#kayce dutton images

[bellarkeselection]

Yellowstone kayce dutton

Reader is trying to sneak off to met her Stalker of a ex to tell him to stop calling her

Kayce shows up at the place where she's meeting the ex she's relief to see him

Ex gets jealous " this your boyfriend "

" yeah " kayce tells him even though they're not together ( yet ! )

Super protective kayce <3

Is This You Asking Me Out

Throwing my phone across the room I screamed seeing the unknown text message number from my ex. I wish he would stop calling me. I had moved back to Montana a few months ago and he had followed me wherever I went. He was a complete stalker of my life never wanting to let me go after I left his ass on the back porch of his parents house. Coming out of the bunkhouse I passed Kayce my bosses son. “Hey Y/n, where are you off to in such a hurry?”

“It’s not your business, Dutton. I’ll be back to finish up my missed work later tonight.” I brushed past him in a huff climbing in my truck and tracking his phone since he had told me where he was if I wanted to change my mind and take him back.

Walking up the stairs if his porch once I parked the truck slamming the door. I pounded my fist on the door seeing Joseph answer the door smirking at me. “Y/n, I was hoping you’d finally come to your senses. Come in and let’s make you for lost time.”

“Actually no that’s not why I’m here.” Crossing my arms over my chest I snapped at him.

He raised a brow at my words. “And why not?”

“Because you have been stalking me since we broke up. I can’t eat. I can’t sleep. I can barely breathe because I am so terrified that might come back and abuse me like you did when we were together!” I raised my voice at him stomping my foot on the ground trying not to cry in front of him.

Joseph stepped out onto the porch harshly grabbing me by my shoulders throwing me into the wall. “We are meant to be together, Y/n!”

“Joseph, I don’t care about you anymore!” I croaked out when he moved one of his hands around my throat until I heard a truck pull up and I gasped seeing the youngest Dutton. “Kayce?”

The cowboy made his way up the stairs grabbing my ex by the back of his jacket throwing his body against the fenced railing of the porch. “Get your hands off of her….are you okay?” Kayce came over to me gently pushing hair from my face seeing that my elbow was bleeding from when he threw me.

“What are you doing here…not that I mind it. But how did you know where I was going?” I asked gripping onto his forearm when he helped me to stand.

He responded before Joseph punched him in the rib. “Beth told me about what you told her. Then I followed your tracks - ugh!” He threw him down on his back where him and Kayce kept fighting until the former navy seal managed to overpower him.

Joseph grunted with Kayce holding his arms twisted behind his back. “So this is your new boyfriend?”

Before I had a chance to respond Kayce did for me releasing his grip on him. “Yeah I am, asshole.” He got to his feet offering me his hand and we quickly left the porch leaving my stalker ex on the porch.

Shutting the truck door we both remained silent on the way back to the ranch. Tapping my fingers on my knees I turned my head in his direction confused. “Why did you tell him we were together when we aren’t. You do realize that now he will come after you to get to me. Why would you do that to yourself?”

“Because I do love you, Y/n. It wasn’t a lie just to piss him off.” Kayce shifted his gaze in my direction lightly gripping the steering wheel. “Nobody should treat you the way he clearly does you.”

Blinking my eyes I couldn’t form a straight sentence when I asked the cowboy sitting across from me. “Is this your way of asking me out, Kayce Dutton?” Kayce and I had instantly became closer the first day we met. But I never thought the guy that was so close he could be my best friend also had feelings for me.

Kayce began turning the truck to put it in park on the side of the road undoing his seatbelt. “No, this is.”

“What are you doing p?” I asked with a half hopeful grin on my face watching his movements.

“I ain’t waiting till we get home to kiss ya.” He leaned over the counsel where I pressed my back against the front of it when he cupped my face in his hands. His brown eyes met mine before he crashes his lips onto mine gently.

I gasped taken back by the kiss before running my fingers up his chest. Moving my hands around his neck I deepened the kiss hearing him moan when I tugged on his hair. “Kayce, I love you too.” I mutter into kisses until we break it needing air to breathe.

“With that said I think it’s time I take you out to dinner, darling.” He sat back down in his seat putting the truck back on the road. Reaching across the counsel I intertwined my hand with his grinning like a child. I knew Kayce would never be what Joseph was to me. He would always be the guy I was meant to be with.

Comments really appreciated ❤️

[bullet-prooflove]

Can I request 46. "I will leave you broken and in ruins" with Kaycee Dutton?

Tagging: @kmc1989

So this got so wild... I make no apologies

After Monica, Kayce is numb. The deterioration of his marriage has left him broken, his heart in ruins. He throws himself into the work his father wants him to do because he doesn’t have it in him to fight anymore, to rebel.

When Travis comes to town, it’s a welcome distraction from the monotony he’s fallen into. He usually brings a couple of horses and the ranches compete in a few games for cash and beer, it’s all low key, a bit of fun that usually extends well into the night.

It’s been a few years since he last saw Travis, not since before Tate was born. When he climbs out of the truck along with his team, he doesn’t expect to see a woman. Up until now Travis’s team has consisted entirely of men, it’s good to see the rodeo king tossing away his daddy’s ideals, he's been doing that alot Kayce hears since he met Gina.

The moment you step out into the cool Montana morning Kayce knows he’s in trouble. A surge of heat rushes through his body and it’s like the first rays of spring caressing the barren earth after a long cold winter.

It’s gets worse when he sees you ride, he’s always been attracted to strong, capable women and you certainly know how to handle a horse, he watches the motion of your hips, the tightening of your thighs, the way you arch your back. Every movement is controlled, powerful, decisive  and he can’t help but wonder if you fuck like that too.

It's at the bonfire that things come to head. There’s drinking, laughter, music and he finds himself sitting on the grass watching the sensual sway of your body as you dance alone to the music emitting from Travis’s truck.

Your eyes flicker up and meet his, the light from the flames casting a warming glow across your skin and he imagines drawing that white vest top up your body, his lips chasing over your bareness, following the trail it leaves. He doesn’t realise he’s on his feet, not until his arm loops around your waist, drawing you to him. He uses his free hand to guide your arms around his neck, biting back a moan as your fingers tangle in his hair, tugging just a little. You move together, the beat of the music pounding through his bloodstream as you roll your hips against his, grinding against his hard cock and he knows in that moment he has to have you.

You barely make it back to the foreman’s house, it’s roaming hands and filthy kisses as you fight to take off your clothes. Kayce loses his shirt somewhere on the driveway, your jeans end up on the porch. It’s never been like this for him, so raw, so passionate, so desperate. He ends up fucking you on the rug in the lounge because he just can’t wait any longer.

It gets rough, the slapping of skin echoing through the air, your nails raking across his back as you tug his hair so hard, he loses his fucking mind. When you come your teeth sink into his shoulder and that bite of pain, it sends him hurtling through the stratosphere, his release spilling into you.

It’s a couple of hours later he wakes up to rug burn and the image of you dressing in the light of the dawn as it filters through the windows.

“I don’t even know your name.” He says, his voice rough as he props his head up on his arm, watching you.

“Corinne.” You say, flashing him a smile as you pull your jeans up over that pretty little ass of yours. “My name’s Corienne.”

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[imdonnalynn]

The Complete Dutton Family Tree from the 1st generation to its 7th.

Yellowstone, 1923 and 1883 Explained

The first thing you think of when you here Yellowstone...Dutton.

1st Generation - 1883

・James Dillard Dutton (1st generation) ・Margaret Dutton (1st generation) ・Claire Dutton (1st generation) ・Henry (mentioned only) (1st generation)

--------------------

JAMES DILLARD DUTTON

1883; Yellowstone (flashbacks) ・Husband to Margaret Dutton ・Father to Elsa Dutton (Sam "Commanche Warrior"), John Dutton Sr. (Emma Dutton) and Spencer Dutton (Alexandra Dutton) ・Brother to Jacob Dutton (Cara Dutton) and Claire Dutton (Henry) ・Uncle to Mary Abel and 6 unnamed deceased siblings ・Grandfather to Jack Dutton (Elizabeth Strafford Dutton) ・Great-Grandfather to Unnamed miscarried child (child of Elizabeth and Jack Dutton) ・UNKNOWN RELATION to John Dutton II (unknown wife/mother name) ・UNKNOWN RELATION to John Dutton III (Evelyn Dutton) and Peter Dutton ・UNKNOWN RELATION to Lee Dutton, Jamie Michael Randall Dutton (Christina), Beth Dutton (Rip Wheeler) and Kayce Dutton (Monica Long Dutton) ・UNKNOWN RELATION to Jamie Dutton Jr., Carter, Tate Dutton, John Dutton IV 1840 - 1893 (53) After settling a horse thieving dispute on his land. James rides home only to succumb to his gunshot wound to the abdomen upon entering the doorway of his home. (Yellowstone Season 4, Episode 8, "No Kindness for the Coward" (flashback scene)

------------------------------

MARGARET DUTTON

1883; Yellowstone (flashbacks) ・Wife to James Dillard Dutton ・Mother to Elsa Dutton (Sam "Commanche Warrior"), John Dutton Sr. (Emma Dutton) and Spencer Dutton (Alexandra Dutton) ・Sister-in-Law to Claire Dutton (Henry), Jacob Dutton (Cara Dutton) ・Aunt to Mary Abel and 6 unnamed deceased siblings ・Grandmother to Jack Dutton (Elizabeth Strafford Dutton) ・Great-Grandmother to unnamed miscarried child (child of Elizabeth and Jack Dutton) ・UNKNOWN RELATION to John Dutton II (unknown wife/mother name) ・UNKNOWN RELATION to John Dutton III (Evelyn Dutton) and Peter Dutton ・UNKNOWN RELATION to Lee Dutton, Jamie Michael Randall Dutton (Christina), Beth Dutton (Rip Wheeler) and Kayce Dutton (Monica Long Dutton) ・UNKNOWN RELATION to Jamie Dutton Jr., Carter, Tate Dutton, John Dutton IV 1840 - 1894 (54) Froze to death in a snow drift a year after James Dillard Dutton died from his gunshot wound. John Dutton Sr. and Spencer Dutton were half starved and barely able to speak when Jacob Dutton and Cara Dutton arrived from Ireland. (mentioned in 1923 Season 1, episode 1 "1923")

------------------------------

CLAIRE DUTTON

1883 ・Wife to Henry ・Mother to Mary Abel and 6 unnamed deceased children ・Sister to James Dillard Dutton (Margaret Dutton) and Jacob Dutton (Cara Dutton) ・Aunt to Elsa Dutton (Sam "Commanche Warrior"), John Dutton Sr. (Emma Dutton) and Spencer Dutton (Alexandra Dutton) ・Great-aunt to Jack Dutton (Elizabeth Strafford Dutton) ・Great-great Aunt to unnamed miscarried child (child of Elizabeth and Jack Dutton) ・UNKNOWN RELATION to John Dutton II (unnamed wife/mother) ・UNKNOWN RELATION to John Dutton III (Evelyn Dutton) and Peter Dutton ・UNKNOWN RELATION to Lee Dutton, Jamie Michael Randall Dutton (Christina), Beth Dutton (Rip Wheeler) and Kayce Dutton (Monica Long Dutton) ・UNKNOWN RELATION to Jamie Dutton Jr., Carter, Tate Dutton and John Dutton IV 1843 - 1883 (40) Suicide, revolver to the side of the head after her last child Mary Abel was killed during a raid on their camp headed to Oregon on the trail in Texas. (1883 Season 1, Episode 2 "Behind Us, A Cliff")

------------------------------

HENRY (last name unknown, not mentioned)

NO IMAGE

1883 (deceased, mentioned only) ・Husband to Claire Dutton ・Father to Mary Abel and 6 other unnamed deceased siblings ・Brother-in-law to James Dillard Dutton (Margaret Dutton) and Jacob Dutton (Cara Dutton) ・Uncle-in-law to Elsa Dutton (Sam "Commanche Warrior"), John Dutton Sr. (Emma Dutton) and Spencer Dutton (Alexandra Dutton) ・Great-uncle-in-law to Jack Dutton (Elizabeth Strafford Dutton) ・Great-great-uncle to unnamed miscarried child (child of Elizabeth and Jack Dutton) ・UNKNOWN RELATION to John Dutton II (unnamed wife/mother) ・UNKNOWN RELATION to John Dutton III (Evelyn Dutton) and Peter Dutton ・UNKNOWN RELATION to Lee Dutton, Jamie Michael Randall Dutton (Christina), Beth Dutton (Rip Wheeler) and Kayce Dutton (Monica Long Dutton) ・UNKNOWN RELATION to Jamie Dutton Jr., Carter, Tate Dutton and John Dutton IV ???? - ???? Unknown who, what, when, where and how Henry died but it was before the events of 1883 series.

------------------------------

1st Generation - 1923

・Jacob Dutton (1st generations) ・Cara Dutton (1st generation)

--------------------

JACOB DUTTON

1923 ・Husband to Cara Dutton ・Brother to James Dillard Dutton (Margaret Dutton) and Claire Dutton (Henry) ・Uncle to Elsa Dutton (Sam "Commanche Warrior"), John Dutton Sr. (Emma Dutton) and Spencer Dutton (Alexandra Dutton) ・Great-uncle to Jack Dutton (Elizabeth Strafford Dutton) ・Great-great-uncle to unnamed miscarried child (child of Elizabeth and Jack Dutton) ・UNKNOWN RELATION to John Dutton II (unnamed wife/mother) ・UNKNOWN RELATION to John Dutton III (Evelyn Dutton) and Peter Dutton ・UNKNOWN RELATION to Lee Dutton, Jamie Michael Randall Dutton (Christina), Beth Dutton (Rip Wheeler) and Kayce Dutton (Monica Long Dutton) ・UNKNOWN RELATION to Jamie Dutton Jr., Carter, Tate Dutton and John Dutton IV 1846 - ???? (77) As of 1923 Season 1, Episode 8 "Nothing Left to Lose" he is still alive.

------------------------------

CARA DUTTON

1923 ・Wife to Jacob Dutton ・Sister-in-law to James Dillard Dutton (Margaret Dutton) and Claire Dutton (Henry) ・Aunt to Elsa Dutton (Sam "Commanche Warrior"), John Dutton Sr. (Emma Dutton) and Spencer Dutton (Alexandra Dutton) ・Great-aunt to Jack Dutton (Elizabeth Strafford Dutton) ・Great-great-aunt to unnamed miscarried child (child of Elizabeth and Jack Dutton) ・UNKNOWN RELATION to John Dutton II (unnamed wife/mother) ・UNKNOWN RELATION to John Dutton III (Evelyn Dutton) and Peter Dutton ・UNKNOWN RELATION to Lee Dutton, Jamie Michael Randall Dutton (Christina), Beth Dutton (Rip Wheeler) and Kayce Dutton (Monica Long Dutton) ・UNKNOWN RELATION to Jamie Dutton Jr., Carter, Tate Dutton and John Dutton IV 1850 - ???? (73) As of 1923 Season 1, Episode 8 "Nothing Left to Lose" she is still alive.

[countrymusiclover]

Can I request anything with Beth, Rip and Carter as a family?

If you are meaning for my Kayce Dutton fic called Country Rancher then yes I will see what I can do.

If you are asking this be an image request then you need to send it to my main blog @bellarkeselection because this is my side blog for my Wattpad fanfictions.

[toptrendclothing]

Live Like John Love Like Kayce Fight Like Rip Yellowstone Dutton Ranch Montana shirt

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[hcwthewestwaswcn]

Stella Rose Dutton - Information Sheet

Name: Stella Rose Dutton

Nickname: Stel, Ella, Rosie, Rose

Age: 18

Affiliation: Dutton Ranch, Yellowstone

Family Tree

Evelyn Dutton (Mother, deceased)

John Dutton (Father, alive)

Lee Dutton (brother, deceased)

Kayce Dutton (brother, alive)

Bethany Dutton (sister, alive)

Monica Long (sister-in law, alive)

Tate Dutton (nephew, alive)

Rip Wheeler (brother-in law, alive)

Jamie Dutton (adopted brother, alive)

Background- Stella is the youngest Dutton girl, and the spitting image of her mother Evelyn who died on March 30, 1997 when she was out riding with her brother and sister. Kayce who was 6 almost 7, and Beth who was 11 at the time of their mother’s death. Stella had no resentment for Kayce, but she was angry with Beth because she knew that Beth left the ranch because she couldn’t cope with her mother’s death. Stella stayed on the ranch, and she helped her father as much as she could because she knew that he wouldn’t be able to care for the ranch on his own anymore. Stella remained loyal to the ranch, living up to her name and the ranch that was her legacy. Stella lives up to her name, and she is stronger than most because she had a backbone since the day that her siblings left the ranch and didn’t look back. ||@onlydevilsleft|| meet stella :3

[arcticdementor]

You might look around sometimes and think to yourself, a new America has dawned, godless, without the old restraints. Yellowstone, the Kevin Costner Western on the Paramount Channel is the best example I can summon to mind just now, and its third season has just started. It’s a 21st-century story of cowboys and Indians—with characters seeking freedom from law. Practically, this means they must constantly defend a way of life independent of the many bureaucracies threatening their livelihood, and they do so with terrible violence.

Taylor Sheridan is the writer-director behind Yellowstone, and the series follows the success of his movies, Sicario, Hell or High Water, and Wind River. These movies earned seven Oscar nominations, one for Sheridan, and about as many nominations in Cannes, including important wins. Sheridan was raised on a ranch, but his family lost it, so he went to college and Hollywood, recalling Sam Peckinpah’s story. After Clint Eastwood, he’s now our premier poet of manliness.

…

Like any man long in power, Dutton has many enemies, and the more they behave dishonorably, the more you see that he’s touched by greatness, since he has no desire to go hurting people and does not share their cruel contempt for justice or life. Many look to prosper in his place, partly by the prosperity he has made. Worse for Dutton, America has changed—from the national press investigating him to the new economy to the way historical grievances grant authority to demand change—everything is threatening his way of life, built around family, land, and centuries past and future. Indeed, loyalty itself is over and new identities are required, which are flexible and practiced in deception. To succeed in Yellowstone’s new America, it doesn’t really matter whether you know any part of the country or have done well by people, but whether you know how to manipulate institutions and please those who manage the most successful interests, which seem hardly any better than legalized conspiracies.

Like Hemingway’s marlin, which achieves its greatest leap in its death throes and expires at the top of the arc, Dutton is most impressive in agony. He seems superhuman compared to the new American elites. His handling of urgent problems makes him resemble the president—he is an executive. Meanwhile, egalitarianism has not created equality in America, but only a new elite, impatient, ignorant of the future, blind to necessity—thus, astonishingly able to manipulate the new systems of power, since these elites feel no concern for consequences. The real world, where people are tied to a place, to other people, to their past, and the good they pursue, is replaced by access to the institutions and finances that make the world work, which manipulate people’s lives indirectly, in unaccountable and unpredictable ways. Everyone’s tied into legal demands and their lives are increasingly regulated, but only people who know how to use the law to get what they want get ahead in this new situation. The first post-American elite is coming for the last cowboys.

…

The American Dream is over in Yellowstone, and billionaire gentrification is coming for the last refuge of manliness in a country that produces compliant subjects rather than free citizens. In this grim world, cowboys are stand-ins for the white working class. They don’t go to college and they work dangerous jobs without much healthcare and for little pay. They are not disrupting the economy. They are America’s past, not future. Their virtues are Stoic and this might simply mean resignation to death.

…

Justice is built on nobility, and in Yellowstone, Sheridan draws our attention to this through the characters’ relationship with their horses. So understanding horses is the core of Stoicism—the horse is the noblest animal and America’s love of horses lasted well into the last era of popular country music and the Western, in the 1970s, because a horse rider presents the image of someone more than merely human. It is a greatness available nearly to anyone, at least anyone willing to face harsh nature. Horses are everywhere in Yellowstone, so one might not read much into it. They symbolize certain virtues, however. The horse is a power that will obey the rider, but not against its own nature. To ride a horse requires endurance in face of pain or weariness, courage to face fear or whatever weakness might come, self-control in face of temptation, and moderation—those habits that make man thoughtlessly sovereign. Without these, you die when it’s suddenly dangerous. One cannot talk oneself into it and there is no technology to accomplish this, either. It’s a way of life, not a job. It takes long practice which allows you to understand yourself and develop self-discipline. As such, horse riding leads to a kind of self-knowledge.

…

The Duttons are not Christians, few of their like seem to be—not even the death of the firstborn leads to a church funeral. They believe in freedom and nature—ruling over the land, over the horses, over people. They despise weakness and treasure loyalty. They trust family, not morality. Compared to ordinary Americans, they’re shockingly aristocratic. They believe in choosing the means to defend family and their land because family itself is unchosen—it’s nature, and therefore reliable. But can they live in America, where most people have no family? They rely on their old-fashioned patriotism to defend the ranching way of life, but the country has changed without them and it seems they can either adapt and sacrifice their family, or stay loyal and lose everything.

…

The opposite of a man in America is a bourgeois bohemian, to recall David Brooks’s signal contribution to our sociology in Bobos in Paradise (2000). Brooks is a sophist for this class, so he will not tell the ugly truth—but Tom Wolfe did in A Man in Full (1998), and even scooped Brooks. It’s not an accident that he saw clearly: Wolfe was the poet of American Stoicism and understood the threats to manliness.

The people who define elite taste in America are themselves opposed to violence, but not because they are Christian or even moral. It’s because their own rule doesn’t require that they ever take any personal risks—poorer people do that, who live in other parts of town or are completely removed from sight by gentrification. Nowadays, the rich take no responsibility for the poorer or those suffering violence, or even ever shake their hands, which is why our cities are such madhouses. There is no noblesse oblige.

Sheridan wants to show the violence in America to rebuke this bloodless view of things. So in the first season we see, through the real estate developer drama, how the new American elite is moving in to remove the last ranchers. This establishes the difference between real men and those who want to rule merely through institutions and finance, as though history had ended and we’re just dividing up luxuries. In the second season, we see rule by violence, in order to understand the difference between men and beasts. Sheridan shows that not all who kill are the same. Only then is it possible to defend the ranchers against the bobos persuasively.

…

The older Americans were not sufficiently attuned to nature, because they believed in God more. But as the churches are emptying, people are looking elsewhere to learn who they are. Some turn to nature, because human beings are not trustworthy. We may say mankind is naturally perverse, always coveting and therefore often violent or treacherous, which is why harshness was required in the past, to establish property and then defend it. This is certainly Dutton’s view, who only goes to church once, to make a priest manipulate a parishioner into obedience. And as a family, the Duttons are only happy when they revert to their old ways, taking care of their herd from an improvised camp so far away from civilization there’s no cell tower in range.

The only way to end the human drama would be to stop being enviable. End greatness and thus end striving. On the other hand, to defend greatness is to defend suffering. This way, we learn that suffering builds character—it brings people together, as do common enemies. This problem, the future of America, is the show’s indirect concern. Is it possible to retain honor in a dishonorable world? It’s not obvious how we can defend freedom without honorable men making sacrifices. Nor how we can raise honorable men if we tolerate bobo elites who despise honor and use every institution of government and market to end it. Dutton raised his kids to correspond to his understanding of rule. The treacherous Jamie is a Harvard-educated lawyer who tasted the bobo life for a while, but in order to redeem himself, he works like hired help in the stables. Beth is a finance genius, which plays to her ruthlessness, but at the price of undermining her ability to love and trust. Kayce is the truest cowboy, but what makes him so loyal also blinds him to the complexities of 21st century America. They each amplify something in Dutton, but in this attempt to pass on the ranch to a new generation, it turns out honor and savvy have been utterly split apart.

This acquisitive capitalism that corrupts honor is the enemy that returns in the third season of Yellowstone. That’s what the name of the show is about—the place of nature in America. Is it a museum, a zoo we visit occasionally, enjoying the beauty after all the danger is under control, and the millionaire class gets extra privileges? Or is there also a human nature that we need to learn to respect by treating physical nature with some respect, lest our elites treat us like pets as well? To defend manliness in America, it may be necessary to defend wild nature. That is a preparation for political freedom. To go too far in the opposite direction is to treat human beings, but especially men, like savages—as our elites do to the urban and rural underclass.

The purpose of the show is to persuade Americans to believe in nobility again. To face cruelty and violence as a preferable alternative to institutionalized despotism. To accept America’s tragic past with gratitude for the freedom we still have, if we are willing to earn it again. We have had so much success, we’ve created a class who profits by this success without any connection to America or regular Americans. We need to educate new elites about what’s worth loving and defending. Sheridan wants to teach by tragedy, so his protagonists are essentially honorable, which is no longer tolerated in our storytelling. Americans have never accepted tragedy before but perhaps now we will, since our freedom is once again in danger.

[muenchkevin]

Yellowstone Season 4 Episode 3 recap: New beginnings and loose ends

Major spoilers follow for Yellowstone episodes 1 to 3. Turn back now if you’re not caught up.

“Sometimes good men have to do real bad things.” It was this piece of grim wisdom, imparted by John to his son Kayce at the beginning of episode 2, that was grippingly realized throughout 'All I See Is You' – from the brutally efficient killing of the remaining militia, to John’s confrontation with Chester Spears, the mastermind behind the orchestrated assassinations last season.

By the end of the episode, whether they could continue to think of themselves as “good” or rather as men willing to do anything to protect their land was brought into question.

The inaugural episodes of Yellowstone season 4 had the difficult task of introducing new storylines while bringing a degree of resolution to old ones, and after the action-packed opening of the show, the drama stalled – jumping from incident to incident with little immediate connection. By episode 3, however, there’s an engagingly consistent timeframe, tone, and clarity of focus.

The narrative threads from episode 2 are effortlessly picked up and woven together, with events unfolding over 24 hours – from dusk until nightfall – and concentrated around the Dutton ranch.

About this episode

- Episode 3 (of 10), 'All I See Is You'

- Written by Taylor Sheridan

- Directed by Guy Ferland

★★★★

In that time, Kayce met John after the swift and efficient retaliation on the militia, saddling up and lamenting the current uncertainty of their lives. The bunkhouse crew prepared to bid Jimmy farewell as he reluctantly departed with Travis to the Four Sixes ranch in Texas – leaving a disgruntled Mia behind – and Rip and Beth disagreed over the best approach to parenting 14-year-old Carter. Meanwhile, John had to “take out the trash” when Mo and Chief Rainwater disclosed who ordered the Dutton family hit.

The opening 2-minute sequence was a barrage of violence without any dialogue or sound, save for Colter Wall’s Sleeper on the Blacktop on the soundtrack. During that time a SWAT team led by Kayce mercilessly took out the remaining members of the militia that had been hired to exterminate the Duttons. Cutting between events, there’s a breathless force to this depiction of retributive justice. One by one the perpetrators were gunned down in their homes or garrotted in their cars, while we repeatedly cut to John staring contemplatively into the fireplace: the “good man” whose will Kayce had ruthlessly enforced.

Episode 3 repeatedly reminded us of the absolute power that the Duttons wield over Yellowstone, with John depicted as some kind of Godfather-like mafioso in the opening montage. This power is propped up by the local police force. Yet, aside from the authority their presence bestows, nothing else about their actions seems legal.

Discover how to watch Yellowstone season 4 episodes

(Image credit: Paramount Network)

A blur of red and blue dominated the highway as a police cordon blocked the passage of two of the perps; and, after one of them sneakily reached for a gun, Kasey unleashed a blast of bullets at the two guys like a scene from Scarface. There was no intention of taking anyone quietly down to the station: retribution, not justice, was the aim of the game.

Does absolute power corrupt absolutely? Perhaps. The show shakily maintained that Kayce and John were honorable men doing only what necessary to protect their land and their family. But we see Kayce abuse and even overestimate his authority in far less high-stakes situations too. The Livestock Commissioner has a surprising amount of sway over the Yellowstone police, which we saw in episode 1 as he barked orders to the sheriff to pursue his father’s attackers. Surely a Livestock Commissioner wouldn't outrank a town sheriff?

Later in episode 3, he’s visited in his office by Emmett Walsh. The man’s riled because his neighbor, a “son-of-a-bitch from calif-f**king-fornia,” has put cattle grids down all along his easement, making transporting his livestock a nightmare and costing him a fortune. He’s out of options. So, with a weight of expectation, Kayce asks what he would like him to do about it, and Emmet euphemistically says, “I don’t know. Something.”

Like Rip, Kayce has become a bit of a fixer, and the reluctant expression on his face implies he knows that force will be required. A few scenes later he’s at the Peterson Ranch, flinging its obnoxious owner Ralph (Jonathan Kells Phillips) to the ground – who’s only raising llamas for the tax break anyway – and binding him with cable ties. When an incensed Ralph threatens to call the police, he shouts back that he is the police, and furthermore, that he doesn’t need a warrant.

(Image credit: Paramount Network)

In Kayce’s mind this is still the Wild West and legal protocol is just so much red tape. Plus, people like Ralph – wealthy, entitled folk from the city with no idea about the hardships of rural life – merely illustrate a modern world whose incursion into the Midwest looks to eradicate everything the Duttons hold dear.

Strangely, the law in Yellowstone seems to bend towards corruption. Later in the episode, John arrived for a secret rendezvous with Chief Rainwater, who is holding Chester Himes captive in the boot of his car – the guy who organized the hit on the Duttons – and he’s been chaperoned by a member of Brocken Rock police department. Before the beaten informant is revealed, he drives off, arguably to avoid being implicated in the crime.

YELLOWSTONE SPOILER-FILLED RECAPS

 - Yellowstone episode 1 & 2 recap

While the vigilantism of the Duttons doesn’t appear to incur any criminal charges, their morally dubious actions take a personal toll. After bundling Ralph underneath one of his own cattle grids, Kayce returned home to find that his wife Monica and son Tate hadn’t left their room all day. Taking two plates of food upstairs, he found an exhausted Monica sitting on the floor, waiting for a severely traumatised Tate to emerge from under the bed. “He’s not coming out today. He’s worse today” she sighed.

It’s viewers first time seeing Monica and Tate since they were assaulted in their home during episode 1’s dramatic opening, and Tate – having been kidnapped by the Beck brothers last season as well – is now mentally and emotionally scarred. Rather than placate his son, Kayce pulled the terrified boy out into the room. And, although he settled down pretty quickly, a distraught Monica launches into a tirade about the “evil” of Yellowstone and Kayce also being “evil”. Despite the notion that John and Kayce are honorable men, their amoral actions have repeatedly put their families in danger. How “good” are they really?

(Image credit: Paramount Network)

While John and Kayce provided moral mirror images of each other through the episode, there were interesting similarities between the storylines of rodeo wannabe Jimmy and 14-year-old Carter too. Their scenes were full of quietly touching moments in which they wrestled with the bleak determinism of their circumstances and the slim possibility of exercising autonomy over lives.

There was a somber mood as morning came and the bunkhouse woke to the news that Jimmy was leaving. Having gone against John’s word and injuring himself at the rodeo, John had informed him that he would be leaving with Travis to represent Yellowstone on the road. When his devoted girlfriend Mia found out that he was headed to Texas, she exasperatedly informed him that “everything in that place is trying bite you, stick you, or sting you.” He glumly replied that it wasn’t his decision to go.

His inability to choose himself, to “grow up” as Rip puts it, causes him a significant amount of pain. Despite lamenting his fate – feeling dutybound to John as the only family he’s ever known – a hurt Mia pointed out that he could have chosen to be with her. She was the one person who offered him unconditional support after his accident and physical therapy. But, having failed to realize this, she told him that “your only other choice is fucking done with you” and promptly stormed out of the bunkhouse.

John felt his responsibility in this too. After Mia snubbed Jimmy’s attempt to reconcile, John followed Jimmy into the barn to tell him that his exile wasn’t a punishment but an opportunity. Mia won’t leave him because, well, “love doesn't walk that easy.” If she does? She was never his to begin with. Jimmy anxiously enquired who decided when he’ll be returning, and John said, “you do.” It’s a reminder that, even if Jimmy’s options appear limited, his own choices and conduct will be what speeds him back to the ranch and to Mia.

(Image credit: Paramount Plus)

When Jimmy departed on Travis’ trailer, it was a deeply poignant moment. He received a whole heap of disrespect from Travis even before they’d left – who called him “Jerry” instead of Jimmy and demanded he make himself useful because “this ain’t no f—king Uber.” Seeing him as a burden, Travis and his crew bemoaned his every breath. So, it was sad to see Jimmy share a protracted look with Mia as she bitterly watched them drive away, with the brooding, heartfelt lyrics of All I See Is You playing out on the soundtrack. It’s unlikely this is the last we’ll see of the luckless Jimmy this season though.

Meanwhile, Carter shared a warm exchange with the philosophical Walker, who asked what had brought him to the ranch. “Life kinda robbed me of my options” he said. Shortly after, Rip and Beth butted heads regarding their divergent approaches to raising Carter. Compared to the tough-love of Rip, it was endearing to see Beth’s more protective, lenient nature emerge. But sadly, it proved to be completely misjudged. Offering to buy the boy a new hat, jacket and boots, Carter immediately tried to take advantage of the situation, and Beth was left heartbroken and enraged by his ingratitude.

After an altercation with an interfering mother made her doubt her parental credentials, she sagely informed Carter of the four options available to him if he wanted a life of material wealth. As he wasn’t in a position to inherit a fortune, nor clever enough, in her opinion, to be a career criminal, his only choice was to work really hard, keep learning, and be prepared to fail. The fourth option? Well, that wasn’t worth the jaw ache.

Then as night fell, John drove into Wyoming with a bloodied Chester in the boot, whom Chief Rainwater had handed over to John to dispose of. The scene provided an interesting bookend to the introductory sequence, in which the diabolical nature of John’s actions was highlighted as he stared deep into the roaring flames of the fireplace.

(Image credit: Paramount Network)

Here, our expectations of John’s character were toyed with, as he was personally tasked with executing the man responsible for organizing the attacks on his family. He stood over Chester with a loaded gun, but surprisingly, dropped it to the ground. When he pulled a knife out instead, Chester started to panic. But rather than go all Quentin Tarantino, John freed him from his binds.

For a second it looked like John would let him go. No. He proposed a more conscionable solution to his dilemma and said, “we’ll have ourselves an old-fashioned shoot out.” It was a risky move. But, after Chester got the first shot off, he was gunned down by John and toppled backwards into the canyon, becoming fresh meat for the cayotes. As Caravan of Fools played us out, the song hinted that this cycle of reckless decisions and violence could end up having dire consequences later on this season.

Our verdict

(Image credit: Paramount Network)

It’s early days yet, but this episode proved the most enjoyable of season 4. It was a richly satisfying, self-contained offering, whose focus on the interpersonal dramas of the characters – particularly Jimmy and Mia’s reluctant farewell and Beth and Carter’s evolving mother/son dynamic – resulted in some wonderfully poignant moments and a wistful mood, particularly as Kayce noted life for the Duttons was rapidly changing.

While we haven’t yet got answers as to who authorized the assault on the Dutton clan, that mystery expanded in a potentially unexpected direction. Having discovered that the hit came to a man in Deer Lodge prison before reaching Chester – neither of whom were familiar to John – the suggestion is that the Duttons have an enemy completely unknown to them. That feels more probable given that the show has eased suspicions towards Market Equities, Chief Rainwater, and John’s adopted son Jamie during the last few episodes.

We’re expecting some thrilling developments in the next few weeks. And, if Jimmy hasn’t been written out of the show for the foreseeable future, we can only hope to see Travis knocked down a peg or two while Jimmy adjusts to life at the Four Sixes ranch.

Yellowstone season 4 trivia

(Image credit: Paramount)

We got a glimpse into the domestic life of Mo, Rainwater’s right-hand man (played by Mo Brings Plenty). And the people playing his wife and child were his actual wife and child: partner Sara Ann and his son Jernyce!

This was the fifth Yellowstone appearance for Gunsmoke actor Buck Taylor, who played disgruntled farmer Emmett Walsh. He last featured in the season 3 episode ‘The World is Purple.’

Did you recognize Emmett’s obstructive Californian neighbor? That was Jonathan Kells Phillips, making his first appearance in the series. The actor has previously starred in Condor, The Americans, and True Blood.

This episode was dedicated to country singer-songwriter John Prine, who passed away in April 2020 from COVID-related complications, and whose 2018 song Caravan of Fools played over the end credits.

Guy Ferland returned to direct his fifth outing for Yellowstone. The director has worked alongside Joel Schumacher and has produced episodes of Sons of Anarchy and The Walking Dead.

New episodes of Yellowstone debut on the Paramount Network every Sunday at 8PM ET.  

source https://www.techradar.com/news/yellowstone-season-4-episode-3-recap-new-beginnings-and-loose-ends/ from Blogger https://ift.tt/3HGYuga Source Link Yellowstone Season 4 Episode 3 recap: New beginnings and loose ends

[filmreviewonline]

Yellowstone Soundbyte Video - Kevin Costner on his Old West fascination

New Post has been published on https://filmreviewonline.com/2018/06/12/yellowstone-soundbyte-video-kevin-costner-on-his-old-west-fascination/

Yellowstone Soundbyte Video - Kevin Costner on his Old West fascination

Hear Kevin Costner, star and Producer of the new epic tv series Yellowstone, talk of his Old West fascination.

LA Reporting by Editor Judy Sloane.

Yellowstone Soundbyte Video

Yellowstone Lowdown

Yellowstone chronicles the Dutton family, led by John Dutton. They control the largest contiguous cattle ranch in the United States though hard-earned respect. The ranch is in constant conflict with those it borders. There is an expanding town, an Indian reservation, and America’s first national park! As a result you can expect shifting alliances, unsolved murders and open wounds…

Yellowstone was shot entirely on location in Utah and Montana.

Kevin Costner has the the lead role. He is of course is world-renowned and an Oscar®-winner. Taylor Sheridan, an Oscar®-nominated screenwriter, wrote and directed the series. He is know for Wind River, Hell or High Water and Sicario.

In addition to Kevin, the cast includes Wes Bentley, Kelly Reilly, Luke Grimes and Cole Hauser. Plus we have Kelsey Asbille, Dave Annable, Danny Huston, Gil Birmingham, Josh Lucas and Jefferson White. Rounding off the cast there is Gretchen Mol, Jill Hennessey, Patrick St Esprit, Ian Bohen, Heather Hemmons, Denim Richards, and Michael Nouri.

Executive Producers for the series include Taylor Sheridan, Kevin Costner, John Linson, Art Linson, and David C Glasser. Ted Gold and Lauren Ruggiero are the executives in charge of production for Paramount Network.

Paramount Network’s new epic series, premieres on the network, Wednesday, June 20th 2018, at 9:00 pm, ET/PT.

Yellowstone Gallery

Click on an image for a larger view. Use arrow keys or swipe through the gallery.

John Dutton (Kevin Costner) in Yellowstone ©2018 Paramount Network

Yellowstone – John Dutton (Kevin Costner) ©2018 Paramount Network, photo by Kevin Lynch

Yellowstone – John Dutton (Kevin Costner) ©2018 Paramount Network

John Dutton (center – Kevin Costner), owner of the Dutton Ranch is surrounded by his ranch team (pictured l to r) Walker (Ryan Bingham), Lloyd (Forrie Smith), Rip Wheeler (Cole Hauser), Jimmy (Jefferson White), Colby (Denim Richards) and Fred (Luke Peckinpah) from Yellowstone ©2018 Paramount Network. photo by Kevin Lynch

Kayce Dutton (Luke Grimes) and Monica Long (Kelsey Asbille) in Yellowstone ©2018 Paramount Network. photo by Kevin Lynch

(l to r): (Pete Sands), Mo (Mo Brings Plenty), Thomas Rainwater (Gil Birmingham), Rip Wheeler (Cole Hauser), John Dutton (Kevin Costner), Jamie Dutton (Wes Bentley) in Yellowstone ©2018 Paramount Network. photo by Emerson Miller

Yellowstone – John Dutton (Kevin Costner) ©2018 Paramount Network

Yellowstone – John Dutton (Kevin Costner) ©2018 Paramount Network

The Dutton family (pcitured from l to r) Lee Dutton (Dave Annable), Jamie Dutton (Wes Bentley), Kayce Dutton (Luke Grimes) and patriarch John Dutton (Kevin Costner) in Yellowstone ©2018 Paramount Network. photo by Emerson Miller

Yellowstone – John Dutton (Kevin Costner) and Tate Long (Brecken Merrill) ©2018 Paramount Network. photo by Emerson Miller

[kartiavelino]

How Kevin Costner’s ‘Yellowstone’ became TV’s big summer hit

Who would have predicted again in June that “Yellowstone,” a throwback Western from Hollywood screenwriter Taylor Sheridan (“Hell and Excessive Water”), was going to be the summer’s big hit? Not me. Weren’t all of us alleged to be watching “Sharp Little Lies” — I imply, “Big Objects” — regardless of the sequel to the Reese Witherspoon gossip woman restricted collection was referred to as? (OK, OK. It was “Sharp Objects.”) As a substitute, individuals watched this new cowboy drama in regards to the embattled Dutton household, whose attractive ranch is about in mountains northwest of Yellowstone Nationwide Park in Montana. What was the draw? Effectively, they did have Kevin Costner. And nowadays, when Hollywood retains spitting out one goofy-yet-aged frat boy after one other with a high-pitched voice and the primary identify Chris, that’s saying lots. From his breakout function within the 1987 movie “No Manner Out,” by “Bull Durham” and “Dances With Wolves,” Costner has been a lanky, laconic draw. (His first TV collection, “Hatfields & McCoys,” set scores information on Historical past in 2012.) Ladies actually like him. Not the tragically hip millennials who write in regards to the media on underfunded Internet sites, however ladies within the heartland. Those who watch weekly tv, not screeners offered by publicists. “He’s our John Wayne,” says Keith Cox, president of the Paramount Community. In discussing Wednesday evening’s first-season finale, Cox, an enormous fan of “Hell and Excessive Water,” revealed why he campaigned so onerous for Sheridan’s present. “I’m from Kentucky. There’s one thing about Center America that I like,” he says. “Tales primarily based in a smaller city however the individuals are actually good however manipulative in a great way. Taylor writes these characters muscular. After I heard he wished to do a model of ‘The Sopranos,’ however set in Montana with a number of villains, I stated, ‘That’s what’s not on TV proper now.’” Cox begged for a gathering. “Taylor informed me, ‘I don’t know if I wish to give the present to you.’” Cox learn 4 “Yellowstone” scripts, flew Sheridan out to LA from Utah, the place he lives, and promised he’d make “Yellowstone” Paramount’s first signature drama collection. “It impressed him that we knew the present and didn’t need him to alter it,” he says. ‘He wished to do a model of ‘The Sopranos,’ however set in Montana with a number of villains.’ As John Dutton, the ranching patriarch who fights soiled to maintain builders and Native Individuals off his land, Costner was a no brainer. He and Sheridan had wished to work collectively for some time, however their schedules didn’t match. “He beloved the scripts,” Cox stated. Sheridan had casting concepts about almost each different function on the present: Luke Grimes because the insurgent son, Kayce; Kelly Reilly, because the alcoholic daughter, Beth; Cole Hauser as Rip, the Silvio Dante of the piece. Regardless of combined opinions, the present premiered to nice numbers (almost 5 million viewers). Cox et al. weren’t shocked. “On sure exhibits you simply know,” he says. “I feel the largest win was that the present simply grew. Most exhibits dip. This present stored rising.” “Yellowstone” succeeds in taking a really acquainted story — a household of schemers led by an inscrutable chief — and dramatizing its energy performs in opposition to probably the most scenic backdrop conceivable, mountains that stretch to infinity and suck you in (because of director of images Ben Richardson). Its ladies characters (there are solely two) are one-dimensional and annoying — notably Beth, who does issues ladies would by no means do, like bathe in entrance of her household. However Cox says the feminine inhabitants will enhance as early as Wednesday evening with the arrival of a feminine ranch hand. “That propels some storylines,” he says. “There will even be a brand new gubernatorial candidate that takes on Jamie [Wes Bentley].” Sheridan will add extra villains in Season 2 because the land seize escalates. Lastly, there’s Costner’s John Dutton, a most cancers survivor. “He’s sick. The stakes are excessive,” Cox says. “He’s making a number of strikes now as a result of he is aware of he is perhaps gone quickly.” [embedded content] Share this: https://nypost.com/2018/08/21/how-kevin-costners-yellowstone-became-tvs-big-summer-hit/ The post How Kevin Costner’s ‘Yellowstone’ became TV’s big summer hit appeared first on My style by Kartia. https://www.kartiavelino.com/2018/08/how-kevin-costners-yellowstone-became-tvs-big-summer-hit.html

[sonofdu]

TV

Yellowstone

Taylor Sheridan has had a good couple of years. Not only was he the writer of the Oscar nominated Hell or High Water film a few years back, he is also the creator of the Sicario film of which a sequel is due in theaters in a few weeks. And now comes Sheridan’s latest co-creation the TV series Yellowstone on the Paramount Network.

The cast of Yellowstone

Starring Kevin Costner in his first role in a TV series, Yellowstone is about the Dutton family living in Montana of which John (Coster) is the head of. The Dutton’s own the largest ranch in the US and that’s where the problem lies. It’s so big everything around it is closing in from Indian casinos to housing developments. And while Dutton might have the land to spare he doesn’t want to part with any of it making this powerful man a target for powerful enemies.

On his side are two of his kids Jamie (Wes Bentley) a lawyer, Lee (Dave Annable) head of the ranch and Beth (Kelly Reilly) a business executive. But youngest son Kayce (Luke Grimes) is estranged from his father from something that happened in the past.

Yellowstone isn’t bad but I didn’t think it was that great either. I wasn’t quite sure who to root for? Is it the Dutton family who are trying to stop progress, even as dad flies around his ranch in a helicopter and live in a nice house, or is it the people trying to build subdivisions and expand communities that cut into the wilderness. On the one hand I can see Dutton’s point that with every winner there must be a loser, and it’s usually those who aren’t too well off who lose. But on the other hand it’s tough to take that kind’a advice from a guy who’s the biggest winner in Montana.

If you dig shows like the classic Dallas but always thought there should be more modern-day cowboys in that series then you’ll probably also love Yellowstone.

In Search Of TV spot

Movies

Mission Impossible home media art

I noticed that the artwork being used for the digital download and Blu-ray versions of the Mission Impossible movies had been updated recently. Before, those covers used things like the movie posters for the previous films while the new ones feature a unified look that ties the movies together.

I’ve noticed other franchise movies like those from Marvel do this too. I suppose when the movie studios are trying to sell the franchise as a whole and not necessarily each individual film a unified marketing approach makes sense.

Toys

Robotech

A new line of Robotech 3.75” ReAction figures are due out sometime this fall from Super7. Figures include four veritech fighters including Rick Hunter and Roy Fokker’s jets, the SDF–1 and a Zentraedi Battle Pod. The figures will retail for around $15 each.

The Reading List

The Machine Fired Me

The Trouble With Johnny Depp

Cool Movie & TV Posters of the Week

Direct Beam Comms #133 TV Yellowstone Taylor Sheridan has had a good couple of years. Not only was he the writer of the Oscar nominated…

[bellarkeselection]

Kayce Dutton request: reader has a crush on Kayce but won’t act on it due to who his dad & sister are. She’s also heard rumors about bad things happening at the Yellowstone. Kayce convinces her to give him a chance

I'm Worth a Shot

You think when you have a crush on someone everything would be so easy. Not my case when it comes to liking Kayce Dutton. I was a bartender at the bar he would visit and we instantly fell for one another in the short time of me serving him drinks after a long days work. Don’t get me wrong he is really caring and loyal but it’s where his loyalty lies that slightly worries me. I hear the rumors of his father and his family just like everyone else and some aren’t good. Today was a slow day where I was wiping down the bar until the door opened and he walked up to me. “Y/n, we need to talk now.”

"What do we need to talk about this time. The work day harder than normal today?" I asked him leaning on my elbows with some of my hair falling over my shoulders.

He shook his head no leaning down being in the same position at me so I was forced to look into his soft brown eyes. "No. Our relationship is what we need to talk about."

"Our relationship. What am I missing here. I am your bartender and you are my customer." I raised a brow at him and what he was saying.

The young Dutton leans closer where some of his curly brown hair fell in front of his eyes. I could tell that he had been drinking some before he had come in here. His natural curly hair was an even bigger mess and I could smell alcohol on his breath. Plus his brown eyes were filling with some tears the next time he spoke to me. “Y/n, listen to me. I have been trying to wrap my head around what I felt for you. The second that I did I knew I needed to find you. Because I am absolutely falling in love with you.”

“Kayce…I don’t know what to say.” I trailed off not sure what to say back to him. Of course I adored the cowboy but my fears were always getting the better of me.

Scanning over his face I imagined a thousand times over what it would be like to kiss him. What it would be like to see our kids running around the yard in the morning. Where we woke up together in bed and got to ride off into the sunset. Moving my hands together in front of me I avoided his gaze briefly. “Look I want you to know that I am almost completely in love with you. And I just want to know why. I want to know why you won’t give me a chance…because I want to call you my girlfriend. I want you to give me a chance where we can be together.”

“Kayce, I…I wish that I could accept my feelings for you. But I have heard the rumors of your family and what you’ve father does to fight for his ranch and the land that he wants to keep. I care about you…it’s just I can’t open my heart cause I am letting my fear control me.” I declare to him walking away from him beginning to clean the bar once more.

He suddenly climbed over the bar grabbing my wrists and holding me in place where I gasped seeing that our faces were so close together that it we leaned in we would certainly kiss. “Then let me prove to you that the rumor isn’t true. Cause I am loyal to my family but I will be completely loyal to you. You would be my whole heart and soul if you say yes.”

"Kayce-" He cuts me off where I gasped suddenly with his hands cradling my face in his hands. Wrapping my arms around his neck instantly I leaned up on my toes suprisingly kissing him back instantly hearing him moan against my lips.

He wrapped his arms around my waist tugging me closer into his embrace. My fingers ran into his curls where he moaned breaking our heated kiss we were both panting. "Please just give me a chance, darling. I want to prove to you that I deserve a shot at being worthy of you."

"Okay...I'll give a shot." I mumbled throwing my arms around his neck laying my head against his chest. He rested his chin on top of my head kissing the crown of it smiling knowing that he had a chance and he wouldn't waste it.

Comments really appreciated ❤️

[bellarkeselection]

Hey if you’re still taking Kayce request, would love a jealous Kayce if you could :)

My Only Cowboy

Leaning my back against one of the wooden pens inside the barn Ryan and I were talking about something that happened when we went to the bar together the other night. Ryan and I were life long friends and had went to the same high school when we were teenagers. Footsteps approached the entrance of the barn where I turned my head in the direction seeing that it was my boyfriend Kayce. “What the hell we’re you doing with my girlfriend at a bar last night. Did he hurt you at all?” He stomped up asking Ryan more so than me. Moving past the new ranch hand I lifted my gaze up to look at my boyfriend. “Kayce. There’s nothing to worry about between me and Ryan. He’s a new ranch hand of your fathers and an old friend of mine.” Kayce and I had started dating after he divorced his wife Monica. He was having trouble getting his son Tate to school since his truck was broken down. I offered him a ride and he offered to buy me dinner as a thank you. Somehow we ended up finding a lot in common.

Ryan shrugged his shoulders confused at what was happening exactly between us. I honestly didn’t know why Kayce seemed upset over this. “Kayce, I don’t know what you are thinking is going on. Y/n and I are just friends. We met up and she said that she was working out as the same place as I did.” Kanye stomped up turning his hand into a fist punching Ryan straight in the face. He collapsed onto the floor quickly getting to his feet taking a swing at the younger Dutton son where they ended up fighting until I shoved myself in between them. Holding my hands up I glanced between the pair raising my voice at them. “Kayce, enough alright. I don’t know what this is all about but you’re being completely ridiculous-“ He cut me off throwing his arms up shouting at me, I saw some tears slip out when his voice cracked in response. “Im jealous of him Y/n. I am jealous that you might find my family crazy and leave with Ryan. I can’t - I don’t want to go through another divorce and put Tate through something like that!” Blinking my eyes I was taken back by his words. I would have never thought he was the jealous insecure type.

“Kayce, come with me. We need to talk about this.” Grabbing his forearm I dragged him out of the barn and through the main house until we got into his bedroom slamming the door behind my back. “What makes you think that I would want to date Ryan when I am with you. I mean I am completely in love with you, Kayce Dutton. You are the only cowboy for me!” He blinked his eyes a few times slowly striding up to me cradling my face in his hands grinning through some tears. “You are in love with me…really in love with me. I thought…but you two are so close. I was just jealous…I’m so sorry.” Leaning up on my toes I smiled wrapping my arms around his neck kissing him deeply. He leans into the kiss tugging me closer until I jump up wrapping my legs around his waist. The kiss got heated where we fell back onto the bed panting heavily while we started to remove our clothes in a hurry. “I love you too Y/n. Maybe I should get jealous for often if this is the result.” Pressing my lips to his in a long kiss he smirked back to my reply. “Sssh Dutton. Don’t ruin the moment. You’ve got nothing to be jealous over.”

Comments really appreciated ❤️

[bellarkeselection]

Kayce dutton x reader

Navy reader x war time

Kayce and reader service together reader shoots a kid is having trouble dealing with it

Years later they run into eachother in the states

When War Follows You Home

Moving down the hallway with my gun raised I had Kayce at my side. We were both assigned to the same mission. But what I saw in front of me would haunt me for the rest of my life. I froze not being able to pull the trigger and hurt the mother and daughter that were being held hostage by their own husband/father. "Kayce-" I cut myself short because hr pulled his trigger making them collapse dead burning the image into my memory.

Shooting upright in my bed I screamed grabbing the bedsheets in my fingers. Throwing my hair in front of my face my chest tightened during that time. Bending my head down in between my fingers I gasped. Fumbling for my phone on the nightstand I dialed the only person who would understand. "Kayce, I...I can't sleep."

"Neither can I, darling. Do you uh - want me to come over?" He croaked through the phone where I could tell he was crying.

The words flew out of my mouth. "Yes, please. I need you."

"I'm on my way then." He hung up the phone where I laid my phone down tossing the covers away. Sliding out of the bed I shrugged on one of my sweatshirts heading towards my front porch. Closing the front door I knew Kayce didn’t live very far from my place so I could just sit out and wait.

Kayce and I had joined the navy together. He went in to get money to feed his wife and son. But I wanted to fight for my country more than anything. Yet once we came home after that mission I didn’t realize that I had never been that rattled in my life. Leaning back in my swing I finally saw his truck pull into the driveway. “Y/n!” He called my name, shutting the door running up the stairs.

Flinging my arms around his neck I started sobbing into his light brown jacket. He wrapped his arms tightly around my waist. "I didn't know who else to call!"

"Hey, hey, I said you could always call me. But it's cold out, let's get you inside." He broke the hug barely to just open the door leading me to the living room couch.

He went into the kitchen while I sat down on the couch. Wrapping the blanket around myself tightly I hugged my legs up to my chest. "I just hate waking up like this. I have to…relive it all over again."

"Do you want to talk about it?" Kayce came from the kitchen handing me a cup of warm milk.

He sat down across from me on the couch holding his own cup in his hands. "I'm not sure it would make me feel better. Does it you?"

"I don't really talk about it with anyone but you." He slumped his shoulders heavily.

This wasn't the first time that I had woken up like this. Kayce and I had done this same night for almost two years now. No matter how much our family's tried to help. They still couldn't understand the torture we dealt with. "Hmm…everytime the nightmare replays in my head. I…I lock onto the eight year old girl's eyes. She just looked so helpless…"

“I see their bodies collapse right in front of you. And I think what if I hadn’t done it-“ Kayce trailed off, beginning to cry wiping tears away with his jacket sleeve.

Reaching across I grabbed his freehand in mine where we met the others' gaze. “Kayce, don’t go there. We didn’t have a choice. They….they would have killed us.”

“But they killed our medic and captain. Either way I failed them. Now…I have to live with that.” He bent his head down sitting his cup on the table stomping over to stand in front of the window.

Sitting my cup down I sighed walking up behind him. “Kayce, the only way you and I can get through this is together.”

He clutched his hands into fists at his sides. He bent his head down croaking through tears. “It torture’s me, Y/n. It puts me in this type of darkness and I don’t feel like I can escape it.”

“Kayce, look at me.” I cupped his face in my hands making him look at me with those brown eyes. He sniffs alongside me when I almost couldn’t get the words out. “You aren’t alone in your nightmares. I feel everything you do….And I will always be there to help you through this…”

He collapsed against me where I grunted, leading him back onto the couch since I wasn’t as strong as he was. He death gripped my shirt in his hands sobbing. “Thank you, Y/n…I don’t know what I would do without you.”

“You’ll never have to think about this alone. War may have followed us home…” I buried my face against his chest needing comfort from the cowboy too. Running my fingers through his hair he sighed in relief finding comfort from it. “But it won’t break us as long as we are there for one another.”

Comments really appreciated ❤️

[bellarkeselection]

Inspired to write for Kayce again but it can also be other Yellowstone characters since my goal is to get to 200 requests

Send requests to my ask box 😊