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vivisextion · 3 years

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I first saw Slipknot at age 14.

No one knows how I managed it. I'm not sure I even remember. These days, you have to be 16 or 18 to get into Standing areas. I do know I had to buy tickets on the phone, back in the old days (2005, that is). A singular ticket, too - none of my friends, not even the classmate who had gone with me to see Linkin Park the year before, was that into Slipknot.

But I HAD to see them. This was the Subliminal Verses tour cycle, and Vol. 3 was my first and favourite Slipknot album, even to this day. It's the reliable old warm blanket for my soul whenever I need it. It's on right now, as I write this.

My memory isn't that good, but luckily I unearthed a livejournal (livejournal!) diary entry about the event I made the next day.

August 16, 2005. I went right after school. I went to a very conservative Anglican secondary school, too. I tried not to get caught in the bathroom, as I coloured my nails black with permanent marker (I know, don't laugh) and changed into my standard metalhead baby outfit - Slipknot band shirt, black cargo shorts, and my pride and joy: steel-toe boots I somehow managed to cajole my parents into letting me own.

I caught the bus to the open-air war memorial park where the gig was going to be. I got there at 4pm, 4 hours early. A couple other maggots were already hanging around. I found myself surrounded by tombstones, and I read them all. It was the middle of the Hungry Ghost Festival, too - a very fitting time for Slipknot to pay a visit to this godforsaken hellhole of a small town I lived in. (Especially given the paranormal circumstances surrounding the making of Vol. 3.)

While I wandered around the venue (no security or sound guys were around at all), I spotted two white vans pull up to the stage, in the middle of a clearing. It was them! I spotted Joey and missed him by a hair's breadth. I was quickly ushered behind the stone archway entrance by security then.

(Funnily enough, while walking around, I got mistaken for Joey more than once. I am the same height as him, had the same long black hair, same pale skin, and was wearing almost exactly what he had been. One person claimed from behind, I was a dead ringer, apart from when I turned around, and they realised I was Chinese.)

It was soundcheck time. A sound guy testing the mics would say random things, like "testing one two three two one.... fudge fudge, I like fudge...." The band even did Purity, so us earlybirds were given a rare treat, and we screamed along from the entrance, and drummed our fists on the sides of nearby porta-potties. I hope no one was in there at the time. Whenever we got a glance of any of them, we'd scream and cheer. Finally they left again, but were soon to return.

This was the first time I'd been a part of the metal community. I was barely allowed internet in those days. But here, random strangers were friendly, striking up conversations like they'd been friends for years. Two big guys, called Trevor and Ted, looked out for me the entire gig after, keeping other big dudes from crushing me too much (I'm 5'3, remember). Other people commented on me being so baby, because I was only 14, and said they would take care of me.

When we were finally let in, right after the usher cut the rope, I ran in, screamed "WOOOHOOO!" along with a few friends I'd made. I only briefly stopped to receive this RoadRunner Records compilation CD from a roadie, then resumed running like a madman screaming and dashing into the VIP cage.

I was right up against the barricade - the first time I would ever be at a gig. People from assorted magazines and press took photos of us, and I think I got my photo taken about 10 times at least.

(This is how I got in trouble with my parents the next day. My photo had ended up in a local paper - you can see examples of that here. They had no idea what I'd been to see the night before, and were horrified when they saw what Slipknot looked like.)

We saw Sid filming us from the stage with a camcorder and screamed at him. We saw Jim and screamed at him too, and he flashed the victory sign back at us. I remember Metallica playing at the time, another one of my favourite bands.

The concert was a brutal religious experience I will never forget. People with their arms outstretched, crying and screaming out loud, moving like the devil possessed them.

The new friends around me made sure I was alright after every song! There were huge guys fainting behind us who had to get carried out, but I endured, a tiny 14 year old child. We got a family speech as per tradition, of course. "Are you guys out there all looking out for each other? We're all one big family, and we gotta look out for each other." What Corey said held true - strangers hugged, shook hands, talked, and made friends. I was heartened by how close-knit the maggot community was. It really did feel like a family, and it's felt like that ever since.

Of course, I did my first Jump The Fuck Up. It is possibly the most euphoria I've ever experienced all at one go. (Later, in 2020, I was extremely disappointed that I didn't get to do it again in London.)

They did the death masks for Vermilion, and I remember Chris helping Sid fix his mask and shirt when they'd changed back. Sid hung out near Clown's drums for most of the time too, and hugged him from behind and just latched on at one point. It was pretty adorable.

Fun fact: The version of Eyeless you hear on the 9.0 Live album is from Singapore, as is Eeyore. There are very few photos and videos from the crowd of this gig, because in 2005, very few people had camera phones. The crowd at the Slipknot gig in 2020 was a sea of arms with phones, filming the gig rather than experiencing it. Yes, I'm going to be that cranky old geezer who complains about the good old days.

Joey as usual, was fucking amazing and never failed. However, due to the fact that I was right up front, only his tiny head was visible behind his vast drum set, I couldn't see him the entire gig.

Amazingly, the government told Slipknot they were not allowed to do obscene gestures, curse, vomit (possibly due to the decomposing crow pre-show ritual), simulate humping on objects, throw faeces, or jump off stage (looking at you, Sid). I don't think our totalitarian government knew who they were dealing with, because watch what happens next.

Near the end of the gig, Corey tells the crowd “your government has given us a laundry list of things we aren’t allowed to do, your government has told us we are not allowed to swear”. Crowd goes “BOOOOOOOOO” and Corey goes “BUT WE DON’T GIVE A FUCK!!” And they launch into Surfacing, the last song. Everyone riots. Best night of my life.

You can find the setlist from that gig here. It had everything I wanted and more.

This story later got immortalised when Kerrang asked maggots for gig stories, for an article which came out in 2020. I had forgotten entirely, until people began messaging me to tell me, and one friend sent me a scan of it!

On the way out, I managed to get a shirt. I remember calling my best friend at the time, and got everyone at the merch booth to go "IF YOU'RE 555 THEN I'M 666" for her. This shirt has since been lost to the landfill, because my Christian mother took it upon herself to dispose of it the first opportunity she got. Needless to say, our relationship is not very good.

After that, I even managed to get that Roadrunner compilation album they were giving out signed. The band was staying at the Carlton. Unfortunately, Joey wasn't there, neither was Clown, and Mick was swarmed by guitar nerds so, 6/9 it is. It is a great regret of mine that I'll never have anything signed by him, nor will I ever get to see him perform ever again.

The next day, I went to school, my head swimming. Yes, I went to see Slipknot ON A SCHOOL NIGHT. I was a giant bruise, from my ribs and my chest, to my hips and knees, from being slammed into the barricade like a screen door in a hurricane. Most of all, my sore, headbanged-out neck could barely hold my head up. Classmates thought I had been in a fight. I was torn between battle-scarred exhaustion and hyperactive ranting about the most amazing gig of my short life (it still is, to this day). When teachers spoke to me, I wanted to reply, "Fuck trigonometry! I've just seen SLIPKNOT. Do you not understand that my world is different? Do you not understand that *I* am now different?"

My country was a small, conservative town that Slipknot had graced with their unholy presence. Corey Taylor once said that where he grew up in Iowa had a way of making a 16 year old boy feel like a 36 year old man (or something to that effect). I felt that in my weary bones as a teenager, being from a place just like that. Years later, Watain would run into worse trouble, and wouldn't even be allowed to perform. The Christian stranglehold is stronger than ever. It was a good thing that back then Slipknot had the element of surprise, striking serpent-fast and choking this society by the neck for a too-brief time, before they departed.

After that, my desire to play the drums only grew like a weed. Joey Jordison had, has, and will always inspire me as a drummer, and seeing the beast live (or what little I could spy behind the massive riser) had only spurred me on. I had always been a noisemaker, be it driving my parents mad with chopsticks on pots and pans, or driving my teachers mad with pencils on my desk. But of course, my parents wouldn't have any of it. I'd have to wait a good 14 more years before I'd be able to afford lessons and later, a kit of my own. Better late than never, right?

There will never be enough words to describe the impact Joey has had on my life. And it isn't just Slipknot, either. I could write another essay on his time with the Murderdolls and its influence on my own gender-non-conforming ways. Suffice to say, my wardrobe doesn't look too dissimilar to his during the early Dead in Hollywood days.

I told my boss I could not come into work today. I was grieving. I said that my music teacher died, as I didn't think she'd understand the magnitude of my loss. In a way, it's true. And I am not the only one Joey has nudged on the path to being a musician, that much is certain. To the rest of us, I wish strength and love for you in this difficult time. The best way to honour Joey, who truly loved music, both the creation and appreciation of it, is to pass that gift on. Teach it to someone. He is the reason I picked up the sticks in the first place, and one day, they'll be handed on, the heavy metal baton for the next generation.

And finally: remember that the ones we have lost are never truly gone.

Vinnie

P.S. See if you can spot me in the crowd photos in this post!

#Joey Jordison #Slipknot #Murderdolls

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katnissmellarkkk · 4 years

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Gravity

Hi! Okay, so here’s chapter two of my growing back together story, inspired by the prompt “I won’t hurt you” @rosegardeninwinter sent me. I also posted this fic on AO3 under the title Gravity (like the Sara Bareilles song), if that’s where you prefer to read. And here’s a link to chapter one of this fic if you wanna read and haven’t yet.

Also I know I said in my first author’s note that there will be three chapters, but there might be a bit more.... we love an over-writer, right? 🤷🏼‍♀️🤦🏼‍♀️

I don’t know if you’re “supposed” to post every part of a multi chapter fic on here? Or just post the link to it on AO3? But for now I posted it in its entirety on here 😊.

Anyways, hope you like it! And thanks to anyone who reads! 💖💖💖

A couple months later.

We slide back after that. I don't know if that night-the night he had a nightmare that I died and we slept locked in each other's embrace-moved too quickly for Peeta or if he thought he was protecting me from him, but when morning light came, he was gone from the bed.

I didn't see him again until the following evening, helping Haymitch feed his rambunctious geese in the yard. He didn't speak to me for four more days after that, and when he did, it was to ask what kind of bread I wanted him to bring for lunch the next day.

I pretended to his face that it didn't hurt. That waking up in a cold, empty bed, in a house he all but abandoned until I had evacuated, that sleeping in his arms and awaking so abruptly alone, didn't hurt. I did what I had taught myself to do as a child and I turned my features into an indifferent mask, shutting off all access to my emotions. Destroying any possibility of anyone witnessing my vulnerabilities.

But I knew deep down, it did hurt. It hurt badly.

I didn't speak to him directly the first week he showed up for lunch and to work on the memory book again. I got by fine without addressing him directly, as Haymitch somehow sensed the bubbling tension between us and stayed sober just enough to remain alert for all our shared meals. He helped with the memory book, helped by adding in a snarky comment here or there to reel our focuses onto him instead of each other.

I wanted to say thank you but I never knew how. I doubt Haymitch needs me to verbalize it anyway. One night, as he follows behind Peeta to leave, his hand grazes my shoulder and gives it a squeeze and I know he's much more aware of the dynamic between his old tributes than he leads on.

But weeks after the night in question, the night that set Peeta and my friendship back months, we receive a telegraph from Effie. A telegraph that shakes the small amount of stability we've managed to build in the time since the war.

Apparently President Paylor has decided to move forward with arena destruction, an idea mentioned a few times by Plutarch on Caesar's talk show. An idea I didn't take seriously until now.

Paylor has decided to build a memorial for each of the arenas, for each year the games ever took place, to immortalize our history, so Panem can never forget how cruel and inhumane things once were. But first, she wants to eliminate the actual Hunger Games arenas, once and for all, before putting the memorials in their place.

My initial thought, months ago when Delly showed me Plutarch and Caesar discussing the idea, was that this would takes years to happen.

I was, once again, so clearly wrong. The plans have been expedited and the order in which each arena will be decimated has been swiftly decided.

All that alone doesn't sound terrible. I'd like to see those death pits crushed, burned, torn down, eradicated, or all of the above, by any means necessary. Only downside, initially, is that this will extend me—and Peeta and potentially all the other victors—remaining in the forefront of the public's mind.

Since the war, all I've ever wanted was for everyone in the country to forget who I am. I don't want to be known anymore. I just want to be left alone, to a quiet and peaceful and relatively simple life, without anyone ever recognizing me again. Without anyone thinking of me as the girl on fire, as the Mockingjay, as the sixteen-year-old who volunteered for a sister who was doomed to death anyway.

But, of course, there's a catch. There's always a catch.

Plutarch thinks it would be great to have the living victors be there—televised—in the Capitol and see the arenas before they're bulldozed.

Even with this dreadful proposition, I thought I had time to think of a way out of it. When Effie first sent the telegraph, I thought that I would have years before having to worry about going back to the places where my nightmares started.

Well, some of my nightmares, that is.

After all, it takes time to destroy something as large and as vast as an arena-excluding the way I destroyed the one in the Quell, that is. I figured-I rationalized, really-that by the time they got to number Seventy-Four, I would have a solid excuse to get out of attending.

I guess though they wished to start with the big years and the first decade of the Hunger Games wasn't very eventful, apparently—lucky them—so the first arena they wish to bid farewell to is the one from the second Quarter Quell. The Fiftieth Hunger Games. The one that was so strikingly beautiful and almost entirely poisonous.

The year Haymitch Abernathy, from the lowly District Twelve, won.

And being also from Twelve, my presence, along with Peeta's, suddenly became of the utmost importance as well.

At first, I still try to opt out of the event. Even after Effie chastises me over the phone, like not a day has passed since she was my escort, and even after my mother claims in her letter that it could be cathartic for me, I do not relent.

Delly and Thom and a few of the others in the community, like Kanon who runs the candy shop two stores away from the bakery, and Greta, who helps with the dusting and mopping all over town, try to say that it could be good for me. Greasy Sae claims it can't be worse than actually living through the games, and I silently appreciate her much more blatant statement than the comforting platitudes others try to provide me.

But it all falls on deaf ears in the end.

Because the only person I truly listen to is Peeta. Even bitter and wounded, the only person I really hear is him.

Unfortunately, as irritating as it is sometimes, his voice will always reach me when others can't.

But we don't ever have an actual conversation about it. Five days after Effie calls to announce the news, to tell me unequivocally that my presence is requested, Peeta sways me to go with just a look.

He comes over later than usual and brings extra bread and pastries to go with the deer meat I hunted. We feast silently, the air between us still incredibly awkward, when, without warning, our old mentor comes crashing through the door unceremoniously.

I don't know how much alcohol he consumed, but it's enough to knock even someone with Haymitch's tolerance off his feet.

By the end of the hour, the older man is practically beating his head into the wall of my dining room, screaming the names of dead children and about force fields and axes. And from across the kitchen table, Peeta touches my arm—the first time he's voluntarily touched me in weeks—and my eyes meet his, blue pouring into gray, and silently he begs me to go for the goodbye ceremony to Haymitch's arena.

And I give in. Not just for him. But also, in large part, to repay the caustic, miserable drunk that kept us alive. To support the unpredictable, temperamental man that I do consider my family somehow.

The ceremony is set to take place weeks later and the time does little to alleviate my anxiety. Peeta and me still don't speak much, but come time for lunch or dinner, there he is, in my house like clockwork.

When I point out, a few days before we're due at the train station, that there's a very realistic possibility that the Capitol won't let me go to the ceremony, Peeta casually says, "I already cleared that with Effie and Plutarch."

I shoot him a look of surprise. "You did?"

Shrugging nonchalantly before turning back to the rabbit on his plate, he murmurs quietly, "Thought it'd give you one less thing to worry about."

The ceremony is nothing like I expect. Somehow I figured there would be an obnoxiously large television crew, loud speakers, prepared speeches on written cards, awkward directions and crowds upon crowds of people surrounding us, asking pointed questions, shooting invasive stares and pressing for reactions to their nosy accusations. I expected those accusations to be directed at me and Peeta especially.

Instead, there's none of those things. There's no crowd at all, it's just us victors. Just Enobaria, Johanna, Annie, the three of us from Twelve and Beetee—who I still can't make myself so much as look at, reminded of my sister's absence and his role in it every time we so much as stand in five feet vicinity of each other.

The camera crew consists of Mitchell, Pollux and Cressida, along with two unfamiliar, but seemingly non-threatening faces. There's no directions, no prompting, not close ups or reshoots.

All that happens is Paylor makes a statement that the crew films, stating that the arenas will be destroyed one by one, and in the place of each there will be an individual memorial made, as we victors stand in an unorganized, crooked line that will surely make Effie cringe when she sees the footage on television later.

It's almost peaceful, I think to myself in surprise, as I look around at the location. The sky is a stunning cobalt, even more brilliant in person than in the video Peeta and I watched on the train so long ago. The meadow looks like the grass is fresh, like it was just watered yesterday. The mountain is so breathtaking I have to physically tear my eyes away from it and even the woods look rather cozy. Or maybe that part is just me.

There's also arraignments of flowers, just like in the footage we watched, that spill every which way, filling our noses with soothing, floral scents. It feels unnatural to say about a place set up for murder, but with the deadly poisons lurking at every turn eviscerated, I almost can find this arena truly beautiful.

Of course though, it's not my arena.

It's Haymitch's and he looks like he's about to be sick. He's white-knuckled it for a few days without any sort of drink—to my, Peeta's and, even Effie's, visible shock—and I can see plainly now that he's absolutely regretting it. His eyes are hallow and wild at the same time and I can see his shaking palms beneath the sleeves of his jacket as he stares out at the source of his every nightmare for the last quarter century.

It shocks me that he didn't find a way out of this. Actually, it shocks me still that these ceremonies are even possible.

I never knew they kept arenas after the games were over each year. I never realized they kept all seventy-four death pits, haunted by child sacrifice, the way you keep old vases on a shelf.

At this point though, it's just another thing to add onto the growing list of horrific and unthinkable issues that the Capitol doesn't even grasp. Keeping the haunted graveyards of children as souvenirs shouldn't sit right with anyone, I don't care how you're raised.

I tell myself to not be so quick to judge, as I can't know who I'd be if I had been born in the Capitol instead of the districts. Still, the idea of condoning the things they have without remorse or shame seems unthinkable.

I'm torn out of my thoughts when Cressida speaks. "Is there anything you'd like to say, Haymitch, before we finish filming?"

Once again, catching me off-guard entirely—he's full of all sorts of surprises evidently—Haymitch clears his throat and looks down at his leather boots before speaking. "Ardor. Garnett. Dolan. Silver. Ryker. Artemis. Slayte. Pistol. Lex. Mac. Lumen. Gig. Brook. Aqua. Mary. Ripley. Lyme. Watt. Rocky. Gio. Belle. Raven. Kia. Mecko. Barker. Jack. Holly. Briar. Essie. Stitch. Coco. Paul. Mira. Miller. Coop. Harvey. Butch. Cutter. Bea. Skinna. Basil. Sunny. Rip. Spring. Oaker. Terra. Maysilee." He lists off the names in a way that is so matter-of-fact that it would almost be robotic if it weren't for the hoarseness in his tone that grows stronger with every name he utters. He hesitates for only a moment before adding, "Corentine. Alannah. Alastar."

There's a long stretch of silence, where no one speaks, no one blinks, no one even breathes. We all know instinctively who these people are—I know solely from Maysilee Donner's name being called—but we still wait until Haymitch speaks again, to confirm our assumption.

"Those are the names of all the people this arena killed." His eyes grow glassy and his brow furrows in anger as he fights desperately to repress his emotions, and suddenly I have the strangest urge to hug my mentor, to make him feel better like he tried to do for me once when Peeta was stuck in the Capitol and I was distraught. But I know it wouldn't be appreciated or wanted, and quite honestly I'm glad for that, because I don't even know what to say.

The last three names Haymitch said stick in my head for some reason I can't explain other than an odd gut feeling. But then he speaks again, an in a voice growing gruffer by the second, he says right into the camera, "that's every single person who was killed because of the second Quarter Quell."

And, like I should have known all along, it hits me the last three names are the names of his family who were murdered to punish him for the stunt with the forcefield.

The last three names are the murders of the last people he loved. Until me and Peeta came along.

As if his thoughts matched mine, Haymitch suddenly shakes his head and his eyes widen again as he stares past all the rest of us, as he continues to take in the exact place in which life as he knew it, twenty-six years ago, was altered forever.

His reaction is more understandable and genuine than I imagined he would ever allow it to be, especially on camera, and I want to say something but me and him both aren't good at saying anything, and I find myself looking to Peeta, hoping he'd know what to do.

Peeta doesn't meet my gaze though. He's solely focused on our mentor and just when he opens his mouth to speak, the older man to suddenly shake his head in our general direction and clears his throat.

"I'm done. Tell Plutarch I'm done with this crap. Just hurry up and bulldoze this place so I can go back to Twelve," is all he says to Cressida as he storms off, but his voice is rough and caustic once again, and I can only hope he recovers from this event soon enough.

Somehow, witnessing Haymitch relive his games, even through the shield he so obviously puts up to the outside world, triggers me though. For some reason, I feel my eyes begin to water as I look around at the meadow, at the mountain, at the golden cornucopia, and wonder how anyone could build a place where kids would eventually go to die? How could anyone have ever been so inhumane? How could a country just accept it? How did we live for so long with the Hunger Games overtaking our lives and still remained complicit? I don't understand. The more time passes, the more days I'm separated from the war and from the old world and the old way of life, I just can't comprehend anymore how we ever lived in a place so horrific.

I feel my eyes spill over and I'm grateful that Cressida has stopped filming already, because if Plutarch saw any tears on film, he would make certain it ended up on television.

I wipe my tears with the heel of my hand, trying to go about it as subtly as I can, hoping no one else notices. For the most part, I'm golden. Enobaria is already exiting, with Beetee following not far behind. Jo's back is to me while she speaks to Annie, though as per usual, she seems to be irritated.

Of course, it's too much to ask for everyone to remain oblivious to my waterworks. Even as I rid myself of them before they become widely noticeable, I feel Peeta's eyes train on me and know, despite the distance between us for the last few weeks, he isn't going to ignore my upset.

To my surprise though, he doesn't speak. He doesn't utter a single syllable.

Instead, I feel his large, warm palm slip into mine and squeeze tightly, lacing our fingers together, in a way we have done thousands of times before. Like two puzzle pieces coming together to complete a picture, like two indivisible teammates that will fight against anything that is thrown their way, like two halves of a whole finally finding each other, his hand grasps mine with a vengeance and I know I won't be the one who let's go.

He's still holding my hand when we board the train, hours later.

A couple weeks later.

"Yes, Mrs. Greenstead, I will get the chocolate nut loaf and a platter of the cranberry cookies wrapped up for you... Yes, it will be ready by the time you arrive... No, I promise they won't be cold," Peeta assures through the bakery telephone—a new addition that Thom and his wife thought was necessary to run a proper bakery. So necessary they bought it for Peeta as an opening gift.

It's not that the gesture wasn't nice or that Peeta didn't deeply appreciate it. I personally saw that he did, wholeheartedly.

But seeing it on the wall every day was just another reminder to me of my own personal vendetta against the integration between the Capitol's way of life and the districts'.

The only place telephones used to exist, outside of the Capitol limits, was the houses in Victor's Villiage, and if I'm being honest, I wish it would have stayed that way.

Maybe I'm being selfish, as I happen to still reside inside a house that once belonged to the said village, therefore I already had experienced this luxury prior to the new world. But I just can't make myself break the association between the items that had recently become readily available for all and the horror that was the Capitol.

Still though, the change was inescapable Telephones, cameras, heating pads, curling irons, quick bake ovens, cars and so many other items, were all growing in popularly across each district. Not that I was able to see a lot of these changes personally. But letters from Annie and my mom, and the occasional—unprompted and yet still begrudged—call from Jo, all kept me informed. Sometimes more informed than I wished to be.

Maybe I would feel entirely different if these inventions were brand new to me. But they aren't. I'd seen and used every one of them before. Their novelty had always been lost on me, perhaps because my only experience them was while inside the Capitol, surrounded by tacky colors and strong rose scents and itchy materials, headed for a death match, my life and the lives of those I cared always at great risk.

Of course, the new item in the bakery did make some things easier. Days like today are a perfect example.

Harvest Day is only one day away and everyone is coming in for their breads and their desserts. Peeta says it was always one of the most popular days, for as long as he can remember. Only difference is, before the war only Peacekeepers and town folks could afford to purchase anything. And generally, most citizens who even did come in, could only purchase a limited amount of items.

Not now. I don't know where everyone in Twelve was coming up with the money or if Peeta's prices are just a drastic drop from that of his mother's, but today, I swear I've seen every citizen in town inside the bakery.

Makes me glad that the portrait of me is hanging in the back, where no one else can see it. As pretty as it may be, as talented as Peeta is, I don't want a giant version of me displayed for all to see.

"Here you are," I politely say, handing two loaves of warm bread to a man who must be new to Twelve, as I've never seen him before. I'm debating on asking if he moved here recently when he passes a bill to me over the top of the pastry display.

"Thank you, hon." He smiles at me, looking at me a little too closely for my liking, as he swiftly walks out the door. His exit is met with the arrival of Val, a boy Peeta and I went to school with, who definitely was more Peeta's crowd than mine.

Val is a regular customer at the bakery, having always genuinely liked the Mellark family. His parents owned a small carpentry shop four spaces down from the bakery, and even with both them dead, he and his two sisters rebuilt the store, taking over their parents' legacy.

Peeta though is more focused on me now than Val's order. "Give me a second," he calls to his old friend, a little less polite than he had been all morning. "Katniss, what's wrong?" He asks urgently, seeing the look in my eyes.

I shake my head and push away the anxiety threatening to close in on me. "Nothing, just..." I hesitate, not even wanting to say it. Peeta's gaze refuses to lessen though and I sigh before finally mumbling, "That guy. He creeped me out. The way he was looking at me so closely..."

Peeta's hand touches my arm for a brief moment before pulling it away, making it obvious that he regrets the small act of even so much as touching me. But his words are still calming and they relax me a little. "He's gone now, Katniss. And if he scares you, I won't let him come back, okay? There's nothing anyone can do to you or me anymore. We're safe."

I nod, knowing the words like the back of my hand at this point, as it's the same mantra we always repeat to each other, every time one of us begins to panic or flail. But still, I open my mouth to refuse his offer. I don't want Peeta to turn away any sort of business. Not with the unpredictability and uncertainty this new world still rests on. We never know if the bakery will sell anything tomorrow or if all sort of income will soon dry up.

And we're the lucky ones, financially speaking, who were rich before the war and allowed—in a generous declaration by President Paylor—to keep the entirety of our money after. I don't have to imagine the anxiety others in the country must be in, knowing the curse of poverty all too well. I wouldn't wish that feeling on anyone.

"I don't want you to turn away people," I say quietly. "Not on my account. You need business to keep this place afloat."

"I have plenty of money, Katniss," he reminds me, a little darker than I expect. "And I'd rather you feel safe than own a popular shop."

His words unexpectedly touch me, unexpectedly cut right down to the depth of my bones, exposing my soft underbelly. I'm about to do something stupid, like touch his hand, when Val makes his presence known again. "Your shop is already the most popular in the district," he points out, not even a little ashamed for having listened to our conversation. "And besides, why don't you just look at the guy's name? Maybe you can look him up, see if he's alright or not."

Peeta gets a glint in his eye. "That's a good idea, Val, thank you." As he moves towards the register to, I can only suppose, look for the man's receipt with his name and signature, he gestures to his school friend. "Katniss can get your order."

I shoot him a glare, only half kidding. I did come to help out, here and there, today but I did not intend to be an actual expected employee. For free, no less.

Instead of saying anything though, I just grab Val his three cinnamon rolls, his two snack cakes, four bagels, white chocolate donut and a loaf with raisins and cranberries.

Val, like Delly Cartwright, was always one of the few people in Twelve who had a few pounds to spare.

Peeta has a type of friend.

"Found it," Peeta now calls, bringing over a slip of paper to where I'm handing Val his three bags of treats. "His name was Rod Catamaran."

Me and Val, for the first time perhaps, exchange a look between us. "That's an odd name for Twelve."

"I've never even heard that name before."

"He may not even be from Twelve, guys," Peeta says.

I roll my eyes. "Because a bombed out district is really a tourist attraction."

"Hey, none of that," Thom calls as he walks through the front door of the bakery, with Kanon Bagley on his heels. "We've rebuilt this place beautifully and negativity is not appreciated here."

"Yeah, Katniss," Peeta chimes in, teasing me. I'm about to kick him in his only real leg, as we're the only two behind the counter and no one else will see, when Kanon speaks up.

"Can I buy a couple of pastries?"

"Of course," Peeta says kindly, walking around me to personally grab the two items Kanon requests.

Kanon is new to Twelve. One of the few new additions this place gained after all that went down. He's a large man in his early twenties, with dark skin and dark hair and eyes to match. But the only times I've ever interacted with him, he's quiet as a mouse, his eyes a little forlorn at all times and he offers more discounts then he should at the candy shop he recently opened next to the bakery.

He's from District Eleven originally and it takes no real critical thinking to realize he had a hard life, even before the war.

I'm far too familiar with the look of scars etched across the eyes. So is Peeta.

That's why, when Kanon looks down at the money in his hand and realizes he doesn't have enough to afford both pastries, Peeta immediately brushes it off. "That's okay, they're on the house," he instantly promises, handing the small bag over to Kanon with a gentle smile.

"No, I don't want to take it without-"

"I made way too much," Peeta insists, lying outright to make it appear Kanon would be doing him a favor. I know he didn't make too much, because we've been flying through everything today and keeping the ovens hot in case more is needed.

Still though, I back up the fib. "He did. We've been wondering all day how we were gonna sell enough stuff so we don't have to feed the leftovers to Haymitch's geese."

Kanon glances between us shyly, before taking the bag from Peeta's hand and slipping the few dollars he does have into his pocket again. "Thank you," he says softly and turns to leave.

Thom pats Kanon on the back as he passes him, before turning to follow. When the other man isn't looking, he turns back to us subtly and mouths, "thank you."

I wanted to tell him not to thank me. I only watched Peeta make this food, I didn't assist by any stretch of the imagination. I didn't own the bakery or do anything with the money or finances. It was not my choice to give things away for free.

But I'm far too focused on the boy in front of me to say any of that. The boy with the bread, the boy who isn't really a boy anymore. The boy who just gave away food for no reward at all, even on the most demanding and strenuous day all year for his business. The boy who just showed Kanon Bagley the same kindness I begged someone-anyone-to show me at eleven-years-old and not one single person did.

Except for him. He did for me all those years ago what he did for Kanon just now, and I suddenly have the most inexplicable, irrepressible urge to kiss Peeta right then and there, in the middle of the bakery.

I don't, however, and it's for once not because I lost my courage. It's because the door swings open again, just as Val exits right behind Kanon and Thom.

It's the same man from earlier. "Hi," Peeta greets, this time not at all sweet. Clearly recognizing the man as the one who made me nervous before. "Can I help you?"

"Yes," the man affirms, his tone brighter than you'd expect given our chilly reception. And our blatant wariness for anyone new. "I forgot to get a pecan butter cake before?"

There is a beat where me and Peeta exchange a look, before I awkwardly move towards the display case and begin to pack up his item. Peeta waits for me to decide to help the man before starting to ring him up.

"That was a nice thing you both just did," the man says as he patiently watches me fold the white waxy paper over his pastry. "For that guy."

"You were watching?" Is the only thing that comes out of my mouth.

"Only for a moment," he explains, his tone still friendly. Either he doesn't know how to read people at all or he's the most even keeled person in Panem.

Because I know I'm being rude, to a man who maybe doesn't even deserve it, I force myself to say one thing conversational. "This is my mom's favorite dessert," I offer, gesturing to his cake.

The man raises his eyebrows in an act that looks almost feigned. "Really?"

I instantly regret trying to be even slightly pleasant. Even his mannerisms seem fake. I'm contemplating if I should say anything else or go hide in the back room with the warm ovens and my portrait, when Peeta presses a button and the register dings.

He's about to say the total when the strange man shakes his head and hands to me directly an unfamiliar bill over the display case. "Have a nice day, you two," he calls, grabbing his cake and swiftly walking out.

It's not until he's gone, not until I have a moment to process the second weird encounter with the odd person, that I even glance down at the crisp bill he handed me.

It's a bill with a larger number on the back than I've ever personally seen before. I knew these kinds of dollars existed—I'm sure I could have gotten plenty after my first games—but I'd never seen one in the flesh.

Peeta sees my reaction. "What is it?" His voice sounds alarmed and he's stepping closer to me, but all I can do is gasp out his name.

"Peeta, look." I hold up the bill and point to the number on the back.

His eyes widen too, taking in the amount with a dizzy smile. Of both relief that nothing's wrong and excitement at the digit.

"Do you think it was a mistake?" I ask suddenly, looking over my shoulder towards the window, wondering if we should track the man down and give him his money back, before he evaporates into thin air.

"No?" Peeta shakes his head, the wheels in his mind turning quicker than mine. His face turns to that of elation, as the large bill takes some pressure off the bakery's sales. "No, he said he saw us give Kanon a break. He was giving us something in return."

I'm about to say something else, I don't even know what, but it all flies out of my head when Peeta suddenly wraps his arms around my waist and swiftly pulls me into his embrace.

My entire body goes into lockdown and hypervigilance at the same time. I can't move an inch but it feels like every nerve in my body is abruptly tingling and on fire.

My sweater lifts up slightly and his bare arms graze my lower back, eliciting a shiver to run involuntarily down my spine as his face buries into my hair.

I wrap my arms around his neck after a beat when I can make myself move again, and I feel him smile against my skin. I'm so glad at that moment he's holding me up, because if he wasn't supporting my weight I'd probably crash to the floor, unable to even feel my legs beneath me.

And, as a rush of heat shoots out from the place where Peeta's lips brush my collarbone, I suddenly feel only gratitude, not irritation, at the strange Rod Catamaran.

Four days later.

The world surrounding me is green. Green and brown and fire-bitten and scorched. Every which way I spin, there's embers soaring from that direction too, waiting to lick me with their burning flames, ready to decimate me once and for all.

But through the smoke and haze, I still can see between the trees two blonde braids. I still can see a small figure standing on the other side of the fire. I still can see her shirt that's come untucked in the back, creating a duck tail that I desperately want to fix.

Just as I notice her, she whirls around to face me, her blue eyes big and bright and terrified. "Katniss!" She screams, the same way she did the last day she was alive. "Katniss, help! They're coming!"

I don't know who's coming or what's happening or where we even are, but all I feel is relief somehow. Relief that she's here, that I'm in her presence again, that she's almost within my reach. Instinctively I call out, "Prim!" Just so I can finally get a response to the name I've been shouting into oblivion for almost a year now.

"Katniss, help me!" She cries again and then looks over her shoulder. She's not talking about the fire between us, as it doesn't seem too intent on heading towards her.

I don't know what's coming or who she's afraid of, but my instincts now go into overdrive. My body suddenly snaps into alert and I whip my head around, to see if I can find an opening in the fire closing in on me, if I can find a way to get to the sister I lost what feels like only yesterday, if I can find a way to save her this time.

There's no gap in the fire though. It's crowded around me, front, back and side to side. The more seconds that pass by, the closer the fire folds into my proximity, and I have to brace myself before making a split-second decision.

But it's not really a decision at all. Prim needs me and I cannot fail her. I have to save her this time.

I take a bold step directly into the fire, with every intention of running through it somehow. Of running past the wild embers, scorching myself no doubt, but still making it over to my distressed, frightened little sister. But it doesn't work like I expect.

But really, does anything?

These flames are nothing like the fires I've encountered before. And I've been around more fire in my life than anyone ever should.

No, these flames don't burn me. They don't hurt me or put me through agony or singe me to pieces. They don't melt off my makeshift coat of skin and they don't further decimate it either.

Instead the fire feels like almost nothing. Like something almost itchy, something almost irritating, something almost painful. Something that make me want to squirm and scream and escape all at the same time.

Which is real ironic considering what else it seems these flames do.

They seem to hold me into place. The second I'm in their hold, instead of the horrific pain I thought I'd be in, I'm trapped in a series of almost nothing.

I'm not in excruciating pain physically, but seeing my sister standing ten feet from me, and not being able to move any closer, not being able to protect her from whatever she's terrified of, is worse than any amount of injury this fire could have inflicted.

"Katniss!" Prim screams now, her voice only growing in its frantic nature. "Help! Why won't you come help me?"

I try to scream, try to tell her I want to but I can't move. But it turns out that these flames also paralyze vocal muscles.

"Peeta's dying!" Prim yelps out, looking behind her again, her hands beginning to shake in a way she almost never let them in life. She always tried to keep it together, to remain calm and rational in a crisis.

Her words elicit something entirely new inside of me though. "Peeta?" I yell in confusion, my voice suddenly no longer paralyzed.

"They're killing him! Katniss, please, why won't you come here? We need you!" Prim is close to hysterical now and frankly, so am I.

"I'm trying! I just," I move my hands down my body, trying to push the flames away as they rises up to my chest, trying to just break free from these fiery chains once and for all. "The fire, Prim! I can't get out of the fire."

Prim's voice drops then, loses all source of fear, every ounce of panic. Loses any semblance of emotion. "Katniss, there is no fire," she states blankly, her eyes looking directly at the embers covering my stomach and legs. "There's nothing there."

I just look at her for a moment, completely speechless. Her words are inconceivable, her eyes are haunted now, her facial expression is unrecognizable. Even her voice doesn't sound like hers anymore.

Before I can comprehend what's happening, in the distance a gunshot goes off.

Prim delicately glances over her shoulder now, her blue eyes cold as ice. "He's dead," she informs clinically, before sighing deeply, her tone almost disappointed. "And so am I."

I don't know what happens next or how it occurs, but I fly upwards in my bed with such a start, I give myself whiplash.

I hear a loud screeching noise hanging in the air, a hoarse trepidation that almost makes me feel better. I don't know why but someone else screaming in the middle of the night gives me hope, as sick as that may be.

Only it's not someone else, I realize, as my throat burns raw. I realize with startling clarity that I'm the only making all the noise. I'm the one shaking so tremendously. I'm the one who is sobbing.

"Shhh," a voice whispers against the darkness, and I flail involuntarily at the shock. "Sorry, sorry," Peeta instantly apologizes, his hands gripping my arms with a little too much intensity, trying to still my shaking. "It's okay, Katniss, you were just having a nightmare."

His words do precious little to calm me down though. "She was there," I cry, the image, the feeling, of Prim standing only ten feet from me and not being able to reach her too painful for me to unsee.

"Who was there?" He asks tenderly, his hand coming up to cup my cheek. "Katniss, breathe."

I don't even bother listening to his advise. I haven't exhaled since I was eleven. "Prim was there. She was begging me to save her and then I couldn't, I was trapped but-but," I cut myself off, unable to form coherent words and thoughts any longer.

Peeta gets the gist though. "Come here," he whispers and pulls me into his arms, like he used to on the train, when my nightmares woke us both three times a night. "I'm so sorry, Katniss," he says softly now, and rubs my back in a way that elicits goosebumps. His way of trying to soothe my shaking. "I'm sorry you had to see that."

"You died too," I blurt out then. I don't even know why I feel inclined to tell him.

"What?"

"I was stuck and I couldn't speak and then Prim said you were going to die and I got scared enough that I could talk again and I thought-I thought," I stumble breathlessly, my tears pouring out against his shoulder now.

I feel his lips touch my cheek and I'm too upset to revel in the feeling of blood rushing there. "It was just a nightmare," he promises.

But my sentiment is unfinished. "I thought I could break free, that I could-"

"Katniss," he halts, still holding me in his embrace, rocking me slightly. "It wasn't real. I promise you, it wasn't real."

Those words, the words so often said to him by me, ring a bell that I didn't want to ring. It snaps me back into reality abruptly and without warning, I feel like my chest is going to collapse.

Because this means Prim wasn't really there, that she still is as dead as she was yesterday, that I still watched her explode into pieces all over the bombsite in the Capitol.

I still failed to protect her.

Peeta pulls back slightly then and rests his forehead against mine. "It's okay, Katniss," he says again, trying to calm my trembles by rubbing my arms up and down.

"How are you in my house?" I realize, with an intense sudden clarity. "How are you here? Are you real or am I still-"

He quickly puts me out of my misery. "You gave me a key, remember? A long time ago? We gave each other keys to our houses."

Oh. Right. I forgot all about that when he had his nightmare, didn't I?

Good thing he's an idiot who keeps his door unlocked at night.

He's explaining further before I can think to ask. "I heard you having a nightmare from my house. That's why I rushed over here."

I'm caught between embarrassment and gratitude. "Sorry, I really don't know what brought it on."

"Hey," he quietly reprimands, lifting my chin now to meet eye contact. "Don't apologize. No one understands nightmares like me."

I nod, accepting his words, though still a little uncomfortable with screaming for all the district to hear at two in the morning.

Then again, our entire neighborhood is Haymitch and the two of us, and our mentor was drinking like a fish last night so really, the only person who could have heard me is already sitting directly in my eye line.

To punctuate his words, when I don't respond verbally, he lifts my hand up and brings it to his lips tenderly.

And I don't know what comes over me or why. I don't know if it's because we've been growing closer again lately or if I just haven't felt his arms around me since days ago in the bakery and I miss the feel of it desperately, but I find myself abruptly throwing my body around his before I can talk myself out of it.

He catches me easily, like he anticipated my reaction and sways me for a long moment, until my breathing begins to even itself out.

"Will you stay?" I rasp into his neck, as I feel his hand tangles in my matted locks.

"Always."

#everlark #thg #the hunger games #everlark fic #fanfic #prompt #everlark fanfic #fanfiction #growing back together #userreese #i think thats what you meant when you said to tag you????#gravity ♥️ 🌅 🥖

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bonfire-at-the-crossroads · 5 years

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Rutger Hauer has passed, and is on his way through the stars, toward the shoulder of Orion and the Tannhauser Gate.

He gave himself to the world of film and created characters which will continue to inspire the people lucky enough to share in the dreams he left behind.

I wrote this a couple years ago - and maybe it’s time to look at it again.

Thank you Mr Hauer for leaving this place a little brighter for your having been here.

Good journey, peace at last.....

————————————————————————————————————-

January 8, 2016

It's Roy Batty's birthday.

Ridley Scott's 1982 movie - Blade Runner - cast Rutgers Hauer as the renegade Replicant in search of his maker.

The film was a brilliant adaptation of Philip K Dick's "Do Androids Dream Of Electric Sheep?"

Roy and a small group of Nexus-6 Replicants, have stolen an off-world transport, killed the crew, and returned to earth - in an attempt to coerce their designer to extend their programmed four-year lifespan. January 8, 2016 was the day of Roy's inception, and also the day his genetic coding has scheduled him for death.

He is being hunted by Harrison Ford, as hired-gun Deckard - a Blade Runner - paid to track and kill escaped Replicants.

----------------------------------------------

In 1982 - the idea of the year 2016 was a mind-numbing distance away.

"The Future" was a place where anything was possible, and our wildest dreams would come true.

It seems like yesterday.

And yet, when I started thinking about the world I inhabited in '82, and where I've washed up on the shores of 2016 - it's been quite an extended sea voyage.

I was married to somebody else.

We walked into town to the little movie theater on Central Avenue, and as we moved to our seats, were told by the usher ( yeah, that's right - there were still ushers ) -"You shouldn't even bother with this movie. It stinks. Four people at the last show actually asked for their money back."

We loved it.

Minds were blown - and we went back two more times, bringing friends.

That Christmas Eve - I had a small stroke. I was 26.

At the time, I was more worried about how the news would affect my husband - and did not fully appreciate my own predicament. He overheard the doctor on the phone making arrangements for what was then, the only echocardiogram machine in the New York area.

"Is that about you?" He asked. I nodded.

My husband passed out cold on the waiting room floor.

I survived. Had test after test after test, and slowly got my left side back under my own control.

Time passed.

We tried for the baby - and a series of horrors led to the loss of pregnancy, and culminated with a 3:00 AM visit to the emergency room.

The husband was so upset - he left me by the hospital entrance, and drove home.

When he inevitably decided that he needed "space" and wanted to "take a break" -(clearly, his office-affair had nothing to do with this decision ) - I used the time to take a good long look at the marriage.

When he came back three months later - I was not the girl he had walked out on.

The world had changed, and so had the locks.

-------------------------------------------------

I moved into the West Village with a girlfriend. It was awkward having a roommate after having a husband, home, and mortgage - but I made it work.

An unusual boyfriend followed, and several years of actors, artists, and cabaret performers filled my days and nights.

It was Manhattan in the '80's. There were nights out spent dancing at the clubs til dawn.

The Met was open late on Friday nights, and my group of fellow oddballs wandered the museum halls every week for over a year.

Art and illustration was my livelihood. I knew everyone in the Village ( at least by sight) and was completely comfortable in my element.

But my friends got sick.

And my friends started dying.

AIDS ravaged the world.

The Village was ground zero, and everyone was terrified. We didn't know where it was coming from, didn't know how to cope with the skeletal friend, the friend covered with sarcoma blotches - was it the end of the world?

In many ways - yes. It was.

The best, brightest, most talented people on earth were dying out - and all I could do was hold hands at the bedside, and attend memorial services.

There was a three month period when I went to a service EVERY SINGLE WEEK.

My dearest friend, Bruce - I never even knew when he was well. We were fellow illustrators, and spent hours a day with phone cocked between shoulder and ear - talking while we drew in our separate studios. He was in Chelsea, I was on the corner of Perry and West Fourth.

We brought children's books to life, and loved the work.

As AIDS ravaged his body, he needed to take long naps in the afternoons. His fever would spike uncontrollably - he called it "Shake and Bakes."

He fussed over the ugly sarcoma lesions which appeared on his arms and hands - he found a theatrical makeup which he swore would cover them up so that nobody would know.

Everybody pretended that it worked.

"Well, my sweet darling angel - I took a shower this morning, and guess what? I watched all my hair go down the drain."

Some medication he was taking, combined with what may have been a chemotherapy cocktail - took every hair on his head.

He entered the shower - with.

Exited - without.

He had been told this might be a possibility, and had already purchased a wig from a professional Broadway wig-maker.

It was awful looking, but we continued to pretend.

He slipped farther away, and was hospitalized on a closed floor reserved for AIDS patients.

I visited every single day.

I brought tiny gifts, saved up stories to make him laugh - and built my day around spending time with him.

His family wouldn't come and see him. Friends did their best, but simply couldn't be with him when push had finally come down to shove.

I remember shouting at his brother on the pay phone in the hospital hallway "I can't make this better. I'm not allowed to make decisions for his care, because I'm not a family member. He is dying, and you need to be here."

He wasn't.

I held Bru's hand, and wiped his forehead. I asked the nurse to turn up his oxygen because he was struggling and begging for air. "It's as high as it will go." she said - and even though it was time for all visitors to leave, she said I could stay.

The day before, he had spent time with a priest who had given him what I now believe was last rites. He seemed comforted, and we said what needed to be said.

"You know Bru....I will ALWAYS love you."

He smiled and said. "I know. And I will always love you too."

He took his last breath a little before midnight.

I closed his eyes.

Twenty seven years have passed since that night.

-----------------------------------------------

The unusual boyfriend fell victim to his own silliness. He convinced himself that another woman was sending him messages about being attracted to him - and he needed "some space" to explore the magic.

He did.

She didn't

And I was magically single again.

As 1990 dawned - the Internet had not been invented.

The cell phone - wasn't.

Video rental stores were visited daily, and made money hand-over-fist.

Blonde, Madonna, and all that wonderful 80's music that my kids now think is divine - were the sounds of the decade.

And I didn't quite trust CD's.....

Times Square was just beginning to shed the peep shows and adult movie houses.

It was gritty, and how I loved it.

July 4th of 1990 I found myself eating in the diner downstairs from my apartment on the corner of 14th St and Seventh Avenue.

It was empty.

I ate my bluefish dinner and went back upstairs to the drawing board.

One single red rocket cleared the rooftops and the stars rained down.

I was bored.

Decided to place a personal ad in The Village Voice. "Looking for an interesting conversation over a cup of coffee....." and some other minor nonsense.

Over 350 people responded in the three days I checked the answering machine.

"I've never answered a personal ad," said the voice on the phone."I live with a grey cat. And I'm reading DUNE. Maybe you could call me, and we'll get a cup of coffee?"

On our third date, he never went back home.

"You know what? It's getting kind of silly to keep paying for an apartment to keep my cat in...."

"So what are you saying?" I asked. "Are you asking to officIally move in here?"

" Nope. Let's get married. It'll be fun. I'm not exactly getting younger - either are you. Why not?"

"It'll either work - or it won't. What's the reason that we shouldn't at least TRY?"

He talked me into it.

Brian and I were married in the Cathedral of St John the Divine, three months after our first date. Twenty five years ago, last October.

Babies happened. Three in a row. "Irish triplets" as my obstetrician called them.

Quinn.

Morgan.

Maddie.

They were (and are ) the three finest people I have ever known - and are the center of my soul.

Brian and I survived critical fulcrum points where the smallest waver would have plunged all of us into hell.

We stared death in the face - death blinked, and looked away,

more than once.

We walked away from alcoholism.

Left cigarettes behind,

Did battle with depression,

and kept walking....

We've skated on the thinnest of financial ice for YEARS.

We've worked and worked and worked some more - and it was never going to be enough to keep the ship afloat.

The kids, as we've laughed over the years have "Never missed a meal."

Nothing was easy, but our youngest will be the third to graduate from college in the Spring. Yes, there are loans to be paid - and we'll do everything we can to help them gain traction in their lives.

About a year and a half ago we took a good hard look at where the road was leading us. Our ability to maintain the income necessary to support our lives in Westchester county, in a big house with a big mortgage - huge utility bills, and a dwindling job market - we came up with a plan.

The bank was unhappy with our syncopated mortgage payment schedule - and really wanted their house back. Things were sliding downhill, and we simply couldn't stop it.

"Let's take the money from my last free-lance job, and buy a house in Ireland."

Found one.

And did.

Sold the house in Westchester.

Packed up everything we could.

Got on the plane.

And here we are.

January 8th, 2016, and it's 1982 all over again.

The Replicant is out of time.

He sits high on the rooftops above the city, rain is pouring from the black skies - and Roy Batty,- in his last moment of life - knows what it is to be fully human.

"I've seen things, you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched c-beams glitter in the dark near Tannhauser gate. All those moments will be lost in time, like tears in rain."

We all go through the motions. We get out of bed every day, and do our best to keep our lives and our families moving forward.

We work.

And plan.

And strive for happiness.

I'm no Roy - but I too, have seen things that will pass away with me when I go.

I, too, have learned what it is to be fully, and completely - human.

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vagabondpainter-blog · 5 years

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Catching up

It all is so far away now, counted as well in days as in weeks, in kilometers, in miles or in impressions, in encounters and insights, or measured by fruitless attempts to write this blog.

To catch up while still keeping this Text readable, I will shorten things, I will have to be unjust.

The people I met, friends I visited, friends I found, even strangers who gave advice or help before quickly disappearing again along the ever winding road, they all deserved more words of gratitude, the landscapes I've seen, the early morning mists, birdsong, rough hills and gentle streams, they are all worthy of poems, paintings, and some day hopefully I will find the rest to praise them rightly.

And about people, about friends: I will not talk in depth about them here, maybe some of the closest not even talk about at all or just mention briefly. That is because trust and friendship are sacred, I don't want anyone to have to worry about being displayed and evaluated here, or conversations being put on public display. That's why my tale will sound probably egocentric at times. Besides some points I take out of conversations I'm determined to keep this a blog only about the experiences and lessons I came across, to share and hopefully inspire, but leave people their privacy.

So informations about others I'll keep vague and brief except for some relevant points now and then if they are required as context.

For now it's these fragments, learned lessons and impressions:

1] The Kindness Of Strangers

The boat leaves in the late afternoon, yet I'm here already. It wasn't easy to say goodbye to friends. Its the moment when you painfully realize what you leave behind before you find the courage to let things go and to jump into an uncertain future. I'm grateful that there have been friends to be missed, friends waving when I left and many people, places and memories to cherish, so rather say 'Thank you' than 'Good bye'.

Now I'm here, not sure how to store a bicycle on the ferry, what to do and where to go. A fellow cyclist reassures me that everything will be ok and shows how to secure the bicycle before we part and enter the huts.

It is a smooth sailing on calm waters. I take position on the south side and watch, watch how Ijmuiden floats away, see Zandvoort passing in the distance, let memories rise out of the parting waves until much later the last dim reflection of the sun is swallowed by the darkness of the water.

Next morning I watch the sunrise from the front-deck before later slowly the shore of Britain appears on the horizon.

Back in the belly of the ship, bicycle is packed and we wait for permission to get on land. My fellow cyclist is here again and we find out that we worked in the same field, be it in different positions, until lately when I quit my job. Healthcare in general, and psychiatry in particular seems to struggle with the same problems on both sides of the water- lack of resources combined with an abundance of expectations and many self-declared specialists eagerly waiting on the sidelines to tell you how exactly you should do your job. I don't regret my step.

Soon we change the subject, talk about more uplifting things, like freedom, travels, cycling and living life.

I'm glad he offers to accompany me for the first few miles, show me the way and help me get accustomed to cycling on the left side of the road.

While traveling the shore, he realizes that my journey later would take me along the A1, the most dangerous and deadly road of Britain. Plans change and a bit later I find myself in a nice cozy house, greeted by a friendly dog. The family is gathered now, they brought dutch scones and there I am, arrived in Britain, eating dutch bread and being made welcome.. and grateful.

Later they even offer me a lift along the A1 so I can continue my journey quite a few miles north on a safe bicycle path.

Actually- actually I made a promise to myself when I gave up my home- to leave every place I visit a little bit nicer, tidier or kinder then I found it, be it a small bit within my powers only.

Yet here I am, receiving all this kindness and struggling to find a way to give a tiny thing at least.

A small contribution I might be able to make after all- the lady of the house is an artist and I hope to come back and spend some time, exchanging tips and knowledge about painting.

It won't really be able to repay the welcome, they didn't know how much it meant- this first encounter on the new path, a sense of home in the world out there.

2] Of Hunters, Vegans, Spiders, Flies, and Shamans too

For my first working assignment I arrive one or two days late.

The bicycle paths in Britain are made for leisure, not for means of transportation, to get from A to B, you sometimes get sent along the beautiful yet rough and rocky road uphill through E to G.

In the morning my host comes to town to give me a lift uphill so I don't need to climb up to the cottage. We soon find out a difference in lifestyle, that either might lead to conflict or to very interesting talks-

While I myself took up a vow years ago to restrain from eating or even using animal products, he is an outspoken and passionate hunter and skillful hunting guide.

Greeted by a friendly dog and a flock of even friendlier chickens I put up my hammock next to a cottage that has seen many years, some of them hard, now regaining its beauty under its tenants committed work.

Not only the growing vegetables outside provide some common ground to get along, we soon find out, as the Zen master Thich Nhat Hanh once said: “If you wish to be understood, you should listen very carefully”

I put aside any prejudice and get a chance to actually learn- a hunter may just as much care about nature and all life in it as the convinced vegan.. not every hunter of course, some are in it for profit just as some vegans are in it for pride.

Those others, those on both sides who actually do care, more and more appear to me as devoted parents arguing about the best cure for their sick child. Later I will briefly encounter a native American shaman and will have to realize that those revered ancient cultures are hunters too.

And when I rescue a little spider after that the other day, it strikes me, how many other insects I might have sent to certain death by saving this one predator...

In the end it seems that our technological power has by far outgrown our human wisdom and it's estrangement from nature what deceives us to take extreme positions- on one side some are abusing sensible, breathing, childbearing live as if it where an industrial product, which makes us a parasite in the organs of life, while on the other side we might not interfere when necessary and so get complicit in catastrophes out of fear of causing individual harm, which is neglect of our responsibilities as intelligent life form.

Life is sustained by devouring itself in any form. In the complex web of interdependence I will continue to avoid harm, but I also learned to judge less those who are willing to intervene, it's the caring about nature, the respecting of life and the willingness to learn about them, what defines whether our actions are righteous and wise, there is not one answer that fits all circumstances.

3] Anam Cara

The path up north led me through the green hills of a land where all the places sound like echoes of long forgotten songs and ancient tales.

Shelters where ready, arranged by friends of a friend, all without expecting anything in return, just out of kindness, setup in beautiful places, the shore of a river, a comfortable trailer in a wide meadow with view on the distant chain of snowy hills, hosts welcoming the traveler, helping and showing me around, and I had to learn that sometimes all one has to offer in return is humble gratitude.

What a strange and beautiful paradise waits in the hills behind Inverness. Anam Cara is the retreat center I work and paint for here.

Lodges and huts are made of timber, stone, from large barrels and from caravans..

I sometimes get lost on the terrain, nothing here is put in a straight line, everything has grown naturally accordingly to the apparent conditions at the time.

It's a place just like its founders and inhabitants, a marriage of Buddhist Dharma and shamanic teachings, enforcing and helping each other by aiming at the same goal from different angles in perfect eclectic harmony.

4] Of Tunnels and Light

At Scottish Borders it is. We follow the shore along the stream, up in the hills, where a long abandoned railroad left its trail, and a tunnel between the trees.

Here, our kind host and guide tells us, many found an experience of transformation.

On a dark day in his life he decided for the first time to go inside.

With the courage of despair he had entered and faced inside this darkness that other darkness which at the time needed to be released. On the other side of the tunnel the light that welcomed him brought the beginning of the change to the better.

We are glad he 's willing to share the experience and I opt for walking first.

Beforehand it all sounded quite easy, just going inside the darkness alone without light and walking through, blindly, until the eyes capture a dim light from the other side.

Now in front of the big black hole amongst the green I doubt for a moment whether I really want to go in.

Threads of fog, hovering at the entrance, weave a mystical web. A chilly breeze greets me as if it where the breath of the earth.

One of the dogs accompanied me on my first steps towards the huge mouth that will swallow me in a moment, and for some time I have the impression the dog is still with me in the dark. I hear my own footsteps and feel this other presence right behind me. Later I learn the dog left me at the entrance already...

Once the darkness surrounds me completely and I should probably feel lost in the void, a deep calm sense of serene silence comes over me, a trust that whatever happens here, is supposed to be and is just perfect as it is. I wander in the timeless spaciousness, listening to my ever slower footsteps.

There is no hurry, no need anymore to get anywhere. While the feet calmly keep going I suddenly loose all intention to either stay or leave. Everything is just about now and now is exactly, perfectly well as it has to be.

Maybe due to a lack of external input, the sense of self dissolves into the black empty space and only a floating undefined feeling of wideness and joy vibrates on.

The first glimpse of light some time later doesn't seduce me to rush, I could just as well stay here, in this very moment for eternity, yet I keep moving.

Never thought the greens of the trees and the grasses, the gentle mos could look as vibrant and intense as they appear while I leave the tunnel. It rather seems, I'm watching the surroundings steadily passing by, then moving myself.

I enjoy the forest with a joy I haven't known so far- like a child looking at trees and clouds and pebbles for the first time ever. I keep walking and keep looking, perceiving without judgment, without naming, without wanting, only looking, smelling, listening, just sensing the stream of impressions calmly arising and taking course.

And I know that nothing ever will be the same, also know now that nothing ever has been the same before. It's freedom to ride on the stream of ever changing appearances without grasping or rejecting, I heard of that, I knew it, could have said these words any time, yet now the tunnel showed that truth in a way, so that I actually could see it too .

5] What is Home?

Back in the Netherlands, coming home from being home, not sure how and why I would deserve this. It must be a natural human kindness I didn't notice before that strongly. Now when I need it, there are friends to let me stay in their place, people offering shelter without expecting anything. I visit friends, I'm humbled and touched by all generosity, and I suspect I might know now, why in some lineages Buddhist monks are obliged to beg for their food- it's only when you depend on others in a way, that you get a chance to realize that, contrary to what the news might tell, human is in essence a very kind and giving being.

I have, for now, just to practice in gratitude to hopefully some day be able to give back.

6] Cow-dung is not Bullshit

Cycling in Germany is a challenge, most roads are forbidden for cyclists, they send you along long winding tracks and don't care to close a path without alternative.

After days of sweating under threatening thunderclouds, in heat, having my navigation gone with the broken phone, getting lost in unknown places, climbing hills without knowing where I am and how to get on, I arrive, days late again.

Now I work at the Schwäbische Alb, there's a small Village on top of a hill and I live here, take care of the garden and paint the portals, just paint, nothing artsy :) but besides being invited to feel at home and greatly being cared for, its my first real encounter with alternative building and painting materials what makes it extra special to be here.

The paint is the etching, burning, kind of chalk that was used for centuries here, but the main lesson is a little building project inside the large shed, a storage room made from clay and dry cow-dung.

I learn from mistakes and from what went well, getting an idea to – one day, some day, after the journeys – maybe build my own alternative home based on experiences and learning ahead.

7] The naked Truth

One more fragment, one I doubted if it was ok to tell, but decided that it should not matter if people think I'm weird, I'm a fifty years old guy giving up a comfortable stable life to cycle around and work without predictable income, not even a pension-plan. I AM weird probably and as long as no one gets hurt I'm free to be as strange as I choose to be.

It's the evening of a hard and hot day, the sun burned my skin dark red and any sweat from cycling uphill dried quickly without cooling me off. I finally find a great spot to spend the night, near a small town or village, but out in the green, well hidden and comfortable.

Before I rest I need to refill my water-supplies and rehydrate myself, also the new used phone I was lucky to receive, does act up, the batteries run quickly, didn't recharge anymore and I want to give it one more try.

It's good as well, to check the vibes of the area, to know the territory and get familiar with the place.

So instead of getting ready for the night I enter the place for a drink and general recharging in the local pizzeria. I'm the only customer inside. The friendly owner refills the bottles and tries to help me with the phone. After a tough day through the hills in merciless heat I enjoy talking to someone before I get back out into the fields. Yet when I tell about the travels and my new life, he offers me to seek shelter at the small terrace next to the house where the guests sit in daytime. It's right at the fairly busy street, surrounded by houses and I'd like my first shelter more, but there are two good reasons to gratefully except the offer- one, it is an act of kindness and that counts more then comfort, two, I slept in fields and woods, in trailers, tents and under bridges, but never in the open air in the middle of a town.

So I set up my shelter, sleeping bag as isolation and the raintarp as cover on one side tied to the fence, the other attached to the bicycle.

A thin tarp provides the illusion of privacy and I lay down in the noise of passing cars and voices on the street.

Now the overheated body starts boiling and burning, however I move or turn, a layer of inescapable

fire keeps me awake. Everything I wear sticks to the skin. Half asleep and half in fever I guess, I remove it all.

A gentle nightly breeze cools me off and sings me to sleep. While I see the stars through the fence it occurs to me, that whoever would find me here, would think I was drunk or crazy. Laying there amongst all cozy houses, bare and naked, not showered for days, hair and beard growing wildly I have finally become a drifter.

And then the image comes before my minds eye, of me laying there, bare of any sign of social status or role, looking like an abandoned corpse, but there is no shame, no fear, only deep calm peace and freedom.

That takes me back into the tunnel. It's the same sense of serenity, nothing to achieve, nothing to loose, nothing to be done, only being.

I will loose this peace of mind again on several occasions, when the wind stands against me, when I loose direction, when I set up goals, but there are more and more times of this deep relaxing equanimity, the acceptance of whatever might be.

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