#it is a fast game and i am not

[purpleplaid17]

I thought I couldn't possibly get worse at Rocket League. I miss the ball frequently. It is a serious problem lol.

But playing a supercube match I've managed to somehow score a goal and get mvp. Why the metal cube and the ice puck are easier for me to hit idk, but I'm having fun!

The amount of times i've called myself an idiot / numpty / silly sausage lmao

[proxycrit]

(I point. Gently, in the voice of somebody who’s mind touched by the outer gods, i whisper truth in your ears:

Your honor the horses are now lesbians

(Anyways here’s the designs)

[egophiliac]

I DID IT I GOT MY PINK HAYATE now I am never doing that again!

(at least until they give me, like, a frilly unicorn Kamui or something)

[frindoka]

[the curtains close for a show that used to be yours.]

[gooseco]

[leulahart]

School days in District 12

Personally I love pre-canon Everlark because on one hand you have Peeta who has been crushing for 11 years straight, and on the other hand Katniss pretends she doesn't notice him but really she does. I was inspired by this Katniss design for her outfit!

[mariana-oconnor]

[madisoncounty]

rebecca ferguson as katrine bratt in the snowman (2017) requested by @ghostkitty

[xxylan]

I let out the most ungodly noise what the freak

[toxintouch]

Love the thought of Mhin’s monster being terrifying; a true threat to your (the MC’s) safety, an insurmountable burden that has destroyed Mhin’s life and that’s why they are so desperate for a cure.

But also…

Thinking about Androcles removing the thorn from the lion’s paw…

The thought that maybe if the monster doesn’t successfully kill you the first time, it will recognize you the second.

That transformation looks like it hurts.  Before, after, during.

The idea that it will be a slow process, a dangerous one, but if you can survive, if you can calm it down–

Preening broken feathers.  A slow and methodical process, but your heart beats like you’re running for your life.  You keep retreating, feather by feather, because you’re not sure how stable this moment of calm is, how long you have before it will try to kill you again. 

You gain Mhin’s trust the same way.  Slow and methodical.  Showing your hands at all times.  No sudden movements.

Mhin knows you ran into their Monster–knows that you know.  They hate the thought of putting this much faith in another person but they hate the thought that the monster might get out and harm people even more.  You could be an ally in this too, they suppose…

They hand over a key to their safe house, show you how to use the security measures they have in place for when they transform.  They explain to you how to safely lock them inside–it can be done from either side effectively but Mhin never gives any thought to which side of the door you’d choose to be on…

You start asking Kuras for medical supplies, unable to give any information regarding why you need them.  You see someone selling hunting birds and carrier pigeons in the market so you ply them for information, paying them back by shelling out a ridiculous amount of money on whatever care products look like they might be moderately useful.

More preening broken feathers.  It seems to–they–seem to understand that you mean to help, now.  The process becomes easier.  You start carefully removing bits of broken glass you find embedded into them–you’re not sure how it got there, if the glass is something mystical or if they went on a little rampage before you were able to lead them into the safe house.  Maybe they’re just like a regular bird and they ran into something by accident.  Maybe it’s been there for years because no one’s been around (or able to) take it out.  

Does it hurt Mhin, too?

You’re even more determined with that thought, though you have to be so-very-careful because if you startle or hurt them, they become agitated.  You’re not sure if they would hurt you on purpose anymore, but they sure as hell could kill you by accident.

It burns your heart to leave some pieces in before Mhin changes back, but you know you have to.  You can’t help if you don’t stay safe. And Mhin always makes you promise to look after yourself when they can't.

Mhin transforms back and realizes that it didn’t take so much from them this time, that the usual pain is a little lesser, that they still ache but it isn’t debilitating.  They write it off at first but the thought sits at the back of their mind. Filling them with unrest. A thorn in their side that they cannot quite reach...

They go to their safe house to check how the locks are holding up and they notice some things.  A large basin for water. Your supplies.  A music box, of all things.

Needless to say, they’re horrified.  They demand to know what you’re doing.  Are you trying to get yourself killed?

“I knew you had no sense but–”

You assure them that you’re taking every precaution.

Besides, aren’t you doing the right thing?  It’s totally logical that they (–it , Mhin insists) can get thirsty, of course Mhin is feeling better when they aren’t being locked in an empty room deprived of water half the time.

The monster looks so sad, now that they aren’t trying to hurt you.  As they became more used to you, you began to see the parts where they and Mhin overlap.  Shared habits.  The way they settle down to sleep at night is the same…

Mhin hates the monster inside of them, but you don’t.

[humornaut]

An Analysis of Foreshadowing in Omori's Prologue

Hey everyone!

With the Omori manga's first chapter's release, one thing has been made clear: They are FLYING through the game. Unless they are doing something weird, the entire prologue segment has been moved to right after the Aubrey fight, a move I can only believe has been made so that the real world characters appear in the first chapter. I won't be making any judgements until I see how it all fits together (and maybe I won't make many judgments in general, I don't really consider myself a judgmental person for better or for worse), but it did get me thinking about how well Omori's prologue works in general! So today, I'd like to take some time to talk about that!

The Sidequests

The first things I want to mention are the side quests! I've mentioned it before (or maybe I haven't, I don't remember everything I've said), but nearly all the side quests in Headspace are symbolic on a meta level. A lot of people dismiss this as boring repetitiveness (perhaps true), but the vast majority of the side quests are about finding a lost item or individual. This is, of course, echoing the larger Headspace plot of Basil going missing. However, there is something about this concept that I'd like to point out using one of the sidequests!

In the quest "Whereabouts of Duckie Jr.", you are tasked with determining the whereabouts of Duckie Jr! Crazy, I know. Remember how I said that most of the sidequests are reminiscent of the quest to find Basil? Like 2 seconds ago? Well, this one is good for actually illuminating what is going on with that questline overall! Duckie Jr. and his family are references to a famous optical illusion in which a person can see either a duck or a bunny. Take a look at the house that the family lives in:

They live in a present! Now take a look at this!

"SUNNY won't leave the box, so KEL put a food bowl inside. I guess this box will be SUNNY and MEWO's new home."

So that's interesting! Add in the distant demeanor of Duckie Jr's father, as well as Mari's statements about Duckie having his head in the clouds and comparing Duckie to Omori, it becomes clear that Duckie in this situation is a reference to Sunny, not Basil. What does this mean? Well, it means that we should rethink the Headspace quest all together! The quest to find Basil is much more a quest for Sunny to re-find himself.

Now this (as well as the quest for the character Daisy that I have mentioned previously) is interesting, but it isn't exactly foreshadowing. For that, I would like to draw your attention to the sidequest Stick in the Mud.

In this quest, you must go around Cattail fields to find Mr. Scarecrows three crow friends, and have them return to him. In order to do this, you have to use Hero when interacting with the three crows.

I personally believe that this is a bit of foreshadowing to the Sunny route. Hero's maturity is necessary to bringing Sunny, Kel, and Aubrey back together and bringing them to Basil. I also choose to see Mr. Scarecrow as an analogue for Basil rather than Sunny due to the coloring of Mr. Scarecrow's sprite (Blond hair, blue eyes, green clothes), and Hero doesn't actually bring Basil specifically to anyone (heck, Hero doesn't actually ever talk to Basil in the real world segments of the game)

I also want to make clear: I'm not trying to imply that this is symbolism on the part of Sunny's mind, like a lot of the things that I talk about on this account, rather that this is a bit of meta storytelling foreshadowing how the real world plot will turn out. This will go for everything else that I talk about here as well.

Captain of the Space Pirates

Now that we've talked about the sidequests, I'd like to draw your attention to the main questline of Otherworld. As a reminder, once the gang gets into Otherworld, we are introduced to Captain Spaceboy, who is bedridden and depressed following his break-up with Sweetheart. In order to solve this problem, we have to go through the junkyard to find his mixtape. We aren't the only ones looking for it, and while there, we meet Rosa, a Sweetheart super-fan.

We get the mixtape back, bring it to Spaceboy, at which point Kel plays it, triggering Spaceboy to start his boss fight.

The argument for this all being one large bit of foreshadowing goes like this:

Spaceboy would be Basil (purely from a narrative perspective, not in any kind of character-sense). We go to the junkyard and dig through the trash to find the mixtape, just like we eventually get the photo album by digging through Aubrey's trash. Rosa in this case represents Aubrey, attempting to take care of the mixtape due to her personal connection to the item, revealing that Spaceboy is the one that threw it out in the first place, echoing how in the real world, Aubrey takes care of the photo album for four years due to what it means to her, despite how Basil (from her perspective) destroyed it originally.

We bring the mixtape back to Spaceboy, and just as Kel is the one that kicks off going through the photo album with Basil, he is the one that rushes to put the mixtape into the boombox, triggering the memories that set off Spaceboy, causing the fight.

Admittedly, things get a little cloudy here, as the fight between Sunny and Basil isn't directly caused by the photo album. You could even say that the Spaceboy fight represents the fight with Omori (or even both the Basil fight AND the Omori fight) due to Omori's fight being due to Sunny's mind reacting to memories of the past, better mirroring the Spaceboy fight. But hey! Spaceboy's hair turns green and his eyes turn red so who can say. :P

Then, after the fight, we get a few things! We get an eyepatch (goes without saying), a train pass (representing how Sunny will be moving after the conclusion of the game), and a sno-cone ticket (yeah I don't think this one represents anything).

And, just like the Sunny route, the prologue ends with an early look at Memory Lane, and the dream ends, with Sunny waking up.

There's probably a lot more I could talk about regarding Omori's prologue, so I might update this later! I hope you enjoyed reading this! Within the game, I feel like the prologue is one of the strongest bits of Headspace, and I've always wanted to talk about how I believe it foreshadows the rest of the game! This is a topic that I'd love to hear more people's opinion on!

[neattnat]

Opposite side of the age spectrum alliance!

[unicyclehippo]

i simply must talk about a game that consumed almost all of my weekend it’s called “in stars and time” & it’s the sickest shit ever (enamoured, entranced, obsessed) I can’t possibly mention all the things i have loved about this game so far & i don’t want to spoil it but here is a short list, unordered:

it’s in black & white & grey, which given the themes seems very apt. it’s also super striking & rly allows the use of patterns in the backgrounds of fight sequences, the shapes of enemies, to rly pop. it’s. so cool

the enemies are all fucked up little guys n im ALL ABOUT IT. they’re so weird they’re so cool

the pc & their companions are all SO good. their avatars are incredible, their expressions are pleasing to look at AND emotive, & time after time i am struck by how good the characterisation is

also, it’s a time loop

so in that spirit, the pc & their companions are all SO good. the conversations & information changes slightly as you go through the loops so u learn something new about your companions every few loops, or do something new that earns a comment, or find something that reveals that your companion LOVES that thing or hates it

the main character is. everything to me (avoidant little shit.)

the worldbuilding is SO cool !!!!

the actual gameplay is rly rly fun i have played it for about 20 hours now & I haven’t gotten sick of the fights yet. rock paper scissors. it makes sense.

all the skills u get through levelling up have pun names

tHE PUNS. THE PUNS!!!!

anyway I love it so much , play it if you get the chance. pls no spoilers if u have finished it im not done yet!!!!

[idiopathicsmile]

gonna get perhaps a little controversial for this site and say i think it's generally kind of a weird move to be proud of yourself simply for not liking something.

if you are boycotting a work for political reasons and it brings you some measure of peace or clarity to critique its messages, by all means go ahead; that isn't what i'm talking about.

but patting yourself on the back just for not deriving the happy chemicals from a potential source for them, in this world so full of pain and struggle, where sometimes it seems like we all have to fight to enjoy anything in the first place...why?

all of that said, i think i would care about the superbowl more if it had clearer dramatic stakes and better dialogue.

[aesfocus]

rotating him in my mind.

I can not find this mans clothing for the life of me this might be a ru to eng issue, or it could be that I'm just not looking in the right area. While I could have applied his normals and spec maps to this model I didn't.

Anyways have some spinning Heinrix models as I scream into the void.

[heathfall]

Is The Prophecies Begin truly better writing than some of the later series or am I just tempered by nostalgia? Looking back, they FEEL more enjoyable, but I'm not especially well versed on what would make them actually better than the later series.