#its 3 am i need to sleep but like

[thesoundofmadness]

damn I can't trust anyone huh

[deoidesign]

"I'm the dog they put with cheetahs to keep them from going crazy in captivity" x "I'm the cheetah that is threatening to go crazy" 4 ever

(I make a webcomic about them)

[carnivalcarriondiscarded]

Hey, I had a thought for the fantasy au! So on one of the previous versions of the WH website, there was a rhyme for the show that went:

A house is a place with four walls and a floor,

with a ceiling above and a lovely front door.

There's a bed to cradle you safely at night,

and windows to bring in the morning sunlight.

Your house is a mirror of just who you are,

A reflection that tells you to never stray far.

Which I thought might make a good incantation for when Wally properly summons Home (I can't remember if that's ever required for Warlocks but hey, it's still a fun poem regardless).

ohhhh this. i like this...

bonus og sketch! big ol eyes...

& no capalet because uhhhh eh nah and also i wanted Home's pendant to be on full display!

[luck-of-the-drawings]

"And soda; runs off into the street..." "...and soda... is totally okay!"

[miutonium]

The weird nerd in a labcoat that you talk to every week at the diner appears in front of your door with a rose in his hand wwyd?

[ping-ski]

not enough people talk about "dont turn the lights off" ngl. this song + the daycare theme song have been ON LOOP for me. on loop while i draw. on loop while i do chores and cook. on loop while i work. on loop if i need to concentrate on something- no ANYTHING. it's such a comfort to me. this song has a DEATH GRIP on me. WHIMSY UNMATCHED. you don't understand how much this song fuels me to keep creating DCA content for myself ohhh my god.

"lights on" doesn't even compare for me (WHICH OFC i like the song + with the recent release of "best friend" im still giddy)

which, i feel the need to add, this song is pivotal for my motivation to write EBY (wip dca fic im working on rn). like idk i feel invincible when this song plays ig lmao.

[mae-i-scribble]

tonight i was thinking about orv’s theme about how yjh as a character, and to a larger extent people, will in some ways always be unknowable. (orv spoilers following, read at your own risk)

i feel like i’ve seen a few posts on here that somewhat take this theme to an extreme, leaning *hard* into that “kdj doesn’t actually know yjh like at all” which while on the right track, i feel completely misses the point. Orv goes out of its way to showcase that kdj actually understands yjh to a scary degree, even once they’re out of the early scenarios and the gap between kdj’s knowledge and yjh’s personhood grows larger, there are still things about yjh that *only* kdj can fundamentally understand. And I don’t think that the novel does anything to discredit that understanding, only says that there is much more to yjh. In the same manner, even if you’ve known someone for years, spent all your time with them, there can and will always be new things for you to learn about them. The danger that orv speaks of is trusting in that assumption, that your understanding will be enough and you don’t have to keep an eye out for more developments. That the person you know will forever stay the same. And this isn’t a kdj problem either, fundamentally a lot of the big disagreements that happen between kdj and yjh in the latter half of the novel are born from both of them misconstruing what the other is thinking, trusting that their understanding of the other is deep enough to base their judgements off of. (Post first murim destruction, divorce arc, yjh thinking kdj scattered his soul on purpose, etc.)

As always with orv’s themes, we can view it in a meta sense as well. Kdj’s understanding of yjh as a character is so complete that it’s nearly flawless- until the story begins to deviate and a yjh grows outside the parameters that kdj’s judgements are based on. Even before then, there was always more to yjh- but as readers, we can only understand a character as much as we see them. What you come away with from a story is your complete understanding, there is no growth outside of those boundaries because then it wouldn’t be an understanding of *that* character, you would be putting your own ideas and such into it. But talk to another person, and suddenly the same character you understand so clearly becomes someone else. Talk to the author, and they say something completely different. And can one truly claim to understand a character when the story will never talk about them in every conceivable way? What does it take to truly understand such a thing? Learning that 1863rd round hsy wrote ways of survival with such limited resources and knowledge on who yjh even is, and yet despite it all, still manages to write a story that captures so much of his essence. As orv readers, we know it isn’t everything- it could never encapsulate all of yjh, but the idea that even when one knows nearly nothing, you can still put on a facade of understanding.

We can get into a chicken or the egg argument with this, as 1863!hsy dictates how yjh acts with her writing, and that yjh in the 1863rd round is the one she comes to know before ever starting this story, but when it comes to this theme of the unknowable in the people around us, I don’t think this sort of debate is worth much. We know that yjh exists outside the story written, and how much of him is determined by hsy’s writing is negligible because no matter what, he always grows beyond it. Whether as 1864 or secretive plotter, it all comes back to that same point of there is always more to see within a person.

I don’t know quite where I want to go with this, only that I wanted an outlet for some of these thoughts inside my head, but one of the best things about this theme for me is how it answers itself. When the people around you become unrecognizable, what should you do? And orv says to reach out. To try. To understand. Kdj loses access to omniscient reader several times but always, always gains it back in orv (as far as i remember), because at the end of the day, he is not someone who stays trapped in his idea of who he knows yjh to be. Yjh too, even at the end of orv, is trying to learn more and more about kdj. Only when you are willing to hear out the other person, to learn about them every day, does this unknowable aspect become something less daunting.

[sluckythewizard]

these are A BIT OLD but uhhh here check out these aggio doodles i did forever ago. still VERY happy w my colors :3

[tizzymcwizzy]

guess who..... jjdbdhfbd

I'D SAY THIS IS THE LAST ONE BUT I LITERALLY CANNOT PROMISE THAT he needs to be less fun to draw

[joifee]

I may have done a thing...

but to be fair @applestrudas boatem knight scar is just so pretty and i love the vex form as well nghh soo prettyyy

[tsukasalover]

I can think of a lot of reasons why I like and have gotten attached to tsukasa more than any other fictional character and i think if i had to keep it simple (or else id be rambling for hours) id say

1. He’s so interesting. I usually pick up the extremely mischaracterized blonde characters anyways but he gets my brain working real hard. its almost 2am and i cant think straight but theres something about his duality that keeps me glued to him and the amount of Layers he has and how removing even one layer or completely ignoring how both his huge ego and kindness + selflessness coexist can really mess up your perception of him. There was something quite short i wrote about how both sides make him. Well. Him. back when his colofes dropped since i was so annoyed at the people Not getting it (while most never even read the STORIES 😁) anf ive been screaming this for a year now Please. Also the way his dream and being a good big brother go hand in hand have captured me. I really like fictional siblings and they fill something personal i miss and Looove looking at the roots of characters. Discovering where this and that and connecting events to what started their behaviors or helped their personality bloom. So seeing saki and toya play such an important role in his life keeps me HOOOKEDDD. I took the bait like tiny fish. Dont regret it. Never will. I like my fictional characters like layered cake. Thats basically how i see them. I had a yummy chocolate cake with so mant layers the other day 🤤 but anyways. I also really like when characters have to learn and grow as people after making really bad mistakes or being straight up assholes so it really took a while even after mainstory but once i got to see more of him with saki and read dazzling i was like. This is the guyyy. Youre mine now lets go. I dont like perfect characters but.. you see.. when characters who have (sometimes way too much) confidence and are dramatic yet are shown to truly be good people who enjoy making others happy… alright.. now im listening… Sign me up…

But really he has almost everything I’ve ever looked for in a character. Starting with the fact that he’s a theatre kid. And blonde. Of course emu nene and rui + more fictional characters have made their way into my heart and ive gotten attached to them on very Very personal levels but when it comes to this Idiot who wants to be a star and reminds me of a dog its something that i dont even know how to explain sometimes. Why is he here? What are you doing inside of my head. Ill never have one solid answer because he takes up too much space in my mind and i become incoherent too often when talking about him.

2. Ignoring my first answer, He is ugly. My favorite punching bag. Cartoon character. Begins floating when he smells pie. I dont know anymore

3. he just like me fr (Which is terrible i dont like that)

[throwback-town]

hey look, the gang's all here

[lover-of-mine]

OH MY GOD DOORS. Bobby tells Buck he needs to step in with Abby, right? When he first meets Abby in person, Abby is not the person who opens the door. When Abby leaves Buck at the airport? The automatic doors close on him. When he moves out for Abby's apartment? There's that whole dramatic shot of him closing the door. After the tsunami? Eddie walks in before Buck even realizes even though he was ready to be alone inside. Taylor walks away after they kiss and they get together on the door. When he tells her about the kiss there's the dramatic shot of her slamming the door and when they breakup there's the point of her giving him back the key but only tapping the door she leaves open. When Eddie leaves the 118, the dinner in outside looking in, Buck spends the whole conversation trying to get Eddie to let him in while holding on to the door because Eddie won't let him. During Eddie's breakdown he actually goes through 2 doors to get there with him, one he has a key to and another he literally breaks through. He also closes a door to protect Chris from it. He moves past Eddie's door in recovery. Natalia opens the door to leave but Buck doesn't let it close, when she comes back the door is already open, but when they get together she's standing outside another door that Buck is not inviting her to step through.

[carnivalcarriondiscarded]

saw @chez-cinnamon's absolutely BANGER butterfly!Howdy design and couldn't resist! two fluffy flutterbyes <3 solidarity

[baeshijima]

since maintenance has (i think) officially started . . .

MAY ALL MUALANI WANTERS BE MUALANI HAVERS !!!

MAY ALL KAZUHA WANTERS BE KAZUHA HAVERS !!!

MAY ALL KACHINA WANTERS BE KACHINA HAVERS !!!

MAY ALL KINICH WANTERS BE KINICH HAVERS !!!

MAY ALL RAIDEN WANTERS BE RAIDEN HAVERS !!!

GOOD LUCK ON UR PULLS AND HAPPY 5.0 + HAPPY NATLAN + HAPPY 4TH ANNIVERSARY EVERYONE 🫶🫶

[pcktknife]

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