in danger to do so. and he is aware that the suffering he has felt is now going to be passed onto someone else if he does not fix it Right Away. which he does.

getting to see the good parts of a character driven to such an extreme where they become terrible traits is a rare treat. still, it can be hard to see your blorbo do bad things.

i do often wonder about his slapping of criminals and why he hasn’t gotten fired for some of these many rule-breaking sessions, but. shrugs. it’s not real, so we can’t entirely place real world logic on this stuff, i guess.

honestly, we also saw a lot of scully and learned about her character here, too. how she tries to draw the line between her own beliefs and the very real pain that mulder is suffering, and how his pain breaks her heart; how defensive she is of him, in front of roche and skinner or even the whole world, i’d imagine. her courage to look her boss in the eye and ask for mercy on his behalf as he goes out and breaks every rule known to mankind because he wants to bend the earth to his will. that bone-deep righteous conviction she carries with her that i love so much.

and more on how she’s always touching him- they skirt around the emotional issues at hand, asking if he’s okay to make an ID or to see the autopsy and not really touching the sore spot with words unless they absolutely have to. but while they only brush it verbally, she is physically reaching out to him, leaning in, stroking his head, touching his arm… god, the way they communicate kills me. it's like they find it far easier to let their bodies express emotion, which probably comes from the constant need to Be Strong both of them feel in their line of work, but it is really compelling. it's fascinating. as someone who is always going to tell you how i feel at all times, i find it very intriguing. are they afraid to say what they mean? or do they have this connection that words aren't needed for? please let me know what you think. am i alone in this? do you think they are good at talking about their feelings? or am i voicing a popular sentiment that they are mostly pretty Bad at it. because i'm thinking of other times where they are Honest and Truthful, and they tend to keep it very succinct. maybe that's what makes it more impactful.

how he laughed at her after she said she believed in him, and how she smiled back, how he leaned into her????? can i bottle that and drink it when i feel like suffering?

god, i’ve felt that when i read dialogue prompts, they don’t seem to work for writing msr as easily as you would think, because so much of what they say isn’t even said. it’s in glances and touches and leans, and the words tend to be sparse but truthful when they matter and witty and prolonged when it’s nothing of importance. what a strange balance they have. shoutout to people who write msr, because it seems very hard to do when you want to write a genuine tale of them getting up to emotional activities.

overall, i liked this episode, but it was still a bummer. s4 is full of bummers, so far. i have not giggled in a while. i would like to giggle at some point in the future. perhaps that is something we can work toward. i once again request a fic where they go to an apple orchard. perhaps i shall end all of my posts with that, at least until we get some levity back to the game. that being SAID, it was still excellent.

let me know what you think- does everyone agree that this is a good episode? did you feel sad? did you think it was Too Dark? any criticism? any high praise? and the big one that is nagging at me now: how tf do you understand the way they communicate? can it be conceptualized?? please share with me all of your thoughts in as much detail as you can spare.

[sunscall]

dennis saying "we spend every waking minute together [with charlie and frank], it'll be good for us to keep our distance" as an excuse to not share a table with them during his monthly dinner with mac... as if he and mac aren't the ones who ACTUALLY see each other 24/7 since not only do they work together, but they also literally live together too. incredible.

[karatekamania]

happy ds set 6 monday eve