John Lennon and Paul McCartney performing as Pyramus and Thisbe in the 'Around The Beatles' tv special, filmed on 28th April 1964, broadcast 6th May 1964 - part 2 (part 1)
Just found this photo of Paul, George, and John that was taken outside of Forthlin road in 1960- and realised the spot is in the background of a photo i took outside the house ☺️☺️
I had to crop myself and this random guy out of the pic so i didn’t doxx anyone so sorry the photo is so small 😭😭 I just think it’s crazy that i was right there
You just released a music video for your song "Early Days," where
the chorus goes, "They can't take it from me if they tried/I lived through those early days." What are you singing about there?
Revisionism. It's about revisionism, really. I know my memory has got chips in it that still can go exactly back to two guys sitting in a room trying to write "I Saw Her Standing There" or "One After 909." I can see that very clearly still, and I can see every minute of John and I writing together, playing together, recording together. I still have very vivid memories of all of that.
It's not like it fades. Since John died so tragically, there's been a lot of revisionism, and it's very difficult to go against it, because you can't say, "Well, no, wait a minute, man. I did that." Because then people go, "Oh, yeah, well, that's really nice. That's walking on a dead man's grave." You get a bit sensitive to that, and you just think, "You know what? Forget it. I know what I did. A lot of people know what I did. John knows what I did. Maybe I should just leave it, not worry about it." It took a little while to get to that.
I know that I have every memory still intact, and they don't, as I say in the last verse, 'cause they weren't there. I think you'll find this in most bands, but in the Beatles' case, it's got to be worse than any case. For instance, I was on holiday once, and there was this little girl on the beach, little American kid. She says, "Hi, there. I've just been doing a Beatles ppreciation class in school." I said, "Wow, that's great." I think, "I know, I'll be really cool here. I'll tell her a little inside story." So I go on about how something happened, and it was a fun story – and she looks at me, she says, "No, that's not true. We covered that in the Beatles appreciation class." I'm going, "Oh, fuck." There's no way out, man! They're teaching this stuff now.
<…>
To get back to my original point, that's the kind of thing that happens in films, but these books that are written about the meaning of songs, like Revolution in the Head – I read through that. It's a kind of toilet book, a good book to just dip into. And I'll come across, "McCartney wrote that in answer to Lennon's acerbic this," and I go, "Well, that's not true." But it's going down as history. That is already known as a very highly respected tome, and I say, "Yeah, well, okay." This is a fact of my life. These facts are going down as some sort of musical history about the Beatles. There are millions of them, and I know for a fact that a lot of them are incorrect.
I can see how that would be frustrating.
Ну, раньше это расстраивало. Я справился с этим. Все нормально. В "Early Days" есть что-то из этого, но главное - это песня памяти. Это я помню, как шел по улице, одетый в черное, с гитарами за спиной. Я могу представить точную улицу. Это было место под названием Менлав-авеню. [Пауза] Кто-то увидит в этом какое-то значение: Пол и Джон на Менлав-авеню. Давай, давай. Вот как обстоят дела с Битлз. Все было чертовски важно, понимаешь? И это нормально, но когда ты был частью реальности, всё было не так. Это было гораздо более нормально.
inspired by paperback book covers of the 60s and 70s, here’s a little graphic design project i’ve been working on pondering the question: what kind of self-help(esque) books would have been useful to the beatles WAGs circa 1968 - then creating them as if they had written them theirselves.
John Lennon explaining who "(Just Like) Starting Over" is for
This interview took place only 12 hours before he lost his life. He was so looking forward to the 80s. I had this edit sitting in my folder for two months because it hurt listening to it. John had such a difficult childhood (losing his mother, his friend dying), his stardom weigh him down mentally, his marriage was a failure (and he couldn't really live in freedom with the person he truly loved due to societal norms). And then he gets robbed of his life in the most brutal way. How absolutely devastating...
In this clip, he clearly says the song is not for Yoko.
I was visualizing all the people of my age group from the 60s.... Having gone through everything together, I am singing to them. I'm really talking to the people that grew up with me and saying here I am now, how are you? How's your relationship going? Did you get through it all? Wasn't the 70s a drag? You know, here we are. Well, let's try and make the 80s good, you know, because it's still up to us to make what we can of it. It's not out of our control.
We have grown, we have grown
Although our love is still special
Let's take a chance and fly away
Somewhere alone
It's been too long since we took the time
But when I see you darling
It's like we both are falling in love again
It'll be just like starting over
Everyday we used to make it love
Why can't we be making love nice and easy
It's time to spread our wings and fly
Don't let another day go by my love
It'll be just like starting over
We'll be together all alone again
Like we used to in the early days
These parts of the lyrics specifically can only pertain to one person he grew up with. George Harrison.
One day I’ll sit down and give an extensive talk on my experience with synesthesia, but for now I’ll just say that for me, music has always been tied to my art. Inextricably. When I put on music as I paint it’s not just background noise, it’s actively informing the piece. This is an example of me taking that to the logical extreme, this entire piece was made and crafted by the music I heard as I painted it. Using Beatles (and solo career) songs from across their lifespan, the finished piece becomes a visual symphony of shared history between Paul McCartney and John Lennon. Everything shared, and everything left unsaid.
The last few minutes of Get Back are arguably the peak of documentary filmmaking in general
featuring:
*goodnight paul, say goodnight john, goodnight paul, goodnight*
*neeoeooow*
*unintelligible fake german stuff*
*Eins, Zwei, Viertel nach Drei*
*I suddenly discovered I was halfway out of tune, but I continued playing because I'm no goon* *pling*
*get off yer bum"
*I lost a bass note somewhere* *ow*
*Are we supposed to giggle in the solo?* *yeah* *okay*
Sixty years ago today, Paul McCartney got bopped on the head
John Lennon, Paul McCartney and George Harrison in EMI studio 2 during recording sessions for A Hard Day’s Night, 27th February 1964 - part one (part two)