#jenny nachtigall

[garadinervi]

Rosemary Mayer. Ways of Attaching, Edited by Eva Birkenstock, Robert Leckie, Laura McLean-Ferris, Stephanie Weber, Contributions by Eva Birkenstock, Robert Leckie, Rosemary Mayer, Laura McLean-Ferris, Jenny Nachtigall, Jenni Sorkin, Stephanie Weber, Designed by Santiago da Silva and Cecilia Breña, Lenbachhaus, München / Ludwig Forum, Aachen / Spike Island, Bristol / Swiss Institute, New York, NY, Verlag der Buchhandlung Walther König, Köln, 2022 [Exhibitions: Swiss Institute, New York, NY, September 9, 2021 – January 9, 2022 / Ludwig Forum, Aachen, March 5 – May 22, 2022 / Lenbachhaus, München, June 11 – September 18, 2022 / Spike Island, Bristol, October 8, 2022 – January 15, 2023]

[myreygn]

∞∞∞∞∞ (5 songs pls!! unless you don't wanna,, then only one 😆)

the more songs the better haha

We Don't Have To Dance - Andy Black

"you're looking at a whisper and you think i'm someone else" (this song hits my feelings like way too hard)

Tightrope - Michelle Williams (The Greatest Showman)

"never sure, will you catch me if i should fall?" (this song is criminally underrated)

Jenny Of Oldstones - The Dark Side of the Moon (Game of Thrones)

"from winter to summer and winter again 'til the walls did crumble and fall" (one of the best things we got from season eight)

Nachtigall und Rose - Saltatio Mortis (Nightingale and Rose)

"doch diese sprach: 'die rose passt nicht zu meinem kleide. was wiegt schon eine blume gegen juwelen und geschmeide?'" (~"but she said: 'the rose does not go well with my dress. what even is a flower against jewellery and sleek?'" - a german band, they're amazing, please check them out)

Empire - Monster High

"i'm a goddess." - "don't be modest." (i haven't seen one episode of this show but the soundtrack slaps and this line is hilarious)

thanks for asking 💛

[lovehurried]

muse tag dump  -  h + i + j + k.

[christiankosmasmayer]

Aeviternity: the book

Edited by: Rainer Fuchs, mumok - Museum moderner Kunst Stiftung Ludwig Wien, 2019 Foreword by: Rainer Fuchs, Karola Kraus Texts by: Daniel Muzyzcuk, Jenny Nachtigall Reprints of texts by: Gotthilf Heinrich von Schubert, Johann Peter Hebel, Achim von Arnim, Friedrich Hebbel, E.T.A. Hoffmann Image descriptions: Christian Kosmas Mayer Design: Astrid Seme Studio Dimensions: 32 x 24 cm Volume: 156 pages Images: 23 duotone and 60 color ill. Softcover with dust jacket Language: english, german ISBN: 978-3-902947-65-9 Publisher: Verlag der Buchhandlung Walther König Köln 2019

Based on the exhibition Aeviternity at mumok, Vienna, the artist book explores the theme of conservation both as a natural and as an artificial process of archiving. The collected images were consequently separated from their captions and arranged as a vertical stream within the book’s narrative. To enhance the archival sources special focus is put on the reproduction: images are printed in full color but with an erratic metallic silver feature.

[korrektheiten]

Der »schwedische Schubert«

LePenseur:"... wurde er genannt: Adolf Fredrik Lindblad, der heute vor 140 Jahren zu Linköping verstorben ist. In der Tat verdankte er seinen zeitgenössischen Ruhm v.a. seinen über zweihundert Liedern, die die »schwedische Nachtigall« Jenny Lind damals »in aller Welt« populär machte — wie z.B. diesen »Sommertag«: Nun, »Schubert« ist da wohl etwas zu hoch gegriffen — aber hübsche, eingängige, gekonnte Musik ist's allemal! Doch dieser Lindblad »konnte« nicht nur Lieder, auch Kammermusik — bspw. folgendes Streichquartett Nr. 4 in b-moll hätte durchaus seine Existenzberechtigung im Konzertsaal: Auch seine beiden Symphonien sind eingängige Stücke — ebenso fachkundig gemacht wie durchaus angenehm anzuhören. Sie erinnern allerdings wirklich an Schubert — freilich an den der Symphonien Nr. 1- 3, also den ganz jungen: Auch eine Oper hat er komponiert: »Die Rebellen«, so lautet der Titel auf deutsch, und mit deren Ouverture sei dieser kleine Gedenkartikel beschlossen, der die Leser (bessergesagt: Hörer) dieses Blogs auf einen der vielen Vergessenen der Musikgeschichte aufmerksam machen wollte: http://dlvr.it/Qgq2HX "

[worldfoodbooks]

BACK IN THE BOOKSHOP: PUTTING REHEARSALS TO THE TEST : PRACTICES OF REHEARSAL IN FINE ARTS, FILM, THEATER, THEORY, AND POLITICS edited by Sabeth Buchmann, Ilse Lafer, Constanze Ruhm (2016) Published by Sternberg Press / Berlin & the Academy of Fine Arts / Vienna Contributions by Rainer Bellenbaum, Vincent Bonin, Sabeth Buchmann, José M. Bueso, Kathrin Busch, Stefanie Diekmann, Kai van Eikels, Stephan Geene, Richard Ibghy, Ekkehard Knörer, Eva Könnemann, Ilse Lafer, Christine Lang, Susanne Leeb, Marilou Lemmens, Achim Lengerer, Annemarie Matzke, Jenny Nachtigall, Silke Otto-Knapp, Avital Ronell, Constanze Ruhm, Martin Jörg Schäfer, Dorothea Walzer Although the format of the rehearsal is used across a number of disciplines—film and theater as well as fine arts—it has been scarcely considered in historical and contemporary art discourses. With this in mind, Putting Rehearsals to the Test investigates the role and function of the rehearsal as a methodology, modus operandi, medium, site of representation, and reflection on processes of artistic production. As the contributions in this book show, practices of rehearsal put those procedures—sometimes joyful, sometimes troublesome but structurally productive—into the foreground to replace given conventions and regulations with new forms and rules. Shaping working processes (the in-the-making) and products (the making-of) without defined aims and ends, artists, activists, and theorists working with strategies of rehearsal focus on moments of contingency, interruption, recommencement, irregular repetition, uncertainty, and failure within existing systems. Practices of rehearsal, in attempting to transform asymmetric labor divisions, appear as links between aesthetic judgment and social or institutional critique. This book is a critical and timely reappraisal of the methodologies of the rehearsal, and makes a claim for the aesthetic and political potential in the unfinished project. Available via our website and in the bookshop. #worldfoodbooks (at WORLD FOOD BOOKS)