#if this sucks no it doesnt

[9houses]

gift stimboard for @rgbcatboy <3

🩷 💚 🍉 | 🐾 🧪 🐈‍⬛ | 🍉 💚 🩷

[cozylittleartblog]

cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes

just to watch that all fall apart in the last year or so and especially the last two weeks

there's nowhere good to go anymore for artists.

edit - a lot of people are saying the tags are important so actually, you'll look at my tags.

#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

[visualnovelboyfriend]

why should palestinians have to leave behind their land because israel wont stop killing them. why should anyone have to leave behind their life and memories and sentimental value just because an aggressor is left unchallenged. please think this sentiment through and delete it from your thoughts. instead of blaming an oppressed people for living in a hostile land, ask who is making that land hostile to live in.

[bloodcoveredgf]

they should invent a way to be friends with my mutuals that doesnt involve initiating and keeping up a convo in the beginning stages

[volatilemask]

P RANK QUOTA REACHED

[onebadnoodle]

KIMIKO & MIKO

also made one more secret santa gift for @nokonyu

[jorrated]

fleetway sonic is soooooooo bad with being cared for, he wants to be the most special boy in the spotlight ever but if somebody gives him a genuine hug he will die

[devil-acid]

my honest reaction to the new brush

[pankiepoo]

So, what's up with you?

[skunkes]

something silly and badly formatted

[koipalm]

liushennnn in my attendant sy au (read right to left)

notes on this au:

sy transmigrates into a new body when sqq fights the system trying to force him out of his body. sqq is livid and decides to take sy as his retainer/secretary/assistant, forcing him to do most of the accounting & administrative work on qing jing peak and work for sqq for free while also helping sqq avoid his tragic fate by telling him spoilers and secrets about the world that sy remembers. sy has no golden core and no cultivation, and cant wield a spiritual sword or fight. sy has no documents, no money, and no prospects. sqq basically provides everything for him & can also take it away. sy moves into the other room in the bamboo house and cleans and organizes as well, although his own room is a mess. sqq never makes it clear what sy's position on the peak is, so all of the disciples follow his orders in fear of disobeying sqq. sy is basically 2nd to sqq, although he doesnt see it that way; he sees himself as sqq's overworked servant. he resents sqq for his control over sy's life, but he's terrified of being kicked out.

sqq takes sy to the peak lord meetings as well, using sy to carry documents, serve tea, and to give him information about anything that might be useful to sqq if it comes up during the meeting. sy also often acts as a messenger for sqq between peaks. he doesnt get much interaction outside of senior disciples and the other peak lords.

since sy's hands are usually full with documents, accounting books, talisman paper, & anything else sqq wants him to carry, sy can't use his fan to hide his face as much. instead he uses his hair & his glasses. his skin is sallow & he often misses meals from running around doing sqq's errands, so he always seems tired. clothes he wears are simple & loose, either slip on or buttoned up. he dislikes loud & bright patterns bc he doesn't want to stand out, but sometimes has no choice bc sqq buys his clothes. sqq will often make him wear more extravagant patterns, even when it makes sy nervous about attracting attention.

since sy seemed to appear out of nowhere to the other sect members, sy is very worried about acting too suspicious and getting kicked out. he copies sqq as much as possible to acclimate to the world and seem unphased & elegant.

sy is very interested in the other peak lords since he interacts with them often, especially liu qingge. liu qingge often catches him staring, but sy tries not to interact with anyone more than he has to. liu qingge usually sees him hiding behind sqq as a buffer. if sy does speak, he does it low & quiet, & if behind his fan if possible.

sy looks like his old body & has long black hair, similarly styled to sqq by his insistence. sy dislikes this.

sqq calls sy "a-yuan" bc sy doesnt like it. sy doesnt like telling people his name though bc it makes ppl think theyre related, which he also doesnt like, so he doesnt stop sqq from indroducing sy as "a-yuan". this makes it very difficult for other ppl to know what to call sy in fear of being too familiar

sy does meet sqh earlier in this au, and he helps him as much as he can get away with behind sqq's back. since sy is less bound by the system than sqh is, sqh sometimes "sponsors" sy to do things he himself cant do.

sy calls sqq the equivalent of "sir".

[loopnoid]

beej and his motorcycle :-{)

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[ourhouseishaunted]

Vash and Chronica's terrible sibling game night

[heartorbit]

the star you've longed for

[kenjakusbraincum]

Walls

Sukuna x Reader

A small addition to Vows

Synopsis: Two scenes exploring the first times reader and Sukuna respectively break down in the face of reader's terminal illness. Tags/Warnings: sick!gn!reader, master/pet dynamics, angst, hurt/comfort. (Chronologically takes place after reader and Sukuna talk about him taking new pets in the original fic!) Word count: 1.2k Author's note: This is probably as vulnerable as I'll ever write Sukuna :3

You tried to be strong. So long, so hard you tried to be untouchable. You knew sukuna hates weaklings. But you're in so much pain. You can barely swallow anything properly with how sore your throat is from the coughing. It takes so much out of you, physically and mentally, to pretend that this harrowing illness is nothing, and that you're somehow okay with it and ready to die. You're not. You don't want to die. You don't want this life that you've built with Sukuna to end. At least not as abruptly as it seems it will happen. One day you just can't pretend anymore.

Sukuna always asks if you're doing okay. He hopes that one day he'll hear you say yes. But you don't. You mutter a quiet no, and hope the topic would quickly. Not quickly enough. Because you break down crying. It starts small, your usual, timid little crying, but as you talk through it, the weight of your illness presses down on you like a rock - and you break. Loud, helpless. Hysterical bawling, the crying that leaves you breathless, the crying that drains you of everything you have and more.

And Sukuna doesn't know what to do - usually telling you to stop would work, because you would obey his every word, no questions asked. But this is different, this isn't your usual crying about something small, something you aren't allowed to do or something mean Sukuna said. This is a honest, heart wrenching breakdown that has been impending for a while. And he can't tell you to stop - because you can't stop. All he can do is hold you tight, and remind you to breathe.

There's nothing he can do. Healing you is a double edged sword, that provides relief, but at the cost of crashing hopes when the symptoms return. They always return. How useless of him. He can't properly comfort you because he's so detached from human emotions and interactions, he can't save you from this hardship... And he can hardly make it any easier. All he can do is sit with his guilt, little weeping you curled up in his arms, and... that salty drop of liquid that just escaped from his eye to his lip. What was that? Is he?... No, it's impossible.

Of course, reader falls asleep quickly after this. Sukuna stands up to leave, but he finds himself unable to part his stare from the bloody napkins and abandoned crochet projects by your bed. Tea gone cold and plates still full of food and sweets that you didn't have the strength to consume. Clothes untouched, folded neatly in your closet - you don't change out of your sleepwear anymore. The doorknob to the terrace, the one that leads to the garden you love so much, gathering dust after days, weeks of being unopened. You used to go into the garden every day. Your descent is slow, like that of a flower, whose petals slowly dry and detach, until none are left. His favorite flower, the one he loved to admire every day, at every opportunity. The type of flower that grows, blooms once in a hundred years and more.

And Sukuna is a stone, was a stone, stoic and unshaken for the longest time. But he is not as he was before. Love spares no one. Love leaves no one unchanged. He breaks.

You're in his lap in the garden, during one of the last sunny days of autumn. He stares into the distance, lost in thought as he often is, but... his face looks different. Tense, with his brows furrowed and his lips tight. He looks worried, almost sad. You ask him what he's thinking about, and he hesitates. There's a lump in his throat, and you hear it in his voice when he finally speaks. Nothing. He should've said nothing. What a fool.

He tells you he struggles to imagine life without you. And then he looks at you, and you feel it so vividly. A punch to your gut, a knife to your heart. Oh. You know you're dying, but if you had even the slightest of doubts, it's gone now that Sukuna is opening up to you. Sukuna and vulnerability don't exactly go hand in hand.

You sit up and plant a kiss to his shoulder. You tell him what you believe to be true - that the pain is fleeting, and that one day he will be complete again, alone or with someone else in your place. He frowns at you, once more unwilling to accept that scenario. But you want that for him. You truly, wholy believe that he is worth your - and anyone else's love. That he's beautiful, he keeps you safe, provides for you, pleasures you, listens to you - what more can anyone ask for? There's a thousand humans who would die for a chance to be loved like that, who would be just as genuine and grateful as you - and he crumbles, telling you to just shut up! He turns his head in another direction, facing you with the veins popping in his neck. He should've known you would try to make it better. He should've known you wouldn't let him wallow in his misery.

You crawl closer, reaching your hand for his face and trying to pull it towards you, but he doesn't budge. He holds his breath. He really doesn't want you to see him like this. Weak, pathetic.

Sukuna. You call him by his name. So intimate, forbidden. So personal you don't think you've ever called him that outside his bed, and even then it was pried off your lips, pulled from the depths of your conscience, out of your control. Anyone else would've paid for the mistake of uttering his name with their lives. But it's nothing new that you have privileges others don't.

Sukuna. You wrap your arms around him and lean into a hug, and he accepts it, squeezing you so tight he almost leaves breathless. You kiss up his neck, his cheek - wet, and his lips, almost trembling as they touch yours. There's so much more you want to tell him - but he shushes you. Kisses you again, tells you to forget it, it will be fine. You're not sure if he's saying it to you or to himself.

You tell him you know, that's what you've been trying to say the whole time. Then you smile at him, that angelic smile of yours, and smooth your hands over his face, wiping the frown off of his face. What a magical little being you are, he thinks to himself as he savors your beauty. You always had the power to take his anger and turn it into love.

No, Sukuna doesn't think that he could ever scoop up another little human like you out of the crowd. For a moment he thinks maybe it's better that you die, simply because he fears how far he would keep falling for you if nothing stopped him. He thinks maybe he would've become a different man. A better man. But your fate is sealed, and with it, any and all hopes for a changed Sukuna. Soon you will breathe your last breath, and Sukuna will once again be a monster, unbound by anyone or anything. Free of the confines that you've passed upon him - the heaviness of a human conscience. Closer to the man he was before he met you. But never, ever the same again.