Okay what if the winners got to meet previous versions of themselves through the life games.
Like grian meets no one. He didn't have any previous "versions".
Scott meets 3rd life Scott.
Pearl meets 3rd life and last life pearl.
Martyn meets 3rd life, last life and double life Martyn.
Scar meets 3rd life, last life, double life and lim life him-
This whole thing was an idea that I got just because I was thinking about ll and sl scar because they were both so lonely like wtf and I just though about a scene that would be so. Grips chair.
Ll: "We won?"
Sl: "Yeah"
Ll: "Did we have allies? Friends?"
Ll scar probably thinks sl scar won only because he had allies to support him. He knows what its like being lonely and he hopes no one has to go through that loneliness. And he wants to be optimistic for once that sl scar, future him, gets allies, gets friends.
He tries to hope and then he sees the look on sl scars face. Or maybe sl scar tries to lie- maybe he tries to say they had allies.
Ll scar sees right through him. He's him after all. Maybe he's always gonna he lonely anyway
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sorry but there's nothing you can do to convince me that Andrew Minyard doesn't weep like a child when Betsy Dobson eventually passes away.
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Y'know this little throwaway gag is so bizarre to me and I know this game is a bit very different to 2 and 3 but look at Matt's reaction when Jack raids the place in 3:
You'd argue he's simply stopping Jack bc he hates this guy and he also hates this job which Could Be True but i highly doubt bc overall despite his virginity and overall cursed vibe, Matt seems to be a good employee, by all means (I mean, Peter literally gave him a vacation instead of firing him in 2, so that says a lot).
Plus, Dave hates this guy as much as he hates him! He literally always calls him creepy and, AND!
This is the only footage you get of the prize corner in 2. Which is also the first game to show Matt and Dave's disdain for one another, Dave being likely more scared of Matt than Matt will ever be of him.
Which is all very curious. 2 does set a drastic change for Matt too with him going from being just strange to outright creepy, so was the old pizza place closing something that actually affected him or was he consistently that creepy all along? And if the later, did he just start hating Dave after that or did they always have beef and they simply had some sort of arrangement (or even higher word from Steven who tended to let Dave do whatever he wanted in general) that let him do so?
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seen a lot of people saying that episode 13 is a spider episode, but am i the only one who sees it as a desolation episode? idk it’s just the cycle of the finance bro clawing his way up to ultimate fortune by losing everything else, and at the end of it all he doesn’t even get to keep his riches. he literally has nothing by the end of it, he’s burned every bridge, alienated himself from his friends and parents and completely fucked up his health. all that suffering just for one terrible loss, he got a taste of the top and it was stolen from him right at the finish line. life metaphorically going up into flames.
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bepo "i have to grieve over my brother but my husband is back from his personal little war and I'm way too happy about that so i'm crying out of happiness instead" of the mink tribe
when something happens but you are already entirely occupied with a much bigger thing - and its crazy that law going off on his "i may not return, sorry" mission alone - WAS more important to bepo in the moment than learning about the death of his brother...
because realistically he kinda lost his brother when zepo left when bepo was 8. he just vaguely held onto hope of possibly seeing him again. learning that big mom killed him took away that possibility and that's all that bepo lost
meanwhile law is bepo's whole life....he lived with law for his conscious years as a teen and adult, and even in simple numbers he lived with law for longer that he lived on zou
i'm absolutely reading too much into the bad writing and shoddy development of bepo& zepo's story, filling the giant gap all by myself but i like that it being underwritten aids to lawbepo. and i love the simple brutality of it
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I want gerry to still have tattoos and shitty hair dye but their like fun tattoos he got and constantly changing hair dye
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just watched athena begins and oooooooooooooof wow that was like. not a good episode of television 😬 i obv haven't watched s5/s6 yet but i have seen some people criticize kristen reidel by saying she just tells the stories she wants to tell regardless of whether they're in character or fit with the established canon and i got that from this episode big-time
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y’all ever think about how Harry loved Dora to such a degree it was worship, she wasn’t his lover but his savior, his deity, a symbol of the good and the lovely in the world - and she’s portrayed as Dolores Dei because of this, because his love was his religion and he put her on such a pedestal that when she left it absolutely destroyed him (because what else would losing your salvation, your hope, your god, do to a believer?) And how this comparison is a warning of putting someone, anyone or anything up so high and believing it can do no wrong, only to be devastated when it leaves. How she’s also the middle/upper middle class who can just leave the conflict, decide to fly away because they have the money and means, and leave the ‘poverty stricken fucks’ behind. The danger in placing blind and total faith in something that tells you (or that you tell yourself) its morality is infallible, and it will be forever, because you will be blindsided when it leaves or does something terrible, and that utter devotion will be the dagger you fall on when this clean and holy thing, this love, leaves you for something better, betrays you in the worst way.
y’all ever think about the comparison between Dora and Dolores Dei and moralism and middle class with the religious themes, how love is just as dangerous as wrath and despair and ego, how Harry wasn’t great, not even good, but there was nothing he could have changed. the layers of how he has to learn to live for himself instead of the woman who left him half a decade ago, how Dora is Dolores Dei is Moralism and the privilege to stay neutral with the ability to leave when things are rough, how he has to pull himself out of his misery and try his best and it’s not always enough it’s not going to stop the nightmares it’s not going to bring that holy love back it’s not going to save him, but it has to be better than nothing.
y’all ever think about that beautiful stained glass wall in the old church, Dolores Dei larger than life, a picture of innocence so lovely and divine - but all it’s ever been was glass, and it’s shards are all over the hardwood floor.
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