Both my parents actually suffer from HORRID emotional dysregulation and are prone to snapping and going into rages. My sister is the same way tbh. I am now realizing this is why they are constantly baffled by the question of whether or not I am mad at them.
I don't have external meltdowns.
I could. I don't let it happen.
I keep my rage on the inside and stay pretty quiet about it. It's just as strong as theirs [physically shaking nose bleed from high blood pressure kind of bad], but like as a kid I saw how terrifying it was to be around [dad breaking dishes, mom putting our lawn chairs into walls] and I just internalized that I wasn't going to wear that anger on the outside.
So my mother genuinely cannot tell if I am just being quiet or if I am silently hearing the dial-up noises of pure rage. This has lead her to both making strong and confident statements like "You are a pacifist who would never hurt a fly U.U" but also acting like I am secretly dangerous maybe... It's because she has never seen me snap.
She knows what her temper is like [throwing chairs through walls], she knows what my father's temper is like [pick up child and toss out door], and she can tell I am being tested, but she doesn't know what happens when I snap or where that breaking point is.
Her -perhaps unhinged- solution to this, my whole life, has been to do things that should obviously enrage me or shut me down completely, like ignoring important boundaries, repeatedly, punishing me for expressing emotions or needs at all, etc... And then to constantly ask me if I am angry with her when I get too quiet [right after near directly telling me to shut up].
It has occurred to me now, they have never once seen me lose my temper, so they literally just can't tell if I am angry at them. My sister is easy, my mother fights and screams with my sister constantly, my mother understands this. My mother doesn't have any grasp of feelings or boundaries that are not screamed at her [apparently, and I fear my sister is the same way]. Her and my sister are close despite constant fucking fighting because they understand each other.
They are trying to get me to engage the same way and it is not working. I realize now that this has been hard for them.
I was so successfully taught to suppress my emotions, by being punished for any outburst, that rage quiet looks the same as any other kind of quiet from the outside. To them anyway.
I did tell her. For the record. I used my words. I did tell her very calmly that my response to rage, in order to avoid doing the things that terrified me as a child, was to simply leave [the autistic urge to GTFO]. When a situation or person causes too much of the dial-up rage noise, I simply extract myself from that situation, up to and including never speaking to a person again. I explained this calmly. I explained it calmly 100 times and I explained that I explain myself calmly as my rage response 1-5 [also pretty much every other negative emotion tbh], and I told her that what came next was me simply opting out and fucking off. I told her this. I couldn't understand why she never took me seriously, or why she never fucking understood.
I couldn't understand what made her like this.
But it's the same problem I have with everyone else multiplied by a factor of 10.
If I am explaining myself calmly, they can't understand that it's actually serious or that I am actually upset. ESPECIALLY because they read me as "female" and women "aren't that rational" so if I am not screaming and crying about something, which I never do, people assume I can't be upset and it isn't serious.
And then after having my boundaries ignored too many times despite having calmly explained how and why it's a problem [shaking inside or not]... I leave. I leave and everyone gets upset like this is unexpected behaviour, even though I told them 50 times that is how I would respond if they kept doing *the thing.*
And for neurotypical people especially, they are expecting there to be a disconnect between what someone says they need or feel and what their actually boundaries and feelings are, and they expect the latter to be demonstrated with emotions. Telling them bluntly you do not function that way somehow never helps?
My mother isn't just looking for normal yelling or a few tears to know I am serious, whether or not I do those either [I don't], she's looking for an explosion to know there's a problem at all.
Fucked if I know how she proceeds through life this way in general or if this is just her expectation of her own kids???
And I couldn't get why my mother couldn't read my emotions and didn't seem to think I have any. It's because she's testing for the rage limit to see where my 'actual' limit is instead of taking my word for it. Never the fuck mind that she could simply *not* test at my boundaries instead of letting me have them. Separate issue.
I couldn't figure out what made her *like this*
She's expecting me to throw a giant meltdown violent tantrum at people when I have 'actually' had enough. Maybe she got away with those being like 5'4" in another time, but I am the size of the average man, I do not get to have giant screaming rages, whether or not people perceive me consciously as a woman, and least of all because a lot of people -at least unconsciously- read me as 'masculine' or at least always "they guy" of the situation compared to all other women and some men [bigger stronger and more rational, more able to just absorb the damage and let it go so the less rational screaming/crying one doesn't have to be dealt with]. Even if it was in me to be willing to terrify people [usually never], there are such limited instances where it wouldn't just blow back on me. Potentially very dangerously.
I am going to be the quiet calm one. You are going to have to let me use my words, bitch.
So she kept ignoring my boundaries until I had to cut her out of my life, and she probably doesn't understand and probably thinks it feels sudden -after 36 long years of bullshit- abrupt and unfair.
But I told her hundreds of times.
I probably should have just screamed at her.
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Jazz's little. Her parents are super cool. They're ghost hunters! It sounds like something from a movie about future and scientists and supernatural beings and cool-looking tech. They have cool-looking tech at home. It's even cooler than tech in the movies.
Jazz also has a little brother. He's stupid but he's hers, and she will protect him from anything. Her brother is very small, he needs someone to protect him and teach him about the world.
She knows about the world. She understands their parents much better than him, and she can tell her brother when they shouldn't be distracted. She knows when they're upset and irritable, and she knows when they're too excited and being near them is dangerous because of all the inventions.
Jazz does a very good job keeping her little brother safe.
---
Jazz goes to school. Her teachers say that she's very smart, the best student in class, and very mature. Her parents are proud of her - when she manages to distract them from ghosts. Her brother is still kinda stupid and doesn't know how to properly fight food, but she's always there to protect him, because that's what older sisters do.
Her classmates seem to think that she's weird though. Some of them say mean things and call her a teacher's pet and a show-off. Jazz isn't sure why they think so because she's always trying to be friendly but maybe she's doing something wrong. She goes to the school library and finds a book about people and their communication.
It's a very interesting book.
---
Jazz is almost a teen. She's gotten better at communicating with people. The school library ran out of psychology books, and Jazz now has to go to the city library but that's fine. Human brain fascinates her.
She's been feeling like something is wrong about her though. She even thought that she was going crazy for a little bit. That probably wasn't true because she didn't match any symptoms but she was still worried.
Someone told her that being so good at lying and faking face expressions is not okay. That's probably not true, Jazz is pretty sure almost everyone can do that. Or maybe she's just being a prodigy again. It's a very good thing to be able to do after all. She can hide her emotions from her family when she's feeling sad. She wouldn't want to worry them, would she?
She'll have to research it.
---
Jazz is a teen. She now knows that her parents aren't actually that good. It's something that was really hard to accept but it did explain everything. Her parents are kinda bad at being parents, and they also don't really listen when she tries to explain it to them.
It's okay. She's almost an adult and Danny has her. She can take care of herself and her brother.
She learns everything she can about being a parent and a therapist and tries to use her knowledge. It's hard, but she's a Fenton, which means that she's very smart and determined. She pushes through, and trains on her classmates and herself.
In the evening she writes about her feelings in a journal. It's very important to be aware of her feelings because that's the first step to dealing with them.
She's experiencing sadness. And anger, actually, even though she doesn't like to admit that.
She writes "this family is a fucking mess" in her journal and then covers the paper with ink until the sentence is absolutely unreadable.
---
Jazz is sixteen, and her stupid parents opened the stupid portal, which means that they're even worse than usual. It's pretty much okay when they're just stuck in their stupid lab, making some stupid weapons. It's not that okay when they're out of the stupid lab, because they get their stupid inventions all over the stupid house, and stupid food comes to life, and she has to protect Danny from both their stupid weapons and stupid hotdogs, and oh god everything is so stupid.
She's experiencing anger.
She's also acting perfectly calm and almost cheerfully.
Jazz hates how perfect her fake smile is in the mirror.
---
Jazz is seventeen. She wants to put her headphones on and listen to some loud music. Jazz can't do that, because she gets anxious if she can't hear what's happening around her. She needs to be fully aware of her surroundings because she needs to be able to protect herself and her brother if weapons against ghosts become weapons against children again.
She thinks that it's not okay.
The house smells of ectoplasm, so she'll be extra careful when opening the fridge.
She thinks that she shouldn't know how ectoplasm smells.
Jazz should probably also warn Danny: her little brother's gotten better at fighting food but doesn't notice the smell of ectoplasm. Funny, considering his ghost sense.
Funny, considering that her brother is a half-ghost.
That her brother died.
That she failed at protecting him after all.
Jazz stops breathing to prevent herself from crying, and doesn't need oxygen for a few minutes too long.
Maybe she failed at protecting herself too.
---
Jazz is turning eighteen next month. Her parents are all of a sudden more attentive and caring, as if that can change their almost-absence during her whole life. She doesn't like their attention because she doesn't know how to deal with it. She doesn't even really think of them as parents anymore.
She thinks of them as a threat.
Once she's eighteen, she's gonna try to move out, and she's going to take Danny with her because it's not safe to leave him here. Maybe after she gets a good job and saves some money, she'll even get into therapy.
Jazz thinks that she needs therapy.
She's been having Bad Thoughts lately, and she doesn't write them down in her journal. Jazz stopped writing anything in there ever since she found out that Danny is a ghost. She just couldn't risk anyone finding that journal.
Jazz isn't sure if she should call those Bad Thoughts intrusive. They scare her, and they're Bad, but it could be just her normal thought process.
It's still definitely not normal.
---
Jazz is eighteen. Her parents are very excited, whispering to each other about how they found a perfect present for her, some surprise that she's gonna love.
She doesn't care.
Her little brother is late from school, and it's weird, because he was also super excited about giving her his present.
She's worried.
Her parents brush off her concern, say that Danny probably just got distracted talking with his friends. They don't listen when she says that Danny wouldn't get distracted like that on her birthday because he's not them, he actually cares about her, he doesn't forget her birthdays, and something has to be wrong for him to be that late.
They don't listen to her at all.
She's angry.
Her parents are excited and talk loudly about how they wanted to find a perfect gift for their favourite daughter, and how they managed to do it because they love her so much. She hates when they're excited. It only leads to problems.
They bring her to the lab because of course they do, why would they make a gift that is normal and isn't kept in the lab, right? They usher her in, so obviously proud of themselves.
She hates them.
And she hates them much, much more the next second, because the gift is her little brother in his ghost form, strapped to a table, unconscious and injured, and the smell of ectoplasm is strong in the lab because of his green blood dripping on the floor.
There's a cold part of her that analyses her feelings and tells her what emotions she's experiencing, and that part is very aware of thick black smoke of wrath twirling and twisting under her skin. It's suffocating, and she stops breathing as it invisibly fills her lungs, scared of letting it out.
There's a perfectly fake part of her that keeps the smile on her face as her parents gush about how hard it was to catch the ecto-scum, and what they can do to it - together with Jazz because they wanted to share this with their amazing daughter.
Jazz is black smoke of rage under perfect glass of calmness when she grabs Fenton anti-creep stick. The smile she learned to fake under any circumstances doesn't falter when Jazz brings the baseball bat down on her father's head. It grows a little bit wider when she hits her mother, because Jazz learned to smile brighter when she's hurt or sad or scared or angry - experiencing any "bad" emotion actually.
Jazz is angry when she grabs her weapon.
Jazz is furious when she kills her parents.
Jazz is worried when she checks her brother's wounds.
Jazz feels nothing when she rigs the portal to blow, walks out of the house and presses the button.
She is her parents' genius daughter after all, and she did listen when they were telling her about their inventions. Maybe it would have taken longer to do, but she had Bad Thoughts, and they probably weren't just intrusive after all, because she did what they told her and made it very easy to make a bomb out of a portal. Just in case. Her parents were a threat, and Jazz was smart enough to prepare to dealing with threats, and she was smart enough to make it look like the threats dealt with themselves.
She really hoped she wouldn't have to use that button though.
---
Jazz is nineteen. Her sort-of-friends at uni offer to go to a restaurant, and she tells them that she doesn't celebrate her birthdays. There's a noise of all of them saying that maybe she should try, noise that she really should have expected, because humans are always so excited about any holidays, it's hard for them to understand that someone might not like them. It's not hard to stop that noise though. They shut up very quickly when Jazz says that she had "a very traumatic event" on her birthday.
Good. She doesn't like loud people.
Jazz goes home to her little brother. He's sad because his parents died in an awful explosion a year ago. He's still trying to smile because it's also her birthday, and Jazz is very happy that he's bad at faking a smile.
It means that he won't end up like her.
Jazz hugs her little brother, and he gives her a little present that she adores, and then they sit in silence and eat some takeout. It's very nice.
She never tells Danny that their parents died before the explosion, and that the explosion wasn't an accident, and that their ghosts did form after that because of all the ecto-contamination they had, but she made sure this wouldn't become a problem. She never tells him what she's done, because that would hurt her little brother, and she would never let anything hurt him.
Jazz will protect her little brother from anything.
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A36 pls
A36. cute discussion ABOUT sex
featuring actual sex. also. because these guys are horny little deities, to me
prompt fills here
It gets hot in their private quarters, sometimes. It’s always warm, but as particularly productive nights wear on Lucienne finds herself drenched in sweat, clinging to the coolness of his skin.
They’re at rest now, probably done for the night, given how boneless and still Lord Morpheus is beneath her. Lucienne is sprawled on top of him, her cheek to his belly, ankles entwined with his own, arm thrown around his waist, hand holding his own. His other hand pets down from the crown of her head to the back of her neck, cool and soft.
He’s breathing slow, even, and Lucienne is facing away from him but she imagines he is reclined on the pillows, staring down at her with those soft, heavy-lidded eyes, sleepy and sweet.
Lucienne shifts, draws her hand out of his own to move her arm out of her line of sight. She draws her hand across his belly, nails light on his skin, moving down to grip his inner thigh. Her lord’s breathing has changed. The back of her knuckles brush his bollocks, and his hips shift. His cock is soft where it lays along the crease of his thigh, looking just as sleepy as the rest of him. “May I touch you?” she mumbles.
Lord Morpheus groans, ending with a tiny laugh. His hand pulls away from hers and she imagines him throwing his arm over his eyes. “How are you not satisfied, woman?”
Lucienne grins, kissing him over his fluttering abs. “I am,” she assures him. “I just want to suck your cock.”
Another groan, an interested twitch in front of her face. "That is precisely what I mean." He pauses for a moment, considering the offer as though it is liable to bite him. “Alright?” he says, eventually, voice winding up high. He hasn’t stopped petting her head. “Although, you—you certainly do not have to?”
Lucienne hums, her fingers slipping further between his thighs, encouraging him to part them for her. She cups his bollocks, strokes them with her thumb, shifts their weight in her hand. He rumbles underneath her, grips the back of her neck. He’s sensitive, nerves still all in overdrive, and Lucienne licks her lips, seeing him starting to fatten up. “It’s not so strange,” she murmurs, warming him in her palm. “You love to use your mouth on me.”
A dismissive sound. “That is very different,” he says confidently. “Much more fun.”
Lucienne laughs. She kisses the tip of his cock, fingers the soft skin at the seam of his bollocks. “I disagree,” she says. “This is very fun for me. You’re pretty and you smell good and you make lovely noises.”
Another choked hum, followed by a shocked little sound when she sucks the head of his cock into her mouth. “Oh,” he whispers, petting her with trembling fingertips down her spine, his belly heaving with a sigh. “Lucienne.”
Lucienne smiles, suckling gently at him, trailing her fingertips up the velvety underside of his shaft. He firms up on her tongue, pulses hot between her lips, leaks a bead of thin salt that she swallows greedily. She closes her eyes, basks in the smell and the taste of him, the muggy heat all around, the warm glow of affection when she hears him gasp like he’s surprised at how he’s feeling.
She holds him like this for several moments before he shifts and makes a confounded little noise. “What are you doing?” he asks, on the verge of a laugh.
Lucienne holds his shaft with one hand to keep it upright while she pops her mouth off him. “There’s no rush, is there?”
Lord Morpheus huffs. “Well, no, I suppose not,” and she imagines him watching with slight mortification while she gives him a kittenish lick, lapping up a droplet of his slick. “Are you enjoying yourself, at least?”
She snorts, and she cranes her head as far as she can over her shoulder, only enough to see him in the corner of her peripheral vision. “How about you don’t worry about that?” she teases. “Just relax, my lord.”
He sighs theatrically and lets his head fall back in the sheets. “Very well,” he mutters, put-upon, goofy and loose the way he only gets with her.
Lucienne hums, satisfied, and she lays her cheek on his belly again, sucks him into her mouth. She cradles him on her tongue, fingers the vein on the underside of his shaft, marvels at how hard he’s gotten, stretching her lips with his girth. He breathes high and heavy, soft moans and whines spilling from his mouth.
She plays with his bollocks, rolls them in her hand, strokes back behind them. His skin is so soft, so sleek, so hot right here, and his noises get a little more wrecked. Lucienne runs her lips down the side of his shaft, kisses at the base, buries her nose where the smell of him is strongest.
“Lucienne,” he murmurs, muffled, like he’s moved the back of his hand over his mouth. She lifts his shaft to tongue his bollocks, laving them hot and wet and slow, and he keens and shifts. “Gods, Lucienne.”
Lucienne pulls back, leaving his skin shiny with spit. "I have a question."
Lord Morpheus groans as though pained. "So do I," he mutters. His cock twitches in front of her face and he breathes for a long few seconds to calm down. "Yes, Lucienne?"
She props herself up on her arm on his belly, fingers encircling the base of his cock and manipulating it, moving it around to examine at her leisure. "Is this for me? Do you always have genitalia, or only when you are with a lover? And is it specific to the lover? Is this my cock?"
"That was several questions," he sounds amazed by the fact. "How long have you been wondering about this?"
"I wouldn't have to wonder about it at all if there were records in the library."
"Yes, well. Am I not allowed some measure of privacy."
"Of course you are," Lucienne cranes her neck to see him in the corner of her eye. "Hence why I am only asking now. And you do not have to answer."
His sigh is performative and put-upon. "Yes, I usually have sex organs. No, they are not specific to whomever I am with. What you see is this aspect's default, for lack of a better word." A pause, then, heavy and thoughtful. "Of course. I can make any changes you might like. And I perhaps should have offered that from the beginning."
Lucienne frowns. "Why would I want you to do that?"
"Well, it is," he clears his throat, "my penis, that is. It is. Girthy. I am told."
"And that is... a bad thing?"
"I don't know," he sounds strangled now, and Lucienne fights not to laugh or try to kiss away his silliest of insecurities. "Perhaps it just seems, rude, to not offer something more. Suited to your tastes."
"You are perfectly suited to my tastes," she tells him, emphatically, and she kisses the blushing head of his cock. "That is why I suspected you might have designed it for me, my lord."
"...Oh." Lord Morpheus is quiet now, apparently affected by this revelation, even more than he is by the little licks she bestows on hot silky skin. "I was not certain. In your fantasies, you never so much as imagined me below the waist."
"I did not want to presume," Lucienne says primly. "Perhaps it seemed rude to imagine the sex organs of someone who hides all mention of them."
His belly shakes with silent laughter under her, and Lucienne smiles against his heat. "Fair enough, I suppose," and from there his breath melts away into a pleased sigh when she closes her eyes and takes him back into her mouth. His hips shift in tiny flinches, rocking her, pushing himself a little deeper. One of these days she'll goad him into fucking her mouth properly. The thought makes her groan and slip her free hand to tuck between her legs. "I have a default vulva for this aspect, too, if you are interested."
Lucienne's eyes fly open.
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