#idk if this is... wise to post like idk if this is good and this chapter is mostly exposition and scene-setting but

[heartless-brainrot]

so i was planning to do heartless art for pride but i forgot and now its 11:42pm on june 30th so have this for now

i sware ill do something art in july

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[mulders-too-large-shirt]

s4 episode 10 thoughts

(muffled crying) (sniffing) (conspicuous wiping of eyes) hey guys, welcome back to my liveblog

little did i know! little did past me know what i was getting into when i typed my opening lines below. but presumably YOU, the reader of this post, knew what i was signing up for, so i shall spare my words and just share that i thought it was a VERY VERY good episode, even if it was darker than my usual preference. i tend to like some bantering, but i don't see how bantering could have fit into this one. so let us begin.

i haven’t seen an episode in a few days, which probably explains why this week has been awful. i would wax poetic about how i have missed our agents, but i honestly cannot wait any longer and Need to watch this episode right now. which i think is an emotional one???

(author's note: yeah <3)

i need to TEAR into this, bro. like a bear in a trash can or something.

reading the episode description and this sounds evilllll!!! i still assume everything about samantha is a lie!! it saves time!!

mulder is sleeping… on a BED?? a proper bed?? i can’t tell. it’s so dark. if it is a bed, this is IMMENSE character development.

he sees a red light in the sky :0 and on his walls!! it says “follow” WHAT!!! what does that mean!??

it’s leading him to a car?? wait, he’s at a park? was he camping and that’s why he had a bed? why was he camping? who lured him out here with a laser like a cat… what does “mad hat” mean in this context?

and he is full on chasing this light. i love that for him. the music is super whimsical.

WHAT IS LESS WHIMSICAL is the body of a child sitting in this forest. what the HELL????

okay, tone change, i see you!

but the child sinks into the leaves??

oh girl. they really got me with the whole “it was all a dream" thing, and I FELL FOR THAT!!!

he is actually just sleeping on his COUCH, which i knew had to be the case, because he would NOT use a bed in his apartment. beds are a luxury you only get to experience in motels if your name is fox mulder.

damn, maybe that's why he likes to travel so much... cozy hotel bed... really makes you think

nooo he had a nightmare :( this is sad. he never seems to actually sleep.

he’s gonna find that park he dreamed of and drive there even if it is the middle of the night. in his leather jacket. yes. he means business!!

and he is going to the spot where he saw a body of a child… where now he sees…. dirt 

so the next morning, he’s directing people who are digging stuff up. they look like police

ENTER SCULLY!!!! YAYYYYY :D i cheered!!! she wants to know what’s going on 

“you called for forensic excavation at 5 am on a sunday, what are you looking for?” (he grabs her arm, looking delirious) <- ohhhh i knew after seeing this moment that this episode was gonna wreck me

he asks her to give him a minute, and when she’s all “you’re out here because of something you saw in a dream?” he gives her this look of “it’s not that simple and you KNOW that”. funny how you can say that with just a look.

but someone calls him over!!! NO! there is the skull of a child in there!!!

omfggggg

wait, we literally haven’t even gotten past the intro yet, and i’m already sat at the edge of my seat…………

we are sooooo back, baby!!!

hey, that intro was different from the standard too, i think. but whatever.

scully is deeply confused, asking to hear about his dream. the forensic investigators are digging, but he is implying they aren’t going fast enough… so he’s digging with HIS HANDS!!!! 

oh, he is gonna mess some evidence up this way…

but he insists he knows what happened. 

he describes the murder in great detail, and scully asks, you learned all of this from your dream? and he says no, i have this murderer’s MO memorized; it’s a guy named john lee roche.

so it is the power of careful study AND prophetic dreams at work that make mulder such a good investigator

it seems deeply wrong to see mulder in their office with only a t shirt on and not his fancy suits, but it is the weekend, and desperate times. this serial killer- roche- was very hard to catch back in the day. at the FBI, he was nicknamed “paper hearts” because of the heart trophies he took from the victims… oh… i see where this is going. the title is making sense now.

mulder was brought onto the case because he was thought to be able to get into the victim’s head……. omg… his reputation…. and he concluded the killer had to be someone ordinary who traveled a lot, like a salesman. and he was!!! roche was a vacuum salesman!! 

(do we still even have those?)

scully points out that it was his profile that caught the bastard, and he just shrugs his shoulders. i would expect him to normally be more “yeah, i did that!!”, but it seems this one is very personal to him. not much to celebrate if you only caught the guy after the horrific murders happened.

he says they never found the hearts cut from the cloth, and he always wanted to count them and see if they really added up to 13. after this, he realizes that there were more than 13. this is really sad.

scully says maybe she can explain his dream!!! and maybe he solved it in his sleep when his subconscious took over! oh, she is a good friend

“you said it yourself once… you said a dream is an answer to a question we haven’t learned how to ask” <- YES he said that in 2x12, right? i always thought it was so poetic, and the fact that it was never mentioned again bothered me a little- BUT SHE REMEMBERED!!!

she’s telling him that he did good work, and they can identify the girl and put her to rest, and what if i cry about the way she leaned in to reassure him?? hey. what if i cry?

it’s time to look at some bones. scully seems to have found an identity pretty quick; her name was addie, and she went missing in 1975. 

but mulder pushes back, saying that if that were true, it would mean roche started way before they thought he did. scully points out that the clothes and height match.

oh my god…. the way he’s looking at the bones, and she asks if he’s gonna be okay if they verify it… he shakes his head yes, but it seems hollow. she is trying to be so careful around him. it's making me emotional.

so, they go off to pennsylvania to try and make an ID with addie's relatives. scully does the talking, presumably because mulder is going through a Lot Of Feelings, and the minute they say they’re with the FBI, the dude who answered the door asked “you found addie?” ohhhhh :( 

he immediately identifies the fabric pouch they found with the bones as made for addie... he used to slip quarters in it from the tooth fairy

bro, this episode is sad as hell.

“i used to think that missing was worse than dead because you never knew what happened” (cut to mulder) (cut to him looking at the portrait of addie on the wall) i’m gonna scream re: the implications about samantha

addie’s father asks if there were other victims they didn’t know about, and mulder looks very very very sad. i can sense him feeling that he needs to solve this, and that he’s gonna think he failed for not finding the others before. yes, i know where this is going 

all of a sudden, he remembers from his dream that the killer drove a white el camino, and he probably kept the hearts in there. the car was sold in 1992. that was a while ago. i am feeling some doubts in terms of them still being in there.

“don’t you think the car might have been searched at least once already?” “not by me” <- DAMN!!! oh my god. his sense of duty. that ancient and primal Guilt in him. yeah yeah, i’m eating this up 

they go to visit the car, where a young gentleman has been putting flames on the side. he seems giddy to hear a serial killer once owned his car. which i feel is valuable commentary on the commodification of the true crime industry and how it dehumanizes the suffering of the victims through sensationalism. but mulder is not gonna listen to him blabber, he is gonna get to WORK.

(man, i wonder how these two feel about the rise of true crime as an entertainment industry... i want to hear their thoughts)

they are sleuthing together. mulder takes a knife and cuts right into the seat!!!! he says something is wrong…. and remembers the “mad hat” clue…. he thinks this means it’s in the camper shell??? i fail to see the connection but that is okay, it wasn't my dream

mulder’s acting like a madman, ripping into the fabric of the camper shell, where he finds a copy of alice in wonderland…. WITH A HEART IN IT.

they are leaned in together, counting the hearts, and it would be an incredibly touching moment if it weren’t in such a sad context.

they find 16 hearts :( and he sadly says that means he had two more victims they didn't know about :(

they’re going to go visit roche. or not? someone is playing basketball. 

OH. they’re letting this serial killer, who casually addresses him with a "hey mulder", play basketball?? by himself? that can’t even be fun…

they ask roche why he only claimed there were 13 victims. he said 13 sounded more magical. why is this dude at once so Normal seeming and viscerally scary?

oh… “i understand you take this very personally, mulder” oh no. oh no oh no oh no.

“sink one from there and i’ll tell you” (very high pressure basketball shot that mulder makes on the first try) well okay!!! an athlete!

roche says that if he brings the hearts back, he’ll tell him everything, which was not part of the deal. i am of the opinion that he should not get to see the hearts again, and that if he does, it will be very inappropriate.

oh my god. mulder’s at his desk with the hearts, all organized by name, falling asleep with his glasses on as he holds the last two. he can't even stay awake, he's working so hard to figure this out.

another red light moment!! it is guiding him places…. a dream??

NO!!! NO. it’s leading him to the news of watergate. oh no. i know where this is going.

he sees samantha, and he’s quoting what he said back then when The Incident went down, line for line, because he must have rewatched it a thousand times

we relive the scene, including the flashes of lights. he grabs the gun. this time, and opens the door…. and it’s… roche…?

(well, if it is really him behind the crime, how did he do the whole shaking everything and making stuff float bit? really makes you wonder. because i recall samantha's body floating horizontally for a bit)

but back to real world, where mulder wakes up screaming “samantha!” and again. i WILL cry. oh my god…. there’s a terrible realization in his face as he holds the hearts up.

no, no, no, stop making him suffer.

back to the prison. mulder is without scully this time, but with roche, who asks if he has the hearts. 

mulder is questioning him about the weird comments yesterday, the whole "it's personal to you thing", then jumps right into “where were you in 1973?” and holy FUCK it’s tense.

“what, the whole year?” “november. the 27th of november. do you know what i’m getting at?” oh my god….

roche claims to have sold a vacuum cleaner in martha’s vineyard to mr. mulder at that time…. 

he’s going on and on about his father choosing the vacuum. and mulder’s face is so steely. but when he asks “what do you know about my sister?”, his voice is wavering.

again, roche insists that he brings him the hearts before he learns anything. which causes mulder to punch the shit out of him.

when the guards come in and roche snitches on mulder for punching him, the guard is like “i didn’t see it” which is deserved. more than deserved, actually.

but scully saw it go down!!! i thought he went on his own… guess she was outside watching

she is trying to talk sense into him post-prisoner punching, which has happened a few times now and makes me worry about mulder's employability if anyone knew he had a tendency to get physical with these villains, but i digress.

scully is explaining that roche can use the computer to look up anything he likes and find out where mulder’s from (it’s true! be careful what you post, guys!) and she thinks that he is using emotional blackmail. she thinks roche saw mulder’s heart on his sleeve and took advantage of that.

it would make sense that if he knows that he will spend the rest of his life in prison, he would torture mulder for funsies...

“scully, do you believe that my sister samantha was abducted by aliens?” oh my god we’re going there. i never thought we would go there.

“have you ever believed that?” she doesn’t answer, but she hangs her head… because what do you even say to that?

“no. so what do you think happened to her?” 

he doesn’t know what he believes, but he has to find out… and that shot of scully’s face…… please kill me, it would be easier for all involved :(

in connecticut, mulder is at… his mom’s house? looking in the basement. did he just show up?

he apologizes twice for waking her up and asks how she is doing :( awww :( he was so worried :( oh this grown man… he is a baby to me….

so he pulls out the fabric hearts and asks if she recognizes them. and when she gets confused and tries to explain her memory isn’t as good after the stroke, he smiles, and hugs her, pats her back, says it’s alright.

OHHHHHH THE WAY HE HUGGED HER AND SMILED................. I WILL YELL. I AM YELLING NOW. AHHHH.

anyway. he falls back on a different line of thinking to try and get answers out of his mother: did dad ever buy you a vacuum cleaner? the answer: yes, he did, a long time ago, and it’s down here. he’s tearing through old decorations to find it, and it is the brand that roche claimed it was. he slams his fist down.

now hold on. i’m willing to bet he just named the most popular vacuum of the early 1970’s. because they’ve put too much work into this whole “samantha was taken by aliens or the government” storyline to debunk it entirely. what about her files in the west virginia archive? what about his father choosing which child he liked better? what about the whole “they took her as insurance so mr. mulder wouldn’t snitch on the cataloguing of humans and planning for alien colonization” thing? too much has been invested in this…. i think it can’t be true, but rather we’re exploring mulder’s emotional state with this sick and twisted excuse 

skinner has summoned mulder!!! he is no longer allowed to work on the roche case because he punched tf out of him!!! mulder turns to scully with suspicion and skinner clarifies that she wasn’t the one who reported it (although she should have) but rather the whole thing was videotaped!!!

if i've said it once i've said it a million times: she's real as hell

skinner says that he should have mulder’s ass in a sling (okay, elaborate on that), but he tries to explain that roche might have information on his sister. scully says that it looks possible- he spent most of 1973 in boston, took a trip to martha’s vineyard in october… and it’s adding up.

she loves to do her research. i know she was an academic weapon in college.

skinner says this is even MORE of a reason to get someone else on this case, but scully says that no one knows roche better than mulder, it’s still his case, and we have to find the victims!!!

(angry skinner voice) (forcefully pointed finger at groveling mulder) "you tread very lightly" (forcefully pointed finger at scully) "you see that he does"

he basically said “watch your man, scully, or ELSE”

back to roche. they present to him the hearts, and he has a sick smile. i do not like this

“name them” “well, i think you know one of them already” oh that is evil

(said with the most fury that has ever been concentrated into scully’s voice per word) “prove it” <- she is not gonna let him do this alone, nor will she let him be manipulated!!! she is the best friend out there!!

roche is smiling, talking about watergate, how mulder and his sister were playing a board game that night. he says he was watching from the window. why does he know all of this?

he has this weird fixation on playing games, and says to pick out a piece of fabric, and he’ll give the location of the body it came from. fifty-fifty chance it’s samantha, and either way he gets a victim’s location.

what is up with this dude? why is he so casual about all of this? he does seem so… normal, despite the things he is saying.

at the location roche gives them, they find the words “mad hatter” carved into the rock. uh oh. that is showing up again. he starts digging with his hands.

scully is trying to talk sense into him, saying they need to get an excavation team, but his voice is strained as he tells her to “just help me, scully”. so she joins in, and they find something. he looks like a wild animal.

in the autopsy room, he’s approaching the bones, taking a deep breath as he goes over the case information, trying to prepare himself to see his sister.

there are visible tears in his eyes as he runs his hands over the fabric, then announces (in form of a question) that “it’s not her, is it scully?” there is a sense of relief involved, but still, pain from lack of answers.

samantha broke her collarbone when she was 6 on a rope swing in their backyard, and as he realizes this little girl's collarbone is intact, he’s crying and he’s sighing with relief.

“it’s not her”, she says; “it’s somebody though” is his reply. ohhhh my god. ohhhhhh my god. oh my goooooooood. it's somebody's grief that they have carried with them for decades just as he has. it isn't that much of a relief to know it isn't her if someone else has felt like he has since the 70's.

back to roche. he gives the name of the girl who they did find, with incredible detail on where she lived. scully’s voice is forced as she asks what year this happened, and he’s going on and on about the vacuum he almost sold the victim’s mother.

so mulder presents roche with the last heart, saying that is belonged to his sister. he’s making a big game of this, saying “you need me to lead you through”, to bring him to the place where his sister is buried. to which i think, no tf you don't.

he said he can’t wait to see mulder’s face, and you can hear scully exhale and say “oh god”, and that is how you know things are going to go DOWN.

she says he will see the inside of his cell instead; “you’re going to rot there” (holds the door for mulder) (all things considered, she showed excellent restraint)

she looks incredibly furious at these shenanigans, but softens up to ask if mulder is okay. she says that if they give roche what he wants, he could string them along forever. and it makes sense. there has to be another way to figure out if he is telling the truth.

back at home on his couch, mulder is pondering. he has a few fish in his tank. you need a bigger tank, i think, but idk if people cared about that in the 90's.

NO! he picks up the phone and calls for A REMOVAL ORDER OF A FEDERAL PRISONER!!!!!!!!

he gets on the plane with a handcuffed roche.

what the fuck, i thought we were NOT going to go down this route? what is he thinking?

roche asks to use the bathroom on the plane, but instead starts talking to a little girl, and mulder has to get there NOW, but there’s a stewardess in the way. oh no, what has he done...

scully is forced to tell skinner that mulder did, in fact, let the serial killer out. OH!!! skinner says “you let me down” to her…… oh my god……. that really hurts

she says that she had left mulder to his own devices for one day to get some sleep… do we believe her? honestly, yeah i do. especially because of how furious she became when roche brought up the idea that he could be let out.

she’s trying to advocate for mulder in his absence, talking about the “uniqueness” of the situation with a level voice, and skinner says yeah i know, i said that this situation was really unique the last time we talked, now let’s go and clean up this mess.

oooo skinner is MAD and i don't really blame his anger at mulder, but it's rude af to blame scully for the things mulder did... skinner confirmed anti-feminist, blaming a woman for a man's actions

(i jest. mostly. skinner and i still have beef and we probably always will. every time i think we're past it, he does something else that pisses me off, so we are constantly on uncertain ground. which is very father coded, all things considered)

cut to mulder cam, who is bringing roche to his old house?? roche is unsettlingly tall. he says he sat on the couch when his dad bought the vacuum… and then walks through what he claims happened the night of the murder. mulder’s thoroughly quizzing him, and he’s answering them correctly, even where his parents went once they left. or is he guessing at it all??

he claims to have cut the power, that the door was unlocked, and he walked in…. 

and mulder tried to get the gun, but he claims he froze… 

OH! GAG!!!!!! MULDER BROUGHT HIM TO THE WRONG HOUSE!!!!!!!!!

he says his father bought this house AFTER the divorce… dude, how many properties did this guy own??????

but still. the point is made clear. roche is a fake.

so how did he know these things? perhaps, mulder proposes, that when he got into his head investigating the case, maybe that link goes both ways. that's a terrifying prospect

“and you’re in the wrong house, you stupid son of a bitch” <- this is a powerful line, but you can really hear the massachusetts come out when he says it. i think that’s really cool. i mean, is DD actually from there? i think he is, right? because he went to school with jfk jr. famous boston blood there.

if it’s not a purposeful detail or a inadvertent thing that slips into an actor’s performance when a scene is Emotional, then maybe i need verification: did y’all hear the massachusetts when he said that, too….

roche is scrambling to cover his tracks, saying it was just geography that he messed up, not the actual details, but he has now been exposed as a FAKE and a FRAUD

mulder doesn’t buy it, despite his claims he’s telling the god’s honest truth. hmm. perhaps leave the lord out of this.

then he’s sitting and holding that cloth heart. we hear his sister’s voice in the car, which is pulling away. and he grabs her, holds her close. 

BUT HE WAKES UP AND ROCHE IS GONE AND HE IS HANDCUFFED!!! scully and skinner are at the door!!! roche must have manipulated him in his sleep?

omg…….. 

skinner is letting him have it, saying there’s a predator loose because of him, and how can he explain himself, and. while i agree. if i were in his shoes and there were any chance of getting an answer to the one question that has kept me up at night almost my whole life, i’m not sure if i wouldn't have fallen for roche’s lies as well. it is hard to imagine. i'd like to think i wouldn't, but how can you ever know?

it is a dark and ugly thing that mulder did, letting him out.

but we at least seem to get confirmation that the dream connection theory is accurate?

he asks for skinner’s phone, saying there was a child on the plane, and roche is probably going after her

NO! someone called ten minutes ago with the same name requesting the same information from the airline!!!! 

it seems that the girl’s babysitter believed roche’s lies that her mother was in an accident and he needed to pick her up, and she blames herself for letting her go with roche. but mulder says it isn’t her fault, and it’s his fault instead. 

oh my god…. he tells scully she was right, and when she asks if he no longer thinks roche took samantha, he says it doesn’t matter anymore………. because that grief that has ruled him forever has now been put onto someone else............. how terrible he must feel...

he thinks that roche will be somewhere nearby, and scully is pulling up his old address. he lived on alice road, and mulder says that has to be it, because he got the idea from alice in wonderland!

(i have never read the actual alice in wonderland book. did the mad hatter kill people and take hearts from their clothing? i thought he just. made tea and said weird stuff???)

skinner is in disbelief, but acquiesces to mulder’s knowledge, rounding up his men.

at the apartment, they can’t find anything. mulder is running in a field, climbing into a huge lot of busses??? old run down busses??? i'm confused at why this exists, but following along in terms of plot

he pulls out a tiny gun hidden in his sock (slay) and sprints towards the sound of a girl screaming, but with so many identical busses, where is she???

he hears some movement in one of them…. and finds roche and her in there together. 

and roche is saying that he does think they share that nexus like he claimed. everything is very very tense. 

mulder announces that he is going to take this girl home, and when roche points out that he has a gun, he asks the child to do a favor: count to twenty out loud, quietly and slowly. he has a way of talking to kids like they’re equals and i’ve always found it endearing, but now i’m wondering where tf he is going with this.

roche has the gun pointed at the girl… and we know he is capable of pulling it

roche is trying to say anything he can to get mulder to not kill him, asking how sure he is it isn’t samantha who was the last victim. but i don't think that is gonna work anymore.

and when the kid hits twenty, mulder pulls the trigger

JEEZ, we really saw some blood action go on there!

so the poor girl runs away screaming to scully, who is saying that it is okay, and that she has her (and i am emotional when ever they work with kids okay? especially after that convo in home where they talk about wanting families. whatever.)

and i’m left paused at roche’s dead head, which i feel in real life would have a lot more blood and gore, but for the sake of this being TV, it still is kinda shocking!

mulder’s holding the gun out, staring at roche’s body.

wait. we’re back at his office now. i am going to use this time to analyze the articles on his wall.

“strange activity down under” “are UFOs flying in colorado?” “ranchers shaking their heads over mysterious cow deaths” “US reports visits of UFOs to bases” (picture of crop circles, creepy creatures, a list of planets i think? and the famous poster)

pan to a very very sad mulder. scully knocks and comes in. she is staring at him. they are not saying anything for a few seconds that feel very very long.

oh my god. she comes in with the fabric analysis of the heart. all they can say is that it was made between 1969 and 1974.

she assures him it’s not samantha, and that they’ll find who the little girl really is. 

“how?” “i don’t know. but i do know you.” (he looks up at her while fighting back tears) <- i am going to bite something. her unwavering belief in him will be the death of me.

“why don’t you go on home and get some sleep?” she asks, so gently (at this, he breaks into laughter, which gets a smile out of her)

and he wraps his hand around her waist, leaning his head into her, while she strokes his hair

then he puts the last heart in his desk drawer.

oh my gosh………

where to even begin....?

first thought: he must be laughing at her saying that because she knows damn well that he will not be able to rest, but also because it is comforting to hear how she believes in him. that, or “go on home and get some rest” is their code for “i’m letting you do what you want and not asking questions”, but i doubt that, because she claims to have said that to him earlier, and i feel scully would never EVER have let him release roche if she had known he was even sort of thinking about it.

second: yowch. this one hurted!

it took me an hour and 51 minutes to get through the 45-ish minute episode because i was SO glued to noting every moment. 

i tend to prefer the episodes that are more lighthearted, so i did feel that absence here. that being said, i don’t think it would be possible to explore this side of mulder with there being humor in the plot or script, especially after we have seen how he uses it as a defense mechanism. when he can’t joke about something is when you know he’s hurting terribly. 

it was dark. very dark. but i still enjoyed it for the character analysis. i love a character analysis episode, i love diving into what makes someone who they are. there was this sick relationship between roche and mulder where you knew he was going to do anything to get the answers, no matter what the risks were or who was placed in danger. and i think that shows the scary and dark side of mulder that can get overlooked; how his bloodhound-like need to sniff out an answer can and will endanger himself and others. but he is aware of this fact, and seems regretful, especially when he says it doesn’t matter anymore if he finds samantha, because he inadvertently put another child in danger to do so. and he is aware that the suffering he has felt is now going to be passed onto someone else if he does not fix it Right Away. which he does.

getting to see the good parts of a character driven to such an extreme where they become terrible traits is a rare treat. still, it can be hard to see your blorbo do bad things.

i do often wonder about his slapping of criminals and why he hasn’t gotten fired for some of these many rule-breaking sessions, but. shrugs. it’s not real, so we can’t entirely place real world logic on this stuff, i guess.

honestly, we also saw a lot of scully and learned about her character here, too. how she tries to draw the line between her own beliefs and the very real pain that mulder is suffering, and how his pain breaks her heart; how defensive she is of him, in front of roche and skinner or even the whole world, i’d imagine. her courage to look her boss in the eye and ask for mercy on his behalf as he goes out and breaks every rule known to mankind because he wants to bend the earth to his will. that bone-deep righteous conviction she carries with her that i love so much.

and more on how she’s always touching him- they skirt around the emotional issues at hand, asking if he’s okay to make an ID or to see the autopsy and not really touching the sore spot with words unless they absolutely have to. but while they only brush it verbally, she is physically reaching out to him, leaning in, stroking his head, touching his arm… god, the way they communicate kills me. it's like they find it far easier to let their bodies express emotion, which probably comes from the constant need to Be Strong both of them feel in their line of work, but it is really compelling. it's fascinating. as someone who is always going to tell you how i feel at all times, i find it very intriguing. are they afraid to say what they mean? or do they have this connection that words aren't needed for? please let me know what you think. am i alone in this? do you think they are good at talking about their feelings? or am i voicing a popular sentiment that they are mostly pretty Bad at it. because i'm thinking of other times where they are Honest and Truthful, and they tend to keep it very succinct. maybe that's what makes it more impactful.

how he laughed at her after she said she believed in him, and how she smiled back, how he leaned into her????? can i bottle that and drink it when i feel like suffering?

god, i’ve felt that when i read dialogue prompts, they don’t seem to work for writing msr as easily as you would think, because so much of what they say isn’t even said. it’s in glances and touches and leans, and the words tend to be sparse but truthful when they matter and witty and prolonged when it’s nothing of importance. what a strange balance they have. shoutout to people who write msr, because it seems very hard to do when you want to write a genuine tale of them getting up to emotional activities.

overall, i liked this episode, but it was still a bummer. s4 is full of bummers, so far. i have not giggled in a while. i would like to giggle at some point in the future. perhaps that is something we can work toward. i once again request a fic where they go to an apple orchard. perhaps i shall end all of my posts with that, at least until we get some levity back to the game. that being SAID, it was still excellent.

let me know what you think- does everyone agree that this is a good episode? did you feel sad? did you think it was Too Dark? any criticism? any high praise? and the big one that is nagging at me now: how tf do you understand the way they communicate? can it be conceptualized?? please share with me all of your thoughts in as much detail as you can spare.

[lord-squiggletits]

Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)

It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.

IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.

I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.

And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."

It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."

This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.

Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.

[grecoromanyaoi]

no yeah it must really suck for you how nazis "reappropriated" mythos and history that would not have been remotely as mainstream as they are today without white supremacist revival. where the modern perspective and perception of them the very "aesthetic" of them is inextricably tied to white supremacist eugenist ideals im so sorry you cant wear relatively historically uncommon symbols in public without people thinking you believe that they, their family, community, and the mere idea of their existence should be wiped from the face of the earth. that must be so hard for you.

[sunscall]

dennis saying "we spend every waking minute together [with charlie and frank], it'll be good for us to keep our distance" as an excuse to not share a table with them during his monthly dinner with mac... as if he and mac aren't the ones who ACTUALLY see each other 24/7 since not only do they work together, but they also literally live together too. incredible.

[struck-by-the-rain]

happy ds set 6 monday eve

[vaugarde]

okay so as a gen 5 stan who does adore the story in bw and bw2, and now that gen 5 has experienced both a vicious hatedom that wouldnt hear a single positive thing about the games, and now a super protective fandom that insists they were perfect and had zero flaws... can we admit now that the bw1 story at least was. a little mid.

[lemongogo]

why do i love the conflict more than anything else . the misery . the incompatibility that spreads like oil slick . wanting so desperately for resolution that never comes . hmmm

[oh-cramity-its-amity]

i love my friends so much. i feel like yesterday i had a lot of shit going on in my head and i woke up to my friend explaining things in a way that put my mind at ease. i dont feel as anxious anymore because i know i was overthinking. i think my dad said it best when he told me that he thought my wonderful brain of mine just wants to think problems are bigger than they actually are. he is right! im just inexperienced in life and half of the time im scared im doing something wrong but- HEY. i need to be more confident in making mistakes. making mistakes doesn't define me as a person!! i need to stop worrying about doing life right and just live for the sake of living and doing what makes me happy!!!!!!!

[averlym]

HI I DIDNT KNOW YOU WERE INTO ADAMANDI HOLY SHIT. Can’t believe so few people know about this masterpiece of a musical

:OOOOO hai i agree it is criminally (haha yknow bc there are crimes..) underrated!! and really brilliant!!! discovered it literally midway through the week and akdfjgsjhdsjhjgdf

have a doodle of the saints :3

[tana-draws]

my brain is so fucking stupid. I was bullied in fourth grade, my friends were like “actually erm we don’t want to be friends with you :/“ on the second to last day of eighth grade (even though we were all zoned for different high schools and would never see eachother anyway). And because of that my brain is, as my therapist and mother (two different people,) theorized, “hyper vigilant for any perceived social ostrichaztion”. The thing is it’s fucking stupid about it. Sure it has the generic “uwu your friends probably hate you secretly” thing.

But it also. Like: I’ll see a post that is somewhat negative towards a thing I like or a trait I even remotely identify with (including stuff as vague as ‘nervous’ or ‘writer’) and I’ll be like “yeah that makes sense” or “I don’t agree but I also don’t care”. But then my brain will repeat the negative phrase on loop for like a week. And will trigger physical reactions (crying, shortness of breath, etc) in response to it. I’ve actually had public panic attacks over things I give 0 shits about because my brain is a fucking helicopter parent.

[hewwio]

[ranger-crisis]

Halsin’s quote about “resentment will spring up regardless like mushrooms” (or something along those lines) lives in my head anytime something happens. It’s the first thing that comes to mind whenever I find myself resenting someone else or when someone is acting negatively about me.

And the quotes:

“No matter how long I live, I will always strive to remain a keen pupil. Only a hook would think he could drink in all knowledge until none is left”

“You sound like a student, reciting words for a test without considering their meaning.”

“Sometimes I think conventional wisdom is too narrow about what someone can or can’t be.”

“Natures tapestry is infinitely complex”

So on and so forth, I could create an entire list of quotes but that’s for another time. Like the writer of Halsin absolutely slaughtered, dare I say decimated. As a writer it’s so amazing to see just what people can write. It may be mundane, but the idea that someone wrote that, spent time writing that, is amazing. I don’t see glory in the mundane, because what you call mundane is glorious, and isn’t that what we call poetry? (okay so yeah I took that out a poem I wrote while sick and added more words to chunk it up, but my post my rules I can ramble all I want).

And the voice actor? Absolutely pulls it all together. The delivery of the lines absolutely amazing and I think that’s part of why they stick with me so much. The way someone talks can be a make or break of whether or not you actually pay attention and take weight as to what they’re saying. I think everyone has had that one really boring history teacher who all you remember is how boring they were and the way they spoke, so kinda like that. You probably get the concepts, but nothing else. But when someone talks good you pay more attention and are more likely to y’know take weight to what they say. The way the voice actor did Halsin is just so top tier.

[crowleyanthonys]

.

[degendog]

Your blog has been so encouraging in helping me start T, but boys I fear I may not be able to romanticize my way out of fear of looking like my father. Doesn't mean I don't wanna try though, do you have any tips?

you’re not going to turn into an exact copy of your father—you’re not going to rapidly age into a 40-50-60-something year old man. you’re just going to resemble him at your age in a few ways. body hair, hairline, fat distribution to a degree. you’ll still look like yourself, though. it’ll still be the same face in the mirror, same bones you’ve had, just a little bit different, little more masculine.

there’s lots of things that you have control over. you’ll still have control over how you act, how you dress, how you style your hair, who your friends are. you can be a better and cooler man than he ever has been. and genetics aren’t everything. if you’re afraid of getting your dad’s hairline (if it’s Bad), there’s finasteride.

the most visible changes will take time to happen, and by then they’ll be part of you instead of parts of him. you can take these things you’re afraid of and make them into your own. after all, being a man is about being brave, being strong. and you’re strong. blood isn’t everything, but you are everything to yourself.