#kaylor evidence

[foryouiwouldcrosstheline]

We are serious, we are not reaching. We are just seeing the events and making connections. It's real. They are genius. They are the mastermind.

[thegaylordiaries]

💜Lavender Haze MV visuals vs Chic “I’ll Be There” (which Karlie Kloss starred in) MV visuals💜

[mrsswift-kloss]

Shoutout to the hetlors that are slowly drinking the potion to get in the rabbit hole we gaylors have cardigans here to keep y'all warm and so much tea that could last a lifetime. Y'all, welcome to wondergayland.

Relax!

Everything, I mean everything will make sense now that y'all are here go and listen to her songs again, starting from her album Red up to Midnights with a different perspective ✨

[daisyswift3]

A Summary of the 🎃 Messages--The Overarching Story

So I just realized sth abt the 🎃 messages while listening to ttpd—they’re in chronological order!! I am going to try to give a summary of these messages and explain why I believe this. This album has made 99% of her songs, mvs, metaphors, and symbols make perfect sense. There were always some things like getaway car, cruel summer, and the palm trees in rep era that I could never quite figure out but now it's all crystal clear. It's like ttpd is the last piece of the puzzle needed to make everything fall right into place and to see the whole messy complicated story. One thing I want you to take note of as you read this summary is how incredibly consistent Taylor is w her use of metaphors and symbols. This makes solving the puzzle that is her music more like solving a cypher that you can know you solved correctly bc all the symbols will fit together perfectly just like a secret code. Once you understand what one symbol represents you now know what it means every time you see it. Every word or phrase she uses is intentional and there's not a single easter egg that's out of place. You'll notice in ttpd there are several words and phrases that are repeated bc she wants us to know that certain songs are related. 🎃 anon said there would be many connections and foretellings in the messages that we could find if we held them to the light in the coming unfoldings, and boy they were not wrong. So w/out further ado let's get into it (just a warning though this will be pretty lengthy so grab your favorite drink, some snacks, and get comfy).

1st message: The first one starts right before rep era when her rep started going down and she started feuding w her record label. These are the obstacles she didn’t see coming that made her slam on the (getaway bike) brakes (which were cut so she had to use her foot to slow down) and not come out. The "heel damaged" could be a reference to Achilles' heel since this was a weak spot she didn't see or it could be a reference to Jesus' heel being bruised in the 1st ever biblical prophecy (see this post for more on that). This was her first big pivot and change of plans. Many ppl have theorized that TS6 was originally going to be a different album--perhaps lover/daylight--but kimye and BMR got in the way of that. This would explain why she wears an outfit w palm trees on it while cutting the wings off her TS6 jet. She spray paints "reputation" on it which seems to indicate it was a haphazard last minute change of plans (x). Plus the endgame mv has palm trees and shows Miami, Florida (which I think is related to Florida!!! but I'll have to get to that another time) connecting it to "Island breeze and lights down low, no one has to know...In the middle of the night in my dreams I know I'm gonna be with you so I take my time." Miami is the paradise where her endgame happens. This all seems to indicate she was ready for "daylight" or "paradise" during rep era but had to pivot.

The Prophecy: “Hand on the throttle, thought I caught lightning in a bottle, Oh but it’s gone again"

2nd message: This is abt the lover rollout that started in spring of 2019 -> "The time draws near, springtime sunshine causing small drips and fractures." The ice castle likely represents the lover house (her music empire, past eras, and closet) since she burns it down w a match just like she does in the eras tour visuals and midnights -> "You strike a match and blow the smoke toward the structure that shelters and protects you. Suddenly, you hear a crack, a crunch, a whoosh. There is a sudden give beneath you, and you tumble through the broken, melting hole in your palace." The ivy reference (spring breaks loose, the time is near) just solidifies my theory that ivy is a song abt an eventual kaylor reunion that will happen before she burns all the files and deserts all her past lives (eras).

Lover era was her second big pivot. I believe she knew there was a very good chance Scott B would sell her masters all the way back in rep era hence why she says "I'm always waiting for you just to cut to the bone, devils roll the dice" (see this post for more on that). "However, in this suddenness you find yourself still somehow underprepared, kicking yourself for the time you squandered by wallowing in the seeming endlessness of your predicament" -> Her being unprepared to come out along w the mastersheist is what caused her to miss her 2nd opportunity to come out. She was so caught off guard that it made her indecisive. And so she played it safe and stayed in the closet -> "Our coming of age has come and gone, suddenly this summer it's clear I never had the courage of my convictions as long as danger is near." Remember how I said Taylor is very consistent w her use of metaphors? Well I made a post a while back explaining how folkmore represents the seasons bc summer = daylight and winter = closeting and folkmore was Taylor trying to come to terms w her 2nd failed coming out hence the grey and beige ("I'm just a paperweight in shades of greige"); so that means the ice castle = winter = closeting and springtime sunshine = almost daylight = almost being out of the closet (and spring was also the time when the lover rollout started so it has a more literal 2nd meaning to it as well).

The Albatross: "So I crossed my thoughtless heart spread my wings like a parachute, I'm the albatross, I swept in at the rescue." [I think there's a good chance this song is abt Scoots so it makes sense the parachute metaphor, which relates to her masters and failed coming out, would be used in this song]

The Bolter: "By all accounts, she almost drowned when she was 6 in frigid water...It feels like the time she fell through the ice then came out alive." ['Long story short I survived']

3rd message: This is abt the mastersheist (diamond heist) during the summer of 2019. It parallels the I Can See You mv exactly (see this post). In hindsight it now makes perfect sense why 1989 tv didn't have any mvs--bc the Fortnight mv is a direct continuation of the ICSY mv! Before the Fortnight mv, the ICSY mv was the most recent one. She didn't want anything between those 2 mvs so that it was obvious they were directly related. Her losing her masters and her 2nd opportunity at daylight is what drove her to insanity and caused her to end up in the asylum -> "I find the artifacts, cried over a hat...I trace the evidence" // "And so I enter into evidence my tarnished coat of arms, etc" | "Is it okay? Is it you? Or have they come to take me away?"

"Mere feet away from the light of freedom...Your getaway bike begins to leave without you, sparks flying as the tires try and fail to slow down for you. You have frozen in this moment of indecision" // "It was the great escape, the prison break, the light of freedom on my face...he was runnin' after us, I was screamin', 'Go, go, go!'" -> There are 2 getaway car mentions in this message which emphasizes its importance. This is likely for a few reasons: 1) To explain what the song getaway car was actually abt--her feud w BMR, not the beards 2) To show that message 1 and 3 are related; the getaway bike is mentioned in both since both are abt her masters 3) To show that the lover era pivot was actually just history repeating itself; this is what Cassandra and the Prophecy are abt.

Cassandra (notice the piano melody from mad woman): “So they set my life in flames, I regret to say do you believe me now? ['If I'm on fire, you'll be made of ashes too']…They knew, they knew, they knew the whole time that I was onto somethin', [She knew there was a good chance her masters would be sold as shown in cruel summer] The family, the pure greed, the Christian chorus line" ['Now he sits on his thrown in his palace of bones praying to his greed']

Fortnight: "I was supposed to be sent away But they forgot to come and get me I was a functioning alcoholic 'Til nobody noticed my new aesthetic [Her fans didn't notice the shift from rainbows and pastels to black mourning clothes during the lover era] All of this to say I hope you're okay But you're the reason [The you in the song is Taylor; she's the reason she decided to stay in the closet] And no one here's to blame But what about your quiet treason?" [Taylor's indecisiveness is what led her to not come out the 2nd time]

loml (This is from Karlie's pov): "Mr. Steal Your Girl, then make her cry...You shit-talked me under the table talking rings [Paper Rings] and talking cradles, [Lover mv] I wish I could un-recall how we almost had it all, [They were so close to daylight]...It was legendary, It was momentary ['I touch you (daylight/sunshine) for only a fortnight']...Our field of dreams engulfed in fire" ['So they set my life in flames']

Florida!!!: "Little did you know your home's really only a town you're just a guest in, ['I touch you (daylight/sunshine) for only a fortnight'; 'And so a touch that was my birthright became foreign'] So you work your life away just to pay for a timeshare down in Destin" [Taylor did all this masterminding and planning just to end up still stuck in the closet and bearding and only being able to see her lover in stolen private moments]

Fresh Out the Slammer: "Another [cruel] summer, taking cover, rolling thunder, he don't understand me"

The Bolter: "But it always ends up with a town car speeding" [getaway car]

Peter: "Forgive me Peter, my lost fearless leader, in closets like cedar preserved from when we were just kids, Is it something I did?" [Peter is herself; 'I'd be a fearless leader' and the fearless album; 'closets' is obvious]

How Did It End?: "We were blind to unforeseen circumstances, We learned the right steps to different dances, and fell victim to interlopers' glances, Lost the game of chance, what are the chances?...It's happening again" [This is the 2nd time she's lost the opportunity to come out]

I Can Do It With a Broken Heart: "I'm so obsessed with him but he avoids me like the plague" [They're in love w each other but can't be together in public; 'Break my soul in 2 looking for you but you're right here']

Down Bad: "For a moment [a fortnight] I knew cosmic love, now I'm down bad crying at the gym...'Fuck it if I can't have him I might just die it would make no difference'" ['You (Taylor) told Lucy you'd kill yourself if I (Karlie) ever leave']

5th message: Out of all the messages this is the one I'm the most uncertain abt. But I think it is possibly about JA leaving before his contract was up. "You are in a kitchen. Not your kitchen, of course. Your kitchen is soft and cozy and sacred. THIS kitchen is hard and cold and purely functional" -> This is not the sacred kitchen from Cornelia Street that she shares w her lover, this is a PR stunting kitchen that's a false imitation of the real domestic bliss she has. A few yrs ago kaylors were talking abt how Karlie has a kitchen that she only uses for PR/social media purposes so pumpkin anon could've been trying to remind us of that. These 3 messages from flag 🏴󠁧󠁢󠁥󠁮󠁧󠁿 anon make me think the breakup happened sooner than planned.

The July 29 message wasn’t meant to be posted until Oct 8 since it was hinting at the Toe breakup happening 5 months later in mid March, 2023.

The Nov 23 message mentions a “shift of footing” which we all agreed meant Toe 🦶 was over. The Dec 5 message w “the need to flex is sometimes necessary” directly following the Toe breakup message is what really makes me think it wasn’t planned. They had to pivot/flex but “other milestones are resolute” meaning the endgame is still the same—K and T will still reunite and both will be out of the closet at a certain time. Plus there’s the “…” at the end of the Nov 23 message which also indicates the Dec 5 one is a direct continuation of that message.

To add more credibility to this theory, RFI and SIG also have ellipses. RFI always seemed like it was supposed to be a direct continuation of SIG bc SIG sets up the “chess game” w her and her lover doing magic and pulling the wool over everyone's eyes, and RFI is when this chess game officially begins, "baby let the games begin."

Some other kaylors said they thought “the need to flex” meant that she wanted to give anti hero more time on the charts so she was flexing or showing off. But I think it makes more sense for it to be related to London Boy himself and not having him as a beard since that’s the whole purpose of having the 🏴󠁧󠁢󠁥󠁮󠁧󠁿 flag. I could be wrong though.

So Long, London: “Pulled him in tighter each time he was drifting away…Holding tight to your quiet resentment…Every breath feels like rarest air when you’re not sure if he wants to be there” [This may mean that JA kept trying to break free from the contract and Taylor kept trying to convince him to stay but it didn’t work]. "My spine split from carrying us up the hill, Wet through my clothes, weary bones caught the chill" ['They are bowing out, leaving you with double the workload, now half burnt and smoking. Their duties weren’t finished, and yet there is nothing you can do to make them stay. Shaken by this loss, chaos descends upon the team. Most roll up their sleeves to work harder']. "And my friends said it isn't right to be scared, every day of a love affair" [There were several blind items talking abt how JA was hooking up w men in a very unsubtle way; this could be what the 'cheating husband' mentions in ttpd are abt]. “Two graves, one gun” [Makes me think of a smoking gun which could be what the 'smell of smoke' in the message was alluding to. Maybe JA threatened to reveal her secrets if she didn't let him go and he had the smoking gun evidence to do so which was the recipe card. 'This time is different. Because you know this person actually has the means to share the secret menu, and that they have enough proof to make the waiting guests believe them.' -> I mean if anyone could convince the general public it would be the man who was supposed to be her boyfriend for 6 yrs]. “And you say I abandoned the ship but I was going down w it, my white knuckle dying grip” ['But you have never been one to lay your armor down. When you fail, you fail gloriously. When you go, you go kicking and screaming']. "I didn't opt in to be your odd man out" [She didn't want to be his beard just like he didn't want to be hers; and odd man out is a game that's played w 3 ppl where the odd man is the loser who's eliminated bc he didn't have a match]. "I founded the club she's heard great things about" [The Tortured Man Club -> The Tortured Poets Department that she's chairman of]

7th message: This message is all abt the domestic bliss she has away from the public eye. She has worked so hard to make sure her secrets are safe by building a tall impenetrable fence. However, she chooses to intentionally blow a dandelion full of secrets--perhaps ttpd is the dandelion w all the songs being the florets or secrets. There is one floret in particular that she’s worried abt—my guess is it’s Robin since it’s so damning if you know what to look for. Plus the song Robin parallels this message perfectly and evokes the same imagery. And to add even more credibility to this theory, the lyric vid for Robin has dandelion florets in the background. See these posts: (x)(x)(x)(x)(x)(x). "You are walking through your yard. It's one of your favorite places, all sprawling garden rows" -> Betty's garden; "your wife waters flowers," etc. "There are daisies - so many daisies - in every shade of your rainbow"--I don't think I even need to explain this. "Your lover and your fresh baked buns are safe. (The buns, of course, are in the oven turning golden as you speak. It's an old family recipe, jotted lovingly on a recipe card.)" -> The recipe card is perhaps a picture or some other sort of smoking gun evidence of Taylor's family and it connects the 5th and 7th messages together. And the meaning of "buns in the oven" is pretty obvious. "Golden" refers to Karlie.

Robin: "Higher and higher, wilder and lighter" [This may be a double entendre--not only is she encouraging this child to bounce higher on his trampoline or swing higher, she is also encouraging the dandelion floret (the song Robin) to fly higher and go out into the world after she blows on it]

The Albatross: "Wild winds are death to the candle...One bad seed kills the garden" [This may be connected to the dandelion metaphor and I believe there are many layers to these lyrics; wild winds can carry the dandelion seeds into other ppl's yards; if Taylor's secret gets out this can destroy the domestic bliss she has i.e. kill her metaphorical garden or candle; 'love's a fragile little flame it can burn out']

I Hate It Here: "I hate it here so I will go to secret gardens in my mind people need a key to get to, the only one is mine" [There is only one way to get into this garden since a tall impenetrable fence surrounds it; there are other layers in these lyrics as well like the escapism aspect of it]

But Daddy I Love Him: "I'm having his baby, no I'm not but you should see your faces" [Bc it's Karlie that had the babies]

8th message: This entire message parallels the Bolter. I believe this is abt Taylor finally choosing her lover over her reputation and choosing to intentionally destroy it in order to meet her lover down at the bottom like 🌋 anon mentioned. This may be the purpose of the whole Ratty debacle—to tarnish her image (by jumping into shark infested waters) so that when kaylor are together in public again her fans won’t be able to hate on KK w/out being hypocrites bc Taylor has already done all the things she knows they’ll accuse KK of, like being connected to someone who’s quite problematic. I believe this takes place from May 2023-now since this is when MH and her started “dating.” The use of all lowercase in the 🌋 messages may be a reference to the reputation album title to indicate that this is going to be a repeat of rep era but this time the damage to her rep will be intentional. I find it very interesting that the Feb 20th 🌋 message is the only one that has a word capitalized and the word that's capitalized is "Gold." This is in contrast to "fools gold" which is not capitalized or colored.

The self-loathing is palpable in Taylor's music (x) and it is displayed heavily in this message as well. I think it's possible the "enemy" is actually just Taylor herself or her public persona to be more exact. She is her own worst enemy; the Anti Hero mv illustrates this. She's the one that spreads the dandelions in message 7 which is what the enemy does in this message; she's the bear, and in the Bolter she (real Taylor) tames the bear (Taylor the brand). I believe TSMWEL could possibly be abt herself as well. I mean TSMWEL literally has "TS" in the track title. The clean version of the Bolter has the line "Then she'll call him a bore" which parallels TSMWEL, "You said normal girls were boring." It's as if real Taylor is doing an UNO reverse on Taylor the brand by treating her public persona the same way she treated real Taylor for years. This is very reminiscent of the Archer, "I've been the archer I've been the prey." I think TSMWEL, while it is abt herself, is simultaneously abt Scott B. And the reason for this relates back to what I said abt the 2nd and 3rd 🎃 messages--she blames both Scott AND herself for her failed coming out. The mastersheist threw her for a loop, yes, but she could've still come out anyway were it not for her indecisiveness. And I haven't have time to fully analyze MBOBHFT yet but I think it's similar where it can either be read from Karlie's perspective to Taylor after the 2019 failed coming out or from Taylor's perspective to Scott B/the industry.

The Bolter: "But as she was leaving, it felt like breathing, ['When I was drowning that's when I could finally breathe'] All her fuckin' lives flashed before her eyes...He [the 'enemy'] was a cad, wanted her bad just like any good trophy hunter and she liked the way it tastes taming a bear, making him care watching him jump then pulling him under" [This connects to the 10th message: 'You limp over uneven ground, smiling at the pain of the shark bite with each excruciating step - replaying the satisfying splash as you finally chose her over the world. As you grabbed the enemy and dove into the infested waters']

loml: "The coward claimed he was a lion" ['You’re a selfish asshole. So much of your fear is your own. You wince at your cowardice like it is a gaping wound. You so often find yourself unable to meet your own eyes. You scramble into shadows like a black cat. Scared, even, of being scared...You are a coward, but you are not a fool']

I Hate It Here: "I was a debutant in another life but now I seem to be scared to go outside" [In another life she already came out but in this one she's too scared to even leave her house let alone come out]

The Tortured Poets Department (This is from Karlie's pov): "You're in self-sabotage mode throwing spikes down on the road"

9th message: This message is abt her finishing her 11th album, the last chapter of her 11 part story, and then sending it out into the world like a message in a bottle (the Manuscript). So I'm assuming this would take place on April 19, 2024, the release date of ttpd. "You are sitting on a beach, cold and windswept. The sea is dark and angry before you." -> This may be the same beach and sea from the folkmore era. "The sun sets in muted colors." -> Describing the sunset colors as muted is quite interesting since sunsets typically have very vivid colors; this makes me think it's related to the eras tour visuals during the transition from august to illicit affairs (which I explained the meaning of in this post), and the folkmore color palette was mainly muted colors. "You finish scrawling on the parchment. Your pen dries up as you reach the end of a story in 11 parts." // "Feeling like the very last drops of an ink pen," "my veins of pitch black ink." She is sick of having to dilute her truth through metaphors and allegories which is why she is a tortured poet -> "Take me to the lakes where all the poets went to die." Plus there's the "parchment" which she mentioned many times during her eras tour speeches which relates it to the folkmore era (x)(x)(x). "And now it is just a matter of time. The dripping of candle wax. The ticking of a clock." -> (x).

I recommend reading this post which explains how the Manuscript, ATW short film, message in a bottle, the story of us, and 4th, 9th, and 10th 🎃 messages are related. Many ppl pointed out that the Manuscript lyric vid looks like a movie script, and she's been referencing films and books a lot recently which makes me think there's a good chance she's going to release a film and book abt her coming out story. The 9th message and the lyrics in the Manuscript make it clear that Taylor's discography as a whole IS the manuscript i.e. it's the author's (Taylor's) draft of her story that is getting ready to be published. In academia, a manuscript is a draft of your research that you send in to be peer reviewed and if it's accepted it then becomes a published academic article.

The Manuscript: "And the years passed like scenes of a show, the professor said to write what you know, [She's equating her life to a story w the different eras being different scenes or chapters] The only thing that's left is the manuscript, one last souvenir from my trip to your shores, [message in a bottle; 'It may wash up on a sunny beach in Florida, or a rocky shore in the northwest'] Now and then I reread the manuscript but the story isn't mine anymore" ['Once you blow a dandelion, you never get it back. It isn’t yours anymore']

The Bolter: "But she's got the best stories"

10th message: This is a direct continuation of the 8th message and takes place right before she comes out of the closet (the wooden door in the woods). So this would take place after her rep has already been destroyed which I don’t think we’ve gotten to yet. My guess is that things will start ramping up in the next few months. She may start being papped w all her previous beards looking happy w them or sth similar which is all she’d need to do to show that the relationships were all fake and she’s been lying this whole time. This may be the “chaos” that 🫚 anon was referring to (see this post). This lines up with the blood moon glitch vinyl, representing chaos and disruption, being the 2nd quarter of the yr according to the midnights clock (4-6 or April-June, 2024). Plus many ppl think BDILH is abt MH--and Taylor meant for this to happen bc this album is full of red herrings--and in that song she says "He (MH) was chaos" so this might be a hint that the bearding shenanigans are gonna ramp up. Of course things are already plenty chaotic now w everyone thinking ttpd is abt 3 different men, one of which is pretty problematic, so perhaps this is all ginger was referring to. Taylor calling herself "the Bolter" has 2 meanings: 1) She is a coward who often runs away from danger 2) The 2nd more positive interpretation is that she knows "when it's time to go." I think it's very telling that ITTG is the last track on the deluxe edition of evermore and comes right after RWYLM, a song abt being stuck in the closet after the 2019 failed coming out. She's saying that she's not going to stay there forever(more).

The Bolter: "But none of it is changing that the chariot is waiting, ['The story of 2 princesses. No place for a prince'; the Cinderella metaphor (x)] Hearts are hers for the breaking, There's escape in escaping...Ended with the slam of a [closet] door but she's got the best stories, You can be sure that as she was leaving it felt like freedom" [The 6/21/2020 ♠️ riddle spells out 'They Are Free']

11th message: This message takes place after midnight at 3am on Nov 1 after she’s gone through the wooden door. In this post I explain how 3am connects to the witching hr or devil's hr. The fact that this takes place right after Halloween is quite significant since it is a day dedicated to remembering the dead, and death and ghosts are a big theme in ttpd. This symbolizes how after Taylor kills her old self (by dragging her into shark infested waters), she will resurrect as a new version of herself and leave the past behind her. And in doing these things, she will finally be able to go back to her figurative home, her cabin, that she was exiled from. -> "I think I've seen this film before so I'm leaving out the side door," "And I was catching my breath, floors of a cabin creaking under my step...I had a feeling so peculiar this pain wouldn't be for evermore." "The flame🕯️ finally🕯️flickers🌬️OUT" -> The match that started the "goddamn blaze in the dark" is no longer needed now that the lover house (her closet) has burned down, so the flame flickers out. This metaphor shows up in Peter as well, "But the woman who sits by the window has turned out the light," where the light dying represents the woman losing hope that a coming out will happen. Notice in this message from present anon that "Goodbye" has a capital letter G which I believe links it to "Gold" in the volcano message that was mentioned earlier. This may indicate that Karlie is the woman/neighbor holding the light and waiting for Taylor's return home. The Dec 26th 🌋 message is likely from Karlie's pov in this case.

Fresh Out the Slammer: "Now pretty baby I'm runnin back home to you, Fresh out the slammer I know who my first call will be to...But it's gonna be alright I did my time...Get the matches, toss the ashes off the ledge, [the burning of the lover house] As I said in my letters [the anon messages this corner of the internet has been receiving? Could also just represent her songs] now that I know better I will never lose my baby again...Swirled you into all of my poems ['My mind turns your life into folklore (literally and figuratively)']...To the house where you still wait up and that porch light [jack-o-lantern] gleams" [see this post abt the porch]

The Alchemy (This is from Karlie's pov): "What if I told you I'm back?...I haven't come around in so long, but I'm coming back so strong, ['But I come back stronger than a 90's trend'] Cause the sign on your heart said it's still reserved for me"

imgonnagetyouback: "Push the reset button we're becoming something new...Even if it's handcuffed I'm leaving here with you, Bygones will be bygone eras fading into gray, We broke all the pieces but still want to play the game...I'm gonna get you back"

[old-acc-gaylorscatmeredith]

Hits different is the most explicitly gay song Taylor has ever released

'Bet I could still melt your world, argumentative, antithetical dream girl' she is directly addressing her dream girl here. She's saying she could melt the dream girl's world. Literally what else could that possibly mean?

'I used to switch out these Kens' for what? It could be she's referring to men as Kens because she plays with them like dolls, but specifically 'switch out' rather than 'play with' implies she's switched them out for something else, like another Barbie - something I've found to be a common experience among girls who like girls.

Also 'asshole outlaw' reminds me of her country roots, and country music is generally very homophobic and sexist. She used to comply by these standards and mindsets but not anymore. Now, 'don't need another metaphor, its simple enough' she doesn't need to disguise it as friendship, instead she's writing song explicitly about this dream girl who she's in love with and skipping the metaphors for other more direct references:

Like references to other songs too, like mentions of summer because of Cruel Summer with 'freedom felt like summer ... now the sun burns'. 'I snuck in through the garden gate every night that summer just to seal my fate' when the only garden gate Taylor's been seen around is Karlie's. The matching lyric: 'I'm drunk in the back of the car and I cried like a baby coming home from the bar' matches with 'I never don't cry at the bar ... I slur your name 'til someone puts me in a car' she's drunk and says 'Karlie' or 'Kar' which is mistaken for 'car'.

A New Romantics reference too, which is such a gay anthem I could write a whole other post about it. 'Like waiting for a bus that never comes' is to me a weirdly out of place lyric just like 'we wait for trains that just aren't coming'.

I'd even argue 'I heard your key turn in the door down the hallways/Is it okay? Is it you?/Or have they come to take me away?' is asking if interacting with Karlie at all is okay to do at all, if she can focus on the public drama about them actually being about her and Karlie, when all she can think about is being found out and taken away from her fame and reputation.

Then of course 'each bar plays our song nothing has ever felt so wrong' meaning 'their song' must be a popular and mainstream song to be played at bars so often, or more broadly could mean mainstream love songs in general which are mostly straight and don't feel right to her for some reason. Her friends tell her that's okay because 'love is a lie' but she knows they're only saying it to make her feel better, when that's not the real reason why 'moving on was always easy'.

Despite all the men she never really liked and the love that never felt right to her, this one person 'hits different'. You as the listener have a choice, either hear she's with her dream girl and it feels right, or that she 'just needed to meet the right guy', as straight people tell lesbians their entire lives.

This has been a gaylor essay thank you for reading

[kit10phish]

Taylor Swift and the Gaylor Double Standard

In the heteronormative context it takes very little evidence to start dating rumors. Unconfirmed relationships are cemented in approved fan lore. The standard of proof to be considered Taylor Swift’s boyfriend is LOW. And people just chuckle or silently move along with correct or incorrect assumptions of dating status are about men. On the other hand, any of the same or more details about a…

[kkarmaismygirlfriend]

im not on tiktok or anything but every screenshot i see of taylor’s tiktok likes, every video is of the gayest fucking person i’ve ever seen in my life even its just a totally normal -not gaylor- tiktok the person in the vid is just the most flaming homosexual i’ve ever seen. is the gay side of tiktok still a thing? are you telling me that this bitch actually sits and watches and likes tiktoks not for public relations reasons but actually has a real life person foryou page that she scrolls through? iconic

[allcatsarebabes]

it is CRACKING me tf up how loud and annoying “they’re still together” toes are like damn i thought some of the late stage kaylor content was pushing it

[anadrenalineslut]

@beetlejuice098 assumptions about what, dummy?

That conspiracy kaylors who believe Joe is a beard don't use body language pseudoscience to back up their shit? Just go on kaylor tiktok babes.

[heda-heather]

Transcription of a voice memo my friend sent me about JK and KK. Picture she is referring to, shown below.

“He is so gay. I will literally never get over that picture that you showed me where they both look so gay like I'm I'm sorry the body language the attire the the air like that that is not a straight woman and that is definitely not a straight man like case closed no further testimonies or evidence need be presented.”

The Kaylor conversion starts with one photo. Use it wisely.

[mrsswift-kloss]

Soooo I was just thinking that Lavender Haze is so loud ,

that I went to google what happened significant in the 1950's and this is what I found

And not only that, I came to this as I continue scrolling:

Okay, any more ideas about this topic? I'm just gonna leave this here as I go die in a hole bye

btw here's the link

[daisyswift3]

The 1989 Era Is Coming Back Around—Rebirth and New Beginnings ☀️🦋

You know what I just realized….Taylor is currently 34 yrs old which means she will be 35 on Dec 13 of this yr. The Manuscript vinyl variant of TTPD is $35 and the standard digital album is $12

I just made a post explaining why I think this album cover represents the acceptance stage of grief and how it’s related to the common expression “You’ve made your bed now lie in it” which means you have to accept the unpleasant results of your actions. We know that midnight or 12:00 is when we meet the real Taylor and when Taylor meets herself and there have been a lot of hints at New Year’s Day, one of the biggest midnights of the yr, being when midnight will happen: 321 happy new yr, 321 exile ends, new yr = rebirth and new beginnings 🦋, glitching back to 1989 era which is the moonstone vinyl, midnights vinyls clock, 12 hrs for 12 months, 12th month is Dec, 8/9/23 surprise songs, “don’t read the last page” connecting to the story of us and the manuscript, etc

So putting all these pieces together I don’t think it’s that much of a reach to conclude that midnight/daylight will happen at the end of this yr in Dec when Taylor is 35 yrs old. The moonstone vinyl/1989 represents the beginning of the yr (Jan-March, 1-3), and if we’re glitching back to 1989 and starting over from the beginning—the 2013 VSFS—then the beginning of 2025 will mark the rebirth/new beginning/new chapter that Taylor has been hinting at!! This is why Taylor has been referencing the 1989 era like crazy lately and why the 1989 tv album cover is the only album cover of hers that she smiles in. She’s literally telling us exactly WHEN midnight will happen

“It’s a clock, it can help you tell time” -> “It’s coming back around” -> Just like a cyclical clock, the 1989 era/moonstone vinyl is coming back around. We’re going back to where it all began

[pinkorchidsinspring]

Happy 2 year anniversary to this iconic piece of Kaylor evidence <3

[rainbowdaisy13]

Alright this is the most well written, throughly researched, intelligent Gaylor article I think we’ve ever seen

Anna Marks—if that is your real name, I’d understand if you used a pseudonym bc Swifties—thank you for being a part of this community. It’s evident to me that you are here somewhere and this is the first time someone has taken our data collection of social media screenshots/Easter eggs/queer history/lyrical parallels/etc seriously. I have always maintained the people involved in Kaylor tumblr are the smartest, most detailed oriented, bravest and kindest Taylor fans out there. We all want the same thing—for the genius, incredible songwriter of our generation Mastermind that is Taylor Alison Swift to live her best most free life

Thank you for putting so eloquently into words the general public will read what so so many of us have been saying and thinking for years

Tree, you done good

Taylor—1 2 3 LETS GO BITCH 🌈💥🌈

[bettyshoweduptotheparty]

what's your top three recent kaylor evidence/koincides?

What counts as recent? From this year? Definitely the baby shower cake with 13 daisies, that was insane... Maybe the way that Taylor stumbled over her words about the 'musical family' at the first show after Karlie gave birth. Or Karlie’s pregnancy photo shoot in the I🖤 hot moms shirt where she also conveniently covers her right eye 😉

And because I took my kids to the cinema today and we saw the trailer for Migration, this really has Out of the Woods ALL OVER IT, so to post this for thanksgiving with the kids and that movie clip in the background, was also really loud.

[lex-loudestwoman]

Kaylor Swiftgron: Which Muse Inspired Which Songs on Red & 1989

On the precipice of 1989 TV's release and amidst the Kaylorification of 1989 TV's rollout, I thought it'd be a good time to figure out which muses aligned to which songs. I did my research, which includes: lyrical analysis & music video analysis, the timing of when songs were written, which producers and co-writers were credited to each song, social media posts, and where the girls were in real time. Shout out to @sophietv for her incredible work on the Kaylor timelines and evidence, and to @swiftgronmasterpost and @swiftgronmasterpost for their work to outline everything from Achele to Rivergron to Swiftgron. Round of applause to you both!!

Let's get into it!! (and if you want to just see my conclusions for which songs are about which muse, scroooolllll to the bottom)

The Red Muses

2011

Red was written in two phases. First, she worked with her producer from Speak Now & Fearless, Nathan Chapman. They wrote 25 songs together between February and October 2011. She took these songs to Scott Borchetta and he congratulated her on a finished album, but she wanted to experiment with other producers and writers to play with new sounds. So, after October 2011 she started working with a handful of other producers to write more tracks for Red. Here's a breakdown of Red songs by producer.

Nathan Chapman:

State of Grace

Red

All Too Well

I Almost Do

Stay, Stay, Stay

Sad Beautiful Tragic

Starlight

Begin Again

The Moment I Knew

Girl At Home

Martin & Shellback:

I Knew You Were Trouble

22

We Are Never Ever Getting Back Together

Message in a Bottle

Bhasker: Holy Ground

Wilson: Treacherous, Come Back...Be Here

Walker: Everything Has Changed

Lind & Bjorkland: The Very First Night

McKenna: I Bet You Think About Me

The first time we know for sure Dianna and Taylor interacted was on September 4th, 2011 at the Fairfax Flea Market, which implied that the songs Taylor wrote with Chapman weren't about Dianna.

Karlie and Taylor dated (I think) starting in the summer or early fall of 2011. I think they weren't expecting anything super serious, but it was one of those flirtations that starts out strong and feels good with them and all of the sudden you're in love and you barely believe it and feel ridiculous for knowing but you have a feeling this person is for you, maybe forever... It sounds right for Taylor who has admitted how fast & hard she tends to fall for people when she's in love.

Taylor attended the Rodarte Spring/Summer 2012 fashion show during NYFW and sat front row next to Anna Wintour on Tuesday, September 13, 2011. Karlie walked in the show (slay). This was also the day that Taylor spent with a Vogue interviewer for her iconic January 2012 Vogue Cover and Article where she is quoted as saying "I love Karlie Kloss! I want to bake cookies with her!" She said this straight after leaving the Rodarte Fashion Show.

Interestingly, Karlie was quoted in a magazine as having been introduced to Taylor Swift at the Met Gala and they joked about baking cookies together! They both attended the Met Gala in May 2011, just four months before the Rodarte Fashion Show/Vogue Interview day! So it's pretty weird that Taylor would say the exact same thing, unprompted, when she saw a photo of Karlie Kloss at a fashion designer's studio on the exact same day she sat front row for a fashion show Karlie walked in!!

I imagine that Taylor and Karlie fell into something new and beautiful and sweet by accident. The Rodarte Show was on a Tuesday, maybe they met up for coffee the next day on Wednesday, September 14th in NYC? Who's to say!

All that said, I think Begin Again is about Karlie. It was written sometime between February and October 2011, which would've been a really, really fast turnaround for it to be about Dianna. Between the music video and the lyrical connections, it's very Kaylor coded. Starlight also could plausibly be about Karlie because they attended the Met together in 2010 and 2011, and their 2011 dresses were sparkly and tbh Karlie looked hot AF.

But, let's also remember that Taylor is on tour and just got herself out of two on-again-off-again, fairly toxic relationships, and as she said herself in Begin Again that the last 8 months she's been heartbroken and scared to get hurt from love (earliest would've been June 2010-February 2011 and latest would've been February-October 2011). Plus she's not even 22 years old, so she's not necessarily good at being in relationships yet. She's in a messy place, and she falls in love like a ton of bricks.

I think that this delicate, precious new thing with Karlie didn't work out (not for malice or hurting each other, just life) and over the winter they were distant but were still in contact.

2012

On January 17, 2012 we get tweets from BOTH Karlie and Dianna about the *iconic* Vogue article. This makes me think:

1. Karlie is still interested in exploring this new relationship with Taylor

2. Dianna and Taylor have kept in touch and have a lil something something going on, a little curiosity they might want to explore

3. Taylor likes public attention, and she likes feeling wanted, and she's got two hot ass women who want her. Do you blame the girl for being messy!?!

Dianna and Taylor attend the same pre-Oscars party on February 24th, 2012, and this is where I think Swiftgron starts to take off. Dianna is all happy and heart eyes online for the next three weeks until the Speak Now Tour ends. They're spotted together frequently in March and April. The Shirley MacLaine birthday party thing happens April 25th, Dianna's circus birthday party is April 28th, and I would bet anything they started hooking up sometime these first two months. I think Holy Ground was written about Dianna's birthday party, with the note on the door with the joke we made, and that was the first day.

Taylor writes Everything Has Changed and Run on May 15th, 2012, with Ed Sheeran, and records both EHC and The Last Time on May 28th, 2012. Everything Has Changed seems Swiftgron (thanks Gaylor twt for helping me figure out that the freckles are IN Dianna's green eyes bc girl bye I was full of questions). The Last Time is almost certainly about Liz.

But Run is very Kaylor coded! The pale blue eyes, use of darling, the laugh like a child (Begin Again), locket, picture frame...

On May 31st, 2012, Dianna is bearding hard with Henry Joost to distract from her appearance with GLAAD. I have a working hypothesis that Taylor Swift hates beards and is not a fan of having to use them or be with people who have them. I just don't think it works for her with how insanely famous she is, the guys are hyperscrutinized and she's honestly not very good at being a convincing heterosexual woman. I think there's some conflict between Taylor and Dianna because of the beard.

By June 10th, 2012, Taylor has written 22, WANEGBT, and IKYWT. I am inclined to believe that WANEGBT is about Emily or Liz. Same thing with IKYWT. 22 is about her besties and living life and being carefree and embracing all of the beauty and pain of falling in and out of love and everything that is your early 20s.

We get the whole Hyannis Port x Kennedys summer week of pap walks featuring Swiftgron all over the place! But it seems like they probably break up later in July. This was a hot and cold relationship for real.

WANEGBT is released on 8/13 and Dianna tweets at Taylor (like never ever?). On September 29, 2012 Dianna and Naya Rivera are on a cheeky, lil sexy vacation in Paris. Taylor goes to Paris that same weekend to film Begin Again at the Love Lock bridge (Karlie is also in Paris but there's no evidence to show that they saw each other at all).

However, I wouldn't put it past Taylor and Karlie to have seen each other while Swiftgron was cold. Perhaps in September 2012 right around when she filmed Begin Again?

October 17, 2012 Taylor writes This Love in LA according to her diary entries. So I think This Love is about the Swiftgron reconciliation for whatever happened this summer. Things are good for a bit, they go to the Ripple of Hope gala together on December 3rd, 2012. They're pictured together on December 6th, 2012 and Dianna's all cryptic online about her secret love.

Quick Aside: Karlie and Josh have been "officially together" ever since June 2012, but they were first seen together in November 2012 when they both attended the VS Fashion Show. I'm under the impression that these gay celebrities in their early twenties only needed a beard when they were in another relationship they were distracting away from. They didn't need a beard, they could just say they were focused on friends and their career (aka 1989 era). So who was Karlie dating in mid 2012 that needed to be covered up with plausible deniability? This would've been in the works for a bit before they launched it in November 2012.

Also, super interesting that Karlie also met Taylor for the "first time" at the 2013 Victoria's Secret Fashion Show, hmm? Anywayssss.

2013

I think everything Swiftgron blew up on February 14th, 2013 with the 'I Do' episode of Glee where Dianna Agron and Naya Rivera hook up on screen. Taylor made a whole big deal about this episode containing one of her songs and encouraged her fans to watch, but her song wasn't in the show (tweet was later deleted). But picture this: Happy Valentine's Day, watch your girlfriend hook up with the girl she told you not to worry about!! And then learn that they actually did hookup when y'all were on a break, like two weeks before y'all got back together!! Oooh boy!! I'm pretty sure this was what inspired Babe (in the music video Taylor was the mistress, but IRL Taylor was the main character who got cheated on instead of the mistress!!).

Dianna is a mess on Twitter after that and there might have been about two months of back & forth, maybe some breakup sex, but I think Swiftgron died dead by the time the article about them secretly dating dropped on April 16th, 2013.

The Red tour started on March 18th, 2013 and I can't imagine that made things any easier for Swiftgron. Meanwhile... I think Karlie and Taylor re-reconnected in this time period.

The 1989 Muses

2013

Taylor wrote 1989 while on tour for Red (except for This Love, according to the diary entry it was written on 10/17/2012). I think the breakup songs are about Dianna and the love songs (excluding This Love) are allllll Karlie.

If Taylor and Karlie did reconnect in Fall 2012, then Spring 2013 would be a long six months later...

Taylor and Karlie "meet for the first time" (which we have so much proof that it's not but like, okay, fine) on November 13, 2013 at the Victoria's Secret Fashion show. We know this isn't their first meeting or flirtationship, but it certainly is their first public outing to test what people say about their friendship.

Then, I'd wager Taylor plays "cat & mouse for a month or two or three" until they officially are girlfriends on March 6, 2014. Yay!!!

Songs About Dianna:

Red: Holy Ground, Everything Has Changed, Come Back...Be Here, Better Man, Babe

1989: Clean, Wonderland, All You Had To Do Was Stay, I Wish You Would

Songs About Karlie:

Red: State of Grace, Treacherous, Stay, Stay, Stay, Starlight, Begin Again, Message in a Bottle, Run, The Very First Night

1989: Welcome to New York, Blank Space, Style, OOTW, Wildest Dreams, How You Get the Girl, I Know Places, You Are in Love, New Romantics