#it just doesnt sound right

[vilsoo]

dont piss me off… why tf do these npcs think bayonetta is a style and label asian ppl wearing rimless glasses “bayonetta” ??? 😭😭😭😭

[fanta2y]

yall im tryna cook something up for yuuji like I have this really cute idea but IDK HOW TO WRITE IITTTT :(((((

[kyogos]

The fact that in 20 years Richard and Stan have only played 3 times....sounds fake

[bigfatbreak]

Birds of a Feather previous / next tw: anxiety attack

[carnivalcarriondiscarded]

weeee more fantasy au doodles

[jade-len]

i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.

picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.

it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.

and then he gets to the sword.

demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.

but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.

when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.

the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.

and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.

the language of this wretched sword reflects the state around these two monsters.

luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.

instead, he hears this:

"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."

but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.

"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."

"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."

"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."

"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"

somehow, this is worse than if xin mo was actually eating away at his brain.

weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.

xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.

it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.

sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.

maybe he's the delusional one. maybe this is xin mo's way of getting to him.

maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.

"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.

hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."

xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.

...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.

(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)

[rbtlvr]

(text from this post, fic is little kid with a big death wish by @remedyturtles)

i'm genuinely not sure where to start here - ig first of all this fic is absolutely incredible and if you somehow haven't read it yet you absolutely should!

okay. man. rem, this fic means so so much to me and i'm so glad i got to be here for it. i think this is one of those fics that'll stick with me years down the line even if one day i'm not into tmnt anymore, one i'll come back to over and over again

your writing has touched so so many people myself very much included, and i just. want to thank you so much for writing this fic and thank you for sharing it. you're an amazing writer and an amazing person and i'm lucky to know you. i can't wait to see what you do next

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[gonk-droid]

Whenever I see interviews with Joey and he says hat his band isn't that great or that he doesn't play instruments well I personnally want to shake him off and tell him he deserves the love and attention because he's an amazing and talented person and he needs to accept that

[marciaillust]

Asterism book cameeeeeee <3

Since Orion is a journalist in this AU there are a few instances where his newspaper articles and blog posts are shown, and my friend and I loving formatted all the sections to imitate websites and whatnot down to sharing buttons and comment sections. Def one of the most hilarious parts of the book imo, I love them sm. Thank you best friend [Name Redacted] for writing this book for me, I love it sooooo much! You *get* Orion like noone else ;w;

[infizero]

if "sonic x shadow generations" is actually real i will laugh my fucking ass off

[blueskittlesart]

Feel free to ignore this but as someone who also goes to art school, I find it really interesting how other art schools also have a “don’t date your peers” sort of faux pa. Like so many people I know (including me) refuse to date anyone else who goes to my college 😭

I wonder why that is tbh, small school thing maybe?

being so serious i didn't have anything against dating other art school peers when i first came here and i think most freshmen dont but once you have one or two art school relationships under your belt you realize why all the upperclassmen avoid dating each other like the plague

[levicansteponme]

YOU POEPLE HAVE TO STOP COMPLAINING ABOUT WRITERS WRITING DOM LEVI GO WRITE HIM HOW YOU WANT HIM OR DONT READ THIER STUFF

[teardropvampire]

To give my thoughts on the fandom discussion of the handling of DID Mikoto/John's writing after the Double mv, I think my main frustration is just the somewhat black and white attitude many people have being viewing things with. In all honesty, I think the writing is complex situation that's a lot more then just 'good rep vs bad rep'. Instead, it almost could be better viewed through what the writing choices are attempting to explore/say about the character vs what ended up coming across to viewers? Its especially hard when we're only partially through the series, meaning a lot of your current opinion has to come from how strong your faith is in the series providing satisfying narrative conclusions to all the threads we've been presented with so far. But even then, I think its both fine to be uncomfortable with his portrayal or be satisfied with it - and that mixed reaction is generally what I've seen so far, particularly from viewers who are systems themselves. Its important for us singlets that we take into account the opinions of systems who are willing to comment on the character while also using our own critical thinking. Things seem to have been a lot better so far in that regard, which is great to see.

As for me personally? I have to say that I trust in the series to deliver nuanced and respectful writing. When you take a look at the series from a wider perspective, Mikoto and John's circumstances do tie into Milgram's exploration of societal issues in a way that I'd expect to be handled with care and empathy going forward. I feel the presentation of such flawed characters and the conflicts that can arise in our voting as a result of it can be applied to not just here but all the characters in at least some way. John isn't, and was never meant to be portrayed as purely antagonistic or monotonous, and I'm glad that idea has gotten more focus in this trial. This complex presentation of the cast's actions, as confronting as it often may be, have always been to help us understand and connect with the prisoners, rather than demonize them as foreign entities. This is particularly notable in Mikoto's case because of the divisive nature of mental health as a subject matter, but is definitely not the only occurrence of it in the series. However, Mikoto's case is definitely not perfect from a writing perspective and its important to be critiqued when necessary! Regardless of good intentions, trying to write a disability as complicated as DID will inevitably contain both steps forward and backwards. Although my opinion towards the handling of Mikoto's DID in this trial lean towards positive, It's completely justified to be uncomfortable with it and we should respect those who feel that way. But yeah, it's just slightly frustrating that I've seen people acting as if you need to decide between 'this is good rep, defend the series with your life' and 'this is bad rep, drop the series entirely'. Of course, learning to observe your own bias and look beyond restrained dichotomies of judgement has always been one of the series' main intent, so it's interesting in how it's shown itself again this time around. It'll be extremely interesting to see how both Mikoto and John are going to develop as characters going forward!

[spaciebabie]

it never occurred ta me that the "you're going 2 brazil" meme was a reference ta something i just thought we all collectively sat down as humans and thought, "what would be the the funniest place ta haul some poor fuck ta" and all looked and pointed at brazil and said, "yes, that one"

[frankiebirds]

underrated line. what a question.

(unclear from the screenshots so here's who says what: ELLE: Yesterday I found myself looking forward to watching a soap opera. REID: Which one?)