hilarious that with each new day that passes a new bit of dirt from JD Vance's past gets discovered and plastered over the internet...it's almost as if this is why presidential campaigns have always announced their running mates well before the convention...so that if glaring issues with a candidate came to light quickly there would be time to replace them on the ticket before they were officially locked in...it's almost as if certain things in political campaigns were done for a reason, donald...because the very same critical failures had happened before...but no i'm sure you and your guys attempt to recreate a fantasy version of history while ignoring all the reasons that history was a disaster will work this time...because you are built different and the 10000th time trying fascism will work like a charm...
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PLEASE STOP COPYING FICS ‼️
I am by no means gatekeeping concepts or tropes. We all know that it’s normal to see the same tropes or AUs be used differently, and that is not plagiarism. However, I recently found a fic that was oddly similar to my old (and discontinued) Gojo x Reader series, Reckless. The CEO! Gojo is nothing new, and neither is an accidental pregnancy trope. The only reason I am concerned is because this Gojo series I found has the exact same themes as Reckless that consists of: a playboy CEO Gojo with a very notorious reputation, a poor reader who is an employee and asset to the company (someone who works closely with Gojo), reader getting knocked up from a one night stand with Gojo, reader with a seemingly dead/absent mother yet still in contact with her father, Gojo with a very traditional family who does not like reader, and Gojo with an ex he struggles to let go of - which are all elements of Reckless.
The first chapter of that Gojo fic is also eerily similar to my first chapter with the same flow of: YN finding out she’s pregnant and her friend being there for her, Gojo saying he’ll take responsibility because ‘they both made the baby’, YN having to move in with Gojo to take care of the baby, and both of them coming to a mutual agreement that their ‘relationship’ will be purely for the baby’s benefit. The flow of events and specific details about the characters’ backgrounds are too similar to mine.
Again, I am not gatekeeping concepts, just as how I’ve had other writers ask me if they could write their own stories or takes based off of the NAOYA’S TROPHY WIFE COLLECTION or the BONTEN HUSBANDS EXCLUSIVE, and I’m fine with that. I’m even happy people are inspired by what I write. But being inspired is completely different from taking someone’s story and posting it as yours. Please trust your own creativity and skills in writing. You can write amazing stories and have people love them without having to steal from others.
It’s sad to say this is not the first time I, and other writers, have been plagiarized. It’s even more upsetting to know that a friend of mine who has also written a Gojo series (that I’m sure you all know and dearly love) experiences the same issues with the same person. The fact that this is happening to many writers out there is disheartening. We work hard and pour a lot of love in the stories we create. None of us are getting paid for this, and we simply want to share our passions with others. So please, let us be kinder with one another and show love and support the right way. If you love a fic, you give feedback and rb/comment + show support to the writer. You don’t steal their ideas and play it off as your own because you liked it.
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Okay so something about the spiderbit wedding has been sitting in the back of my mind for awhile now and I don't know if anyone's talked about it but I just recently figured out the words to articulate it (kind of) so here we go!
Prior to the q!spiderbit wedding, a lot of the fanart/fanfics I saw/read depicted Cellbit waiting at the altar while Roier is walked down the aisle by either Foolish or Vegetta. Which makes sense! It keeps with the idea of the father "giving away" the bride (or in this case, the groom) at the wedding, which wouldn't be possible for Cellbit since he doesn't have any parental figures on the island. So, I was a little surprised when the wedding day came and Cellbit was the one to walk down the aisle while Roier waited at the altar. I was a bit disappointed at first---they missed a chance to do a sweet little spin on a wedding tradition! (Found family* my beloved <3)
But then I kept thinking---something about Cellbit walking down the aisle. Something about Cellbit walking down the aisle. Something about Cellbit walking down the aisle to the altar where Roier, his soon-to-be husband and trusted confidant, stands; where Felps, his best friend whom he just got back from an unknown fate, stands; where Forever, the friend he wronged but never lost faith in and wants to do right by going forward, stands.
Something about Cellbit being alone and walking himself down the aisle towards them like he is making an active choice. After the fear and the isolation, pushing others away and hurting those close to him so he could make himself a martyr because he felt like he had to face the Federation alone and that he could only rely on himself---now choosing to walk towards the altar where they stand---walking towards his happy ending.
Because this is his happy ending. I'm not at all an advocate for the idea of "oh romance/marriage is the only thing that will make you happy in life" but not only is being married to Roier something Cellbit desperately wants, this wedding means so much more than just getting married.
Of course, this isn't really the end, but for someone like Cellbit, it's a start. A new beginning. A brand new chapter of love, friendship, and trust. So yes, Cellbit walks down the aisle at his wedding, and he does it alone, and he does it because he deserves it, and he does it because he wants to, and he does it because he has to, and he does it because he needs this.
*I would just like to note that found family does not have to follow a nuclear formula with parent-child roles and I don't wish to propagate this misconception. That's just how Roier's family is structured in canon. Foolish and Vegetta are boyfriends and Roier calls them (or at least Foolish) "dad" that's just how it is and it is beautiful <3
Also apologies if I get any lore wrong. I'm not a Roier or Cellbit main viewer but I learn a lot through what I do watch of their streams and what I absorb through my dash. Hopefully this still makes sense.
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@vulpixisananimal this is what happened in the intermission, right?
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Got up early (for me), ate a light and healthy breakfast, applied to some jobs, took a long mental health walk with the dogs, gave one of them a bath, and even did some phone calls and messaging regarding my medication and pharmacy problems and managed to sort it out without breaking down!!! And! Showered!! Kicking ASS at mental health today
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Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.
Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!
Hi there!
Glad you found me and are enjoying my comic!
It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!
I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha
I took a month off
I took 2 months to get the books printed
I took a month to prepare my next comic
and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!)
I've been working on actual episodes since then
I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...
The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.
It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.
Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.
I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.
I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.
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The first time Jamie stays over at Roy’s, they haven’t been together long, if you could call whatever it is that they have going on ‘together’ — it’s more like a series, a hotchpotch of bad decisions, Jamie pushing Roy, Roy pushing back, but then accidentally pushing so hard that Jamie falls into the nearest bed and, because he refuses to let Roy one-up him, manages to take Roy with him.
And sometimes they push and shove near a toilet stall. Or an alleyway. Or an empty supply closet. There’d even been that time where they happened to be right next to the door of the boot room, and it was one of the rare moments Will fucking Kitman hadn’t been in there already.
Needless to say, it feels very much like crossing some relationship-threshold when Roy rasps, “Yours or mine?” against the warm skin of Jamie’s throat and Jamie whines out, “Yours.”
It’s not, but it feels more damning than the boot room — definitely more personal, more involved — but still Roy takes him, and when it’s over, Jamie mouthing lazily at his shoulder, sated and sleepy, he doesn’t send him on his way like he knows he should, like he has all those times before.
In the morning, he’s torn from his sleep by a raucous clatter and a sharp gasp. He’s up and rushing to the ensuite before he’s even aware of his wakefulness. But instead of the gory scene he expects, what greets him is a perfectly safe Jamie, clutching a shampoo bottle and some of the shampoo splattered across the floor.
“Fuck’s going on?” Roy snaps, bracing a hand on the doorframe before stretching his leg, soothing the ache that’d started in his knee from his hurry.
Jamie waves the shampoo bottle at him. “You’ve actually got a decent product!”
He thinks he should feel more offended by Jamie’s shock than he does — really, all he feels is something like fond exasperation rising in his chest, up to his throat, threatening to choke him if he lingers on it for too long.
“Yeah,” he finally says slowly, as if speaking to a small child, “I’ve got to take care of my hair, don’t I?” What he doesn’t say is that he learnt that the hard way, but what Jamie doesn’t know won’t hurt him. (But Roy kind of wants to tell him anyway. But he won’t.)
Jamie pauses, looks between him and the bottle a couple times, before nodding. “Good, good,” he sets the shampoo back into the shower, “thought I’d have to teach you.”
Roy stares at him for another second, eyes narrowed, before he pivots and walks away, leaving Jamie to continue his apparent inspection. “Fuck you, Tartt!”
He ignores Jamie’s cheery, “Already done that, haven’t you?” And if his heart squeezes in his chest at the thought of more mornings like this — a fucking lifetime of mornings like this — well, that’s only for him to know.
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@fenglianweek day 6: memories/growing up
the best thing thats ever been mine
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hh...hii.
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carlo's inherent tragedy as a character means that if he hadn't died young he would've gone through something worse. the horrifying realization that he inherited his father's personality <3
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I spent far too much effort trying to figure out if Ichigo and Uryuu both owned ugly brown shirts in the Reigai arc, or if Uryuu just stole Ichigo's.
Ichigo's has shoulder epaulets that come and go throughout episode 330, but it also has only one welt pocket and a placket collar. (The third image is Kon, just for the record)
Uryuu's, however (shown in Episode 335), is a full button-up, and it has two welt pockets. Sometimes they drew the shoulder seams prominently enough that you might mistake them for epaulets, but it doesn't have them. Also, it's a slightly less ugly shade of brown once you see it in decent lighting.
(It just now occurred to me that maybe Uryuu stole Ichigo's shirt, altered it, and then wore it in front of him as an aggression, which is certainly a thing he would do, but Ichigo was kinda going thru it at this time and he and Uryuu are getting along quite well this arc, so let's just go with the idea that they are ugly brown shirt bros. I hope they text each other to make sure they don't wear them on the same day.)
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thanks to that one masked collective i have finally ventured into the digital art territory and i'm making this everyone else's problem now
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FUCK what I said about the majority of significant changes to dialogue in Re:CoM being to adjust Axel's characterization, the most egregious change is actually this
(GBA CoM)
(Re:CoM)
if I had to guess, the reason for this change was because in GBA CoM, The Superior was a spooky, unknown being at the head of this Organization we had very little knowledge on, and for Vexen, the guy who runs his mouth constantly about how much better he is than the others, to be terrified of him, he must be some pretty scary dude. But then after kh2 we know him, it's Xemnas, he's very dramatic, he likes to talk to the moon, and the effect of your mind filling in the gaps about what "The Superior" must be like is gone. So it wasn't really necessary anymore, right?
(rest under cut because it's long)
Except... the way they changed it is so weird. In the GBA version, what's happening is pretty clear:
Marluxia tells Vexen that his project is a failure
Vexen demonstrates that he does not give a shit about Marluxia's opinion
he does care very much about The Superior's opinion, though, and Marluxia uses this to blackmail him into eliminating Sora- an action which is nonsensical, as the entire point of what they're doing needs Sora alive, making it clear to everyone in the room that he is deliberately sending Vexen to die
and then after that, when Vexen shows up to fight Sora, he goes "if you want to fight me for real you've gotta do it in the memories from the other side of your heart lol bye" and Sora goes "huh? other side?" and then it cuts to a scene on the top floor:
and then this gets more into subtext but here, Vexen has realized he's totally fucked and his only hope is to mess directly with Marluxia's plans (well, they were the Organization's plans, but it's pretty obvious by now Marluxia's abusing his power for his own purposes) by giving Sora more information than he should know. This does get the traitor gang worried enough to send Axel to go kill him (as opposed to just letting Sora take care of him, which was presumably the original plan)- he very specifically cuts Vexen off to keep him from saying too much (this is retained between the original and the remake)
Anyway, what happens in Re:CoM sort of follows the same order of events, but everything is changed slightly in a way that just makes things more confusing.
Marluxia tells Vexen his project is a failure and Vexen demonstrates that he doesn't give a shit about Marluxia's opinion, as before
Marluxia threatens Vexen with a weapon, rather than threatening to tell the Superior
this, notably, does not seem to faze Vexen very much. he continues to run his mouth while having the scythe pointed at him.
Xemnas is still leveraged- Marluxia points out it was the Superior who entrusted him with the castle
...even though reasonably Vexen would already be aware of this, and has still demonstrated that he has zero respect for Marluxia despite it
the lines about betraying the Organization being a capital crime are retained, probably because it's super relevant later, but then that line of thinking is abandoned in favor of Marluxia and Larxene just taunting Vexen instead
The part where Marluxia says "do it. you won't" could be seen as a sort of threat... if not for Axel's line: "You give a challenge like that to Vexen and he'll seriously want to eliminate Sora." It frames it all as though Vexen went to fight Sora out of some sort of pride.
And look, Vexen may have a temper and a superiority complex, but he's not stupid. They're obviously baiting him. Plus, what happened to him seeing himself as above the others and countering things he doesn't like with "well actually I'm higher ranked than you and also you're an idiot"? Is he that insecure in his fighting capabilities? I could deal with characterization changes doing him dirty if it didn't also make no sense in the context of the plot.
So now we have Vexen going to try to kill Sora, something that really makes no sense to do, out of pride. What was the purpose of sending Sora to Twilight Town? Also pride, over the fact that he managed to get that information? Giving the writing the benefit of the doubt, I could say that these nonsensical actions can be explained as evidence that Nobodies can have hearts and people with hearts do strange and rash things, but that just feels like a reach, which is bad because what they had in GBA CoM worked perfectly fine and made sense without any reaching for the "idk emotions make you do strange things" explanation.
It continues. After Vexen gives Sora the Twilight Town card in Re:CoM and Sora wonders about what the "other side" means, this is that version of the conversation the top floor members have:
...what? "If Sora disappears, that would mess up the Organization's plans"? what are you worried about? the only reason Sora would disappear is if Vexen killed him. there's no way they think Vexen being in Twilight Town would give him an advantage, right? they know he's a pathetic fighter. "Vexen has clearly committed a treasonous act against the Organization" HOW? HOW IS IT CLEAR? they don't express any worry about Sora learning too much, up until Axel says "I came to stop you from talking too much" when killing Vexen- and that being there makes it seem like they were worried about Sora learning to much, but if that's the case, why would they replace the perfectly serviceable lines in the above scene? it's just... baffling that they would want to lean into the narrative that Vexen going to kill Sora (which he'd been goaded into doing) is the problem here, because it just makes so little sense compared to what it was originally.
once again giving them the benefit of the doubt: Marluxia's real plan was to take over the Organization, and he saw an easy way to pick off one of the members, so he took it. the motive for stopping Vexen doesn't actually matter.
buuuuut it's the same as with Vexen earlier. Marluxia may be too self-absorbed and power-hungry to notice Axel is scheming against him, but he, too, is an intelligent man. he's plotted for a while, getting into Xemnas's good graces in order to be put in charge of the Castle. this is incredibly sloppy for him. I guess it could be said that getting so close to his goal would make him sloppy, but again, if they'd just left things the way they were in GBA CoM, I wouldn't even have to be saying this
in conclusion: GBA Chain of Memories' intra-Organization strife subplot is so tightly woven with calculated moves on all sides that Re:CoM changing certain things without taking into consideration the consequences makes certain parts of the plot fall flat and become far more confusing than in the original story
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hmmmm mal du pays thoughts tonight
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my family is camping rn and they found an abandoned(?) cat and like. well if they take it home it doesnt do me much good at the moment as im living two hours away. but if .🥺 but if they take it home. 🥺but. 🥺🥺
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