#javier soto

[petiteblasee]

"As pessoas agem como se fosse impossível esquecer seu próprio nome, mas, se você não tomar cuidado, pode se afastar tanto do que sabe a respeito de si que deixa de se reconhecer como a pessoa que um dia foi."

*:･ﾟ✧ Carrie Soto Está de Volta - Taylor Jenkins Reid.

[clockworkbee]

—Soto's, from Carrie Soto is Back

[graphicpolicy]

Copro Gallery Celebrates Hellboy’s 30th Anniversary with an Art Show Curated by Gary Deocampo

Copro Gallery Celebrates Hellboy’s 30th Anniversary with an Art Show Curated by Gary Deocampo #mikemignola #hellboy

2024 marks the 30th anniversary of one of the most influential independent comic characters in pop culture: Hellboy. Mike Mignola’s iconic character has inspired artists working in every medium for decades. To celebrate Hellboy and Mignola’s legacy, curator Gary Deocampo has assembled a group exhibition with over 40 artists paying tribute to Hellboy with paintings, drawings and sculptures. The…

[thebestbookrecommendations]

Book Recommendation:

Carrie Soto is Back - Taylor Jenkins Reid

(In Universe: Malibu Rising)

Genres: Historical Fiction, Contemporary, Sports, Romance

Keywords: Tennis, Strong Female Characters, Spin-Offs, Romantic Subplot

Length: Medium

Rating: 4/5

Find on Goodreads:

[theknifeinyou]

@ghostsxagain @thefvrious @lcstinfantasy @kiingdomforakiss @exiitiosus @luriddaze

[thecubanartobserver]

Exposición “Luz a tu propia química (al desnudo)”, Colectiva

[abigail-pent]

ok not to be a bitch about Taylor Jenkins Reid but it is extremely weird that a very solid majority of the protagonists of her Famous Women quartet are Latinx (usually Latinas) who are conveniently disconnected from their heritage. Like the only ones who don't really fit this definition are the cast of Daisy Jones and the Six (minus Camila) and Monique Grant (who is mixed White and Black and appears to feel a disconnect with her Blackness after her Black parent's death).

Carrie Soto *appears* to be connected to her heritage but imo is not. As a fellow half-Argentine American woman who is extremely hard on herself, I relate to Carrie arguably too much. But the whole time I've been listening to this audiobook I've been really struck by the lack of specificity in her ethnicity. She and her dad have Spanish names, and there's a lot of written/untranslated Spanish in the book, but that's literally it. No context about her father's upbringing in Argentina or choice to emigrate, apart from wanting to be in the US for unspecified reasons. No culturally specific foods - like you can't seriously tell me that a real life Javier Soto wouldn't carry a thermos and drink mate on the side of the court. The Spanish they speak isn't even specifically Argentine Spanish. The verb conjugations are not right for that. And it's just really glaringly obvious to me that Taylor Jenkins Reid has not done the research she would need to do to convincingly write a character with this background.

I suspect this is why *all* of her protagonists of color are divorced from the non-white elements of their backgrounds. Evelyn Hugo is pushed to pass as white, to the point where she nearly forgets how to speak Spanish; the Riva kids are raised exclusively by their White mom; Monique mostly doesn't talk about her own race except to describe what she looks like, mention that she feels good and hopeful about having a Black woman role model at work, and to say that her marriage to a White man made her feel safe from having her Blackness called into question. Carrie Soto, of course, is non-White almost certainly through her mother's side only, as most Argentines are White; and her mother dies offscreen extremely early in the book and in Carrie's life.

Like I definitely think you shouldn't be limited in the characters you write by the identities you personally hold. And I definitely see the effort to provide more protagonists of color in fiction. I just don't think a good way to do this is by essentially pretending that race/ethnicity/culture are all just bits of set dressing that exist for flavor alone. These are real things. They mean a lot to people and they shape who we are, how we see ourselves, how we behave, who we become. If you're going to write from the perspective of a character who's ethnically xyz, at least have the decency and respect to research that deeply and seriously, and think about how their background would show up in their daily life.

[docpiplup]

Antena 3 presented this Tuesday, October 10, in the first edition of the South Festival, Beguinas, a series inspired by the beguinages, communities of women who, since the 13th century, defended an alternative way of life independent of marriage and Church. The new fiction bet will be available sooner for Atresplayer premium users.

Beguinas, which has ten 50-minute episodes, is produced by Atresmedia TV in collaboration with Buendía Estudios. The Beguines dedicated themselves to contemplation, but also to action, through crafts, teaching, or caring for the sick, which provided benefits to society while allowing them to be. This new series takes as reference the history of these women, which has remained hidden throughout the centuries.

The actors Amaia Aberasturi and Yon González star in the fiction. They play, respectively, Lucía de Avellaneda and Telmo Medina, two young people who will overcome the social impositions of the time and risk everything for love in a context that is not conducive to them. Beatriz Segura, Melani Olivares, Jaime Olías, Ella Kweku, Lucía Caraballo, Javier Beltrán, Meritxell Calvo, Silma López, Laura Galán, Elisabeth Gelabert, Ignacio Montes, Antonio Durán 'Morris', Jonás Berami, Jorge Kent and Cristina Plazas, among others , complete the cast of the series.

Beguinas is a production of Atresmedia TV in collaboration with Buendía Estudios. Montse García, Sonia Martínez and Amparo Miralles are the executive producers of this fiction, which will be directed by Rómulo Aguillaume and Claudia Pinto. The script will be written by Irene Rodríguez, Esther Morales and Silvia Arribas.

Marta de Miguel signs the Production direction, Iván Caso and Álex García the Photography direction and Jorge de Soto the Art direction. Bubi Escobar will be in charge of Wardrobe, while Makeup and Hairstyling will be directed respectively by Mariló Serrano and Fermín Galán. Juan León is the Casting Director.

Synopsis

Segovia, 1559. Lucía de Avellaneda celebrates her engagement party with the Marquis of Peñarrosa, a nobleman chosen by her brother. This marriage promises to reinforce the financial and social status of the family, but, in the middle of the celebration, the fiancée receives an unexpected letter from a woman who claims to be her mother and who claims her on her deathbed.

Lucía shows up at the beguinage, where her mother has summoned her. In this place she lives with other women independently and outside the Church. The young woman opens up to a new world that will make her question everything she has known until now. And, furthermore, he will know love through a pure and uncontrollable, but forbidden, passion. He will risk everything for Telmo, a Jewish man who must hide his beliefs and his past.

Main cast and characters

Lucía de Avellaneda (Amaia Aberasturi) Intelligent, curious and combative. Educated and innocent, until her mother's call disrupts her life. In the beguinage she discovers an environment of sorority and critical thinking that revolutionizes her idea of ​​the world and breaks down the walls that her status as a Christian noble woman has imposed on her. When she meets Telmo she feels for the first time an attraction that she has never experienced, but his commitment and loyalty will stop her impulses, determined to fight for what really matters to her.

Telmo Medina (Yon González): Telmo is an attractive, lucid and mysterious young man who hides his Jewish origins. He works in a bakery and supplies the beguinage with what it needs from outside. He doesn't want problems, but he doesn't avoid them either. Loyal, sincere and honest, he cannot help but risk everything for a Christian noble woman.

Marie Anne (Beatriz Segura) Beguine and the successor of The Great Lady, she is wise, strong and enigmatic. Its mission is to protect the beguinage from certain ecclesiastical authorities who fear its independence. Guiding Lucía through the truth, she will help her connect with her mother's spirit and live in the beguinage with other women who, like her, long for a freedom that they cannot find outside. In her past, she loved intensely and had to overcome a traumatic breakup, but that passion is unleashed again, although this time she does not want to repress herself despite the danger of remaining in love with a clandestine and sinful love.

Sibila García (Melani Olivares): A distrustful, surviving and sensitive woman, who grew up in misery and prostitution. Pregnant, she decided to escape and found her place in the beguinage. Her biggest concern is her daughter and, even though she reproaches her for it, she will do everything possible to try to protect her. The succession of Lucrecia is disputed and she competes with Marie Anne for the position of Great Lady.

Guiomar Ruy (Ella Kweku): Nigua, an Antillean slave, was sold to a doctor from Seville who gave her her new name and educated her when he noticed the maid's innate curiosity. She learned the trade of midwife from her mother and cultivated her interest in the human body and botany. She obtained his letter of freedom and decided to move to the beguinage of Valladolid where he can develop his concerns and care for the sick. She has judgment, instinct and knowledge. She gets upset with ignorance, prejudice and evil. Shee feels a deep complicity with Gonzalo, the clergyman, a harmony that sooner or later, she will have to give a name to.

Beatriz García (Lucía Caraballo): Daughter of Sibila and one of the youngest of the beguinage. Innocent, happy and lively. Her sexuality is awakening and she enjoys her body with curiosity and without fear until life outside the walls pushes her to hide her most intimate impulses. Her freedom of thought and work contrasts with that of Lucía. She has a relationship with her mother that has ups and downs, but the love they have for each other is above all. Each has a lot to learn from the other.

Juana Aranda (Silma López): Daughter of Sancho, the owner of the workshop, and sister of Lebrín. She enjoys an independence that was uncommon at that time. She has chosen to enter the beguinage to avoid a bad marriage or ending up dependent on his brother. Intelligent, prudent and thorough. She is in love with Telmo, but wants to be reciprocated. He has such a noble heart that his love does not prevent him from empathizing with Lucía and helping Telmo when things go wrong.

Lebrín Aranda (Jonás Berami): Close friend of Telmo, son of Sancho, the owner of the bakery and the only brother of Juana, the beguine. Rogue, generous and lively, he knows how to live avoiding laws, rules and sins. He enjoys carnal pleasures and lets himself be carried away by Jimena's lust until he discovers her danger and her evil ways. He will use his best resources to try to save the Beguines from the Inquisition.

Rodrigo de Guzmán, Marquis of Peñarrosa (Javier Beltrán): He is Lucía's fiancé. Castilian nobleman, of ancient ancestry and fortune. He is very well connected and has negotiated with his future brother-in-law to settle his debts and open the doors to him in Court in exchange for this marriage. He loves Lucía, she seems to him the right woman to fulfill her role as marchioness. He is dutiful, splendid and traditional, but he does not hesitate to bring out his most sinister side when his commitment is threatened.

Munio de Avellaneda, Count of Vellaví (Jaime Olías): Lucía's brother and heir to the County, but also to the debts left by his father. He needs to recover privileges and fortune, and his sister's marriage is the perfect deal. Arrogant, irascible and proud. He is willing to do anything to save his lineage and keep up appearances.

Jimena Suárez de Córdoba (Meritxell Calvo): Munio's wife. Intelligent, frivolous and capricious. He hoped to live up to his condition, but the Avellanedas' fortune is in debt and the only thing that can solve it is his sister-in-law's wedding. She will do everything possible to help her husband achieve it. She likes to seduce, get the most out of life and cleverly circumvent the rigid rules that her lineage demands. She won't hesitate to play with fire when she meets Lebrín, a hummingbird who, like her, doesn't want to miss out on the pleasures that life offers.

Catalina (Laura Galán): Lucía's faithful maid. Affectionate, smiling, devout and superstitious, she is torn between loyalty to Lucía and fear of Munio. Lucía, her mistress, and the beguines, who will pay dearly for her ignorance. She will do everything possible to correct her mistakes and ease her conscience.

Lucrecia de Avellaneda (Elisabeth Gelabert): The Great Lady of the Beguinage. Daughter of its founder, Leonor Labrit and heir to her legacy for which she had to sacrifice her children, distancing them from her side. Married to Pedro de Avellaneda, who called her crazy, she took refuge in the beguinage where she served as Great Lady. Cultured and mystical, her life and death are surrounded by mystery.

Gabriela Grijalvo (Cristina Plazas): Widow of a renowned printer and mother of Gonzalo. Cultured and respected lady from Valladolid renounced her true love for fear of facing her son's rejection.

Gonzalo de Grijalvo (Ignacio Montes): Clergyman related to the beguinate. Intelligent, attractive and empathetic. She admires the Beguines for their devotion and devotion to those in need, but above all Guiomar, with whom he has great complicity.

Father Lasarte (Antonio Durán 'Morris'): A priest with pretensions, whose greatest ambition is to end the privileges of the beguinages and become part of the Court of the Inquisition. Cunning and scheming, he uses fear and ignorance to manipulate the people and get them to demonize these women, inventing falsehoods about them. His main objective is Marie Anne, the Great Lady, whom he cannot defeat.

Commissioner Utrera (Jorge Kent) The executing arm of the Inquisition in Valladolid. Pursue crimes that threaten the power of the Church. He has the beguines in his sights, but knows the risks of attacking them because they enjoy important social support. Shrewd, arrogant and libidinous, he exercises his power with the arrogance that his position gives him.

Source

[baul-de-frases]

«Elena, me gustas… ¿acaso eso importa? Todo el mundo me considera un desgraciado y tú no haces menos. ¡¿Qué otra cosa quisiera yo, Elena, y no que tú pensases en mí como yo hago contigo durante las noches y mientras la lluvia inunda las plazoletas?! »Esta suerte del demonio que me ha vuelto un infeliz insiste en que yo me marche, y que jamás nunca te dirija la palabra; pero no es más fuerte que yo, no es más fuerte que este sentimiento. Esté muerto o no, en mi pecho relumbrará siempre tu memoria incólume». More. (SOTO, JAVIER; CARTA A ELENA. PARACHO, MICHOACÁN; SÁBADO 5 DE JUNIO DE 1993).

[agendaculturaldelima]

 #ElEscenarioDelMundo

🎭 Teatro: “LA ÓPERA DE DOS CENTAVOS” 🗡💰🐒 @operade2centavos

✍️ Dramaturgia: Bertolt Brecht  (Alemania)

🗯 Argumento: El Señor Peachum es un hombre que se dedica a la explotación de mendigos, pero ve en riesgo su negocio tras el casamiento de su hija Polly con Mackie Navaja, el capitán de la banda delincuencial más temible de Londres. Antes tal situación, Peachum busca deshacerse de su yerno para quedarse con el dominio de Soho. Mientras que Mackie hace uso de sus conexiones con el poder para librarse de ello. ¿Mackie logrará ser capturado?, ¿quién de los dos prevalecerá en Soho, el Sr. Peachum o Mackie? La puesta en escena es un clásico del teatro mundial que mezcla de humor, música y crítica de una sociedad en decadencia donde los valores se ven corrompidos por la traición, la corrupción y la avaricia.

👥 Elenco: Ariana Isabella, Gina Trujillo , Frank Cuchillo, Sandy Uribe, Sara Carbajal, Augusto Madalengoitia, Javier Gutiérrez, Alicia Valdivia, Peggi Carhuallanqui, Marcos Soto, Alondra Contreras, Deanelly Lino, Octavio Reyes, Jorge Zevallos, Beleny Gómez, Alberto Navarro, Cristhian Mendoza y Mayda Sánchez. @gina_sabines @cuchi.yo @sandyarte20 @saracarbajalmontesinos @javgut_415 @21aliciavaldivia @peggipegg @alondra.contreras.16 @deanellylino @octavioreyescelis @pianomoderatto @beleny.g @betoscribble @cristhianmendozafernandez

📢 Dirección: Manuel Calderón @manuelcalderon310

📋 Dirección de Arte: Katia Villachica @e.vil.cat

👷 Escenografía: Airam Quesada @airam.quesada

🎵 Música: Magali Luque @magaliluqueoficial

© Producción: Taller de Teatro del Nivel AAA.

📌 TEMPORADA: Del 02 al 18 de Febrero

📆 Funciones: Viernes y sábado 🕗 8:00pm. / Domingo 🕖 7:00pm.

⏳ Duración: 120 minutos

🏪 Teatro Ricardo Roca Rey de la Asociación de Artistas Aficionados (jr. Ica 323 - Centro de Lima)

🎫 Entrada: S/.30

🎯 Pre-Venta: S/.20

🖱 Reservas: @operade2centavos

[rubireads]

carrie soto is back by taylor jenkins reid

4.5 stars

every tjr book i read gives me the same distinct feeling of immediate attachment as she continues to write unforgettable, epic heroines. she doesn’t shy to make them flawed (most evident in this novel) which allows them the brave journey of discovery. carrie soto isn’t the most likeable character and that’s what makes her even more admirable as she refuses to conform to everyone’s concept of the ideal woman. she’s brash, outspoken, confident to the point of arrogance, and unapologetically direct. as someone who has brutally worked her way to become the greatest tennis player the world has seen, she has no intention to diminish this triumph for the media.

there are so many different aspects that i loved in this novel. my favourite, though, is not carrie’s relationship with bowe or even her relentless determination and drive, but her powerful relationship with her father, javier. they have their ups and downs but through all the glory and mistakes he remains by her side, showering her with unfaltering support. comparing her to achilles, the great of the greeks, throughout her entire childhood, javier unknowingly sets carrie up for an unattainable level of success - something he later regrets. through both the character of carrie and javier, tjr teaches us the result of hard work, passion, and love but also the need to let go of certain measurements of greatness.

it is a testament to tjr that she can turn a reader so apathetic to tennis so engrossed by even the first half of the novel, transporting you to the tennis matches themselves and feeling like you’re at the edge of your seat. tjr encapsulates the gruelling physical and mental aspects of the sport whilst keeping the descriptions riveting.

whilst it is not my favourite tjr book, it is definitely one i recommend, filled with uplifting and inspirational content. as is the case with the other books of this multiverse, it is hard to believe carrie soto’s story is a fictional one.

[clockworkbee]

I love the relationship Carrie and Javier have with one another, so damn much. His love for her is just >>>

[cheshirelibrary]

These are the 10 Best Books of the Year, According to Amazon Book Editors

[via Book Riot]

Each month, the Amazon Book Editors post a list of their favorite books out that month. At the end of the year, this team of nine editors draws from these lists, as well as considering any they may have missed, to choose their top books of the year as a whole. They each have different backgrounds, including authors as well as former booksellers and former editors at publishing houses, but they’ve all spent their careers immersed in the book world.

After putting their individual favorites of the year in a spreadsheet and pitching them to their fellow editors, they debate their choices and then finally rank their picks for the year. Those totals become the Amazon Book Editors’ Best Books of the Year list.

Tomorrow, and Tomorrow, and Tomorrow by Gabrielle Zevin

Solito: A Memoir by Javier Zamora

Stolen Focus: Why You Can’t Pay Attention and How to Think Deeply Again by Johann Hari

Fairy Tale by Stephen King

Horse by Geraldine Brooks

Carrie Soto Is Back by Taylor Jenkins-Reid

Demon Copperhead by Barbara Kingsolver

Our Missing Hearts by Celeste Ng

The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World by Jonathan Freedland

City on Fire by Don Winslow

[navedelmisterio]

Los malditos: go woke, go broke – Encuentro en el Monte Gorbea – Cuaderno de Bitácora: El viaje del Demeter

CUARTO MILENIO – Programa 18×37 – 28/05/2023

LOS MALDITOS: GO WOKE, GO BROKE

El escritor Juan Soto Ivars, especialista en la cultura woke, nos hablará hoy de películas que cayeron en el punto de mira de esta cultura y que fueron cambiadas con el fin de satisfacer a colectivos históricamente desfavorecidos. Sin embargo, los resultados de taquilla no les acompañaron. Tal es el caso de filmes como Cazafantasmas (2016), protagonizada íntegramente por mujeres. Con esta obra comenzó la fiebre woke en las franquicias. Fue un fracaso de taquilla atribuido a que el público era machista en lugar de pensar que la película quizá no estaba a la altura de la anterior. Es solo un ejemplo. Soto Ivars nos hablará de otros muchos casos.

ENCUENTRO EN EL MONTE GORBEA

En diciembre de 2004, un matrimonio con mucha experiencia montañera, tuvo un extraño encuentro en el monte Gorbea (País Vasco). Sobre las 8 de la mañana, desde el lago vizcaíno de la montaña se les apareció un individuo caminando con los brazos en cruz. Transitaba, indiferente, hacia la zona alavesa. A continuación, apareció otro individuo idéntico y realizó el mismo recorrido. Y luego un tercero. Son varios los detalles que causaron extrañeza a los testigos, que han sido entrevistados por Javier Pérez Campos, quien nos acompañará esta noche junto al investigador Enrique Echazarra.

CUADERNO DE BITÁCORA: EL VIAJE DEL DEMETER

Si hay barco que resulta inquietante ese es El Demeter. A los aficionados al terror les resultará familiar, ya que se trata del barco en el que Drácula realizó su viaje hasta Inglaterra sembrando por el camino la muerte y el horror. Pero ¿es este barco solo una invención del genial Stoker o pudo inspirarse en otros buques reales para construir su historia? Fernando J. García Echegoyen, marino y especialista en accidentes marítimos, nos aclarará esta cuestión y nos detallará cómo fue el último viaje de El Demeter.

[mysticalcollectorreader]

"Carrie Soto está de volta"

"Carrie Soto está de volta" de Taylor Jenkins Reid.

Na volta dessa personagem polêmica de "Malibu Renasce", nesse novo livro iremos acompanhar a trajetória do fenômeno de tênis, Carrie Soto, personagem inspirada na tenista Serena Williams e escrita brilhantemente pela minha autora favorita, Taylor Jenkins Reid, autora também de "Os sete maridos de Evelyn Hugo" e "Daisy Jones e The Six". No início do livro, observamos a decisão de Carrie, com seus 37 anos, de voltar de sua aposentadoria, após seu recorde ser ameaçado por uma outra atleta, Nicki Chan.

Carrie Soto é uma personagem que divide opiniões entre leitores. Muitas pessoas consideram Carrie arrogante. Na minha humilde opinião, acho Carrie Soto brilhante e acredito que a autora trouxe a sua melhor característica narrativa, que é escrever personagens femininas fortes, falhas e humanas, como Nina Riva, Evelyn Hugo e Daisy Jones, personagens de livros anteriores.

Aqui, somos apresentados a uma atleta ambiciosa e talentosa, que desafia o papel de falsa humildade imposto em tantas mulheres, principalmente no ambiente dos esportes, que é tradicionalmente sexista. A personalidade de Carrie muitas vezes durante a narrativa transita entre confiante e arrogante, fazendo dela uma personagem com melhor desenvolvimento e complexidade.

Vemos como par romântico nesse livro, o tenista Bowe Huntley, que honestamente considero um relacionamento fraco e sem muita química e não me convenceu.

Acredito que a verdadeira história de amor nesse livro seja entre Carrie e seu pai, Javier. Após Carrie perder sua mãe muito nova, vemos a construção do relacionamento entre os dois desde seu início, com suas falhas e acertos, por fim se transformando em uma relação linda entre pai e filha.

Gostaria que Taylor tivesse se aprofundado um pouco mais na construção das outras tenistas da história, principalmente Nicki Chan e Ingrid Cortéz, porém não acho que tenha prejudicado a leitura.

De forma geral, não foi o meu livro favorito da autora, porém, como sempre, foi uma leitura incrível e acabei me apaixonando por Carrie, apesar de não ser a clássica personagem amável e charmosa. A esse ponto, é inegável a habilidade incrível de escrita de Taylor Jenkins Reid. Sinceramente, leria tudo que ela publicasse.

Tudo bem se eu ganhasse, desde que parecesse surpresa quando isso acontecesse e atribuísse tudo à sorte. Eu nunca deveria mostrar o quanto queria vencer, ou, o que era ainda pior, que acreditava que merecia ganhar

[acapulcopress]

Gobernadores, senadores, diputados y alcaldes de Morelos ligados al narco

CIUDAD DE MÉXICO * 6 de octubre de 2022. ) Apro Morelos se encuentra controlado por gobernadores, senadores, diputados, presidentes municipales y jueces coludidos con los grupos criminales que operan en la región, ya sea Los Rojos, Guerreros Unidos –originarios del colindante estado de Guerrero– o el Cártel Jalisco Nueva Generación (CJNG), de acuerdo con dos informes demoledores de la Secretaría de la Defensa Nacional (Sedena) y de la Unidad de Inteligencia Naval elaborados a principios de 2019. En un “Panorama Delictivo de Morelos”, el grupo de inteligencia de la Secretaría de Marina (Semar) señaló que el grupo criminal de los Beltrán Leyva cuenta “con protecciones de autoridades del exgobernador de Morelos Graco Ramírez”, y señaló que el primer círculo del gobernador Cuauhtémoc Blanco Bravo, del Partido Encuentro Social (PES), tienen vínculos con Los Rojos, Gente Nueva y el CJNG. El informe –que fue extraído entre los millones de documentos hackeados a la Sedena por el colectivo Guacamaya– estableció que José Manuel Saénz Rivera, José de Jesús Guizar Nájera, Uriel Carmona Gándara y Samuel Soto Salgado, respectivos jefe de Oficina de Blanco, subsecretario de Gobierno, fiscal general y consejero jurídico están vinculados con Los Rojos –o Gente Nueva–, y además con el CJNG para los primeros dos. También señala que Alfonso de Jesús Sotelo Martínez, presidente de la Cámara de Diputados local, tiene nexos con los grupos de la delincuencia organizada de Guerrero, al igual que varios diputados, el senador Ángel García Yáñez –del PRI–, así como de nueve jueces locales que han liberado a delincuentes por “supuestas” faltas de pruebas. En este contexto, marcado por la relación sinérgica entre gobierno y crimen organizado, fue asesinada ayer la diputada local Gabriela Marín Sánchez, del partido Morelos Progresa, en Cuernavaca. La política de 37 años había tomado posesión apenas el pasado 15 de julio, después de ganar un proceso judicial contra el político Roberto Yáñez Moreno, quien le había robado la diputación plurinominal. Según el informe de inteligencia, a principios de 2019 operaban varios grupos criminales, principalmente Los Rojos, encabezado por Santiago Mazarí Hernández “El Carrete” –detenido en agosto de 2019 y condenado a 20 años de cárcel– y aliado con el Cártel del Sur, y Guerreros Unidos, que operaba en alianza con el CJNG y con La Familia. El informe de inteligencia identificó a un grupo de por lo menos 12 presidentes municipales aliados con Los Rojos: Alberto Sánchez Ortega, expresidente municipal de Xochitepec y ahora diputado por Morena; Rafael Reyes Reyes, presidente municipal de Jiutepec por la coalición PT-Morena-PES, así como los alcaldes de toda la zona suroeste de Morelos –de los municipios de Tlaltizapan, Puente de Ixtla, Tlaquiltenango, Jojutla, Amacuzac, Mazatepec, Coatlán del Río, Tetecala, Xoxocotla y Coatetelco–, sin importar su color político, ya sea del PRI, Morena, PAN o PSD. También planteó que la política priista Rosalinda Mazarí Espín tiene nexos con Los Rojos, pues es tía de Santiago Mazarí Hernández, “El Carrete”, el líder de los Rojos. Mazarí fue tres veces diputada federal por Cuernavaca y una vez diputada local. El informe señala a otros políticos priistas vinculadas con Los Rojos, en el vecino estado de Guerrero: Francisco Javier García González, el expresidente municipal de Chilapa de Álvarez; Mario Moreno Arcos, otrora presidente municipal de Chilpancingo, y Leopoldo Ramiro Cabrera Chávez, el exalcalde de Leonardo Bravo, también en Guerrero. El informe de la Semar señaló que los presidentes municipales de Yautepec, Agustín Alonso Gutiérrez (PRD/PSD); Cuautla, Jesús Corona Damián (Morena/PT/PES); Yecaptixtla, Francisco Erick Sánchez Zavala (PAN-MC); Temoac, Valentín Lavín Moreno (PVEM) y Tepoztlán, Rogelio Torres Ortega (Morenta/PT/PES) estuvieron vinculados con Guerreros Unidos y el CJNG. El informe de la Sedena indicó, por su parte, que “seis presidentes municipales de la región Oriente tienen vínculos con el CJNG, representado por Raymundo Isidro Castro Salgado, “El Ray’”, mientras que en Yautepec “el alcalde colabora con el líder del delictivo ‘Comando Tlahuica’”. Continuó: “Temoac, el alcalde es yerno del secuestrador Antonio Aparicio. En 2018 ejecutaron a tres mujeres de su familia, y fue amenazado en mantas por el ‘Comando Tlahuica’ al considerarlo su contrario político-delictivo”, y “Cuautla. Samuel Corona Damián, hermano del presidente municipal fue detenido por secuestro, en la casa de seguridad había mantas con mensajes de narco-política”. Read the full article