#it's interesting to think about what he thinks about being a vampire

[herefortheships]

Why would you say people ship Beetlejuice and Lydia? I’ve been a fan for so long I’m just like “huh…why do we ship it?”

Suddenly remembered I hadn’t answered this, and since I can’t sleep right now I’ll answer it! I meant to earlier and forgot.

I personally ship it because I love the concept of monster x human relationships, and especially when one character (usually the male part of the ship when it’s m/f) in this case this character is Betelgeuse, is dark, powerful, often immortal and even terrifying, (in Betelgeuse’s case also unhinged and absolutely crazy lol), and definitely the least you would expect to EVER fall in love, and yet he does fall in love with this other character who happens to be human, mortal, often quiet and also unlikely to fall in love. These two are the least likely to fall for each other, but they do! Then he starts to show a softer, completely unexpectedly romantic side to him that is reserved only for this woman he loves and no one else. She is both his strength and his weakness all at the same time. He is willing to do everything and anything for her.

Often these two characters are complete opposites and at odds with each other (or even enemies!) and yet they find each other in the middle. There is something they find in the other which cannot be replaced or found in anyone else in the world, and as unexpected and unusual and crazy at it is, before they even know it, their connection is forged in a way where they cannot and will not ever belong or fit in with anyone else. They’ve become a part of each other, even when the odds were against them or might be against them forever because they are intrinsically worlds apart. But love just finds them, and they meet in the middle.

I also love this kind of couple a lot when one of the two realizes their connection before the other, like Beetlejuice just knowing Lydia is *the one*, even if he can’t explain to her how he knows or why. This same scenario happens with Spike in Buffy the Vampire Slayer. At some point he realized she was the one, and she just got under his skin and became an inseparable part of his being.

Although not always, I believe this type of couple also follows the female gaze, since the male character (as I mentioned above it’s often the male character) shows an interest in the emotions of the female part. This is true in Beetlebabes. He isn’t interested only in her body, but also in honoring her emotions and desires (like Betelgeuse honoring Lydia’s wishes to have a more private wedding and respecting her boundaries by not forcing her to kiss him or something like that, plus making an effort at being romantic by serenading her and giving her an absolutely romantic wedding with a magical dance in the air). These interactions that are more romantic than sexual speak to the female gaze.

I think also that Beetlejuice Beetlejuice had several “Universal fantasies” entwined in the Betelgeuse x Lydia relationship that are just irresistible for many romance lovers and when those are present, our minds just inevitably grab on to those fantasies and identity them whether we are aware of them or not. Our mind just goes yep this is a romance and oh boy what a romance this is and before you know it you are obsessed. If you haven’t read about Universal Fantasies in writing, these are basically just more specific tropes that really speak to audiences in a way that hooks them powerfully to a story, and more specifically to romantic stories. This concept is introduced by Theodora Taylor in her book 7 Figure Fiction (which I’m sure many writers know about since it’s pretty popular but I mention it just in case it’s new to someone reading this).

Another reason lots of people love this ship is just aesthetics as well which is also valid. For me this for sure became one of my top three Burton couples.

[rackartyg]

hmm i don't think the nuances of astarion's reaction to araj is to do with him finding romanticisation of his vampirism specifically to be distasteful so much as, like, she's objectifying him and that's what he doesn't like (but instead of sex, it's based on his vampirism). something something there's a difference between strangers and someone you trust something

[dxxtruction]

Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.

He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.

That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).

Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.

50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"

Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.

They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.

This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.

Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.

[greenerteacups]

Hi GT,

Forgive me if this is a stupid question, but I absolutely love the recs you've given (you've introduced me to tomione, and I love it!) and I was wondering if it's possible to give you some recs in return? There are some books and fics that definitely have dramione / got vibes, and I was wondering if I could share them with you!

So glad you've enjoyed them! Feel free to rec me anything you want. I've read most of the classic recs in terms of fic and adjacent content (Cruel Prince et al), but I'll try anything that's well-written. My tastes run towards weird and/or audaciously creative stuff, and I can forgive a lot of weaknesses in plot on the grounds of (1) ambition or (2) character work. My turnoffs are instalove, protagonists who can't fail, and most Y/A (I'm not a hater, I swear, I just need characters who can say "fuck" when their leg gets chopped off.)

I'm also a fan of weird and fucked-up dynamics.(Wuthering Heights was my favorite book for a while, and as a teenager I wrote an AU in which the book ends on a long sex scene where Heathcliff fucks Cathy's ghost and then immediately gets murdered by Catherine 2.) Obviously, I am very normal.

[thedailydescent]

I really don't buy the opinion that Louis hated becoming the "dom" + businessman in Paris. You can tell in that scene from 2x06 when he brings in the art piece to Armand's office he's entranced just talking about it and its potential. You all took Lestat's "All these roles you conform to and none of them your true nature" to mean he hates working/making money/providing for others in any capacity and just wants to be a submissive housewife (although we can see in Season 1 that the only thing keeping him happy in that role was Claudia- once she was gone or when Lestat became abusive towards her he hated it). Don't many housewives hate being housewives? Do businessmen always like the work? Louis likes being cared for and seen but he also likes having autonomy and projects to work on- money made by selling artwork fulfills that need. And Armand's supposed acceptance and submission in that 2x06 scene contrasts with Lestat's attitude towards Louis's work in New Orleans ("I have all the money we need" "This is Louis's hobby, not mine"), so that also plays into it. If Louis's making the money and taking charge in the bedroom, he can at least have the illusion of control.

Louis still doesn't know who he is at this point so saying he only likes being in certain roles (he's either a "violent pimp" or a passive wallflower who only likes to bottom, neither of which are true and the former being a really racist statement) contradicts his overall arc in Season 2. And the sad part is he still hasn't found it by the end of the season because he's found himself stuck with another abusive partner with his last tethers to humanity cut off. But saying he was forced into trying these new things out in Paris or has always despised playing the "Maitre" role throughout the duration of their relationship (for reasons other than when Armand tries to take back control while he's performing it, which is why it doesn't work in the first place), is a stretch in my opinion. The only conclusive thing we can make about Louis's preferences is that he hates when things grow stagnant. He can't play one role for too long, otherwise it gets boring.

[jaggedjot]

Though it is all said in good humour, there is a subtle distinction between the way that Louis takes a moment to compliment the artistry involved in the theatre (“The effect was wondrous.”) before he grumbles about its subject matter (“They were weird! And always ended in death or some kind of cruel, barely motivated violence.”), and the manner in which Armand scoffs at the concept of Louis being interested in photography (“Vampires with hobbies! Insanity!”), dismissing it as a human foible (“It's a human perspective of time.”) that Louis has since outgrown.

[kowaindar0u]

//

one thing about AUs for tkrb is like

There are no characters that I would want to make a bad guy lol

So then it's like ??

[lordmushroomkat]

Anyway I have purged my queue of Ace Attorney (I posted it all, enjoy the the massive wall of nonsense from me.) So now it's just miscellaneous and then The New Brainrot.

There's already an image of one of these clowns on here so enjoy that.

But anyway... It's Vanitas Time.

I am unhinged about all of the characters but I am becoming absolutely unwell about the titular Vanitas himself.

He's an asshole and I like him so much.

He's unhinged. He's so disingenuous and so repressed but he's so bad at keeping his feelings in. I swear sometimes he's just dissociating in the middle of a conversation.

He's a bastard and a bitch. He hates both vampires and humans for their cruelty but not nearly as much as he hates himself.

He has completely given up on life and is sustaining himself purely on spite and guilt. He makes people hate him on purpose.

He is kind but not nice. He is the embodiment of that cat knife meme, you know the one. He is babygirl and pathetic little meow meow. I want to send him to therapy.*

His vibes are constructed entirely out of red flags. He's a bisexual man that you want to keep 20 feet away from all women at all times because geeeeez my guy learn to behave yourself. He's a sarcastic prick. He's incomprehensibly traumatized.

I want to run him over with a freight train. I want to wrap him up in a homemade quilt and give him a cup of hot cocoa. I want someone to hold him tenderly. I want that twink obliterated (gayly).

He looks and acts like a feral alley cat. His outfit is simultaneously iconic and absurd. I think he stole someone's gender. He wears gloves with claws on them.

He is terrified of genuine connection yet he craves intimacy so badly. He is a massive pile of trust issues.

He is doomed by the narrative, he is running out of time, he is destroying himself through every step of his objective. He knows he will likely destroy himself before he can ever succeed. He is terrified of losing his humanity. He calls his objective vengeance but I'm pretty sure it's actually absolution.

There is something very very wrong with him.💖💜💙

*(I want to send all of these characters to therapy.)

[chiropterancreed]

sometimes I'll be minding my business and remember that lestat canonically has a biological son. viktor. who's like 6'3 but otherwise looks just like him. and he's a vampire too, and he loves him very much.

[13eyond13]

.

[transannabeth]

*

[cream-and-tea]

how do werewolves work in lmd (plus anything else like that)

OK SO.

(this got very very long)

(just as a warning)

(also i’m going to tag @transmasc-wizard bc i remember you asked about this a while ago and a lot of this response comes from what i had typed up to respond to YOU lol)

(okay here we go)

there are (putting it very very basically) two main kinds of magic in the Ghost Story Universe: mortem (Death Juice) and vita (Life Juice). they draw from the same source (God Juice) (which is also the source of the apocalypse but that’s another post entirely) and are kind of different aspects of one thing, but still act as opposing forces. equals and opposites, can’t have one without the other, etc etc. the point is that even though they’re two different types of magic they share the same set of rules and operate under the same basic facts. one of the most basic being that magic is physically taxing to use. no magic comes without a cost

so this is pretty straightforward. and generally it isn’t anything too debilitating, but the more powerful the magic and the more magic used, the more damaging the physical effects become (for example: early on agnes’s chitchats with the ghosts she sees don’t really wear on her because it’s a very passive form of her power, but as the plot progresses and she actively draws on it more and more she starts to develop chronic headaches). the more active magic bullshit you do in succession —> the worse you’ll be feeling the next morning. people would usually need to rest for upwards of a few days after performing a major act of magic and the reason The Library focuses so much on endurance and repetition is to prevent that from happening. it’s to the point that some majorly powerful stuff is possible but the benefit of it is almost completely outweighed by the potential damage it would cause.

rambly worbuilding aside, this is really just a preface so it makes sense when i say: vampires and werewolves are what happen when people push their magic to far.

they’re basically the most extreme end of the spectrum for either kind of magic. vamps are a result of overusing vita (blood life stuff), and wolfs are a result of overusing mortem (spooky death stuff). this happens to people when they’re drawing on so much magic that their body literally cannot support it anymore and starts canabilizing itself in order to support the magic and prevent the person from just. coming apart at the seams. a Regular Person body is just incapable of handling that amount of power, so in turn they have to draw their sustenance from a different non-human source. the comparatively small piece-of-magic-apocalypse-juice in them mutates and co-opts the functions of their body in order to save that body from collapse. both vamps and wolves have to feed CONSTANTLY or they risk their bodies giving in and all their organs straight-up failing. it’s a slow transformation process and sort of representative of how much Whatever Caused The Apocalypse has become so deeply ingrained in every part of the new world. again: it presents differently but it’s all the same stuff in the end.

the world is full of monsters and weirdness and general spooky bullshit but vampires and werewolves especially have an ENORMOUS amount of stigma surrounding them because of the fact that most people still see regular magic users as recognizably human, and view the transformation as a transition from Human Person With Emotions Who I Should View As Such Despite This One Weird Thing to Inhuman Monster. most magical creatures aren’t seen as sentient in nature and many of them are actively dangerous to humans, so if someone pushes their abilities to far and ends up undergoing the transformation then it’s seen as a shift from being one of Us (normal people just trying to survive this crazy broken down to world) to being one of Them (unnatural monsters that came about as a result of the evil forest and apocalypse and want to destroy humanity), except that obviously the people who are turned are the same people they were before, just with an extra set of challenges and probably more bloodlust (which i can see being a bit of concern but c’mon. are u really going to let a little killer instinct get in the way of a lasting and meaningful relationship. weak).

They’re also used as an excuse when it comes to hatred of people born with magic at all. bc sure it SEEMS harmless when you kid is learning from their dead grandma or healing a little bit faster than normal, but with ONE WRONG MOVE they could become A VISCOUS BEAST or a BLOODSUCKING MONSTER and do you really want to take that risk?? wouldn’t it be better to stamp that out now before someone gets hurt??? even in places like The Library, which usually serves as a safe-haven for people born w magic, vamps and wolfs are seen as somehow Lesser. The Library toutes them as cautionary tales and failures of magic, basically a warning of what not to do to their students.

to get into the more specific abilities and effects and What Being A Vampire Or Werewolf Means i’ve made some handy little lists (ft. calliope and luca macnamara, a book 2-3 character that nobody knows about lol) (please click tumblr absolutely wrecked the quality):

so. yeah.

[art--harridan]

[Image description: A digital drawing of Bela Lugosi as Dracula. He's holding a lit candlestick holder in one hand, and has an armadillo perched on his shoulder. He has a wide smirk. Dracula and the armadillo are monochrome, while the background is a bold red. There's a slightly fuzzy texture to the piece.]

Inktober Day 15: Armadillo

Film: Dracula

[canine-teethed-sheets]

Cruz.

Is there anything that could make you like,,, actually panic?

I'm not a threat Cruz I promise-

(wheezing)

[ 👁️👁️... ]

[ • he pondered longer, going down the trail of thought. Cruz's brows furrowed. ]

[ * ... i'm not sure if i could answer that, my dear. ]

[oveliagirlhaditright]

I've been thinking about this scene again for reasons. And aside from the fact that Angel (yes, this is Angel for those who don't know) is obviously furious with Amy for telling him Buffy's died here (she hasn't). I wonder if Amy saying Buffy drowned makes it even worse, because that's how Buffy died the first time. And Angel doesn't even fathom that, or believe that he would lose her that way another time.

[malkaviian]

For some reason I've had A Thought about the vampire AU