#kcd talk
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feelinungry · 1 year ago
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and i will always, always, be defending the "plot-holes" that are not actually plot-holes at all. i've seen people on facebook complain so many times about the ending of the game - about the siege of talmberg to be more exact.
"just attack it", "just take it down", "why doesn't divish just do it", "ohh his wife he can't even fuck! nobody gives a damn", "henry doesn't even really care for radzig at this point" etc.
and i have to go back to that one solitary thing this game literally cannot exist without: love. it's the main aspect, it's the pillars the story stands on, it's everything.
medieval movies and books like to picture the old times ala skyrim: "my son was very young when he died. but he did so while doing his duty. he fell for skyrim! he fell for the empire! i do not mourn for i am proud!"
"oh, i loved my father more than anything. but he is gone now. that is life."
it is. but. hear me out. people back then - were actually just like people now. we break down when we lose someone we adore, cherish, love, protect. no matter how stoic we may be, we don't take it lightly, do we?
so, if you think about it, is it a plot-hole, when divish refuses to attack his castle because
it's his home and he loves it
his wife is in there
his friend is also in there?
robard would not attack if it were divish in there. radzig would not attack if it were henry in there. hans would not attack if it were hanush in there. istvan would not attack if it were erik in there. captain bernard would not attack if it were hans in there.
it all comes back to love. and wanting people you care about safe.
martin running back to certain death because his wife is in the village when the cumans attack.
both parents worrying about nothing but their beloved son even while they are being brutally murdered.
everyone on talmberg willing to lock henry up just to keep him away from skalitz (for reasons yet unknown).
theresa making a last stand for someone just as lost as her.
the understanding he's met with when henry comes and admits his failure to radzig, the fact that he went against direct order. (nothing, absolutely nothing else but radzig being in debt to martin, or radzig being someone close to henry, could explain the understanding, the acceptance, and the outcome of the whole situation. how do you think henry - who is just a young man, not a hero, not a dragonborn, not a chosen one - would get away with all this?)
henry backed out of the night raid on talmberg because hans was wounded and wouldn't survive long enough for the mission to succeed.
hans (in one of the outcomes) carried him out on his back, saving his fat ass. no time for glory, no time for saving the hostages when it's suddenly your best friend who is on the ground and bleeding out. he might have succeeded with the mission. yet he didn't hesitate when suddenly it was him who was put in the shoes of those who just wanted to keep their loved ones safe. it was stephanie for divish (he approved the raid). it was radzig for henry (he was the one who went first and most willingly). and it was henry for hans (who immediately backed out on henry's behalf). all those actions were based on love.
would you attack talmberg, knowing there was someone you loved? someone you wanted to know better, someone you wanted to learn how to love, someone who could have been much closer if he only tried? someone you only just met?
the whole story starts with love, continues with love, ends with love. it is everywhere you look and you don't even have to romance anyone to see it, to feel it. it is in the npcs' lives, it's the motivation behind so many actions. it's in henry's decisions. in your decisions.
because, don't you just love this game?
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deputyrook · 3 months ago
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Man, when I picked up KCD1 I seriously did NOT expect it to become one of my new favourite games.
After hearing PatStaresAt talk about how much he was liking KCD1 (we usually align pretty closely on our game opinions) and seeing clips and gifs from KCD2, I figured I’d finally give it a shot. I’d seen KCD around since it came out and thought about picking it up in the past, but always assumed I wouldn’t like it much. But I’ve had a growing interest in medieval history for a while, so it kind of came back around at the perfect time for me
Even still, I expected to like it about the same or slightly less than some of the other recent smaller-team RPGs I’ve played (like Greedfall). I thought not being able to customize the MC would hold me back from really loving the story and becoming invested.
It was such a surprise to play the game and see not only how much I like Henry as the main character, but also the other characters in the story, the pacing, the incredibly immersive world building, and actually PLAYING the game (the diverse quests, combat, the minigames, the character stat progression- I really love all of it)
As much as I’ve been loving KCD2 and the improvements they’ve made (especially on the combat system and how goddamn gorgeous the game is) KCD1 has a special place in my heart for being so unexpectedly adored.
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theoldkyokodied · 22 days ago
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guess which game(s) I've been playing
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flintyart · 4 months ago
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croquettish · 29 days ago
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Sexuality, Acceptability, Risk, and Medieval Bohemia
Someone commented on my Hansry fic recently about how a good number of fics in this fandom apparently feature the sort of modern protestant homophobia emblematic of the United States. This was baffling to me.
More recently I've seen a bit of backlash against this rather normative, America-centric approach to the historical homophobia (deeply entrenched in Catholicism, mind you) that they would have been subject to back then. And, as is quite normal with the internet, naturally the pendulum has swung way too far in the other direction. Jokes were made and then taken seriously by others. I've now seen sentiments floating around like "oh they wouldn't have cared at all," (not on tumblr) which is wild to me.
My doctoral studies have to do with queerness in the High Middle Ages, so seeing as I've spent the last several years of my life living on archive.org, knee-deep in this research, I feel like it's my academic responsibility to correct the record some. As usual, the answer lies somewhere in the middle of the two extremes.
All my sources are listed in the text (in the case of art) or at the very end of the post. For those of you just interested in what all of this means for Hansry, feel free to jump down to the purple heading.
I will start by saying that the "queer medieval utopia" you're looking for didn't exist. The closest you're going to get to that is the late 11th century / early 12th century, and even then there were limits to this general social acceptability. Paris and Florence were commonly considered to be gay dens of iniquity by people outside of those places, but even that was a bit of an exaggeration.
So where does this misconception come from?
Within the Catholic landscape, the body was considered separate from the spirit. Only one's "mystic sensorium" was supposed to be involved in spiritual intercourse with Christ and each other, and the overlap of the real and the ideal was… problematic at times, a genuine threat to chastity. Physical affection was meant to not broach certain limits. Kissing was acceptable. Metaphors were acceptable. In ancient Christianity, it was normal for women to kiss other women and for men to kiss other men as part of mass in the name of exchanging the kiss of peace, the pax. The idea here was to meet with the Spirit of Christ. Ambrose likened it to "lovers who, unsatisfied with the mere enjoyment of the lips, kiss so deeply as to interchange their spirits with one another." Which is all well and good, but this leaves a lot of leeway. How much physical affection was considered acceptable?
Anselm, the closest thing we have to a gay man of this time, would write things like this, in this case a letter addressed to two biological brothers that he hoped to join him in the monastic life:
"My eyes long to see your faces most beloved; my arms stretch out to your embraces; my lips long for your kisses; whatever remains to me of life desires your company . . . . Oh, how my love burns in my marrow . . . . [In coming to Bec] you have fused my soul with yours. If you now leave me, our joint soul will be torn apart, it can never again become two."
He had never met them before, nor should this suggest that they were about to enter a sexual relationship. In fact, around this time we see quite a few such expressions of affection coming out of the monastic space. Alcuin, writing to Arno of Salzburg, felt entirely comfortable writing that his love could not be prevented, even in the face of death, from licking Arno's innermost parts, a reference here (most likely) to Christ's side wound. In another letter, Alcuin is even more overt:
"It is exquisitely sweet to remember your love and intimacy, holy father; I wish the dear moment would come when I might embrace the shoulders of your love with the arms of my longing for you. . . . with what speedy hands I would rush into your fatherly embrace, with what pressing lips I would kiss not only your eyes and ears and mouth, but each knuckle of each finger, of each toe, not once, but many, many times!"
It would be extremely easy to assume that these letters suggested more than meets the eye, but historically speaking, as far as we know, this was not the case. Because this level of affection was considered to be in line with the "Christian" thing to do between brothers (no, I'm not joking). And there were harsh punishments if you breached these limits. Bear in mind, these letters could easily be seen by others!
Moreover, it should be noted that we don't see this level of affection outside of the monastic space (though it does still come up, albeit to a much lesser extent). You can think of it as code switching, essentially. Verbiage that would be considered insanely sexual in one space would not be considered as such within a monastic context prior to the shift in the 12th century.
Some scholars suggested that the use of such language implies ignorance or naivety about how this physical affection could look to the outside world, but we do know that Anselm at one point became worried enough that he might be misunderstood that he censored himself after leaving Bec for Canterbury. Even if his inclinations were chaste, he knew they could be viewed through the lens of homosexuality.
The ideal sexual state for a person to be in at this time was rooted in asceticism: chastity in the face of desire. You'd think asexuality would be a quick workaround for that, but unfortunately the lack of desire would just mean a lack of necessary effort on that person's part. Bear in mind, suffering is what's rewarded here. A gay man plagued with homosexual desires is just being tested by God. By denying himself those desires, he's rising in the ranks of holiness. A great example of this is Brother Lucas from KCD1:
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According to the Rule of Pachomius, kissing boys on the lips was forbidden and punished by whipping, imprisonment, fasting, shaving, and six months of humiliation. In Fructuosus of Braga's Rule, a monk kissing or even being "too attentive to young men or boys would result in a very similar six month sentence as well as six additional months of manual labor, separated from his brethren, always under watch of at least two spiritual brothers. Never again was he allowed to enjoy private conversation or companionship with those younger than him.
"But Tam!" you might say. "This is just about monks! What about real people?"
I'm so glad you asked! Because we know that as well!
Penitentials, which were quite in vogue until around the 11th century and then again after the passing of Lateran IV in the early 13th century, were very punishing of all manner of sexuality, but especially homosexual acts, and, among them, especially oral sex. (The mouth is considered, to a certain extent, sacred. Don't ask me why, that alone is like twenty pages in my dissertation, though I could be lowballing tbh.) The Penitential of Theodore punishes it with 7 years of harsh penance and 15 years if the practice is habitual. Sometimes, however, it was "until the end of life" and considered to be the "worst evil," worse than fornication with one's mother. Harsh!
Ye olde penitentials were used as guidelines for later confession as well as those from before the 12th century. Conveniently for us, the late, great James A. Brundage came up with a fantastic chart/guide on when and how it was acceptable to have sex at all:
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Did people follow this? My god, absolutely not. We wouldn't have the confessional records if this wasn't a problem in the realm of ~sin. But the guidelines were there and expected to be adhered to.
Don't get me wrong, the late 11th / early 12th century was a watershed moment in history in terms of overall acceptability of queerness, a time when Ovid and other Ovidian literature flourished. Punishments were rarely enforced. But the come-down from that era led us to a very rough landing. Lateran III kicked off the official canon ratification of outlawing homosexuality explicitly, and this, together with the outlawing of clerical marriage and the sudden flourishing of courtly love as a genre, led to a very dramatic shift in society from homosocial to heterosexual (which is, incidentally, what my dissertation is about).
The long 12th century was a red letter event in terms of history, not least because some of history's most notorious homophobes spread their ideas like wildfire. I am, of course, talking about Alain de Lille, renowned author of De planctu Naturae ("The Complaint of Nature"), which reminded everyone that homosexuality was against nature, and Peter Damian, who doesn't even deserve being commented on. The idea of homosexuality being "against nature" was far from new. The early church fathers like Augustine and Jerome condemned it pretty outrightly, and in the 13th century St. Thomas Aquinas was more than happy to further entrench the idea. Here, sodomy disrupts nature so much as to dissolve the soul.
We saw this in literature as well. Dante's Divine Comedy (early 14th c) slapped sodomites into the 7th layer of hell, but a real standout here is the Debate Between Ganymede and Helen, where the two have a very lengthy argument wherein she convinces Ganymede (often associated with homosexuality) that heterosexuality is infinitely superior to the alternative. She throws in such lovely arguments as insisting that he at least respect Nature, that he's been deceived by well-disguised filth, that he's been squandering his love between the thighs of men, and that he's been treating himself like human garbage as a result. In the end, he suddenly sees his crime for what it is, and the gods agree with him, stating that they've now also come to their senses. Sodomy is thus left behind by the gods and the choir swells in cheer at this tremendous success.
Canon law more or less exclusively had its grubby little fingers in the pies of what was and wasn't deemed acceptable in terms of sex until about the early-14th c, while afterward the government was delighted to also get involved in your bedroom activities. Particularly in the late 14th century homosexuality was increasingly legislated against, and in increasingly brutal ways at that. This wonderful and not at all problematic marriage of church and state is how we ended up with the Trials of the Knights Templar.
Let's say you're King Philip IV. The people have been revolting, you're running low on funds, you owe the Templars as it is, and you have a penchant for pogroms. You want money and land. What do you do? Well, naturally you write a letter to the pope about how you have all these horrible suspicions about these people you employ and who have come to your aid quite often!
Boy, oh boy! Wasn't that a fun time for them. Before, they'd been well-respected and well-off, supported by the king, with zero doubt in their respectability. Naturally, it all came tumbling down with that letter. Because the investigation was ready to find them at fault for something no matter what, under pain of torture of course. There's a particularly striking letter from a father to his daughter, written during the Bamberg witch trials (much later), wherein he explained that, after a particularly rough torture session, the executioner pulled him aside and told him this: "Sir, I beg you, for God's sake confess something, whether it be true or not. Invent something, for you cannot endure the torture which you will be put to; and, even if you bear it all, yet you will not escape, not even if you were an earl, but one torture will follow after another until you say you are a witch. Not before that will they let you go, as you may see by all their trials, for one is just like another."
Were the Templars recreationally homosexual? Maybe. For their sake, I sure hope so, because then they might have at least had some fun before going out. But either way, they were arrested, their territory, funds, and belongings seized, were convicted of heresy, sodomy, and black magic, and eventually burned at the stake. Two men were later burned at the stake as relapsed heretics after saying that they'd only confessed under duress and were actually innocent.
It even led to fun art like this one in 1350:
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De Longuyon, Jacques. Voeux du Paon Manuscript. 1350. Morgan Library and Museum, New York. G.24 fol. 70r.
It was also around this time also that homosexuality was increasingly associated not only with heresy, but also with bestiality, suggesting that this crime against nature was effectively also a crossing of special boundaries (species-based, not extraordinary). In line with this, while homage to one's liege used to be sworn with a kiss on the lips (!!), over the course of the 14th century that was summarily done away with as well in a change that quite frankly swept across Europe (and we all wept).
In 1327, Edward II, who had a few boyfriends, was supposedly murdered by having a red hot poker shoved up his rectum. Even if this didn't happen, the chroniclers wanted us to believe it, and knowing what we do about Edward's sexual proclivities, it seems like this was a Statement if nothing else.
Where Bologna used to punish homosexuality with a fine, after the late 13th century the punishment was death by burning. The Portuguese, meanwhile, castrated convicted homosexuals and then, three days later, had them hanged by the feet until dead. In Siena, death by hanging was also the answer, but in this case, it was hanging by the dick until dead (not kidding). A particularly horrifying case was this one, happening just six years after when KCD canon takes place:
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Which reminds us that this was most likely an issue that very much associated the clergy (known to be corrupt, especially around this time!). You'll recall the little comments made about this in the game, like Godwin casually committing heresy in front of the whole crew. "Do you think you need a priest for God to hear you?" Well geez, Godwin, according to the Catholic Church, you sure as shit fucking do! What a fantastic and not at all risky thing to say!
(Sidenote, this one is particularly upsetting to me personally in a fandom context because, not only is Augsburg not far from Bohemia, it really reminds me of the many associations between Hans and a caged bird.)
All of which isn't to say that sodomy didn't take place. Boy did it fucking ever. A great example of this comes from out of Switzerland, where, in 1475, a priest reportedly told his lover that "if everybody who committed [the act of sodomy] was burnt at the stake, not even fifty men would survive in Basel." ("Vnd solt man alle die so das tuend verbrennen, es bliben nit funffzig mannen jn Basel.") So, 1% of Basel. This is almost certainly a massive fucking exaggeration that this man pulled out of his ass in order to convince his partner that sodomy is fine, actually, but it does tell us something about the perception, if not the actual prevalence of sodomy in urban centers. (So, you know, if anyone needs to justify that Jadder have fucked at least once, if not more… when in Kuttenberg...)
It should be noted that Basel was very lax in terms of punishing homosexuality, but that was by and large not the most common outcome, as homosexuality was generally associated with divine punishment (I'm sure you've heard that drivel yourself before even in the modern day). Hilariously, it was the generally held belief that if someone learned of "the vice against nature" they'd naturally want to do it, and so priests were advised never to talk about it, even to preach.
So then, what does this mean for Hansry and co?
It means that this was at worst very much a fucking crime that you could very much be convicted for, in brutal fucking fashion at times, and at best the quiet part that you don't say out loud. But even then, it was fucking risky. Riskier if you're a member of the clergy (do recall how worried Brother Lucas was about his secret getting out, despite having never committed the sin himself), but risky even if you're not. All you have to do to see this reflected in canon is to look at Barnaby, the herbalist/hermit. As he explained it, he turned down a girl, she complained to her brother, and "he put two and two together":
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Remember how I said that homosexuality was increasingly associated with bestiality? I find Barnaby's word choice fascinating here. Animals like him.
Of course, he beat them up and thus... uh, was able to survive:
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Not that it didn't massively affect his quality of life. There's a reason he's a hermit! After all, he was unwelcome no matter where he went, no doubt because the brother and his friends ensured that this knowledge spread:
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You might say, oh, it's different among the nobility! And to a certain extent, you're correct. Talking to the scribe in Troskowitz, he at one point gets to a part in the story about George the Lion of Wartenberg where he says this:
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And then later, at the banquet where Hans loses his mind from jealousy, it comes up quite a lot in the conversation with Black Bartosch. First, he brings up Florian of Lomnitz:
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And then, of course, we get the legendary conversation that follows, where the comment about Florian's sexuality makes Henry question Bartosch about his own:
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It's soooo subtle. So, so easy to turn to plausible deniability. If anyone questions it, you can easily argue that your intentions were entirely chaste. And Henry can ignore it or even outright respond with a claim of heterosexuality:
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But he can't question it like he can with the scribe:
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Where the scribe then brushes it off as nothing and refuses to elaborate:
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Even here this is a case of IYKTYK, like homosexuality is a club and in order to enter you have to know what's up. Because if you don't know and have to be informed, that presents a risk, namely that of suspicion being cast on you. Why do you know this information? What were you doing at this sodomitical devil's sacrament?
Honestly, at least among the nobility I'd liken it a bit to prohibition, but on a much less... widespread level. Oh, and literally everyone and anyone could be a cop. You could get away with it until you were caught. The risk was just a lot more pronounced. Even with Edward II the consequence of the very accurate rumors surrounding his sex life was public denunciation and possibly a poker up his ass. And if you're a noble involved with a commoner, multiply the risk exponentially, which is unfortunately relevant for both Hansry and Jamuel. If it really was as casually acceptable as some people claim it to have been (again, not on tumblr, I'm not here to stir up drama), I think Henry wouldn't have necessarily pushed Hans away, nor do I think they would have been as careful in their end-game conversation about what they do and don't say.
If anyone has any questions on this, tangentially-related topics, my sources, or literally anything else, by all means feel free to ask. I have the resources at my fingertips and the research very much at the forefront of my mind and will for the foreseeable future. On request, I've also added a list of further reading after my list of sources if anyone is curious to learn more of this for themselves.
Sources used:
Abraham, Erin V. Anticipating Sin in Medieval Society: Childhood, Sexuality, and Violence in the Early Penitentials, Amsterdam University Press, 2021
Anselm. The Letters of Saint Anselm of Canterbury. Translated by Walter Fröhlich, Cistercian Publications, 1990.
Brundage, James A. Law, Sex, and Christian Society in Medieval Europe. University of Chicago Press, 1987.
Dronke, Peter. Medieval Latin and the Rise of the European Love-Lyric, Vol. 1, Oxford University Press, 1965.
Major, J. Russell. “‘Bastard Feudalism’ and the Kiss: Changing Social Mores in Late Medieval and Early Modern France.” The Journal of Interdisciplinary History, vol. 17, no. 3, 1987, pp. 509–35. JSTOR, https://doi.org/10.2307/204609. 
Mills, Robert. Seeing Sodomy in the Middle Ages. University of Chicago Press, 2015
Moore, R. I. The War on Heresy: Faith and Power in Medieval Europe. Profile Books, 2014.
Murray, Jacqueline, and Konrad Eisenbichler, editors. Desire and Discipline: Sex and Sexuality in the Premodern West. University of Toronto Press, 1996.
Perella, Nicolas J. The Kiss Sacred and Profane: An Interpretative History of Kiss Symbolism and Related Religio-Erotic Themes. University of California Press, 1969.
Puff, Helmut. “Localizing Sodomy: The ‘Priest and Sodomite’ in Pre-Reformation Germany and Switzerland.” Journal of the History of Sexuality, vol. 8, no. 2, 1997, pp. 165–95. JSTOR, http://www.jstor.org/stable/3704215.
Puff, Helmut. Lust, Angst Und Provokation: Homosexualität in Der Gesellschaft. Vandenhoeck & Ruprecht, 1993.
Southern, R.W., Saint Anselm: A Portrait in a Landscape, Cambridge University Press, 1990.
Stehling, Thomas. Medieval Latin Poems of Male Love and Friendship. Garland Pub, 1984.
Recommended further reading:
Bailey, Derrick Sherwin. Homosexuality and the Western Christian Tradition. Archon Books, 1975. Originally published by Longmans, Green & Co., 1955.
Barbezat, Michael D. “Bodies of Spirit and Bodies of Flesh: The Significance of the Sexual Practices Attributed to Heretics from the Eleventh to the Fourteenth Century.” Journal of the History of Sexuality, vol. 25, no. 3, 2016, pp. 387–419. JSTOR, http://www.jstor.org/stable/44862359. 
Brundage, James A. "Playing by the Rules: Sexual Behaviour and Legal Norms in Medieval Europe". Desire and Discipline: Sex and Sexuality in the Premodern West, edited by Konrad Eisenbichler and Jacqueline Murray, Toronto: University of Toronto Press, 1996. https://doi.org/10.3138/9781442673854-004
Bullough, Vern L. “Heresy, Witchcraft, and Sexuality.” Journal of Homosexuality, vol. 1, no. 2, 3 Mar. 1976, pp. 183–199, https://doi.org/10.1300/j082v01n02_03.
---. “The Sin against Nature and Homosexuality.” Sexual Practices & the Medieval Church, edited by Vern L. Bullough and James A. Brundage, Prometheus Books, Buffalo, NY, 1994, pp. 55–71.
Bullough, Vern L., and James A. Brundage, editors. Handbook of Medieval Sexuality. Garland Publishing, 1996.
---, editors. Sexual Practices & the Medieval Church. Prometheus Books, 1994.
Burger, Glenn, and Steven F. Kruger, editors. Queering the Middle Ages. NED-New edition, vol. 27, University of Minnesota Press, 2001. JSTOR, http://www.jstor.org/stable/10.5749/j.ctttszw5.
Clark, David. Between Medieval Men: Male Friendship and Desire in Early Medieval English Literature . Oxford University Press, 2009.
Dinshaw, Carolyn. Getting Medieval: Sexualities and Communities, Pre- and Postmodern. Duke University Press, 1999.
Fradenburg Louise, et al., editors. Premodern Sexualities. Routledge, 1995.
Frassetto, Michael. Heresy and the Persecuting Society in the Middle Ages: Essays on the Work of R.I. Moore. Brill, 2006.
Gilbert, Arthur N. “Conceptions of Homosexuality and Sodomy in Western History.” The Gay Past: A Collection of Historical Essays, edited by Salvatore J. Licata and Robert P. Petersen, Harrington Press, New York, NY, 1985, pp. 57–68.
Goodich, Michael. “Sodomy in Ecclesiastical Law and Theory.” Journal of Homosexuality, vol. 1, no. 4, 20 June 1976, pp. 427–434, https://doi.org/10.1300/j082v01n04_06.
---. “Sodomy in Medieval Secular Law.” Journal of Homosexuality, vol. 1, no. 3, 20 June 1976, pp. 295–302, https://doi.org/10.1300/j082v01n03_04.
---. The Unmentionable Vice Homosexuality in the Later Medieval Period. Ross-Erikson, 1979.
Jordan, Mark D. The Invention of Sodomy in Christian Theology. University of Chicago Press, 1997.
Karras, Ruth Mazo. “Attitudes to Same-Sex Sexual Relations in the Latin World.” A Companion to Crime and Deviance in the Middle Ages, edited by Hannah Skoda, Arc Humanities Press, 2023, pp. 84–101. JSTOR, https://doi.org/10.2307/jj.3716022.9. 
---. From Boys to Men: Formations of Masculinity in Late Medieval Europe. University of Pennsylvania Press, 2003.
---. “The Regulation of ‘Sodomy’ in the Latin East and West.” Speculum, vol. 95, no. 4, 1 Oct. 2020, pp. 969–986, https://doi.org/10.1086/710639.
---. Sexuality in Medieval Europe: Doing unto Others. Routledge, 2012.
Kruger, Steven F. “Queer Middle Ages.” The Ashgate Research Companion to Queer Theory, 1st ed., Routledge, New York, NY, 2009, pp. 413–434.
Kuefler, Mathew, editor. The Boswell Thesis: Essays on Christianity, Social Tolerance, and Homosexuality. University of Chicago Press, 2006.
Lees, Clare A., et al. Medieval Masculinities: Regarding Men in the Middle Ages. University of Minnesota Press, 1994.
Pierce, Rosamond. “The ‘Frankish’ Penitentials.” Studies in Church History, vol. 11, 1975, pp. 31–39, https://doi.org/10.1017/s0424208400006276. 
***Please note: my omission of Boswell's CSTH here is entirely intentional. I know that if people here got a hold of him he'd be considered a tumblr darling, easy. If I could, I would wear merch with his name on it. And normally I would list him loudly and proudly. But I'm not, because the man loved reading into things that at times aren't there, and there are countless critiques that have been leveled against CSTH, many of which Boswell himself agreed with. So. If the general tumblr population wasn't constantly pissing on the poor I might trust it in their hands, but as it is, I know that nuance is lost on people!
(would you believe me if I said I tried to restrain myself in curating this list? no?? well I DID)
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charlie-rulerofhell · 3 months ago
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Lord Hans Capon of Pirkstein
{slaying, shooting and casually dodging his way through life}
bonus:
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kcdeliverance · 3 months ago
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I care about you, you know? Maybe more than you know...
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artieseni · 3 months ago
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Hyacinth /haɪəsɪnθs/ - a bulbous flower symbolic of the desire for forgiveness
What if Hans heard another tale of two men in love and still had guilt eating away at him after all he's said and done to his blacksmith? How perfect then, after seeing Henry wear a particular wreath so much, to find the flower from the story and gift it to him.
Hans attempts to play it off, "it's just a nice looking flower, Henry-" but Henry's 30 levels in Alchemy and Scholarship knows exactly what the other man's tryna do
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twistedappletree · 4 months ago
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It hits me so hard that Hans didn’t even hesitate to open up to Henry about his fear of enclosed spaces after getting trapped under that beam. He knew Henry wouldn’t be insensitive or make fun of him for it. Anyone else would’ve laughed and told him to ‘man up’ but not Henry. He trusts him so much 🥺
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drthrvn · 12 days ago
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i think Warhorse should release a patch that allows you to kiss Hans whenever you want after finishing the main storyline btw. i mean like BG3 style animation. i think this would heal me as a person
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bad-system · 4 months ago
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KCD as a franchise has been so refreshing in a sense that the game allowed such a casual but respectful depiction of queer love and that the (main) actors have been interacting with the queer part of the fandom so openly and it's genuinely such a new experience for me. everything from the queer romance in KCD2, to luke dale showcasing queer fanart way before KCD2 was announced, to now tom and luke doing an interview with a trans + queer creator. it's been an absolute joy.
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feelinungry · 11 months ago
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remember that Henry was mad at Radzig for abandoning his mother, and himself, only until he heard that Martin knew
he learned of having a different father and one of his main concerns was, if dad knew, would he love me, would he hate me? did they lie to him? the feeling of betrayal not only on his behalf but the parents that raised him
mother was left behind and of course, she had to find a man to marry, she had no choice, but Radzig did, and he didn't marry her even though he knew she was pregnant with his child. he wouldn't blame his mother if he learned that she lied to Martin, too. he blamed it all on Radzig (as he should), and not only because he was the only one at hand, but because he had the power of making choices
the disgust and horror of it all
only to learn,
oh, Martin knew from the beginning. he took you as his own, blood or no blood, and loved you as his own. he knew, he loved you, he called you his son and meant it.
the relief, the baffled response, "he did?", fragile and so afraid
in that moment Henry softens, and forgives.
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lemondragon42 · 6 days ago
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As much as I'm a sucker for the moments of Henry showing his full devotion and guard dog energy for Hans and running headlong into danger for him (looks at the full meeting and fighting Zizka cutscenes again for...reasons), I love even more when it's flipped. I love it when we see Hans returning the favour.
Hans carrying Henry through the woods, tackling that bandit, punching that guy at the wedding. These boys are ride or die for each other, and I love that. They'd drag each other out of hell after following them there.
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mayor-david-prentiss · 2 months ago
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i think it's kinda insane that warhorse lets you observe henry seeing the deepest moment of intimacy in the game between ištvan and erik. and that at the possibly most impactful and emotional moment for henry, high in that tower where hes supposed to kill the man hes been dreaming of killing for weeks, he can still stop to ask if what he saw was love.
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deputyrook · 3 months ago
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No spoilers please because I’ve just started the sequel, but: the Hans/Henry fight at the start of KCD2 is so fucking good, it’s such a believable fight. Like despite the fact that they’ve just saved each other’s lives and we’ve just been shown how they really care about each other, once they’re out of immediate danger, they start getting on each other’s nerves and lashing out at one another. It’s so real.
When their lives are in danger, Hans carries a half-dead Henry to safety while Henry is having PTSD flashbacks- and fights off a bandit, nearly getting killed in the process. That’s incredibly brave, dedicated, and selfless of him. But after he gets literal shit thrown on him, and is repeatedly disrespected and mocked, it’s incredibly in-character for Hans to grasp for a remaining sense of status by refusing to help Henry with any work and by flexing his superiority in the tavern. He’s trying to retain some semblance of pride and nobility after probably some of the worst days of his life, and is exerting it over Henry to do so.
But it also makes sense that this would piss Henry off! He’s had to work his whole life, and it’s such a reminder of who Hans was when they first met- someone who looked down on him, who treated him poorly, and who called him a coward. In Henry’s view, they’re both in a bad situation and Hans is refusing to help him deal with it, even though he’s been nothing but loyal to Hans and has done everything Hans asks of him every step of the way. On top of that, they’re both frustrated at each other over the deaths of their comrades- Henry at Hans for not taking everything more seriously to start, and Hans at Henry for drawing attention to them (which I also wonder might have something to do with a perception that Henry placed the safety of a stranger over his?)
The way it culminates in the stockades with them insulting each other- depending on your choices, it’s so brutal. I think Hans calling Henry a coward and mentioning him running away would be a particularly harsh blow, but the things you can say to Hans about no one being proud of him clearly really hit him hard, as well. You can really understand how they both got to this point, and why they’d be driven to say such terrible hurtful things to each other, despite still really caring about one another.
This is why I love this series. Believable characters with depth, that act in understandable, sympathetic ways that make sense for who they are.
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croquettish · 3 months ago
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This is making me feel insane. This interaction only comes up if you keep clicking on Hans after you run into him at the wedding (the first time), but it gives us literally perfect insight into Hans' mental state during the divorce arc.
Like... Hans, baby girl. You left Henry. He literally was ready to push all your insults aside and move on, ready to keep going together, and you pushed him away.
No wonder he did that. No wonder he tried to push that inadequacy onto Henry. It's all at home in deep-rooted, deep-seated insecurity: I'm not good enough for Henry. I'm holding him back. I landed us in the pillory. We only ended up here because I had to run my big mouth, just like he said. I need to do this myself because if not I am only a dead weight to Henry.
I wouldn't be surprised if this wasn't running through his head the whole night they spent in the pillory together.
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