In 2017, to coincide with the NGV’s House of Dior: Seventy years of Haute Couture, two new couture works were commissioned for the fashion and textiles collection with funds donated by the David Richards Bequest and the F&T Supporters Group.
Essence d’Herbier was commissioned by the NGV after Katie Somerville, Senior Curator Fashion and Textiles attended Maria Grazia Chiuri’s first Dior Couture show in Paris in January 2017. In July 2016, Chiuri became the seventh designer and first female artistic Director at Christian Dior and her couture debut coincided with the 70th anniversary of the house.
As part of the acquisition process, documentary photography and film footage was taken in order to reveal some of the specialist techniques, tools and production methods specific to the making of couture garments and to give a behind-the-scenes-glimpse into the Dior ateliers.
do you know your hermistory? hermitcraft debuts in order
Short ID: an infographic illustrating each current hermitcraft whitelist member's hermitcraft debut date by season. Each hermit is illustrated next to an abridged tfc quote that reads 'a great big dysfunctional family'
Long ID below cut
Image ID: a long single panelled infographic on a rainbow gradient background. Down the right hand side reads "a great big, dysfunctional family". The infographic has the numbers 1, 2, 3, 4, 5, 6, and 8 down the left hand side, each with a corresponding colour on the gradient.
Section one: down the left hand side of this section are the following stats: 'April 2012: Hypno, Xisuma', 'May 2012: Keralis, Joe Hills' 'Jan 2013: Bdubs'. All of the above hermits are illustrated in the section. Keralis, Xisuma, and Hypno stand at the top as founding members of the server. There is an illustration of a leaf block on a two high fence next to Keralis labelled 'booshes' and an arrow points at Hypno reading 'website admin'. Below them, Joe Hills reclines in a Uno wildcard themed bubble reading a book called 'scam'. An arrow points to this bubble that reads 'the original new guy'. Bdubs' appears waving in a small white circle below Joe with the caption '2 eps in S1. Coming soon!'
Section two: a neon green arrow bridges this section to section one. It comes from Joe Hills and reads 'coup!'. Down the left of this section are the following stats: 'June 2013: Cleo, Mumbo', 'Oct 2013: TFC', 'Dec 2013: iJevin', 'June 2014: False', 'July 2014: Tango', and 'Sept 2014: xbcrafted'. Cleo and mumbo sit together with an arrow pointing at them reading 'both too shy to talk to people' - this text also has an arrow pointing at falsesymmetry. Tfc is depicted carrying a pair of binoculars and has an arrow pointing at him that reads 'branch mine advocate' of which the branch is underlined. Ijevin carries a stopwatch and False a diamond sword. Tango holds a minecraft oak door and has two bits of text pointing at him. The first reads 'early iron farm visitor' and the second reads 'redstone genius'. This second text has arrows that also descend down to impulse, doc, and etho in section three. The final hermit in section two is xb, who is lying on his stomach, kicking his legs and looking up at tango.
Section three: the stats down the left hand side of this section read 'Jan 2015: impulse', 'march 2015: etho, doc'. Impulse is depicted falling into a yellow pentagram with the caption 'summoned to help with quad witch hut'. Below this, doc and etho stand side by side (doc a head taller than etho). Doc has a pen and a clipboard and the pair are labelled 'mindcrack refugees'.
Section four: the stats down the left hand side of this section read: 'Feb 2016: Welsknight, Iskall, Scar, Ren, Cub', 'Sept 2016: Beef'. The five hermits for Feb 2016 are depicted in a line with a box grouping cub and scar with a note that reads 'do not separate'. Below them is the caption 'kingdomcraft'. Beef reclines alone below them, with a note beside him that reads 'mesa-ing around' (title of cub's first hermitcraft episode).
Section five: the stats down the left hand side of this section read: 'April 2017: Stress, Bdubs, Zed'. This section is relatively small. Stress is in a GG get gorgeous t-shirt, holding an allium. Bduds is asleep on Zed, wrapped up in his moss cloak. Above him reads 'NHO time!'
Section six: the stats down the left hand side of this section read: 'July 2018: grian'. This section depicts grian t-posing with white wings and orange goose feet. He has two captions, the first reads 'started a war' and has an arrow pointing up to stress as well. The other reads 'horrible goose t-posing to assert dominance'.
Section 8: the stats down the left hand side of this final section read: 'June 2021: Gem, Pearl'. Gem and pearl are depicted hugging with the captions 'moon big' and 'gem is great'. Pearl's face is depicted as a moon and her eyes are craters. She still has blonde hair to match her minecraft skin.
I promised I'll be making intros to my DRs, so let's start off with my Main DR ! I have not shifted to this DR yet, but it's the one I try to shift to almost every night and it's one of the two DRs that stay consistent in my scripts !
Time ratio : 1 Hour CR = 5 Months DR (I know it may seem like a lot, but I really want to experience as much as I can on each shift.
First shift : November, 2015. I will be shifting to the day I get picked to debut in NCT. The next couple of months will be filled with practicing and getting to know the members. I want to live through these moments, and not just remember them as memories. The morning of my first shift will be filled with my own training, going to vocal lessons, study sessions, since I don't attend school, and by the end of the day, I get called to a meeting, where I find out I'm set to debut with NCT.
Personal Info
Name : (CR name) ; Jung Soobin (Korean Name)
D.O.B : December 08, 2000
Age As Of First Shift : 14
Zodiac Sign : Sagittarius
Height : 150 cm (As Of First Shift)
Nationality : Korean-Bulgarian
Ethnicity : Slavic/Bulgarian
Idol Info
Stage Name : Dahlia
Training Period : Since early 2010
Positions : Main Dancer, Lead Vocalist, Lead Rapper, Face Of The Group, Maknae (127)
Debut : The 7th Sense (NCT U - April 09, 2016) ; Fire Truck (NCT 127 - July 10, 2016) ; Chewing Gum (NCT Dream - August 27, 2016)
Timeline
DEC.08.00
Born in Bulgaria.
2000-2005
Going to kindergarten in Bulgaria. My parents get promoted at their workplace, which requires us to move to Seoul, SK.
2005-2009
Going to public school, but not being able to make many friends. Getting bullied often, so taking up a hobby, which is dancing. I begin dancing every night to popular K-Pop songs in my room, and deciding that becoming an idol is my dream.
OCT.2009
I begin auditioning for SM, YG, JYP, but am continuously rejected for being too young, not being able to sing and rap. I go to every audition I can, which my family soon finds out about. I get scolded a lot afterwards, but I decide to prove everyone wrong, so I begin training in my room to sing and rap.
DEC.2009
I decide to audition for SM Ent. one last time. The judges already know me by then. They give me one last chance, and after a lot of mumbling from their side, they tell me they will call me soon.
JAN.2010
I begin training under SM Ent. There aren't many trainees my age, so I befriend older trainees, which are Sehun (EXO), Johnny (NCT), Irene (Red Velvet). Soon after I begin training, my family informs me that they will be moving back to Bulgaria, where my older brother can receive better higher education there, so I am left alone in Seoul. They tell me to come with them, but becoming an Idol is my dream, so I refuse, to which they get furious, and tell me never to contact them ever again.
2011-2012
I become great friends with Yeri (Red Velvet) and we train together, aligned for the same group. We are roommates, so we become good friends the moment she becomes a trainee. I've gone no contact with my family, aside from my aunt, uncle and cousin. I also befriend Mark (NCT), but we get close due to me not being able to speak good Korean and communicating in English instead (same situation with Johnny). He helps me improve both my English, and my Korean.
The rest of the years leading up to my debut are honestly kind of boring but some key moments are :
Not debuting with Yeri
Becoming the greatest friends with Donghyuck/Haechan (NCT), which we still are to this day
Dating History
Vernon ( Seventeen )
May 19 2017 - January 11, 2018, 8 months
Age Difference : 2 years
Reason for break up : Falling off, companies finding out.
Juyeon (The Boyz)
October 16 2018 until August 15 2019, almost 10 months
Age Difference : 2 years
Reason for break up : He was cheating on me
Taeyong (NCT)
February 10 2020-January 10 2021; March 11 2021 - ongoing
Age Difference : 5 years
Reason for a break : Fans speculating our relationship, so we didn't know how they would react if they were proven right, so we decided to take a break
NEW ROMANTICS is a five member boy group under FLEURY RECORDS. The quintet made their debut on July 17, 2017 with the single OPEN YOUR EYES. Known for their romance concept, the band’s lineup consists of the following members: ZAY, HYUNJAE, HARU, ARMANI, and ZHIYUAN.
Over the years, they’ve managed to capture the hearts of the general public with their image as ‘the nice boys of K-pop.’ New Romantics has found a way to dodge the name of controversy that seems to find all of their labelmates.
⌗♡°✧‧₊˚ GENERAL INFO
COMPANY NAME. FLEURY RECORDS
ARTIST NAME. NEW ROMANTICS
DEBUT SONG. OPEN YOUR EYES
DEBUT DATE. July 17, 2017
FANDOM NAME. ROMANIACS
⌗♡°✧‧₊˚ MEMBERS
ARMANI YOON - MAIN RAPPER, LEADER ( 1996 )
FENG ZHIYUAN - MAIN VOCAL, LEAD DANCER ( 1999 )
ZAY SEONG - MAIN DANCER, LEAD RAPPER, VOCAL ( 2000 )
BOO HARU - LEAD VOCAL ( 2000 )
LEE HYUNJAE - CENTER, VOCAL, LEAD DANCER, VISUAL, MAKNAE ( 2001 )
I don’t know how familiar everyone is with this situation but I thought I should talk about it more in the lead up to the video you’re about to see (which is the first time I’ve seen a netizen have the balls to say smth like this on a livestream lmfao good on them!). kiss of life (or kiof) are a 4 member girl group under s2 that debuted a week ago with ‘shhh’. they’re amazingly talented but the group itself seems to be built entirely around natty (almost a member of twice but was too young to debut at 13; later soloist. very beloved and popular among idols). group also made up of belle and haneul; the former is a writer and composer, who wrote and composed lesserafim’s unforgiven, miyeon’s softly and charging, and composing purple kiss’ find you. she was also the female vocalist on the song child by mark lee of nct.
julie, the last member of the group, has been under fire for covering strange clouds by b.o.b and rapping the n word with her whole chest during a monthly rap evaluation during her training in 2017. naturally since she just debuted it’s been dug up again since she never apologised for it, with black people (rightfully) distancing themselves while nb people are saying it’s not that serious. clearly it is that serious particularly since a lot of the defence of her comes from the fact that she’s a rapper who people say looks and sounds like jennie, and are slowly beginning to venerate because of it. except for the absolute legend who got through the livestream at arirang simply kpop on the 10th of july to say this during the ending fairy sequence.
their voice played over belle’s ending fairy sequence, not julie’s (julie is the girl before) but the message is out there at least. i wanted to share this with context and also because im still seeing content of julie made and shared and i for one am just gonna refrain from it 🤗 love and light to the person who left this message for them especially and i hope everyone telling them that this was ‘too far’ and ‘mean’ has a horrible day because personally i think being racist is ‘too far’ and ‘mean’, actually.
Park Haeun was born on August 20, 2000 in Victoria, Canada to a simple businessman, Park Younghyun, and a bookstore owner, Kimberly Lee. When her mother died in 2005, Younghyun ‘Adam’ packed their little family up and moved to Toronto, Canada, where he later got remarried to a woman, Sarah Teller, and had two children with her.
In 2015, Holly went to South Korea for her student exchange program for a school year to learn more about her culture and mother from her maternal grandparents. There, she fell in love with K-pop and decided she wanted to become an idol, ending her studies. Understandably, her parents were upset and begged her to come home, but she refused and her grandparents helped her convince them.
In 2017, she was announced as a trainee in Delphi Entertainment’s pre-debut girl group project; GIRLISH, with nine other girls. She was well received by the public and was the fifth girl to be revealed for GIRL TALK. She debuted in 2018 in the girl group GIRL TALK as their main dancer and lead rapper.
In the grand tapestry of time and human experience, certain moments stand out as pivotal, shaping the course of history in unexpected ways. One such moment unfolded on a balmy July 17 in 2017, in the heart of Washington, America.
Marie, a young woman driving on the bustling streets of the nation's capital, found herself on a journey home that would forever alter the trajectory of her life. As she drove along, her thoughts drifting like the wisps of clouds overhead, her attention was suddenly drawn to a figure standing sentinel upon a bridge overlooking the serene expanse of the Potomac River.
Intrigued by the solitary silhouette, Marie felt an inexplicable pull, an instinctual urge to intervene, to reach out to the stranger on the precipice of despair. Little did she know, this chance encounter would mark the beginning of an extraordinary journey into the realms of fate and destiny.
The figure, known to the world as Leah, stood with shoulders weighed down by the burdens of life, her gaze fixed upon the tranquil waters below. In her eyes, Marie glimpsed a reflection of her own struggles, a silent cry for understanding amidst the chaos of existence.
As Leah teetered on the edge of oblivion, preparing to surrender to the depths below, a miracle unfolded before their eyes. A crimson thread, vibrant and ethereal, materialized upon Leah's wrist, binding her to the currents of destiny. Unable to resist its pull, Leah found herself ensnared in its embrace, suspended between the realms of life and death.
In that fleeting moment, as their eyes met across the expanse that separated them, a connection forged in the crucible of fate ignited between Marie and Leah. It was as if time itself stood still, the world around them fading into insignificance as they became enmeshed in the tapestry of each other's souls.
For Marie, it was a revelation, a glimpse into a world beyond the confines of the ordinary, where love and destiny intertwined in a dance as old as time itself. And for Leah, it was a lifeline, a beacon of hope illuminating the darkness that had threatened to consume her.
From that day forth, their lives became intertwined in ways they could never have imagined. Together, they embarked on a journey of self-discovery and redemption, navigating the highs and lows of existence with a newfound sense of purpose and determination.
Their story, once whispered in hushed tones, soon echoed across the globe, inspiring others to seek out the soulmates who lay waiting in the hidden recesses of their hearts. From the icy tundras of the north to the sun-drenched shores of the south, souls united in a symphony of love and longing, rewriting the narrative of human connection for generations to come.
And amidst it all, amidst the clamor of a world awakened to the possibilities of love and destiny, there existed a group of young men untouched by the allure of soulmates. SEVENTEEN, a Korean consisting of thirteen members, had made their mark in the world of music since their debut in 2015. Their eyes were firmly set on the horizon of their dreams, their bond unbreakable as they faced the challenges of fame and fortune together.
But destiny, it seemed, had other plans in store for them. As they stood on the precipice of a new chapter in their lives, they soon discovered that the threads of fate bound them together in ways they could never have imagined. All thirteen of them, connected by seal marks that transcended the boundaries of time and space, embarked on a journey into the unknown, united in their quest for truth, love, and the eternal bonds of friendship.
⎯⎯⎯⎯⎯⎯⎯⎯ PLANETARY SOCIETY is a South Korean entertainment company established in 2003 by Han Byungcheol as Cult Creative Records. The company operates as a record label, talent agency, music production company, event management and concert production company, and music publishing house. Its subsidiaries include Cult Creative, God Complex Media, and Antoinette Modeling. They are often referred to as Planetary World.
⎯⎯⎯⎯⎯⎯⎯⎯ GENERAL INFORMATION
NATIVE NAME. 행성 사회
COMPANY TYPE. Public
INDUSTRY. Entertainment
FOUNDED. January 1, 2003, July 21, 2020
FOUNDER. Han Byungcheol
HEADQUARTERS. Mapo-gu, South Korea
KEY PEOPLE. Han Byungcheol ( Chairman ), Ha Hyeju ( CEO )
WEBSITE. planetsociety.com
⎯⎯⎯⎯⎯⎯⎯⎯ SUBSIDIARY ONE : CULTKIVE
⎯⎯⎯⎯⎯⎯⎯⎯ CULT CREATIVE, formerly Cult Creative Records, is a South Korean record label established in 2003 by Han Byungcheol. The company re-structured and re-branded into an independent label under Planetary Society ( formerly Cult Creative Records Inc. ) in November 2020. As of date, the label is home to soloists JUDY, Elise, VINNY, and Jupiter’s Comedy, girl groups Heat Burn and Dead Poets Society, and boy group True Blue.
⎯⎯⎯⎯⎯⎯⎯⎯ GENERAL INFORMATION
NATIVE NAME. 컬트 크리에이티브
COMPANY TYPE. Subsidiary
INDUSTRY. Entertainment
FOUNDED. January 1, 2003 ( as Cult Creative Records ), November 1, 2020 ( as Cult Creative )
FOUNDER. Han Byungcheol
HEADQUARTERS. Mapo-gu, South Korea
KEY PEOPLE. Hwang Miyeon ( CEO )
⎯⎯⎯⎯⎯⎯⎯⎯ HISTORY
( 2003 — 2019 )
Cult Creative Records was founded on January 1, 2003, and debuted Heat Burn in 2009. That same year, Han Byungchoel signed Judy as the first member of the now-defunct group HotPink — she would debut as a solo artist under Cult Creative on May 2, 2013. In 2012, the company signed Son Suho and began forming the boy group True Blue. The group debuted in 2012 with four other members. It was active until 2021 when it would go on an indefinite hiatus.
The company debuted its first male soloist, Jupiter's Comedy, in 2015, that same year it signed former JYP trainee Vinny Han and would debut him on June 9, 2017. They would debut its first co-ed band, Koi Pond, in 2017. The company debuted its third soloist, Elise, in August 2018. Cult Creative debuted their second girl group, Dead Poets Society ( DPS ), in October 2019.
( 2020 — PRESENT )
On June 18, 2020, Cult Creative Records announced that it had been renamed Planetary Society to emphasize plans to expand its business units and ventures. With this change, the Cult Creative Record label would be changed to Cult Creative. On November 1, 2020, Cult Creative would become a subsidiary of Planetary Society.
In 2022, it debuted its first company unit Ditto, which features soloist JUDY, Heat Burn members Sujin and Hyelim, and Dead Poets members YENA and Kaede.
⎯⎯⎯⎯⎯⎯⎯⎯ ARTISTS & STAFF
DAPHNE CHOI / female producer / est. 2005
HEAT BURN / 4 member girl group / est. 2011
RED HORSE / male producer / est. 2012
TRUE BLUE / 5 member boy group / est. 2012 - 2021
JUDY / female solo artist / est. 2013
JUPITER'S COMEDY / male solo artist / est. 2016
HARUSHII / male producer / est. 2016
DITTO / cultkive project girl group / est. 2017
KOI POND / 4 member co-ed band / est. 2017
VINNY HAN / male solo artist / est. 2017
ELISE / female solo artist / est. 2018
SOUR GRAPES / female producer / est. 2018
DEAD POETS SOCIETY / 6 member girl group / est. 2019
GARAM / female producer / est. 2023
⎯⎯⎯⎯⎯⎯⎯⎯ SUBSIDIARY TWO : GOD COMPLEX
⎯⎯⎯⎯⎯⎯⎯⎯ GOD COMPLEX MEDIA is a South Korean actors agency operating as a Planetary Society subsidiary. The agency was established in 2012 by Park Yohan.
⎯⎯⎯⎯⎯⎯⎯⎯ GENERAL INFORMATION
NATIVE NAME.갓컴플렉스미디어
COMPANY TYPE. Subsidiary
INDUSTRY. Entertainment
FOUNDED. October 21, 2012
FOUNDER. Park Yohan
HEADQUARTERS. Seoul, South Korea
KEY PEOPLE. Park Yohan ( Founder & CEO )
⎯⎯⎯⎯⎯⎯⎯⎯ HISTORY
It was founded in 2012 by Park Yohan, a former actor. The year it was founded, it signed Jung Il-sung. God Complex became a subsidiary of Planetary Society in 2020 but still operates as an independent label.
⎯⎯⎯⎯⎯⎯⎯⎯ ACTORS
JUNG IL-SUNG / male actor / est. 2012
PARK TAEMIN / male actor / est. 2013
JUNG KYUNGMIN / male actor / est. 2013 - 2023
MIN SORA / female actor / est. 2014
SOPHIA HAN / female actor / est. 2014
MIN HONG-GI / male actor / est. 2018
AHN JIHO / male actor / est. 2024
⎯⎯⎯⎯⎯⎯⎯⎯ SUBSIDIARY THREE : ANTOINETTE
⎯⎯⎯⎯⎯⎯⎯⎯ ANTOINETTE MODELING, commonly called Antoinette Management, is a modeling agency established by model-turned-CEO Salem Noh in 2009.
⎯⎯⎯⎯⎯⎯⎯⎯ GENERAL INFORMATION
NATIVE NAME. 앙투아네트 모델링
COMPANY TYPE. Subsidiary
INDUSTRY. Fashion
FOUNDED. April 2, 2009
FOUNDER. Salem Noh
HEADQUARTERS. Seoul, South Korea
KEY PEOPLE. Salem Noh ( Founder and CEO )
⎯⎯⎯⎯⎯⎯⎯⎯ HISTORY
Antoinette Modeling was founded by former model Salem Noh in 2009 to train future models and fashion industry professionals. In 2016, Cult Creative Records and Antoinette Modeling signed a contract for a strategic partnership, many Cult Creative artists work as models under the company.
In September 2021, it was acquired by Planetary Society but continues to work as an independent label.
LABITULE , also known as nabi in short / hangul form , is a six member fictional girl group under jyp entertainment & kalon records . under the partnership of the two labels , the group currently consists of yoonah , minali , gaon , lilith , hiraya & serein .
best known for their intentional experimentation with their concept , LABITULE is the latter company's pride and largest money-maker . ever since their debut , the members have expanded their presence beyond the music scene .
although , note that this is merely a burning speculation , irony can be found in the group's name and the treatment given to them .
AND I WAS CARVED FROM WAX ˒ 𝐢𝐢. mini dossier
GROUP NAME : labitule ❪ kr : 나비 ❫
LABEL(S) : kalon records & jyp entertainment
DEBUT DATE : july 23 , 2016
DEBUT ALBUM : pretty pity
DEBUT SONG : eung eung
GREETING : “ and the dreams are still dreaming — hello , we are labitule ! ”
CONCEPT : dolls whose styles are played around with
WAIT THIS IS FOR THAT OTHER ANON HOLD ON HERE I HAVE A LIST OF ALL THE GHOULS AND WHEN THEY WERE THERE. I DID NOT SPEND MONTHS COMPILING EVERYTHING I KNOW ABOUT GHOST INTO OnE DOCUMENT FOR NOTHING!!! YIPPEEEE (also im 99% sure this is all correct but some things might be wrong idk) (also also i included the irl people who play the ghouls btw)
Era 1
The very first lineup of ghouls was from 2010 to 2011.
Alpha (played by Simon Soderberg)
-Lead guitar
-White Fantomen guitar (white with pointed black pickguard, curvy)
-Fire symbol on guitar
-Hand tattoos
Chain (played by Gustaf Lindstrom)
-Bass guitar
-Weirdly shaped black guitar with white edges
-Wore big chain necklace
-Bones painted onto hand
Omega (played by Martin Persner)
-Rhythm guitar
-Black Fantomen guitar (black, curvy, white outline)
-Omega symbol on guitar
Earth (played by Aksel Holmgren)
-Drums
-Left-handed
Air (played by Mauro Rubino)
-Keyboard/synth
-Air symbol on keyboard
-Stood up at all times
-Big and tall
In 2011, Water replaced Chain.
Water (played by Rikard Ottoson)
-Bass guitar
-Same guitar as Chain’s
-Wore blackout contact lenses
Era 2
From 2012 to 2014, the lineup remained the same as Era 1. In 2014, a new person began to portray Water, although the ghoul’s name remained the same. During this time, Earth was also replaced, and the new drummer ghoul was nicknamed Little Earth because of his small stature.
Water (played by Linton Rubino)
-Bass guitar (same as previous Water’s)
-Large hands
-Tall
Little Earth (played by Martin Hjertstedt)
-Drums
-Short and small
-Spun drumsticks
Era 3
In 2015, Water was replaced again. He also switched guitars, although his name stayed the same.
Water (played by Henrik Palm)
-Bass guitar (white with larger rounded black pickguard, curvy)
-No symbol on guitar
-Tall
In 2016, there was a transitional lineup change. Omega played his last show on July 2, 2016. His position as rhythm guitarist was replaced by Water, who switched to a Black Gibson SG guitar (fully black, pointed, black pointed pickguard with a white outline) without any elemental symbol on it.
From July to September of 2016, Ghost had no live bassist. In September, the first ghoulette, Mist, joined and became the bassist.
Mist (played by Megan Thomas)
-Same guitar as Water’s previous one (black and white bass)
-Looser costume than other ghouls
-Often wore nail polish
-Had slightly heeled shoes
During the “Black to the Future” tour, an unknown ghoul would occasionally come onstage and hit a cowbell during the song Ritual. He would then be shooed away by Papa.
Cowbell (played by Niels Nielsen)
-Cowbell
-Only played on one leg of 2015 US tour
In early 2017, the lawsuit happened, which involved Alpha, Water, Little Earth, and Air. During the lawsuit, the lineup of ghouls completely switched, although Papa Emeritus III remained the frontman and was still portrayed by Tobias. Omega and Mist were not involved in the lawsuit, but they still left. Tobias won the lawsuit.
Before his part in the band was revealed, Tobias went to public events and was interviewed as either his Papa persona or as a character called Special Ghoul. Special Ghoul was just a normal ghoul costume Tobias wore during interviews—Special did not perform at all.
“The Popestar Tour” consisted of an entirely new group of ghouls, which debuted in March 2017 and played until September.
2017 Popestar Lineup:
Aether (played by Chris Catalyst)
-Rhythm guitar
-No symbol on guitar
-Same black Fantomen guitar as Omega
-Larger and more muscular
Dewdrop/Sodo (played by Per Eriksson)
-Bass guitar
-Same black and white bass as Mist’s
-Short and lithe
-Right pinky finger is always bandaged
Ifrit (played by Ben Cristo)
-Lead guitar
-No symbol on guitar
-Same white Fantomen guitar as Alpha
-Very interactive with crowd
Chair/Zephyr (played by Zac Baird)
-Keyboard/synth
-Sat down while playing
-Had two keyboard setups
-Tall
-Same symbol on keyboard as Air
New Earth (played by Jan-Vincent Velasco)
-Drummer
-Wore bracelets
In late 2017, New Earth left and was replaced by Mountain.
Mountain (played by Hayden Scott)
-Drummer
-Tall
-Does not usually wear shoes
Era 4
Ifrit and Chair were meant to be temporary ghouls to replace the ones who left during the lawsuit, so they left Ghost after the end of Era 3. Dewdrop replaced Ifrit’s position as lead guitarist, using the same white Fantomen as he did. Cumulus, a new ghoulette, replaced Chair on the keyboard. A new ghoul, Rain, took over Dewdrop’s previous role as bass guitarist. Another new ghoul and ghoulette joined and took on multiple roles. For the first time in the band’s history, the ghouls began to sing backing vocals live.
Cumulus (played by Mad Gallica)
-Keyboard/synth
-Backing vocals
-Tambourine
-Short and chubby
Rain (played by Cosmo Sylvan)
-Bass guitar
-Same guitar as Dewdrop’s previous guitar
-Shy
Swiss/Multi (played by Justin Taylor)
-“Multi” ghoul
-Tambourine
-Acoustic guitar
-Backing vocals
-Dances
-Smiles often
Cirrus (played by Laura Scarborough)
-Keyboard/synth
-Keytar
-Often near Cumulus
Era 5
Throughout Era 5, the lineup remained the same as Era 4. However, a ghoulette named Sunshine also joined during this era.
Sunshine (played by Sophie Amelkin)
-Backing vocals
-Tambourine
-Slim and short
Dewdrop also switched guitars and began using an all-white, rounded guitar. During this era, Rain began occasionally using an all-black, rounded bass guitar instead of his normal one. Finally, Aether also began singing backing vocals in this era.
Taylor Swift spends a record-extending 70th week at No. 1 on the Billboard Artist 100 chart (dated July 1) thanks to nine albums on the latest Billboard 200 and three songs on the Billboard Hot 100.
On the Billboard 200, Swift’s 2022 LP Midnights ranks at No. 4 with 60,000 equivalent album units, according to Luminate, after spending six weeks at No. 1.
Here’s a recap of her current Billboard 200-charting titles:
Rank, Title:
No. 4, Midnights
No. 10, Lover
No. 14, Folklore
No. 18, 1989
No. 23, Reputation
No. 25, Red (Taylor’s Version)
No. 38, Fearless (Taylor’s Version)
No. 39, Speak Now
No. 40, Evermore
Swift scores nine titles in the Billboard 200’s top 40 for a fourth time, after achieving the feat on charts dated May 20 and 27 and June 3. No other artist has earned the honor (dating to August 1963 when the survey became a combined stereo and mono album listing.)
Notably, Speak Now rises 42-39 ahead of its new re-recorded Speak Now (Taylor’s Version), due July 7.
On the Hot 100, Swift charts with current Midnights single “Karma,” featuring Ice Spice (up 9-7), former eight-week leader “Anti-Hero” (holding at No. 12), and Lover cut, and new promoted single, “Cruel Summer” (39-18). “Cruel Summer” surpasses its original No. 29 peak in 2019 and becomes Swift’s 69th career top 20 hit, the second-most in the chart’s history, after Drake’s 116.
“Cruel Summer” is the Hot 100’s top Sales Gainer, as it bounds 32-10 on Digital Song Sales (3,000 sold, up 71%), to become Swift’s record-extending 84th top 10.
ATEEZ re-enters the Artist 100 at No. 3, a new high, thanks to the act’s new set The World EP.2 : Outlaw. The project debuts at No. 2 on the Billboard 200 (105,000 units), becoming the group’s highest charting album, and No. 1 on Top Album Sales.
Gunna re-enters the Artist 100 at No. 5, as his new LP — A Gift & A Curse — arrives at No. 3 on the Billboard 200 (85,000 units), becoming his fifth top 10. Eleven songs from the album land on the latest Hot 100, led by “Fukumean” and “Back to the Moon” at Nos. 16 and 29, respectively.
Plus, Queens of the Stone Age re-enter the Artist 100 at No. 7, returning to the chart for the first time since 2017, thanks to the group’s new LP In Times New Roman… The album debuts at No. 9 on the Billboard 200 (40,000 units), becoming the band’s fourth top 10.
The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.
17/04/2024: just one drawing for this Wednesday evening. Love listening to 'Kards' mix playlist track via their youtube channel.
enjoy everyone.
tool: wacom pen
software: adobe photoshop & illustrator cs3
Wikipedia: Kard is a South Korean co-ed group formed by DSP Media. They are composed of members J.Seph, BM, Somin, and Jiwoo. They officially debuted on July 19, 2017, with their extended play Hola Hola.
This will mostly be a blacklist of the kinks/fetishes I have no interest in RPing
Gore
Killing and death
Vore
Loli & Shota (All characters MUST be older than 18)
Watersports (Peeing on each other)
Scat
OCs
Meretrix the Witch-Demon
Maria Oki, Amazonian Superhero
Meme/Ask/Prompt/RP Master List
Ask AUs
Relief Nin: A Universe where to ensure Ninjas are at their best; a class of Kunoichi exists to solely please every Ninja they come across. For Morale and for their health. [ A B C D E F ] These are all examples of the Relief Nin AU
Gentle Group: A Universe where Danjuro Tobita [Gentle Criminal] shifts his focus from trying to make petty crime viral, to becoming a popular parasocial pornstar sensation. His debut plan goes wild and he and Manami Iaba [La Brava] are able to build up a brand and fuck heroes, villains and civilians alike for views and for donations. [ A B C D ]These are all examples of tales happening within the Gentle Group AU
DAY6 shows what makes them special on their new album Fourever
by Kim Doheon
“I’m so moved by the stage, I won’t be alone any longer / Among all of the possibilities, thank you for choosing me.” The first song on DAY6’s Fourever, “Welcome to the Show,” which marks the band’s return to full strength after taking three years off for its members to complete their military service, is an anticipatory start. Along with Young K's lyrics, which directly express the overwhelming emotions of the members who did not give up music during the long hiatus as “moved,” the song opens with a synth riff that signals a new beginning for the band, followed by a bright guitar performance with a thumping bass drum. What comes next is interesting. “The future that you’re welcoming with me might be risky. But there might also be tear-filled emotions.” After a thank you reminiscent of an idol’s fan song, Sungjin warns of an uncertain future. Wonpil then creates a twist by saying, “Even so, if you won’t let go of my hand,” and their show begins in earnest. As all members sing the main melody heard at the start, Young K affirms once more in a firm voice. “I promise you this much. I’m going to give my all.” A warm hello from the returning band moves from anxiety and chaos to great joy, becoming a beautiful anthem of promise. Before the first verse of “Welcome to the Show” is over, we can glimpse DAY6’s path traversed, their identity, and a vivid musical surface that hints at the future they will embark upon.
DAY6 is all about paradoxes. They started out by internalizing the clash of values that come with being an idol band from a powerhouse agency. Despite unabated critical views toward the idol bands in the early 2010s, their agency chose to believe in the power of paradox instead of contradiction. To overcome the negative perception, the members, who had never held an instrument before, practiced for more than 14 hours a day, spent more than 100 hours a week performing together, and set a goal of debuting with their own music. Prior to their debut, the band performed small-scale busking gigs and rock festival stages, starting with Live Club Day on July 31, 2015, to get a feel for a real-life experience. Their debut showcase was held at the West Bridge Live Hall in Hongdae area, and they followed a real indie band’s schedule, announcing performance venues on Instagram, performing on the street, and communicating with fans instead of performing for televised music shows. Since 2017, the group started improving self-sustainability by releasing two self-written songs each month with the “Every DAY6 Project,” a steady stream of creative output. Naturally, the attention given to the new band was not as widespread, but through hard work, DAY6 has been able to chart a path to the seemingly incompatible idol band ideal. But the real key is that, in the process, DAY6 has established their own creative perspective and narrative delivery.
Paradoxical situations and the process of resolving them are at the center of DAY6’s musical world. They capture universal moments in everyday life from a different perspective. Their debut song “Congratulations” marks the beginning of what is often called “running while crying,” an expression that refers to the songs with lyrics that go against the feel-good beat of the song itself. The person congratulating you for being so great is an ex-lover who coldly abandoned you. “You Were Beautiful,” an iconic staple of DAY6’s discography, also looks back on the good times with a past lover, but there is a dark sense of nihilism that it’s all over. The same goes for “I Smile” from their first studio album, Sunrise. The vow to be invariably cheerful is actually an expression of perseverance to clench your fists and bite your lip to avoid ruining an awkward reunion with a long-lost lover. “I Like You” goes, “The days that go as I wish, there weren’t many.” In “Time of Our Life,” which has become a generational anthem to youth, DAY6 confesses, “I’ll be honest with you. It wasn’t that easy for this moment to come,” in contrast to the bright melody. We can understand why Sungjin chose to share their uncertainty in “Welcome to the Show.” And nowhere is this formula more evident than in “Happy,” the second song on Fourever. DAY6 desperately cries out for happiness in a bleak reality where “Algorithms only apply to successful people” and “I'm sinking. I think I'm going to cry.”
Crises and climaxes are particularly prominent in the compositional stages of DAY6. In “Zombie,” where they are at their most precarious, their nihilism is taken to extremes. That’s why it’s all the more poignant and precious when they finally get their happy ending. They repeatedly question their beliefs about happiness and love, search for answers, and then defend those answers with unwavering faith. It’s a deep sincerity that only those who have fought to achieve and protect something can bear. It’s a journey that starts in “Hurt Road,” where they sing, “You knew and I knew that this is not an easy road. It’s not that you and I didn’t know that not many flowers bloom on this road,” and ends with, “But I can push through as long as I have your love,” in “You Make Me.” “Time of Our Life” says, “I waited so long for this day to come,” and encourages us to write together “a page of our beautiful youth.” “Sweet Chaos” sings of a good love that overcomes a chaotic disorder. This also becomes the case when we encounter the upbeat synth-pop “The Power of Love” as the next song for “Happy” in this album.
DAY6’s music matured as their narrative grew stronger. While in the early days, DAY6 centered on Korean indie soft rock and embraced the trendy pop and rock music of the time, they continued to make musical strides by maintaining the appeal of straightforward rock music, adding electronic sounds, and expanding into various genres such as sentimental ballad and jazz. The expansion started with “days gone by,” which took on a 1980s new wave vibe and picked up steam with The Book of Us series, yielding rich musical results like “EMERGENCY,” “365246,” “Day and Night,” and “Love Me Or Leave Me.” The Book of US : Negentropy - Chaos swallowed up in love, their last album as a complete group before enlisting in the military featured a romantic blue-eyed soul song “Only” and an honest love song, “so let’s love,” while maintaining the electronic sound texture throughout. The project that took on a stronger pop feel was DAY6 (Even of Day), a trio sub-unit of DAY6 absent of Sungjin’s guitar and vocals. Wonpil’s keyboard-heavy production brought textures reminiscent of early 2010s bands like WALK THE MOON and Neon Trees, while Young K refined his talents as a singer-songwriter.
With all four members participating in vocals since their debut, they have now found the optimal combination that conveys different sentiments within a single song using their voices. Young K, who writes lyrics, is the vocalist who can most empower DAY6’s music. The range of his voice, which is as strong and cheerful as his bass, has expanded from the raps in their early days to the choruses that now promise the team’s sureness. Having released a solo album, Letters With Notes, with the composer Hong Jisang, who has worked with DAY6 throughout their career, and written “Rose Blossom” for the girl group H1-KEY, Young K is now a fully-fledged singer-songwriter. In contrast, Sungjin, the rough-edged main vocalist, is the pillar of the band. He retains the raw emotion from DAY6’s early days and adds a touch of rock in various areas of a song, from the run-up to the takeoff. The instantly recognizable voice of Wonpil is multi-dimensional. His clear voice creates a zone of coexistence between the innocent youth, the fragile and wounded youth of today, and the youth who desperately dream of the future. Wonpil, who delivered his unique lyricism and presented “A journey” in his solo album Pilmography, is truly a member who “runs while crying.” Dowoon’s drumming is the foundation on which all of this music can be stably unfolded, a vast canvas for DAY6.
FOUREVER is packed with the quartet’s inner strength. After the sing-along-inducing “Welcome to the Show” and a cry out of “Happy,” which they must have dreamed of countless times during their long hiatus, they preach the power of positivity in “The Power of Love,” fix their shoelaces and try to forget a breakup with “Get The Hell Out” and run through the track once again with “Sad Ending.” After this youthful rush, the album calmly closes with the romantic “Let Me Love You” and the DAY6 (Even of Day)-esque “didn't know,” looking back on the past and staying true to DAY6’s music. As the quartet didn’t have much time after Wonpil’s discharge last November, they chose to take a style that fans are familiar with rather than bringing big changes, a choice made possible because they had confidence and faith in their masterful work.
Tickets for DAY6’s three-day concert, “Welcome to the Show,” held at Jamsil Indoor Stadium from April 12 to 14, sold out in a heartbeat. Referring to their popularity, some entertainment outlets titled their articles “An urgent need of self-grasping.” Jamsil Indoor Stadium is the largest concert venue in Seoul following the Gocheok Sky Dome, KSPO Dome, and INSPIRE Arena, as the 60,000-capacity Seoul Olympic Main Stadium is being renovated. Mobilizing more than 30,000 spectators over three days for a team that hasn't performed as a full group in three years is no small feat. It’s a testament to the public’s support for them. When the articles were trending on social media with their titles, no one doubted DAY6’s status. It wouldn’t be out of place to see them on an arena or stadium-sized stage shortly. The band’s story of overcoming paradox and singing of love and the power in their voices bring them as “one” and make them invincible as their song suggests. In an era where the dark values of mistrust and individualism are spreading, it’s beautiful to see these four men reunited to brighten the world with their music. DAY6 never fails to deliver. I believe in the band and their sincerity.