#ivan chermayeff

[nobrashfestivity]

Sun Moon Star, by Kurt Vonnegut and Ivan Chermayeff.

[garadinervi]

Robert Brownjohn, Ivan Chermayeff, Tom Geismar, Artist's proof for the cover of 'The Art of Dramatic Writing' by Lajos Egri, ca. 1960 [MoMA, New York, NY. © Eliza Brownjohn]

[picote]

USA, 1971 // designers: Tom Geismar and Ivan Chermayeff.

[iindex]

Ivan Chermayeff

[harrisongsltd]

Metropolitan Transportation Authority advertisements, c. 1970s, illustrated by Ivan Chermayeff, x

[bloggraphismesherbrooke]

Ivan Chermayeff

Ivan Chermayeff est né à Londres en 1932. Son père était un architecte renommé. Avec ce dernier comme parent, Ivan a pu recevoir une très bonne éducation. Il a été diplômé de Phillips Academy of Andover au Massachusetts en 1950. Il continue ses études supérieures à Harvard jusqu’en 1952 et ensuite fréquente le New Bauhaus, l’Institute of Design à Chicago, et finit ses études en graduant de Yale School of Arts et Architecture en 1955. En 1960 Ivan et Tom Geismer créé le bureau de design  Chermayeff and Geismer Associates, basé à Cambridge au Massachusetts.Chermayeff a été un administrateur pour MOMA à New York, a contribué à plusieurs comités de design, incluant the Yale Council Committee on Art, et a aussi été président de l’American Institute of Graphic Arts.

Visit the Cooper-Hewitt Museum of Design

Subway Poster

1977

Designed pour le MTA(Metropolitan Transit Authority), New York

Ivan Chermayeff  aimait beaucoup le collage et faire des projets mixed-media comme plusieurs de ses affiches en sont exemples. Nous remarquons que celle-ci est belle et bien composée de papier déchiré.  J’ai choisi cette affiche car j’aime beaucoup l’approche basic design. Il a utilisé que des formes simples et des couleurs aplats pour créer une composition intéressante.  

http://www.designculture.it/interview/ivan-chermayeff.html 

https://www.artsy.net/artwork/ivan-chermayeff-the-childrens-story 

https://americanart.si.edu/artist/ivan-chermayeff-855

https://www.architecturaldigest.com/story/the-archives-of-this-graphic-design-star-have-found-a-new-home

[quotableandnot]

Having been working now for over fifty years, I can count the good clients on two or three hands. Why they're good is a magical thing: It has to do with wanting to participate in something they don't really understand. Most people are blind. And to be simultaneously very smart and blind--and to recognize it--takes a rare person.

Ivan Chermayeff

[formlab]

Ivan Chermayeff

[drawdownbooks]

Mid-Century Modern Graphic Design by @theoinglis www.draw-down.com

The distinctive aesthetic of #midcenturydesign captured the post-war zeitgeist of energy and progress, and remains hugely popular today. In Mid-Century Modern #Graphic Design design writer and graphic designer Theo Inglis takes an in-depth look at the innovative graphics of the period, writing about the work of artists and designers from all over the world. From book covers, record covers, and #posters to advertising, typography, and illustration, the designs feature eye-popping color palettes, experimental type, and prints that buzz with kinetic energy.

The book features artworks from a wide selection of international designers and illustrators whose work continues to inspire and influence today, including Ray Eames, #Paul Rand, Alex Steinweiss, Joseph Low, #Alvin Lustig, #Elaine Lustig Cohen, Leo Lionni, Rudolph de Harak, Abram Games, Tom Eckersley, Ivan Chermayeff, #Josef Albers, #Corita Kent, Jim Flora, Ben Shahn, Herbert Bayer and Helen Borten.

[theartofcoverart]

Anthony Davis, The Ghost Factory released 1988 on Gramavision. Art by Ivan Chermayeff.

[andymakesgames]

Another pen plotter drawing inspired by the Lisbon Tile Museum!

The original was made by Ivan Chermayeff and I stared at it for A LONG TIME.

[nevermissblog]

Ivan Chermayeff & Tom Geismar, cover design for Enoch Light, Vibrations, 1962. Command Records

[pjohnsonarts245-01]

blog post 6

This chapter was helpful to read through as we are starting our Zine project. Before starting my design classes I never really realized how important typography is and how much it impacts images, magazines, posters, and everything really. But now I notice it everywhere and it’s just so cool to look at things from a new perspective and notice the intention and detail behind the placement of e everything. This chapter definitely opens the mind to the different ways you can use type as well as the history of different type styles and the history of the machines that create type. 

The Zine project we just started is about using type and breaking the grid and thinking outside the box of the ways you can use and manipulate type. I’m really excited to get started working on this project and challenge myself. The graphic designer I chose for this project is Ivan Chermayeff, he really inspired me with the collage work he does but also his portfolio of logos. When they are all put together, they all have a similar style, very crisp and clean with bright colors. I want to incorporate all those elements into my Zine. 

[fractallion]

🔗 Where Logos Meet Album Covers: Designer Ivan Chermayeff

Its a Substack about a designer of iconic logos that turned his hand to (not so iconic) album covers.

I like some of them - but probably not iconic because the artists of the albums aren’t as big as the corporates either the logos.

[midjourney-artists-v6]

Artist: Ivan Chermayeff

Illustration

Painting

Digital/Photorealistic

[thejuniormint]

logo by Ivan Chermayeff