#it is so terrible but I still love it

[egophiliac]

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

[collieii]

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[currentlyonstandbi]

[sidetongue]

this dog came for foster with a horrifically shattered leg which had gone untreated and i fell in love with her instantly and i fought not to euthanise her for over 2 weeks even though she had heart disease and luxating patellas and aforementioned shattered leg and then they gave her to me on account of being in the vet industry and being able to provide her with everything she needs and i was the happiest person in the world for 48 hours until we went to surgery to fix her leg and she fucking carked it

[mehh141]

No scientist can explain why the fuck im so attracted to Joe Graves with his stupid backwards cap on

If I would have ever share a bed with this man I would’ve definitely tell him “the cap stays on” 💀

[derpycatsu]

woe 1 million sycamores be upon ye

[kenneduck]

Me: Stop being sad.

Also me: Spends today thinking about Link and Mipha’s love and the fact he can’t properly grieve it because he cannot remember all of the memories of their relationship.

It makes me sad.

I’ve been coping with thinking about how post-AOC Sidon travels home. It’s after BOTW, and Sidon went missing for a few months along with other champions (and Tulin lmao) With his return, Link is emotional as he reunites with Sidon. Link was beyond stressed and worried over his missing lover. He hasn’t left Zora’s Domain in weeks since he got word of his disappearance. Once emotions settle during the reunion, Sidon gets to tell Link about how he went back in time and saved Mipha and all of Hyrule. He saved Link. Even if that Link wasn’t his Link, it made his heart happy to save his love from the grief he went through before.

And Sidon is so melancholic. He got to see first hand Link’s love for his sister. Her giving Link the armor after he saved all of Hyrule. The two sharing a kiss. A future between them that gets to finally exist. Something he knew from her diaries and from older Zora’s stories, but something that he deeply understood now.

As Sidon recaps this, Link is looking up to Sidon emotionally. Sidon too seems upset. But more so guilty, Sidon witnessed first hand what had to be lost for he and Link to love one another. That maybe what the two are doing isn’t right.

But Link shushes Sidon. Finally getting a word in for the first time after Sidon’s retelling started. That Link is beyond proud of Sidon for saving Hyrule. For saving Mipha. Saving him. Link can’t help but cry after this point. He thanks Sidon for giving Link a happy life. In both of his lives. Who Link was then isn’t who he is now, but he’s so happy to know that both past and present him get to love who they love surrounded by friends and a family they found. That it extends beyond him, too. So he’s incredibly thankful for Sidon. And that he loves him, and he won’t stop loving him.

Sidon can’t help but to kiss his Hylian lover. One he’s desperately missed during his travels. One he felt guilt over, but that washed away with Link’s affirmation. Now, Sidon just feels happy. Overwhelmed, but happy. He knows Mipha is happy, and he can’t wait to tell the domain what transpired.

[vaguely-concerned]

I have seen people question whether dios apate minor really needed to happen the way it did. it's the 'this could have been an email' of htn. 'augustine this did not have to be a threesome', I hear people saying. and boy do I have an obnoxious amount of things to say to protest this perfectly sensible assertion so here we go haha

1) yes it absolutely had to be like that. It says so on this piece of paper *hands you a piece of paper that says "because I said so and also it's narratively and thematically Sexy"* in my half-legible handwriting. seeing tamsyn muir describe harrow the ninth as a book about being a kid and realizing your parents probably had sex has given me such validation, I am unstoppable now. (to be serious for a moment, harrow the ninth is essentially a bildungsroman, and the threesome scene does a whole lot of thematic heavy lifting around harrow glimpsing elements of adulthood, relationships, and sexuality she clearly finds at the same time repulsive, bewildering and fascinating, and around opening her and especially our eyes to how much john is just a man with human longings still, under the god stuff. dios apate is crucial plot- and character-wise too -- it's a loadbearing threesome in terms of delivering the clues you need to piece together the mystery plot of the book, which is simply delightful -- but even more so thematically. and then the scene at the end where they confront john gives gideon some of that same opportunity to peek into adulthood and go '...well shit I guess', as a sort of mirror, just without the french kissing that time and more murder. the things magnus and abigail model for the girls about love and adulthood? mercy and augustine are providing the opposite-day batshit insane version of that fhdskjfa, you know, for contrast and spice)

2) listen... it gets lonely out there in deep space with your 'legendary unamorous' brother, two infant pathetic baby kitten sisters who you'll probably have to kill one day when you take another stab at god if they don't manage to get themselves killed along the way on their own, and the two people you've spent the last ten thousand years having separate yet connected married & divorced arcs with and also btw one of them is god... honestly a threesome over the dinner table is probably The most well-adjusted reaction one might hope for under those circumstances

3) on a characterization level I think Augustine is actually doing something incredibly deliberate with it: he's presenting John with yet another chance to admit what he did. which is notable especially since the deal he and mercy agree on as a condition for the threesome to happen at all seems to be that they're going to give the ol' godslaying another game try sooner rather than later. (I get the sense that it's not so much that he disagrees with her ultimate goal so much as that he thinks she's being dangerously indiscreet and hasty going about it, before. “though I think it will be the death of us,” huh.)

notice how he's structuring the whole thing: he's invoking the intimacy and love in their strange little threeway relationship and how long it's been by truly playing along with john's 'we're a happy family really when we're at home! :)' delusion (helped along by lowered inhibitions via enormous amounts of alcohol and what I've previously described as a joint mercy/augustine leyendecker themed thirst trap. ah, a classic). he brings up alecto and what happened to her -- or rather, he is clever enough to make john bring up alecto and how she is totally dead, right?? by seeming to make a careless statement that leads there and then acting contrite about it after. he (helped along by mercy, who I think realizes exactly what he's doing -- this is very much a two-man con) brings up how much they all loved their cavaliers, and wow funny how that's been haunting us for ten thousand years now huh :) wow, a lot of our other lyctor friends slash family sure are super dead in the name of some unknowable greater reason neither of us quite grasp and that you won't fucking tell us, aren't they. these are all the main grievances he and mercy confront john about at the end of the book, but put forth much more subtly and not phrased as an accusation -- he's baring his and mercy's vulnerabilities as bait, essentially. if john had, say, a conscience where his conscience should be instead of a black hole, it probably should have stirred something in him.

(also let me just say... the way augustine just takes a pneumatic drill to the TWO tender spots g1deon seems to have and then has the audacity to be like 'oh dear. did that upset him. ooof my bad *loooong dead-eyed slurp of his wine*' is just sooo... he's such a bitch!!! he's the only person who could ever have held their own in a ten-thousand-year bitch-off with mercy and I love him so much. well even if it wasn't all to get g1deon into murder range for harrow I think he wouldn't enjoy sticking around for the 'getting our tongues on god' part of the evening so maybe it's a kindness, really, and totally not pent-up aggression from the last twenty years or so breaking through)

he is all but shaking john by the lapels begging him to just... come clean about it already, to stop thinking he's still kidding everyone else along with himself. it's clear throughout the book that augustine knows exactly what john is at this point -- and all of the most cynical things he does say about it turn out to be distressingly right. john is always less sentimental than you'd think. john wouldn't forgive mercy, he will abandon in a heartbeat anything that isn’t necessary to him anymore, whether emotionally or in some other way. and still he seems to hold out some desperate absurd hope that the man he wants, the man he thought was there, is in there, somewhere deep deep down, if he just gives him the chance to show himself.

(mercy definitely has her own side of this whole thing, I'm just focusing more on augustine because this evening was like. his idea in the first place and I feel like we can Read Some Things into that fact lol. now that we have both ntn and htn to go from I sort of have this sense that the things augustine wants from john are more... personal? more interpersonal? they both love him equally, but mercy's love seems tinged slightly more towards the religious (augustine accuses her of knowing 'only worship without adoration', which like... also the eight house's entire Vibe lol) -- mercy at the end of that book is totally a person breaking up with GOD, not just with john -- while augustine's vibe is more like a man in the last not-with-a-bang-but-a-whimper days of a marriage that sort of felt like it could have been something real and good once but all your illusions about it have since been taken from you and trampled underfoot into the mud and you've had the divorce papers signed and ready in a drawer for over a year now, hell, as it turns out, is other people etc. lmao)

having a threesome over the dinner table with god is one thing, having a threesome over the dinner table centered on the one man and god who has yet again let you down in a way so fundamental it can barely fit into words and who you both still love in a way anyway, miserably, and also just reaffirmed your joint resolution to murder (all under the pretense that it gives your baby sisters the chance to murder your brother of ten thousand years yeah that's why this is happening no other underlying aching emotional motivations here haha)... listen mercy and augustine are simply on a different level, theologically. they've added horny shrimp colours to the religious spectrum. who else does it like them

[leatherbookmark]

yet another remake of the log 117 woosangs (one, two)

[raineandsky]

#85

The door slams. Footsteps tramp up the corridor. The villain’s gaze snaps up from the crochet in their lap.

The hero appears in the doorway. Their eyes lock for a long moment.

“Hey,” is all the hero says. The villain hums in return as they continue across the living room to the minifridge, tucked away in the corner, to grab a snack. Alcohol’s proven off limits with haphazard schedules like theirs—snacks are a decent enough substitute.

The hero flops on the sofa next to the villain wielding a bag of celery sticks. “Weren’t you meant to be out, like, an hour ago?”

The villain’s gaze is already back on the yarn in their hands. “Yeah, but I didn’t wanna go until the film finished.”

The hero’s attention turns to the tv screen in front of them. They’ve seen this film before. They’re not even an hour in. “Won’t [Supervillain] be mad if you’re late?”

“Well, timetables aren’t very evil.” The villain laughs shortly. “So no.”

The hero hums at that. “You’re really willing to be two hours late?”

“Why?” The villain squints at them from over the slowly lengthening jumper between their crochet hooks. “You got a girl waiting for you in your room?”

The hero scoffs dramatically. “I don’t even like girls, you moron.”

They dip into their bag of celery mindlessly, crunching on a stick for a moment before holding the bag out to their nemesis. Said nemesis looks entirely offended at the offer.

“Jesus, ew, no,” they snap, their tone playfully harsh. “You can just say if you want me to leave.”

“Oh, sorry.” The hero leaps to their feet, waving their celery stick at the villain like a priest might wield a cross. “Begone, demon!”

The villain shrieks in believable horror, scrambling away from the hero. “God, no! Not the celery!”

The hero laughs brightly. “Go to work!”

The villain makes some strangled noise of dread, clutching dramatically at their chest. “Fine, fine! I’ll go!” They practically leap for the front door, grabbing for their coat on the way. The hero mercilessly follows them into the hallway. It’s moments like these the hero remembers what a damn good actor the villain can be when they feel like it.

The front door gets flung open. The villain makes a show of fumbling for the doorway before turning back to the hero with a grin. “See you out there in a few hours?”

“Of course.” The hero shoves the last of the celery into their mouth in a show of peace. “Go wreck something so I can come beat your ass about it.”

“That’ll be the day. Pause the movie for me.” And with that the villain disappears out the door and across the little corridor outside.

The apartment sinks into comfortable silence as the hero shuffles back to the living room to turn the tv off. Then it’s to their bedroom, already shedding their jacket at the door.

The man lounging on their bed graces them with a slight frown. “Your roommate sounds exactly like [Villain].”

“It’s a curse. Everyone says that.” The hero ditches their shoes next. “Now, let’s make the most of the next couple hours, huh?”

The man smirks at that, clearly satisfied with the answer. “Don’t keep me waiting.”

[spirkbitch]

when watching tos you just have to accept that many episodes are beautifully written and have amazing storylines, great character interactions, interesting world building, everything you expect from star trek

but there’s also episodes like Wolf in the Fold

[greywoe]

nooo theon don't listen to the stinky man

bonus:

[darkfire359]

You know who I love? Edward Teach.

He's capable of such great selflessness and bravery: saving Stede's crew from the Spanish, taking the blame from Stede for Nigel's death, stepping in front of the firing squad, and taking the Act of Grace.

Yet he's also capable of such terrible cruelty: ordering a man flayed alive for a single insult, making a crewman kill his own dog, drowning someone who'd just tried to help him, burning a ship full of people alive, and of course the toe thing.

He's innocent and naive: curling into a ball and crying repeatedly from having done something bad, not understanding passive aggression and getting easily hurt by the French partygoers, and getting easily manipulated by Jack.

He's a charismatic manipulator: wowing and making friends with Stede's crew while keeping his hands on his weapons the whole time, flipping on the “insane eye-gouger” persona like a lightswitch to effortlessly intimidate the French captain, and even inventing the very concept of fuckeries (using fear to rule people).

He wears his emotions on his sleeve and is terrified of abandonment, getting easily heartbroken by Stede (and arguably reacting in e10 in large part due to fear of Izzy leaving him as well). He's stoic enough that he barely reacts at the mention of good crewmen dying for him.

He's a masochist who flirts by pointing a gun at his crush and asking them to stab him, and who asks his ex to whip him in the balls. He's a sadist who loves maiming people and who fed people their own body parts for a laugh. He's a goth who got his entire crew to wear black leather. He's a lover of pretty, bright colors who rocks a pink gown and made his first mate put purple bows in his beard.

He concocts brilliant plans but forgets the day's date. He's a master of the sea who thinks nature is annoying and stupid. He's a proud cannibal who loves sugar and sweet desserts. Sometimes he de-stresses by building a blanket fort, and sometimes he gets a pistol and tries to shoot up an entire party. He's a cute princess who can just as easily be a terrifying villain.

Ed is the most EVERYTHING of anyone on the show. It's no wonder so many people are in love with him.

[hootjiggle]

If the back end of Fullbring arc was good, Rukia would've shown up like this.

[kagender]

whenever i think im getting too angsty with the rgbs i take a step back and start thinking about chibikero stuff instead. this usually causes me more despair. i have so many other chibikero drawing ideas bouncing in my head now but ohhh im so tired tonight.....