#kabru is the perfect character of all time

[mithrun-house-of-kerensil]

Lately, I've been thinking about Mithrun and the ways he is dehumanized in canon.

Before I get started, we know that elven society is incredibly afraid of death and illness. This is obvious in how they look down on the short lived races and see them as weak and childlike. We also know that Mithrun himself had ableist views toward his brother and these values did not leave him once he, himself, became disabled. He is a product of the society that raised him, but I also think how Mithrun is currently being treated contributes to his view of himself.

Mithrun has had three different caretaking groups over the years. The first are the ones his brother hired for him. From what we can see, they did the job, but we can understand that they did not know what to do with him. No one had ever recovered from having their desires eaten so the focus was less on rehabilitation and more on keeping him alive.

Later we see Milsiril take an interest in him because of his desire to return to the dungeon. Since she did not bother to visit him for decades after finding him, we can assume that there is an ulterior motive here. Timeline-wise, this was when the majority of the canaries had just been wiped out. They needed more men, and Mithrun is set up to be the perfect single-focused soldier.

Honestly, we can assume that Milsiril doesn't really care about him or see him as a person. Mithrun is just a new project for her to play with. We can see this in how she's focused on superficial level concerns like the fact that he doesn't look nice and wanting him to be overly grateful toward her. She also talks about him like he's not in the room and can't hear her. This is a dehumanizing trait shared by many characters when talking about Mithrun.

When he finally does recover enough to return to the canaries, the military does not make any effort to accommodate his needs. We know the canaries are understaffed and the ethics are already bad, but they really did not even try to care about Mithrun's safety at all.

Entrusting a criminal with his care was questionable at best, especially when Cithis immediately took the opportunity to abuse her power over him and no one stopped her.

While acknowledging the light-hearted nature of the manga, it's uncomfortable that Mithrun was treated like a child and an animal by Cithis for her amusement. Regardless of her 'learning to respect him' later, the point is that Mithrun was taken advantage of and degraded because she believed he couldn't say no. No one bothered to do anything about this until Pattadol yelled at her.

Truly his treatment is summarized well by Milsiril here. Mithrun is extremely vulnerable to being abused by those taking care of him because he won't advocate for himself. He has one desire so he won't fight for himself in any other way.

It is obvious that Mithrun was not treated well by his caretakers and this has resulted in him identifying his needs through a disconnected and frankly, infantilizing lens.

I understand that it may have been a translator's decision, but I always thought it was interesting that Mithrun says that he's "not sleepy" which is a childish term. Otherwise, he speaks like everyone else, if not rather posh.

This, followed by the fact that he is responsive to Kabru treating him like a literal infant to get him to eat, paints a clear picture of the fact that Mithrun is not unfamiliar with being treated like this. He responds to it because he's used to it and has no desire to argue with being treated this way. When we consider the fact that the chapter started with Milsiril treating an older child Kabru in the same way, it is likely that she also did the same thing to Mithrun when he was under her care.

In these panels, we see that Mithrun does not believe that he can sleep without magical assistance, even though it is immediately refuted when Kabru takes the time to bundle him up and help him relax. Not only does he fully believe he can't sleep without external assistance, but he states directly that there is no point in him getting comfortable.

As Kabru observes, Mithrun's inability to recognize his needs applies to needs such as hunger and exhaustion, but it obviously also applies to emotional needs. Kabru just wanting to feed him something delicious and not wanting him to give up on life is the most consideration someone has given Mithrun in years.

The relationship they form over the course of a single week is enough to shape Mithrun's behaviour completely. Mithrun ignores Cithis's demand in favour of asking Kabru's opinion. It is Kabru's hand Mithrun takes to pull him out of his defeated state. It is Kabru Mithrun confessed his true desire to.

Do you realize how depressing that is? All it took was the new perspectives from Kabru and Senshi to make him consider the fact that he should keep living despite no longer needing to fulfill his duty. Being treated well could have helped Mithrun much sooner and this shift in the way he sees himself contributes to his recovery going forward.

TLDR: Mithrun has no desire to be respected, but why does that make people feel comfortable acting like he doesn't deserve it? Someone not caring about being treated well doesn't give you permission to treat them poorly. This feels like a playschool-level consent lesson: just because he's not saying no to a humiliating or degrading act doesn't mean it's a yes and therefore okay to do. Acknowledging this is the bare minimum of treating him as a person.

[tofixtheshadows]

Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are

Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.

So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.

I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.

Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.

And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).

The misdirection here is more about structure than about character (but also, yeah- a little about character).

What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.

And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.

Maybe that's why Ryoko Kui gave her white wings.

It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.

I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.

Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.

If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.

Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.

The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?

And she tries again in bed.

Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.

With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.

Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.

And I love that she carries a little bit of that with her when she's resurrected again.

Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.

[busket]

I understand personal preference and that some people just don't like ships with men, and that's ok! but I'm annoyed at the implication from some fans that labru has less depth as a relationship than farcille or any other wlw ship in dungeon meshi, and the idea that people are only shipping it as a joke, or because they're horny, or because they're misogynistic and don't want to look at female characters, etc etc. I've seen people call it like, "bloodlust obsession that turns to horniness" and it made me realize that the people who don't ship labru don't understand their dynamic at all. labru shippers didn't just pull this out of our asses lol

a lot of the story around kabru involves how he and laios are perfect opposites of eachother. NARRATIVE FOILS, if you will. everywhere kabru thrives (social interaction, charisma, the surface) laios completely fails. and everywhere that laios is most successful (in the dungeon against monsters) kabru keeps getting killed. not only that but their desires are mirrors of each other too: laios grew up bullied by humans and wanted to become a monster, kabru grew up dehumanized by his villagers and then the elves, so he wants to affirm his identity as a human being.

despite how kabru should be repulsed by laios due to his hatred of monsters, he's drawn to him instead. kabru spends the entire story trying to get to laios to talk to him and to get to know him. firstly he knows laios is closest to defeating the dungeon lord and needs to sus out if he's a good person, but he admits that he really wants to be friends with laios too, not just to determine his virtue but to see what value laios sees in monsters. he wants laios to share his interest in people, he wants laios to be interested in him back. kabru never had any true bloodlust or desire to kill laios, he was prepared to go that far if laios wasn't a good person, but once finding out that he has good intentions kabru spends all his energy trying to help laios instead. and when you consider that kabru spent his childhood believing he was half monster because of how he was ostracized in utaya, his curiosity about how laios could possibly love monsters feels so much more personal.

and for laios, he's not used to anyone taking an interest in him. people are constantly telling him he's weird, and the person he believed to be his best friend told him he couldn't stand him. he misses falin so dearly because she thinks he's the coolest man on earth, so meeting someone and being told "I hate monsters but I still want to know YOU" would have an impact on him, I think. in postcanon they become good friends, kabru becomes laios' right hand man to help him with more of the dicey social aspects of being a leader. laios asks him to stay by his side and help him, and kabru says "yeah, that's what I've been doing this whole time"

I wouldn't claim that a romantic relationship between them is CANON, but I wouldn't even say that about farcille either tbh (and I love farcille just as much so don't come for me lol) this isn't a comedy crackship that yaoi fans just made up. laios and kabru are really multi dimensional characters and they're made to reflect eachother in every way, even down to their physical design. so it's not out of nowhere that people ship them

[loriache]

World Map Notes: the Elven Northern & Southern Central Continents

These nations are where all the elves in the story except Marcille and Thistle are from. This post collects all the information I could find about these two nations, and included a bit of analysis based on that information.

TL;DR (includes both fact and my speculation):

The Northern Central Continent is a feudal monarchy with a strong class system, as well as strict borders, & could probably be considered an ethnostate. It's deeply hierarchical, and the queen is a traditionalist - so it's probably very structurally biased against non-elves and half-elves.

Elves in the NCC practice cannibalism in some rural areas!

The Southern Central Continent is more diverse, with a large tallman population on its South Coast.

To elves, "Court Magicians" exclusively refer to those serving the elven queen - a prestigious role that seems likely to be only open to nobles.

The SCC may not be a monarchy, though it's not clear what kind of leadership or societal structure it does have.

The NCC will habitually take anyone involved in ancient magic as a criminal to prosecute on their terms, regardless of jurisdiction, but this depends on their political influence and ability to pressure local leaders to agree to extradite the criminal.

Elves VS Dwarves and Gnomes may have been at war around the time of the Golden Kingdom being sealed. This conflict also may be one of the factors pushing the kingdom to be sealed in the first place.

The "Central Region" might be the origin of the "Common Tongue" that our characters speak.

Northern Central Continent

The Adventurer's Bible | p. 132

For this place to have a high quality of life, and also a declining population - especially when it's so close to the Western Continent, which is stated to have poor quality of life - there must be strictly maintained borders and a strong anti-immigration policy. Based on the attitude of the elves, I wouldn't be surprised if it was very difficult to move there unless you are also an elf.

It could probably be considered an ethnostate - and while in these kinds of fantasy worlds, that's pretty common. Take Rivendell, or Moria, in LOTR - they take for granted that these kinds of different fantasy races will live in separate communities.

But that isn't actually realistic, and I think Kui has considered it as more of a politically established status quo rather than an obvious natural result of having magically distinct "races". Which, even in Dunmeshi, I think is a difficult and not-terribly-accurate way to represent politics - racism does not emerge from actual, physical differences between races, after all.

But Dunmeshi's presentation of this idea is interesting, because of the recognition that if there is an "elven nation" which prioritises the interests and rights of elves over other races, that is because there's a deliberate, concerted effort to keep it that way.

But there's a small section of the NCC with a high tallman population - I wonder what kind of community they have, and how they fit into the strict elven hierarchy?

The Adventurer's Bible | pp. 134 & 136

Kabru and Rin, and other kids like them, who are adopted or taken as adopted children(rarely - the way Milsiril treats Kabru is not perfect, but she's deliberately attempting to be better than other elves.... meaning other elves are usually worse)/pets/objects by elven nobles, as well as accomplished or notable individuals who earn the elves' favour/are "invited" to stay (such as they try with Laios at the end of the story) would be an exception.

Other long-lived races could probably (...?) visit, but given the historical conflict between elves, dwarves, and gnomes, I think they'd also be pretty hostile to many of them coming to live on the NCC, even if they see them as more like equals.

Social Structure & Nobility

The Northern Central Continent is an absolute monarchy under a 372 year old queen, Heimeya (IDK what the official romanisation of her name will be).

...With extended "nobility", which are the group that the canaries' guards draw from. We don't get much clarification of what sort of structure their nobility has, what titles there are, and where our characters who are nobles fall into it.

Pattadol (House of Vari), Mithrun (House of Kerensil), and Milsiril (House of Tol) are nobles.

Mithrun's noble house, Kerensil, is apparently a well-known family of investors! I wonder what sorts of businesses they invest in & what the elven economy is like?

Milsiril's house, on the other hand, is a well-known military family. I wonder if Kabru could claim the surname "of the House of Tol". He did go to family gatherings after all. But if he was comfortable doing so and it would be accepted, I would assume he'd have done so when introducing himself to the canaries.

Flamela is a distant relative of the queen, who has additional status due to exhibiting the genetic trait associated with their queens, extremely dark skin.

The queen is a "staunch traditionalist" who wouldn't even acknowledge a half-elf like Marcille. Nice! I really feel bad for Kabru and Rin growing up as tallmen in this sort of culture.

Court Magicians

While generally this is a term for any magic user who serves in a royal court, in the Northern Central Continent it seems to carry a lot of esteem; even just as the daughter of one, Pattadol assumes Marcille has the right to boss her around and to handle highly secret, highly illegal ancient magic secrets.

That makes sense, as in the society of the Northern Central Continent, you'd be directly serving the elven queen. But also, she has enough Court Magicians that Pattadol would not expect to know Marcille's mother's name, but few enough that it would be a big deal and Cithis would know about it if one had a half-elf child.

I don't think it's remotely unlikely based on that to assume that this role is only available to nobles.

A "Court Magician" who doesn't serve the NCC Queen isn't a "real" Court Magician in the eyes of NCC elves. Those short-lived monarchs would be happy just to have an elf around regardless of whether they were actually any good at magic.... according to Cithis.

Magic seems very important to the society of the NCC elves. The queen communicates with her subordinates via familar, and the birds we see surrounding her seem like they are some kind of magic - perhaps not familiars since we see her familiar, but some other kind of scrying?

Also, based on the fact Pattadol assumes a Court Magician would be serving the Queen of the NCC, we can theorise that perhaps whatever structure the SCC has, it isn't a monarchy....? Heimeya is "the queen of the elves", after all - that doesn't sound like there's another elven monarch competing for the title just next door.

Ordinary People

Apparently the NCC is a safe place and life is easy -- but given the strict class system, I kind of expect that varies a lot depending on the family you're born into.

The only elves we meet who are not nobles are the convicted criminal canaries, so it's hard to get a sense of what life is like for them from that. Cithis was apparently a wealthy fortune teller with "an intense jealousy for those born noble or wealthy." So I assume she was not born into comfort.

Apparently "There are also primitive villages deep in the woods and underground, and in some regions cannibalism is still practiced." Which is awesome. Based on her videogame elves art I think Kui's probably making a little nod to Divinity: Original Sin elves, who can absorb memories through eating the flesh of others. Elves in dungeon meshi don't have this trait, but I wonder if there is a magical ritual or some kind of cultural practice with a similar intention.

Cuisine

Marcille's mother didn't think much of the elven cuisine.

Liricmumwarel is fancy candy given out by the elven queen the shape of which conveys blessings.

Elf Cake is a crumbly dry cake that Kabru and Thistle don't think much of. I've heard someone discuss what it's likely to be made of, but I am afraid I don't recall.

Southern Central Continent

The Adventurer's Bible | p. 132

It seems like the Southern Central Continent gets a lot more immigration and has a more diverse population, especially along the south coast (near the Western Continent). That south coast has a high tallman population.

Fleki and Lycion are from the Southern Central Continent. Fleki got into ancient magic for the money, so you can assume there's probably class disparity there too; things are noted by Kui to be more "disorganised" than the NCC. Not a bad thing at all - the NCC is definitely too "organised" in my books. But that does potentially also mean there's less, e.g., bureaucracy, central organisation, less of a social safety net. But then again, in the NCC I doubt that whatever "safety net" there is, is available to everyone.

We can't extrapolate much from Fleki & Lycion's personalities, because they clearly aren't in the most stable societal position, and I get the sense that they're the countercultural type - they probably don't represent the type of person typical to the SCC. Also, our NCC characters are all either nobles or used to navigating high society (Cithis, Kabru to an extent) so they aren't exactly a typical "ordinary NCC person" as a basis for comparison either. However, there's less of a "strict set of social rules" type of feel to the SCC characters, fitting with my suggestion that the SCC may not be a society with a strong feudal element.

Geopolitics & Conflict

The fact that, despite their being from the SCC, Fleki and Lycion are in the Canaries, who work directly under the NCC's Queen, implies that the the NCC feel entitled to process and prosecute people who commit ancient magic-related crimes regardless of any notion of "jurisdiction". This is backed up by the way that they were going to take Marcille - but that is something that the governor of the Island had to give permission for, which Laios is able to withdraw. So I assume that the NCC elves apply pressure on various world leaders to extradite criminals involved in ancient magic.

The SCC would cooperate with this, since they're allies, even if they don't have a great relationship (according to the World Guide).

The NCC are also clearly able to take half-foots without trouble, as we see by Chilchuck saying he's known half-foots who got involved with "black magic" (ancient magic) and were disappeared by the elves. But I doubt gnomes or dwarves are giving people up easily - though that probably doesn't go for dwarves like Senshi and Namari, without strong community ties.

Long before the current times, elves fought dwarves & gnomes. There might have been more than one of these conflicts...? While long ago, this war isn't "ancient" (like the ancients who sealed the demon into dungeons, before their world was mostly destroyed by it).

Thistle, Delgal, and the Golden Kingdom were (I believe) caught up in one of these conflicts, which used Melini as a staging ground - thus why Thistle was pushed to seal the entire kingdom in the dungeon.

To do this, Thistle unseals a dungeon created by the "ancient people". These could be the "ancients" who created the dungeons, before the apocalypse. Or they could be another, still extinct, society.

Regardless, at least one of these conflicts seems to have taken place after the golden kingdom was sealed - so, within the last 1000 years.

Though, this could refer to a different, more localised conflict between the Golden Kingdom and their dwarven neighbours.

The order of events is that the Golden Kingdom was sealed (1000 years ago or so) > Dwarves took over > Elves stole the land from the Dwarves ("long ago" by the Island Lord, a tallman's, standards) > Elves gave the land to a local lord, who was either an ancestor of the Island Lord, or the Island Lord himself. The Island Lord is himself a descendant of the lord who poisoned Delgal's father, as is noted in the World Guide. However, it isn't impossible for there to be large gaps of time between these events, which could put the elf / dwarf wars at a more recent date.

The fact we know that the elves stole the land from the dwarves, and then granted it to a political actor who was relevant during the events of the Golden Kingdom flashbacks we see suggests to me that the events were roughly contemporaneous. If they were, that puts at least one of these conflicts at roughly 1000 years ago.

So, the elf/dwarf & gnome conflict is "long ago" by short-lived standards, but would be considered "modern" by the long-lived races, if you ask me. At least, the equivalent of the World Wars for us - recent history, even if we weren't alive.

I'm guessing the "Elf King" from the below panel in fact was a word that's more gender-neutral in Japanese, since the "Western Elves" definitely have a queen.

Language

When Kabru says the "Central region" I expect he means the region where the NCC and SCC is.

The fact that he observes that the lack of any accent means he's from the Central Region is really interesting. It could mean two things;

either they switched to speaking in the language spoken on those continents, which Kabru would naturally know, having grown up there. It's 100 percent possible, but I think this would be noted in the story.

or, the language that gets called "the common tongue", the one that all our principle characters speak for most of the story, originated from the elves in the Central Continent. Or at least it's the same one that the elves use, and their political influence is great enough that their accent gets to be considered not an accent at all. The fact they were "granting" land in this area to tall-man lords suggests a large enough historical influence in the area that this is quite plausible to me.

Mithrun absolutely does have an accent - nobody speaks without an accent. His accent is just politically and socioculturally normalised to the point of being considered the "default/proper" way to speak - like received pronounciation in English.

The common tongue isn't ubiquitous everywhere - not just Kuro, but Kiki and Kaka are also noted to be studying the common tongue. The Tansus were born on the Eastern Continent, so probably gnome communities there speak their own language - Kiki and Kaka grew up primarily surrounded by gnomes after all.

It's also quite likely that Kabru, specifically, because of where he grew up, would consider Mithrun's way of talking to be the default "not an accent" accent. His adoptive mother surely has the same upper-class NCC accent. I expect that other characters might experience it as more "marked".

This isn't a world where everyone speaks the same language everywhere; the common tongue is called that, but there are many different languages. Kabru and Chilchuck are two characters who are adept with many of them - Kabru speaks the language of the kobold, and probably lots more. Chilchuck works as an interpreter as part of his union stuff - I can tell you from experience that that's a hugely valuable skillset in that context, as many of the people who most need union representation are people who don't speak the dominant language, or at least not fluently.

If you got all the way to the end of this post.... thank you for reading, I love you. Check out my other World Map Notes under that tag on my blog; I've made a few so far and there will almost certainly be more. Next I'm thinking the dwarven nations...? But I could be persuaded if someone had a preference.

Also, anyone got any speculation on what, exactly, is the previous time that Heimeya ate a person/monster/chimera that this panel implies:

We really don't have anything to go on whatsoever, but I think it's a fun tidbit.

[dunmeshistash]

What do you think about Shuro? And more specifically his relationship with Laios, and idk if you talk about ships but what are your thoughts on laishuro

I have this headcannon that Laios has some sort of unrequited crush on Shuro just because it's sorta funny

I ship pretty much everything. Like, as default I think everyone should kiss everyone 👍

If I'm honest I'm not much of a Shuro fan, he's a little boring to me and reactions to the chimera episode made me dislike him a bit lmao.

Ignoring the fandom I like him as a character and I LOVE his fight with Laios. Shuro's relationship to Laios is my favorite part of that character so laishuro pretty much saves him for me.

In universe Shuro is said to be quite the introvert even for people from his country. He's not the standard for someone from the eastern archipelago and it bothered me a bit when people used that to justify how he wasn't honest to Laios. I understand the idea that he comes from somewhere where reading social cues is not only expected but required but he's also someone who avoids confrontation and is quiet/shy in general.

Here's a bit from Maizuru's description from the adventurer's bible

"People tend to describe Shuro as "drab" and "shy" (...)" so specifically HE IS the exact type of person who would cause the biggest misunderstanding with Laios, just compare him to how his retainers or even his father and brothers act.

It took them saying they used ancient magic on Falin/seeing chimera Falin for him to finally snap, everything else he decided to just take it cause he thought it was better to take it than to confront Laios directly.

So besides the cultural differences you have to take into consideration this was pretty much the perfect storm brewing for that confrontation, and it's as much who Shuro is as a person and who Laios is as person that caused it.

I also disagree that the fight was a "they're both in the wrong" situation. Don't get me wrong, Laios was VERY culturally insensitive to Shuro and even more insensitive to his feelings, but there was nothing he could have done differently with the information that was available to him.

Specifically I see this comic being used to justify how Laios was to blame too, making Shuro into the victim

Like that's a major white guy move but he DIDN'T HEAR Shuro's name and Shuro never corrected him. I'd understand it if his reaction was "Your name is too complicated so I'll call you Shuro instead" that would be a major dick move, but Laios did not hear his name because Toshiro mumbled it, and for someone that forgot Kabru's name several times I imagine he made an effort to remember Shuro's.

Laios never met someone from the eastern archipelago before this, nobody ever explained to him he wasn't acting in an appropriate manner and most of all he thought they were friends. He trusted Shuro to set boundaries for him, he always respects boundaries that are set even when he doesn't fully understand them (Recalling the "I forgot about feelings.." when Chilchuck says it feels wrong to eat merman)

Instead of explaining ANYTHING to Laios, Shuro instead held it all in until it exploded all at once, he blamed Laios for not knowing something he couldn't know, and accused him of not being serious about saving his own sister.

Just imagine how this must have felt for Laios, everyone is always underestimating how serious he is, everyone accuses him of being stupid, clueless, and now this guy is telling him he isn't serious about saving the person he loves the most in the world and wants to protect always. To me this wasn't a "they're both in the wrong" situation, Shuro is far more in the wrong than Laios. But that's just how I see it.

That all being said, they understood each other finally and made peace after that fight.

And several times after this we see that Shuro really cares for Laios, and Laios still wants to be his friend. He even offered to save Laios if he fails (and he's sure he's gonna fail). So their relationship is dear to me, especially cause after this they finally have the foundation for a true mutual friendship <3

I think my dislike of Shuro comes from relating to him to be honest, it happens often that I see my own failures on a character and get angry at them for being angry at myself lmao. I also got a little annoyed cause I only saw people defending him, apparently those were made as a response to hate he had gotten? But since I never actually seen the hate it just felt annoying to see Shuro being white knighted.

Anyway I love the two of them together and I'm really happy they finally understood each other better. laishuro might be my favorite Laios ship, one sided crushes are great.

[nhuquyen]

This scene suffered from the pace being rushed which makes it hard to understand what Kabru is going on about if you didn't piece together the story through his POV. This is unfortunate cuz this moment is so realistically messy yet is the satisfying moment when the leading and supporting characters finally come into an understanding.

Kabru's antagonism makes perfect sense only if the readers remove themselves from their favoritism to Laios.

I see some confusion over why he thinks Laios is an enemy of humanity. Firstly, Laios thinks the things that killed all of his family and community are cool. This alone to me is at least sympathetic enough to see why he harbors subconscious prejudice against Laios. It doesn't make him right, but it's logical enough.

Secondly, yeah he's in over his head with his own judgment and thinks too highly of his own motive*. Thirdly, he's bit of a dick to Laios I won't even lie here (I do blame stress for the punch) . But like everyone except Falin is a fucking dick to Laios when you think about it.

And to be completely fair, ever since he knew of Laios' interest till even here still Kabru's been flip-flopping between "This man might save us all" and "He would choose monsters over humanity, we are doomed if he got the power which he is very close to getting rn, let kill him". It's not like he went 100% antagonistic.

This is getting long so,,,My breakdown of Kabru's pov, which explains his actions regarding Laios, under the readmore.

Let see thru Kabru's pov in chronological order:

Taking it from the start, Kabru has a bit of a savior complex no doubt stems from his survival guilt. Being the sole survivor of a massacre by monsters it's understandable he feel that it's his duty to find out why it happened and prevent it from happening again. We saw him and his crew talking shit about how good he is at reading people, and he totally gonna topple the greedy governor and save this place. Then they continuously got their asses handed to them by monsters cuz while Kabru read people well, he can't handle monsters. So yeah he admitted deep down he's not making it to the deep.

So now Kabru wants to find someone he can trust to save the island. He got his eyes on Laios bc he can't read him. Laios is a damn good dungeon explorer and isn't motivated by greed while almost everyone is, so what gives?

Here we see Kabru reveals he had failed to get Laios attention while trying to get to know his mysterious party. This is my interpretation only but he was definitely pissed about it too. Kabru is a bit over his head about his own charm so Laios ignoring him probably stunk.

Even after knowing Laios' special interest he was like "huh so that's how he is" until the matter of dungeon master's power come up and it occurred to him "wait would this guy who loves monsters use the power to make the dungeon full of powerful monsters that will destroy people?" He definitely did not decide Laios was humanity emeny right there, it's a possibility. As much as Laios pulling through and save the island from becoming another Utaya tragedy is a possibility.

Here, we see him desperately clinging to the former possibility until the latter took over "It's too late to get through to him i have to kill him." But did it take over? In that panic, his true feeling comes out. He still wants to understand Laios as a person, he still wants to believe in Laios after all.

Wgile it's easy to get pissed at Kabru just as we did the the Shuro/Toshiro vs Laios fight scene. Fellow autistics know how much it fucking hurt to get your social ineptitude get dragged out like that. I do think Kabru's rant here is good for Laios. This is the first time somebody has admitted to want to get to know why he like monsters despite them hating the creatures. It's not the solidarity like what he and his sister has, but it's not total rejection. Again, his own party members who care about him want nothing to do with his interest (minus Senshi)

Tldr: Kabru's alright and his actions make complete sense even if it's flawed

[littlelightfish]

Prince Holm voices rating

[This is based on how much I feel the voices matches his character, I have no idea of how does this languages work]

Japaneese: 8/10, I like it, but it could be better. The emotions are on point, but his voice isn't his.

Spanish: 10/10. Relaxed, mature, very Holm. When he is supposed to panic, he gets annoyed/upset with Kabru, but it works well (he doesn't want to put his undine in danger).

Latin American Spanish: 6/10, sounds too "teen". I can't explain it. Somehow he sounds like he's being sarcastic all the time when he's not that kind of character. And also sounds younger. Somehow.

English: 8/10. Relaxed, wise, but not Holm enough for me.

French: 7/10. The voice sounds like he's lacking of the emotion he's showing sometimes to me. He needs to relax a bit, why he talks so fast, is it all french?

Italian: 6/10 HE SOUNDS LIKE A CHILD. He's got all of Holm right but WHY LIKE A KID.

Hindi: 10/10. Idk I loved it. He sounds like him. Perfect. He sounds the right age, calm, and when he panics he sounds like he's about to cry and I love him.

Brazilian Portuguesse: 7/10. Not old enough to me. Too energetic maybe? Possibly a language thing but idk.

Indonesian: 5/10. Sounds like a babygirl. I mean... he is, but... Sounds wrong to me.

German: 9/10. Hard time with this one. His voice doesn't match his face, but the spirit is there. Also, too young.

Thai: 10/10. I loved. He sounds just right.

Arab: 9/10. This was a close 10 but he lacks of emotion on the panic scene so...

[nosferalto]

Kabru intriques me so much because it's not often I see characters who make the sort of judgements he does and are straight up wrong. Usually, when a character is that distrustful of another, it's either to make the audience suspect something's up (potentially as a red herring) or it's setting up a later reveal in which they were right all along. In Kabru's case, though, the audience knows that he's mistaken about Laios from the beginning. We know Laios isn't some 5D chess mastermind, but Kabru thinking he is and treating him as such is not only an extremely hilarious recurring bit, but also a great narrative device

Because Kabru's judgement of Laios and his party makes near perfect sense; he's wrong, but it's not hard to understand how he and others arrived at that conclusion. Kabru's perspective grounds the audience and reminds them of how bizarre Laios' party's actions are when viewed from the outside

There's also something to be said about Kabru as a character getting so caught up in his ideas about how the world works that he can't comprehend when someone isn't playing by his rules. He dedicates so much time to mind games that he doesn't even notice there's no player 2. Laios has been out in the yard digging for worms this entire time blissfully unaware of the psychological torment he's subjecting Kabru to

[possamble]

Do you have any songs you associate with the group and or a particular DunMeshi character? I have a few I associate with Laios and Kabru (mostly Hozier tbh) but been having a harder time for Falin, Marcille, and even Thistle.

the way this launched me into a day long project of making playlists lmfao

This one I haven't curated super well, but I think i put it in a general progression that makes sense. Unfortunately I have a very small range of music that I listen to so Falin just turned into my millionth Sara Bareilles/Ingrid Michaelson themed girlie LMAO

Highlights on this playlist for me:

"Let the Rain" is just an entire mood for post-canon Falin I think. the line that hits the hardest about her for me is "and I always felt it before, that the world was filled with much more than the drowning soul I've learned to be."

"Twenty-three" i know i know i know it's kpop and no one's gonna get the lyrics but I couldn't not put it on the list. it's literally about being 23 and not knowing what kind of "woman" you want to become and still feeling like you want to be a kid a little bit and wanting to be understood but knowing that you don't even understand yourself and feeling like you're running out of time because you're firmly in your 20's now

"Secrets" i know is incredibly personal to Mary Lambert but most of the lyrics really fit and that like... intensely joyful self expression is just so delightful and lovely and what i want for Falin in the post-canon.

"I Am Here" to me, is just the ultimate celebration of being alive, of being joyful and grateful and happy that you're a messy animal that can laugh and hurt. I think Falin would cherish being half-monster, the fact that it gave her a second chance at choosing to be alive rather than sacrificing herself for others and letting that be her entire story, and the freedom it gives her to keep living.

you have to promise not to judge me on this one. you have to. yes i went ahead and curated an entire playlist that has okay-ish transitions/flow between songs and thematically follows Marcille's journey through the story. i also put a bit of kpop on it but it FITS okay she's a girly girl!!!!

It's rough. it's really really rough right now and i'll probably come back to it but the concrete songs i was trying to build around are like...

"What is Love?" it's literally just a girly girl song about wondering what love might feel like. complete with daydreaming about romantic stories and hoping all that wonderfulness will happen to you.

"Men of Snow" okay i know it's Ingrid Michaelson again but hear me out. this song is so fucking heartbreaking. it can be taken in different ways but if you put in Marcille's context it's gutting. it's a song about mortality and the impermanence of everything set to an almost cutesy waltz-beat piano accompaniment.

"Que Sera, Sera" self-explanatory, I think. im lucky this cover is on spotify because it's such a perfect song for encapsulating the entire sequence where Marcille decides to become the dungeon lord. (the second iteration at the end of the playlist is happier, taking the happy and calm interpretation of "what will be, will be", and also includes the second verse about a "sweetheart")

"What Sarah Said" it's a song about being in the ICU waiting for news about a loved one while suddenly realizing that there's nothing you can do. i think almost every line in this song guts me about Marcille, picturing her waiting for Falin to wake up the second time. (it's also my very pretentious attempt at tying the playlist together by answering the earlier question. What is love? "Love is watching someone die.")

"The Last Snowfall" is just. Vienna Teng has been my favourite artist since I was fifteen and part of it is that she has this incredibly beautiful way of leaving lyrics impactful but ambiguous. This song isn't about being afraid of losing someone but miraculously getting a happy ending, it's just an exploration of that fear with a "what if" built in, and I just think it's such a good way of capturing how Marcille was prepared to lose Falin and that was so important, almost even more important than the fact that it ended up being a happy ending anyway. also I wish i could have put in the live version because it's insane

For Thistle the only recommendation I have is Bird Song by Florence and the Machine it's wonderfully eerie, i literally think it's the best musical depiction of that specific kind of guilty murderer anxiety of "the telltale heart" from edgar allan poe

[saccharineomens]

Thistle and Kabru!

Thistle - what message of the series resonated with you the most?

Hmmm. Well, the part of the series that I already ascribed to and was just delighted to see in a story was the stuff about the ecosystem — specifically in the Kraken chapter where Senshi said he was arrogant to assume he could solely be a caretaker of the ecosystem, because he was already PART of the ecosystem. When Laios mentioned how now that the (overly dominant) Kraken was killed, the rest of the fourth floor’s ecosystem could re-balance itself? Chef’s kiss. It even brings up some sinister realizations about how humans are, ultimately, apex predators — even moreso than the most terrifying monster out there. There are times when humans will be defeated by other monsters, but ultimately, it is only a matter of resources, collaboration, and time for humans to wipe out an ecosystem.

But how can I neglect to mention one of my favorite sequences (MAJOR SPOILERS FOR ANIME-ONLIES) — the part where Laios was already starting down his path of understanding that he can’t force his perfect world on other people. It started with the Golden Kingdom, and how they told him immortality became a curse. It led to his confrontation with Thistle, where Thistle tied him up and force-fed him — why would he complain, his needs were being taken care of! Then when he fought his way to Marcille in the tower — arguing with her that she wouldn’t truly want a world where everyone felt the same way as her. I felt like that point was where Marcille and Laios truly connected, and Marcille realized that she loved him and her friends exactly as imperfect as they were, and no longer wanted to destroy the world for her idea of perfection. It was a really touching moment.

Kabru - which character do you find most interesting, and why?

Laios! I love him, but I also didn’t fully understand him at times. There were a lot of things about him I found relatable. Struggling to make friends, feeling like the interests you were excited about made other people uncomfortable, so you hide who you are deep deep down out of fear of losing your friends. I didn’t relate to his desire to become something else, but I did relate to his desire to escape, to not have to deal with the complexities of being human. I’ve often looked at my cat and wished I could be a cat like him: pampered, unconditionally loved, no student debts or taxes or career, with all his needs taken care of. But it’s not a true, permanent desire I feel, like the kind Laios feels; for me, it’s just an escapist fantasy.

I wish I was friends with him, so I could show him how cool humans are. He thinks they’re bland, but I think he’d really benefit from some anthropology. Get Namari in here to wax poetic about his height XD

Send me a character from Dungeon Meshi!

[grabowskibeepboop]

So, I'm an anime watcher, not a manga reader, blame it on proctrastination but I wanna talk about dungeon meshi so I will, even if I haven't read the manga, so my thoughts so far

Halflings are fake ass bitches, which is not a bad thing, but they will talk shit about each other behind their backs, but when everyone's in danger they will prioritize their own safety along with other halflings in the party, I know that's what we've seen already but I think it's just a trait they all share, exept if they're under different circumstances like one of them has a kobold companion (which btw I don't know where kobolds being furries came from, as far as I know kobolds look like goblins and such, but sure, I like furries so go ahead)

Laios is gay and it's heavily hinted at, okay maybe not that heavily but I'm 1000% sure it's hinted at, I mean who else would hear "there's a naked guy dancing in that painting" and say it's the perfect painting to jump into, and even if you think that's a coincidence and he was just hungry, not being affected by sirens' song and even knowing how to make it uneffective for your party members is pretty gay imo, and maybe it's not a specifically gay trait, but not being able to pick up on when other people flirt with each other or even you is just something I really love about him and I really want to say it's a queer trait, so manga readers, don't spoil me, but can you back me up on this? Or maybe debunk me, I don't know

It's not that hinted at, but I think that even if she's not in love with Falin, whatsherface is gay at the very least, with Falin being her awakening, but even if she's somehow not, Laios is and they're best friends, I'm not taking any votes

Whatshisface, the one with the chimmunk name, sorry I always forget complicated names, but if he's gonna end up with a woman, he needs a dommy mommy, I'm also not taking any votes on this

Personal headcanon because I think this would make for a great gig is that Senshi and I'm sorry if I misspelled it is still older than the rest (as in, I think whatsherface is above 100 or at least close to it, but I think converted into human [or species that live as long as humans] years she's around her early 20s because she's still pretty immature), but as far as I've learned from other media I'd assume that dwaves live around as long as elves, or at least they measure in hundreds, so I want to say he's still older than the rest, but he's a pretty young dwarf, I'd say he's around his 80s or something, but converted into human [...] years he's around his mid 30s or 40s

I wanna say this, not proud of it but at first I thought whatshis-pony-tail's new party consisted of his wives, but it's not so I was wrong, just saying this as a "fun" fact

I love myself a gossip king, I live for the drama too

Honestly wanna say that if I lived in a world where there were monsters I would've assumed that adventurers eat them on the daily, like that's what I would've done, why should I waste all that flesh and ingredients? Like I think video games already let you eat moster flesh do they not? Minecraft does, it is poisonous but still, I wouldn't be hesitant to eat them just because they're monsters, maybe I would be disgusted sometimes, but if I defeated a giant half chicken half snake monster I would be eating chicken for days (if I had the equipment to keep it edible), maybe even the snake part if I didn't feel so picky

The fact that they can make dungeons and they even study it and one of the characters wants to make one is genius imo

Edit with further thoughts:

(I just watched ep.19 so this is newer than the rest) Laios is a furry confirmed?

What if, if the dungeon cleaners get trappet for a long enough time in a different system they become part of that system, so they can be used as replacement for lost blood? (And no I didn't think of this while daydreaming about Kabru reuniting with injured Laios what are you talking about?)

So what if Kabru kissing whatsherface was just them showing that he's not hesitant to use tactical flirting?

So what if Laios has night terrors because of seeing the dead?

So what if I write labru fanfiction in my head even though I don't know anything about them?

So is Kabru just a people pleaser or is he manipulative?

Being a tumblr user makes me ship things in before I even know what they are

Imagine being a furry in a world where you could've actually been born as a dog person

But on the other hand you have a magic bestie who can turn you into a dog so

What am I on?

Edit again

Yooo what it there was an anti-nightmare, that gives you the best dream of your life that can't and don't want to wake up from while it eats your body slowly?

And what if one anti-nightmare can target multiple people, but that way they will both dream the same thing, so it's risky for the anti-nightmare

But it's also a good observer, so it can tell who would work well with who in a dream

They're usually in packs of 2 or 3, but it's not a rare sight that you'll find just one of them

They're in the same family but look different from nighmares

Omg I'm at it again

[llycaons]

dungeon meshi for the ask game?

yayyy!!! answering for the manga

My rating (1-10): 9/10!!! technically perfect, but there are some plotlines and characters I don't care as much about

My favourite character: marcille but kabru and farlyn are CLOSE seconds

My least favourite character: that old bitch mr. tansu....

The character I think I'd be friends with: farlyn <3 and laios. senshi too. a lot of the main cast is super friendly

The character I think I won't hit off with: ummm probably kabru bc I have fewer principles than him and I could NOT keep with w his 4D chess

My favourite episode/scene: it's so cute how this ask game is in british. and there are SO many great scenes - the madrake plotline where marcille did something to prove she was The Best and it resulted in a tastier meal...the ressurection...farlyn's first fight....when marcille became a statue...bicorn drama...the very last chapter with farlyn's soul dragon...every time kabru wishes to murder laius wth a smile plastered to his face...I haven't reread in a while but UGH. OH WAIT I KNOW. THE MULTI-DRAGON FIGHT CHAPTER MY FAVORITE PART OF THE WHOLE MANGA PERCHANCE!!!!

Whose clothing style I like best: all of the fat dwarves with the cute dresses...I always think I'd love to dress like that and be so cute but I'm actually incapable of wearing anything but pants

Times I watched it (and if I would again): read it only once, but I definitely want to reread it once this anime season is over

thanks :)

[starlight-time-machine]

Week in Review

04/21/2024 – 04/27/2024

Sunday

Week 11 of missing Cipher Academy

Girl Meets Rock good. Seems like the dynamics of the social web are about to shift again, with a rift growing between Takami and Ayame…

Undead Unluck super good…Feng getting stronger is a little scary, because if he ever manages to defeat Fuuko I fear that he’ll want to destroy everything in his pursuit of strength again…but also I want to believe in the connections he’s built with others in this loop…Ichico turning the previous loop’s tragedy on its head to change Nico’s version of Unforgettable is an amazing moment, though I can’t help but feel really sad for Nico regardless…Unforgettable is such a mind crushing ability even without the wife death thing, and I guess the implication here is that he held onto his sanity because of Ichico’s confession but I hope there’s some way for him to better cope with things in this loop…I’ve been really enjoying the fun and cheerful Nico we’ve been seeing so far, and I’d hate for him to just immediately revert back to his crotchety old man self from the last loop.

Monday

Touched some grass and ate some pizza

Tuesday

It’s time to get through some of these library books, the first being The Diamond Girls by Jacqueline Wilson. It’s one that I distinctly remember reading as a kid, and I think I still quite like it, reading today. It’s definitely my favourite of the three Wilson books I’ve read so far – I like the utter and overwhelming chaos that the story immediately throws us into, and even when it gives us some room for respite with the Mary segments, the nature of her living situation is so terrifying that it’s honestly like a horror movie. Dixie’s voice as a narrator is strong and distinct, and I like that you can still tell that she’s a dreamy little kid being put into these stressful situations. Some of the characterization got a little bit tiring, but I did appreciate Wilson subverting some of it by the end, like with Ryan turning out to be a decent-ish guy (still way too old for Rochelle though) and Jude actually becoming friends with the boys. Bruce was a nice character with a heart of gold, but I thought he got a little too attached to the Diamonds a little too quickly…although I guess if I were in his situation I wouldn’t want to turn a blind eye to them either. But immediately proclaiming that you’d like to be some kid’s uncle and stay in her life even though she’s just the estranged daughter of one of your clients is a little weird… Things got wrapped up a little too quickly too, by the end, but I think that’s Wilson’s trademark – just 95% stress and drama before a perfect happy ending, and I can’t really fault her for that.

Ummm Manga Tuesday I guess, which is just in time for the new Chainsaw Man chapter. As usual, I have no thoughts on it – I feel like I won’t be able to tell what’s going on in Part 2 until it ends and I can reread the whole thing from start to finish. Structurally I think I like Part 1 a lot more…

Dandadan good.

Took a break to watch the latest Game Changer episode while I ate lunch and wow I loved the chaos and the way it somehow accurately simulated people going insane in a time loop. All the bribery was fun, as was the contestants starting to say the scripted lines as they were being said by the other presenters. I also love how this continues to spur on the conspiracy theories that the fandom is cooking, and I really do hope there’s some multi-episode foreshadowed twist by the end.

Magilumiere good! Everything’s really coming together now.

One Piece good…I’m nervous for what’s to come.

Wednesday

Ah

Thursday

Very good episode of DunMesh today (with a side of meatballs). Loved all the action, especially with how brutal it could get due to the rules of the dungeon. Kabru doing all his little machinations in his mind was fun, as was him getting the sneak attack on Falin. The Laios and Shuro confrontation was also interesting and revealing of character, but I feel like everything about DunMesh’s writing has been talked to death already so I don’t want to just repeat what I’ve seen on Twitter. My general DunMesh thoughts are just that Ryoko Kui obviously has the writing chops to construct an absolutely original and airtight story, and it’s just fun to be a part of the ride.

Friday

I’ve been in the mood for some TV, and also wanted to pare down my watchlist a little, so I decided to check out Sharp Objects. I’ve heard good things about it and I like small town mystery stories, so I thought I’d like this one too…but the first episode just annoyed me so much that I dropped it right away and read the series synopsis on Wikipedia lmao. Everything about it was just so…screenwriting 101? In the sense that it was like they were checking off bullet points from a How to Write a Screenplay textbook; the tortured protagonist with substance abuse issues returning to their hometown to literally and figuratively confront their past is already well-trod ground as it is, but then every line of dialogue was so basic and boring and acted with all the enthusiasm of a mannequin going through the motions. At first I was wondering if the stock dialogue was some sort of tool being employed by the writers, like a metatextual façade being purposely put up for the sake of the mystery, but no it’s just how it is and I hate it. And judging by the Wikipedia summary that I read, I definitely would’ve hated watching the story progress and the ending, so I’m glad I can just write this one off.

The next show I tried was This is a Robbery, that Netflix documentary about the Gardner Museum art heist. I only got through half of it today, and it’s pretty…standard, I would say. You’ve got the dramatic graphic design and the million interviews and the goofy ass re-enactments of what happened (I know why documentaries do them but it doesn’t stop them from being silly as hell) – just the basic Netflix hyperproduced documentary flair with a dash of being high on its own supply in terms of drama. I thought I would like this documentary because I somewhat enjoy true crime but not the intrusive “accidentally ruin people’s lives due to media attention” kind, so an art heist felt like a nice middle ground between being interesting but still somewhat low stakes…but so far, it’s been pretty slow-moving and meandering and I wish they’d get to the point already.

Saturday

LMAO okay so the reason why This is a Robbery was so meandering and chasing all these dead ends was because there’s no real ending to this story, and I’m so mad that I wasted four hours of my life on this stupid shit. I guess I should’ve looked it up beforehand but I didn’t want to be spoiled…I kind of assumed that if they were making a whole documentary about it, there was going to be an interesting story or narrative to be told…but no, it was just an overproduced publicity stunt to get more attention on the case… They spent so much time interviewing all these people (LITERALLY WHAT WAS THE POINT OF GETTING A WHOLE EX-IRA GUY JUST TO SAY A FEW LINES AND “YEAH IT WASN’T US” BRO ALLOCATE YOUR RESOURCES BETTER PLEASE) and going into the granular details of the case and possible theories about the suspects and their whole organized crime web and I thought it was all going to tie together somehow or be in service of some grand narrative but no!!! This documentary has zero storytelling weight and really shouldn’t have come into existence. All it did was highlight how dogshit the FBI and the police really are. I just wanted some answers and to see how the heist was actually carried out, but I guess real life is rarely as interesting and narratively satisfying as Ocean’s Eleven. I’m giving this thing a 1/10 for annoying me so much and wasting my goddamn time.

Agh…most of the TV shows I’ve watched recently have been duds… This isn’t helping my irrational fear that I won’t find anything that’ll reach Succession’s heights ever again… Granted, I only finished This is a Robbery because I thought there’d be some sort of payoff by the end, but I need to be more discerning with which recommendations I should actually follow through on in the future.

[monstertidbits]

001 dungeon mesh

Favorite character: its hard to choose but laius and kabru

Least Favorite character: dont really have a character i dislike besides laius' parents and the villagers he grew up with and the boys who bullied him in school and although i understand shuro or sureau or toshiro or whatever to some extent i still dont like him very much. Yes i just listed everyone who hurt laius

5 Favorite ships (canon or non-canon): farlyn/marcille and misurn/kabru+i wish chilchack happiness w his family i love him

Character I find most attractive: kabru!!!! and marcille and laius

Character I would marry: maybe...laius..😳🥺

Character I would be best friends with: marcille i think we have a bit in common and i love her, maybe inutade too she seems super sweet and fun, and farlyn shes great !

a random thought: remember that time chilchack cussed laius out in another language? that was too funny i love chil sm

An unpopular opinion: what unpopular opinion this manga isnt even popular enough for that

My Canon OTP: farlyn and marcille 😌

My Non-canon OTP: misurn and kabru 🤭

Most Badass Character: misurn and marcille!!!!!

Most Epic Villain: thistle? lol but if the winged lion is the true villain here then this guy

Pairing I am not a fan of: laius/marcille and lynn/kabru.......... im sorry

Character I feel the writers screwed up (in one way or another): farlyn. i think she deserves more screentime and i wish we get more parts of her with the main party before the story ends, because im kinda sad we only really know her through their eyes and memories.

Favourite Friendship: main party !!! chilchack, senshi, izutsumi, laius and marcille are all so great i love all their interactions

Character I most identify with: maybe marcille

Character I wish I could be: the first character that comes to my mind is laius, for a very specific reason: he's so unapologetically him. he has his regrets, he doubts himself, and i think part of why we don't see him lash out or break down so much like other characters is because he blames himself for everything and suffers silently. he's not perfect and he doesn't actually think he's right all the time. but it occured to me after reading his fight with sureau that... he didn't apologize for being himself. he didnt apologize for not figuring out how sureau feels, or for being awkward or annoying or whatever the fuck the guy said. at the end of the day this man went after his dreams, found true joy and satisfaction, and during the hardest of times he led his party farther than anyone else dared to go and gave each of them hope. and all that because he chose time and time again to act the way he wants to, the way that feels right for him, because he stopped trying so hard to fit in years ago after he ran away. i sometimes think of how life would be if i could just reinvent myself, and i know that what i truly want is to feel free to be myself without shame or embarrassment. so this part of laius resonates with me and um this got long but i love him so much