birine önemli bi şey söylüyorum ikimizi de ilgilendiren ve bunu unutuyo ve bana tekrar bu konuyla ilgili uzun uzun aciklama yaptiriyo ya kafayi yiyorum zaten tahammülü olmayan bi insanim kim olursa olsun ayni seyi ikinci kez anlatmak beni aşşırı sinirlendiriyo
Assam Downtown University Shines in Successful Film Acting Workshop Featuring Renowned Actor-Director Kankana Chakraborty
In a bustling and insightful affair today, Assam Downtown University took centre stage as it hosted a highly successful workshop on Film Acting, tailored for the inquisitive minds of its gifted student body. Headlined by the accomplished actor and director, Kankana Chakraborty, holder of a master's degree from the esteemed New York Film Academy's Acting Department, the workshop garnered enthusiastic participation from students within the Performing Arts department.
Emphasizing the institution's dedication to a well-rounded artistic education, the workshop saw active engagement from students enrolled in certificate courses focusing on Film Appreciation and Contemporary Acting. This diverse involvement showcased the university's unwavering commitment to providing a comprehensive and immersive learning experience.
Of particular note is Mr. Chakraborty's prior interaction with students in an online session on 'Film Appreciation,' underscoring his commitment to nurturing the cinematic understanding of the upcoming generation.
The event commenced with a gracious welcome from Dr. Lopamudra G. Chakraborty, setting a warm tone for the enlightening sessions that unfolded. Guiding participants through the intricacies of Film Acting was Ms. Pankhi Kashyap, Assistant Professor in the Department of Performing Arts.
Adding a cinematic flair to the workshop, two short films titled ‘Written By’ and ‘Ek Bachchan E Bohu Bachchan’ were screened. Kankana Chakravarty played the lead role in both films, also serving as the writer and director for the former.
Beyond serving as a skill enhancement platform, the workshop underscored the university's commitment to cultivating a vibrant and comprehensive arts education environment for its students, further solidifying its status as a hub of artistic excellence.
... and greetings for the day to for their birthday be :
Birthday - EF Tanek Ghantasala .. Sandeep Rathore .. Premdip Lakhoti ..
Wednesday, 25 October ..
Birthday - EF Kankana Chakraborty .. Deepak Jain .. Atul Kumar Shrivastava ..
Tuesday, 24 October .. and our wishes for a lovely day although it has just passed the hour .. for which I seek apology .. 🙏
There have been several factors that have gone into the delayed process of the last few days when the Blog has been behind time and space ..
Of that much later and hopefully in greater explain or evidence or just .. you know what .. a lenience of understanding and then giving in to the reasons and explains ..
The festive season demands attention not just from the Ef but the domestics also .. and one has to attend to several , including the professional attributes too of our bread and butter ..
A new project has started today , the one with Rajinikant ji .. and getting together on a professional platform, has been coming in years ..
Rajinikant .. ! what can one say about this extraordinary human .. his most down to earth living and nature .. his exceptional talent and his legendary presence among the greats of cinema .. and .. not even going into the stratastrophic popularity that he has enjoyed through decades .. and the love and affection he has had towards my family and me ..
I shall rush to retire , for the morn shall see me in my first scene of this film with him .. so I must prepare and study and learn ..
Wczoraj, po raz pierwszy od ładnych, lub mniej ładnych, kilku lat wypiłam herbatę.
Taką na wyciszenie sobie zaparzyłam. Na uspokojenie. Jakieś osiem minut dyndała torebka w czerwonym kubku.
Było w miarę zacnie. Do czasu.
Zwoje mózgowe mi się rozprostowały, ale później zwinęły jak pet duszony w popielniczce. Następnie delikatnie zaczęły tańczyć kankana.
To dowaliłam pół kubka.
I mnie całą rozprostowało.
Bodźce zewnętrzne na pełną głośność, jadymy z tym koksem!
Hanging coffins in Echo Valley Sagada is a unique and ancient tradition that is observed by the Kankana-ey people of the Cordillera region in the Philippines. The tradition involves suspending coffins made from carved wooden logs on the walls and cliffs of the valley. This practice is believed to have originated from the belief of the Kankana-ey people that the higher the location of the coffin, the closer it is to heaven, and the more the deceased's spirit is respected and honored. Despite the eerie and peculiar sight, many tourists are drawn to Echo Valley Sagada to witness this intriguing traditional practice that has survived for centuries and is still being practiced in the present time. Hanging coffins in Echo valley Sagada is indeed a testament to the rich culture and traditions of the Kankana-ey people of the Philippines.
In Hindi, 'Malti' is the name of a little flower, distinguished by its delicate fragrance.
The film "Malti" opens with a woman in her thirties entering a house. Two framed photographs adorn the walls: one capturing a girl receiving a ring (a marriage proposal), the other depicting her embracing a man (indicative of marriage). Limited information about the woman is provided. She returns home, takes a bath, and searches for clothes in the closet. As she touches a man's robe, her expression reveals a desire not for the fabric but for the man within. The emotion is palpable, deepened by a melodic accompaniment. It becomes apparent that the robe belongs to her beloved, and through it, she senses his presence. Selecting another robe, she detects a scent, halting her humming; the joyous closeness on her face dissipates, replaced by a pained question mark.
This sets the tone for the film. Mrunal Mestri, the writer-director of the sixteen-minute film 'Malti,' explores the emotions of a newly married woman discovering her husband's proximity to another woman. While such narratives are not novel in cinema, the film's real strength lies in the innovative approach taken by the writers and directors in visual storytelling.
Director Mrunal Mestri
The heroine sings at the film's outset, offering no linguistic cues. Once the humming ceases, the film remains entirely devoid of audible sounds and dialogue—a dialogue-free cinematic experience. The director adeptly compensates for the absence of dialogue by strengthening the visuals to convey the narrative effectively. The primary crisis of the story is introduced within the first two minutes, a testament to the director's skill. By isolating the woman inside the house, the director successfully immerses the audience in the protagonist's emotional turmoil. The actress's gestures convey her anticipation of her husband, evidenced by a smoky candle lit at night. While intimacy is shared in bed, her face betrays no interest, with only the presence of the other woman reflected in her eyes.
The film, presented in black and white, employs shadows and lights aesthetically to complicate scenes. Zhen 'Donny' Li's camera work contributes to the film's allure, with certain long shots effectively expressing the emptiness within the woman's mind. Luis Morales's background music enhances the film's appeal, while Alexa Ruvalcaba's editing skillfully balances the mood and pace of the story.
The director's choice of a talented actress, Kankana Chakraborty, proves pivotal to the film's success. Without any dialogue, Chakraborty eloquently communicates the subtle emotions of disbelief, surprise, distrust, and pain through facial and body expressions. Two standout moments include her poignant reaction while smelling the shirt and her solitary contemplation at the dining table. The actress seamlessly embodies the character, and a lion’s share of this credit is due to the director for this achievement.
The film tackles a complex theme, utilizing all elements of filmmaking proficiently to achieve its intended impact. Maintaining the delicate balance among numerous aspects is challenging, yet director Mrunal Mestri succeeds admirably. Although the name 'Malti' is presumed to refer to the film's heroine, the film itself, devoid of dialogue, refrains from explicitly naming her. After viewing the film, one might ponder the choice of the name Malti. Perhaps, like the flower, the film 'Malti' is diminutive yet leaves an enduring appeal, akin to the fragrance of the flower.
💜🪔 ,
October 24 .. birthday wishes .. birthday wishes .. again and again .. to .. Ef Kankana Chakraborty of the Kolkata and USA of ~ Create ~ .. Ef Deepak Jain .. and Ef Atul Kumar Shrivastava ..
.. and the Ef that got missed .. my affection to you : .. Ef Amrita Singh from New Delhi .. Ef Toto Talaat TB 🍓 .. and Ef Deepak Churiwal ..
“Advanced” wishes of October 25 birthday .. to .. Ef Tanek Ghantasala , Ef Sandeep Rathore from Boston .. and Ef PremDip Lahoti from Muktainagar Jalgaon ..
And one more greeting .. belated though .. to Ef Kiran Khedekar from Pune .. for the birthday on October 13 ..
Love .. 🌼
.. the present day.. did not allow the building on the pot given to us whether they should be kept in the canow or here .. for in either way they were going to scrap it out ..
it is indeed late again , but trust again it has, has not been easy to loose
be well be safe and be in touch ever
Amitabh Bachchan
Birthday - EF Kankana Chakraborty /Deepak Jain/ Atul Kumar ShrivastavaMonday, 24 OctoberAnnually on October 24
Anormallik onda değil anormal olan bunu kamuya açık belirtmiş olman, doğal olan bu süreci illa böyle herkesin okuduğu bir yere yazmana gerek yoktu bence, hadi istedin sevgiline o yoksa en yakın kankana yazaydın bari 😝