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#just felt that these aspects of her life were missing from the general discussion about her behavior
keepthetension · 8 months
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been in the Bad Brain place lately, so i've been struggling to finish writing about why chef mhon's character makes sense to me, because of
a) the long-term effects of the WORLD SHAKING trauma of your life partner abandoning you AND of being unable to feed yourself and your children b) being unable to process said trauma much (if at all), as you then hit the ground running to make a living in the aftermath (in a new city with no support and with who knows what marketable skills) c) the stigma of being a divorced woman in a society that will blame you for being the reason your marriage failed in the first place, and will also blame you for any way your children step out of line d) the difficulties of achieving success as a working mother when employers see women as flakier, less-worthy hires, especially in a male-dominated industry
and how no amount of money or stability will ever seem like enough, and how difficult it is to trust anyone plus how easy it is to see everything as a potential danger to the stability you fought tooth and nail for, and how it makes sense for a traumatized person who never had the time and support to work through their trauma to project all kinds of things onto their kids
but apparently she just kinda. walked it off?
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runwayrunway · 7 months
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MISS CONENGINALITY - BRITTEN-NORMAN BN-2 ISLANDER
Remember when the UK made the best airplanes in the world? Me neither, I wouldn't be born for several decades. Anyway, Britten-Norman Islander.
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image: Air Seychelles
The last holdout of the UK making really fantastic planes, the Islander is a popular regional airliner and utility plane used for things like skydiving and air ambulance service as well as the typical passenger and cargo flights. At first glance she's a pretty regular high-wing twin-prop that seats 10, but look closer and you may begin to notice things.
Upfront, I love the Islander. (Obviously, or I wouldn't be making this post about it.) My love for this plane isn't solely organically developed, because it does also hold a special nostalgic place in my heart for being the first propeller plane I ever flew on, with Cape Air in 2015 from San Juan to Vieques. (As Vieques Air Link also operates these, they're a common sight down there! The name of the model is, as it were, very apt.)
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image: Cape Air This is the exact plane that I flew on!
Now, from this image you can already see that the Islander has some lovely features, from those absolute bollards coming out of the engines to the wildly pointy nose (not the first plane I've discussed that's giving DUKW), but despite looking goofier the closer you look at it this thing is an incredibly beloved and reliable plane.
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image: Bonham's Behold, a Britten-Norman BN-2 Islander.
Also of note is the Islander's extremely low wing aspect ratio, and I've always thought the tailplane looked a little too small for the tailfin from the side despite looking giant from below. The general ratios on this plane, in every single possible place, look just ever-so-slightly off, and I love it.
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image: Mark Harkin I mean. She's just blocks.
Still, this is an incredibly well-designed plane. It's cheap, rugged, utilitarian, reliable, versatile, and remarkably stable in flight, which is why over 1,000 have been built to date. (Personally, I didn't find the cabin to be the roomiest even for an aircraft of its size, but I remember it being a comfortable enough flight.) The Islander is still in production today despite first flying in the mid-1960s, which is something few models can claim. You can use an Islander for basically anything, with their big doors and STOL capability, and it's even used for the world's shortest flight and an entry on my bucket list, the two-minute hop between Westray and Papa Westray operated by Loganair.
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image: National Museum of Flight Scotland Despite being shown outside in this photograph, she currently lives in the civil aviation hangar, a top pick on my list of places I would like to secretly live in for the rest of my life.
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image: own work, taken inside the civil aviation hangar at the National Museum of Flight, Scotland
In late October I visited the National Museum of Flight, Scotland. It was an incredible experience and I will be discussing it across several future posts due to the sheer variety of preserved airframes they had, including everything from a Puss Moth to a jump jet. (The general museum will probably get a dedicated post as well in the future - suffice to say I had a fantastic time.) Among their preserved aircraft is a BN-2 Islander registered G-BELF, painted a vivid highlighter-yellow which pictures really can't do justice in homage to Scottish air ambulances which serve isolated island communities in the North Sea.
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I was absolutely delighted to see her in person. Seven years after I last stepped foot in an Islander, it felt like something of a reunion to just stand next to a mothballed airframe and admire how...really strange-looking these planes actually are.
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own work, obvi
I mean, for one thing, they're a lot shorter than you might think they should be. Pictured for scale is a 165cm/5'5" tall human with a PSA Lockheed TriStar for a face. I couldn't get that good of an angle on it, but my head is only a few inches short of the wing, and you can see that I'm well taller than the cabin windows. An entire Islander is shorter than a single Concorde tire.
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Plus, that wing chord is so long I could use her as a shelter in the rain.
So, yeah. That's the story of how I met my favorite commuter airliner. I hope to fly on one again someday, but for the moment I'll have to be content with looking at pictures of these weird-looking planes that can fool you for a moment into thinking they're regular.
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Also they tried to put propeller shrouds on one once.
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veronicaphoenix · 8 months
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Chapter tags & trigger warnings: angst, mentions of self-harm and trauma. | Word count: 620 | Cross posted on AO3. | Series masterpost. ✧.*
General trigger warnings: This work addresses and depicts issues related to addiction and violence, contains explicit sexual content, and explores themes of childhood trauma. Reader discretion is advised. +18
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Something wasn’t right. 
Lia had been quieter than usual for several weeks. When she smiled, her smile didn’t reach her eyes, and when our eyes met, she immediately averted her gaze, as if she was trying to hide from me whatever was in them. 
After spending the day in the studio and going over the planned tour again, through all the arrangements we had to consider, we called it a day, and I hurried to leave before the others to catch Lia, who was the first to say goodbye, pick up her backpack, and cross the hallway and head towards the exit of the building, as if she was in a rush.
“Lia,” despite my height and Lia’s petite figure, she moved fast, and I almost had to take a couple of big strides to keep up with her as she left the studio. 
In the past, I would have grabbed her arm. I would have used any excuse to touch her. Now things were different. I wasn’t sure what had changed, (other than the fact that Lia was dating Mitch), but every time I approached her it felt like a wall was growing taller day by day, separating us. 
She stopped at the sound of her name, knowing who was behind her. She smiled when she looked at me. 
I offered to drive her home. She thanked me but told me she had a yoga class in thirty minutes and preferred to take a walk. For a moment, a voice in my head told me she was avoiding spending time alone with me, but Lia silenced that voice as she stood on her tiptoes and left a fleeting kiss on my cheek. 
We had never had the chance to talk about what happened that day under the rain, the way Mitch had talked to her and how he had nearly forced her to leave the place with him. The silence between us was growing, and it was scaring the shit out of me. 
“I’ll see you soon,” she said. I watched her leave, not knowing when I’d see her again. We were not leaving on tour for another few weeks, and we were supposed to rest and recharge before hitting the road. The ache of missing her gnawed at me relentlessly. I kept telling myself that all this situation was normal. She had a boyfriend; I was a friend. But something in me wasn’t satisfied even though I wanted to see her happy. I cared more than others about her well-being because I knew practically every aspect of her life. I knew her past. We had been friends since we were kids. I knew every scar on her heart and the scars on her skin, which made me acutely aware of the delicate balance she treaded. The image of her walking on the edge of a knife left me gripped by an inexplicable sense of fear. 
“Earth to Noah. She just turned the corner. She’s gone.” 
Nicholas; the voice of reason. His words held a tinge of reprimand, making me acknowledge the obvious.  
“Well aware,” I replied. 
“What's the matter with you?” He pressed. “I'm asking to see if you know, because I've known for a long time.”
I tilted my head to look at him disapprovingly. I had no intention of delving into that discussion again. We’d had it before, and Nick’s theories were simply wrong. Whatever notions he had in his mind had nothing to do with how things were. Lia was just my best friend and I cared for her. That was all and Nicholas was wrong. 
I told him I was going home, so I followed through on my words and headed towards my car. 
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idabbleincrazy · 3 days
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We Make Our Own Destiny: Ageless
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Fandom: Smallville
Rating: E (overall)
Pairing: Clex
Characters: Clark Kent, Lex Luthor, Martha Kent, Jonathan Kent, Lana Lang, Evan, LuthorCorp staff
Word Count: 5041
Warnings: angst, emotional h/c, s4 au, episode rewrite, Lana is trying, so is Jonathan, fluff
Summary: Evan and his found family visit the LuthorCorp labs. Lana and Clark talk. Lex comforts where he can.
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Chapter Four:
The next morning saw the little farmhouse in a buzz of action. Martha hadn't come home until Clark was already making his bed on the couch after checking in on Evan, so he had only told her the gist of what had happened while she was at the Talon before she headed to bed. Amazingly, Lex had woken with the dawn along with Clark and the two of them were soon busy getting boxes unpacked, sorting through the clothes and toys Lex had ordered the night before. 
Evan had awoken by the time they were done, and Lex had happily volunteered to bathe and dress the boy as Clark sped through his usual chores before his parents woke. Lana had stopped by just as Martha was putting the coffee on and listening avidly to Jonathan's retelling of the night's events, so as Lex bundled Evan down the stairs, he and Lana took him out to the barn to keep him occupied and to give Clark some privacy with his parents to discuss the more tenuous aspects of the situation. Lex felt a wave of gratitude through the bond, and he tried to convey a comforting hug in return.
The scientists Lex had emailed were currently in a bustle of their own, getting equipment ready. They had estimated they would have everything set up by noon, so Lex had convinced Clark and Lana to head off to school after breakfast and come back at lunch to accompany him and Evan to the lab.
“Where is Evan now?” Martha asked as she set out makings for a quick lunch for her growing brood.
Clark did a quick scan as he grabbed an apple from the fruit bowl.
“In the loft with Lex and Lana. And, Mom, I've never seen anything like it. Last night he was just a baby, and then suddenly, he's ready for first grade. Speaking, and apparently he's able to read already.”
“His growth spurt was really amazing.” Jonathan came into the kitchen, washing his hands as he spoke.
“And frightening.” Martha paused in her preparations, turning to look at Clark and Jonathan. “Evan needs to be seen by a doctor. We have to take him back to the hospital.”
“What are we gonna tell the doctors, Mom, he's some second generation meteor freak? He'll either wind up in Belle Reve or a laboratory for the rest of his life.”
“I don't know, Clark, but we owe it to him to do something.” Jonathan dried his hands on a dish towel and stood beside Martha.
“Look, I need you guys to hear me out on this before you go shooting me down. Lex has agreed to have his meteor-focused scientists take a look at Evan. He’s having the lab set up to look into what caused the sudden aging. He’s just as worried as the rest of us about the little guy, and wants to find out if he's okay.”
Jonathan sighed heavily, torn.
“Clark, I realize that Lex has helped us in the past, and that me and him have been trying to get on a better footing with each other, but I'm not sure I'm ready to just put this young man's life in his hands. I'm not sure I trust him that much yet.”
Clark pushed down the anger he felt rising at his father's obstinacy when it came to Lex, he didn't want the emotion to bleed into the bond and worry Lex. 
“Dad, if I were in trouble and Lex was the only one who could help, what would you do? Lex has helped out so much already, and besides, don't you think if he had any evil intentions towards Evan, they would both already be gone? He cares about him just as much as any of us. More. The way he is with Evan, it's like he…like he's found something he's been missing all his life, Dad. I trust that he would never intentionally do anything to hurt Evan.”
Jonathan thinks about it, seeing Clark's point, recalling how Lex had been with the baby the past two days, and how eager he was this morning to take charge in caring for the boy. He hadn't seen such a quick attachment since Martha had picked Clark up in the middle of a chaos-ridden field. 
Martha watched Jonathan consider Clark's words, ready to interject on Lex’s behalf if her husband got stubborn. She had seen Lex with Evan, saw the light in his eyes that hadn't existed before. Martha had always seen how Lex was, deep down. He'd never admit it willingly, but the young man needed to be needed, a caregiver through and through. He had all this love locked up inside him, and needed someone to let him share that love. And what better conduit for all that unconditional love than a child? Yes, she knew Lex would do anything he could for Evan, just like she would do anything for Clark.
“Alright. We'll give Lex the benefit of a doubt on this. But, I swear, if he hurts one hair on that boy's head-”
“He won't, Dad. And, thanks.” Clark swiftly kissed his mom on the cheek and hugged his dad, before running off to get the others for lunch.
Martha smiled at Jonathan, pecking him on the lips.
“They'll be fine, Jonathan. Lex isn't the monster you've imagined him to be. He's not his father, and you just need to keep looking beyond his name to see that. Clark and Lana are growing up, and Lex is still so young himself. The three of them will do the best they can for Evan, we just have to be there if they need us.”
“I'm trying, Martha, I just…”
“I know.”
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Clark walked up the steps to the loft, silently, not wanting to interrupt the scene he'd spied. Evan is sitting on the couch, sandwiched between Lex and Lana, reading aloud from a storybook. Lex’s arm is wrapped loosely around the boy's shoulders, and Lana is staring down at him in quiet amazement.
"You must be very kind to him, to teach him all he needs to know in Rabbit Land, for he is going to live with us forever and ever."
“You know how to read?”
Evan sets the book down in his lap, looking up at Lana.
“I've already read all of Clark's old books, and most of the new one's Lex got me, but this is my favorite. I also like the encyclopedia.”
Lex let out a chuckle, ruffling Evan's hair proudly. Clark could feel the swell of pride through the bond. Lex looked over the back of the couch towards Clark and winked. 
“The encyclopedia, huh?” Lana is smiling down at Evan, not sure whether the boy is being genuine or spinning tales. “That's a pretty long book.”
“I know. I stopped at W. Windmills. Did you know they were invented in Persia?” 
Lana lets out a soft gasp and looks from Evan to Lex. Lex nods, confirming the unbelievable. He had been up here with Evan for hours, watching him devour book after book, like a real live Matilda. 
“Why are you looking at me like that?”
“Um…” Lana shakes off the surprise, smiling down at Evan. “You are a very, very special boy, Evan. I think that you are the most special little boy that I have ever met.”
“Really?”
“Yeah.” Evan looks from Lana to Lex, and Lex nods in agreement. “And you're really lucky, because there are so many more books for you to read and so many places for you to see.”
“Like what?” Clark can't help but grin from his hiding place at the excitement in Evan's voice.
“Like a real windmill. And when you stand up on top of it, the whole world stretches out around you.” Lana thinks fondly of the windmill in Chandler's field, where Clark had taken her, despite his own fear of heights, just to show her that they weren't as cut-off from the rest of the world as she had thought, Metropolis sparkling, bright and alive, in the relatively near distance. 
“Can we go? Right now?”
Clark takes that as his cue, clomping up the rest of the steps, pretending he hadn't been skulking in the shadows. 
“Where are you going?”
Evan jumps off the couch and runs into Clark's instinctively offered embrace. Lex stands and follows at a more sedate pace, safe enough in Lana's knowledge of them to hug Clark in greeting as the teen lifts Evan up.
“Dad! Mom and Papa are taking me to see a real windmill! Wanna come?”
Startled by the assigned titles, Clark carries Evan back to the couch next to Lana. Lex, Lana, and Clark exchange uneasy glances as the two men settle on the couch beside Evan.
“Um, Evan, listen. We're not your real parents.”
“Everyone's supposed to have parents, and they're supposed to love each other very much, just like you all do. I felt it, last night.”
Lex and Clark shared an awkward look with Lana, the young woman feeling the loss of Clark sharply once more. 
“The three of us care about you a lot, Evan. That's what matters.”
Evan looks between them, a heavy sadness on his face.
“If Lana's not my mom, and neither of you are my dad, where are they?”
Lex takes Evan's hand in his, his heart aching for the boy. 
“We don't know. But wherever they are, I'm sure they love you very much.”
“We even have a friend of ours helping to find them, okay?”
Lana leaned over and pressed a kiss to Evan’s forehead, the tension breaking as Evan made a very age-typical yuck face. Clark stood, picking Evan up again and hefting him onto his hip as the trio headed for the stairs.
“Hey, after lunch, you want to go for a ride in the truck?”
“Are we going to the windmill?!”
“Uh, we will. But first, Lex wants to show you where he works. We've got some things we need to figure out about you, and Lex has people who work for him who know a lot about people who are special, like you, and how to help them.”
“Oh, like a hospital? I'm not sick, am I? I mean, I don't feel sick.”
“That's…that's what we want to make sure of, buddy. It's not a hospital, though. It's Lex's personal lab. You'll be safe there.”
Lex felt Clark's apprehension and tried to soothe it, but considering his own anxiety, it may not have worked as well as he hoped. He followed Lana and Clark back to the house, trying to keep his emotions off his face. 
The second they all stepped into the house, it was hard for the three of them to focus on their worry. Evan was taken into Martha's smiling embrace, cooed over as was expected, before being led to a table laden with sandwiches, fruit salad, and a plate of fresh baked cookies. Milk was set out for Evan, coffee poured for everyone else, and Evan dug in dutifully as the three younger adults let themselves be buoyed by the happier atmosphere. 
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They decide it would be easier for all of them to pile into Lana's Envoy, Clark sliding in beside Evan in the backseat as Lex took the passenger seat. Lana drove up to the fertilizer plant in anxious silence, steering at Lex's directive towards the back parking lot closest to the laboratory that was expecting them. 
Inside the lab, a man in a crisp white lab coat hurries over to greet them. Lex is wearing his business mask, but Clark can feel the trepidation thrumming through their connection, the older man just worried as he and Lana. 
“Dr. Turner, I trust everything is ready?”
“Of course, Mr. Luthor. If you'll just follow me.”
Dr. Turner leads them across the lab to a room at the back, and Clark fights back a rush of fear at the sight of the stark metal table he sees through the room's glass walls. Machines lined up around the table, beeping and whirring, and Lex has to place a hand at the small of Clark's back before he remembers to breathe. Lana looks over at him in confusion, Evan's hand in hers as she leads the boy along. 
“It's okay, Clark. I promise.”
Clark gives Lex a discreet smile and nod of thanks at his whispered comfort, following the others into the room a little less dizzily.
Lana helps Evan out of his shirt at the doctor's direction, lifting him up onto the table so that Dr. Turner can attach the wire leads to his chest and start gathering readings from the various machines. Evan lays back on the table and Lex takes a blanket from a nearby chair, covering the boy from the sterile cold. 
Another of Lex’s scientists steps in, and Lex gestures at Clark and Lana to follow him out into the hall. They watch as the new guy injects Evan with a syringe of clear fluid, Lana cringing in empathy as the boy grimaces at the pinch. Beyond the minor discomfort though, Evan seems unfazed, looking over at them and waving.
“I hope we've done the right thing.” Clark can't help but be twitchy in this place, despite Lex's assurances, the fear of experimentation too ingrained. He's grateful for the soundproofing of the glass. “If we put him through all this for nothing…”
Lex pulls Clark into a loose hug, guiding him and Lana to a sitting area nearby.
“Clark, it looks a lot worse than it is, I swear. I won't let them do anything more than take a few blood samples and readings. Just to conclude whether Evan is indeed meteor-affected and if this is going to happen again.”
Lana watches Lex being so gentle with Clark, squashing down the residual jealousy as she realizes how much Clark needs someone like Lex. Someone to take care of things when he couldn't, someone to lean on. Things she had always needed from him, but didn't yet have the strength to give in return. 
Just as Clark is assuring Lex that he's just being a worrywort, Dr. Turner comes out to request that he speak to Lex. He waves the doctor off ahead of him and presses a quick kiss to Clark's temple, hugging Lana mostly as an afterthought. 
Lana sits down next to Clark, bumping his shoulder playfully. Clark flashed her a quick smile, nudging her back.
“Hey. You really love him, don't you?”
“Lex? Yeah, I do. I'm sorry, Lana, that I-”
“Don't. Don't be sorry, Clark.” Lana reached over and took Clark's hand in hers. “I see how the two of you look at each other, and I realize…you've always looked at each other that way. You look…happy. Like you both finally found peace. I'm sorry I couldn't be the one to give you that, but I'm glad you found someone who could. I won't say I wasn't surprised, or that I'm not a little bit jealous, but I won't tell anyone about it, and I won't go all Fatal Attraction on you. You deserve this happiness, Clark, you both do.”
“Thanks, Lana, really. But, you deserve happiness, too.” Clark squeezed her tiny hand gently, his smile turning sad. “I'm sorry that we didn't work out, even after I said that things would be different. I'm sorry you couldn’t find with Jason, what I found with Lex. I do feel love for you, Lana, just…”
“Not the same as you feel for Lex. I get it, Clark. If we're both honest with ourselves, I think we've always been meant to only be friends. We saw each other as an ideal, what we thought we wanted, but didn't see we weren't what we needed. And, hey, I'll find my own Lex someday, I can be patient.”
Clark stood, pulling Lana up with him and into a hug, kissing the top of her head. He would always care about her, but Lex was the one he had chosen, and probably always would. Lex was the one person who, when Clark thought about losing them, the prospect hurt more even than Alicia's death had. More than Kyla's. The thought of losing Lana that way stung, but not in that soul-crushing, can't breathe around the pain in my heart, kind of way that losing Lex would bring. 
“Still friends?”
“Always, Clark.”
“Good. Let's go check on Evan.”
As they walked back towards the glass room, Lana chuckled ruefully. 
“You'd think after the past four years, I'd be used to this kinda stuff, but these past few months have definitely been the strangest yet.”
“And for Smallville, that's saying something.”
Looking through the window, Lana squeezes Clark's hand, worried at the expression on Evan's face.
“Clark, he looks so scared. I hate doing this to him.”
“So do I, but it shouldn't take long. Lex has his best scientists working on this.”
Just then, Lex comes down the stairs at the back of the lab and steps up beside them. His face is a mix of wonder and fear. Clark can feel the warring emotions wafting off the older man, his own anxiety ramping up.
“And they've already come up with some intriguing, albeit startling, discoveries.”
“Lex, is he gonna be alright?”
Lex doesn't answer right away, looking from Lana to Clark, and turns his head to watch Evan for a moment.
“Lex, tell us what's happening.”
Lex sighs and pulls his gaze away from the boy being poked and prodded at, pushing away memories of those agonizing months he'd spent in the hospital after the meteor shower. 
“I had them looking at the data based on my theory about that flash of light we saw just before we found Evan. The results are only preliminary, but everything indicates that Evan's body is storing energy, like a battery charging.”
“Charging for what?” Lana's voice is full of fear, and Lex lays a hand on her shoulder, uncertain how to comfort her.
“The conclusion we've come to is that once enough energy is stored, it's expended to fuel a burst of extremely rapid cell division.”
“That's how he was able to go from a baby to a seven year old in one day.”
Lex nods at Clark, knowing Clark is struggling to keep his angst from flooding the bond.
“Is there any way to stop it?”
“My team believes a bone marrow transplant might slow the growth and bring his metabolism back to normal.”
“Can they use my bone marrow”, Lana asks. “If I’m a match?”
“Well, it's not that simple. His genetic makeup is highly unusual. For this to work, we'll need an exact match with a living donor, which means a biological parent.”
“Chloe found the recording of an emergency call made just before we found Evan.” Clark frowned, and Lex's heart surged at the pain in his voice. “We think his mother died when he was born. We're still trying to find his father, it sounded like he ran off just before the explosion.”
“What's going to happen to Evan if we can't find him?”
Before Lex can answer, the lights in the lab start flickering. A huge blast from the room sends one of the doctors flying through the glass window and he falls to the floor in the hallway between them.
“Evan!”
The three of them hurry through the shattered window, to Evan's bedside where he is sitting up. Lana touches his arm, shocked.
“Evan”, her voice a whisper of disbelief.
“Unbelievable.”
Clark can't even find words as he stares at Evan from Lex's side. Sitting up on the metal table is a teenaged Evan, the blanket pooling precariously around his waist. Eyes wide with fear and confusion, Evan looks between the three he's grown to consider parents, then down at his hands.
“What's wrong with me?” His voice is deeper, cracking slightly in the middle, puberty in action.
Dr. Turner steps up beside Lex, a little less flabbergasted than anyone else in the room.
“We can have the Level Three facility prepared for his immediate transfer, Sir.”
“No. You're not taking him anywhere.” Lex promised Clark Evan wouldn't be made to feel like an experiment, and God knew the boy had to feel overwhelmed enough right now. “I’m having that sector shut down for a reason, and I will not have him subjected to that environment.”
Clark takes off his jacket and puts it around Evan's shoulders, relief coursing through him and through the bond. 
"But Sir, we need to isolate him while we run more tests. If this happens again-���
“I just want to go home.” Evan is gripping Clark's hand tight, tears welling in his eyes.
“Turner, he's just a boy. I said no. Any other tests can be run with the samples you've already taken.”
“We understand you're trying to help, and we appreciate it.” Clark looks at the doctor, ready to act if he doesn't concede to Lex's orders. “But he's been through enough. We're taking him home.”
Lex stares Dr. Turner down as the scientist splutters, trying to convince the CEO to change his mind. Clark and Lana help Evan off the bed and walk him out of the lab, Lex striding behind them without another word to the frustrated doctor.
Evan is set in the front seat of Lana's car, Lex adamant about joining Clark in the back. He can feel Clark's fear and pain seeping through the bond despite the brunette's efforts to hide it, and as the SUV passes the gates of the plant, Lex wordlessly draws Clark into his embrace, letting him sag against his side. Lips to the young man's forehead, he whispers an attempt at comfort.
“We'll figure this out, Clark. I swear, we'll do everything we can to keep him safe.”
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Once back at the Kent farm, Evan darts out of the car and up to Clark's loft, the young boy apparently finding it as much a place of comfort as Clark always had. The trio of concerned adults drag themselves from the vehicle, various lost looks in their eyes. Inside the kitchen, Clark mutters something about clothes and heads towards the stairs. With an apologetic glance at Lana, Lex follows after. 
Lex shuts the door quietly behind them, even as he hears Martha joining Lana downstairs. He feels slightly better that she has someone to vent to now, but Clark is his priority. Watching Clark rummage through his closet, clothes discarded in a blur, he waits. It doesn't take long.
Halfway through the top drawer of his dresser, Clark crumpled into himself, falling to his knees in stages, a broken sob renting the air. Lex is there instantly, kneeling beside him, drawing him into his arms. He feels Clark's pain through the bond as the brunette finally lets his barriers down, knows his own is felt by Clark when the hands that had gripped at his shirt loosen to wrap around his back instead. They sit there, in the middle of Clark's room, surrounded by shirts and jeans, holding onto each other like a lifeline. Soundless tears streak Lex's face, counterpoint to the sniffles and weeping coming from the lips muffled against his salt-dampened shoulder. 
“He's gonna die, isn't he?” Clark's voice is hoarse when he finally speaks, thick with the agony of the loss he knows is coming. “It's not fair, Lex. What good are all these powers if I can't use them to save people like Evan?”
“I know, Clark, I know it's not fair. And, I know it hurts. But you can't save everyone, Clark. Sometimes, people die, and there's nothing anyone can do to stop it.” Clark's face is nestled into his shoulder now, and Lex lays his cheek on top of his head. “The world isn't always fair; sometimes it takes good people away too soon. Innocent people. Children, like Ryan, like Julian, and like Evan. Like Kyla and Alicia. And, you can't always stop it. And, it hurts. It's a pain that doesn't completely go away, that only lessens, but lingers for as long you remember them. But, we can live for them, make it so they don't die in vain. We can be happy again, because they would want us to be. Trust again, because they wouldn't want us to hide ourselves away from the world. We can care about and love other people, even knowing we could lose them, because those we've lost wouldn't want us to be alone.”
Clark sniffled again, blinking away the tears that blurred his vision as he lifted his head. He remembered the promise that he had made to Ryan, when they were drifting high above Smallville. To not be angry or sad at his loss, to never give up. He pushed away the pain again, letting Lex's comfort and words bolster him against the urge to just give up. 
“So, no, it's not fair that this happened to Evan. But it's not over. We still could find his biological father, get him to help us save him. My team could still find another way to stop this. Listen for him, hear his heartbeat. As long as you can hear that, and as long as we keep trying, it's not over. But right now, there is a fourteen year old boy up in that loft, alone and scared, and waiting for the only people he's seen as parents to come help him, to comfort him. Evan needs us, Clark. He needs a change of clothes, and the three people who care about him.”
“You're right”, Clark stands up, wiping tears from his face and pulls Lex up beside him. Brushes a quick kiss to Lex’s damp cheek. “I know, you're right. Help me pick something out for him?”
Lex gives Clark a watery smile and they search through the small wreckage of clothes, settling on one of Clark's older plaid shirts and a pair of worn jeans Clark had outgrown by seventh grade. None of Clarks shoes are small enough, so Lex makes a quick call for a pair of sneakers to be bought and delivered to the Kent house within the hour. 
After another few minutes of comforting each other and a tender kiss or two, they finally head back downstairs. Martha is on the couch, consoling Lana with gentle words and a hug that only a mother could give. Her head turns at the sound of Clark's boots on the steps, a sad smile on her face as she takes in their reddened eyes.
“Are you boys alright? Lana told me about Evan, I'm so sorry it happened again.”
“We're not resigned to his fate, Mrs. Kent. My men are working on a back-up in case we can't track down Evan's father.”
“Lana, we're gonna take him these clothes to change into. Give us a minute before following?”
Lana nodded, composing herself as she reluctantly straightened from Martha's loving embrace. Her motherly care had felt wonderful, something Lana had missed for so long, warmer and more real than what Nell had been capable of giving. 
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Lex and Clark climbed up the steps to the loft, finding Evan still wrapped in the blanket as he huddled on the couch. He looks up at their entrance, tears shimmering in his eyes, but accepts the scrounged up clothing wordlessly and slips the boxers on under the blanket before standing. 
He's lanky, but not quite as tall as Clark had been at that age. The plaid button-up is a size too large, and the jeans will need to be rolled at the cuffs to keep him from tripping. Clark feels his heart squeeze painfully at the sight of the boy, and knows what his parents felt every time he'd outgrown another set of clothes. He feels Lex rub his shoulder, and tries to convey a look of assurance when he glances over at him. 
Evan is just settling back down on the couch as Lana joins them, sitting next to the boy and taking his hand in hers.
“I'm dying, aren't I?”
“Evan, don't say that.”
Lex settles on the arm of the couch at Evan's other side, and Clark settles on the coffee table in front of them. Both young men reach out, one hand on a knee, the other on hunched shoulders.
“No, I- I read the average lifespan of a man is seventy-four years. I've aged from a newborn to a teenager in forty-eight hours.” Evan looks between the three people he considers parents, the only people he knows, with absolute certainty, love him unconditionally. “Do the math.”
“Evan, we're not gonna give up. Lex has got his team working on a cure right now.”
“And if we can find your father…”
Evan stands up and walks over to the window, his back to them. He knows they just don't want him being scared, but he's trying to be realistic, trying to tell them not to get their hopes up.
“Do you really think they're gonna find a cure for me overnight? It's like my life was just some sort of trick that was played on me! All that stuff I read in the books that I thought I was gonna see...I'm not…” He turns around to face them. “Am I?”
“Don't talk like that, all right? We just have to keep trying.”
“It's not fair. This whole thing...it's just not fair!”
Evan runs down the stairs and out of the loft. He needs to get away. Their hope is too hard to bear.
Lana looks between Lex and Clark, lost. 
“We have to do something. We can't just let this happen to him.”
“Would you go see if he's okay? I need to find his father.”
Lana nods and hurries after Evan. Lex stands and Clark pulls him into a brief hug.
“While you go get Chloe's help on tracking down Evan's dad, I'll head back to the plant. See if they've made any progress.” Lex hands Clark a burner cell. “Call me if there's any luck with Chloe.”
Clark rushes out of the barn as Lex calls for a car to come pick him up.
*****
@leatafandom
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burning-bunni · 2 years
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Dendro Vision Theory
Okay so I saw someone who originally made a post a while ago (I can’t find the post or their blog so they might have deleted?) about how Dendro visions seem to be linked to someone’s ambition being related to stepping into a role that needed to be filled regardless of their limitations which they originally posted when Tighnari and Collei was released
I wanted to expand upon it with my own speculation especially now that we have even more Dendro characters at our disposal!
In context for Tighnari and Collei, it was Tighnari stepping up into a necessary role to correct misinformation despite the hesitance he initially felt about stepping out against a researcher but once he did it fulfilled a needed role that ended up kickstarting civil and engaging academic discussions between all of the scholars in the lecture hall etc.
And then Collei stepping into the role of a Forest Watcher, taking action to save a missing girl because she knew Tighnari wouldn’t be back in time and if weather conditions in the forest got worse the little girl could die despite her own physical limitations
With that stepping into a necessary role, potentially connecting to Nahida in the way that she was not allowed to step up into her proper role as an archon due to the view of her wisdom vs her allogenes getting their visions by stepping into a necessary role via trusting in their own wisdom and ambitions
Now that was the conclusion they originally came to when just Collei and Tighnari were out so I wanted to talk about that theory by seeing how it holds up now that we have more vision stories to read!!
Okay so, Alhaitham’s is e x t r e m e l y vague and is a bit hard to deduce but I think the beginning in which we are shown a portion of a book Alhaitham had been reading relates to one of the Akademiya’s six cardinal sins: “Investigating the origin of words.”
While some of these cardinal seems seem understandable such as the tampering of life and death being a sin, to think Etymology of all things would be a sin on the same level as interfering with the natural cycle of life and mortality, in a place flourishing with scholars of all kinds, is kind of odd when you think about it. The languages are very important as emphasized by the book he read in his vision story and the origin of language arguably is especially so given what it can tell people about the evolution of a place’s history and culture.
So if we were to focus on that aspect, on Alhaitham’s pursuit of that knowledge in regards to language, I think it can be argued he is, in his own way, stepping into a necessary role. Now, unlike with Collei and maybe Tighnari, he’s not actively doing it for anyone’s benefit which is completely fine. He is doing it in pursuit of what knowledge intrigues and interests him, and I think this is where we see the “trusting in his wisdom” aspect come into play as he goes after this knowledge and information despite the Akademiya’s rules regarding cardinal sins. It’s less a split second decision and going with his gut, and more the other traits that characterize wisdom according to the dictionary.
Wisdom is defined generally defined by three main factors whether all together or separately: Good Judgement , Experience, and Knowledge. These factors can all work together in different duos or a trio and they can work on their own and I think some of these aspects do such in Alhaitham’s vs Tighnari’s vs Collei’s. Collei’s characterized by good judgement, an understanding or insight not necessarily based on exact experience or knowledge but good sense. Tighnari’s coming from a place of experience in terms of the misinformation with his specialized field at the very least if not including the other factors too. And lastly Alhaitham’s, which again makes it hard to perfectly pinpoint given its vagueness, but his knowledge of how to pursuit this subject and confidence in such seems to allow him to do as much with ease. Very likely good sense and understanding of what he has to do to pursue it playing into this.
I want to go back to the whole “necessary role” thing. While it isn’t as obvious as Tighnari’s or especially Collei’s, I think Alhaitham’s decision to go after this information regardless of the Akademiya’s rules not for other’s sake still puts him into a similar role. The world of Teyvat needs to be questioned, despite the consequences for those who do it, in order to break away from its cycles of histories that just keep repeating. It needs people who don’t explicitly listen to the rules, who pursue certain knowledge out of genuine desire for that subject. While certain cardinal sins like the tampering of evolution or life and death stands to make sense, the questioning of Teyvat’s history even through the origin of languages, whether modern or ancient, is something necessary.
I know it probably sounds confusing and again, This!! Is my speculation and the conclusion I’ve come to because honestly, a lot of Alhaitham’s vision story really is super vague so it can be so hard to read between the lines and discern what we’re meant to grasp from it. So if you disagree with my interpretation, I 100% understand 😭 I didn’t explain it the best like I wish I could have and we’re working with some pretty open to interpretation stuff here.
I’m very much
Struggling to try and grasp what Yao Yao could have done to gain her vision honestly as her vision story makes it really hard to understand what she did to get it. Something that is evident from it is that it likely wasn’t after some big huge event, wasn’t something that happened as a result of something overtly obvious to her. Something to note though is Yao Yao’s personality and her basic story in general as a disciple of Madame Ping.
Yao Yao is characterized by the fact that she is very generous and sincere and is used to taking care of those around her. Even jokingly referred to as like a “little adult” in things promoting her release and in game due to her sense of responsibility and desire to help others as the disciple of Madame Ping. In fact, such a thing is specifically mentioned in her vision story.
“As a disciple of her master, she would follow her example and protect the people.” Due to this and the theory of why certain people receive dendro visions, it leads me to believe that Yao Yao got her vision from one of the many, many instances of helping people in need. It was a necessary role she had to step into, she stepped into that role with trust in the wisdom she had gained from her master, Madame Ping, and given that it’s something she’s already so accustomed to, it would make sense why she didn’t initially notice or at the very least, can’t explicitly attribute gaining a vision to one event. Because it’s something she often does, a duty that she has accepted as a disciple of the adepti.
Or at least, that is my interpretation based upon what I have seen in game from her character and her character stories!
I wanna once again say, that I am building off of someone else’s theory originally with my own speculation even though I can’t find the original post now, but yeah! I hope this made even the slightest bit of sense because it feels like one huge tangent and I’m so sorry 😭
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Imagine being Azula’s favourite friend who she recruits first. The two of you have always had an unspoken attraction which neither of you were brave enough to acknoweldge...until you save her life and Azula decides to reward you
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Background
You and Azula attended the academy together and had initially started as rivals. You were an above-average fire bender and because she didn’t know you Azula saw that as a threat. So she made it her mission to ruin your life when one day she found you arguing with Zuko. You didn’t hesitate to yell at him or point out his faults and from that moment on Azula knew she’d misjudged you. Azula be-friended you and you became a part of her group. Over time you became her favourite. She trusted you and could feel your loyalty to her, which was something she grew to respect more and more as Mai was compromised by Zuko and Ty lee became even more whimsical. You soon became inseparable and as the friendship grew it began to feel like more...you realised you liked Azula as more than a friend. You enjoyed every second you spent together and thought she felt the same. The tension between you grew and although Azula would grow flustered around you when you flirted with her she never reciprocated your feelings openly. You were heartbroken but understood that falling for the princess of the fire nation hadn’t been a very smart decision on your part. So needing some space to mend as soon as you graduated from the academy you joined the army. It hurt to be around Azula every day and to know you could be something great together if only your nation was more progressive. So you ran away from the situation and didn’t see Azula for years. You managed to stop thinking about her constantly after a few weeks and soon your heart didn’t feel as broken anymore...but you knew deep down you still cared about her. The princess would always be your first love. 
Your POV
The army was tougher than the fire nation academy for many reasons. For one your name, reputation and grades didn’t matter once you passed through the doors. They didn’t care if you'd sparred with the best fire benders or got the highest grades in combat skills for ten years, you were reduced to a number and treated as one. You hated every second of it but the alternative was to return to your family and you’d take anything over that so you stuck it out. 
One day all the recruits were ordered to wear their best clothes and report to the large training hall which could only mean one thing. Someone wanted to buy troops. High ranking generals or rich businessmen could hire trainees for missions or any jobs they needed completing. The buyer could choose who they wanted after watching you all in training and you would then decide if to accept or not. You took every opportunity you could and so stared straight ahead for inspection, trying your best to look hirable when a voice broke your resolve. "I’m looking for something in particular" Azula told your trainer and you only just managed to keep your head forward but a small smirk broke out on your face. Azula spotted you and walked down the line slowly before stopping in front of you. "Well, well who do we have here?" she asked. You looked up at her and matched her smile "long time no see huh?". Your trainer was horrified at the way you addressed the princess and rushed to yell at you when Azula cut him off with a laugh. She took your arm and you hugged her tightly. Your stomach exploded in butterflies and you clutched her tightly, you’d missed Azula dearly. "Your highness i don’t know what...i’m sorry for this one’s behaviour" the trainer started obliviously and Azula rolled her eyes "are they all as dumb as you? Obviously i know y/n". You smirked and Azula was spurred on by that beautiful expression she’d missed. "You really have no idea who she is?" Azula asked laughing "this is y/n l/n, her father is friends with my father and she is a personal friend to the royal family. To hear you haven’t treated her appropriately is very displeasing" Azula frowned and you smiled as your usually cruel and horrible trainer shook. "I’m sorry we had no idea who she was! We will treat her better, promote her actually" he babbled. "No that won’t do" Azula said "and that wont be necessary, y/n will be leaving with me for a job and won’t be coming back here". The guard hesitated "i...you can’t just take a recruit". "I’m not but i could" Azula growled "i think you’ll find it’s more y/n quits". "She can’t quit" the guard replied “she made an oath” and Azula raised an eyebrow in response "are you tell me what i can do? Are you telling a noblewoman what she can do? Any debt she owes you will be wiped by my command, understand?" Azula barked. The trainer paled but nodded "yes princess" and bowed his head. "Good" Azula nodded and she strode with you right out of the front doors. 
Azula brought you to the lodgings she was staying at in the nearest town and you were amused to see it had been given the royal treatment. Red everywhere, freshly polished surfaces as far as the eye could see, gold and silver decorations lay on every available service and of course a large portrait of the fire lord hung on the wall. Over a lavish dinner Azula told you the mission making you realise you’d accepted and left the army without even asking for any details. You were fine with hunting the avatar and Zuko with Mai and Ty lee but you also recognised you would’ve accepted almost any mission Azula gave you because you’d been so happy to see her. Azula had always had this effect on you and time apart hadn’t done anything to lessen that. You were as much in love with her now as you were the day you left two years ago. 
After dinner Azula led you to your shared apartment, it contained two bedrooms with ensuites and a large living room which you were pleased to see and you sunk into the sofa happily. "Your hair’s shorter" Azula commented suddenly and you nodded touching it self consciously "yeah it was a target in sparring". Azula scoffed "seriously? Don’t they teach the other recruits proper fire bending moves as opposed to childish tricks?". You shrugged "they told us to win by any means. That it doesn’t have to look good so long as you win". Azula laughed again "amateurs all of them! Of course it should look good". You smirked "well when it comes so easy to you" and glanced over her. Azula shrugged but had a large smile on her face "well I suppose I have been blessed in that aspect". You laughed again and smiled "this is nice". Azula smiled too "it is" and you locked eyes for several seconds before she looked away slowly. Azula stood up abruptly "we should get some sleep we’re moving on foot tomorrow to go get Ty lee and then Mai". You were excited at the thought of seeing your old friends and grinned "great! Also don’t think i didn’t notice you came for me first" you called as Azula made her way towards her room. She halted and you smirked "I always knew i was your favourite but really Azula to make it so obvious" you grinned and Azula paused. You walked to your own room and Azula finally responded "i always made it obvious you’re my favourite, it’s nothing new" and went into her room.
You stepped into your own room and leant back against the closed door blushing vividly from the encounter with Azula. You’d spent all your time in the army trying to convince yourself your relationship with Azula was purely platonic. That the fact your heart sped up whenever you thought of her or how you dreamt of her often was just because you were close friends. You managed to convince yourself you weren’t in love with Azula and that she didn’t feel anything for you either but less than a day with her and you knew that was a lie. You couldn’t deny the way she made you feel and how she smiled at you in a way she never did with anyone else...as much as it made you nervous your realisation also excited you. You couldn’t wait to be around Azula again and felt a happy glow spread over you. You settled in your bed, a smile still on your face and burrowed into the exquisite cushions. You expected to fall to sleep easily but a while later you were still awake. You frowned confused as to why. You were happy, you were with Azula and the bed was comfy so why couldn’t you sleep? You figured maybe the bed was too soft compared to what you were used to in the army so went into the living room to try the sofa. You laid down and realised this was better, more like the beds back at the military. You had just closed your eyes when Azula’s door opened. "Trouble sleeping?" she asked and you nodded "i think the bed’s too comfy". Azula laughed "i thought the opposite, really y/n your taste has worsened in our time apart". You shrugged "it’s better than what i’ve been sleeping on for the last 9 months". Azula lay down on the sofa next to you and you looked at her. You didn’t ask why after finding her own bed soooo uncomfortable she came to lay on a sofa barely a foot from where you were and just enjoyed the silence. “So, anything else i missed you didn’t put in your letters?” you asked. Azula hadn’t written to you much at the academy and honestly that had been a good thing. You’d have just missed her more than you already had but she did send brief updates once a month. Azula nodded "probably tons, i couldn’t write often". You didn’t point out she wrote to you on the first of each month religiously instead you turned on your side to look at her. Mai and Ty lee had also written to you but you’d noticed compared to their letters and the changes in their lives Azula’s had been...well boring. You felt almost sorry for her, you’d all moved away to different things but Azula had been stuck at home with a father who was cruel, the ghost of a cold mother and the memory of a banished brother. Azula quickly discussed some events that had happened and then also turned on her side to face you. "What about you then? How was military life really?". You shrugged "not as i expected". "I knew that job would be awful" Azula commented "why did you stay so long then?". You sighed "well i liked some parts of it, the physical training was similar to what we did in the academy which i liked, the mental tests were better, they made me use all my brain". "That’s a first" Azula chimed in and you rolled your eyes "i liked those parts of it...could’ve done without the abuse from the trainers, food restrictions and ban on leaving". Azula raised an eyebrow "remember what i always told you y/n no self-pity, you could’ve left at any time. You chose not to". You thought Azula sounded a bit angry when she said that but you shrugged "i could but that would have meant going back home not coming back to the capital and I’d rather fight all the trainers at once than that" you said through gritted teeth and Azula saw you’d tensed. She recalled you never got along with your family but she hadn’t realised they were part of the reason you’d taken such an awful job so soon after graduation. "They hated my move to the capital and said if i failed at all they’d have me back and married, i had one shot to escape them, there’s no way i’d give it away because i didn’t actually like what i’d chosen". Azula didn’t comment she just watched you conflicted, she hated self pity and weakness but you were so like her, she’d have done the exact same thing in your position. "But you did leave" Azula commented “you left to come with me” and you looked down "i did...". Azula saw the way your face changed, filling with worry and she actually felt slightly guilty. You’d left instinctively for her when she asked, no matter what it might mean for you in the long term. You did all that for her and it proved to her again why you were her closest ally.
Azula laughed and you looked at her confused "y/n do you really think i’d make you give up your job for a small mission?". You frowned "what?". "Your parents won’t be angry because this a much better job, you’ll be paid more and you’re working with me" Azula said pointedly. "They can’t say anything against that, as long as you’re with me they can’t touch you" she smiled and you grinned at Azula "you’d vouch for me?". Azula nodded "of course, i want you with me and that’s what i’ll get, i don’t care who your family are they’re not taking you anywhere ever". You were equally touched and shocked "ever?". Azula nodded "well obviously you might not be here forever but they’re never taking you back to tie you to a marriage, i’ll just keep coming up with excuses to keep you in my company until you’re too old and then they’ll have to leave you alone with me" Azula explained and you smiled "sounds perfect".
Azula laughed and met your eye, seeing how intensely you looked at her gave her chills. Azula had missed you greatly in the capital but honestly she’d let you leave without a fight. She sensed a growing attraction and longing for you which she knew had to stop. So she let you go figuring some distance would be good but as soon as she needed allies the first face in her mind was yours. The second she saw you she knew she’d made the right choice but she also felt the attraction just as suddenly. Laying here staring at you made it more apparent than ever and it scared Azula. She blushed and turned away from you, facing the back of the sofa "try and sleep" she commanded "we'll be up early". 
You didn’t comment on how much Azula was blushing or how she’d chosen to sleep out here with you. You just smiled and closed your eyes basking in the feeling of all she’d said and the safety of her. “Good night Princess” you whispered and you fell asleep almost instantly.
The next day you reunited with Ty lee and then Mai. Ty lee had launched herself at both you and Azula when she saw you and the same occurred for Mai. Mai grunted and hugged Ty lee begrudgingly. "I thought you ran away to the circus?" Mai asked Ty lee and she nodded "i did but y/n and Azula showed up and well they called louder than the universe" Ty lee smiled. "Wait y/n and Azula, isn’t the circus closer to the capital than the military?" Mai asked looking from you to Azula. "Yeah so?" you said confused and Mai shrugged "nothing just seems like it’d make sense to go to the circus first then military but hey i’m sure Azula had her reasons for coming to get you first" Mai smirked slightly. You didn’t look at Azula but Mai and Ty lee exchanged a look at the matching blushes you were both sporting, some things never change. Azula recovered first and pretended Mai hadn’t said anything about the two of you and began explaining her plan. You joined in after a few seconds of recovery but still felt giddy at Mai’s words.
Throughout your trip you and Azula grew closer and closer just like you’d done at the academy. Although neither of you spoke about it you felt drawn to one another and Azula acted differently around you. She sought you out more than the others, always kept the closest proximity to you and paired Mai and Ty lee and you with herself whenever you had to split into teams. As you fell into old habits all the past feelings came back and you began to worry at all the dangerous situations Azula was putting herself in just to please her father. She’d infiltrated Ba Sing Sei without any backup besides you, Ty lee and Mai which terrified you. Of course her plan worked but still you were so grateful Azula had been unharmed and managed to take over the whole city without any mishaps. You hoped it’d be smooth sailing from there but of course she wanted her brother and the avatar too. You did exactly what she said to try and help her but you couldn’t escape the feeling something would go wrong. Azula had left to go and face the avatar all alone apart from her dai lee agents and you couldn’t get her out of your head. Azula had put you in charge of making sure the earth king and his bear were looked after but you wanted to ensure she was okay so left it to Ty lee and Mai. You followed the secret passage you’d seen Azula take and found your way into a massive cavern filled with people. You spotted Azula fighting the avatar and saw her shoot him with a lightning bolt. He fell to the floor and you gaped at the fact Azula had likely just killed the avatar. The water bender with the avatar then went into a rage and flew through the air using a massive wave to catch him. Azula smirked ready to engage with her and you saw Zuko standing beside her. You were surprised to see Zuko beside her, never thinking she’d actually manage to get Zuko on her side but of course she was a master at manipulation. You smiled at all she’d achieved when you noticed Azula’s uncle Iroh was approaching them. He had flames in his hands and was looking right at Azula who was fixed on the water bender. You gasped at Iroh’s intentions and how nobody was aware of what was going on behind them. You broke out into a run and leapt down the cliff as quick as you could. You were getting closer but you still weren’t close enough. Iroh raised his hands and you went into panic mode. “Stop” you yelled and threw your own fire as Iroh released his own. Your strike managed to hit his off course and it hit a rock beside Azula. Azula and Zuko both jumped and Iroh turned to you. You were now stood blocking his path to Azula and you sensed he still wanted to take her down. You anticipated his attack and blocked it instinctively before firing back your own. Iroh was much stronger than you so you were heavily outmatched when suddenly two flames burst onto the scene. Azula sprang in front and began attacking her uncle savagely while Zuko helped. You were again slightly surprised by Zuko but quickly joined in. With three on one even the dragon of the west couldn’t last long and with a final hit from Azula he fell to the floor. “Seize him and throw him in a cage” Azula spat and walked past him to you. “I thought I told you to wait upstairs” she said fixing her intense gaze on you and you shrugged “I wanted to help and I think it’s a good job I did”. Azula shot you a look at your boldness but you could tell she was more amused than annoyed. “You appear to be correct” she replied curtly before walking past you. You smiled after Azula, admiring how happy she looked and why wouldn’t she? She’d taken over Ba Sing Sei, possibly killed the avatar, brought down her uncle and convinced Zuko to ally with her, all in all it had been an excellent day and Azula had proved herself a force to be reckoned with. You began following her when you saw the guards walking Iroh in the opposite direction. You were going to look away when you noticed he was still staring at Azula. You could feel his anger and knew what his intentions were, he meant to finish the job. In the blink of an eye Iroh burst out of his restraints, threw his guards to the side and took a stance. “Azula get down” you yelled sensing the electricity in the air but he had an excellent shot at her and she had nowhere to go. Instinctively you threw yourself into the path of the lightning. 
Azula also responded instinctively. She conjured her own lightning to meet her uncle’s when she saw you running into the fight, You tried to raise a wall of fire but there wasn’t time, you got hit by the bolt and collapsed. Azula only just managed to direct her own bolt away from you and felt her heart beating rapidly. As the smoke cleared Azula saw your body on the floor rage consumed her. She conjured a huge amount of electricity and sent it all at her uncle. He tried to block it but Azula’s bolt sliced through his defences hitting him square in the chest. Azula didn’t even check to see if her bolt had met its mark, she knew it had so rushed to your side. “Y/n” she yelled and she knelt beside you staring at the smoke coming off your back where the bolt had hit you. Your uniform was partially melted and Azula could smell the burning flesh strongly. "I need water” Azula yelled grabbing you and trying to feel for a pulse. She felt one and felt her own breathing somewhat stabilise too. "Now" Azula yelled and people rushed forwards. Azula poured the water over you "it’s okay" she told as you winced as she poured more. "We need to get her into the pool" she called "someone help me get her to the water". Zuko appeared and helped Azula carry you to a fountain. You were semi-conscious which made Azula hurry even quicker, she wanted to reduce your pain as soon as possible. Azula climbed into the fountain first and told Zuko to pass you to her. She took you carefully and laid you on your back floating. Your eyes closed as you passed out and Zuko called for a doctor. Azula clutched your by your arms keeping you close to her in the water "you will not die y/n" she snarled "you will be fine do you hear me?". You didn’t respond. 
Later
You woke up face down on something soft and tried to move your face away from it when shooting pains erupted along your spine. You felt like your back was cracking open and groaned loudly. "Careful y/n" you heard someone say and saw it was Ty Lee. "Ty lee? What happened?". "You got burnt" she explained "on your back..luckily Azula cooled you in time to stop any long-term damage but it’s still really sore so be careful". You reached for your back and flinched at the slightest touch of it. "Stop" Ty lee told you "Azula said i’m to watch you and make sure you rest, apply more soothing cream on it every three hours and just basically always make sure you're okay!" she told you cheerfully. You shook your head "Ty lee i’m fine you don’t have to sit guard over me" you tried to sit up and went pale from the pain. "Don’t do that" Ty lee cried rushing to your side "if you want to get up i can pile some pillows in front of you for you to lean on. I don’t think you can sit up for a while". You pouted annoyed but asked Ty lee to bring you said pillows and managed to pull yourself up onto your elbows "so what happened? Tell me everything". "Well thanks to you we managed to stop Iroh escaping and hurting Azula, we took Ba Sing Sei and the avatar is dead". "Wow" you said surprised "That is... a lot". Ty lee nodded “Ow and Zuko’s back on our side". You nodded and smiled "I bet Mai is happy". Ty lee grinned too "she is i haven’t seen her since we started for home". "We’re on our way back?" you asked and Ty lee nodded "yes but Azula said me, you and Mai are to stay with her even after we arrive back in the capital, she said she still has a need for us". You smiled laying your head down blushing slightly, Azula had kept her promise, she wasn’t letting you go. You sighed happily and Ty lee smiled "y/n?". "I’m just glad to be going back" you smiled "i think we'll have lots of fun". You had been dozing when the sounds of the door made you jolt awake sending shooting pains down your back. You winced but prepared yourself for an attack until you saw her. Azula raised her hands as she saw you jump and she smiled "just me". You relaxed "Azula, sorry i was asleep". "Don’t apologise you need to rest after what happened, i just wanted to come check on you. We'll be in the fire nation in a few hours". "That’s good news" you smiled and Azula nodded "how does the back feel? Ty lee says you’re doing as well as can be expected" Azula’s eyes drifted to your back and you froze. You were now very aware you were laid on your front with only a blanket covering your bare torso from Azula’s eye. Azula stepped closer and you rushed to explain and stop her inspecting you. "I’m fine" you told her "the burns aren’t too bad, they hardly hurt at all". Azula raised an eyebrow "then you won’t mind me having a look?" and stepped beside you. She reached for the blanket and you grabbed her hand with an uncomfortable strain "wait, i lied...i don’t want you to see it, Ty lee says it looks bad. It’s in the blistering stage and yes it hurts but everything has already been done for it and me so you don’t need to see it or check on me". Azula titled her head to one side as you couldn’t meet her eye and she sighed sitting on the floor beside your bed. "It will scar but unlike Zuko you can wear yours with pride" Azula said forcefully and you looked up at her shocked "with time i’m sure it will simply resemble a tattoo" Azula explained. You turned on your side to look at her, something you’d practised with Ty lee and could now manage. "Ty lee told me you did as much for me as you could...i can’t really remember it but..". "Do you remember jumping into the path of lightning for me?" Azula said "without protecting yourself or even any concrete attempt to do so, and what for?". You sighed thinking Azula was angry at you "i...i know it was reckless and stupid, it went against everything we were taught at the academy but I don’t know Azula, i did it without even thinking. I saw it heading for you and you weren’t ready! It would hit you and i just did it without hesitation, i know it seems stupid and emotional but i don’t regret it Azula i’d do it again" you told her sighing, feeling she wouldn’t understand. "I know that might sound stupid...why i’d do that for you but Azula i..." you started as Azula cut you off "y/n". Azula gently raised your head with a hand helping you to look at her. You were confused by Azula’s gaze, it was soft but at the same time intense, you couldn’t recognise the emotion, was she angry? Happy? Excited? Apparently it was somewhere in the middle. Azula leant down to you, hand on your cheek as she ghosted her lips over yours. You felt a sensation like water being thrown over you as Azula kissed you softly and quickly before pulling back "i don’t completely get it but i understand" she smiled blushing softly "i think I can imagine why you did it" she said looking away from you "thank you for saving me". You were speechless, Azula was thanking you? Azula understood why you did it? Did that mean she liked you too? She’d just kissed you so of course she did! Or was that what she thought you wanted? Azula had been used all her life, did she simply think you did this in order to make gains with her? 
Azula smiled slightly to see your brain short-circuiting at her actions and stood up. "i just wanted to make sure you were okay so now I know you are i’ll let you go back to sleep. I’ll wake you when we’re there". You nodded still confused and watched Azula walked away. You weren’t sure what had just happened but you knew you had to make Azula realise you didn’t do this just to use her. "Azula" you said suddenly "is that...what you just did...if that was my reward or what you think i wanted from you after today...i didn’t save you because i was expecting a reward or anything from you so what i’m saying is you don’t have to compensate me if you don’t want to. I didn’t do it for any reason other than to keep you safe". 
Azula blushed suddenly and felt her emotions swirling, she realised she was happy. To hear you express openly your desire for her safety filled her with excitement and she realised nobody had ever cared for her before like you did. Azula nodded slowly "that is welcomed news y/n" she smiled "but i didn’t reward you like that as a forced compensation either" she told you "although my intentions were personal and selfish i suppose”. 
You smirked slightly and nodded "good...i mean fine with me". Azula nodded "i’m glad we understand each other, good night y/n". "Good night princess Azula" you said savouring the words and Azula’s eye twitched but she maintained her calm expression and bowed leaving. You lay back giggling as realisation (and the medication you were on for the pain) set in. Azula had kissed you and told you she didn’t do it because she thought she had to but because she wanted to! For selfish reasons!!! You wrapped yourself in your blankets and didn’t stop smiling even in your sleep.
____
Is it just me who loves the idea of being in a secret relationship with the princess of the fire nation? I feel like Azula would excel at sneaking around the palace and would like rebelling against Ozai for once
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reidyoulikeabook · 4 years
Text
Invisible String
Ship: Fem! Reader x Spencer Reid
Warnings: None, this is just fluff.
Word count: 3.2k
Summary: You and Spencer Reid don’t know it, but you’ve almost met quite a few times. What happens when you do?
A/N: This is potentially a bit on the wrong side of the cheesy line, but I was listening to invisible string by Taylor Swift and couldn’t get this idea out of my head. Pls bare in mind I’m from the UK and my only understanding of the US college system is from Google searches, so pls be forgiving of any misunderstandings about that.
November 6th, 2007
Dr. Spencer Reid. As you sat, thumbing through the article he’d written about the formation of ionic compounds in a chemical whose name you could not for the life of you spell or pronounce, you couldn’t help but resent the man.
Sure, the paper was very well-written and as cohesive as possible given the complex subject matter. But Dr. Spencer Reid, whoever he was, was the current source of your resentment at selecting chemistry to make up your science credit. Highlighting the name of a substance you’d have to look up later, you sighed. It was getting late but you had to hand in a critical summary of the paper on Friday.
It didn’t help that Dr. Reid was: a) a triple doctorate holder by the age of 22, or b) that your chemistry lecturer was none other than his old chemistry lecturer from Caltech and practically glowed with pride whenever he got to bring him up.
You chew on the end of your pen, having now distracted yourself from the notes. Not that you were particularly focused anyway.
In another life, maybe you’d have been a budding chemist who could describe an ionic lattice off rote. In this one, however, you’d just have to settle for slogging through the list of chemical processes and hoping you understood it well enough to please Dr. Reid’s biggest fan.
***
April 16th, 2008
Spencer hated flaking on commitments. It caused him a great deal of anxiety, the feeling of disappointing someone. He didn’t have much choice in this circumstance though.
Diana had taken ill over the last weekend. Nothing serious, some stomach bug or other. She’d become severely dehydated though, and had been hospitalised as a precautionary measure. Truth be told, he might not have gone if she hadn’t caught him on the phone. He was already feeling guilty for not having visited since Christmas. He wrote her letters everyday, yet still felt like he was neglecting his duties as a son. Rubbing his hands over his face, he lets out a deep sigh. Then takes out his laptop, to send another email.
Dear. Dr Abraham
I sincerely apologise again for my last minute cancellation. Excluding any unforeseen circumstances, myself and SSA Hotchner will be available to present the lecture on May 12th.
Yours sincerely,
Dr. Spencer Reid.
***
May 12th, 2008
Considering this was your third year on campus, you sure were bad at finding your way around. In your defence, they were doing maintenance in one of the main buildings, meaning that lectures got shuffled around and relocated. You probably had a higher change of attending the right lecture by accident than on purpose.
It doesn’t help that you’re running a little late this morning. You rush into Room 203. A lot of the seats are taken, you have to meander your way past quite a few people until you end up sat almost directly in the middle. Only moments before the lecture starts.
“I’m SSA Hotchner, and this is SSA Reid. We’re members of the BAU which is based at FBI quarters in Quantico. Today, we’ll be talking to you about profiling.”
This is not your forensic linguistics lecture.
Panic hits you, hot in your gut. Scanning the room anxiously, you suddenly become conscious that you’re drawing attention to yourself when you feel the eyes of the man who is not SSA Hotchner on you. Fuck.
There’s no way for you to escape now, not without disturbing half the lecture hall.
So you sit back in your seat, resigning yourself to sit awkwardly in the lecture you’re not supposed to be in and hoping nobody notices.
But then, it’s really interesting, actually. The work that Dr. Reid does sounds similar to work you’ve done in forensic linguistics, analysing patterns of speech and minor phrase formations that can give things away about the perpetrator. By the end of the seminar, you’re sat leaning forward. Enraptured by almost every word coming out of their mouths.
It seems to be the general mood: everyone is enamoured. People are clammering to speak to them at the end. After a brief inner battle, myou decide that you should talk to them too.
What’s the harm?
You’ve decided that you’ll speak to Dr. Reid, since he seems to share more of a field focus. However, as you’re heading down, you spot him. Dr Adams, your chemistry lecturer from last year. Oh shit, it’s that Dr. Reid.
Speaking to SSA Hotchner will just have to do instead.
----
“I’ve been majoring in forensic linguistics and criminal psychology,” You tell him, “Do you think ... I mean, I know it’s a pretty exclusive team to get on to. But is that the kind of thing that could maybe get me there one day?”
Hotchner nods, “Forensic linguistics is something that comes in very useful in the investigative aspects of cases. The FBI is always looking for new angles and perspectives, those are both good subjects to study if you were thinking of signing up to the academy.”
"Thank you, Agent Hotchner,” You say, suddenly a little bashful as you notice the queue of people lingering behind you, “That was a really interesting lecture. It’s definitely something I’ll think about.”
“You should talk to Dr. Reid if you have a particular interest in the linguistic aspect of profiling. He’s more specialised in that area than I am. I’m sure he’d be more than happy to discuss any research you’re conducting at the moment and suggest materials that might be helpful in furthering your understanding of the area.”
“Thank you,” You smile, and he nods at you again.
Stepping away from Agent Hotchner, you look to your right. Dr. Reid is still engaged deeply in conversation with Dr. Adams. You glance at your watch. There was time before your next class, you supposed, so you could wait. It couldn’t hurt to find out more, could it? It wasn‘t like you were getting your hopes up or anything.
It’s then that you feel a pair of arms around your waist, a familiar scent of cologne.
“Hey!” You whip around to see your boyfriend, grinning widely.
“Hey,” You reply, “How’d you find me?”
“I was walking past when I saw you talking to that FBI agent. Seriously, FBI?” He asks, with a disapproving quirk of his eyebrow, “You want to grab a coffee before Psych?”
You want to say no. But he’s got his hand on the small of your back, leading  you out of the room before you even get a chance to reply. You glance back over your shoulder, making eye contact with Dr. Reid for all of two seconds before you’re swept away.
“Seriously though babe, FBI?”
Unsurpisingly, you don’t mention your potential change in career path to him.
***
March 8th, 2009
“Come in,” Hotch calls. He looks up from the paperwork on his desk to see Spencer entering the room, clutching a report in his hand.
“That last case we were on. I was doing some more research, just for future reference about linguistic patterns. Have you read this?” He asks, sliding a copy of your paper across the desk.
Hotch gives it a cursary look over, nodding, “Yes. It’s interesting. She’s signed up as an NAT. I believe I actually spoke to her at one of our lectures last year.”
"Her work is really impressive for somebody whose only studied this at a master level.”
Hotch almost smiles, “Yes. That’s exactly why I’ve recommended to the bureau that she signs up for profiling classes. Her work shows a lot of promise. They’re sending over a copy of her completed thesis, if you’d like to read it.”
“Yeah, I’d like that, thank you,” Spencer says, struggling to conceal the smile playing on the corner of his lips.
“I’ll email it to you as soon as I receive it.”
Spencer nods, smiling properly to himself as he leaves the room. It wasn’t unusual, exactly, for him to share new research that was relevant to cases. It was important that they all kept themselves fresh and acquainted with new theories about the field. Hotch, however, didn’t miss the excited way Spencer had presented it to him. Talking about how impressive you were, as if to subtly hint. He thinks it’s quite typical, actually, that Spencer could take such an interest in someone he only knew via an essay.
Although Spencer’s response does get Hotch to send a follow-up email, inquiring about whether you’d agreed to the classes. If Spencer was this impressed with your work, it must be good.
***
June 1st, 2009
The Metro that morning is packed. It doesn’t help that you’ve not been living here long, and don’t exactly know the route from your flat to the station off by heart yet.
You'd also had to make a detour to the post office. Your, firmly ex, boyfriend had mailed over the last of your things. Really, it was good riddance. His hounding you about your choice in job had only worsened. The relationship had been hanging on by a thread long before you’d moved away last month. You were more than a little grateful that it was finally over, that you could draw a line under it all and focus on your career.
Unfortunately, that hadn’t stopped you having a little cry to yourself on the way over.
Rushing, you make it onto the Metro just as the doors are about to close, falling against the railing on the left side. You grip onto it for dear life.
On the other side of the carriage, Spencer notices someone hurrying for the train. He had been buried deep in the paper he's reading, but the bustle had pulled his attention. Your back is to him, and there’s a scarf at your feet. He wants to say something, to try and get your attention, but he can’t from where he is.
“Miss, I think you’ve dropped something,” The woman you’re standing in front of says, gesturing to the scarf pooled at your feet.
You meet her eyes, sniffling slightly, “Thank you.”
Spencer watches as you pick it up, back still to him. Crisis averted, he turns his attention back to what he's reading: the published copy of your thesis Hotch had emailed him last week.
***
September 2nd, 2009
"This is SSA ____, the newest member of our team. She’s recently graduated from the academy and has an excellent knowledge of linguistics that the bureau feels will be a great advantage to this team. She’s had her induction and now will be joining the team on a probationary basis. She’ll be spending a little time with each of you in between cases to make sure she forms well-rounded knowledge of all aspects of what we do.”
It’s a little overwhelming, having everybody’s eyes on you.
“It’s so nice to meet you,” Emily is the first over, offering her hand for you to shake.
“You too, it’s really nice to meet all of you,” You say, shaking hands in turn with her, Morgan, Rossi, J.J, and Garcia.
“Hi,” Spencer calls from behind you.
You turn around to face him. You remember what Hotch had mentioned to you about him being a bit of a germaphobe, so you keep your hand by your side.
“Hi,” You say, “Dr. Reid, right?”
“You can call me Spencer,” He says, a little bashful, “I read your thesis, the study about you did about the construction of passive clauses as an indicator of guilt in adolescent offenders. It was fascinating.”
You feel yourself getting a little warm under his gaze, “Thank you. I'm surprised you’re even aware it existed.”
Hotch interrupts then, “Reid, do you want to sit with ____ while she goes over the case file? It’d be useful if you could go over how you’d go about constructing a linguistic profile.”
That’s how you end up spending much of your first day: with Spencer, huddled up over case files as he explains his profile-building process to you. Spencer’s an incredible teacher, you think. He explains his thought process without ever being condescending, leaving little gaps for you to answer.
You’re incredible, Spencer thinks. You seem to grasp exactly what he’s saying, filling in the gaps based on the clues that are actually in front of you, not letting yourself be guided too much by bias.
***
October 29th, 2009
Spencer loves everyone at the BAU. They’re all the family he never had, and he has relatively good friendships with all of them. Just, they aren’t quite the same as they are with you.
He struggles to put his finger on it, exactly. It’s a unique relationship. He shares very familial bonds with a lot of them: he and Morgan are brotherly, Rossi is fatherly, Garcia’s somewhat like an overexcited little sister.
The friendship he has with you is special. You always listen to him, even as he rambles on about inane things that anybody else would tell him to shut up about. In fact, sometimes about the exact things that they do tell him to shut up about. Just last week, he was rambling on about Star Trek when Morgan told him, not altogether unkindly, to “give it a rest, kid.”
“What was that you were saying?” You’d asked, sidling up to him, “I’ve never watched Star Trek but I thought the quote was beam me up Scotty.”
He’d looked at you, considering you for a moment, “You don’t have to-”
“I know. I wouldn’t ask if I didn’t want to know Spence. You think I’d ask for a 15 minute lecture on Star Trek if I wasn’t interested in it?”
A warm feeling flooded his chest. The look on your face was so genuine, and you’d perched on the edge of his desk as he gesticulated, getting deep into the lore and how the misconception had come about. He still didn’t pinpoint exactly what it was, until he got to the end of his spiel. And then you asked him a question. You asked him a question to make sure you understood what he was talking about. You were listening the whole time, and you genuinely cared about the point he was making.
It's then that he realises, it was hard to pinpoint because it wasn’t friendship. He likes you. Shit.
***
November 2nd, 2009
You like everybody at the BAU. They’re all quite patient with you, really, happy to walk you through how they do things. Morgan’s taught you quite a bit about the tactical side of things already, and Rossi has been working with you on your interrogation techniques. Emily’s generally just a great mentor, always happy to listen and support however she can. She’s more experienced, but still relatively new to the team too, so you feel like there’s a certain understanding between you.
However, you’d definitely be lying if you said the person you hadn’t learnt the most from, or spent the most time with, was Spencer.
It hadn’t gone unnoticed by the rest of the team, either. You seemed to gravitate towards one another, forever sitting side-by-side on the plane. Sharing a line of thinking that usually led to devolved rambling, and scribbling, until you came up with something coherent.
It isn’t until November 2nd that you realise you have feelings for him.
You’re sitting at your desk, filling out a case report that Emily had promised to go over with you before she left for lunch.
“Hey,” Spencer’s familiar soothing voice comes, as he sidles up to you, “I got you something.”
Looking up, you notice the coffee cup in his right hand, “You are my caffeine lifesaver.”
He hands it to you, smiling a little nervously, “It’s actually not that.”
“Oh?”
His other hand is tucked behind his back, and he pulls it foward towards you, brandishing a red sweatshirt.
“I know you uh, left your red sweater behind at the hotel on the last case. And I know it was your favourite one, and I was shopping yesterday and I saw this and...” He trails off, embarassed, “It’s not the exact same, but it’s the same kind. I just thought you might like it.”
You swallow, hard, “Spencer that’s so sweet. C-Can I hug you?”
He nods. Standing up from your desk, you wrap your arms around his frame.
“That was so thoughtful.”
He squeezes you a little, really leaning into the hug, his face pressing against your shoulder. His tousled hair tickles your nose a little and you smile, clinging onto him, relishing in the feeling of safety and warmth.
It hits you then. When you realise you don’t want to let go. When you realise he makes you feel fuzzy. Loved. Cared for in a way you haven’t felt in a long time. Eventually, you have to let him go, and it’s in a daze that you return to your desk. You’re so concentrated on your overwhelming realisation, you don’t realise how reluctant he is to let you leave his embrace.
***
December 22nd, 2009
Driving Spencer home from the office was really just an excuse to get some time alone with him. You’d said something about the Metro being busy, one of the services being cancelled. He hadn’t factchecked you on that.
The BAU had tentative plans for boxing day, with the caveat being that no emergent cases arrived in the meantime. It was only really four days you wouldn’t see him, but that was longer than you’d ever gone without seeing him in all the time you’d known him. You worked together everyday, and it was unusual for you to go a full weekend without seeing each other. Recently, you’d got into the habit of going out for Sunday brunch together.
Pulling up outside his house, you hear him sigh.
“I know it’s only four days, but I’ll miss you.”
Smiling, you turn to him, “I’ll miss you too.” 
Something in you changes then. He’s looking at you. You may be relatively new to profiling but you can see something behind his eyes, feel the charge of unsaid words electrifying the air.
“Can I hug you?” He asks.
“You can always hug me,” You reply, undoing your seatbelt and opening your arms for him.
He embraces you the way he always has: tightly. Like he doesn’t want to let go, couldn’t imagine ever letting you go. His face nuzzles to the crook of your neck, and then you feel his thumb brush your chin. Tilting your head down.
You exchange a look. His eyes flicker from your eyes, to your lips, and back. You nod your head, just slightly.
He kisses you then. Tender. You melt into one another, lips moving quickly as you drink one another in. Kissing each other breathless, your fingers intertwine in his hair and his hand comes up to cup your cheek. Nothing has ever felt so right.
***
June 10th, 2011
Neither of you have ever really believed in fate. It’s hard to - especially in your line of work - to want to interpret the workings of the universe as deliberate. Maybe you’d think a little differently though, if you knew about all the near-misses. All the times you could have met. But fate knew better. She waited until you were ready.
And as you exchange vows, promising each other your forever, you both know you couldn’t possibly deny that this was meant to be.
------
Taglists: @takeyourleap-of-faith @sassiest-politician
(let me know if you would like to be added to/removed from this list!)
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potteresque-ire · 3 years
Note
Can you talk more about the usage of the word "wife" to talk about men in the BL context? I've noticed it in BJYX (particularly with GG), in the (English translations) of MDZS, and then it came up in your recent posts about Danmei-101 (which were super helpful btw) with articles connecting the "little fresh meat" type to fans calling an actor "wife." My initial reaction as a westerner is like "this is very problematic," but I think I'm missing a lot of language/cultural context. Any thoughts?
Hello! First of all, for those who’re interested, here’s a link to the referred posts. Under the cut is arguably the 4th post of the series. As usual, I apologise for the length!
(Topics: seme and uke; more about “leftover women”; roster of feminisation terms; Daji, Bao Si & the origin of BJYX; roster of beautiful, ancient Chinese men; Chairman Mao (not part of the roster) ...)
[TW: feminisation of men]
In the traditional BL characterisation, the M/M (double male) lead pairing is essentially a cis-het relationship in disguise, in which one of the M leads is viewed as the “wife” by the creator and audience. This lead often possesses some of the features of the traditional, stereotypical female, but retaining his male appearance. 
In BL terms, the “wife” is the “uke”. “Seme” and “uke” are the respective roles taken by the two male leads, and designated by the creator of the material. Literally, “seme” (攻め) means the dominant, the attacking / aggressive partner in the relationship and “uke” (受け), the passive / recipient (of actions) partner who tends to follow the seme’s lead. The terms themselves do not have any sexual / gender context.  However, as male and female are viewed as aggressive and passive by their traditional social roles, and the attacker and recipient by their traditional sexual roles respectively, BL fandoms have long assigned uke, the passive, sexual “bottom”, as the “woman”, the “wife”. 
Danmei has kept this “semi” and uke” tradition from BL, taking the kanji of the Japanese terms for designation ~ 攻 (”attack” is therefore the “husband”, and 受 (”receive”), the “wife”. The designations are often specified in the introduction / summary of Danmei works as warning / enticement. For MDZS, for example, MXTX wrote:
高貴冷豔悶騷 攻 × 邪魅狂狷風騷 受
高貴冷豔悶騷 攻 = noble, coolly beautiful and boring seme (referring to LWJ)  邪魅狂狷風騷 受 = devilishly charming, wild, and flirty uke (referring to WWX) 
The traditional, stereotypical female traits given to the “uke”, the “wife” in Danmei and their associated fanworks range from their personality to behaviour to even biological functions. Those who have read the sex scenes in MDZS may be aware of their lack of mention of lube, while WWX was written as getting (very) wet from fluids from his colon (腸道) ~ implying that his colon, much like a vagina, was supplying the necessarily lubrication for sex. This is obviously biologically inaccurate; however, Danmei is exempt from having to be realistic by its original Tanbi definition. The genre’s primary audience is cishet females, and sex scenes such as this one aren’t aiming for realism. Rather, the primary goal of these sex scenes is to generate fantasy, and the purpose of the biologically female functions in one of the leads (WWX) is to ease the readers into imagining themselves as the one engaging in the sex.
Indeed, these practices of assigning as males and female the M/M sexual top and bottom, of emphasising of who is the top and who is the bottom, have been falling out of favour in Western slash fandoms ~ I joined fandom about 15 years ago, and top and bottom designations in slash pairings (and fights about them) were much more common than it is now.  The generally more open, more progressive environments in which Western fandomers are immersed in probably have something to do with it: they transfer their RL knowledge, their views on biology, on different social into their fandom works and discourses. 
I’d venture to say this: in the English-speaking fandoms, fandom values and mainstream values are converging. “Cancel culture” reflects an attempt to enforce RL values in the fictional worlds in fandom. Fandom culture is slowly, but surely, leaving its subculture status and becoming part of mainstream culture. 
I’d hesitate to call c-Danmei fandoms backward compared to Western slash for this reason. There’s little hope for Danmei to converge with China’s mainstream culture in the short term ~ the necessity of replacing Danmei with Dangai in visual media already reflects that. Danmei is and will likely remain subculture in the foreseeable future, and subcultures, at heart, are protests against the mainstream. Unless China and the West define “mainstream” very similarly (and they don’t), it is difficult to compare the “progressiveness”—and its dark side, the “problematic-ness”—of the protests, which are shaped by what they’re protesting against. The “shaper” in this scenario, the mainstream values and culture, are also far more forceful under China’s authoritarian government than they are in the free(-er) world. 
Danmei, therefore, necessarily takes on a different form in China than BL or slash outside China. As a creative pursuit, it serves to fulfil psychological needs that are reflective of its surrounding culture and sociopolitical environment. The genre’s “problematic” / out of place aspects in the eyes of Western fandoms are therefore, like all other aspects of the genre, tailor-made by its millions of fans to be comforting / cathartic for the unique culture and sociopolitical background it and they find themselves in. 
I briefly detoured to talk about the Chinese government’s campaign to pressure young, educated Chinese women into matrimony and motherhood in the post for this reason, as it is an example of how, despite Western fandoms’ progressiveness, they may be inadequate, distant for c-Danmei fans. Again, this article is a short and a ... morbidly-entertaining read on what has been said about China’s “leftover women” (剩女) — women who are unmarried and over 27-years-old). I talked about it, because “Women should enter marriage and parenthood in their late 20s” may no longer a mainstream value in many Western societies, but where it still is, it exerts a strong influence on how women view romance, and by extension, how they interact with romantic fiction, including Danmei.
In China, this influence is made even stronger by the fact that Chinese tradition  places a strong emphasis on education and holds a conservative attitude towards romance and sex. Dating while studying therefore remains discouraged in many Chinese families. University-educated Chinese women therefore have an extremely short time frame — between graduation (~23 years old) and their 27th birthday — to find “the right one” and get married, before they are labelled as “leftovers” and deemed undesirable. (Saving) face being an important aspect in Chinese culture introduces yet another layer of pressure: traditionally, women who don’t get married by the age agreed by social norms have been viewed as failures of upbringing, in that the unmarried women’s parents not having taught/trained their daughters well. Filial, unmarried women therefore try to get married “on time” just to avoid bringing shame to their family.
The outcome is this: despite the strong women characters we may see in Chinese visual media, many young Chinese women nowadays do not expect themselves to be able to marry for love. Below, I offer a “book jacket summary” of a popular internet novel in China, which shows how the associated despair also affects cis-het fictional romance. Book reviews praise this novel for being “boring”: the man and woman leads are both common working class people, the “you-and-I”’s; the mundaneness of them trying build their careers and their love life is lit by one shining light: he loves her and she loves him. 
Written in her POV, this summary reflects, perhaps, the disquiet felt by many contemporary Chinese women university graduates:
曾經以為,自己這輩子都等不到了—— 世界這麼大,我又走得這麼慢,要是遇不到良人要怎麼辦?早過了「全球三十幾億男人,中國七億男人,天涯何處無芳草」的猖狂歲月,越來越清楚,循規蹈矩的生活中,我們能熟悉進而深交的異性實在太有限了,有限到我都做好了「接受他人的牽線,找個適合的男人慢慢煨熟,再平淡無奇地進入婚姻���的準備,卻在生命意外的拐彎處迎來自己的另一半。
I once thought, my wait will never come to fruition for the rest of my life — the world is so big, I’m so slow in treading it, what if I’ll never meet the one? I’ve long passed the wild days of thinking “3 billion men exist on Earth, 0.7 of which are Chinese. There is plenty more fish in the sea.” I’m seeing, with increasing clarity, that in our disciplined lives, the number of opposite-sex we can get to know, and get to know well, is so limited. It’s so limited that I’m prepared to accept someone’s matchmaking, find a suitable man and slowly, slowly, warm up to him, and then, to enter marriage with without excitement, without wonder. But then, an accidental turn in my life welcomes in my other half.
— Oath of Love (餘生,請多指教) (Yes, this is the novel Gg’d upcoming drama is based on.) 
Heteronormativity is, of course, very real in China. However, that hasn’t exempted Chinese women, even its large cis-het population, from having their freedom to pursue their true love taken away from them. Even for cis-het relationships, being able to marry for love has become a fantasy —a fantasy scorned by the state. Remember this quote from Article O3 in the original post? 
耽改故事大多远离现实,有些年轻受众却将其与生活混为一谈,产生不以结婚和繁衍为目的才是真爱之类的偏颇认知。
Most Dangai stories are far removed from reality; some young audience nonetheless mix them up with real life, develop biased understanding such as “only love that doesn’t treat matrimony and reproduction as destinations is true love”. 
I didn’t focus on it in the previous posts, in an effort to keep the discussion on topic. But why did the op-ed piece pick this as an example of fantasy-that-shouldn’t-be-mixed-up-with-real-life, in the middle of a discussion about perceived femininity of men that actually has little to do with matrimony and reproduction? 
Because the whole point behind the state’s “leftover women” campaign is precisely to get women to treat matrimony and reproduction as destinations, not beautiful sceneries that happen along the way. And they’re the state’s destination as more children = higher birth rate that leads to higher future productivity. The article is therefore calling out Danmei for challenging this “mainstream value”.
Therefore, while the statement True love doesn’t treat matrimony and reproduction as destinations may be trite for many of us while it may be a point few, if any, English-speaking fandoms may pay attention to, to the mainstream culture Danmei lives in, to the mainstream values dictated by the state, it is borderline subversive.
As much as Danmei may appear “tame” for its emphasis on beauty and romance, for it to have stood for so long, so firmly against China’s (very) forceful mainstream culture, the genre is also fundamentally rebellious.  Remember: Danmei has little hope of converging with China’s mainstream unless it “sells its soul” and removes its homoerotic elements. 
With rebelliousness, too, comes a bit of tongue-in-cheek.
And so, when c-Danmei fans, most of whom being cishet women who interact with the genre by its traditional BL definition, call one of the leads 老婆 (wife), it can and often take on a different flavour. As said before, it can be less about feminizing the lead than about identifying with the lead. The nickname 老婆 (wife) can be less about being disrespectful and more about humorously expressing an aspiration—the aspiration to have a husband who truly loves them, who they do want to get married and have babies with but out of freedom and not obligation.
Admittedly, I had been confused, and bothered by these “can-be”s myself. Just because there are alternate reasons for the feminisation to happen doesn’t mean the feminisation itself is excusable. But why the feminisation of M/M leads doesn’t sound as awful to me in Chinese as in English? How can calling a self-identified man 老婆 (wife) get away with not sounding being predominantly disrespectful to my ears, when I would’ve frowned at the same thing said in my vicinity in English?
I had an old hypothesis: when I was little, it was common to hear people calling acquaintances in Chinese by their unflattering traits:  “Deaf-Eared Chan” (Mr Chan, who’s deaf), “Fat Old Woman Lan” (Ah-Lan, who’s an overweight woman) etc—and the acquaintances were perfectly at ease with such identifications, even introducing themselves to strangers that way. Comparatively speaking then, 老婆 (wife) is harmless, even endearing. 
老婆, which literally means “old old-lady” (implying wife = the woman one gets old with), first became popularised as a colloquial, casual way of calling “wife” in Hong Kong and its Cantonese dialect, despite the term itself being about 1,500 years old. As older generations of Chinese were usually very shy about talking about their love lives, those who couldn’t help themselves and regularly spoke of their 老婆 tended to be those who loved their wives in my memory. 老婆, as a term, probably became endearing to me that way. 
Maybe this is why the feminisation of M/M leads didn’t sound so bad to me?
This hypothesis was inadequate, however. This custom of identifying people by their (unflattering) traits has been diminishing in Hong Kong and China, for similar reasons it has been considered inappropriate in the West.
Also, 老婆 (wife) is not the only term used for / associated with feminisation. I’ve tried to limit the discussion to Danmei, the fictional genre; now, I’ll jump to its associated RPS genre, and specifically, the YiZhan fandoms. The purpose of this jump: with real people involved, feminisation’s effect is potentially more harmful, more acute. Easier to feel. 
YiZhan fans predominantly entered the fandoms through The Untamed, and they’ve also transferred Danmei’s  “seme”/“uke” customs into YiZhan. There are, therefore, three c-YiZhan fandoms:
博君一肖 (BJYX): seme Dd, uke Gg 戰山為王 (ZSWW): seme Gg, uke Dd 連瑣反應 (LSFY): riba Gg and Dd. Riba = “reversible”, and unlike “seme” and “uke”, is a frequently-used term in the Japanese gay community. 
BJYX is by far the largest of the three, likely due to Gg having played WWX, the “uke” in MDZS / TU. I’ll therefore focus on this fandom, ie. Gg is the “uke”, the “wife”.
For Gg alone, I’ve seen him being also referred to by YiZhan fans as (and this is far from a complete list):
* 姐姐 (sister) * 嫂子 (wife of elder brother; Dd being the elder brother implied) * 妃妃 (based on the very first YiZhan CP name, 太妃糖 Toffee Candy, a portmanteau of sorts from Dd being the 太子 “prince” of his management company and Gg being the prince’s wife, 太子妃. 糖 = “candy”. 太妃 sounds like toffee in English and has been used as the latter’s Chinese translation.) * 美人 (beauty, as in 肖美人 “Beauty Xiao”) * Daji 妲己 (as in 肖妲己, “Daji Xiao”). 
The last one needs historical context, which will also become important for explaining the new hypothesis I have.
Daji was a consort who lived three thousand years ago, whose beauty was blamed for the fall of the Shang dynasty. Gg (and men sharing similar traits, who are exceptionally rare) has been compared to Daji 妲己 for his alternatively innocent, alternatively seductive beauty ~ the kind of beauty that, in Chinese historical texts and folk lores, lead to the fall of kingdoms when possessed by the king’s beloved woman. This kind of “I-get-to-ruin-her-virginity”, “she’s a slut in MY bedroom” beauty is, of course, a stereotypical fantasy for many (cis-het) men, which included the authors of these historical texts and folklores. However, it also contained some truth: the purity / innocence, the image of a virgin, was required for an ancient woman to be chosen as a consort; the seduction, meanwhile, helped her to become the top consort, and monopolise the attention of kings and emperors who often had hundreds of wives ~ wives who often put each other in danger to eliminate competition. 
Nowadays, women of tremendous beauty are still referred to by the Chinese idiom 傾國傾城, literally, ”falling countries, falling cities”. The beauty is also implied to be natural, expressed in a can’t-help-itself way, perhaps reflecting the fact that the ancient beauties on which this idiom has been used couldn’t possibly have plastic surgeries, and most of them didn’t meet a good end ~ that they had to pay a price for their beauty, and often, with their lowly status as women, as consorts, they didn’t get to choose whether they wanted to pay this price or not. This adjective is considered to be very flattering. Gg’s famous smile from the Thailand Fanmeet has been described, praised as 傾城一笑: “a smile that topples a city”.
I’m explaining Daji and 傾國傾城 because the Chinese idiom 博君一笑 “doing anything to get a smile from you”, from which the ship’s name BJYX 博君一肖  was derived (笑 and 肖 are both pronounced “xiao”), is connected to yet another of such dynasty-falling beauty, Bao Si 褒姒. Like Daji before her, Bao Si was blamed for the end of the Zhou Dynasty in 771 BC. 
The legend went like this: Bao Si was melancholic, and to get her to smile, her king lit warning beacons and got his nobles to rush in from the nearby vassal states with their armies to come and rescue him, despite not being in actual danger. The nobles, in their haste, looked so frantic and dishevelled that Bao Si found it funny and smiled. Longing to see more of the smile of his favourite woman, the king would fool his nobles again and again, until his nobles no longer heeded the warning beacons when an actual rebellion came. 
What the king did has been described as 博紅顏一笑, with 紅顏 (”red/flushed face”) meaning a beautiful woman, referring to Bao Si. Replace 紅顏 with the respectful “you”, 君, we get 博君一笑. If one searches the origin of the phrase 博 [fill_in_the_blank]一笑 online, Bao Si’s story shows up.
The “anything” in ”doing anything to get a smile from you” in 博君一笑, therefore, is not any favour, but something as momentous as giving away one’s own kingdom. c-turtles have remarked, to their amusement and admittedly mine, that “king”, in Chinese, is written as 王, which is Dd’s surname, and very occasionally, they jokingly compare him to the hopeless kings who’d give away everything for their love. Much like 傾國傾城 has become a flattering idiom despite the negative reputations of Daji and Bao Si for their “men-ruining ways”, 博君一笑 has become a flattering phrase, emphasising on the devotion and love rather than the ... stupidity behind the smile-inducing acts. 
(Bao Si’s story, BTW, was a lie made up by historians who also lived later but also thousands of years ago, to absolve the uselessness of the king. Warning beacons didn’t exist at her time.)  
Gg is arguably feminized even in his CP’s name. Gg’s feminisation is everywhere. 
And here comes my confession time ~ I’ve been amused by most of the feminisation terms above. 肖妲己 (”Daji Xiao”) captures my imagination, and I remain quite partial to the CP name BJYX. Somehow, there’s something ... somewhat forgivable when the feminisation is based on Gg’s beauty, especially in the context of the historical Danmei / Dangai setting of MDZS/TU ~ something that, while doesn’t cancel, dampens the “problematic-ness” of the gender mis-identification.
What, exactly, is this something?
Here’s my new hypothesis, and hopefully I’ll manage to explain it well ~
The hypothesis is this: the unisex beauty standard for historical Chinese men and women, which is also breathtakingly similar to the modern beauty standard for Chinese women, makes feminisation in the context of Danmei (especially historical Danmei) flattering, and easier to accept.
What defined beauty in historical Chinese men? If I am to create a classically beautiful Chinese man for my new historical Danmei, how would I describe him based on what I’ve read, my cultural knowledge?
Here’s a list:
* Skin fair and smooth as white jade * Thin, even frail; narrow/slanted shoulders; tall * Dark irises and bright, starry eyes * Not too dense, neat eyebrows that are shaped like swords ~ pointed slightly upwards from the center towards the sides of the face * Depending on the dynasty, nice makeup.
Imagine these traits. How “macho” are they? How much do they fit the ideal Chinese masculine beauty advertised by Chinese government, which looks like below?
Tumblr media
Propaganda poster, 1969. The caption says “Defeat Imperialist US! Defeat Social Imperialism!” The book’s name is “Quotations from Mao Zedong”. (Source)
Where did that list of traits I’ve written com from? Fair like jade, frail ... why are they so far from the ... “macho”ness of the men in the poster? 
What has Chinese history said about its beautiful men? 
Wei Jie (衛玠 286-312 BCE), one of the four most beautiful ancient Chinese men (古代四大美男) recorded in Chinese history famously passed away when fans of his beauty gathered and formed a wall around him, blocking his way. History recorded Wei as being frail with chronic illness, and was only 27 years old when he died. Arguably the first historical account of “crazy fans killing their idol”, this incident left the idiom 看殺衛玠 ~ “Wei Jie being watched to death.” ~ a not very “macho” way to die at all.
潘安 (Pan An; 247-300 BCE), another one of the four most beautiful ancient Chinese men, also had hoards of fangirls, who threw fruits and flowers at him whenever he ventured outside. The Chinese idiom 擲果盈車 “thrown fruit filling a cart” was based on Pan and ... his fandom, and denotes such scenarios of men being so beautiful that women openly displayed their affections for them. 
Meanwhile, when Pan went out with his equally beautiful male friend, 夏侯湛 Xiahou Zhan, folks around them called them 連璧 ~ two connected pieces of perfect jade. Chinese Jade is white, smooth, faintly glowing in light, so delicate that it gives the impression of being somewhat transparent.
Aren’t Wei Jie and Pan An reminiscent of modern day Chinese idols, the “effeminate” “Little Fresh Meat”s (小鲜肉) so panned by Article O3? Their stories, BTW, also elucidated the historical reference in LWJ’s description of being jade-like in MDZS, and in WWX and LWJ being thrown pippas along the Gusu river bank. 
Danmei, therefore, didn’t create a trend of androgynous beauty in men as much as it has borrowed the ancient, traditional definition of masculine Chinese beauty ~ the beauty that was more feminine than masculine by modern standards.  
[Perhaps, CPs should be renamed 連璧 (”two connected pieces of perfect jade”) as a reminder of the aesthetics’ historical roots.]
Someone may exclaim now: But. But!! Yet another one of the four most beautiful ancient Chinese men, 高長恭 (Gao Changgong, 541-573 BCE), far better known by his title, 蘭陵王 (”the Prince of Lanling”), was a famous general. He had to be “macho”, right?
... As it turns out, not at all. Historical texts have described Gao as “貌柔心壮,音容兼美” (”soft in looks and strong at heart, beautiful face and voice”), “白美類婦人” (”fair and beautiful as a woman”), “貌若婦人” (”face like a woman”). Legends have it that The Prince of Lanling’s beauty was so soft, so lacking in authority that he had to wear a savage mask to get his soldiers to listen to his command (and win) on the battlefield (《樂府雜錄》: 以其顏貌無威,每入陣即著面具,後乃百戰百勝).
This should be emphasised: Gao’s explicitly feminine descriptions were recorded in historical texts as arguments *for* his beauty. Authors of these texts, therefore, didn’t view the feminisation as insult. In fact, they used the feminisation to drive the point home, to convince their readers that men like the Prince of Lanling were truly, absolutely good looking.
Being beautiful like a women was therefore high praise for men in, at least, significant periods in Chinese history ~ periods long and important enough for these records to survive until today. Beauty, and so it goes, had once been largely free of distinctions between the masculine and feminine.
One more example of an image of an ancient Chinese male beauty being similar to its female counterpart, because the history nerd in me finds this fun. 
何晏 (He Yan, ?-249 BCE) lived in the Wei Jin era (between 2nd to 4th century), during which makeup was really en vogue. Known for his beauty, he was also famous for his love of grooming himself. The emperor, convinced that He Yan’s very fair skin was from the powder he was wearing, gave He Yan some very hot foods to eat in the middle of the summer. He Yan began to sweat, had to wipe himself with his sleeves and in the process, revealed to the emperor that his fair beauty was 100% natural ~ his skin glowed even more with the cosmetics removed (《世說新語·容止第十四》: 何平叔美姿儀,面至白。魏明帝疑其傅粉,正夏月,與熱湯餅。既啖,大汗出,以朱衣自拭,色轉皎然). His kick-cosmetics’-ass fairness won him the nickname 傅粉何郎 (”powder-wearing Mr He”).
Not only would He Yan very likely be mistaken as a woman if this scene is transferred to a modern setting, but this scene can very well fit inside a Danmei story of the 21st century and is very, very likely to get axed by the Chinese censorship board for its visualisation. 
[Important observation from this anecdote: the emperor was totally into this trend too.]
The adjectives and phrases used above to describe these beautiful ancient Chinese men ~ 貌柔, 音容兼美, 白美, 美姿儀, 皎然 ~ have all become pretty much reserved for describing beauty in women nowadays. Beauty standards in ancient China were, as mentioned before, had gone through significantly long periods in which they were largely genderless. The character for beauty 美 (also in Danmei, 耽美) used to have little to no gender association. Free of gender associations as well were the names of many flowers. The characters for orchid (蘭) and lotus (蓮), for example, were commonly found in men’s names as late as the Republican era (early 20th century), but are now almost exclusively found in women’s names. Both orchid and lotus have historically been used to indicate 君子 (junzi, roughly, “gentlemen”), which have always been men. MDZS also has an example of a man named after a flower: Jin Ling’s courtesy name, given to him by WWX,  was 如蘭 (”like an orchid”). 
A related question may be this: why does ancient China associate beauty with fairness, with softness, with frailty? Likely, because Confucianist philosophy and customs put a heavy emphasis on scholarship ~ and scholars have mostly consisted of soft-spoken, not muscular, not working-under-the-sun type of men. More importantly, Confucianist scholars also occupied powerful government positions. Being, and looking like a Confucianist scholar was therefore associated with status. Indeed, it’s very difficult to look like jade when one was a farmer or a soldier, for example, who constantly had to toil under the sun, whose skin was constantly being dried and roughened by the elements. Having what are viewed as “macho” beauty traits as in the poster above ~ tanned skin, bulging muscles, bony structures (which also take away the jade’s smoothness) ~ were associated with hard labour, poverty and famine.
Along that line, 手無縛雞之力 (“hands without the strength to restrain a chicken”) has long been a phrase used to describe ancient scholars and students, and without scorn or derision. Love stories of old, which often centred around scholars were, accordingly, largely devoid of the plot lines of husbands physically protecting the wives, performing the equivalent of climbing up castle walls and fighting dragons etc. Instead, the faithful husbands wrote poems, combed their wife’s hair, traced their wife’s eyebrows with cosmetics (畫眉)...all activities that didn’t require much physical strength, and many of which are considered “feminine” nowadays.
Were there periods in Chinese history in which more ... sporty men and women were appreciated? Yes. the Tang dynasty, for example, and the Yuan and Qing dynasties. The Tang dynasty, as a very powerful, very open era in Chinese history, was known for its relations to the West (via the Silk Road). The Yuan and Qing dynasties, meanwhile, were established by Mongolians and Manchus respectively, who, as non-Han people, had not been under the influence of Confucian culture and grew up on horsebacks, rather than in schools.
The idea that beautiful Chinese men should have “macho” attributes was, therefore, largely a consequence of non-Han-Chinese influence, especially after early 20th century. That was when the characters for beauty (美), orchid (蘭), lotus (蓮) etc began their ... feminisation. The Chinese Communist Party (CCP), which started its reign of the country starting 1949, also has foreign roots, being a derivative of the Soviets, and its portrayal of ideal men has been based on the party’s ideology, painting them as members of the People’s Liberation Army (Chinese army) and its two major proletariat classes, farmers and industrial workers ~ all occupations that are “macho” in their aesthetics, but held at very poor esteem in ancient Chinese societies. All occupations that, to this day, may be hailed as noble by Chinese women, but not really deemed attractive by them.
Beauty, being an instinct, is perhaps much more resistant to propaganda.
If anything, the three terms Article O3 used to describe “effeminate” men ~ 奶油小生 “cream young men” (popularised in 1980s) , 花美男 “flowery beautiful men” (early 2000s), 小鲜肉 “little fresh meat” (coined in 2014 and still popular now) ~ only informs me how incredibly consistent the modern Chinese women’s view of ideal male beauty has been. It’s the same beauty the Chinese Communist Party has called feminine. It’s the same beauty found in Danmei. It’s the same beauty that, when witnessed in men in ancient China, was so revered that historians recorded it for their descendants to remember. It doesn’t mean there aren’t any women who appreciate the "macho” type ~ it’s just that, the appreciation for the non-macho type has never really gone out of fashion, never really changed. The only thing that is really changing is the name of the type, the name’s positive or negative connotations.
(Personally, I’m far more uncomfortable with the name “Little fresh meat” (小鲜肉) than 老婆 (wife). I find it much more insulting.)
Anyway, what I’d like to say is this: feminisation in Danmei ~ a genre that, by definition, is hyper-focused on aesthetics ~ may not be as "problematic” in Chinese as it is in English, because the Chinese tradition didn’t make that much of a differentiation between masculine and feminine beauty. Once again, this isn’t to say such mis-gendering isn’t disrespectful; it’s just that, perhaps, it is less disrespectful because Chinese still retains a cultural memory in which equating a beautiful man to a beautiful woman was the utmost flattery. 
I must put a disclaimer here: I cannot vouch for this being true for the general Chinese population. This is something that is buried deep enough inside me that it took a lot of thought for me to tease out, to articulate. More importantly, while I grow up in a Chinese-speaking environment, I’ve never lived inside China. My history knowledge, while isn’t shabby, hasn’t been filtered through the state education system.
I’d also like to point out as well, along this line of thought, that in *certain* (definitely not all) aspects, Chinese society isn’t as sexist as the West. While historically, China has periods of extreme sexism against women, with the final dynasties of Ming and Qing being examples, I must (reluctantly) acknowledge Chairman Mao for significantly lifting the status of women during his rule. Here’s a famous quote of his from 1955:
婦女能頂半邊天 Women can lift half the skies
The first marriage code, passed in 1950, outlawed forced marriages, polygamy, and ensured equal rights between husband and wife.  For the first time in centuries, women were encouraged to go outside of their homes and work. Men resisted at first, wanting to keep their wives at home; women who did work were judged poorly for their performance and given less than 50% of men’s wage, which further fuelled the men’s resistance. Mao said the above quote after a commune in Guizhou introduced the “same-work-same-wage” system to increase its productivity, and he asked for the same system to to be replicated across the country. (Source)
When Chairman Mao wanted something, it happened. Today, Chinese women’s contribution to the country’s GDP remains among the highest in the world.  They make up more than half of the country’s top-scoring students. They’re the dominant gender in universities, in the ranks of local employees of international corporations in the Shanghai and Beijing central business districts—among the most sought after jobs in the country. While the inequality between men and women in the workplace is no where near wiped out — stories about women having to sleep with higher-ups to climb the career ladder, or even get their PhDs are not unheard of, and the central rulership of the Chinese Communist Party has been famously short of women — the leap in women’s rights has been significant over the past century, perhaps because of how little rights there had been before ~ at the start of the 20th century, most Chinese women from relatively well-to-do families still practised foot-binding, in which their feet were literally crushed during childhood in the name of beauty, of status symbol. They couldn’t even walk properly.
Perhaps, the contemporary Chinese women’s economic contribution makes the sexism they encounter in their lives, from the lack of reproductive rights to the “leftover women” label, even harder to swallow. It makes their fantasies fly to even higher, more defiant heights. The popularity of Dangai right now is pretty much driven by women, as acknowledged by Article O3. Young women, especially, female fans who people have dismissed as “immature”, “crazy”, are responsible for the threat the Chinese government is feeling now by the genre.
This is no small feat. While the Chinese government complains about the “effeminate” men from Danmei / Dangai, its propaganda has been heavily reliant on stars who have risen to popularity to these genres. The film Dd is currently shooting, Chinese Peacekeeping Force (維和部隊), also stars Huang Jingyu (黄景瑜), and Zhang Zhehan (張哲瀚) ~ the three actors having shot to fame from The Untamed (Dangai), Addicted (Danmei), and Word of Honour (Dangai) respectively.  Zhang, in particular, played the “uke” role in Word of Honour and has also been called 老婆 (wife) by his fans. The quote in Article O3, “Ten years as a tough man known by none; one day as a beauty known by all” was also implicitly referring to him.
Perhaps, the government will eventually realise that millennia-old standards of beauty are difficult to bend, and by extension, what is considered appropriate gender expression of Chinese men and women. 
In the metas I’ve posted, therefore, I’ve hesitated in using terms such as homophobia, sexism, and ageism etc, opting instead to make long-winded explanations that essentially amount to these terms (thank you everyone who’s reading for your patience!). Because while the consequence is similar—certain fraction of the populations are subjected to systemic discrimination, abuse, given less rights, treated as inferior etc—these words, in English, also come with their own context, their own assumptions that may not apply to the situation. It reminds me of what Leo Tolstoy wrote in Anna Karenina,
“All happy families are alike; each unhappy family is unhappy in its own way.”
Discrimination in each country, each culture is humiliating, unhappy in its own way. Both sexism and homophobia are rampant in China, but as their roots are different from those of the West, the ways they manifest are different, and so must the paths to their dissolution. I’ve also hesitated on calling out individual behaviours or confronting individuals for this reason. i-Danmei fandoms are where i-fans and c-fans meet, where English-speaking doesn’t guarantee a non-Chinese sociopolitical background (there may be students from China, for example; I’m also ... not entirely Western), and I find it difficult to articulate appropriate, convincing arguments without knowing individual backgrounds.
Frankly, I’m not sure if I’ve done the right thing. Because I do hope feminisation will soon fade into extinction, especially in i-Danmei fandoms that, if they continue to prosper on international platforms, may eventually split from c-Danmei fandoms along the cultural (not language) line due to the vast differences in environmental constraints. My hope is especially true when real people are involved, and c-fandoms, I’d like to note, are not unaware of the issues surrounding feminisation ~ it has already been explicitly forbidden in BJYX’s supertopic on Weibo. 
At the same time, I’ve spent so many words above to try to explain why beauty can *sometimes* lurk behind such feminisations. Please allow me to end this post with one example of feminisation that I deeply dislike—and I’ve seen it used by fans on Gg as well—is 綠茶 (”green tea”), from 綠茶婊 (”green tea whore”) that means women who look pure / innocent but are, deep down, promiscuous / lustful. In some ways, its meaning isn’t so different from Daji 妲己, the consort blamed for the fall of the Shang dynasty. However, to me at least, the flattery in the feminisation is gone, perhaps because of the character “whore” (婊), because the term originated in 2013 from a notorious sex party rather than from a legendary beauty so maligned that The Investiture of the Gods (封神演義), the seminal Chinese fiction written ~2,600 years after Daji’s death, re-imagined her as a malevolent fox spirit (狐狸精) that many still remembers her as today.
Ah, to be caught between two cultures. :)
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love-takes-work · 3 years
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Live on Instagram, Rebecca Sugar and Ben Levin (with help from Ian Jones-Quartey) have given us a two-hour fundraiser to benefit the Trevor Project, in honor of Bi+ Awareness Week.
It was a lovely evening hanging out with them. Please see below for a little breakdown of what songs they played and what was discussed during the stream in terms of bi+ youth resources, Rebecca’s experiences, and the importance of having support for bi+ people.
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Please go to The Trevor Project and learn more about what they do and how you can help. Their Resources for Bi+ Youth packet is available on the site! You can also donate through Rebecca’s specific fundraiser.
More below:
Rebecca announces this event is for Bi+ Awareness week for the Trevor Project. Ian Jones-Quartey is giving some help with the fundraiser in the background.
First Rebecca plays "Love Like You" on guitar. It's a lovely stripped down version. They're a little bashful about making a couple glitches on the guitar. It's very sweet and charming, Rebecca, no one minds. :)
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Next Ben Levin joins on bass and they play "Fries," a longer version than was in the Adventure Time show.
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Then Rebecca talks about the Trevor Project and its suicide hotline that they provide for the LGBTQIA+ youth they support. After some tech glitches, they discuss how great Trevor is and what resources and research they provide on why it's so important to support these communities. Since this is Bi+ Awareness Week, they have put together a resource guide. They encourage us to donate to this organization.
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Rebecca discusses Ben Levin's involvement on Steven Universe and Craig of the Creek. They decide to play Jeff Rosenstock's song "Illegal Fireworks and Hiding Bottles in the Sand" as a mashup with the Craig of the Creek ending song.
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Then they give an update on the donation amounts and Rebecca gets so excited about the support. They admit to being really nervous after no performances for so long.
Rebecca decides to play a solo song and doesn't announce the title at first but Steven Universe fans all know "Escapism." It's a slightly different version with some great guitar additions in an added interlude, and they even throw in some fun super-high squeaky notes at the end.
They give a shoutout to Jeff Liu for the beautiful guitar part. They tell a story about Adam Muto (who worked on "Escapism" with Joe and was Rebecca's board partner on Adventure Time), and how he asked Rebecca to write a song for the Adventure Time finale. Rebecca goes on to play "Time Adventure."
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Then they bring Ben back to do the bass while Rebecca sings "I'm Just Your Problem." Rebecca does a cool guitar solo in the middle while Ben rocks on the bass.
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Then they do a nice little instrument switch and bring in the omnichord and set up "True Kinda Love." They shout out Chance the Rapper, aivi and surasshu, and of course Estelle for the help writing this song.
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Rebecca gets excited again about the amount of people who have donated and gives us info about the hotline for the Trevor Project, how their hotline is available for phone, chat, and text. They also point out the existence of Trevor Project's available pamphlet, which can help people understand their Bi+ friends and family, as well as helping actually Bi+ people understand how they can expect to be treated, how to understand themselves, and that they aren't defined by their partner.
Rebecca then takes a moment to set up with an acoustic guitar (so they can have their foot on a box since they don't have a strap) and they cut out briefly to get it organized. Then they do indeed come back with their foot on box.
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With a shoutout to Kate Micucci (who is watching on Instagram Live), Rebecca says she will play "a Lars and Sadie song" that she's figuring out on guitar, and plays "Be Wherever You Are."
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Rebecca goes back to getting excited about the donation amount and they can't believe it's as high as it is with the concert less than half over! They say they'd like to make a tradition of doing a Bi+ Awareness Week fundraiser every year. She didn't have access to information that Trevor is now providing to bi youth when she was growing up in the 2000s, and thinks their resources are so vital. She suggests using their resources yourself or that you slip the resources to people in your life who want to support (or need to know more about how to support) bi youth.
Rebecca says they're about to play a "really really hard" song that they're nevertheless excited to go for. They said maybe we can guess what it is. They shout out Nick DeMayo, who's in the audience, the animation director of Steven Universe who is Greg's namesake and taught them a lot about music. And then they jump into . . . a guitar and bass version of "Other Friends"!
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They shout out aivi and surasshu, Jeff Liu, and Sarah Stiles for all their contributions to that song, and how cool it is to play a "campfire version" of the song even though it's different.
Next, she wants to play a solo (but will need Ben again right after!) but takes a moment to thank everyone in attendance for supporting the stream and the Trevor Project. They say "thank you for bearing with me" regarding the performance rockiness. 
They talk about Marceline and how they felt so connected to this character--writing episodes like "What Was Missing" where Marceline would be revealed to have had a relationship with Bubblegum and be known to be a bi character, and Rebecca felt so astonished that the audience understood Marceline was bi and understood she would always be bi, not fluctuating in orientation based on current relationships defining her. Rebecca explored this about herself only after she saw it explored with Marceline, and understood it was so important to have media that helps people understand who a bi person might be. She never related to the "party person" or extrovert stereotype of bi people as they’re usually shown in media, and thought as a nerdy person who was shy, she couldn't be bi if that was true. Cartoons helped her connect with people who understood those things about Marceline and eventually about herself. 
Trevor is so important as an organization to help the next generation understand all of this. Rebecca has felt that knowing herself wasn't possible if she didn't understand her bisexuality or accept it as what it is, and it spread instability throughout the rest of her life. What brought her to finally being able to process and understand this aspect of her identity was cartoons, and she hopes cartoons can bring some others in as well. With that, she brings out the song she was asked to write for Marceline even though she had left the show. Rebecca plays "Everything Stays."
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Rebecca then says they were a little conflicted about whether they were going to say all that stuff, about why this issue is personal to them. (It's okay, Rebecca, this is the best!!!) 
She says that song was about her stuffed black rabbit that was her favorite toy that she thought she loved so much, but she forgot it in the garden and it was damaged. That it was so surprising to her that she could have loved this rabbit the way she did and not realize it was missing, and that it could change without her. "Everything Stays" was obviously about that, but she also says the situation with Spinel was inspired by the same toy. She switches to electric guitar to sing and play "Drift Away" with Ben back on board on bass.
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They point out that they're rocketing through the set list and Ian suggests maybe they'll have to do some encores. In thinking about what songs to play, they point out that so many songs were written about their mental health journey and coming out to family and friends. A song that was "at the end of that whole arc" for Rebecca was "Change Your Mind." It can go on forever, they point out, but they'll only play it a few times. On we go with a really smooth guitar version of "Change Your Mind." (It's the extended looping version.)
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They announce that now with the Instagram contributions and the landing page we've reached the goal of $20,000, and they can't believe it's at the halfway point of the stream and we have already reached it despite that the show's been done for a long time and they "broke a lot of social media rules" by stepping away for so long, but that's been crucial to their mental health and their journey.
After they come back from a break, they discuss some funny artifacts that they finally got to take home that were left in the office--a Steven Universe piñata that they were supposed to smash in celebration of a pickup and they didn't want to because, you know, hitting a representation of their younger brother is kinda wack? Haha. 
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They also had a model of Marceline's bass. 
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These items were left in the office and just kind of frozen in time because Rebecca's last day (written on the white board, still, when they returned!) was March 13, 2020, just as the pandemic was coming down. Returning to collect stuff was like visiting a room that had been frozen in time!
Rebecca offers a stretch goal to get to $30,000 instead of the original $20,000, and talks a little more about the Trevor Project, discussing how important representation has been, to have bi representation in terms of DIRECT support for LGBTQ+ youth. What they've gotten to do with cartoon representation, having queer characters who can just have fun the way heteronormative kids can and see representatives of themselves is great, but these specific resources are also so important.
Rebecca then plays "Heart of the Country," a Paul McCartney song they're learning that has a hard solo they hope they'll nail. After playing it, they say they flubbed some of it but it was super fun.
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Rebecca comes out with an old ukulele--older than the one they wrote the Steven theme song on and auctioned off for National Bailout--that they wrote a bunch of Adventure Time songs and got as a Hanukkah present. (They mention happy 5782 for those of us who celebrate Rosh Hashanah.) Ben is also using his first bass! They recommend musical instruments as gifts for bi people because those are the gifts that keep on giving! They mention working on guitar during the lockdown (which has been therapeutic!) and not having played uke in a while because of that. With that, she dives into "Here Comes a Thought."
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They decide to talk about the background of "Mindful Education," how they were coming out at the time they were writing that episode and song. They said coming out was like having the ground spin around. They thought mindful meditation, being so wonderful and helpful, could become an 11-minute episode where Steven leads kids in mindful meditation. With help from Ben (and Matt Burnett), Rebecca realized it would work better if they show characters benefiting from the lessons. They have a little joke about how the episode number was 108 and they prided themselves on knowing the episode numbers. Then they put aside the uke and pick up a big black guitar to play "Found."
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After this, she talks more about Trevor Project's hotline, chat, text, and resources. They remind us that bi+ people experience very specific forms of marginalization and this organization can help everyone who wants to understand. She thanks everyone for helping with donations and she can't believe the Instagram fundraiser has gotten to $10,000. She's amazed that "the thermometer is bursting" and promises to draw it later. Ben thinks he could be part of future fundraisers and Rebecca reminisces about times they've played together, like in 2016 at SDCC and a Gallery Nucleus show.
Rebecca goes back to the other guitar to do some audience requests for repeat songs and talks about the song "Fries." The story behind this one, when she was writing it--the first song she wrote for television and the first episode she boarded--since she was introverted and struggled with pitching, she went on the roof of Cartoon Network to practice being louder until she was actually audible. Ian helped.
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They decide to do the ending Craig song again and Ben says Jeff Rosenstock's song is really nice and Rebecca talks about getting teary over the Craig ending with people sitting around the dinner table. Rebecca's favorite line is "speaking in a stupid secret language." She feels like she still hasn't moved on from that in her life and likes to surround herself with people who speak that language. After it's over, Rebecca says hi to Jeff Rosenstock in the chat.
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They do more shoutouts for the Trevor Project and then discuss encore songs. Rebecca decides to do "Love Like You" again because they were sad they messed up a chord during the first performance. It's another lovely version.
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After more great discussion of the Trevor Project's resources and Bi+ Awareness Week, Rebecca says hi to her Brazilian friends and how awesome it was to visit there for a convention, and she loves that Trevor is trying to expand resources to be more global. She knows how important those resources would be to help people worldwide. She thanks people for coming out to see her, and admits to being surprised that her life has come to include actual performances since she always thought she'd just be behind a desk as an animator. She gets very nervous about performing but loves that people support her. They love being able to perform and once got a sweet comment from John DiMaggio (the voice of Jake on Adventure Time) who would hear the early demos that were a struggle to be audible, and he told her that she's come so far that it now sounds like she enjoys performing, enjoys the sound of her own voice now. She feels that coming out and all the support from friends, family, and organizations has made that confidence and comfort with herself possible.
With that, Rebecca plays the Steven Universe theme song on guitar!
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And then, they play "Time Adventure" again.
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Rebecca talks more about the astounding amount of support for Bi+ Awareness Week, how moving it is and how hard it is to hold it together while talking about what it was like to be an adult who didn't know if they were even allowed to be bisexual and nonbinary, how much of their adult life was in such a quagmire over not knowing fully who they were.
For their next to last song, they play a song written by aivi and surasshu with lyrics by Rebecca: "Being Human" from the ending theme of Steven Universe Future.
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Finally, Rebecca says thank you to everyone who's been involved in the songs--the performers, aivi and surasshu, Jeff Ball, the Crew, Ben Levin, Ian Jones-Quartey--and everyone who's helped raise over $11,000 just through the Instagram concert. She plays "Change Your Mind" one more time, adding that the journey is ongoing even though this song was written at a time she considers at the end of an arc of self-discovery for her.
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Thank you!
(Yes, I did a donation.)
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Links:
https://www.thetrevorproject.org/
https://www.thetrevorproject.org/resources/how-to-support-bisexual-youth/
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jikookuntold · 4 years
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What happened to Jikook in May 2015?
“How Jikook Started?” “Jikook and significance of May” “Jungkook and his Song Recommendations” were all the titles I thought about for this post and I ended up with the one you see. But what made me write this? A few days ago I came across an old tweet of JK from May 2015. This tweet was a song recommendation which I hadn’t notice before because I was only focused on 123 theory and as we all know this theory starts from October 2015 and I thought maybe we should pay more attention to the other songs JK recommended either. So I decided to go deeper and when I checked the tweets from May to August 2015 some interesting theories came to my mind.
Jikookers believe Jikook’s relationship changed in INU era and for proof of this theory they discuss some moments (long stares, exchanging jackets, etc.) but I’ve never seen them paying attention to the songs JK recommended in this era. It’s obvious that not all the songs he listens, likes or recommends are about romantic aspects of his life. On the other hand, musicians listen to any kind of song and this helps them for their career so not everything has to have a secret message or meaning, but no one can ignore the fact that when you feel connected to some lyrics and it captures your emotions you tend to share it with others so they can understand your feelings. This is more relatable for introverted people, an introverted person with artistic features uses different forms of art to express their feelings and JK is one of them.
JK’s song recommendation tweets started at the end of 2014 with “Lee Yerin -Your Universe” on December 24th and continued with “Misty Miller - Best Friend” on February 22th, and two songs on March 9th“King Krule - Baby Blue” and “Years & Years – Memo”. This declaration was necessary for this post but I’m not going to analyze these songs here. These songs are very significant (especially the last one from an openly gay artist with very expressing lyrics) and they need their own post.
After “Years & Years – Memo” JK didn’t recommend any song until May 24th. It’s interesting how there is a pattern for dates of his song recommendation tweets, it’s like he spams Twitter for a week and then deletes the app for months. Even his tweets in general, follow this pattern and most introverts can relate because sometimes we feel like expressing ourselves on social media, and some days we avoid it at any cost.
So, what happened in May 2015? Why Jikookers think this period is significant in Jikook history? Jikook had some obvious moments in INU era, JK seemed to be enchanted by Jimin and Jimin had became quieter and more preserved but still captivated by cute maknae. The most notable moment from this era happened on May 5th at Sukira Radio Interview where the MC asked about Jimin’s love for JK and Jimin answered: “There is something about him I don’t like but he is cute”. JK’s reaction to this answer is remarkable especially when Tae almost exposed them by saying “I think he kinda likes men” about Jimin and Jimin didn’t deny it.
A week later, on May 13th BTS went to Kota Kinabalu to film the Summer Package and Jikook filmed a log together before coming back to Korea. A few weeks later on June 5th when they were in Malaysia for Red Bullet Concert, they asked JK in an interview to describe Jimin "Jimin hyung is such a nice guy. His personality is just too nice. And he keeps giving me nice food. And when he smiles, his eyes are so pretty. He's the most charming guy on the team. If I were a girl I would date a guy like Jimin hyung." He answered. Fun Fact: They didn’t ask him who he wanted to date if he were a girl, but yet JK managed to state this anyway. They had asked this question from the members since their debut but JK never had chosen any member for someone who wants to date, and this moment was a turning point in JK’s attitude especially toward Jimin, even Jimin himself was shocked by JK’s answer. This fact directs us to the main question: What did happen in May 2015?
How was JK feeling at this point? Did something change in him? We can’t give a precise answer because we don’t know his emotions unless he shares them with us. As I said earlier, sharing music is a good way to express emotions. With recommending a song you can share your feelings without being too obvious (and get away with it because they are not your words, duh?) JK didn’t recommend any song after March 9th for two and a half months and finally, on May 24th he felt to share music and became active again. But three days before this date, Jimin had shared a song, surprisingly.
We know it’s not very common for Jimin to recommend a song especially in the style Namjoon and JK do, but on May 21st he recommended a newly released song named Pretty Bae by Lee Hyun and Park Bo Ram, here are the lyrics translations:
They say I’m pretty these days that I’m like a woman
They ask me, do you even have any flaws?
They say I look good these days, my friends tell me
Is there anyone out there like me?
I walk on this street while humming
I feel good today for some reason
I wanna date someone pretty
A person with a pretty heart rather than a pretty face
I wanna date someone nice
A person with a warm heart rather than a good body
Had a cup of coffee on the weekend, watched a movie I wanted to see
It’s all good but what’s missing?
A person to laugh at my boring stories
Where is that person?
I walk on this street while humming
I feel good today for some reason
I wanna date someone pretty
A person with a pretty heart rather than a pretty face
I wanna date someone nice
A person with a warm heart rather than a good body
He’s not handsome but nice-looking
She has no makeup but she shines
Is he looking at me?
What if she catches me? I pretend not to see
It feels good, should I go to her/him
And carefully start a conversation?
I wanna date someone pretty
A person with a pretty heart rather than a pretty face
I wanna date someone nice
A person with a warm heart rather than a good body
I wanna have a pretty love
A person with a pretty heart rather than a pretty face
I wanna date someone nice
A pretty person, a nice person, I hope it’s you
As you see, the lyrics are about someone who is feeling pretty and wants to date a person with a good and warm heart but he/she secretly wants it to be him/her crush. Jimin’s timestamp is on the last part of the lyrics saying “A pretty person, a nice person, I hope it’s you”. And three days later JK posts a screenshot of a song from Kehlani (an openly pansexual artist) named “You should be here”. Here are the lyrics:
I'm looking right at you, but you're not there
I'm seeing right past you, but you seem well aware
Your body is here but your mind is somewhere else
So far gone and you think I can't tell
Can't tell that you are disconnected
You pulled away and I miss your presence
I always said to you
Baby, you should be here, right here
Baby, you should be here, right here
Don’t know where you went but you're lost now
Don’t know where you went but you're gone now
Don’t know where you went but you're lost now
Don’t know where you went but you're gone now
Head on your chest babe, but your heart is so quiet
We used to talk all night long, now we laying in silence
Your arms around me but your soul is somewhere else
Gone so long and I know you so well
I know that you are everything that I ever dreamed of
And hoped that love had a happy ending
Baby, you should be here, right here (yeah-yeah)
Baby, you should be here, right here (you should be here, right here, right here)
Don't know where you went but you're lost now
Don't know where you went but you're gone now
Don't know where you went but you're lost now (oh-whoa)
Don't know where you went but you're gone now
You should be here, right, right here yeah
The lyrics are talking about someone who the artist cares about and it feels like that person is physically present but his/her mind is somewhere else. He/she wants that person close, not just physically but also mentally and emotionally. A few hours later, JK recommends another song, this time a famous song (any Shrek lover know this by heart) I need some sleep by Eels: Here are the lyrics:
You can't go home like this
I try counting sheep
But there's one I always miss
Everyone says I'm getting down to low
Everyone says you just gotta let it go
You just gotta let it go
You just gotta let it go
I need some sleep
Time to put the old horse down
I'm in too deep
And the wheels keep spinning round
Everyone says I'm getting down to low
Everyone says you just gotta let it go
You just gotta let it go
You just gotta let it go
You just gotta let it go
You just gotta let it go
You just gotta let it go
*Fun fact: This song was on Jimin’s playlist in 2017.
This song is about mental and emotional frustration and exhaustion, being deep into something, and seeking redemption. We can’t tell if JK is expressing this about himself or someone else since his timestamp is on the part saying “You can't go home like this”. But the song JK recommended the next day (May 25th) is another story and has a straightforward message. “Can’t help falling in love” is a hit song by Elvis but the track JK post is a cover of this song by Eels:
Wise men say only fools rush in
But I can't help falling in love with you
Shall I stay? Would it be a sin?
If I can't help falling in love with you?
Like a river flows, surely to the sea
Darling, so it goes. Some things are meant to be
Take my hand, take my whole life, too
For I can't help falling in love with you
Like a river flows surely to the sea
Darling, so it goes. Some things are meant to be
Take my hand, take my whole life, too
For I can't help falling in love with you
For I can't help falling in love with you
The lyrics don’t need any explanation. His timestamp is on the part saying “If I can't help falling in love with you?” this part comes after the part “Would it be a sin” and makes it more remarkable. It’s obvious that there was something big going on with his emotions at this point and when you put these four songs together (one from Jimin and three from JK) you can see the roller coaster of feelings very clear. But the next day (May 26th) something interesting happened which relays my theory. Namjoon recommended a song named Pray from Younha and this was the thing he wrote in the caption of his tweet: “For all the broken-hearted” Sure this can be to anyone but two weeks later on Jun 10th JK recommended the same song without any caption. Here are the lyrics:  
When you are lost
I will shine a light
When your heart shakes because of the wind
I will hold your hand
I am praying for you
Praying that you will be protected
So that my hopes can reach you
The closed door is slowly opening
I hope you won’t cry over your scars
Or get trapped in despair with pain
With all my heart, I hope you will be comforted
Today, I’m praying again
I am praying for you
Praying that you will be protected
The world has become harsh seas
For you, who has left for the voyage?
I hope you won’t cry over your scars
Or get trapped in despair with pain
With all my heart, I hope you will be comforted
Today, I’m praying again
When Namjoon literally recommended this song two weeks before, why JK had to do this again? Unless he had something to express through lyrics. As you see the lyrics are about pain, despair and getting emotional scars or as Namjoon captioned “something for broken-hearted people”. Two days later JK posted a video of himself walking and singing in the night, the song he was humming was from Yoon Jong Shin and here are the lyrics:
On January 13, which was especially cold, I first met her, who laughed a lot
She said she never spent a birthday with a boyfriend before
She liked shoes and bags and that was so cute
She said I looked sad from behind as she took a picture and smiled
On the sunny first day of April, I made her cry for the first time
After seeing her pretty eyes get puffy, I cried too
Every time we fought, we always used the word “break up”
We wouldn’t talk to each other for days, having a tense battle
Would she know that my heart raced every time I went to pick her up?
I have never met anyone who was better than her in my life
On June 17, she was struggling and broke up with me
In the end, I gave her a scar, although I didn’t mean to
A month passed, a year passed and still, there are times when I miss her
Whenever I pass by that street in Ichon-dong, it’s still clear like it was yesterday
The park at night, the hamburger store, the rice bowl store in the basement
There is so much emotion in this lyrics and you have to be really in love and broken-hearted to hum this song in the dark let alone filming and posting the video. After that JK didn’t recommend any song for two weeks and he came back on June 27th with another straightforward message. A song named Love Me Again by G.Soul and here are the lyrics translation:
It’s already been a few years
And we’re standing in front of each other like this
As if nothing happened
Just like the old days
As I look at you
Who is calling me a good friend?
I tried to hold it in
But I need to tell you something
I know I hurt you but
Could u love me again?
Without knowing, I’m in love with you again
So could u love me again?
I didn’t know love back then
Baby love me again
Baby please please please
Need u love me again?
It’s already 3am
We’re both getting a little drunk
As if it’s nothing, you talk about your new boyfriend
As I look at you
Who is calling me a good friend?
I can’t hold it in
And I have to tell you something
I know I hurt you but
Could u love me again?
Without knowing, I’m in love with you again
So could u love me again?
I didn’t know love back then
Baby love me again
Baby please please, please
Need u love me again?
Oh please believe me girl
This time, I’ll really
Love u harder
Oh baby one more time
Love me again
I know I hurt you but
Could u love me again?
Without knowing, I’m in love with you again
So could u love me again?
I didn’t know love back then
Baby love me again
Baby please please, please
Need u love me again?
Oh baby just please please, please
Could u love me again?
Again, love me again, again
Oh girl I need you to
Love me baby
Love me again
He wants that person to give him another chance and love him again. He confesses that he has hurt that person because he didn’t know love back then and doesn’t want to be “the good friend” that person sees him now. He wants that person’s love.  JK didn’t recommend any song after this for another two weeks and came back on July 10th with a song RapmonHyung has recommended to him: Tears by Le So Ra
Me in the mirror inside the cramped dark room…
The dismal face is quite ugly
Foolish like this, I’m left behind
But I still long for you.
Miserably left behind like this,
I just make unwelcome calls
It’s okay if you get mad at me
It’s okay if you make me cry
Just turn all your attention back to me
It’s okay, just say anything
It’s okay if you mock me
I’m like this only with you, oh my own.
Like a speck of dust in this cave-like room
I’m foolish and I’m left alone
I miss you again today before you miss me
I’m miserably left alone like this
And again I call you before you call me
It’s okay if you get mad at me
It’s okay if you make me cry
Just turn all your attention back to me
It’s okay, just say anything
It’s okay if you mock me
I’m like this only with you, oh my own.
In the mirror, I look so ugly
This song is about being left alone and rejected. His loved one is mad at him and doesn’t give the love and the attention he/she used to give before. Four days later he recommended another song named Romance by CHEEZE and here are the lyrics:
With a red balloon full of
Your deep flowery scent
You surround me in your
Lifeless hollow smile
All our warm memories together
Can’t melt my heart
That has been frozen over
By that cold stare of yours
Walking through the night, side by side
The faint silhouette of your back
Still haunt me as my sweetest nightmare
Like the strings of a puppeteer
Losing sleep over the cold half of the bed
As your wandering image gently crushes me down
Walking through the night, side by side
The faint silhouette of your back
Still haunt me as my sweetest nightmare
Like the strings of a puppeteer
Walking through the night, side by side
The faint silhouette of your back
Still haunt me as my sweetest nightmare
Like the strings of a puppeteer
This is another song about someone who used to be warm and loving but now has a cold stare with no emotion. In my theories, this emotional conflict started in May and ended in August. Why August and how it ended? In August 18th Japan fan-meeting Jimin fainted and apparently this had a big impact on Jikook’s relationship. The day after, when Jimin came back on the stage JK did a beautiful interaction with him. Two days later JK did a live stream and sang a song named I will give it all to you. Three days later Namjoon posted screenshot of this song with the caption “Jeon Jungkook OST”. Here are the lyrics:
I have something for you
I have something to say tonight
I will give it all to you
My love that's about to burst
There's nothing I can't do for you
After picking the stars, I'll fill your hands
I have something for you
I have something to give you tonight
There's nothing I can't do for you
After picking the stars, I'll fill your hands
I will give it all to you
My love that is about to explode
The lyrics are talking of a beautiful love about to burst and the lover is ready to sacrifice and do anything for him/her love even if it’s bringing the stars in the sky and hand it to his/her lover. 12 hours later Jimin tweeted something suspicious: “The stars in the sky (musical note emoji) (surprised emoji)”. This tweet has no media and the caption has no hashtag except Jimin. It seems like someone had brought the stars in the sky for Jimin and it has something to do with music either. I wonder who it would be…
Conclusion
I tried so hard to not express my theories and leave the conclusion to you but some facts are undeniable especially when you put them together with the events and moments that happened in that period. I (rightfully) believe that the chronology of the events is extremely important and it can tell you more than just a surface without reading too much of it. If you don’t like theories or you have your own theories just don’t read this part because I don’t want to change anyone’s mind:
We all know about Jimin’s affection for JK in their debut years. I don’t think that was something fake or exaggerated, he really adored JK and wanted his attention (maybe he was aware of their mutual crush, I don’t know) but he could never imagine this turning into something serious. But it did and JK was the one who noticed this first and took action but he got rejected and became broken-hearted. This rejection was the result of fear, fear of an unknown future. Jimin’s love for JK was still strong but he had to reject JK to stop things from getting worse and out of hand. But in JK’s eyes, everything was different. He wanted him back, he was missing Jimin’s affection because he had found out that he is in love, the thing he didn’t know beforehand (I think memory of the rainy day has happened at this era, or maybe I’m wrong) After weeks of emotional conflict, finally they were at the same page and they were ready to make their relationship work. JK assured Jimin about his love and it seemed like a happily ever after but little did they know about their future and fate.
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Headcanon: The Gundalian culture is based on individualism, the Neathian culture is based on collectivism
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Race interpretation part one: Neathia
Summary: The Neathian culture is built on the core values of communities and collective thinking. While conformity within the society is of a high level, they pursue a 'closed gate' diplomacy towards other races - resulting in a 'bubble' phenomenon and becoming vulnerable to losing their sense of belonging. Centralised urban system, with regional reciprocity and redistribution, whereby the Queen plays a coordinator role, and exists as a unifying symbol along with the military.
(Wall-of-text warning ; with block-breaker illustrations, but a huge amount of information ahead.)
Okay, this topic is something I was thinking about for a long time, and I finally hit the point to collect my thoughts and write them down. I've seen a lot of people trying to build up/further and enrich the cultural and social-political features of the alien races we've seen in the series (namely Vestals, Neathians and Gundalians), and I felt some inspiration to put my take on these things into words.
It's not only intriguing to try one's hand on the world-further-building, but I felt, I have to explain how I imagine the build-up of the Neathian and Gundalian culture and society to make the story of the 'Neathian Special Squad' ('NSS') more understandable 'symbolically' and from the aspect of a 'cultural clash'. /For those, who follow the NSS: This is something that definitely happens later on, you just don't know about it yet./
I have to put a small disclaimer here: This entire piece of writing was conspired out of fun and passion towards the series. It was not meant to be a 100% professor approved scientific research, but a seemingly logical untangling of my personal train of thoughts concerning the fantasy creatures of the third season. And this means, there is going to be some personal opinion mixed in as well (especially at the rewriting parts).
I wish the readers to enjoy reading it regardless. You are always free to disagree or not to take it seriously. :) To me, headcanonizing and imagining things always meant to be fun.
Side note: I'll add canon elements as examples or refer to the events of Gundalian Invaders, although I have to admit, I'll do this mostly from memory. So If I get anything wrong, or just remember incorrectly, you are welcome to add-in or correct me! :)
Season: Bakugan: Gundalian Invaders (and Mechtanium Surge)
Language: English dub
Okay, let's go!
Gundalian Invaders - Slightly rewritten
The first and foremost reason I actually started writing this post, is because I had some issues with the characterisation of the Gundalians and Neathians in the third season. One side is depicted blatantly, purposelessly and one-dimensionally evil, while the other is portrayed to be the goodie-two-shoes victims with no backlashes. I wanted to swing over this simplicity and make an attempt at explaining, how I imagined these races to function. These interpretations were explored with the intention of both keeping the main features of the races, staying canon-compliant where possible, but change canon elements/propose ideas to turn the races into interesting (and on a theoretical level functioning) societies.
For these added or assumed ideas to work, some lore elements have to be changed or removed: For example the way Bakugan got to be on the planets. For this explanation see: a further point below.
This post discusses only Neathia for now. (Gundalia will probably get it's own post, as there is much more canon-divergence to be talked about.)
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Neathians
1. The beginnings and core values
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Due to the power of the Sacred Orb, almost the entire planet have relished in a lush fertility since the beginnings. (And this is why there are huge plants in their jungles. The wildlife also experienced a great upsurge by the life-force of the Orb.) This prosperity quickly enabled the Neathian race to organize into a peaceful and sharing society, because the wars over resources became redundant and unnecessary. The established racial mindset reallocated the focus from the individual needs to the communal efforts, and gives a ground for the Neathian values and collective thinking up to even the days of the season.
Neathians think mainly in groups: Let those be pairs (e.g. Fabia and Jin as fiancés; Linus and Neo Zipperator as brawling partners), teams (Neathian Special Squad; Friendship circles), communities (Castle Knights), and the biggest of them all, their entire race. These are all bigger or smaller communities within communities, and they play a major role in how Neathians perceive the world and themselves. Being in these relationship structures defines their place, grants them their basic mental frame, which they are able to think in, and not only their resources, but also their goals are shared with each other. This kind of goal assimilation is what makes them really efficient team players, and also provides them a strong social support from a mentalhygiene perspective. This important role of the sense of belonging makes Neathians both empowered while being in close social constructs , and extremely susceptible to losing these connections.
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Thinking like this, when Fabia lost her fiancè or Linus lost Neo, their grief extended further than their deaths or the traumatic events. Losing strong bonds like these put Neathians in a technical identity crisis, as it is a part of their personal perception and mental frame which were dismantled through these events. We have seen Fabia going to extremes to retrieve Aranaut - and to retrieve that part of her, which was lost with Jin. Just as when Rubanoid was handed to Linus, a new connection was formed to either replace or continue the old one in a different form. Fabia's communal bonds were successfully restored, when she also became a member of the brawlers.
The Neathian society is based on caring and cooperation to achieve a collective well-being. This is why communities play such a major role in their self-perception and world-perception.
2. Open-sources, but enclosed diplomacy
For most part, I've always imagined the Neathian race as an although proud and generous, but closed society. They share commodities with each other - within their society -, but it is very important, that only within it. The outside world (meaning outside of their habited planet) is fundamentally shut out of these transactions.
I often refer to this phenomenon of enclosedeness as the 'Neathian bubble':
Not only their mindset operates in closed communities, but their diplomacy too. They are generally passive towards other races, missing trust and a reason to pick up the communication /Up until the Gundalians came and the war started/. This perspective could be applied to understand, why could they be more insistent on and better at operating defensive mechanisms (layered shield generator), than initiating communication with the rest of the universe (Unlike Gundalians, Neathians have no ships or bigger means of transportation. Yes, teleportation is accessible for them, but I don't think they use it that often outside of Neathia.)
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I treat this as an explanation for why Neathia had only asked for outside help after the second shield generator went down - the situation became desperate and already being involved in the conflict, it was time to try and reach out for aid. According to these headcanons, I also think, Serena wasn't putting - or at least shouldn't have put - faith in the Brawlers so easily. The reason they weren't tested to prove their trustworthiness further than one question, is because she trusted Fabia's judgement. Without the support of a Neathian, outlanders are almost automatically dismissed. Their (or their Queen's) empathy and compassion may overwrite this code, but even by then they have to be made certain by proving the cause.
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Just as when Fabia accepted Ren, because she had seen how much he tried to prove himself. Winning Neathians’ trust is supposed to be a big and determining moment, because they ‘internalise’ you into their scoiety.
Neathians are capable of empathy and kindness (this is something they actively practice among each other), even towards outsiders, they just need time and proof to accept them. Trust is just not automatic towards them, and even so they keep their distance until they get used to it.
3. Personal paralel counterparts - Night elves and the Highborne of WoW
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When I think about Neathians, I often put them into paralel with the Night elves and the Highborne from World of Warcraft. For most part, I use their artistic motives, architecture, fashion and cultural approach as an inspiration for Neathians, as they are recognised as 'The pretty space elves' in my book too.
Beside the above mentioned, what could be imported from their WoW counterparts is a rather matriarchal social apparat. For example, Neathians traditionally having a Queen, and women being present in the military or in higher positions, playing important roles. //Just as by the Night elves leadership, religious and military roles being traditionally occupied by women (priestesses, wardens, sentinels).//
Another elven impression, which is more or less universal, is their sense of pride (I like to say it as the expression of 'Neathian pride '). Highborne in World of Warcraft are a quite prestigious race and are usually said to be a little 'aristocratic'. I can imagine the Neathians being lightly less, but somewhat similar on these terms, when it comes down to interacting with their own or other races: For example being proud of their appearance (Emphasizing their unique V-shaped forehead with adequate clothing and accessories), structuring buildings and constructs based on aesthetic instead of real functionality (using diamond as the main material of construction, structuring buildings with elegant but futuristic shapes), or being confident and showing immovable standing and opinion on things (towards outsiders).
As far as I know, the Warcraft elves used to be similarly passive and uninitiative - even mistrusting - towards other races too. And in this, it played part, that they also had exclusive access to a powerful source of power and prosperity, the Well of Eternity (an almost one-on-one counterpart to the Sacred Orb).
While the half-tribal connections of the Night elves derive from their ancient bonds with nature and druidism, the Neathian society feels more likely being based on a futuristic envisionment of these social relations. A civilisation that perfectly blends technology (teleportation technology, communication devices) with classic fantasy elements (knights), while still remaining tribal in the core (shared communality is just put into a modern environment). /Although I like to lean more into the fantasy setting, the technical advancement is undeniable there./
4. Overall economy
If we wanted to negotiate about their economy, I would say reciprocity and localised redistribution are the dominant mechanisms of it. The basic definition of economy builds on the premise of distribution of scarce resources. In this case, resources are not scarce, in fact, due to the Orb they are very much prosperous and renewing. This accessibility discounts the value of the traditional market trading, and supports the establishment of semi-centralised recollection and redistribution. The semi-centralisation here means regional production and consumption, whereby the accomodation of the population happens mainly territorialy, but these regional centres still have a connection to each other and the capitol. This economy is based on caring and well-being, and the high level of conformity and trust within the collective society results in a lack of currency usage (so, my headcanon is basically, that they don't use money).
5. Urbanisation and territorial layout
The reason we talk about a more physical apsect of the planets, is because the core values of the races both play a role, and mutually affect how I imagine their civilised hubs being developed. Communities form hubs and cities with strong connections - just like their society!
When I mentioned localised redistribution, I was also refering to the urban structure of the Neathian planet. Important to note, that Neathia is not just a city, or a country - just like Gundalia, it's the entire planet. What we've seen in the show is the capital of their urban system - which makes sense to be technically built around / in the immediate enclosure of the Sacred Orb, for it's the source of the relishing power. Assuming this, along the capital there could be a centralised territorial layout with rural areas (cities, villages), and untouched wilderness (due to the overflourishing flora and fauna; the urbanisation doesn't affect the entirety of the planet, there are a lot of uninhabited/uncharted areas).
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Here is a simple schematic illustration of the above.
The rural hubs not having physical connection with other centres due to the dangerous and untamable wilderness (see: Giant plants in the show) could have lead to the advancement of the teleportation technology. The cities are connected through this port-system, and also with the capital, which serves as the centre of the network.
6. The role of the queen and the military
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The main purpose of the current Queen is an overall governance with the direct help of a council consisting of the local leaders of the hubs. The queen bears not only a political, but a symbolical importance to the people. The concept of the Queen is a unifying symbol, someone who watches over the nation. The Neathians can stand behind her and being represented by her. But it's important to note, that her status is not as glorified as to be a despotic being, and her power is not extending much further than overall policies, diplomatic representation and helping the transactions of the local leaderships. There is much more power and independence shifted into the regional governance, rendering the Queen's position to be an effective coordinator between them and unifier, who keeps the nation together. /Still thinking about the way the queen is chosen/comes to the throne, but I had the idea of the next Queen being elected by the current Queen, so the order of succession is not based on the Queen’s family, nor being a community vote of the people./
The peace-oriented existence in itself doesn't require a military to exists, therefore I treat the Castle Knights as a mainly defensive organisation. This military serves as Neathia's defenders, bearing symbolic and community building purposes. Among the Castle Knights - just as the name itself suggests - the traditional medieval knight values show up primarily, such as loyality, humility, courage, faithfulness and the act of mercy. In their comprehension, being a Castle Knight is an act of service towards their country and the Queen, and is not mainly for warfare reasons. (To some extent, I assume martial arts and other forms of fighting - even brawling - is essentially a spiritual activity, which they pursue in order to keep their inner- and physical balance.)
As we've seen it the show, I assume the Palace also functions as the military's operation base. The head of the military is the current commander (formerly Jin, recently Elright), and under them operate several divisions with captains as division leaders. The separate divisions are Physical Fighting (both with weapon, like those defensive shock-sticks the guards are using - formerly offensive melee weapons until the fall of NSS - and hand-to-hand combat, e.g. used by Fabia), Technical staff (operating the shield generators and overseeing their areas) and Bakugan Brawling (this headcanon part is still under construction, but Elright used to be the former leader of this, and the reason he was promoted to commander after Jin’s death, is because the Neathians' realisation of the war swinging in favor of the Bakugan fights, so it was logical to put him as the next 'general leader'). /There may be other divisions outside of these, I just put out some ideas here./  Every guard receives education to some extent in all of these fields, but they end up specialising in something.
//The Neathian Special Squad (NSS) had it’s own divison under Captain Pyrehart, they were a special strike team with a unusual task: Staggering, forcing back or just divide the Gundalian leadership’s attention from focusing on their assault. Basically poking them with melee weapons until they either go away, or can’t concentrate on helping their Bakugan on the field and their monsters get defeated. According to the story - made up by me of course - after a tragedic mission this unit wasn’t restored, and the war effort shifted onto long-range fighting with Bakugan, Gear and Bakugan Assaults.//
7. So...where are the Bakugan?
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They have been mentioned here and there, but I'm sure, whoever made it this far into this theorising information dump, may wonder at this point: 'But what about the Bakugan?'
My simplest answer is, that I firmly want to believe, both Gundalia and Neathia had a civilised and established culture before the Bakugan appeared there.
According to the original lore, Bakugan existed on the planets since almost the beginnings. Now, this is part of those lore bits I would definitively change during a rewrite: I want to believe, Bakugan only appeared in their very recent history, almost as recently, as on Earth and Vestal itself.
Perhaps a Bakugan lore- and GI rewrite explanation deserved it's own post, but for the further understanding allow me to explain here a little: A similar event of raining cards - what the first season started with - occured on Neathia and Gundalia too, caused by the dimensional boom of Michael Gehabich and his transporter. The twist on this - and the effective solution to the problem of possible timeline inconsistencies - is that although the explosion caused this interference at one point in time, across cosmos and universes time flows differently. So technicaly the result of it - the raining cards and Bakugan being transported into the particular worlds - could happen at different point of their relative times - even years earlier or later! On Neathia and Gundalia it could happened a few years before on Earth, which covers most of the questions of the timeline-consistency /such as Ren being assigned to watch over Linehalt as a child etc./
Bakugan coming to these places has only an added effect: Just as on Earth, they are not (yet?) integrated into the society and culture of the planets so deeply to be any kind of pillar of their existence or basic civilisation. There could be a start (as having specialised researches, technology revolving around Bakugan, taking part in the war,..) regarding this internalisation process, but it still runs on the surface, and not in the 'veins' of the culture.
I hope this breakdown made sense in some form or another. I just felt an urge to pour out the content of my head. Looking back,this became longer and more detailed, than I originally intended, while also surely missing things because there is no worldbuilding without holes or further questions. The attempt to lay down the basics was made regardless haha!
As always, feel free to disagree and follow your own visions concerning the races and worldbuilding. :) This post was made to reflect back my personal interpretation of Neathians - just for fun and thinking out loud.
For the very end, I leave a disclamer here, which was supposed to go at the beginning, but it felt redundant to put there, so here it is:
I tried to approach it from a more sociological side, as focusing on a bigger, overall picture, common features, than create exact statements. (I would rather call this a speculation regarding the features of the races themselves, their core values, common attitudes, mindset - and this doesn't mean other questions are fully out of the picture. We are just discussing things, which can be derived from the features of the society itself, and make up a more or less coherent chain of thought for now. Other 'for fun' or miscellaneous headcanons, like fashion or physical traits will be covered another time.)
Thank you for coming to this TED mambling!
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shihalyfie · 4 years
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02′s influence on Adventure
You’re probably reading the title and going “...what? Isn’t 02 the sequel to Adventure? How would a series be influenced by its own future sequel?”
The thing is, assuming that Adventure was written in a vacuum and everything in 02 a retrofit runs very contrary to how both series were produced, and how this kind of anime is produced in general -- Adventure and 02 share almost identical staff members, and were separated only by a real-life single week in airing time. 02′s existence was not a sudden last-minute decision that was tacked on at the end! In fact, Adventure being extended to a second series was decided seven months into its production, right around the end of the Tokyo arc (sometime around the third cour). Despite it being a rather tonally different series, 02 is really just Adventure’s staff...writing more.
This means that by the time production had moved to Adventure’s final arc, the staff was very aware that they would be on for another year writing a sequel to this anime -- which thus likely became the fuel behind many of its creative decisions, made specifically to pave the way for 02.
The ending
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Yeah, so, this ending. You know this really famous ending? The one that’s had such an impact on franchise history that a lot of later things have even tried to imitate it in some form? The one that everyone cites as one of Adventure’s most famous scenes (for good reason)? This ending only exists because of 02. You know what actually would have been Adventure’s ending if 02 hadn’t existed?
The 02 epilogue.
The ending that we now know as the “02 epilogue” was actually decided on before recording for Adventure had even started. (They weren’t even sure about finalizing the character personalities yet!) All of the most substantial details about that epilogue -- the series actually being the adult Takeru’s novel, everyone in the world having a Digimon partner, and, as it seems, even Yamato and Sora getting married -- were decided on before 02 was even in the picture.  Most likely, the only material difference would have been that the four characters introduced in 02 (Daisuke, Miyako, Iori, and Ken) and their partners wouldn’t have been involved, but everything else would have roughly been the same as the “epilogue” we know now. (This especially makes sense when you consider that one of Adventure’s major influences was the movie Stand By Me, which is extremely culturally influential in Japan as a “childhood summer adventure story”, and involves a similar timeskip epilogue with one character growing up to chronicle the story as a writer.) All of this was basically intended to tie into Adventure as a narrative of “a story of humanity’s evolution”, so this ending was envisioned as the “natural conclusion” of the story of Adventure as a whole. If anything from the original Adventure ending would have been retained in this hypothetical scenario of only Adventure existing, perhaps the sentiment of “parting” at the end -- but then it would still be followed by a timeskip epilogue 28 years later and everyone in the world having a partner.
But then it was decided that a second series would be made, and at some point they decided it would be a series set three years after the first, resulting in: this.
What this means is that Adventure’s ending was only ever intended as an ending for a single chapter in the overall Adventure series narrative. A lot of people like to pose 02′s existence or epilogue as something that “undid” Adventure’s ending, as if it was supposed to be some “ambiguous bittersweet” ending about whether they ever met their partners again, but...that ignores the real-life context of Adventure and 02′s production, where Our War Game! (which depicted an easy reunion with their partners, went out of its way to cameo Miyako in advance, and, for all intents and purposes, practically spoiled Adventure’s ending by depicting them as separated at all) screened before Adventure’s last episode aired, and there’s also the Adventure mini dramas that depicted more incidental meetings (and despite the constant fourth wall breaking and absurd crack content in them, yes, they’re intended to be taken as canon).
Again: in real life, the first episode of 02 aired one week after the last episode of Adventure. Even the real-life audience was likely well aware that this wasn’t going to be the end (and if they weren’t, they certainly would be when the promotional trailers for 02 started airing right after Adventure’s last -- and that’s assuming you missed all of the promotion appearing in real life beforehand, including at the end of Our War Game!’s screenings). The production staff all knew, because they’d already been working on 02 for months now -- they postponed their originally intended ending just to make this new one, after all!
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So yeah, this line isn’t supposed to be just a vague “oh, maybe they’ll meet again” in an abstract poetic sense -- it’s completely literal, because it’s hinting at said gate opening again one real-life week later.
From both a story perspective and a real-life audience perspective, this ending was never meant to be seen as ambiguous.
Takeru and Hikari’s character arcs
02 often gets an accusation of being lacking in the character development department (one that I seriously disagree with and have been working very hard to counter), but this accusation especially gets levied often at Takeru and Hikari, who are often said to be “flat” or “kind of just there” in 02 (which, again, I object to; more on this below). This is often rationalized as a theory that the writers didn’t know what to do with them because they’d already been in Adventure, but...this, again, assumes too much that Adventure was written in a self-contained vacuum and anything in 02 was just an addition done after the fact.
There’s actually quite a bit of evidence that the last cour (or at least a significant amount of it) was written with the idea that Takeru and Hikari were going to be starring in the next series in mind.
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This is especially pretty apparent when you get to the last episode, where Takeru and Hikari are conspicuously the ones to leave off on the most confident “we’ll meet again” notes, compared to the other six. Of course, they do it in their own respective ways (Takeru and Patamon resolve to make it happen, while Hikari cryptically acts like it’s already bound to happen, borderline prophetically), and maybe you could chalk it up to the fact that they’re the youngest and therefore most naive of this group...but, again, remember: 02′s first episode aired one week after this one, where we would immediately be treated to Takeru and Hikari following up on this. Given that, you can basically see this as a wink and a nod: “yeah, these two have a story that’s not over yet.”
And as much as I may sound like a heathen to the fanbase by claiming this, I would actually say that it’s the opposite of the above claim: Takeru and Hikari both have pretty unresolved arcs by the end of Adventure compared to the rest of the other kids, and in fact are fleshed out more in 02. It’s honestly kind of a stretch to say that they “already got development” in Adventure -- Takeru still has a ton of unresolved issues with his family and trauma and emotional behavior that aren’t properly addressed to nearly the same degree as how the older kids have their core issues brought to the forefront, while Hikari really was only around for less than half the series, and not only is her main problem of emotional suppression told purely from Taichi’s mouth and not her own, we also get no real follow-up on how she intends to work past that.
Those are some pretty huge things to leave unresolved at the end of a series that’s known for its focus on individual character development, and considering that the premise of 02 involving an older Takeru and Hikari was likely finalized around the middle of the last arc of Adventure, it’s easy to believe that they decided to deliberately hold off on resolving Takeru and Hikari’s issues in full so that their story could be told in the next series. And, indeed, while their characters being built on “being difficult to read” makes their development not quite as visible as some of the more eccentric personalities in the 02 cast, their respective Jogress partners (Iori and Miyako) more openly discuss and get to the bottom of their issues that had been lightly displayed or hinted in Adventure but never truly been addressed.
A lot of things that were not in Adventure
Adventure was admittedly kind of written as they went along (they didn’t even originally plan to have Hikari as the eighth child at first), so it’s hard to tell exactly what was planned and what was a later addition (and at what point things were added), but considering that the 02 epilogue was one of the first things planned in the entire series, as part of “a story of humanity’s evolution” and tying into a really long theory about partners doubling every year, it’s probably at least safe to say that a lot of the worldbuilding and lore was determined very early.
02 added a lot of lore dumps about Digital World mechanics and things related to the overall state of Chosen Children, which have been said by many to be retrofits to justify a buildup to the 02 epilogue, but, again -- the 02 epilogue was supposed to be for Adventure, so it’s very likely that these lore aspects were intended for Adventure as well! This is especially because it’s been outright confirmed that there were at least certain things originally intended for Adventure that ended up in 02, or at least were in 02 because they felt Adventure didn’t sufficiently cover it:
The kids’ home lives. As famous as the Tokyo arc of Adventure is, it only covered about a quarter of it -- the rest of it was the kids stranded in another world, separated from home! It’s specifically 02 that went into all of the things like school life, family life, daily life in Odaiba, and everything closer to the real world -- basically, everything related to family backgrounds that was very likely to have been in the planning documents for Adventure but never made it.
The (in)famous 02 episode 13 (or, at least, something like it) was intended for Adventure. As much as there’s common speculation that this episode was intended to be some giant subplot that got canned, from what we’ve heard from the staff, the truth actually seems to be a lot more mundane -- Adventure was a series very big on “oddities about the Digital World that have no real explanation” (see: phone booths), and when you reframe it in Adventure’s context, it’s likely that Dagomon and the Dark Ocean were intended to be yet another of those as part of its wider lore about the multiverse, to make you think “the heck was that?” but never get any real answer to. (And while it’s unclear whether the original theoretical Adventure version of this episode would have still involved Takeru and Hikari, if you want to put a tinfoil hat on and entertain that theory, it lends even further credence to the idea that their respective character arcs were deliberately held off for 02...)
Given that, and thinking about the 02 epilogue as the eventual goal for the series, you can also easily imagine a lot of 02-introduced things leading up to it as probably also having been baked into Adventure’s lore:
You know how 02 had a subplot about Chosen Children proliferating all over the world, as a lead-up to everyone in the world eventually having a partner? This was part of a “doubling every year” formula that’s been referred to a few times in background staff testimony. If you inspect this formula, this means that there were eight other Chosen Children besides Taichi and his friends, chosen between 1995 and 1999. Now, remember how Adventure episode 52 briefly touched on the bombshell of Chosen Children existing before Taichi and co., before never addressing it again? Considering all of the above facts, it’s very likely that’s intended to tie into that formula -- and, perhaps, had 02 had not existed to continue the subplot about “more Chosen Children”, Adventure would have taken more initiative about explaining the concept of Taichi and his friends not being the only humans with partners, and led it into their originally intended epilogue.
02 episode 33 involves Miyako visiting Kyoto and learning that there may be certain similarities between Digimon and Japanese youkai, to the point where they might be related somehow, despite predating digital technology. (The concept is revisited in Mimi’s track in Two-and-a-Half Year Break and the Adventure BD drama CD, both of them having been written after 02.) The thing is, the idea that Digimon and other similar entities actually existed prior to digital technology, and that said technology only allowed it to manifest physically in the real world, also is heavily tied to the original concept of Digimon partners being a manifestation of a part of the human’s soul, and therefore having a partner being a part of human evolution -- which is, again, heavily tied to the original intent behind the epilogue. So it’s very likely that this, at the very least, was one of the original lore points behind Adventure -- and if 02 had not existed, it’s possible that Adventure might have tried to cover it as part of a lead-up to that epilogue, rather than ultimately deferring it to 02.
This is, of course, speculation -- I’m not a member of staff, so I can’t speak for them -- but I do think it’s important to consider that while 02 was a tonally different series, it wasn’t just a sequel tacked on at the last minute, and rather just (mostly) the same staff learning three-quarters of the way through that they would have more time to continue this narrative, and reorganizing things to figure out what they wanted to do now and what they wanted to touch on if they had more time. Really, this whole narrative of “02 being a bunch of random additions they came up with and retrofit” seems to almost be the opposite of what actually happened -- while some of the ideas behind 02 were certainly created later, it’s less that Adventure was some ideal perfectly crafted story and 02 an addendum, and more that they had so many things they wanted to do in Adventure that couldn’t fit and used 02 to vent more of those out:
One of the concepts behind the prior series was for us to pack in as many interesting things that we’d seen, heard about, or read about as we could into it, so for 02, we thought, what else could we put in beyond even that?, and so we looked over what we needed to have, and put in all the things we could so that they wouldn’t be left out, and the story became a multi-layered one, overlapping and accelerating. It was to the point that, after we’d gone through 02‘s story, the scriptwriters told me that they’d worn everything they had out to the ground. In any case, we put everything we had into it back then.
Which means that understanding 02 is actually very retroactively important to understanding Adventure -- Adventure’s own writing was influenced by the knowledge that 02 would be part of its story, and 02 itself carries a lot of vital facts and story points from Adventure’s narrative that didn’t fit in the first 54 episodes, and, in real life, they were both written continuously as one story over the course of over two years. It’s also because of this that I seriously warn against seeing either series in a vacuum too much -- because both series are very deeply tied to each other, perhaps more so than a lot of people want to admit.
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eggtoasties · 3 years
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Pairing: Uchiha Sasuke/Haruno Sakura
Rating + Notes: M for mentions/implied references of sexual assault
Word Count: 4.6k
Summary: Selfishly, he thinks that if he could shoulder the burden of her suffering and sync his heart with hers, he would.
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“Tch. You’re a shinobi, why are you so soft? Sasuke scoffed.
Sakura whipped her head up towards him from her hunched position.
“You have no idea what I have been through,” she seethed. Clenching her fists tightly, she said, “Despite everything. I have chosen to stay soft,” she spat. She closed her eyes, trying to even out her breathing while fine tremors wracked her body. Light tendrils of electricity seemed to dance across the surface of her skin, her hair rising with static shock. Her chakra was volatile and seeping from every pore—she radiated with energy and tightly controlled killing intent.
“Woah, woah, Sakura-chan,” Naruto said placatingly, raising two hands up. “Teme didn’t mean anything by it—"
“You don’t even know what I’m talking about,” she glared.
Kakashi leaned forward on his haunches. He knew tensions were bound to rise at some point; he was just surprised that it was Sakura. He glanced at her. She was hunched over, knees drawn up to her chin, arms cradling her body towards the warmth of the fire. Kakashi watched as the flames drew shadows across her tanned skin, watched as the reflection danced in her eyes.
Sasuke was standing over her to her left, hand cocked on his hip glaring at a dirt patch next to Sakura and Naruto was sitting in front of her across the fire. They had been reinstated as a team for the past two months and while she was always professional, they didn’t fit together like they once did.
.
After the Great Shinobi War, there was a renaissance period during the unprecedented peace time. Art, music, technology, and trade flourished with the lull in military activity. Earth country in particular grew wealthy with the advancements in technology. Already prosperous due to its multitude of gold and silver mines, with the electronic boom, copper, lithium, and palladium’s demand exponentially skyrocketed as technology for everyday use—not just military use—became the norm.
“Your mission is to assassinate a lord in a remote estate in the Land of Earth,” Tsunade explained to Team 7.
Team 7 stood in front of their Hokage’s heavy wood desk. Kakashi was hunched over as usual, lackadaisically taking in the mission details while absentmindedly watching the rest of his team. Naruto was, as always, excited to be sent on a mission although his optimism had tempered a bit after the war. To Naruto’s left stood Sasuke. Standing stiffly, he scowled lightly at his blonde teammate’s excited chatter and puffed a sigh as his and Tsunade’s glares did nothing to silence his ramblings. Off to the side stood Sakura. She held her left elbow with her right hand and stared ahead at Tsunade, ignoring her two teammate’s bickering. She watched her mentor valiantly try and explain the rest of the mission and hardly cracked a smile when Tsunade sent a paperweight hurtling Naruto’s way.
Once regaining everyone’s attention, Tsunade continued with the mission details.
“Using the natural resources on his estate, the lord used the profits to create his own tech company. With the raw materials at his disposal, he bought machinery and vertically integrated his company—” she narrowed her eyes at Naruto who started to stare out the window.
"Oi, brat! You better take notes!” she shouted, breaking him out of his daydreams. He sheepishly rubbed the back of his neck as Tsunade continued.
“Basically,” she said, rolling her eyes, “he owns the natural resources, the machinery, and the man power for every step of the manufacturing process and has a bunch of legal whatever to his product so he’s become richer than ever,” the Hokage waved her hands absentmindedly.
Although the post war boom was financially beneficial for the Five Great Nations, smaller nations had not seen much of a difference in their standards of living. The major nations focused on establishing open trade routes and flows of information between themselves and failed to include smaller countries at the discussion table. Thus, a great migration took place. While civilians and shinobi alike travelled the elemental nations more freely due to the decrease in tensions with the airs of truce and allyship, many single women from smaller villages migrated to the great nations for work and better opportunities.
Many of whom ended up on the Earth lord’s estate, working along the assembly line. The position seemed generous enough: lodging was provided in dormitory like-housing and food was also provided in a mess hall. The hours were long, but they worked five days a week.
Tsunade unfurled a detailed map on her desk and Team 7 gathered around, committing the details to memory. The estate was strategically built with a mountain as a protective shield at the rear while a wide expanse of rolling green fields surrounding the estate ensured that potential enemies had no place to hide. It was as expansive as it was beautiful.
Boasting acres of greenery, Sakura imagined the smell of wild grass and flowers mingling with fertile soil. The fertility of the region would mean the grounds were likely lush with hearty wildflowers and medicinal herbs. The meadows at the base of the mountain would be plentiful and the mountain breeze would circulate cool, crisp air. Especially for those seeking a quiet life away from busy cityscapes, Sakura could imagine that the lord’s estate seemed to provide a quiet haven with an idyllic backdrop.
Continuing on with the report, Tsunade relayed that the Tsuchikage had received several reports from the workers’ family and friends that something was amiss. Listening to witness accounts and poring over letters, Earth’s intelligence confirmed suspicions although the letters never disclosed specifics.
The Tsuchikage had sent a discreet reconnaissance force to infiltrate and observe the ongoings of the estate. Despite the beautiful scenery, life at the estate was anything but. The mission report detailed that the lord took advantage of many of the women and held them hostage by threatening to blacklist them and their families. Guards patrolled the area constantly, on high alert for any worker who might slip out into the night to disclose company secrets. The report noted only women from outside Earth were permitted as workers to decrease the likelihood of suspicious family or friends coming to the estate and to lower the success of an unlikely escape.
Imploring the Hokage, the Tsuchikage asked that the assassination of the lord be kept discreet. Making his death appear as an accident was of the utmost importance—and Sakura’s primary duty. Following the lord’s death, the estate and its holdings would be turned over to the state as the lord had no next of kin. The mission would be lucrative for the Tsuchikage, and the women would be free to go if they wished.
What went unsaid was that the mission would ensure that the state would not be held accountable for providing mental or physical aid to the victims of the lord. When Earth shinobi arrive and explain that the guards and workers will be reevaluated, some women, the Tsuchikage reasoned, would expose the lord and guards who abused their powers. The state would clean up the guards, instate new ones and gain the thanks and appreciation of the women workers.
It made Sakura sick.
.
A year after the war and the new increase in trade, information, and people were normal aspects of daily life. Shinobi immediately began rehabilitation post-war and the program, headed by Sakura, reported positive effects. Post-war life was hard for shinobi who had become accustomed to a state of hyper-awareness during combat—settling into the monotony of peacetime, especially for strictly combative shinobi, had been difficult. For the past year Naruto and Sasuke had found their rhythm again, falling into easy friendship that was built on a foundation of begrudging respect although it was masked with bickering, sparring, and petty annoyances. Kakashi easily meshed back into their dynamic.  
Immediately following the war, Sakura was extremely busy with the administrative and legal overhaul of the shinobi system. Reviewing outdated protocols, researching alternatives, and creating new proposals, she had not rekindled her bonds with Team 7 as the others did. What little free time she had, she spent it quietly with Sai and the rest of her graduating class.
Team 7 had been reinstated a few months prior to the one year war anniversary. They were designated as a specialty unit—their collective powers largely unneeded due to the peacetime and the necessity of Sakura’s medical and legal acumen in village proceedings—but Naruto and Kakashi insisted. While suspicions around Sasuke’s loyalty lingered, the rest of Team 7 acted as a power and emotional safeguard.
During missions, Naruto seemed to fall back to their genin days. He would purposefully annoy Sasuke and Sasuke would pretend to be irritated back. They would bicker and banter with Kakashi feigning tiredness, but the crinkle in his eyes said otherwise. Sakura would be quiet. Naruto would try and rope her in with banter and shenanigans, but remained aloof, side stepping his attempts.
For her, it wasn’t like being placed on a temporary assignment with an established team where their deep trust reflected in the easiness of their movements. With Team 7, she felt perpetually on edge. She trusted their power and their commitment to each other, but she felt weary of Sasuke. She felt a lingering bitterness towards Kakashi. Naruto hurt to look at sometimes.
Sasuke noticed. For someone who was constantly observing, hyper aware of every flinch and averted eye he had inspired throughout the years, it was hard not to. Providing her comfort the only way he knew how, he gave her space. From the years as a missing-nin, the crimes he had committed, and the genjutsu he had put her under at the end of the war left her understandably weary.
As the team was reinstated, he tried talking. As much as he was able to. He would nod to her when she healed him, smirk at her when she pulverized an enemy, and raise an eyebrow when she flirted information out of a target. He’d order tempura at restaurants so she could have it as a side and he’d give her the last dango off his skewer saying he didn’t like sweets.
She had changed a lot from the memory he had of her before leaving the village. The war, he figured, changed a lot of people. She was always so loud and earnest in her feelings for him—for anyone really. And while she still had fire within her—from the way she’d chastise Naruto for still utilizing his sexy-no-jutsu or slap the back of their heads when they got unnecessarily injured and tried to hide it from her, she was guarded.
Perhaps, Sasuke thought, this was just her adult self. War veteran, war hero, director of the hospital, best medic in all the nations, one of the most in demand shinobi, her accolades as Konoha’s golden girl went on forever.
But, he thought back to when he uncharacteristically joined Naruto for a night out with the rest of their graduating class. He had seen her across the bar. She was laughing. Her face exuded mirth, shoulders and head thrown back, hair wild and loose. She had her hand on Shikamaru’s shoulder and then giggled into his neck as he shot her a grin. He watched as Tenten said something and Sakura slapped the table in boisterous laughter. She had never shown this side of herself to him—to Team 7. So he turned back and left for home.
.
Team 7 arrived at night.
Sakura could have completed it as a solo mission, but Tsunade wanted Team 7 to be able to seamlessly work together during missions. Even if the team was grossly over powered for the task at hand, the task itself was hardly the primary objective.
Sasuke would enter the lord’s bedroom with Sakura, cloaking them both in a genjutsu. Kakashi would watch from afar and notify them of any irregular guard movements through the comms device, and Naruto would serve as a distraction if things went awry.
Sakura and Sasuke entered the lord’s estate easily. They cast no shadow against the black and white marble tiles, and the quiet patter of their footsteps was masked under the genjutsu. As they entered the lord’s bedroom, they ignored the ostentatious displays of wealth—fur rugs covering the expanse of the room, ornate candelabras and chandeliers gilded with gold and encrusted with jewels—and went straight to the bed. Next to the sleeping lord, was a young woman holding herself in a fetal position, twitching in her sleep. Sakura quickly and untraceably killed the lord with a precise rush of chakra before tending to the young woman. Standing idly while Sakura completed the mission, Sasuke noticed the hardness of her eyes and the rigidity of her shoulders. Sakura’s glove clad hands were steady as they glowed green and she was done as quickly as she started. Locking eyes with Sasuke and curtly nodding, they left out the window.
.
They made camp once they breached Konoha’s borders. Several kilometers inwards, they settled for the night. Sakura was silent—not unusual for her, but her movements were stiff and mechanical as she put down her pack and built the fire.
Naruto and Kakashi came back with food they had caught. She ate her portion with glazed eyes, staring into the fire. She bit into the gamey meat without tasting it.
Her hands felt cold even as she held them to the camp fire and felt a heavy emptiness at her chest that permeated throughout her body. She thought of the Tsuchikage and Hokage’s actions robbing a form of justice away from the victims of the lord. Closing her eyes, she circled her arms around her shins and bowed her head to relieve some of the tension in her neck. Cradling herself, she opened her eyes to soften her gaze downwards.
Her toes were painted a light blue—Ino had insisted that it was the it color of the spring season and it would make her tan pop. Forehead, she had said seriously. For all the shit you did with shinobi and mental health you need to take care of yourself too. Sakura counted the pebbles in the dirt—one to ten, just as Ino had done for her while she painted her nails—and tracked the steady march of beetles over twigs and stones.
She saw splotches of dirt turn dark with moisture and absentmindedly realized she was crying.
She felt Sasuke’s disapproval as much as she heard it—straight to the chest, electricity and fire—and seethed at Naruto’s immediate defense. Trapped in the orbit of two celestial bodies—two gods—she wanted nothing more to break their trajectory towards her and suspend their collision.
“Have you ever felt like your body wasn’t your own,” she said. “That someone had ripped your soul from its shell and you could do nothing but watch.” Sakura’s eyes were blank and unseeing as her tears made trails down her cheeks.
Kakashi went rigid and Sasuke and Naruto mirrored faces of confusion. Sakura exhaled and continued, voice steady and clear. “Konoha and Iwagakure know about—have known about the lord for months and the only thing they care about is the financial windfall,” she said angrily. “Iwa won’t consider those women citizens and will just push them to go back to their original villages. Even if some of them disclose what the lord did to them—what is anyone going to do?” she questioned angrily. Voice rising she snarled, “What the fuck is Iwagakure going to do? Konoha?”
Surprised at the uncharacteristic outburst, her three teammates listened to her quietly. Cataloguing her rage and thinking over the implications their interference, the men of Team 7 considered her words.
Silence hanging over the air, Sakura began again. “How are those women supposed to reconcile the fact that they were just a thing to that fucking lord?” she spit out. “That he can act upon them and that’s where their value or depth ends?” No one had an answer for her. “Sometimes I feel like I’m being torn apart and my cells feel like they separate and I can feel my pulse in my fingertips,” she choked out, shoulders heaving. “What the fuck am I supposed to do then?”
Sasuke’s mouth opened slightly then clenched it shut. He saw red.
Kakashi stared blankly at Sakura. Feeling exhausted by the information, his shoulders drooped. The heavy burden of survival. He felt the prickly heat of guilt at the back of his neck and his eyes fell to Sakura’s pack on the ground next to her, unable to look her in the face. The dawning realization that he had never noticed anything different with her made him feel every year of his age.
He started to apologize. To say he wish he had been there for her more, that he should have tried to get her to spend more time with the three of them, that he should have said something about her pulling away from the team—that he should have known better.
“Sakura, I—”
“Don’t make this about you.”
Misplaced and unfounded guilt didn’t matter. To her, she was the student he had discarded and continued to ignore for years.
He hunched impossibly more.
“Why didn’t you tell us?” Naruto said softly.
“Because I didn’t want to then.”
“I thought we were family?”
She scoffed, “Why?”
“We’re together again! Sasuke’s come back to us!”
“He came back to you. You never asked if I even wanted him here.” Sasuke jerked back as if she had hit him. His face remained stonily still despite the searing pain in his chest.
Looking at Sasuke she said, “I don’t care that you’re back. I’m glad you feel safe or that you have a home again, or whatever you feel. But you did shit to me that I will never forgive.”
“Tch, so we aren’t friends anymore?”
“Since when were we ever.”
It was fair, he reasoned. Although he was friendlier with Sakura than anyone else besides Naruto or Kakashi, his outward actions or words didn’t denote that he felt any particular fondness for her. Not enough to make up for all the things he had done to her. His throat closed and his eyes stung and not from overuse of his Sharingan.
“Why didn’t you fight back?” he blurted out and immediately regretted it.
“Who was it Sakura-chan? I’ll beat ‘em up—I-I’ll kill them!” Naruto raged.
“You think I couldn’t if I wanted to?” Sakura said wearily.
A cold breeze rustled through the forest, bringing with it the scent of moss and pine. For what seemed like a millennia, Team 7 was suspended in stillness. Gray eyes locked onto a well-worn pack, cerulean grounded himself in the limitless indigo sky, and red irises drowned in pink.
“I’m sorry,” Sasuke interrupted the silence. “I didn’t mean it that way. Or that you're weak," he glanced at her hunched form. "I’m sorry.”
.
Their journey back to Konoha was quiet. For once, Naruto was at a loss for words. Sasuke watched from the rear of their diamond position as Naruto snuck glances at Sakura to his left, but she never wavered. After the previous night, her face had been an impenetrable porcelain mask.
She had told them then, “We cry and we cope and we continue.” Her eyes had found Kakashi’s and he held them for a long minute before shifting his gaze uncomfortably towards the ground.
After the mission debrief, Sakura hung back to go over documents with Tsunade as the rest of Team 7 parted ways. Kakashi had immediately dispersed which left Naruto and Sasuke idly walking the packed dirt roads of the village.
Sea glass on twinkling wind chimes glinted green and blue as Sasuke and Naruto walked past vendor stalls. The warm breeze carried scents of fried food and sweets and the duo ignored the glances of awe and apprehension thrown their way.
Still mulling over the events of the previous night, Sasuke clenched his hands into fists. Across the street, sitting underneath the shade of a tree, Sai was painting the landscape around him. Pointing towards their other teammate, Naruto nudged Sasuke towards his direction.
Walking up the grassy hill towards Sai, Naruto sent him a halfhearted wave and tried to figure out how to ask Sai if he knew. If he knew what Sakura had been going through and how they could reel her back into Team 7. He rubbed the back of his head in frustration and fisted at the roots of his hair. Opening and closing his mouth several times while growing agitated, his eyes darted towards Sasuke then back to Sai as he struggled.
“Did Ugly finally tell you?” Sai asked, intently studying his painting. “And could you two move—you’re blocking my view.”
Finally finding his voice, Naruto exclaimed “We’ve been her teammates for years.”
“And yet she chose not to tell you,” Sai replied evenly.
“But w-why?” Naruto spluttered disbelievingly. “Why would she keep this a secret from us?”
“Because she did not think you could offer her any emotional comfort.”
Quietly, Naruto murmured, “Has she at least told Ino?”
Sasuke stared down at Sai. He thought he was aloof and detached with brief moments of social understanding, unfalteringly deadpan but unwaveringly steadfast. Sasuke and Sai had shared only a handful of greetings and exchanges, mostly nonverbal despite Naruto and Sai’s efforts and provocations. Sasuke had found his replacement irritating in his quiet observations and noted the way he and Sakura tended to gravitate towards each other during missions with thinly veiled contempt.
“The rest of your graduating class is aware.”
“How did I not know about this!?”
“She had you sent away on a mission when Tsunade informed them of her temporary release of duties.”
“Well, what about me?” Sasuke finally asked, feigning nonchalance despite his racing heartbeat.
“You were never a consideration.”
Sasuke jerked his head to the side and clenched his jaw, face settling into a scowl. He had wondered if with time, Sakura would look at him the way she used to when they were younger. Actually, he amended, he didn’t need for her to look at him with bright eyed adoration, cheeks flushing at any attention. He didn’t deserve it. He didn’t need furtive glances thrown his way or delicately packed bento boxes. He wanted her acceptance—acknowledgement even, would have sufficed.
“What will you do now, Dickless?” Sai questioned.
“I’m gonna go to Tsunade baa-chan and force her to do something about this!”
“But did you ask Sakura what she wanted?”
“Huh?”
“Tch, dobe. You don’t even know what Sakura wants. She didn’t tell you because it’s just like you to do whatever your first thought is.”
“Precisely.” Packing away his supplies and shutting his sketchbook, Sai rose from his seated position. “Well,” he said with a fake smile, “this was fun.”
He watched as Naruto scrunched his face deep in thought and noted the quiet anger rolling off of Sasuke in waves. “I know this may be hard for you two,” Sai said cheerily, beginning to walk away, “but try not to impose yourselves further on the hag.” With one last wave, Sai walked leisurely back to the main road.
.
He had come to her apartment in the middle of the night. He had seen her open balcony, cream curtains billowing in the breeze, and hopped onto the ledge. Before he could wonder if he should have knocked on the front door, Sakura was in front of him.
“What.” She asked
He swallowed. His hands felt clammy.
“I’m sorry. For everything. I know it doesn’t mean much. But I mean it.”
She nodded. She went back into her apartment and left the glass door open, inviting him in. Shutting the door behind him and taking off his sandals, he looked around her living room. It was relatively spacious for just herself, light wood floors and neutral décor. Her side tables and bookshelves were crammed and overflowing with medical tomes and scrolls. Kunai and various weapons were littered on top of her coffee table along with notes and ink wells. Her living room opened up to a modest kitchen, where she currently stood towards the kettle.
“Do you want tea?” she asked, lifting two boxes to choose from.
Her hair was pulled into a braid down her back and she was wearing pajamas—clearly intending to sleep soon. He nodded at the box at her right and she took out two packets. Unsure of what to do, he hovered next to her coffee table until she came to sit at one end of the couch, sweeping a hand towards the armchair to the side and the other end of the couch.
He tentatively sat at the opposite end and clasped his hands in his lap. He nodded at the mug she handed him and stared into its contents. He felt a fever rush to his brain and felt a heavy cold settle in his bones as he attempted to parse through his emotions—sorrow, rage, guilt, shame, yearning. He could hardly name them for what they were, each overwhelming him like a tsunami wave, unrelenting and overlapping until all he felt was hurt ricocheting off his ribs and reverberating against his lungs.
“I’m sorry,” he bit out awkwardly. He intently analyzed her face and wondered why for all the things he felt, for all the things he wish he could articulate, all he could ever do was apologize. She sighed into her mug, the tendrils of steam making the fine hairs framing her face stick to her skin.
"I’ve forgiven you even when I don’t fucking want to—when my brain screams not to." With another deep exhale she rests her head on the cushions behind her and stares up at her ceiling.
“I’m sorry it happened,” he says quietly, fingers playing with the string of the teabag.
It’s something, Sasuke thinks to himself. They’re talking. For the first time, maybe ever. And he lets that little flicker of hope consume him. That maybe they can continue to talk. He’ll let her in, he’ll be vulnerable, he’ll apologize if she’ll just keep talking to him.
.
Sasuke and Naruto stood next to each other in the early morning quiet and unsure, facing the village gates. Kakashi was behind them, hands deep in his pockets, hunched over as if trying to make himself smaller. Looking at Naruto, the village to his back, Sakura watched as he fidgeted in uncharacteristic silence.
Surprisingly, it was Kakashi who began to speak. Raising his eyes towards Sakura, he began to apologize.
It had been weeks since Sasuke had shared tea with Sakura, talking through the years he had missed, actually learning who she was as a person. During that night, he was able to indulge in the fantasies he had been harboring for months—the desire to talk to someone like family—to someone who is family. To divulge in past memories and future hopes. The start of sealing the cracks he had left and wedged open.
But now, he watches as she grips Naruto in a tight hug, whispering fiercely into his ear as he shakes in her arms. She shares sweet goodbyes with her friends who look at her with pride and tell her to bend the world to her will because they’ll always be waiting. A curt nod and a squeeze of the forearm and Sasuke watches her back and wonders if her heart shattered the same way when he had left her all those years ago.
At the time, she had told him that she would go with him—that she would shoulder his pain if she could. But now? He supposes this is payment for all the times he ripped her heart from her chest. It would have been merciful, he thinks, if she could have knocked him out unconscious so he didn’t have to be the one to watch her back as she became a distant pinprick in the horizon.
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twh-news · 3 years
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'Loki' Star Sophia Di Martino on the Season 1 Finale, Working With Jonathan Majors and What She Knows About Season 2
[Editor's note: The following contains spoilers through the Season 1 finale of Loki, "For All Time. Always."]
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Since her introduction at the end of Episode 2, Sophia Di Martino's depiction of Sylvie, the female variant of Loki introduced midway through her campaign of vengeance against the TVA, has been a defining aspect of Disney+'s Loki. And, as we learned in the season finale, the story of Loki isn't over yet — though what's in store is pretty nebulous, following Sylvie's betrayal of Loki (Tom Hiddleston) after what was their first and what might be their last kiss.
In a one-on-one conversation with Di Martino via Zoom, Collider asked about working with Jonathan Majors in his MCU debut, what it was like having both fight scenes and more romantic scenes with Hiddleston, and of course what the conversations around Season 2 have been like.
Collider: To start off, when did you have a sense that there would be a second season of Loki?
DI MARTINO: I mean, there'd been rumors for a while, but I still haven't heard officially if it's happening, like officially, officially. I only know what I know through reading the news. And I know, because you guys know, because of the tag at the end of Episode 6.
I was going to say, that feels like a pretty official thing, but it doesn't sound like anyone has shown up at your doorstep with paperwork.
DI MARTINO: No, nothing. Nothing like that.
Now, does that mean that when you watched it, were you given a full script of the sixth episode?
DI MARTINO: Yes. We got one episode at a time. So I wasn't given Episode 6 until like midway through shooting Episode 5.
So in that situation, what was your initial reaction to reading, especially like the last, say, 10 pages or so.
DI MARTINO: Just like, holy crap. This is massive. How exciting. Woof. And then also, "who's going to play He Who Remains, I need to know because it's such an amazing part and such incredible speeches he has. I wanted to imagine who would play him, but I couldn't have ever imagined the way Jonathan would have done it. So brilliant.
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In terms of working with Jonathon Majors, what was that experience like? Just because I feel like he brought such a different energy to the role than I think anyone would have ever expected.
DI MARTINO: Yeah. He just exploded onto that set with so much energy and nothing like we could ever have imagined. It was a lot of fun and he was brilliant. You know, people were saying this is going to be something really special, whispering behind the camera. He was so eccentric and fun and kind of terrifying. Very easy for Tom and I to just sit and listen to him for a few days. Very entertaining.
Yeah. In rewatching the episode, it's still so striking to me the way that, after Sylvie stabs him, he makes barely any noise.
DI MARTINO: Because he knows that it's a possibility, I think. So maybe he's had a long time to sort of imagine every scenario. Yeah. It's kind of creepy, isn't it? The way he does that.
When you were breaking down the script for Episode 6, were you talking about Kang the Conqueror? Were you talking about the comic book backstory there?
DI MARTINO: I don't remember talking about the comic book backstory of Episode 6. But you know, to be honest, it was all very quick. Especially with Episode 6, we got the script pretty late in the day. So there wasn't that much mining to be done, to be honest. I'm not sure about Jonathan's experience, but for me, it was sort of pretty late in the day, just in the case of learning my lines and trying to make sure I didn't mess that up.
Of course — and it makes sense in terms of where your character is coming from.
DI MARTINO: Exactly. So I just need to know at that point, I just need to know what's going on for Sylvie.
In that case, in your head, what was going on for Sylvie in those scenes?
DI MARTINO: Oh my goodness. So much. I mean, so much happens in like 30 seconds. Doesn't it?
Definitely. But even before the final sequences, it's very dialogue-heavy and there's a lot of listening. In playing that, what was important for you?
DI MARTINO: To really listen and to really take on board what he was saying to us at that point, and then to choose not to believe him. For Sylvie, she's just on a revenge mission from the minute she walks into that building, she knows that she wants to kill someone. When they're in the elevator with him, she's already taking swipes at him. She just wants to get him with her machete. And I think she's just so laser-focused on that goal, that he could have said anything to her and her priority wouldn't have changed.
So you don't think there was ever a moment in that whole sequence where Sylvie was tempted, not tempted by the possibilities presented, but tempted to believe him?
DI MARTINO: I think there's a moment that he really pushes Sylvie's buttons when he's talking about you have been on a long journey and it's been really tough for you, hasn't it? And you can't trust anyone. You think you can trust him. And he starts playing mind games with them, playing them off against each other. And I think at that point, he plants a seed of doubt in her mind about Loki, but I think her mission to want to kill him doesn't change. She's absolutely married to that idea. And that feeling is so strong that she chooses it over Loki in the end.
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From your perspective, where does that come from?
DI MARTINO: Just revenge. Like having her life taken away from her, her life ruined, spending her whole life on the run, this sort of anger. And if you want to think of it in these terms, her "glorious purpose." I went there.
I don't think you got to say those words during the show, so I'm glad you got this moment now.
DI MARTINO: Yeah. I'm saying it as much as I can now.
Later in the episode, this wasn't the first time you had a fight sequence with Tom Hiddleston, but did it feel different from the episodes you shot earlier?
DI MARTINO: Yeah, it did. This scene was far more emotive. There was a lot more going on for both of them. It was the breakup scene. It was the fight that you have when you are leaving someone. And it's so painful because you care about this person, but you just can't be with them for whatever reason. And that's how that felt.
Which is so interesting because of course what happens at the end of it is that there's a kiss and it's given the whole big Hollywood romantic music treatment.
DI MARTINO: Yeah. I mean, but that often happens when you're splitting up with someone, doesn't it? Just one last time, a sweet goodbye. It's kind of like a goodbye kiss in a way.
Of course. But it was also, unless I'm missing something, the first kiss.
DI MARTINO: Yeah. It was. And it had been building up for a long, long time. I think it was ultimately a goodbye kiss and a clap away for Sylvie to physically turn him around so she could get hold of that TemPad and zap him back to the TVA.
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Yeah, of course. In terms of that, in general, I feel like there's a temptation to just kind of look at the Loki and Sylvie relationship as a straightforward romance, which of course it is very much not. From your perspective, what was it about that you worked hard to lean into.
DI MARTINO: I think it's about sort of self-love and acceptance as well as being a romance story. And for Sylvie, she's sort of shedding everything she doesn't need before she gets to He Who Remains so she can kill him. She gets rid of her cape, she gets rid of her horns. She ultimately gets rid of Loki. It's just not serving her in that moment. And it's so cold to think of it that way. But I think that's what was happening. That and the fact that she wanted him to be safe. So, she's kind of saving him by pushing him through that time door as well.
And if you're going to think of it as like an exploration of self-acceptance and self-love, that's also interesting because she showed sort-of, I don't know, getting rid of a part of herself that isn't serving her anymore at the same time as keeping it safe.
It's really interesting to hear you talk about it that way, because it makes me think about how the one thing that came out, especially I think in Episode 5, is the idea that knowing Sylvie made Loki a better person in some fundamental ways. And I'm wondering about the opposite of that. What did knowing Loki mean for Sylvie?
DI MARTINO: I think it's slightly different for Sylvie. I don't know if he's made her a better person. I don't know if she's allowed herself to change yet. Loki's been quite brave and he's changed. He's a changed person by the end of that series. Sylvie is still hell-bent on her mission and she still chooses it over caring about someone else. So maybe she's yet to make that change.
So in talking about the scene like it's a breakup... Season 1 ends with the characters being very separated and of course, Season 2 is very much a nebulous thing at the moment, but people break up all the time and get back together. In your head, do you see there being still some sort of future for the characters as a couple?
DI MARTINO: It would definitely be fun to see them in the same room together again, wouldn't it? I'm fascinated. Yeah. After that, I'm fascinated to see what Loki has to say to Sylvie after doing that to him. Who knows? Never say never. I'm really excited to see what they come up with because it could go in so many different directions, but surely they have to come face to face again at some point.
It's like that awkward party after you've broken up with someone and you see them again. And that first conversation, whether it's in public or not, it's sorts of awful, but such a relief once it's been done.
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Something that's been kind of a topic of discussion when it comes to talking about romance on screen is a quality that a lot of leading men have — for lack of a better term, the ability to give their love interest a Look. I've consulted with others and we feel like Tom Hiddleston has the look or has the ability to deliver the look. And I'm curious what it's like to be on the other side of it.
DI MARTINO: Tom's a very charming man and he could definitely make people go weak at the knees by just giving them a look. My reaction to that is always to sort of make a joke and run away. So there was probably a lot of that on set, breaking the tension by being a goofball.
I just had to react as Sylvie. And Sylvie's got these walls up. She doesn't let anyone in and that includes Loki. So sure there's a sort of, oh, this person is not as I thought they were. I'm warming to them. But Sylvie's not an easy nut to crack.
Is it fun getting to play that kind of strength?
DI MARTINO: Yeah. It's awesome because when her defenses do come down and she's vulnerable, it's really interesting. And you start to see all of the stuff that's buried underneath and that's what makes her a great character to play.
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So, how do you feel about there being a second season? Do you feel like if there hadn't been a second season, you would have gotten the closure you wanted to from the story?
DI MARTINO: Probably not. I want to know what happens just like everyone else. I'm super excited and I just can't wait to see which direction they're going because it could be infinite directions.
Do you have a sense that there might've been different aspects to it, had COVID not been an issue?
DI MARTINO: I think COVID actually probably made it a lot better. We had a five months hiatus and Kate and the producers and writers worked a lot on episodes five and six during that time. And as far as I've heard, a lot changed for the better. They could rewatch what we'd already shot and just carry on working on the scripts and developing them. So I think it was great to have that time actually, as awful in most ways it was, that was the silver lining of it.
Very. Yeah. So looking forward, I imagine if there's a second season, you're on board if you get asked.
DI MARTINO: Hopefully. Hope so.
By the way, I was really excited to see the story about how your costume was designed to allow you to breastfeed during shooting. That seems like it was a really special detail.
DI MARTINO: Yeah, really, really. I'm just so grateful that that happened. It made my life so much easier and it was important to me that I carried on doing that. So it was just the little things and it's just saved a lot of time. Practically, it was a godsend.
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Of course. So looking forward, what's next for you?
DI MARTINO: Lots of interviews. Lots of being able to talk about episode six finally, and then, who knows? An infinite possibility. So yeah, I'm excited to see what happens and to see people's reactions to the series because people are still catching up. People are still watching and rewatching it and probably go on.
Yeah. I mean, I imagine that you're going to be cosplayed at various conventions over the next several decades probably.
DI MARTINO: Do you think? That blows my mind.
I mean, cosplaying has a long legacy to it.
DI MARTINO: It's so cool. The way that people are already making Sylvie horns and crafting them from scratch and spraying them. And there's one woman that's just sewn a whole suit together and it looks exactly like my costume. It's so impressive, the love and attention people put into it.
Are you getting an action figure?
DI MARTINO: I don't know. Hopefully. What would I do with it? Maybe I could use it as a cake topper. Who knows? But that would be a very cool thing to have, wouldn't it?
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oldtowrs · 4 years
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˗ˏˋ DROWNING IN YOU - obi-wan kenobi/jedi!reader
SUMMARY - after order-66 has been issued, obi-wan and the reader, a jedi and his companion, exile themselves on tatooine. the reader finds obi-wan practicing with his lightsaber, and they get into a small argument, which ends in fluff.
WORD COUNT - ~2.1k
A/N - i have a soft spot for obi-wan. however, this is my first obi-wan fic so i’m sorry if i’ve missed aspects of his character. it will come eventually though. i promise. anyway, gif belongs to @coredrive. please send me requests if you have any!
WARNINGS - none
   the familiar hum of his weapon seemed to electrify the dry air around obi-wan as he ignited it, the blue light of his kyber crystal illuminating his strong features and the sandy terrain around him. memories from as early as his padawan years raced through his mind. he smiled at the realization that many included you and the many battles you had fought by his side. it was a familiar glow and welcomed buzz, but obi-wan couldn’t help but remember all that he had failed to protect with the sophisticated saber he held in his hands. 
   his heart ached as images of anakin’s golden eyes glaring at him over their crossed, blue lightsabers haunted his memories. the heat of the lava surrounding them almost was unbearable as they dueled, yet his failures burned a whole in his heart greater than the lava ever could.
   but that’s why he had dug his lightsaber out of the trunk he had frantically shoved his few belongings into before you and him had made a frantic escape from coruscant to live out your days on tatooine, hovering just close enough to protect anakin’s son: luke skywalker. he dug it out in hopes that his skills hadn’t faltered in the few months he had been cowering in the little sandy cave that he now shared with you and which he called home. he couldn’t let them falter. he had to protect luke. he had to protect you. he was a jedi guardian, after all. he fought to protect all that was good in the world the brilliant blue of his force signature marching the glow of his saber. he couldn’t let himself fail luke. he couldn’t let himself fail you. he wouldn’t let that failure take hold of him again, not while the images of anakin burnt to a crisp and padme lying, her dark hair carefully decorated with delicate, white flowers, on her deathbed were still fresh in his mind; and he anticipated they would be for quite some time. 
   he readied his lightsaber in one of the traditional fighting stances of form iv. qui-gon’s face seemed to swim in his memories as he began the training sequence obi-wan’s old master had taught him, closing his eyes and taking a steadying breath. another face which only existed in his memories now. another failure. 
   with each heavy swing of his lightsaber, the dry air seemed to crackle and buzz about him, his anger at his failures burning up with it as he forced them from his being and into his each swing and spin. anger was not the way of the jedi-although he supposed that didn’t matter now. if he stayed true to the order, to the code, he was a marked traitor and enemy of the galactic republic. the order which he had dedicated so much of his life to could now get him killed. 
   the order. the council. another failure. another swing of his saber. another hum that broke the silence of the quiet desert and the evening which descended upon it as tatooine’s twin suns sunk into the sand. 
   he felt a presence through the force occupy his already tortured mental state, but he elected to ignore it-cut it down with another swing of the lightsaber.
   ‘obi-wan!’ a voice called, its normal tone and sweetness turned bitter with concern. it was your voice. 
   he looked up to see you running towards him from the entrance to your cave home, the linens of your dress-which you had traded your usual heavy, woolen jedi robes for, snapping in the slight breeze behind you. ‘what’re you doing?! are you asking to get caught?’
    somewhere in his confusion, he managed to sheath his lightsaber, the blade of pure light and plasma retracting with a whomsh as he clipped it to his belt-an old force of habit.
    ‘my love, somebody could see you!’ you exclaimed softly, as you stopped before him, arms entangling themselves with his own. ‘or did you forget that the whole galaxy is on the lookout for jedi to report to the republic?’ 
    guilt ravaged his features and an unfamiliar wave of shame washed over his heart. should someone see him wielding a lightsaber whose color was indicative of his rank, of his affiliation with the order, he would be reported to the republic, hunted down, locked in a cell and put on a waitlist for execution as punishment for treason.
    the concern on your face made his heart ache, how your delicate eyebrows furrowed in worry, the way your e/c eyes no longer sparkled with joy-but were haunted by fear instead. he noticed new worry lines had formed around your eyes, and dark circles had begun to collect beneath them. age had seeped into your face and he realized that the past few months had not been kind to you, hitting you just as hard as they did him. you had been one of padme’s closest confidants after all, always waiting by her side during meetings which matters of the senate and council and the galaxy at large were always discussed in dramatic fashion. you had been almost as dark of a shadow as anakin had been, always following her around, protecting her from a galaxy which wished to harm her. his failures had been yours too. 
    yet despite those lines of worry and of age, you were still as beautiful as you had been as a padawan, running around coruscant jedi training grounds and rooms of the high jedi council with obi-wan’s strong, calloused fingers interwoven with your soft ones. 
    your heart ached for the jedi you had formed a forbidden attachment to, to whom you had fallen in love with, as you watched the shining, steely blue of his irises drop to his boots. 
   ‘i’m sorry, darling,’ he said, his precise articulations and elegant accent soft and plagued with the guilt that he seemed to drown in. the sensation of your delicate fingers taking hold of his face, their tips burying themselves in the bushiness of his reddish-brown beard, was enough to pull him to the surface-to ground him in the present. he looked up through the golden spun curtain of his eyelashes, just in time to see your features soften.
   kriff- the way you looked at him made his heart melt.and the way the setting suns caught in your h/c hair made it gleam as though it was spun of the finest metals. you had braided it into a simple tatooine style and the only thought he found rushing through his mind was how beautiful you were-and how guilty he felt. 
   ‘i suppose you are right,’ he said. ‘it is reckless.’
   ‘obi-wan, what’s wrong?” you said, your fingers angling his gaze directly into yours. the concern he saw there made him want to cry, tears welling up in his eyes and inhibiting his ability to speak. 
   ‘i failed,’ he choked out. ‘i fails qui-him. i failed anakin. i failed padme. i failed the order, the council-everything.’ 
   he watched as your face fell and pain seeped into your lovely irises, illuminated by the dying light of tatooine’s suns. but he continued on. he was drowning, and your presence had been his gasp of fresh air. now the seawater couldn’t help but pour out of him, and his thoughts with it. 
   his voice became deadly quiet. ‘how am i supposed to protect luke if i can’t even protect them. how can i protect you for that matter? i thought that, perhaps, if i train, then… i’ll be good enough to at least give you some sense of security, and, when the time comes, train luke to bring peace to the galaxy that i’ve helped destroy.’
   ‘oh, obi-wan,’ you sigh, pain evident in your voice. ‘you have not failed the galaxy, and you certainly have not contributed to the destruction which palpatine helped to foster-both in the galaxy and in anakin. their downfall is not on your hands, my love. do not manipulate it to be so.’ 
   ‘you have protected this galaxy, and put your life on the line so that trillions may live in peace without ever having to experience the horrors of war.’ 
   ‘and as for me, my love,’ you chuckled, smiling up at him and pressing a kiss softer than the petals of the alderaanian flame-rose to his jawline, ‘do you forget that i am a jedi too? i may not be a guardian and a general like you, but that doesn’t mean i’m any less trained in the ways of the force than you, my sweet jedi. we protect each other now, remember?’ 
   maker-when had you learned to be so convincing? it only amplified the love that burned in his heart, melting him from the inside out. a small smile settled itself onto his lips, peeking through the beauty that was his beard. 
   ‘yes, i remember, sweetling,’ he hummed, the endearment sounding like honey on his articulate tongue. it warmed your heart, as you saw some of the light you so dearly cherished found its way back into his kind eyes. he was so lovely, in all that he was. 
   obi-wan let his hand graze the soft skin of your jaw, gently tilting your face as he pressed a loving kiss to your forehead. he wished he could see the blush that he knew was blooming along your cheekbones as he did so. 
    i love you obi wan, your force signature echoed softly. a warmth seemed to cloud his heart, and he knew it was you reaching out to him through the force, transferring as much love as you possibly could through to him. it was something you had been doing ever since you had mastered projections as padawans. 
   i love you too, darling. he felt the familiar entanglement of his force signature with yours, warm and comforting. he had always used his for strength, but you used yours for more emotional circumstances. he found that he couldn’t leave your presence without a piece of your signature lingering with him, a reminder that you were with him always. 
   his calloused fingers found their way to the back of your head, tangling gently in your h/c tresses, as his other arms snaked around your waist, lovingly playing with the softness he found about your hips as he pulled you into his shoulder for a hug. he noticed there was a little more softness there than usual, and he felt his heart swell lovingly at the discovery. he adored you, but the extra softness gave him more of you to love and cherish. exile treated you well, and obi-wan couldn’t help but adore its effects. 
   what would i do without you? the projection was filled with a softness that obi-wan could only ever find in you, his one attachment, his love. 
   you’d be fine. you’re stronger than any one i know, love. a soft squeeze of his bicep accompanied your words and obi-wan knew that while yes, he was strong and resilient, he was only so because of his devotion to you and you to him. 
   perhaps, but i would be terribly miserable without you, my little dove. he felt a surge of warmth radiating off you through the force, and he smiled at the knowledge that he warmed your heart just as you did his. he pulled you ever closer, giving you a gentle squeeze, enveloping himself in all that was you. he couldn’t pull himself from your orbit, even if he wanted to try.  
   ‘perhaps, we can find a way to train without drawing attention to ourselves,’ you pondered, with a kiss to his neck, his jaw, his lips, as you pulled away from his shoulder far enough to admire the way his eyes lit up at what you were suggesting. 
   ‘besides,’ you said, a teasing tone creeping into your usually soft words, ‘i have to train if i am to protect both of us!’ 
   ‘i think you forget, i was the one who fought as general in the clone wars, dearest!’ he chuckled, admiring the way the mirth of your banter swam in the e/c pools of your irises as they glowed in the last of the days golden sunlight.
   ‘oh please, i designed your battle plans,’ you said, gently tapping his chest with one pointed finger in protest. ‘as much as the council loved to boast about their intelligence, you know i was the one behind it all.’
   the velvety tenor of obi-wan’s laugh filled the dry tatooine air with joy, radiating through the force. and soon it was joined by the sweet tones of your own happiness as obi-wan peppered your neck and face with endless kisses, holding you lovingly against the strong, muscular build of his chest. the galaxy may have been drowning in the chaotic wake of the fall of the jedi order, but obi-wan found himself drowning in the deep, warm waters of your being and the comfort of your love. it was an endeavor he would gladly embark upon, for he knew that at the end of it all we would drown with a smile on his lips and your love filling his heart.
— fin
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Stepanova & Bukin: “Our Fans Really Want Us To Be Together”
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How do you feel about being the new Russian National Champions?
Vanya: Wow! To be honest, we didn't get enough sleep. It was a busy time. We sat, talked with the team, discussed a lot. This was our first competition in a long time, so we were a little exhausted.
Sasha: So far, we don't really feel that something major has happened, but the assessment of our coaches is very important for us. They didn't know how we would perform. Yes, the coaches did everything to make us perform well. But from the very start, everything depended only on us... And we managed to perform well so many thanks to our team for this.
Vanya: In general, we liked everything very much. We missed the audience a lot and we hope to perform somewhere else soon. Yes, there are nerves, but they are very pleasant nerves. Competition is great.
Is this national title the main award of your career?
Sasha: No. We have silver and bronze medals from European Championships. We have also performed well at World Championships. The situation here is completely different in all aspects. We had a different task... But overall, we are very pleased with the title of Russian National Champions.
Vanya: Yes, indeed, this is the first time for us. The support was great. Even though the arena was only 35 percent capacity, we felt incredible warmth.
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Is the lack of vivid emotions due to the fact your main competitors were not here?
Sasha: Yes, many skaters were missing in Chelyabinsk. It’s a pity that this is the case. We, ourselves, were not able to participate in early competitions such as the Grand Prix in Moscow.
Vanya: For instance, Dima Aliev did not compete here although we were expecting him. We are friends with him, and we communicate a lot. We hope to meet the entire Russian team after the New Year.
Did this situation personally blur the impression of the Russian Championships?
Sasha: Of course. In addition, the federation indicated that this is not the final selection for the World Championships. We simply perceived it as a certain stage where we need to show what we are capable of.
Vanya: On the other hand, the fact that it was our first competition in a long time added more importance to it.
Is it a shame that Europeans got cancelled, while everything goes well in other sports?
Vanya: Of course, it's upsetting.
Sasha: I don’t really follow what is happening in other sports, but the cancellation of our Europeans was not a surprise. Everything pointed towards this direction gradually. We were ready for this news. We understand that holding a competition in such conditions is difficult and unsafe.
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How do you feel now?
Sasha: I’m good now, thanks.
Vanya: Yes, we have already recovered.
You guys joked at the press conference that you were unlucky, because you were ill with COVID at different times.
(Sasha and Vanya laugh)
Sasha: Well, yes, we were really out of luck.
How did this happen? You spend so much time together.
Sasha: At first, I just caught a cold. There was bronchitis or something like that. I got better and then fell ill again, but with COVID. I don't know why that happened, but after I got sick, the coaches and Vanya fell ill.
Vanya: Why this happened is still a mystery to us. It is very incomprehensible.
How did you handle the disease?
Vanya: It was not easy. I had palpable lung damage. The temperature was monitored for a very long time, and the dose of antibiotics was quite strong. The hardest part is not how I got sick, but how I went back to the ice. It was very strange and a little scary.
Sasha: You may be fine at home, but as soon as you go out on the ice, you immediately start coughing due to the cold air and the slightest exertion. Usually for us, skating in circles is nothing at all... But after the illness, the body perceives it as a serious threat and reacts instantly. It is scary. You start thinking: "How am I going to skate now?"
Did it come to hospitalizations?
Sasha and Vanya: No.
Vanya: Fortunately, it didn't come to that. I didn't have extreme temperatures (around 37.5 to 38 only). The only problem is that it lasted a long time. Sasha’s condition was different though. High temperatures in the beginning, but the illness quickly disappeared.
Sasha: In my case, it started with a common cold, then the whole body began to ache. I came back from training and it felt like someone was breaking all my bones from the inside. Then, body temperature began to rise. The maximum was over 39. I immediately took antibiotics. The state itself was unpleasant - you go to the kitchen, or to the bathroom and you are already very tired. You also hear how you breathe.
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Sasha, I looked at your Instagram and came to the conclusion that you love black and white tones. Why is that?
Sasha: In black and white, there is...
Vanya: Magic.
Sasha: Yes, some kind of charm. Many photographs look better in black and white. I like the lines and shadows.
Do you hear from fans a lot?
Sasha: Very much! Just yesterday, one fan gave gifts through the coaches. She loves our group very much, follows us to all competitions. From my understanding, she is not alone. It is just her who communicates with us. I called for a photo session, but unfortunately, this has not yet happened because of the virus situation. But yes, they write a lot! They post stories, write long messages. Sometimes I read and tears come, people give a lot of themselves. You think how this is possible. Many are busy with family and work, but they take time for us.
Vanya: Most of the times, they post our reactions to performances. This has already become a meme! We have been compared to animals. Sasha recently reposted a picture where I am a dog who smiles, and she is a serious cat. In many shots, myself and Irina Vasilievna (Zhuk) are explosive, and Sasha and Alexander Vasilievich (Svinin) are more restrained. It’s cool and funny!
Does this reflect your nature?
Vanya: I’m probably more emotional after performances. I keep everything to myself so much that it just breaks at the end. Sasha, on the other hand, gives so much to the performances and at the end, she has nothing left.
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Are you offended by any comments?
Vanya: Some comments are very interesting. There have certainly been times where I wanted to respond, but realized that it was pointless. It is nonsense.
Sasha: Because you will be invested in it.
Vanya: Now, I laugh at such comments. If a person doesn't like something and expresses their opinion, please, especially if it is really constructive criticism. When you see that this is not the first time a person has written, and really understands figure skating, you can listen to this... But there are some that just write for the sake of saying something.
Sasha: Yes, there are some who throw out unnecessary emotions based on nothing.
Has it ever happened that thanks to a person's comment, you changed something in your performance?
Vanya: A couple of times.
Sasha: It is not with regards to steps and technical issues though. Most comments are like “I want power, brightness.” At such moments, you can reconsider and decide that, indeed, something is missing somewhere.
It happens that unpleasant things are written by fans of other teams.
Vanya: I'm okay with this, but if you like another couple, why are you writing under our post? Go to your guys and write good things.
Sasha, you are sometimes compared to Victoria Sinitsina? Are you okay with this?
Sasha: Yes, absolutely! We sometimes laugh about our similarities. We also have common views on wardrobe sometimes.
What about the comments that you and Vanya would make a good pair in real life?
Sasha: It's fun too.
Vanya: On one hand, that is a compliment because it means that we can show real emotions on the ice. People believe in our story and think that we are also together behind the scenes... But we have already said many times that we are not a couple in real life, so it is quite strange when people ask about this.
Sasha: It's very cute though!
Vanya: Those who have been with us for a long time know that we are not together, but our fans really want us to be together.
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Do you follow the situation regarding Russia's two-year sentence? You guys already had some bad experiences in the past with this decision.
Sasha: Yes, we heard this news. As far as I understand, the consequences could be much worse - all athletes from Russia could be expelled indiscriminately. They could say, "Russia, goodbye." But we are still allowed to compete. Let it be without the anthem at the World Championships and the Olympics, but on our form, the name of the country can still be written. This is already pleasant for us. I do not know all the little details, but in this situation, I want to find something positive.
Vanya: Of course, we are upset, because this is our country. We would very much like to perform with the flag and anthem. But the decision has been made, and nothing can be done. We will calmly prepare for all the major competitions. It remains to be seen how athletes will be admitted to the Olympics.
What would you change in ice dance to make it more popular?
Vanya: Ice Dance is a very creative sport. Everything should look simple, easy, and unpredictable with us. In my opinion, to make our sport more popular, teams must be given more freedom for creativity. Then, the couples will not be alike. We have many rules that do not allow us to go beyond.
Sasha: In general, the rules are made for judges. Previously, ice dance judging was based on "like it or not like it."
Do you have long-term career plans?
Vanya: This season has shown that it is difficult to plan the future. We have decided to live day by day, and prepare for specific events. There have been many times where we plan a lot, and in the end, the plan does not come true.
Do you think about life after sports?
Sasha: I do not have any serious thoughts. Maybe participate in shows, but there are no specific plans. However, I can definitely say that I want to stay in figure skating and take a new role in the sport. For now, we still have a lot to accomplish. We have just reached the top level. We have just started receiving recognition from the audience.
Vanya: And we are very grateful to our fans. When new broke out that we were sick, many wrote to us and supported us. It is really motivating!
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Do you have plans for the New Year holidays?
Sasha: I would like to go to the skating rink in front of the Red Square. I have never been to massive street skating rinks, so I want to feel this atmosphere.
Vanya: Oh cool! Let's go and invite everyone!
A small wish to your fans at the end of the interview?
Sasha: Health and love. Be happy no matter what. Live everyday.
Vanya: To make all your dreams come true in the New Year.
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