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#im still hurting abt that
depressedraisin · 1 year
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when zakir hussain rakesh chaurasia and niladri kumar are playing a triple concerto for sitar tabla flute conducted by alpesh chauhan and accompanied by the symphony orchestra but you're just a broke student living in the other end of the country
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thechy-fychannel · 2 months
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y'all ever think abt how it was julie having the affair and it is even said multiple times that she was the one who left him, yet wilson was still the one who left their home and moved in with house. like. he couldn't bear to stay in their home alone. he immediately ran to house and stayed on his couch for weeks. suffered through his pranks and his laziness and his manipulation. telling him he wants him gone while sabotaging his attempts to leave. and he only left once he got a girlfriend again.
#chyanne speaks#house md#hilson#hate crimes md#gregory house#james wilson#i think his inability to be alone is such an interesting quality of his that isnt touched on enough#like yes we all haha at his long string of unsuccessful relationships but we dont talk abt it all stemming from his inability to be alone#his first wife leaves him and then he remarried quickly#he cheats on the second wife and remarries quickly#the third wife cheats on him and leaves him and he immediately moves in with house#and then starts dating a patient and immediately moves in with her#but!!! then he moves into the hotel and is alone for like almost a year! and honestly he NEEDED IT#bc GROWTH happened in that year and he meets someone who doesn't fit his M.O. who breaks away from the mold#although he does immediately move in with her too but still. amber was different. she was the step in the right direction#and then she dies.#and then wilson throws himself into the left field. everything needs to change. he's spent so long fearing being alone.#so he tries to leave so he is completely and totally alone without house to fall back on#but house needs him. he needs him too much. they need each other too much.#and he falls back to house again. and he's content that way. he's always the most content when he's with house. always feels the least alone#and then sam comes back into his life and ruins e v e r y t h i n g#he falls right back onto those old patterns. kicks house out and moves her in. and then what happens??? of course??? she leaves him. again.#and then he's alone again and it hurts. he gets a cat that we only hear about twice and then never gets brought up again#but wilson has his kitty. he has house. he's not alone. he can be content.#and then house fucks everything up. he goes to prison. wilson is alone again.#im honestly SHOCKED that wilson didnt remarry in that year they were apart but he was rly trying to change!#he was working on himself and trying to make changed he thought would be good for him#and then house comes back. and house won't LET wilson be alone. he wont leave him alone.#and it's exactly what wilson has been yearning for since the day he drove that car into cuddys house#and in the end. as long as he had house that was all that mattered. as long as he had house he wasn't alone.
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just-null · 1 year
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your yan!noritoshi is so wisnwonwpwjw RAAAHHHH going absolutely feral ... i want him . ive had so many thoughts abt him as like a yandere n then i saw your art n absolutely lost it /pos
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IM ALL EARS, BABY!!!!!!!!!!!
GOD FUCK OKAY, HOLD ON, I ALSO HAVE SOME RAMBLES AND THOUGHTS ABOUT YANDERE NORITOSHI BUT IM GOING TO PUT THEM UNDER THE CUT.
I AM IN NO WAY RESPONSIBLE FOR UNLEASHING MY TJOUGHTS OFFICER. IT WAS MY GLORIOUS CULT MEMBER RIGHT HERE.
MERRY OCTOBER YALL
[disclaimer: im not a writer, but I want to get better. think of this as my practice. it ended up being so fucking long, but i swear it's just rambles, not a fic]
[warning for blood under the cut? keep that in mind for future posts]
OKAY LETS GO.
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Bro ok so. if I'm not too delusional (yet) and don’t see him as a yandere, then this guy (Noritoshi) is still a strict fuck. he'd put you on the same level of importance as his clan if not a bit higher. but only by a bit. Your relationship would gradually bloom into something meaningful to him that he’d cherish you wholeheartedly. Only then would you grow in importance to Noritoshi significantly. He'd keep his resolve and all those healthy green flags. Because honestly? Noritoshi is just a green flag, he's so sweet..
But let's twist that into a yandere setting. I don't even need to twist too much, Noritoshi as a yandere is way too fitting.
Noritoshi was abandoned by his mother as a child, thereby fueling his lifelong goals to do as she said and bring her back. He didn't even think on his own accord, nor did he try to find a different way, or even follow her! He accepted his fate and made it his mission to accomplish the goal he was given. Despite the intense pressure of his worth being determined by an ability he was born with and the high expectations from the Kamo clan, he perseveres. That is until [spoilers] Noritoshi is exiled by his clan because of some Kenajku shit. All his hard work and future goals were ripped away from him without a second thought in an instant. Noritoshi was always the second thought time and time again, and now left as a man with nothing but the failure of his desired future.
That wasn't even the yandere part, that was all canon, what the fuck.
Yandere Noritoshi is the type to cling to scraps... He reminds me of an obsessive and protective yandere. obsessive about you because you become his everything.. his goal, his will to keep going, the light at the end of the tunnel. he wants all of you, from the best parts of you to your worst. He's also protective, because he cant handle losing yet another person so important to him. He'd rather tear himself apart than lose you.
He also seems mostly self-aware but can overthink to the point of delusion. For example, you pat him on the back and tell him he did a great job on something. He knows it's nothing to dwell on, but why does he feel like there's more to your words? Should he read in between the lines? but there's only one line! From then on, his mind would reel until he landed on a favorable conclusion. You meant that he was the only one who did great. The others paled in comparison in your eyes therefore you must favor Noritoshi in some way.. right?
Since Noritoshi was pretty deprived of any emotional support, you won't even have to try too hard to get his heart thumping. If you were to give him even just a bit more attention and care than the average person, like making sure he's eating alright or remarking that he's paler than usual after restocking his blood bags, he's hooked. He's self-aware enough to realize his blooming fondness for you is one-sided, so he simply admires you. that is, at the start. Note that Noritoshi is still new to these feelings so he's.. awkward. It's really cute.
Though these moments were cute to you, they slowly became horribly blissful to Noritoshi. Poor you, completely unaware of how you're slowly corrupting him in, what he thinks, is the best way possible just by giving him your attention. He thinks you're the last and only person still believing in him, so much so that everything and everyone else slowly becomes minuscule in the grand seam of things. He feels happy around you, like he matters, like he has someone to trust, like he has someone who won't abandon him. Because of this, he sees you as a new goal. A new hope. Failing you is not an option. Disappointing you is not an option. Hell, even a frown from you is unacceptable in his eyes.
Noritoshi tries to cling to you at this point in his own way... He enjoys it when you speak to him, or even sit next to him, so much so that he seeks you out when you're not there. You'd feel eyes boring holes into the back of your head, a sense of being followed, sometimes seeing your shadow accompanied by another, every time you turn around to be surprised by a familiar face. His footsteps are so quiet that you barely notice Noritoshi walking around.
Unfortunately, due to Noritoshi’s inexperience, the only way he knows how to impress people is by being “perfect” a.k.a. his strict, pain in the ass, annoying heir shtick. He would be the type to get on your case, scold, coddle, nitpick, correct you, and practically look like he's trying to bully you when in reality he's trying to hear praise from you for "helping" you. He’s waiting for you to see the affection and adoration behind his nagging, is he not being obvious enough? oh well, at least your eyes are on him for now. When most people in Noritoshi's life have either put him second or flat-out abandoned him, he's satisfied with anything he can get from you. Though he'd prefer praise, the thought of your attention being given to another even for a second makes his stomach feel like it's tying in knots, so he settles for your annoyed tuts and glares.
Of course, after a while, you'd get tired of this and tell him to knock it off. Or some variation of what a decent human being would do like, “Do whatever you want, but don't meddle in people's business.”
You KNOW he's going to be picking that apart in the middle of the night while looking up at the ceiling. What did you mean by that? Do you mean ANYTHING he wants? As long as he doesn’t bother anyone? Were you talking about yourself and everyone in general? Were you talking about someone specific? Did you leave it up for him to decide? Thoughts and questions circle in his head until he twists your words enough into something that he favors again. Ah, you allow him to do whatever he wants so long as he doesn't get in your way. But he wants to be alongside you... Did you mean in your way to the point of annoyance? Noted. From then on, Noritoshi's strictness softened into light nagging and bearable hovering. He'd knock it off completely through gritted teeth and furrowed brows if you threatened him with the silent treatment. He'll slowly start it up again until you begin ignoring him, only then will he get the hint and relax a bit. only until next time, of course.
The intensity of Noritoshi's coddling can fluctuate depending on your actions. (recklessness, obedience, shyness, etc.) it's his love language.
It's a completely different story if someone else decides to nag you as Noritoshi does... If someone scolds you, Noritoshi's on the offense. He's known for his occasional bluntness and sassy remarks, but this time... He's contradicting himself all in an attempt to get the other person to back away. If the one scolding you brings up points Noritoshi used in the past, he firmly denies them all and stands by your side. He'd rather sound hypocritical than let someone else care for you the way he does. Noritoshi stands in front of you, almost guarding you with his body and begins his barrage of deflective comments through his clenched jaw such as “That's not your place to say” “Shut it, they did no wrong.” “You don't know the reason why they did so, leave them alone.” and other things similar to that. Jeez, take your advice Noritoshi.. He’d argue and become antagonistic towards someone scolding you, even if it's exactly what he was about to do.
The same goes for someone who tries to be gentle with you to a lesser degree. It's nice that people see how wonderful you are, but having your smiles and kind words directed at anyone else other than Noritoshi is... Upsetting. The resentment gradually pools in the pit of his stomach and suddenly finds himself impulsively moving towards you and this "friend." He stands in between you and the kind person, trying his best to conceal his sneers. He wants nothing more than to have the third party get swallowed up by the ground or hit by a car, but he keeps his composure. Noritoshi sternly states how he’ll handle everything from then on and gives the third party a glare that's much more hateful than usual… Finally! Noritoshi has you to himself again! All is right in the world once more...
Noritoshi has always been on a very tight rope... Any wrong step and it’s going to snap. The more Noritoshi gets attached to you, the easier it is to convince himself that it's okay to cross certain lines to make sure you're safe with him. Even if that line he’s crossing, includes murder. It'd happen quicker if he caught feelings after the whole incident with the Kamo clan. You'd be the only thing he has left, the only thing he'd cling onto with every fiber of his being, emotionally and sometimes physically.
And like every fairy tale, a problem unconventionally shows itself much to Noritoshi's dismay... Noritoshi is shown to be prideful at times. Because of this, he'd try to conceal his more embarrassing emotions and reactions towards you. He wants to be seen as someone strong you can rely on, a steady pillar to your stability, someone who will do anything you wish at the drop of a hat, but it’s almost impossible to execute when he feels like he's nothing but putty in your hands at the slightest sign of positive reciprocation.
If Noritoshi felt his face heating up because your laugh caught him off guard, he'd turn his head to hide how that simple action made him nearly melt into mush. If your hand brushed against his, he'd quickly swipe it away. Not because he doesn't want to touch you, but because you'd feel how shaky and sweaty his palms got with just a graze. Noritoshi's gaze always lingers on his bow if you ever touch it causing his aim to decline in accuracy significantly.
He mentally curses himself out every time he pulls away from you because he knows he's sending mixed signals. Noritoshi loves you endlessly, but please spare his fragile heart. Your presence overwhelms him like no other, and he's utterly conflicted on how to act. He can handle being by your side like he wants, but the second your 100% focus is on him and only him, he’ll start to squirm under your gaze. Noritoshi wants to impress you! Stop being so mesmerizing for just a second so he can gather his thoughts and not embarrass himself! A-ah, but don't look away!!!
Tl;dr Noritoshi as a yandere is needy and petty as hell, but will explode if he gets an ounce of affection! He’s also! A creepy hopeless romantic who sends you mixed signals!
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thinking abt these two again. i need to be sedated
knight!sugu who sacrifices you to save the world thinking he has no other choice. who instantly becomes enveloped by a guilt so heavy it crushes him.
prince!gojo who sacrifices the world to save you with a smile on his face. who tells you to find him in your next life as he watches the stars go out one by one.
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grecoromanyaoi · 3 months
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hm i was wondering. do u prefer british or american humor (as represented thru comedy shows/movies)? (feel free to elaborate in the tags and/or reblog for sample size)
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vigilskeep · 7 months
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ranking da love interests on a scale of how unhinged theyd be if their beloved was made tranquil (they would all be maximum unhinged its just a matter of deciding what flavour)
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salemontrial · 6 months
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Why the FUCK didn't Sasha apologize to Quinni.
#no im so pissed about that.#dude you don't give an autistic person a meltdown that big over something that hurtful#and just#walk away scot free#last time someone gave me a meltdown that hardcore I cut them off for a month.#that might just be the bpd tho#but still#quinni doesn't seem like the type to just. be chill without an apology and hearing sasha explain herself#and then she makes her her vice??????????#she already acknowledged sasha is only in it for the power trip#sasha didn't even do anything in the investigation she just followed quinni around#which as she should#but she hasn't made up for how she treated quinni AT ALL#in fact she's just gotten MORE of a performative activist#like why the fuck was she such a bitch to missy abt spider#i get it yea. ur friends sometimes have dogshit taste in men but you don't need to make them feel like trash abt it#and the way she was like 'he fetishizes u for being black omg its probably asian girls next omg i dont feel safe'#THIS ISNT ABOUT YOU????????.#also she 100% jumpstarted quinnis identity crisis#with how she was constantly switching between infantilizing her and undermining her autonomy over her own decisions#and treating doing things quinni wanted to do and the specific way she needed to do them as a chore#and then victimizing herself!!!!!!!#like from experience that relationship dynamic IS abusive to autistic people it just is#idk if nt people get it but it's really fucking awful to come from your partner#anyway. until sasha apologizes to both quinni and missy this will continue to be a sasha hate page.#heartbreak high#heartbreak high season 2#quinni gallagher jones#sasha so#missy beckett
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skitskatdacat63 · 6 months
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"Death is nothing, but to live defeated and inglorious is to die daily."
+ process(tw blood)
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Also, look at him, bloody little guy 🥹
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This drawing was inspired by several matador pics :D here and here:
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^ I don't think I'll ever live up to the second one ah. There's several pics of that specific guy just soaked with blood, and I'm uh a bit obsessed with then ITS FUCKED UP I KNOW OKAY! But I've not drawn blood in a while so it was a bit difficult so I added less than I would want to I guess. Also I'm obsessed with how often they kneel in bullfighting?? Like okay who are you arching your back and spreading your legs for-
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svampira · 9 months
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my dark urge kitty^^
(a year before the game - act one)
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aibouart · 3 months
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compilation of my other fav palette challenges from the years past... i should do them again sometime......
chara #9 belongs to @askbookwormflareon
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vix-png · 26 days
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im so insane about chilaios . why do i have 20 screenshots worth of paragraphs and paragraphs of rambling abt them . what .
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okkottsus · 1 year
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kaneshiro really wants the readers to understand how madly in love with each other nagi and reo are and its honestly suicide inducing im being completely serious. IF THEY WOULD JUST TALK!!!! (i know they eventually did but at what cost).....
also, we finally know what reo wanted to say but didnt (bc he thought nagi wouldnt come back to him) when nagi declared he was going ahead on his own and its the most romantic, yet encouraging thing ever nobody touch me
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i hate doing laundry ough it's The Worst
#not only does leaning down to move my stuff hurt my back#but i have to touch dirty clothes and go into the dirty room and touch the dirty machines and i have to wear 2 pairs of socks (so my#normal socks dont touch the contaminated floor) and when i lean over the washing machine my clothes touch it <-the worst part of it all#tbh. now my current clothes are dirty but i have nothing to change into and i will have to wear them all day and it makes me SICK#and i cannot talk abt how dirty the garage (where the laundry machines are) it makes me nauseous that place kills me if i never#had to go into it ever again i would and i have to carry a laundry basket (dirty) and it touches my clothes when i carry it (disgusting)#and now my clothes are even more dirty and i feel like i cant touch any of my things bc i dont want to infect them but i cant just do#nothing all day when i have to do laundry but it makes me so SICK i need smth to cover all of my clothes but everything i've tried misses#some part and my clothes are ruined and it makes me SICK how am i supposed to do school or draw or anything when it's so bad#i have everything scheduled so i can take a shower and go straight to bed after i'm done but still it's so bad and it stresses me tf out#and i have to do laundry every 3 days because i only have 3 towels to use after showering and even if i did have more towels#i still would have to do laundry as often bc i couldnt handle doing multiple loads or having bigger loads my back couldnt handle that#w the system i have set up now it's just bad it;s all bad i hate doing laundry#i dream of one day where i can do laundry in a better way i think it'd involve not having the washer and dryer down steps bc that's#dangerous for one and for two not having them in a garage bc garages stress me out and three to have smth to cover all of my clothes#and 4 to have machines that dont need me to bend down idk if they have ones like that but it hurts#anyway that's it for listening to dux complain abt smth that ultimately doesnt matter and is only a problem bc their brain#chemistry is off#k bye i have to go do laundry *explodes* and take an exam *explodes* it;s an essay exam *explodes* and then im going#to like sit around feeling sick thumbs up emoji
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IN THE DREAM I DON’T TELL ANYONE, YOU PUT YOUR HEAD IN MY LAP ; SHOKO IEIRI
synopsis; ever since the battle in shinjuku came to its conclusion, nothing’s been the same as it used to. but you don’t think anyone is doing quite as badly as shoko. 
word count; 4.5k
contents; shoko ieiri/reader, gn!reader, canon-typical mentions of death (iykyk), angst, hurt/comfort (but not very heavy on the comfort), jjk spoilers (up to chapter 236!!), mild gore (mentions of blood, autopsies and general gore-ish imagery? nothing too bad tho), shoko ieiri deserves better, includes gojo slander (stay safe gojo nation)
a/n; first of all i just wanna apologize to the shoko girlies for writing angst when we’re already so starved of content, i have like 50 fluff drabbles planned for her but chapter 236 threw me into a mental angst pit so </3 yeah. i love my wife!!
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shoko hasn’t been herself for a while.
the thought sneaks its way into your subconscious, as your feet carry you to her morgue — a rotten thought you just can’t seem to rinse away.
it’s not very hard to notice. she doesn’t talk as much, for one. not that shoko was ever much of a talker, but now the silence around her is deafening. thick and heavy like the spine of a knife. and she smiles even less.
you can’t remember the last time you heard her laugh.
the crescents beneath her eyes are darker than ever, darker than you thought possible. a murky purple that you’d find soothing in any other context, but like this it’s just revolting. her eyes are deep and dark, the same as ever, but now they’re glazed over with something you can’t quite put your finger on. 
apathy, maybe.
or bloodlust.
the scent of cigarette smoke that follows her is suffocating. indistinguishable from her natural scent. you don’t know if she’ll ever be able to scrub the tobacco stench off her skin.
(you’ve given up on counting the exact number of cigarettes she smokes each day. you’re not sure you want to know the answer.)
she doesn’t even look alive, anymore. like some part of her already reached its expiration date. a spectre, wandering the hallways, filling the air with the slow, ominous clacking of her heels.
shoko hasn’t been herself for a while — and it’s so obvious. her grief is so heavy, her sleep-deprivation so severe. you’d have to be blind not to notice it. 
so why hasn’t anyone said anything?
you gnaw at your bottom lip, trying to suffocate the bitterness swimming inside your veins. it’s a dumb question, really, because you already know. you don’t want to acknowledge it, because it’s so unfair, but you know. of course you do.
no one has the time to. it’s as simple as that. 
no one’s doing well, anymore. not since shinjuku.
not since gojo died.
shoko’s grief is a fickle thing. always with her, tucked away within those eyebags, in the pockets of her coat. in that smell of tobacco, never-fading, always lingering. it follows her like a ghost, like something she’ll never quite be rid of.
(like something she doesn’t want to be rid of.)
shoko’s grief is a fickle thing, and it always has been. but recently, it’s been downright overwhelming. it used to be subtle, the kind of thing you notice if you look close enough. if you squint. if you even care enough to try.
but now, it’s more like a haunting than a simple ghost.
(geto. nanami. yaga. and now gojo, too.
how many people does she have to lose before whatever’s watching is satisfied?)
shoko hasn’t been herself for a while, and it’s obvious, and it’s sickening. she still does her duty to a tee, but she isn’t quite there anymore. gaze always forlorn, as if she’s trying to convince herself of something.
and yet no one says a thing.
everything is one big mess, right now. you don’t want to blame anyone. everyone’s exhausted, completely and utterly spent, but they’re still planning it all out. even in the midst of their mourning. because they don’t have any other choice. 
this is not the kind of situation where you should be pointing fingers. a part of you is angry, livid even — but you know the others are doing just as badly. it’s not like you aren’t, either.
still, though. isn’t this just too unfair?
”i brought you coffee!”
making sure your voice doesn’t waver is tougher than you initially assumed. just the sight of her sends a tremor running through your ribs; sunken down in her chair, papers in hand, eyes scanning the pages methodically. papers of what, you’d like to ask — but you already know.
(she’s reading through the post-mortem examination report, again. searching for something you don’t understand. you’re not sure she does, either.)
and she looks exhausted.
try as you might, your voice ends up sounding a little stale, as it flows from your lips and reaches her ears. but the attempt is there — the attempt to sound cheerful, calm. normal. to give her something to hold on to.
shoko looks up at you, and her lips curl in a way you think is supposed to form a smile. it doesn’t. her eyes look into yours but it’s like she’s not seeing you at all.
when you go to give her the cup of espresso, your fingertips touch. only for a second, before she curls her fingers around the ceramic handle. she receives the coffee with a small murmur of thanks, but you don’t notice because you’re too busy thinking of how cold her skin feels.
(cold like a ghost. cold like death.)
shaking away the shivers down your spine, you allow your gaze to trail over the morgue. it looks the same as always. cold, empty. foreboding. today, you think it feels just a little chillier than usual. matching the temperature of the outside world, where everything lies buried in heaps of snow and frost.
hesitantly, you plop down in the seat right next to hers. with such a narrow distance, you can smell the tobacco sticking to her clothing. it makes you want to throw up.
(you try not to look over at the couch in the corner of the room, where a certain someone used to slack off. his awkwardly long limbs would dangle off the edges, and shoko would pretend that she didn’t enjoy his company. you were more than content with silently admiring the smile she was trying to hide.)
shoko doesn’t look at you, professional in the way her eyes run across the files. cause of death: damage to central intestines, subsequent loss of blood. from a cut to the stomach, right below the liver and spleen.
you look away before your eyes can read another line.
leaning back in your chair, you exhale a tiny sigh. desperate to fill the silence with something, anything at all. you scramble for topics, racking your brain.
(what could you possibly tell her that she doesn’t already know?)
”the others are still planning everything out,” you speak, playing with your fingers idly to distract yourself. ”i think it’s going well.”
shoko hums, unaffected. ”that’s good.”
she’s speaking to you, but that feeling of unease still won’t go away. her voice sounds still, flat. empty of emotion. but you can tell she’s trying to be polite.
that’s no surprise. shoko isn’t the type to ever show how she’s truly feeling. she’s not the type to ask for help, either. people come to her for help, not the other way around. that’s all she’s ever known.
(in that sense, the two of them were alike.)
but that just makes it all the more important for you to be there. even if you’re a little awkward, and even if you can’t do much. even if it’s only for a moment or two, you want to see her smile. you want to feel for yourself that she’s really there.
looking over at shoko, you wring your hands together, the cold air of the morgue nipping at your sweaty palms. she’s drinking from the cup, one finger around the handle as her other hand flips through the papers.
”does it taste okay?” you ask, softly. if only you could ask her that under better circumstances, with cups of espresso made with better coffee machines than those at jujutsu high. ”i made it myself, so…”
”it’s fine.” shoko takes a sip. dragging her syllables out, as if mustering the will to speak. ”don’t worry.”
short sentences. almost cold, but you know better than that. she just doesn’t have it in her to pretend that everything is normal, anymore.
and it makes you uncomfortable. this silence. 
a couple months ago, it would have felt comforting; a quiet, peaceful kind of solitude shared between the two of you. nostalgic, like the smell of morning dew. or the way moonlight feels on your skin when the world falls asleep.
the silence you had with shoko always felt so tender. a single moment of peace, before the other shoe dropped. just that one moment was enough to give you the hope you needed to make it through another day.
you loved being silent with shoko. you loved her silence, the way she could soothe your very soul without saying a thing.
but now it only stings your skin. you fear that you might drown in it.
there is nothing to say. you want to ask her how she’s doing, but you already know. you want to ask her why she’s still reading the files from gojo’s autopsy, but you already know.
you want to ask her if she can still keep going, like this. but you already know.
she doesn’t have a choice.
(something crumbles, deep inside your chest, like ashes cast into the sea.)
”hey. shoko?”
she hums, again. weak. quiet. absentminded, acknowledging your words but not really hearing them.
you take a deep breath.
”i think i’m going to quit being a sorcerer.”
silence.
for a moment, nothing happens. nothing moves, or speaks. the air is cold and crisp and carries no meaning, no words, nothing at all. 
like time is frozen. frozen like all the bodies shoko’s had to dig inside these past few months. frozen like gojo was when she found him in the snow.
frozen like your youth, a glass marble kept in your pocket for moments when you feel as if the ground beneath your feet is about to slip away. then you’d take it out, and look deep inside it. watch the swirling of greens and blues and purples. that streak of indigo right in the middle of the glass. memories of the past, to give you comfort.
to remind yourself of why you’re doing this. to give you a reason to keep moving forward.
(south or north, it doesn’t matter. stay as you are or move forward, look to the past or to the future — none of it matters if you aren’t alive. that’s the conclusion you came to.)
shoko’s expression, too, is frozen. it doesn’t change, even as you let those loaded words fall from your tongue. you watch her carefully, out of the corner of your eye. she doesn’t even look at you, gaze still glued to the tiny letters detailing exactly what gojo’s pulse was at when he got cut.
but something flickers, in the depths of her irises, so fast you barely catch it. something you can’t identify, but it’s still something. it’s movement. it’s alive.
”not right now, obviously,” you elaborate. suddenly a little nervous, now that the words have been made manifest. ”but… you know. once all this is over.”
not sure what else to say, you trail off, fidgeting with your fingers again. voice wavering pitifully towards the end of the sentence, because deep down you know it’s not a question of once, but a question of if.
(if this ever ends. if i don’t die tomorrow, or the day after that.)
you swallow the lump in your throat, and look at her. trying to find her eyes. trying to keep her alive for as long as you can, this sequence of motion, this moment frozen in time.
trying to reach her.
”you won’t ever have to worry about me dying,” you throw in, like the words are light and not heavy as bricks. but you know she needs to hear them. ”i’ll leave, and then — and then…” 
staring down at your lap, you link your hands together. exhaling, a little breathless. sheepish, in a way. ”… well. i don’t know. i haven’t thought that far ahead, yet.”
you never had the chance to. you didn’t even really think of it as a possibility, as something you could do. and you know it’s not a possibility for shoko. the choice to be a sorcerer was never hers, from the very beginning.
a user of the reverse cursed technique. capable of healing almost any wound, more power and capability than a child should ever have. invaluable. she’s saved so many lives you’re sure she’ll be reborn as a god.
but the choice was never hers.
a soothing kind of ache blooms in both your palms, as your nails dig into the soft skin. hard enough to form crescents, like the ones under shoko’s eyes, that she’ll never be rid of no matter how much she sleeps. the choice was never hers.
isn’t that just too cruel?
they don’t deserve her. none of them do. the elders didn’t, the jujutsu world doesn’t — not even the students. no one deserves it; everything she does for everyone, day and night, just slaving away in the morgue or her office. cutting up curses and old friends. every second of the day, always that same buzzing of her name being called. 
shoko, someone needs healing, come quick! 
shoko, i know it’s 2 am and you have work tomorrow, but there’s a curse that i need you to dissect.
shoko, i think i got a paper cut, would you mind taking a look?
none of them deserve her.
you think of gojo. a flash of white hair, a grin brighter than the sun. a bloodstained smile — one shoko had to wipe away.
something ugly claws its way up your throat.
none of them deserve her. especially not him.
what were you thinking, leaving her all alone like this? so much for being the strongest. you couldn’t even stay alive.
why would you die with a smile on your face? do you have any idea how cruel that is to her?
you idiot. don’t you know how much she missed you?
— yeah. none of them deserve her. gojo doesn’t, the world doesn’t, and neither do you. no one does. 
what shoko deserves is to live a normal life. 
and she never will.
it’s foolish. it’s naive, a juvenile daydream. but you wish for it so, so badly. so much that even just the thought alone feels like too much to bear.
you wish you could bring her with you. 
you wish you could take her hand in yours, and run away. leave it all behind, every single thing, without caring about the consequences. you’d hold her hand and never let it go, and then you’d run and run until you were both high on adrenaline and breathless laughter.
maybe you could go somewhere, together. somewhere better. outside of japan, where there are less curses. money wouldn’t be an issue, you both have more than you know what to do with — one of the perks of having a job that’s bound to kill you. you could settle down in some smaller town, peaceful, maybe a little secluded. just to make sure no one finds you. 
maybe you could open up a little shop, together. or spend all your days tangled up beneath the blankets, catching up on lost sleep. talking and whispering, like you’d do back at the sleepovers you used to have. you’d make her coffee every morning, and tea every evening. you’d spend the rest of your life trying to make her laugh as loud as possible.
there’s nothing you want more. absolutely nothing. there never will be.
— but you can’t ask her.
you can’t ask her to come with you, no matter how much you want to. that’d be the cruelest thing you could possibly do to her.
she would never agree. you’d only be hurting her more. so selfish, all of these wishes. it was so much simpler back when you were just kids. when you didn’t have to care about duties or responsibilities. when your cognitive empathic abilities were just a little more lacking. 
a sigh flows from your lips. resigned, but somewhat hopeful, all the same. tainted with the murmurs of a memory that’ll never happen.
”maybe i’ll open up a bakery, or something.” you tap your fingers against the desk, smiling a little to yourself at the thought. or trying to. ”then you could come visit.”
shoko looks into her cup of coffee. watching the swirling of the vortex, the abyss that gazes back at her. she doesn’t look at you but you can tell she’s listening. then she puts the cup down, and you glance at her now-empty hand. 
shoko’s hands have always been pretty. even when they’re covered in grime, or stained with blood. thin, a little bony, smooth skin obscuring clear blue veins. moles litter her hands like stars in the sky; one right beneath her pinkie, another by her wrist. the more you look, the more you find.
tentatively, you broach the distance between you. curling your fingers around her slender ones, where they rest on her lap. linking hands. it’s a slow movement, drawn out and careful, accompanied by the heavy beating of your heart. 
(her skin is cold to the touch. your skin buzzes with unease, but you don’t let go.)
then you smile. a small thing, not really optimistic, but the attempt is there. something for her to hold on to. looking deep into her eyes, admiring the hazel glow that never quite left them.
”i’ll give you free pastries.”
a moment passes. shoko’s fingers squeeze around yours — weakly, but it’s there. movement, motion, life. a way of reaching out. a way to hold on.
her eyes continue to trail over the page, but you know she’s not reading any of the contents. you’ve caught her attention. a small victory, but you’ll take what you can get.
”i don’t like sweets,” she reminds you, leaning back a little in her chair. allowing her eyes to flutter shut, at last — and it’s not much but it’s something. a moment of relief for those tired, tired eyes. more tired than any 29 year old’s should be.
”i’ll change your mind,” you promise, mustering up enough will to sound smug. ”my pastries will be out of this world. you’ll get a sweet tooth in no time, sho.”
she exhales a breath, vaguely amused. your smile widens, hopelessly. her happiness was always the root of yours, wasn’t it?
then she looks at you, one eyebrow raised in lazy scepticism. ”can you even bake?”
”nope,” you deadpan. ”but i’ll learn. you’ll see.”
this time, shoko almost chuckles — and it’s more than you’ve gotten out of her in recent memory. god, you missed that sound. a little raspy, from all the cigarettes, but still so honeyed and smooth. hearing it makes you feel as if everything will turn out fine, in the end.
(what a powerful thing, for a voice to do. one so lovely it anchors you to the earth.)
a faux pout curls its way to your lips, and you squeeze her hand lightly. ”don’t laugh, i’m being serious!” your pout shifts into a soft grin, a little teasing. ”i’ll get you addicted to sugar instead of nicotine.”
”haha…”
shoko laughs. shoko laughs and it’s beautiful.
shoko laughs, a genuine laugh, and it’s so beautiful that you almost don’t notice the tears in her eyes. almost.
and then you realize your mistake.
a memory comes to you, then. you recall a hushed conversation, beneath a cloudy summer sky. the air was heavy with the scent of lilacs and cigarette smoke. two people were beside you, and all you cared about was listening to the tilt of their voices. that, and nothing more. a time before everything and everyone went south.
(”you know, shoko. you really should drop those death sticks of yours.”
”i don’t want to hear that from the guy who needs 40 grams of pure sugar every day just to function.”
”rude! and as far as addictions go, sugar is a cut above nicotine, don’t ya think?”
”whatever. just worry about yourself, gojo.”)
by the time you realize, it’s already far too late. the tears have already begun to fall. little droplets of grief, sticking to her skin.
they trickle down the contours of shoko’s face, and fall onto the paper in her hand, smudging the letters. she clutches it tightly, crinkling it, just to make the damage worse. her other hand is still holding yours, chipped nails digging into your skin gently.
but she keeps laughing. low, hazy laughter — pained. she sounds like she’s in pain, and that’s because she is. even if no one ever cares to mention it.
(how cruel, for her to be born with the reverse cursed technique. capable of healing any physical wound; leaving her with too many mental ones to count. never to be healed or acknowledged, in this life or the next.)
you can only stare. helpless to her sadness. her eyes are a little red, and she’s biting down on her lip hard enough to draw blood — a drop of scarlet falls onto the paper, and you think of gojo again.
you think of shoko finding him. running to his side. doing all she could to heal him, to patch him up — getting blood all over her hands and clothes. red everywhere, staining the pure white of the snowfall. like something out of a painting.
she did all that she could. pressing down on his chest, positive cursed energy pouring out from her fingertips in tandem with the snow. pressing two shaky fingers to his pulse point, just in case. just to find any sign of life, absolutely anything. hoping so tenderly that she’d feel the flutter of his pulse. that he’d get up, and laugh obnoxiously, and ask her if she really thought he’d leave her behind so easily.
you’d never seen her look so scared. so desperate, a primal kind of fear you’ve learned to associate with self-driven survival. the way some animals can claw their way out of a predator’s stomach if they’re swallowed whole. but she did that to save him. trying to claw him out, herself. from the belly of the beast.
she did all that she could.
but gojo didn’t do anything. he just laid there, split in two. frozen in time, eternally young. watching the sky. smiling.
(what a wonderful way to die. what an awful thing for an old friend to find.)
before your mind can catch up, your body acts. muscle memory, in the way your arms curl around her midriff to bring her close. tucking her into your side while she sniffles and cries. still laughing, like she’s still trying to convince you that she’s fine. like she’s isn’t falling apart at the seams.
the dam breaks. the ice shatters. everything comes crashing down — and you’re there to pick up the pieces. despite everything.
it’s not enough, it never will be. but at least it’s something.
it’s heart-wrenching, the way she clings to you. like you’re the only thing she has. the dry laughter that spills from her throat devolves into sobbing, her chest heaving as she tries to catch her breath, nails clinging to the fabric of your clothing like she’s trying to anchor herself. broken sniffles fill the space between you as she hides away, in the crook of your neck.
(the sound makes you feel like someone drove a knife from your sternum down to your stomach.)
all you can do is hold her. quietly, delicately. as if she could break if you squeeze her too hard. as if she’d shatter like a sheet of glass if you were to say the wrong thing again.
you hold shoko like she’s fragile. because she is, regardless of what anyone else says. because she’s a human being, and she’s grieving, and she needs this.
eventually, she musters up the will to speak — and it’s awful, raspy, broken syllables she has to force out of her throat. 
she chokes on the words like they’re poisonous. like she’s been carrying them around for decades, bubbling beneath the surface, waiting to be let out.
“don’t — don’t end up here,” shoko pleads, voice wavering through the syllables. full of fear. “please.”
you know what she means. she doesn’t have to say it, because you know.
don’t end up in my morgue. don’t end up on my autopsy table. 
shoko sounds meek. she sounds close to falling apart. you’ve never seen her like this before, clutching onto your sleeves as if begging you to stay. 
“you’re — you’re the only one i…”
she doesn’t finish, cut off by a broken sniffle. but she doesn’t need to. 
you’re the only one i have left. i can’t lose you, too.
please don’t die. please don’t leave me behind.
a shaky inhale. your arms tighten around her waist, tugging her closer. praying that she’ll feel the steady beating of your heart, the undeniable proof that you’re alive. that you haven’t left her yet. 
you blink away the tears in your eyes, grasping for control over your wavering voice.
“i won’t.”
and maybe it’s cruel, maybe it’s the cruelest thing you could do to her — making a promise you know you might not be able to keep. but you do so anyway. helpless to her sadness. at the complete mercy of her grief. you’d do anything to stop the tears from falling, to soothe the turmoil in her chest.
“i won’t let you be alone, shoko,” you murmur into her hair, with all the comfort you can possibly muster. ”not now, or ever.”
three words yearn to be spoken, resting on the tip of your tongue. three little syllables, desperate to be heard after living in the back of your throat for so many years. 
and for a second, you think you might say it. 
you think you might say it, breathe life into the statement. you can almost taste it, can almost hear it. can almost see what her expression would look like.
but shoko sniffles, and hugs you tighter. protective, like you’ll leave if she doesn’t. so tightly that it hurts a little.
and you swallow the words, once more. 
right now, this is enough. it’s enough that you’re alive, that you’re here. that’s what shoko needs, right now.
she doesn’t need your love. she just needs you to stay alive.
so you will. you decide that you will, no matter what. you’ll leave, and you’ll open up a shitty bakery that won’t get any customers — and you’ll give her free pastries for the rest of your life. you’ll get her so addicted to sweets that she’ll have no choice but to come back for more.
shoko cries like a child. filling the silence of the morgue with her shaky breaths and quiet sniffles, little hiccups and whimpers. the tears never seem to stop, and you wonder how long it’s been since she last let them fall.
you hold her in your arms, smoothing a palm down her back, counting the bumps of vertebra — and don’t say anything. there’s no need to.
for now, the soft patter of your heartbeat is enough.
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ijichi stands just outside the morgue, unmoving. not saying a thing.
it’s muffled, hushed and quiet, but still audible. the sound of childlike crying. the kind all sorcerers do their best to keep to themselves.
in his arms lie a bundle of papers. the final pages of gojo’s autopsy report. it’s important that shoko sees them — vital, according to her. something about the six eyes, the possibilities they hold. the hope that maybe, just maybe…
— he clutches them tightly, and then walks away.
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castleofravens · 3 months
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it’s so fucked up actually for your friends to be essentially shit talking you behind your back while also invalidating/not trying to understand your feelings and where they’re coming from
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