oh also
heres my dabloonsona and their family (wip)
collecting children like pokemon cards, i could rival philza at this point
1 note
·
View note
wait. wait. wait so. the talk where laudna realized she might have feelings was the "i don't mind being your better half" talk? she said that and went "oh. oh."?? that is. i will not be able to stop thinking about this it's the wildest thing she has said to imogen and it was said with words so charged with weight and emotion and history for imogen and then laudna in that moment suddenly realized all the ways she may have meant it???
218 notes
·
View notes
excuse me i need to Muse on something for a moment
so in Wally's secret 'vinyl' audios, specifically the last few (if we're listening to em in chronological order), obviously he starts to sound more strained/distressed. his breathing is more labored, like it's taking all of his energy to make contact.
but the audio that really caught my attention was the "But i still can't see" one. cause he just said he has more eyes than he did before. he knows We draw them a lot, and it's thanks to that that he can see. but he still can't see?
so my question is: where is Wally physically? cause although he can (assumedly) see the WHRP goings on, he can see through the eyes We draw, that could all be on a, uh... more Intangible level of sight. like the spiral pit is forming an eye, and then there's the eye on the ceiling in the secret Staff Only section - could Wally be in the pit, that space between his reality and Ours, "watching" through the eyes? but unable to actually see with due to the pit being pitch black nothingness? is he somewhere else? is he stuck? he can see, but he can't... see.
(or is he trying to explain an abstract concept - he's not actually viewing anything, but he can sense it. like how he knows We're there, even if he can't see or hear Us. but he just doesn't have the words to describe it other than using physical senses - see, hear, look.)
and him saying "...that I can see. But it is still... I can't..." but it's still what, Wally? dark? something else that he doesn't have the words to describe, so he just says that he can't see?
i know that in the Livestream Trivia Document (compiled by @/the neighborhoodwatch) there was something said about Wally being in a box. my first thought reading that was "oh, so he's in storage? the physical puppet, i mean?" which would make sense - show's over, there's no more use for him. pack 'em up and put him away. but that paired with the "can't see" audio makes both seem a lil... connected.
Wally can't see > he's likely somewhere dark > the inside of closed boxes are dark > Wally's in a box. (or maybe the Neighborhood is the box? it's a stretch, i know, but the map is a box. television sets are often set up in "boxes". maybe it's less of a physical storage box and more of a 'boxed in' sort of thing...)
one question i've had since the Start of my interest in this incredible project is: how is Wally communicating? how has he connected to the site? how does he connect to our reality? the pit almost definitely has something to do with it - most likely acting as a bridge, or the deteriorating of the barrier between our two 'worlds' - but if Wally is in a box and Not the pit or even just in the puppet's reality... how is he reaching us beyond just seeing through the eyes he's given?
or is he in their reality, and he can contact through the pit or something, but he can't actually see the other side? Our side? he knows it's there - that We're there - but none of it is visible to him. maybe his apparent disassociation in the 14 bug audios is a demonstration of him contacting Us. we can see through him, but it's a one way street.
and speaking of the pit - i just had a thought. his whole thing with Us letting him in, opening... the pit on the neighborhood map is getting bigger and clearer. but the presumed Other Side, the one on the Staff Only ceiling, is small. it's the size of a ceiling panel. it seems to me that Wally is chipping away at his side of the pit or 'portal', trying to reach Our reality, but he needs Us to do the same thing on the other side. the QA can hear him calling, but there's no phone on their (Our) side of the pit. how do We call back???
there's a fundamental barrier & lack of understanding between Wally and the QA/Us. he's trying. he wants to be let in, but what does that mean, really? let him in where? open what? he's desperate. he wants us to understand. he's trying so so hard Without the right tools to clearly communicate what he wants. he can't see Us, We can see him, both know the other is there, but there's no way to connect. and the attempts are hurting all parties involved, however unintentionally
151 notes
·
View notes
it sucks how much queer sex/expression in art gets sensationalized by the general public to the point of making the actors themselves uncomfortable when all they did was portray queerness, like as a queer person observing it happen in real time it always feels so othering when people can't just be normal about it
oh my god yeah. i’ve been thinking about it all day and obviously it's all speculation as to whether or not that's the reason barry's kind of distancing himself from saltburn, but the way people have been acting about jacob and barry after this movie is fucking crazy.
it's so annoying that straight characters get to just be characters who live and die inside of the story that they were created for. but for some reason, portraying a queer character is regarded as a sort of admission of the actor.
i think you're so right in talking about the sensationalism of queerness and i think it largely comes from the belief that queerness is something to be hidden and unveiled when the time is right. which means that any peak into a person's relationship with queer identity (in this case, barry playing a queer man and then extending this act to the pr surrounding the movie) opens them up to a line of questioning that they very well might not want to talk about. it's none of our business whether or not they're dating, and frankly it's delusional to assume that they MUST have a something romantic or sexual going on just because of the way their characters acted in saltburn.
the inability to draw lines between what's real and fiction and the pushing assumption that queerness is owed to us by people who play queer characters is so concerning. actors act. it is their job. not allowing them work-life separation is immature at best and harmful when taken to this extreme.
33 notes
·
View notes
idk, its just. like. a person comes up to you with their heart cradled in their hands. says it is broken, says it hurts. places it in your hands, asks you to please make it stop and trusts you to fix it. wouldnt you be scared, too? wouldn't you be haunted by visions of you tripping and shattering it beyond repair, of driving the thing thats hurting them even further down so that maybe no one can ever get it out, of someone in their deepest darkest moment trusting you with their life and you fucking it up? how could that ever feel like anything but defusing a bomb? trust is such a valuable thing, a powerful thing, a delicate thing, and the more you have the more you get given and the more careful you have to be with it because what if someday you drop it and break it and it turns out you never should have been given it in the first place. wouldnt you be scared?
5 notes
·
View notes