#jocelyn drake | Explore Tumblr Posts and Blogs

kilvalir · 6 months

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kilvalir's choices works

Below the read more, you will find a compilation of all the choices content I've made so far. Beware of it lives within spoilers, not all the titles of the works ahead are spoiler-free.

Tags

These are the tags I normally use on my own creations.

Writing: #my writing Edits: #my edits Memes: #my memes Below are the tags I use for my own favourite it lives within main character, mr pink-hair up there, Vax Vũ-Verdant, and all content related to him, including those made by me, and those not made by me. Vax in general: #OC: Vax Vax with Lincoln: #Vaxlinc

Writing

A note on trigger warnings: all my writing lists any potential content warnings at the top of the work, with the work itself under a "read more" button.

1. Lincoln x MC angst fic - Heal what has been hurt (change the fate's design), part 1, part 2 2. Abel x MC ficlet - click 3. Excerpt of an unfinished Abel x MC angst - click 4. Abel x MC (ish) - a sinister Judas Kiss piece - click 5. Abel x MC joke fic - click 6. Pictures of You - ILW Main Cast Angst - click 7. In Progress Lincoln x MC Angst - part 1 8. Excerpt of a soft Lincoln x MC WIP - click 9. Little ILW MC Angst Piece - click

Edits

Another note on trigger warnings: warnings for edits are shown by caution emojis and what the warning is for, after the link. e.g ⚠️EXAMPLE ⚠️

Fake CGS and Book Covers:

1. Bashful Abel in a suit - click 2. Horror Abel - click⚠️GUNS ⚠️ 3. Horror Abel looming behind ILW MC - click ⚠️BODY HORROR ⚠️ 4. Suited Up Abel Leaning - click 5. ILW MC (Feens!) striding menacingly through an alley - click 6. Eiko x MOTY MC cover edit - click 7. Abel x ILW MC (Hilkka) reading by a tree - click 8. Blades MC (Raine) flying on a drake - click 9. Blades MC (Maiele), Tyril, and Imtura in battle - click

Sprite Edits (Part 1!):

1. Abel in Rowan's glasses - click 2. Sleeveless Abel with long hair - click 3. Long-hair Abel in a flower crown - click 4. ILW MC in Abel's sweater - click 5. Pirate Abel #1 - click 6. Pirate Abel #2 - click 7. Pirate Abel #3 - click 8. Horror Abel - click ⚠️BODY HORROR ⚠️ 9. Grandpa Abel - click 10. Crying Abel - click ⚠️DEATH AND ILW SPOILERS ⚠️ 11. Bearded Abel and beardless Lincoln - click 12. Merman Abel - click 13. Abel x ILW MC heist suits - click 14. Amalia dressed as her younger self - click 15. Lincoln dressed as his younger self - click 16. Beckett (TE) as a wood nymph - click 17. Lincoln as an elf - click 18. Tom as a mage - click 19. Jean Jacket Lincoln with his hair down - click 20. Nik Ryder if he was in ATV - click 21. ILW MC (Vax) lookbook - click ⚠️ILW SPOILERS ⚠️ 22. ILW MC (Vax) expressions - click 23. ILW MC (Vax) in the ILW ballroom dress - click 24. ILW MC (Vax) in an immortal desires dress - click ⚠️ILW SPOILERS ⚠️ 25. ILW MC (Rowan) as a snow queen - click 26. TE MC (Anitha) as a mermaid - click 27. Blades MC as a shadow court member - click 28. Desire and Decorum MC as a fairy - click 29. ILW MC (Vax) pride edits - click

Sprite Edits (Part 2!)

30. Lincoln x MC edits - click⚠️ILW SPOILERS ⚠️ 31. ILW MC's Goth Mom - click

Misc. Edits:

1. Rheya (BB) fragment piece, with the cracks removed - click ⚠️BLOOD AND BLOODBOUND B2 SPOILERS⚠️ 2. Abel Valentines Cards - click 3. Abel Moodboard - click 4. Gaius (BB) fragment piece, with the cracks removed - click ⚠️BLOOD, DEAD PEOPLE, AND BLOODBOUND B1 SPOILERS⚠️

Memes

1. Abel vs Horror Connor - click 2. Abel, Jocelyn, and ILW mc - someone will die... - click 3. Horror Connor when you flirt with more than one person - click 4. Abel, Annie, and mentioned MC - she thinks it's fancy? - click 5. Lincoln x MC - a smile might be nice... - click 6. Devon, Power MC - I'm literally shaking.. - click 7. Abel x MC - no principles - click 8. MC and most LIs - please sir, can I have some more? - click 9. Lincoln x MC - breakfast takes a turn - click 10. Abel and Lincoln - on the matter of sleep.. click 11. ILW MC - the key to happiness.. click 12. Abel & ILW MC - frown meme uno reverse (follow up to #5) - click

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deadcactuswalking · 5 months

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REVIEWING THE CHARTS: 04/05/2024 (Taylor Swift, Tommy Richman, Kendrick Lamar's "euphoria")

Just a week after her album’s impact, Taylor’s been dethroned by… Sabrina Carpenter! She grabs her first #1 on the UK Singles Chart with the smash hit “Espresso” and welcome back to REVIEWING THE CHARTS!

content warning: language, Yeat praise

Rundown

As always, let’s start with the notable dropouts, which are songs exiting the UK Top 75 - that’s what I cover - after five weeks in the region or a peak in the top 40. Now this week, we bid adieu to: “The Tortured Poets Department” by Taylor Swift (it got three-song-ruled and dropped out from #3, more on that later), “act II: date @ 8” by 4batz featuring a remix by Drake (not his best week, more on that later), “Von dutch” by Charli XCX, “Kitchen Stove” by Pozer, “Whatever” by Kygo and Ava Max, “Murder on the Dancefloor” by Sophie Ellis-Bextor and FINALLY, “Lovin’ on Me” by Jack Harlow.

As for our gains, we see healthy boosts for “Pedro” by Jaxomy, Agatino Romero and the late Raffaella Carrá at #60, “Outside of Love” by Becky Hill at #54, “Evergreen” by Richy Mitch & the Coal Miners at #46, “The Sound of Silence” by Disturbed at #42 (yeesh), “These Words” by Badger and Natasha Bedingfield at #22, “I Don’t Wanna Wait” by David Guetta and OneRepublic at #20 - I guess obvious covers and remixes have a good week - then finally, a song hitting the top 10 I’m personally very happy with: “A Bar Song (Tipsy)” by Shaboozey at #6. #1 incoming? Please?

We also continue to see the rise or, rather, resurgence of Amy Winehouse’s catalogue due to the biopic, with “Valerie” with Mark Ronson at #38, “Back to Black” at #39, and a re-entry for “Tears Dry on Their Own” at #49, which peaked at #16 when Ye’s “Stronger” was #1 in 2007. On that same album, he says he hates Nazis, look how far we’ve come. Anyways, “Tears Dry” contains a sample of “Ain’t No Mountain High Enough”, made famous by Marvin Gaye and Tammi Terrell, which didn’t chart in its original form for the longest time here. It peaked at #6 in 1970 but only in the form of a cover by Diana Ross, whose version charted whilst Freda Payne’s “Band of Gold” was #1 - just shows that we don’t really remember the bigger hits of the time. The Boys Town Gang reached #46 with their cover in 1981, Whitehouse and Jocelyn Brown both charted with covers coincidentally in August of 1998 - they peaked at #60 and #35 respectively - and finally, the original first charted at #80 in 2013, amazingly still its peak, and briefly re-entered earlier this year. “Tears Dry” itself was sampled the last time Amy made the top 40 in 2023, with Skepta’s #28-peaking tribute “Can’t Play Myself”.

As for our top five this week, we start in the dregs with “i like the way you kiss me” by Artemas at #5, “Beautiful Things” by Benedict Cumberbatch at #4, “Too Sweet” by Hozier at #3, then of course Taylor Swift’s “Fortnight” featuring Post Malone at #2 and “Espresso” at #1. It’s an interesting one today, folks, with a lot of unique and frankly, fantastic stuff to cover, so let’s start with… Kygo?

New Entries

#75 - “For Life” - Kygo and Zak Abel featuring Nile Rodgers

Produced by Kygo, Nile Rodgers, Ollie Green and Franklin

I’m honestly a bit surprised Kygo is still notching chart hits, especially without a big name attached this time. Sure, Nile Rodgers is a legend, but he’s doing so much dance-pop garbage in his later years that I don’t think many people check specifically for his collaborations, so there’s got to be something in this that’s unique, right? Aaaaaaand it’s a sample. It’s a nostalgia bait sample of a 2000s EDM track because of course it is. French house act Modjo debuted with “Lady - Hear Me Tonight”, which spent two weeks at #1 in 2000 and is an absolute classic I still return to today, even if Modjo were basically a one-hit wonder. “Lady” of course is built on a sample of “Soup for One” by Rodgers’ own band CHIC, which comes from a 1982 soundtrack album, never charted and kind of been eclipsed by “Lady”, largely because the original is honestly pretty bad, uninteresting and surprisingly stiff for an 80s funk track, with some of the weakest and most slap-dash implementation of synths. “Lady” really took the best parts of that song - its undeniable guitar melody, that isn’t even put to great use in the original - and constructed an entirely new, incredible song out of it. So I can’t tell if it’s pathetic and desperate for Rodgers to try and reclaim it, or something that speaks to the power of musical transformation. Oh, what am I kidding? It’s Kygo, it’s just kind of boring. It’s a rote piano house track that goes for the same tropical atmosphere Kygo has been doing for years - a lot of the same festival synths are there, it’s all full of bubbly swooshing that actively sound like pastel colours. The only real hook of the song is taken from Modjo and re-sang by Zak Abel, with slight lyric modifications taken from the “I’m Good (Blue)” department of refusing to allow for fun in your dance songs, and even that just feels desperate. What did Nile Rodgers even do here, man? Sign a legal document saying you can use the hook? It’s not even his Goddamn hook.

#69 - “Solo” - Myles Smith

Produced by Peter Fenn

Myles Smith is a singer-songwriter I hadn’t heard of until today but has been active since at least last year and is making at least some consistent buzz so I was interested to see what his first slow-burning chart hit here has to offer and… are we just, IN, 2012, 2013 now? We had festival house with the last song, the next song is heavily Yeezus-inspired, and this is a full-on Aloe Blacc stomp-rock song. It isn’t bad either - I actually had to get used to hearing his richer voice on this kind of scattered clap-stomp-holler folk track, and whilst this is nothing unique given the solemn pianos, spattering of strings and of course, that jingling indie folk rolick, that doesn’t feel particularly organic on this one, it still is far from bad. The lyrics are somewhat generic but not in an awful way, and the “so low”/”solo” double meaning is somewhat clever or at least, would be if in the context of the song, they actually meant separate things. It’s a bit annoying that it’s the main conceit because both have negative connotations for Mr. Smith here, so it just feels like he’s repeating himself rather than elaborating on his feelings or presenting a dichotomy. I imagine it’ll be a lost on a few people due to botched execution, which bothers me because it was an active attempt at clever songwriting that gets kind of lost in sonic translation. This sounds like I’m picking apart the song’s flaws but it is really just a fine little woodlands jams with a great singer, infectious hook and by the end, a damn fine melodramatic string section. I can see it growing on me, especially due to its gorgeous outro, but for right now, I’m somewhat lukewarm, not going to raise a fuss if it ends up smashing though and in a Noah Kahan world, I suppose it’s quite likely.

#64 - “If We Being Real” - Yeat

Produced by Synthetic, Radiate, Fendii, LRBG, Perdu and Dreamr

So terrible news: I like Yeat now. I’m still not granting him his silly little umaluts, and I won’t go too in-depth here, mostly because there’s another song worthy of in-depth analysis, and every piece Yeat’s put out fits into the jigsaw of the album’s narrative as a whole… it would require a lot more time and space, and frankly words, that I’m willing to give #64. No track feels unnecessary on 2093, the atmosphere is consistent across all 24 tracks, and lyrically, it’s a concept album, which I would have never expected from Yeat and he pulls it off brilliantly both sonically and thematically without straining himself to areas he probably couldn’t reach like trying to be super lyrical or stepping away from rage pads. Given the album’s experimentation and length, I wasn’t surprised by the lukewarm commercial reception, but I did at least expect maybe the songs with Future, Wayne or Drake on the deluxe, to have charted by now, when this hasn’t even happened in the US. So when the penultimate track on an album that’s over an hour in its standard issue becomes his first solo hit in the top 75, I have to assume TikTok virality is involved.

Regardless, I’m glad it’s here because it’s brilliant. Sonically as a separate track, it’s one extended verse over a corrupted industrial beat that cracks in right after a mystical intro full of textured but meandering strings, that get swooshed out of existence by a cinematic, malfunctioning clunker incorporating Yeat’s inhuman ad-libs, manipulated behind vocal recognition, into infectious loops within the beat. This is one of few songs - another’s coming later - where I can understand the sheer amount of producers. Lyrically, the title refers to Yeat or more accurately, his psychopathic billionaire character, attempting to shed some of his CEO veneer and ultimately failing, adopting a lot of the violent, power-hungry rhetoric the rest of the album relies on, making it a pretty ironic and depressing title, especially when considering its place in the rest of the album, coming right before the… actually honest and heartbreaking closer, “1093”. In the backhalf of this album, Yeat’s bragging sounds increasingly monotone and routine, and him rapping in and out of distorted filters or going up and down from his traditional murmur to a choking yell, exemplifies how sick and tired he is of the lyfestyle he curated for himself. This song in particular ends with him barely on beat for a beat that doesn’t even really have a beat, becoming a factorial ambiance more so than anything coherently rhythmic. I have no idea why this song in particular is going viral - it doesn’t have a chorus or even really some of the catchier, more potent lyrics on the album, and its beat barely functions as such for the vast majority of the song - Hell, it’s not even one of the album’s integral moments like the opener, “Bought the Earth”, “ILUV”, “Shade”, “Riot & Set it off”, or really countless others, but I’m not complaining because the sound design, the care placed into thematic and narrative consistency, it’s all still here. This is a 10/10 album, and if this song gets more people to check it out, I really can’t be upset with that.

#58 - “Love Me JeJe” - Tems

Produced by Guilty Beatz and Spax

So what’s “Love Me JeJe” actually mean? Well, in Nigerian Pidgin, it means “gentle” or “tender”, and the use of a more regional term rather than the English actually contributes greatly to why I think this song works: Tems’ buttery voice has always been able to display both coldness and a sensual warmth, often at the same time, but on some of the bubbliest guitars I’ve heard over an Afrobeats rhythm since the genre started charting consistently, she’s fully in that second category. Hell, most of the lyrics are pretty basic here, especially the practically meaningless chorus, but that’s to its benefit because thinking too much about this song defeats its purpose: to be gentle. It’s a frankly adorable expression of love and care at its most optimistic extent possible. Despite the clean, tropical percussion, it still feels cute and homegrown. Hell, the second verse, after a nice back-and-forth choir vocal, even references the Nigerian electricity provider that’s apparently nationally infamous for its power outages, with the lyric comparing the love she feels with her partner to the feeling when electricity comes back on in the village and all her neighbours inform the locals. Combine that with how breezy this is, the easy-flowing bridge into an outro full of murmuring, chatter and reverb-drenched laughing, it just makes for a really cute, likeable song. Not necessarily what I expected out of a lead single from Tems, but a delightful surprise. Now to balance that with pure hatred.

#50 - “euphoria” - Kendrick Lamar

Produced by Cardo, Kyuro, Sounwave, Johnny Juliano, Yung Exclusive and Matthew “MTech” Bernard

There’s part of me that finds it quite funny that Drake gets into serious beef with an incredibly analytical and perfectionist rapper like Kendrick right after putting out his own exposé of himself. For All the Dogs is as much of a dissection of Aubrey Drake Graham, albeit perhaps unintentionally, as Kendrick or really anyone could perform, as long as you’re paying attention. It’s been like that (no pun intended) for a while, but his latest is the most obvious and desperate attempt at clinging to status and image that it places his insecurities fully on display. You could recite lyrics from that album on a jazz beat and call it a diss track, so the fact that Kendrick went back to back with damn near dissections of Drake’s paranoia - especially on the Instagram follow-up track he made that is chilling - as well as a myriad of different issues he has with Drake, simply because… well, he doesn’t fuck with Drake. One could argue that this feud is complex and storied, with so many different beligerents… but the motives behind it are genuinely a lot simpler than most rap feuds, and the diss tracks that are made from it are way more straightforward. They just outline the reasons they dislike each other, almost systematically, it’s genuinely refreshing, or at least a lot more than what’s going on with Quavo and Chris Brown, yeesh.

This track in particular is as calculated as can be, acting as a dissertation on why K-Dot doesn’t really like Drake too much. It’s condescending, damn near academic, with its smooth jazz intro and categorical shoot down of each possible avenue you could hit Drake from. We have sextuple entendres on this thing, a total of three beats, two of which are cheap-sounding but absolutely murderous drill bangers, and Genius annotations that rival War and Peace when combined. I’m not a lyrical expert, and there’s so much in here that I didn’t get until I was pointed towards that direction by Genius annotations, Reddit, X, or, embarrassingly, YouTube Shorts. You don’t need to research or analyse for this to hit hard though, there are plenty of lines that aren’t going over anyone’s heads… until you look into the exact way the bars are constructed and suddenly they have 20 double meanings and hidden easter eggs. This is really sheer venom, filled with so many layers that I wouldn’t be surprised if he genuinely wins a GRAMMY for it - and it would be in character considering Drake doesn’t even nominate his songs anymore. It’s already having an effect too, that 4batz album came out today, and he’s not signed to OVO as rumoured. Ye’s on the record… but not the already existing and heavily-streamed Drake remix. Already, he may be losing some of that prestige.

As far as it is sonically, it’s six minutes of murder, and Kendrick’s delivery is energised, violent, damn near deranged at times, to perfectly balance how, somewhat subtly through his meta commentary about his own bars and albums, the lyrics are basically an essay. It has an introduction, a conclusion, a hypothesis, written examples, he even presents counter-arguments and weaves them into his own analysis. By the time he was going extremely in-depth about his experiences as a father, and just repeating that Drake knows nothing about that, it almost felt like overkill. My personal favourite lines and ideas presented here are the concise slow dagger of the intro verse, the “Demun”/”throwaway” scheme, the voice and character he puts on between “Cutthroat business” and “I’ll explain that phrase” - he’s like a disappointed teaching assistant, obviously the YNW Melly line and its set-up, the incredible Daft Punk line that got a cackle out of me on first listen, then followed up by a mocking interpolation of one of Drake’s most revered songs, the straightforward rant about everything he hates that references an iconic moment of DMX’s trademark honesty (rest in peace), the “record” scheme in verse three, and when he started the fake Canadian accent, I just lost it. Drake’s biggest weakness here is that when he’s funny, I’m laughing at him, but when Kendrick’s funny, I’m laughing with him, and much louder. If he does respond, unless the man tells us that Kendrick’s whole life and career has been a farce, or he brings, like, the actual former President Obama on the track or something, I can’t see how it tops this. This is one of the best diss tracks ever in terms of sheer detail, and might honestly be one of the greatest throwaway rap singles period. It’ll be tough to beat.

#31 - “MILLION DOLLAR BABY” - Tommy Richman

Produced by Max Vossberg, Jonah Roy, Mannyvelli, Sparkheem and Kavi

This is the sudden breakout hit for Virginia rapper-turned-singer Tommy Richman, which actually comes in two versions on Spotify, the original and a more distorted “VHS” version. Also, this is brilliant. Sure, Richman just sounds like Brent Faiyaz, but a trend I haven’t been able to talk about on here necessarily but has been very exciting for me is the return of grittier, groovier synth funk and hyphy beats into underground hip hop and R&B, with this representing the more melodic end of that sound, which is typically restricted to Midwest and Dirty South rappers. The sound design on this one is actually even unique to that sound, starting with a bizarrely British-sounding Memphis rap vocal loop which I think isn’t a sample and is just him doing a bad impression, filtered below an infectious beat that actually took me by surprise. It even has cowbells and the type of punchy jabbing drums that I love from classic southern rap, but instead of the smooth-talking rappers you usually expect over this, we get a Brent Faiyaz impression that didn’t click with me until hearing this song. I never really got his appeal until I hear it over this and I start to realise the very distinct new jack swing element to his vocals, as he pretty seamlessly transitions from soulful double-tracked harmonies to much more rhythmic, half-rap flows. Now this ISN’T Brent Faiyaz… and I still don’t really like Brent Faiyaz, but hearing his wannabes I think helped me gather what was distinct about him, and the literal Richman North of Richmond here pitting his filtered splatter of vocal ideas and riffs over the beat in a very Devil-may-care fashion exemplifies the elements I do like about him, just with an instrumental that I personally like a lot more. Also, the VHS version is labelled as such but is really just like a bass-boosted version of the song that sounds like it was done in 10 seconds in Audacity, though the vocal mixing sounds a bit different too. I would love for someone to explain why that was the version I ended up adding to my playlist, because I couldn’t tell you.

#8 - “I Can Do It with a Broken Heart” - Taylor Swift

Produced by Jack Antonoff and Taylor Swift

I know I wrote my whole Taylor spiel last week, but I’m not bothered about this one at all, and I really did expect it to be a fan favourite, mostly because, as the one track I actually enjoy on the standard version, she’s having fun! The lyrics are actively vapid, which doesn’t feel like the intention when she’s singing over soppy adult contemporary but very much feeds into the almost childish character she plays here over synthpop with an actual pulse. The synths here sound like a theme park she’s taking the boy to, especially with the backing vocals and chatter samples implemented into the ambiance and classic Antonoff wonky synths - though some of this doesn’t even sound like it’s in his ballpark. Like were Marian Hill or Sofi Tukker ghost-producing this? Some of these loop choices and flashy sound effects are frankly ridiculous, in the best way of course because the song is camp and fun. Sure, some of Taylor’s lyrics still come off a bit awkward, mostly because of her choice of slower melodies sometimes clashing with the fast-paced patter of the synthscape, but that’s a nitpick. I do love this song, I think it’s fun, Hell, I think it’s funny which is something Taylor has always kind of failed to translate to me in the past, so that is something. I just don’t think we have the same sense of humour. Does she like Norm Macdonald? I don’t feel like she does. Correct me if I’m wrong, Swifties.

Conclusion

It should be incredibly obvious who gets Best of the Week, it’s Kenny, easily, with “euphoria”, and I’m sorry, Swifties, but Yeat better. “If We Being Real” takes away with the Honourable Mention pretty easily as well, though really, strong competition and strong week all around - Tems was close too. There can’t be a Dishonourable Mention in this climate so, Worst of the Week goes to Kygo and Zak Abel for “For Life” that “features” Nile Rodgers, it genuinely just is a lazy template of a song. As for what’s on the horizon, I’m not sure. Dua’ll have some impact, but outside of that, time may have to tell. For now, thank you for reading, long live Cola Boyy, and I’ll see you next week!

#uk singles chart #song review #pop music #kendrick lamar #drake #taylor swift #kygo #zak abel #nile rodgers #yeat #tommy richman #tems #myles smith

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bootyshaker900o · 2 years

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“Playlists of my unhealthy obsessions/Simping”

These men have caused such a brain rot- that like they are my whole personality. I made a little playlist of songs for them

Dave/William Afton (🧍‍♂️ I have problems)

Jocelyn Flores - XXXTENTACION

Can You Feel My Heart - Bring Me the Horizon

Yandere - Jazmin Bean

Sex, Drugs, Etc. - Beach Weather

R U Mine? - Arctic Monkeys

Play Date - Melanie Martinez

Perverted - Elita

The Neden Game - ICP

Stalker’s Tango - Autoheart

Say My Name - Alex Brightman

Imma Kill You - ICP

Blow My Brains Out - Tikkle Me

CHOKE - I DONT KNOW HOW BUT THEY FOUND ME

Ryn, Rabinit Run - Flanagan and Allen

Boogie Woogie Wu - ICP

Donnie

Dirty Harry - Gorillaz

Me and Your Mama - Childish Gambino

Hell of a Ride - Bo Burnham

Family Jewels - Marina and the Diamonds

I’m still standing - Elton John

Puppet Boy - DEVO

Afraid - The Neighborhood

Reflections - The Neighborhood

Fluorescent Adolescent - Arctic Monkeys

One day - Lovejoy

The Ending - Hobo Johnson

Trouble - Hazel Bloom

Teen Romance - Lil Peep

Alien Blues - Vundabar

Team - Mag.Lo

Bad - Michael Jackson

Orphan Tears - Your Favorite Martian

Draxum

Problems - Mother Mother

Zydrate Anatomy - Paris Hilton

Toxic - Britney Spears

Liquid Smooth - Mitski

W.D.Y.W.F.M? - The Neighborhood

Trom Cat - Tyler, the Creator

E.T. - Katy Perry, Kanye West

Molly - MSI

Enemy - Imagine Dragons, JID

Never Satisfied - CORPSE

Desire - Meg Myers

Venom - Little Simz

Daddy AF - Slayyter (don’t ask)

Supermassive Black Hole - Muse

Such A Whore - JVLA

Six Forty Seven - Instupendo

Silco

Daddy issues - The Neighborhood

Genius- Sia, Diplo, Labrinth, LSD

Same Old Love - Selena Gomez

Guys My Age - HEY VIOLET

Life of the Party - The Weeknd

High Enough - K.Flay

Government Hooker - Lady Gaga

Why don’t U - Father, ABRA

New Americana - Halsey

Do You Even? - Jorge Aguilar II

Sugar Daddy - Qveen Herby

Royals - Lorde

I Feel Like I’m Drowning - Two Feet

New Person, Same Mistakes - Tame Impala

Cold - Maroon 5

Come As You Are - Nirvana

Fantasy - Bazzi

Raph (my sweet baby boy 😭)

Dark Red - Steve Lacy

Somebody To Love - Queen

Careless Whispers - George Michaels

Her - Tyler, The Creator

Are We Still Friends? - Tyler, The Creator

Trumpets - Jason Derulo

Hold On, We’re Going Home - Drake

Rodeo - Lil Nas X

Ms. Jackson - Outkast

EARFQUAKE - Tyler, The Creator

Mine - Bazzi

Die for You - The Weeknd

Love on the Brain - Rihana

Crazy In Love - Beyoncé, JAY-Z

Lucifer

Gooey - Glass Animals

Love Me Dead - Ludo

The Distance - CAKE

Like A Stone - Audioslave

Luxurious- Gwen Stafani

Applause - Lady Gaga

Please Me - Cardi B, Bruno Mars

Take Me Out - Franz Ferdinand

Alejandro - Lady Gaga

Love Is a Bitch - Two Feet

Aint no Rest for The Wicked - Cage the Elephant

Animal - Sir Chloe

Mr. Saxobeat - Alexandra Stan

Judas - Lady Gaga

Livin La Vida Loca - Ricky Martin

White Flag - Bishop Briggs

River - Bishop Briggs

Blurred Lines - Robin Thicke

Sway - Michael Bublé

Juicy

Monster Energy Gun - KevinKempt

Chop Chop Slide - ICP

Get Low - Lil Jon

Crazy - Gnarls Barkley

Star Shopping - Lil Peep

Never There - CAKE

Shake That - Eminem, Nate Dogg

Everywhere I Go - Hollywood Undead

Revenge - XXXTENTACION

POLTERGEIST! - CORPSE

My Mom - Eminem

Asshole - hooligan chase

Under the Influence - Eminem, D12

Shots - LMFAO

Him and I - G-Eazy, Halsey

The Hills - The Weeknd

my boy - Billie Eilish

Leo

Ain’t Shit - Dojo Cat

Feel Like God - Gazy

Nightmare - Halsey

Good-Old Fashioned Lover Boy - Queen

Mujeriego - Ryan Castro

Sweet Dreams - Eurythmics, Annie Lennox

Let’s Groove - Earth, Wind, and Fire

Pizzazz - Akintoye

Slumber Party - Ashnikko

INDUSTRY BABY - Lil Nas X

Milkshake - BBY KODIE

Bad - Michael Jackson

Pony - Ginuwine

Death of a Bachelor - Panic! At the Disco

Blah Blah Blah - The Oozes

Everybody Loves Me - OneRepublic

Joker (Joaquin & Heath’s) (don’t ask- please dont)

Purple Lamborghini- Skrillex, Rick Ross

Fame - David Bowie

Wolf is Sheep’s Clothing - Set It Off

To Catch a Predator- ICP

Back in Black - AC/DC

Tentative - System of a Down

Rainbows and Stuff - ICP

Hokus Pokus - ICP

Murder Go Round - ICP

The Juggla - ICP

HAHA - Lil Darkie

Broken - Lund

I Hate Everything About You - Three Days Grace

Criminal - Britney Spears

Cradles - Sub Urban

Loki

Mind Games - Sickick

I’m A Slave 4 U - Britney Spears

Who is She? - I Monster

A Pearl - Mitski

Cigarettes Out the Window - TV Girl

Redbone - Childish Gambino

All for Us - Labrinth, Zendaya

Sucker For Pain - Lil Wayne, Imagine Dragons

My Ordinary Life - The Living Tombstone

Bubblegum Bitch - MARINA

I Write Sins Not Tragedies - Panic! At the Disco

Partition - Beyoncé

Suit and Tie - Justing Timberlake

Jealous - Eyedress

Yellow - Coldplay

My Oh My - Camila Cabello

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francesminos-tt · 1 year

Note

Alpha Jocelyn x Alpha Daena 🥺.

Alpha ladies can marry and have children, so I imagine Jocelyn will have a lot of suitors when she comes of age, just like her mother. She takes interest in none of them, just like her mother as well.

Jocelyn only wants to be a dragon rider. She keeps her hair in braids and participates in melees and jousting. She travels around the realm with Tyraxes, and eventually finds herself at Old Town. She doesn’t like the Seven, but she wants to visit the ancient city.

There she meets her aunt Daena. Daena used to be Lord Ormund Hightower’s cupbearer, but now she has taken the position of mistress of arms in Old Town. She is a very chivalrous knight and a good dragon rider. She defeated Jocelyn in a duel.

Now Jocelyn has found herself a new goal. To defeat Daena. She stays at Old Town and challenges Daena at every chance she gets. Their rivalry soon becomes something more. Jocelyn feels the urge to kiss someone for the first time in her life. She feels a tug on her heart whenever she sees Daena smiling with other girls. She’s frustrated and angry without reason.

Daena, however, takes a liking to her niece at first glance. Jocelyn is no noble lady, dressed in plain leather and commands a black drake, her hair in war braids behind her head. Daena wants her. That’s why she fought hard in the duel. To attract Jocelyn.

The push and pull results in heated make out session and soon, sex. You can imagine the rest, anon!

#house of the dragon #joffron #hotd #my asks #daeron x joffrey #fem!Joffrey #fem!Daeron

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thesinglesjukebox · 8 months

Text

TEDDY SWIMS - "LOSE CONTROL"

youtube

Harkening back to a time when music made you shake, rattle, and roll...

[3.79]

Will Adams: Must be love on the brain. Or maybe just water in my ear. [4]

Ian Mathers: When will The Black Keys be held accountable for what they have unleashed upon the world? [3]

Jacob Satter: "He began playing instruments including piano and ukulele, and watched YouTube videos of singers to help develop his vocal technique. [4][5]" -- Wikipedia [4]

Thomas Inskeep: Oh, yay: another big-bearded, face-tatted white boy who thinks he's somehow "soulful" because he heard a Stax record once. And much like Post Malone and Jelly Roll before him, throw him on the burn pile. [1]

Scott Mildenhall: A great audition: four chair turns and a message from Rag'n'Bone Man. All theatrics are plausibly deniable, but the vocal capabilities are conspicuous, with there never being enough of a song to intrude on them. A strong message to the detractors of treading water in the natatorial world. [5]

Nortey Dowuona: The history of soulful white boys is long and strained. The Righteous Brothers are one example, but they never got more than one big immortal hit (only one did: Bill Medley). There's Michael McDonald, Bobby Caldwell, Tom Jones, and, of course, Fucking Drake. Each time a soulful white boy appears, he does appear acceptable, but only up to a point. Once that point has been breached, his existence becomes an anchor -- not a boon -- receiving enmity and bitterness for both his success and his inability to possess the skill demanded from truly soulful singers. As time has gone on, the five-alarm church runs that once ran R&B have gone out of style with the youngsters, unless coated in patiently brush-stroked Autotune. Even though live performances are a crapshoot with many of them, their excellent songwriting kept them aloft. Sometimes, their voices were so pretty that their lack of range didn't bother us. Now, another soulful white boy who possesses the runs (with scalpel-level Melodyne on them) has risen to the top. The worst part is that his song is well-produced: done by Ammo and Julian Bunetta, a trained jazz drummer whose heavy-handed soul drums anchor the thin mix. The plaintive keys shuffle against the tambourines gently, as Bunetta's bass lopes below and follows the key of the keys. But the songwriting from Mikky Ekko drags down this fantastic effort, leaving a held-back guitar solo by Bunetta bashing its neck against the withholding mix of Serban Ghenea. If only Brent Faiyaz was writing this... [6]

Tara Hillegeist: Oh, this is a very passably lovelorn piece of uptempo romantic angst, the kind that sounds like it could just as easily have dropped off the back of Cee-Lo Green's tour bus, circa "Fuck You." But it's not so passable that I can't help but have my main response to it all be "Wow, your man's such a tatted-up white lad, looks like he belongs on the set of a Guy Ritchie film, innit?" And now I've had that thought, I have to ask myself: when's the last time I heard something like this from someone who didn't, whose name wasn't T-Pain? And now I've asked myself that question, I have to wonder: should that question still matter? [6]

Joshua Minsoo Kim: This is a good time to admit that I always thought Gnarls Barkley’s “Crazy” was a terrible, plodding song. This sounds like a mellower, simplfied version of that. I find the almost-rapped verse kind of sweet, reminiscent of Ed Sheeran if he had a bit more soul, but then the guitar solo arrives and makes me feel disgust. It is not lost on me that this isn’t so far from Portishead’s “Glory Box.” The difference is that it all feels so rote, the elements already pre-packaged with an understanding of their meaning and import, and they don’t ever come together to bring the track to a greater whole. [4]

Hannah Jocelyn: Does nothing new in this type of song (except for the weird keyboard warble, which I'm not convinced is a good innovation because it sounds like "Dance Monkey (slowed + reverb)"), but the production from Julian Bunetta is phenomenal -- incredibly warm, but with enough muscle that what's probably just a drum loop from Splice sounds massive. Teddy Swims is very much in the Rag'n'Bone Man/Jelly Roll vein of gruff belters, but there's a warmth in his voice that prevents him from coming across like Mr. Roll or, worse, Oliver Anthony. [6]

Jacob Sujin Kuppermann: I get no enjoyment at all from listening to this. Every pained vocalization, every flanged guitar stab and demonstrative snare hit feels empty to me; whatever feelings Swims has do not survive transit. And yet, I feel a certain perverse respect for "Lose Control" despite all this. Perhaps it reminds me too much of the soul revival tracks that my high school pop ensemble teacher favored, the Fitz & The Tantrums-alikes that I dutifully jammed out to for four years. It's not a style that moves me at all anymore, but as I listen to "Lose Control," I can almost conjure bass tabs and keyboard charts to memorize and devote myself to (and can imagine the students of a semester from now who will be playing along to teenage takes on Teddy Swims' adult melodrama). [4]

Alfred Soto: The echo, horn blasts, and Soulful White Man vocal evoke a pop climate at least a decade past obsolescence, a reminder that a certain overstatement will always serve as a crutch. [4]

Wayne Weizhen Zhang: This song makes perfect sense if you just picture the woman he’s singing about standing next to him the entire time. [3]

Leah Isobel: This man said "problematic" like he's on the Tumblr dash in 2011. [1]

Katherine St. Asaph: Thoughts and prayers for anyone persuaded to fuck to this song. [2]

[Read, comment and vote on The Singles Jukebox ]

#teddy swims #music #pop #pop music #music writing #music reviews #music criticism #the singles jukebox #Youtube

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bestmothertournament · 1 month

Text

Best Mother Tournament Round 1: Group 10 Results

All Winners: Annika Strandhed, Carla Sunday, Doris Walker, Elinor (Brave), Evelyn Abbott, Gaia (Greek Mythology), Grace de Point de Luc, Juliana (Quest for Camelot), Joyce Byers, Kirigaya Midori, Lisa Palmer, Mary Quinn, Niobe (Greek Mythology), Pepa Madrigal, Ygraine (Merlin)

All Losers: Alex Drake, Alura In-Ze, Amy Silva, Annie Flynn, Chrissie Jackson, Cora (OUAT), Elizabeth Branagh, Elizabeth James, Janine Lewis, Jayna Zod, Jocelyn Fairchild, Joyce Barnaby, Jemma Simmons, Margot Fairmont, Nyssa Vex

All Draws: Hippolyta (Greek Mythology) and Ziva David

Best Winners: Joyce Byers with 89% of votes and Carla Sunday with 81 votes

Least Successful Winners: Lady Juliana and Kirigaya Midori with 51% of votes and Annika Strandhed with 8 votes

Most Successful Losers: Jemma Simmons and Amy Silva with 49% and Joyce Barnaby with 60 votes

Worst Loser: Alura In-Ze with 11% of votes and Nyssa Vex with 5 votes

#best mother figure #best mother tournament #female tournaments #character tournament #tumblr bracket

0 notes

zirhlikuzgun · 2 months

Text

January's crew - Page 31

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[18961] {7585} ♀ Jade Preuß

[18962] {7586} ❤️ ♂ Rourke Preuß

[18963] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18964] [¯\_(ツ)_/¯ newborn cousins and siblings]

[18965] [¯\_(ツ)_/¯ newborn babies]

[18966] {7587} ♀ Janine Preuß

[18967] {7588} ❤️ ♂ Roerk Preuß

[18968] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18969] [¯\_(ツ)_/¯ newborn cousins and siblings]

[18970] [¯\_(ツ)_/¯ newborn babies]

[18971] {7589} ♀ Joyce Preuß

[18972] {7590} ❤️ ♂ Ryre Preuß

[18973] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18974] [¯\_(ツ)_/¯ newborn cousins and siblings]

[18975] [¯\_(ツ)_/¯ newborn babies]

[18976] {7591} ♀ Jocelyn Preuß

[18977] {7592} ❤️ ♂ Ryle Preuß

[18978] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18979] [¯\_(ツ)_/¯ newborn cousins and siblings]

[18980] [¯\_(ツ)_/¯ newborn babies]

[18981] {7593} ♀ Yvonna Preuß

[18982] {7594} ❤️ ♂ Randy Preuß

[18983] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18984] [¯\_(ツ)_/¯ newborn cousins and siblings]

[18985] [¯\_(ツ)_/¯ newborn babies]

[18986] {7595} ♀ Yrys Preuß

[18987] {7596} ❤️ ♂ Rox Preuß

[18988] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18989] [¯\_(ツ)_/¯ newborn cousins and siblings]

[18990] [¯\_(ツ)_/¯ newborn babies]

[18991] {7597} ♀ Ywa Preuß

[18992] {7598} ❤️ ♂ Ruffle Preuß

[18993] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18994] [¯\_(ツ)_/¯ newborn cousins and siblings]

[18995] [¯\_(ツ)_/¯ newborn babies]

[18996] {7599} ♀ Yulia Preuß

[18997] {7600} ❤️ ♂ Ryckle Preuß

[18998] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[18999] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19000] [¯\_(ツ)_/¯ newborn babies]

[19001] {7601} ♀ Eddi Berger

[19002] {7602} ❤️ ♂ Dyler Berger

[19003] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19004] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19005] [¯\_(ツ)_/¯ newborn babies]

[19006] {7603} ♀ Emerald Berger

[19007] {7604} ❤️ ♂ Dylan Berger

[19008] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19009] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19010] [¯\_(ツ)_/¯ newborn babies]

[19011] {7605} ♀ Equinoz Berger

[19012] {7606} ❤️ ♂ Duncan Berger

[19013] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19014] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19015] [¯\_(ツ)_/¯ newborn babies]

[19016] {7607} ♀ Embeth Berger

[19017] {7608} ❤️ ♂ Desmond Berger

[19018] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19019] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19020] [¯\_(ツ)_/¯ newborn babies]

[19021] {7609} ♀ Diamond Berger

[19022] {7610} ❤️ ♂ Drake Berger

[19023] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19024] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19025] [¯\_(ツ)_/¯ newborn babies]

[19026] {7611} ♀ Dawn Berger

[19027] {7612} ❤️ ♂ Dreyton Berger

[19028] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19029] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19030] [¯\_(ツ)_/¯ newborn babies]

[19031] {7613} ♀ Duski Berger

[19032] {7614} ❤️ ♂ Doc Berger

[19033] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19034] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19035] [¯\_(ツ)_/¯ newborn babies]

[19036] {7615} ♀ Drixie Berger

[19037] {7616} ❤️ ♂ Dallas Berger

[19038] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19039] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19040] [¯\_(ツ)_/¯ newborn babies]

[19041] {7617} ♀ Velma Mertens

[19042] {7618} ❤️ ♂ Omer Mertens

[19043] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19044] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19045] [¯\_(ツ)_/¯ newborn babies]

[19046] {7619} ♀ Vicki Mertens

[19047] {7620} ❤️ ♂ Osman Mertens

[19048] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19049] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19050] [¯\_(ツ)_/¯ newborn babies]

[19051] {7621} ♀ Valerie Mertens

[19052] {7622} ❤️ ♂ Olly Mertens

[19053] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19054] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19055] [¯\_(ツ)_/¯ newborn babies]

[19056] {7623} ♀ Valentina Mertens

[19057] {7624} ❤️ ♂ Orlando Mertens

[19058] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19059] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19060] [¯\_(ツ)_/¯ newborn babies]

[19061] {7625} ♀ O'Leary Holm

[19062] {7626} ❤️ ♂ Jason Holm

[19063] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19064] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19065] [¯\_(ツ)_/¯ newborn babies]

[19066] {7627} ♀ Olga Holm

[19067] {7628} ❤️ ♂ Jeremy Holm

[19068] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19069] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19070] [¯\_(ツ)_/¯ newborn babies]

[19071] {7629} ♀ Onyx Holm

[19072] {7630} ❤️ ♂ Joel Holm

[19073] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19074] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19075] [¯\_(ツ)_/¯ newborn babies]

[19076] {7631} ♀ Opal Holm

[19077] {7632} ❤️ ♂ Juan Holm

[19078] [¯\_(ツ)_/¯ newborn friends and play/roommates]

[19079] [¯\_(ツ)_/¯ newborn cousins and siblings]

[19080] [¯\_(ツ)_/¯ newborn babies]

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