#in a flaming bentley

[good-soupmens]

Next time I see Aziraphale slander I think I'll just run you over

[aziraphalalala]

Just sitting around wondering if today is the day my sexual tension Good Omens fic turns into a smut fic. 😇

[dumbraccoon666]

I just finished watching the first season of good omens. All I can say is My brain is like exploding I love them SO much and THE DINNER DATE THEY HAD IN THE LAST EPISODE BROOOOO

[totally-correct-shenanigans]

alright guys. it's that time of Major wants to Fuck Around.

[starlight---starbrights]

Magic kitten fanart

[mercyraph]

Do you think Crowley just,, spawned from God's angel making factory already with a Bentley? Like,, Aziraphale was issued a flaming sword, and Crowley was issued a Bentley and that's just always been there.

[catsteinbooks]

Good Omens 30 Day Challenge! (x)

Day 10: A moment that makes you laugh

Every. Damn. Time.

This whole bit, where Crowley's just calmly asking for directions in his flaming Bentley and Tadfield's resident jackass R. P. Tyler is freaking out in his head, never fails to make me laugh. It's British Politeness(tm) taken to a ridiculous extreme, and I just love it.

There are actually many, many places throughout the entire show that make me laugh. Sometimes with all the depth and emotion we obsess over (with good reason) the humor gets left in the background, but it really is a very funny show. It's silly, it's weird, and I love that so much.

[baura-bear]

Why is tuna the first thing I’ve eaten both times I’ve come to London

[tresdemarts]

Old art without context. but do you need it? do you really?

[neil-gaiman]

hate to bother you again, but I’m curious about the scene where the Bentley is on fire. Was it actual fire, or cgi? I’ve heard that the explosion was real, but I’ve gotten mixed responses about the actual fire, have a good day! :D

You're right about the explosion.

For the rest of the flames, the majority of them were (as you suspected) created by CGI. (The bookshop burning, however, was done in the same way as the exploding and burning Bentley, with old-fashioned flames.)

[crowleysgirl56]

Wildest dreams wishes for Good Omens Season 3 which will probably not come true but I can still hope hey!

Number 16.

How I desperately want them to defiantly hold hands when facing down the combined hoards of heaven and hell in the final act of season 3.

Think about it. Season 1 we have this image:

Then season 2 we get this image:

Something is always between them. Which means there’s a good possibility the next step is nothing gets between them for the final act.

So season 3, I want to see them standing side by side and determinedly grab each others hand, Aziraphale clutching a flaming sword with his other and Crowley holding his Bentley crank in his other, facing down the Metatron and whoever else is there trying to bring about the second coming.

[seven-stars-in-his-palm]

analyzing some images (for fun)

so i found this pair of promotion images for good omens season 1 on the good omens reference library server and it’s hooked me so so bad im having feelings about it. we’re analyzing them now. not really for meta purposes just fun to see the parallels and differences :)

everything under the cut !

unique traits

aziraphale:

1) his plank background. its older, its crisp, it smells like wood from the screen. mmmm

2) the pencil shavings at the bottom. he does a lot of writing honestly, so i like this. also adds a messy and cozy vibe he always seems to have in that shop…. i like that blessed shop fr

3) his SUSHI. little soy sauce drops near it too—just the right amount of deliberate mess. our first formal introduction to aziraphale in the present day and beginning the Tomfoolery just happens to have sushi... i watch that scene and i go “yeah, that sums up aziraphale i suppose” very nicely. (they dont have sushi Up There) (im literally never gonna forget that)

4) the ray of light shining on the scene. tiny thing, but a bit of the heaven is peeking through..it also sort of blurs the whole image but i think thats just me.

5) and we’ve saved the best for last: the big whopper. the nice and accurate prophecies of agnes nutter, witch. I LOVE THAT BOOK!!!!!!! i cant remember if that ring stain was there but if it isnt in the show on the actual book i’d assume thats to add that ‘thy cocoa doth grow cold’ thing. ALSO. you know what’s being used as a bookmark in the pages?? a check for the ritz. he bookmarked their one chance for living . with a ritz check . MMMMMM. my GOD. that means so much to me even if i cant convey it in words. he KEEPS THE CHECKS 😭😭😭😭😭😭

crowley:

1) let me get my favorite out of the way. crowley’s glasses have fire in their reflection. we’ll talk about the glasses themselves later but the REFLECTION IN THEM. fucking FIRE, BOOKSHOP fire, PAIN, SRIVING THROUGH THE M-25, HELL, I DONT KNOWIM HAVING FEELINGS!!! i do believe this is a bookshop fire reference though, the flames feel too Familiar. the lengths people will go to to attack others 🤧

2) the leather seat background!!!!!!! probably meant to look similar to the bentley’s seats but i cant recall their texture, exactly. maybe just meant to convey modernness—unsure. still, its there <3

3) the tiny little crisp plant </3 its trying his damned best to stay perfect. it might a specific plant that means something, but i cant tell at thsi angle, so i’ll assume its a mini version of the ficus he keeps in the flat. its so SMALL and sitting in ANOTHER POT i CANT

4) the snake slithering!! black and red (in this image it looks orange lol) bellied scales!!!! slithering there, chilling, being crowley, showing hints. love it

5) QUEEN RECORD!!!!! TRYING TO OVERRIDE IT WITH TCHAIKOVSKY!!!!!! the tape over it does a reminisence to crowley’s handwriting, but in a clean ‘this made made to be a font’ way. not exactly just yet. ive become a fan of tchaikovsky recently. amazing darling wonderful crowley, trying to push the rock up the hill for eternity 😞

6) HIS LITTLE DEMON KEY THING. HOLDING A TINY LITTLE BENTLEY CAR KEY OHHH. thats how he doesnt lose the tiny key despite probably not needing one of those. and he CHOSE that intentionally probably. little wings and red circle….URGHHHHHHH

similarities

mmmmm now here’s the good shit. similarities! i’ll bullet point most of them but ohhhhh. ohhhh these. i’ll go from top to bottom as best i can….

1) one of their shoes, obviously. crowley has them iconic snakeskin shoes while aziraphale has his old loafers like the old loafer he is /pos

2) chateauneuf de pape wine bottle labels! (crowley’s is under his glasses, aziraphale’s is next to his shoe). oh my fucking god theyre MATCHING. the labels are old, battered, of course labeling the drink’s age, but mmmmm its these tiny details that get me going….

3) their respective drinks in their mugs—crowley’s a black mug coffee (or what looks to be coffee) and aziraphale’s angel mug tea (or what looks to be tea). i think about that mug sometimes. where did he get that from?? mystery for the ages….

4) their glasses, of course. crowley’s iconic sunglasses and aziraphale’s reading spectacles. i cant really tell the reflections in this pair, but if its supposed to be fucking fire, im done with this. im giving up forever

5) their own watches! aziraphale’s is visibily older while crowley’s is visibly modern, but they function just the same. also, crowley’s is set to 2:56:59 (presumably PM), which is around the time we see when crowley starts checking his watch at warlock’s birthday party. its almost time for disaster to strike!! 😃

6) and finally….their ties!! they have their own ties!!! or more accurately, neck accessories, but i digress. i mesn i assume its crowley’s neck tie, because the fabric looks… different. either way, crowley’s neck thingie is very whispy and aziraphale has his funky little bowtie i love so much,,,

okay thats it. there’s no canonical implications, any fantheories, none of the sort. just saw a pair of images and my mind went GOD DAMN!!!!!! theyre very important to me. i need to look at more promo material 😔

[loumandivorce]

sex scenes in good omens

"toss you for edinburgh"

crowley blowing the stain off aziraphale's coat

aziraphale sitting on the flaming sword

the ox scene (obviously)

1941 gun scene (again. obviously)

aziraphale driving the bentley

[ghostofchaos-past]

was nobody, NOBODY, on this fucking hellsite going to tell me there was no helpful "hey crowley, I've just been discorporated, no need to worry, I've just got to find a receptive body and then I'll meet you at the air base!" in the book??

so here crowley is, about to drive into the wall of flame in his bentley like an absolute king, EXCEPT IN THE BOOK IT SOUNDS LIKE HE'S GEARING HIMSELF UP TO DIE.

he's lost the angel he's been in love with for 6,000 years, and the only way out of london is to be discorporated, but he knows if he goes back to hell it'll be alot worse than that. so, whats his first thought now that he's lost everything and is about to die?

WHAT THE HELL, IF YOU'VE GOTTA GO, THEN GO WITH STYLE.

[actual-changeling]

Crowley screamed for Her when he fell because She wasn't the one who cast him out, she couldn't have been; the love so bright it blinded him whenever he reached for it was real, is real, it has to be.

He did not scream for God or the Almighty, he cried for his Mother, the one who had smiled at him with a tenderness unlike any other and named him Starmaker.

They rushed by him, his stars, when he fell, colourful streaks blurred by the tears in his eyes as the grace defining his every cell left him, scream after scream. Crowley called for Her, seeing blinding white taking shape, and he dared to hope, stretching out an arm right before the flames of hell swallowed him whole.

In his weakest moments, curled up on the concrete of his balcony with his face bared to the sky, he tries to believe that a hand, slender and familiar, had been reaching for him. Tries to believe that She still loves him, that She never left him even though he left Her.

Crowley stretches one hand skywards, watching the stars twinkle between his fingers, and all he has left to offer is a whisper, the same question that ripped him away from everything good, everything light.

"Why?"

Every time, he asks. Every time, all he receives is silence, and then he waits until dawn washes away his creations. Crowley unfurls his wings on those mornings, presses them to cold concrete and metal in a doomed attempt to try and soothe the ever-present burn caught in his feathers.

If he closes his eyes, dizzy with uncried tears and cramping muscles, the morning sun slowly warming on his face, it almost feels like it did back then when he was tumbling through nebulae and constellations; rage and disappointment both so laced with fear they became one and the same.

Sometimes, when the tethers connecting him to hell and earth are two shackles holding him down, he thinks about flying as high as he possibly can just to let go and feel the air rushing through his feathers - so he can pretend there is nothing waiting for him, nothing but stars and more stars, and empty spaces for him to fill.

When he inevitably moves, his wings stiff but momentarily soothed, he remembers that he doesn't need to do anything at all to reclaim that feeling. It is enough to drive too fast with too much fizzling rage only to let himself be broken apart by his longing when Aziraphale is always, always an arm's length away.

Crowley lies on his back, the Bentley cold beneath him, one hand stretched out to the sky, reaching for the stars, reaching for him, his eyes violet, his lips familiar.

Sometimes he still thinks he can see Her reaching for him as his wings wither and his stars burn.

Sometimes he thinks he can see his angel looking back, his tears blinking comets burning up in the atmosphere.

Sometimes he thinks he never stopped falling.

-

edit: now with amazing art by @ghoullerr 💚💚

[thehillywoodshow]

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Descend into the Behind The Scenes Feature of Good Omens Parody! 🎬

Twelve, ineffable, days of filming with an Angel (Hannah) and a Demon, (Hilly), orchestrating the apocalyptic show (Good Omens Parody)! From recreating Aziraphale’s Bookshop, walking through the flames of hell, sitting in the screen-used Bentley, and working with NEIL GAIMAN, DANIEL MAYS and MAGGIE SERVICE, this feature is a devilish delight!  

▶️ Watch it now