EXCLUSIVE: Ed Speleers (Eragon, YOU), Ed Westwick (Romeo & Juliet, Gossip Girl), and Dichen Lachman (Jurassic World Dominion, Severance) have signed on to star in dark thriller Unholy Night. Grandave International will launch the pic at the upcoming European Film Market.
Directed by Derek Presley and written by Crystal Diane Stevens and Presley, the film follows the story of newly ordained priest Father Paul O’Neill, who is reunited with his ex-con older brother, Luke. When Paul discovers that his ex, Donna, had his child almost eight years ago, he endeavors to rescue his daughter and Donna from her abusive husband, Tony. However, chaos ensues as Tony vows revenge and hires a hitman to eliminate Paul.
The production is helmed by producers Stephen Endelman and Ajay Nayyar, with casting by Kerry Barden, editing by David Leonard, and music composed by Stephen Endelman. Principal photography as well as post-production will take place at Twickenham Studios in London. Synopsis reads: Executive Producers Stanley Preschutti and Ruben Islas are excited to present this gripping tale to audiences worldwide.
“We are thrilled to introduce Unholy Night in Berlin, with the exceptional talents of Ed Speleers, Ed Westwick, and Dichen Lachman,” said Tamara Nagahiro of Grandave International.
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Kenneth Feinberg, a powerful D.C. lawyer appointed Special Master of the 9/11 Fund, fights off the cynicism, bureaucracy, and politics associated with administering government funds and, in doing so, discovers what life is worth.
Credits: TheMovieDb.
Film Cast:
Kenneth Feinberg: Michael Keaton
Camille Biros: Amy Ryan
Charles Wolf: Stanley Tucci
Lee Quinn: Tate Donovan
Priya Khundi: Shunori Ramanathan
Dede Feinberg: Talia Balsam
Karen Donato: Laura Benanti
Frank Donato: Chris Tardio
Darryl Barnes: Ato Blankson-Wood
Gloria Toms: Carolyn Mignini
John Ashcroft: Victor Slezak
Law Student Barron: Logan Hart
Law Student Patel: Vihaan Samat
Law Student Nguyen: Laura Sohn
Bart Cuthbert: Marc Maron
Defense Lawyer / William: Alfredo Narciso
Plaintiff Lawyer / Gary: Jason Kravits
Oliver: Clifton Samuels
Older Man (Speaking Spanish): Louis Arcella
Attorney 2: Melissa Miller
Translator: Ana Isabel Dow
Tom Schultz Sr.: Ian Blackman
June Schultz: Connie Ray
Senator Kennedy: Steve Vinovich
Senator Hagel: Bill Winkler
Michael Myers: Jeff Biehl
Katherine Wolf: Stephanie Heitman
9/11 Mother / Cathy: Deborah Hedwall
Blue Collar Man: Tom Bruno
Airline Lobbyist: Bradford How
Large Fireman: Chris Cardona
Richard: David Fierro
Laura: Lynne Wintersteller
Don: Jon Wenc
Jim: Wass Stevens
Myrna: Zuzanna Szadkowski
Maya: Gayle Rankin
Joan: Catherine Curtin
Janice: Shernita Anderson
Graham Morris: Andy Schneeflock
Jose: Brandon Hernandez
Carlos: E.R. Ruiz
Usher: David Edward Jackson
Ruth: Johanna Day
Victor: Joseph Ragno
Fedex Carrier: Panama Redd
Mail Woman: Kay Walbye
Fay: Miriam Morales
Airline Lobbyist #2: Stephen Reich
James: James Ciccone
Anthoula: Anthoula Katsimatides
Dancer: Jaime Verazin
Dancer: Alessandra Marconi
Dancer: Lindsey Hailes
Dancer: Marc Heitzman
Dancer: Jacob ‘Seven Feet’ Melvin
Dancer: Jeffery Duffy
Meeting Attendee: Billy Lefkowitz
Film Crew:
Director: Sara Colangelo
Producer: Max Borenstein
Casting: Kerry Barden
Casting: Paul Schnee
Original Music Composer: Nico Muhly
Costume Design: Mirren Gordon-Crozier
Editor: Julia Bloch
Production Design: Tommaso Ortino
Director of Photography: Pepe Avila del Pino
Executive Producer: Nik Bower
Executive Producer: Deepak Nayar
Executive Producer: Ara Keshishian
Executive Producer: Kimberly Fox
Unit Production Manager: Charles Miller
Executive Producer: Edward Fee
Executive Producer: Allen Liu
Producer: Marc Butan
Producer: Anthony Katagas
Producer: Michael Sugar
Producer: Brad Dorros
Producer: Sean Sorensen
Producer: Michael Keaton
Set Decoration: Olivia Peebles
Makeup Department Head: Ivy Ermert
Makeup Artist: Diane Calfee
Makeup Artist: Charles Zambrano
Visual Effects Supervisor: Eran Dinur
Executive Producer: Mary Aloe
Set Medic: Bop Tweedie
Choreographer: Mark Stuart
Production Accountant: James Stayne
Producer’s Assistant: Anthony Santos
Producer’s Assistant: Laura Pilloni
Production Coordinator: Amanda O’Reilly
Assistant Production Coordinator: Marilyn Majich
Location Assistant: Cenia Hampton
Payroll Accountant: Catherine ‘Annie’ Eklund
Stand In: Dillon Egyes
Production Assistant: Michael Egues
Dialogue Coach: Jessica Drake
Production Secretary: Dana Darby
Post Production Accountant: Nathaniel Carota
Script Supervisor: Erika Sanz Corbacho
Music Editor: Suzana Peric
Music Supervisor: Rupert Hollier
Music Supervisor: David Fish
Location Manager: Dennis Voskov
Assistant Location Manager: Brit Smith
Location Scout: Tom Sexton
Location Assistant: Lindsey Lambert
Location Scout: Eric Jordan Nussbaum
Location Assistant: George Marro
Location Scout: Sarah Crofts
Color Assistant: Ben White
Digital Intermediate Editor: Samantha Uber
Digital Conform Editor: Josh Perault
Finishing Producer: Michael Maida
First Assistant Editor: Gordon Holmes
Post Production Assistant: Dillon Henry
Assistant Editor: Dan Grbic
Colorist: Sam Daley
Additional Editor: Tariq Anwar
Costumer: Kaitie Galligan
Assistant Costume Designer: Caitlin Doukas
Key Costumer: Sawyer Devuyst
Wardrobe Supervisor: Jillian Daidone
Set Costumer: Mary Caprari
Costume Coordinator: Talia Brody-Barre
ADR Voice Casting...
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hi everyone! We would love for you to join us before our event this weekend.
here are some mw: jackson-cohen, jeffrey dean morgan, steven yeun, andrew lincoln, richard madden, laura dern, reese witherspoon, adam scott, devon aoki, taraji p henson, gabrielle union, donald glover, danny pino, dj catrona, jesse williams, jay ryan, james mcavoy, jessica chastain, bill hader, manish dayal, hannah simone, john cho, laverne cox, idris elba, lucy lie, jeri ryan, javier barden, paul rudd, winona ryder, ming-na wen, jason bateman, adam scott, melora hardin, josh duhamel, john light, rachel weisz, julian mcmahon, will yun lee, michael ealy, david lee mcinnis, lorne cardinal, viola davis, kerry washington, ryan reynolds, lupita nyong’o, tracee ellis ross, danny pudi, raza jaffrey, angela bassett, danai gurira, sam claflin, alfonso herrera, hugh jackman, nikolaj coster-waldau, michiel huisman, rodrigo santoro, boris kodjoe, peter krause, david tennant, dominique tipper, steven strait, wes chatham, shohreh aghdashloo, diego luna, milo ventimilglia, gabriel macht, thomas jane, edward norton, javier bardem, woody harrelson, colin farrel, jake gyllenhal, helena bonham carter, natalie portman, billy porter, john boyega, rahul kohli, janelle monae and ser anzoategu
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Pitch Perfect 3 ⭐️⭐️⭐️
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Jordan Roberts - Dramatic Acting Reel from Jordan Roberts and Friends, Inc. on Vimeo.
JORDAN ROBERTS – THE ACTOR: Jordan Roberts was cast by Kerry Barden (“Spotlight,” “The Help” & “Dallas Buyers Club”) to play Karen in the comedy feature, “Waking Up Dead” (to be released in 2021). Roberts has also joined the cast of the dark comedy thriller, “Relevant,” a hybrid feature film/TV series, where she will portray Kate Simmons, a blackballed journalist fighting to get the story of a lifetime, while being held captive by a serial killer, as they battle their mutual attraction in a dangerous game of cat and mouse. Producer Roger Neal is collaborating with Roberts on her upcoming one-woman-shows for 2021 & 2022: “Jane Fonda: Unstoppable!” and “Exit Laughing: Joan Rivers from Heaven” (a retrospective, blended with what would be Rivers’ current comedic take on today’s world from her perch in heaven.) Roberts has created an exciting business model for a new platform to tell more women’s stories. “Before I Make a Movie” empowers eight A-List producer-actresses with brand funding, crowd-funding and charity partners. “I love riding the tide of creative collaboration as an actor, writer and producer, with a personal ‘sweet spot’ for projects that speak truth and justice, empower women, give voice to the voiceless and celebrate the human condition.” – Jordan Roberts The 2020 Democratic National Convention requested and received in-kind video excerpts from documentaries, co-hosted by Jordan Roberts: “Before I Vote for You” and “Mass Incarceration Nation.” TELEVISION: In the TV movie/back-door pilot, “Two Close,” Jordan Roberts delights as Alexandra Plute, the University Dean of Students, who graduated at the top of her class at Harvard and is on her second divorce. With an unpredictable temperament and a heart of gold, Dean Plute bounces between control freak, angel of mercy, and hot mess, as the default referee for all drama and hijinks ensuing on campus. In Lifetime’s thriller, “Officer Down,” Roberts portrays Christine Gorman, a corrupt, criminal attorney who is pursued by a detective (Sherilyn Fenn), until one of them ends up dead. In the TV movie/back-door pilot, “Coyotes,” Roberts plays the role of Dr. Andrea Marsh, a renegade doctor giving medical aid to illegal immigrants at the Arizona border. Additional TV credits include: “Just Shoot Me,” “That 70’s Show,” “Passions” and “The Young and the Restless.” INDIE FILMS: As the abused wife of a police detective, Jordan Roberts makes the jaw-dropping transformation from victim to killer in “Spotless”, produced by Casey LaScala & John Katzman. Roberts delights as the boozy, wicked stepmother in Zakaria Schwartz’ modern day Cinderella story, “Frozen Heart.” In Jose Sanchez' horror / thriller, "The Son," Roberts portrays a grieving mother spiraling into insanity. In “Big Wings,” Roberts plays Francine, an angel who mentors a troubled teenager, helping her find acceptance, faith and forgiveness. Jordan Roberts is haunting as Brooke, a punk rocker who is drugged and gang-raped in “The After Party.” In "Bereft,” Roberts portrays Marie, a beloved wife and mother who is suddenly killed, leaving father and daughter spiraling in incestuous grief. Roberts’ first leading role was in the comedy feature, “Butch Camp,” where she plays Janet, a hairdresser in love with two men, who both dump her for each other. Jordan Roberts studied Journalism, Film and TV writing at UCLA. She trained as an actor at The Meisner Carville School of Acting, The Strasberg Institute, The Groundings, Lembeck Comedy Workshop and UBC. She has served multiple terms on Women In Film’s Board of Directors as Advocacy Chair and Newsletter Editor, and IFP (now Film Independent) as Newsletter Editor and Membership Chair. Roberts loves yoga, soccer, piano, scuba diving, kayaking, hiking, photography, major league baseball and creating fun adventures with friends. Roberts began her career in theatre, radio, stand-up comedy and voice-over; she’s currently the voice of four top brands!
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Gustavo Santhiago: Animam
[fusion_youtube id=”https://youtu.be/kLuTKpvfWbw” autoplay=”false” hide_on_mobile=”small-visibility,medium-visibility,large-visibility” /]
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2017 Casting Society of America (CSA) Nominations
BIG BUDGET – COMEDY
Deadpool — Ronna Kress, Jennifer Page (Location Casting), Corinne Clark (Location Casting)
Hail, Caesar! — Ellen Chenoweth, Susanne Scheel (Associate)
La La Land — Deborah Aquila, Tricia Wood
Rules Don’t Apply — David Rubin, Melissa Pryor (Associate)
Whiskey Tango Foxtrot — Bernard Telsey, Tiffany Little Canfield, Jo Edna Boldin (Location Casting), Conrad Woolfe (Associate), Marie A.K. McMaster (Associate)
BIG BUDGET – DRAMA
Arrival — Francine Maisler, Lucie Robitaille (Location Casting)
Fantastic Beasts and Where to Find Them — Fiona Weir, Jim Carnahan (Location Casting)
Hidden Figures — Victoria Thomas, Jackie Burch (Location Casting), Bonnie Grisan (Associate)
Nocturnal Animals — Francine Maisler
The Girl on the Train — Kerry Barden, Paul Schnee, Joey Montenarello (Associate), Adam Richards (Associate)
STUDIO OR INDEPENDENT – COMEDY
20th Century Women — Laura Rosenthal, Mark Bennett
Bad Moms — Cathy Sandrich Gelfond, Meagan Lewis (Location Casting)
Café Society — Juliet Taylor, Patricia DiCerto, Meghan Rafferty (Associate)
Hell or High Water — Richard Hicks, Jo Edna Boldin, Chris Redondo (Associate), Marie A.K. McMaster (Associate)
The Edge of Seventeen — Melissa Kostenbauder, Coreen Mayrs (Location Casting), Heike Brandstatter (Location Casting)
STUDIO OR INDEPENDENT – DRAMA
Captain Fantastic — Jeanne McCarthy, Angelique Midthunder (Location Casting), Amey Rene (Location Casting)
Jackie — Mary Vernieu, Lindsay Graham, Jessica Kelly (Location Casting)
Lion — Kirsty McGregor
Loving — Francine Maisler, Erica Arvold (Location Casting), Anne N. Chapman (Location Casting), Michelle Kelly (Associate)
Manchester By the Sea — Douglas Aibel, Carolyn Pickman (Location Casting), Henry Russell Bergstein (Associate)
LOW BUDGET – COMEDY OR DRAMA
Christine — Douglas Aibel, Stephanie Holbrook, Tracy Kilpatrick (Location Casting), Blair Foster (Associate)
Goat — Susan Shopmaker, D. Lynn Meyers (Location Casting)
Hello, My Name is Doris — Sunday Boling, Meg Morman
Moonlight — Yesi Ramirez
White Girl — Jessica Daniels
ANIMATION
Finding Dory — Kevin Reher, Natalie Lyon
Moana — Jamie Sparer Roberts, Rachel Sutton (Location Casting)
The Jungle Book — Sarah Halley Finn, Tamara Hunter (Associate)
The Little Prince — Sarah Halley Finn, Tamara Hunter (Associate)
Zootopia — Jamie Sparer Roberts
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Badlands75RT @BrianFormo: Short Term 12 is quietly this generation's biggest launch pad for actors: Rami Malek and Brie Larson each have Oscars; Lakeith Stanfield is surely in the awards mix soon; Kaitlyn Dever has starred in major works... RESPECT—Destin Cretton, Kerry Barden, Rich Delia, Paul Schnee https://t.co/0khikU4yyf
Short Term 12 is quietly this generation's biggest launch pad for actors: Rami Malek and Brie Larson each have Oscars; Lakeith Stanfield is surely in the awards mix soon; Kaitlyn Dever has starred in major works...
RESPECT—Destin Cretton, Kerry Barden, Rich Delia, Paul Schnee pic.twitter.com/0khikU4yyf
— Brian Formo (@BrianFormo) February 25, 2019
from Twitter https://twitter.com/Badlands75
February 26, 2019 at 12:18AM
via IFTTT
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The 2019 Oscars will feature the first new category since the animated feature prize joined the ceremony in 2002: Next February, the award for Best Popular Film (which is still a nebulously defined, hard-to-understand title) will join the other 24 categories for the first time ever.
But if the Academy is going to start awarding prizes in new categories, there are so many other things it could be rewarding, things that actually have something to do with the craft of making films, not just an arbitrary distinction between “popular” films and everything else.
Some of those categories are ones that Hollywood folks have been requesting for ages. Others have only recently become trendy causes. But if the Oscars want to expand, here are six categories they should prioritize over “Best Popular Film.”
Finally, an Oscar for Mission: Impossible. Paramount
If the Academy’s (dubious) goal in creating a “Best Popular Film” category of some kind is to bring more recognition to films with broader audience appeal — and to get people interested in the Oscars who gravitate toward big-budget fare — stunt coordination would be a stellar addition to the roster of categories. As with some of the other technical races, like those for Costume Design, Makeup, and Special Effects, stunts are usually the purview of films with a big enough budget to pay for them.
And as with those other technical categories, if the stunts are great, you notice them. The people who coordinate the stunts are usually seasoned stunt performers themselves, and their job is multifaceted: Often they both cast the stunt performers (which requires finding both a specific skill set and, in some cases, physical resemblance to the actor they’re doubling) and figure out how to execute the stunt safely and with maximum impact. That deserves recognition — especially since great stunts can and often do elevate a movie with otherwise predictable plotting, dialogue, and even performances into something memorably mind-blowing.
Some recent possible winners of this category: Darrin Prescott (Baby Driver, Black Panther, the John Wick movies), Wade Eastwood (Mission: Impossible — Rogue Nation, Edge of Tomorrow), Sam Hargrave (Atomic Blonde, Captain America: Civil War), Glenn Suter (Mad Max: Fury Road)
Imagine Moonlight winning an Oscar for how effortlessly it found mostly unknown actors to play instantly iconic parts. A24
There’s long been a call for the Oscars to add a “Best Ensemble Cast” award, similar to the Screen Actors Guild’s ensemble prizes for the casts of films and TV shows. But ensemble awards often struggle to figure out which actors to include and which to leave behind when it’s time to hand out prizes. (The SAG Awards make incredibly arbitrary cutoffs — like if you share a billing card with another actor, you’re ineligible — because there’s basically no other way to adjudicate such a prize.)
And then there’s the problem of, if all of the actors in a cast win the ensemble prize, do they all automatically become Oscar winners? The Academy likes to make the idea of winning an acting prize somewhat selective, which would go out the window in this scenario.
But you know what a good way to reward an ensemble cast where each and every actor was perfectly chosen would be? Awarding the casting agents who selected those actors for their roles. This would help explain the process of how your favorite actors wind up in certain movies, and winners would probably alternate between movies where a bunch of famous actors were terrifically suited to their specific roles (like The Shape of Water) to movies where the casting directors had to find unknowns to perfectly inhabit the characters (like Moonlight).
There’s danger that this award would just become the “largest cast” award — something like The Post might be hard to avoid honoring — but hey, it’s not like other Oscar categories don’t occasionally award the most of something, rather than the best.
Some recent possible winners of this category: Robin D. Cook for The Shape of Water; Yesi Ramirez for Moonlight; Kerry Barden, John Buchan, Jason Knight, and Paul Schnee for Spotlight; Beth Sepko for Boyhood; Lindsay Graham and Mary Vernieu for American Hustle
Oscar! Winner! Jim! Cummings! As! Winnie! The! Pooh! Laurie Sparham/Disney
Voice acting is most frequently associated with animated movies, so there’s an argument to be made that honoring voice acting separately from the “real” acting categories further ghettoizes a medium that already has a hard time breaking into the top-tier Oscar categories. But that argument overlooks the fact that, in addition to its rich history in animation, voice acting is an increasingly important part of modern live-action film.
This is especially true as movies continue to embrace the use of computer-generated characters within a live-action environment. This year alone, a Voice Performance category would hold the potential for an ursine showdown between Ben Whishaw (for Paddington 2) and journeyman Jim Cummings (for Christopher Robin), not to mention a handful of big names who provided CGI character voices for Avengers: Infinity War (Bradley Cooper, Carrie Coon, and, erm, Vin Diesel? Maybe not that last one.)
But more crucially, this category would also be a way to honor less recognizable faces who have nonetheless been integral in the characterization of many cultural icons, like the aforementioned Cummings (who’s been voicing Winnie the Pooh since 1988, in addition to several dozen other animated characters) and puppeteering legend Frank Oz, responsible not only for most of your favorite Muppets, but Yoda himself. Hell, the opportunity to give Frank Oz an Oscar should on its own be reason enough for this category to exist.
Some recent possible winners of this category: Frank Oz (as Yoda in Star Wars Episode VII: The Last Jedi), Dwayne Johnson (as Maui in Moana), Ben Kingsley (as Archibald Snatcher in The Boxtrolls), Phyllis Smith (as Sadness in Inside Out), Scarlett Johansson (as Samantha in Her), Alan Tudyk (as King Candy in Wreck-It Ralph)
Andy Serkis should have at least an Oscar nomination by now for his groundbreaking motion-capture work. 20th Century Fox
It’s impossible to propose a motion-capture Oscar without talking about Andy Serkis, whose work as Gollum in the Lord of the Rings films helped establish the notion that a motion-capture performance could be just that — a performance — rather than a technical exercise. His subsequent mo-cap roles in King Kong and especially the excellent recent Planet of the Apes trilogy have ensured that every year in which there is an Andy Serkis mo-cap performance has been a year in which people wonder whether this is the year the Academy will deign to nominate him in the acting category.
Serkis himself has said that the Academy has been nudging its members toward recognizing motion-capture performance, so why not just cut to the chase and make it a breakout acting category?
And it wouldn’t just be the Honorary Andy Serkis award, either (though he likely would and should be a winner in this category). Motion capture — and its close cousin, motion reference, which could be folded into the same Oscar category — has become an increasingly common component of filmmaking in recent years.
Several of the most, ahem, popular films of the last decade have relied heavily on actors doing motion capture, from Lord of the Rings and Avatar to this year’s Ready Player One and Avengers: Infinity War. So if the Academy is indeed looking for ways to recognize more blockbuster films, why not honor a performance medium that’s increasingly at the heart of those very films?
Some recent possible winners of this category: Andy Serkis (as Caesar in War for the Planet of the Apes and/or as Snoke in Star Wars: The Last Jedi), Lupita Nyong’o (as Maz Kanata in Star Wars: The Force Awakens), Sean Gunn and/or Bradley Cooper (as Rocket Raccoon in Guardians of the Galaxy), Zoe Saldana (as Neytiri in Avatar)
Lady Bird was director Greta Gerwig’s solo feature film directorial debut, and she didn’t win anything for it. Let’s create a category to rectify THAT issue. A24
It’s hard enough to make a great movie, but coming right out of the gate with a stellar debut is especially difficult. Most first-time feature directors — even those who had thriving careers as actors or in television — are still relatively unknown quantities to the often risk-averse purse-string controllers, which means lower budgets, tighter timeframes, and possibly less artistic freedom.
Many first-time directors end up going the indie route with limited budgets — and when their films break through the noise, it feels like a miracle. A new director often rattles the cages, challenging conventional films in a way that audiences and critics alike respond to. And it usually takes a fresh vision and distinctive voice to pull that off.
But without the name recognition of more established directors, who command attention before their films have even been seen, a first film doesn’t always get the Oscar campaign push it might need. A Best First Film category would even the playing field, and also help bring attention to movies by a more diverse set of filmmakers than the Oscars have typically honored, setting them up for future success.
Some recent possible winners of this category: Lady Bird, Get Out, The Act of Killing, The Babadook, The Witch, Dear White People
[embedded content]
Hear us out. At this point in the zeitgeist, trailers can often have as much cultural impact as the films they are made to promote. The best of them can spawn entirely new trailer sub-genres and continue to impact the cultural conversation years later.
Don’t believe us? Look at the Ringer’s recent bracket for the greatest trailer ever made, which ended in a battle between two of the most iconic trailers in history, Inception and The Social Network. Both examples show how a trailer can shift our cultural language and our cinematic language, while still remaining relevant nearly a decade later — all thanks to powerful editing, an almighty backing track, and a spark of creative innovation. That’s the kind of feat that can get diluted over the course of two hours.
The omission of the technical awards presentation from the Oscars’ televised ceremony means there’s even more need for a Best Trailer category, since trailers are a synthesis of technical achievements, editing, sound design, and cinematic magic.
Plus, the creators of the best trailers go overlooked even as their films get love. Not many people know that the iconic Inception BWAAAAAM, which originated from its trailer, was created not by Inception composer Hans Zimmer but by the trailer composer, Zack Hemsey.
Are you outraged that this information has been kept from you for the past eight years? There’s a simple solution: Add a Best Trailer category to the Oscars and give more geniuses their due.
Some recent possible winners of this category: Skyfall, Mad Max: Fury Road, Gravity, Blade Runner: 2049, It Comes At Night, Get Out
Original Source -> Forget Best Popular Film. Here are 6 new categories the Oscars actually need.
via The Conservative Brief
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In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out after curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto.
Credits: TheMovieDb.
Film Cast:
Jakob Heym: Robin Williams
Mischa: Liev Schreiber
Lina Kronstein: Hannah Taylor-Gordon
Max Frenkfurter: Alan Arkin
Avron: Michael Jeter
Kowalsky: Bob Balaban
Prof. Dr. Kirschbaum: Armin Mueller-Stahl
Lina’s Mother: Éva Igó
Linas’s Father: István Bálint
Fajngold: Mark Margolis
Herschel: Mathieu Kassovitz
Preuss: Justus von Dohnányi
Hocker: Kathleen Gati
…: Zofia Saretok
Film Crew:
Original Music Composer: Ed Shearmur
Director of Photography: Elemér Ragályi
Casting: Kerry Barden
Makeup Artist: Cheri Minns
Casting: Billy Hopkins
Director: Peter Kassovitz
Costume Design: Wiesława Starska
Editor: Claire Simpson
Makeup Artist: Katalin Jakots
Producer: Steven Haft
Screenplay: Marsha Garces Williams
Novel: Jurek Becker
Casting: Suzanne Smith Crowley
Screenplay: Didier Decoin
Production Design: Luciana Arrighi
Script Supervisor: Nada Pinter
Hairstylist: Gabriella Németh
Visual Effects Supervisor: Kelley Ray
Makeup Artist: Maja Gawinska
Movie Reviews:
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mw 35+?
hi love ! i asked our members, and they listed: oliver jackson-cohen, jeffrey dean morgan, steven yeun, andrew lincoln, richard madden, laura dern, reese witherspoon, adam scott, devon aoki, taraji p henson, gabrielle union, donald glover, danny pino, dj catrona, jesse williams, jay ryan, james mcavoy, jessica chastain, bill hader, manish dayal, hannah simone, john cho, laverne cox, idris elba, lucy lie, jeri ryan, javier barden, paul rudd, winona ryder, ming-na wen, jason bateman, adam scott, melora hardin, josh duhamel, john light, rachel weisz, julian mcmahon, will yun lee, michael ealy, david lee mcinnis, lorne cardinal, viola davis, kerry washington, ryan reynolds, lupita nyong’o, tracee ellis ross, danny pudi, raza jaffrey, angela bassett, sophia bush, daniel gillies, danai gurira, charlie hunnam, sam claflin, alfonso herrera, hugh jackman, nikolaj coster-waldau, michiel huisman, rodrigo santoro, alexander skarsgard, boris kodjoe, peter krause, david tennant, dominique tipper, steven strait, wes chatham, shohreh aghdashloo, diego luna, milo ventimilglia, gabriel macht, keon alexander, thomas jane, leo dicaprio, edward norton, javier bardem, woody harrelson, colin farrel, jake gyllenhal, helena bonham carter, natalie portman, billy porter, john boyega, rahul kohli, janelle monae and ser anzoategui !
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Artios Casting Society Award Nominations 2018
Alexa L. Fogel
Tara Feldstein Bennett (Location Casting)
Chase Paris (Location Casting)
Kathryn Zamora-Benson (Associate)
Television Pilot & First Season — Drama
Kerry Barden, Paul Schnee, Barbara Fiorentino
Nina Henninger (Location Casting)
Joey Montenarello (Associate)
Terese Classen (Associate)
Sharon Bialy, Sherry Thomas, Russell Scott
Robin D. Cook (Location Casting)
Jonathan Oliveira (Associate)
Bernard Telsey, Tiffany Little Canfield, Josh Einsohn
Ryan Bernard Tymensky (Associate)
Carmen Cuba
Tara Feldstein Bennett (Location Casting)
Chase Paris (Location Casting)
Wittney Horton (Associate)
John Papsidera
Deanna Brigidi (Associate)
Television Series — Comedy
Alexis Frank Koczara
Christine Smith Shevchenko
Dorian Frankel, Sibby Kirchgessner
Marlise Gunzenhauser (Associate)
Television Series — Drama
Jina Jay
Henry Russell Bergstein (Location Casting)
Debra Zane, Shayna Markowitz
Lori Wyman (Location Casting)
Marie-Therese Verbruggen (Associate)
Erin Fragetta (Associate)
Judy Henderson
Kimberly Graham (Associate)
Limited Collection
Rachel Tenner
Jackie Lind (Location Casting)
Stephanie Gorin (Location Casting)
Charlene Lee (Associate)
Robert J. Ulrich, Eric Dawson, Carol Kritzer
Jennifer K.M. Treadwell (Associate)
Avy Kaufman, Sabrina Hyman
Susanne Scheel (Associate)
Sheila Jaffe, Gail Goldberg
Sean Cossey (Location Casting)
JJ Ogilvy (Location Casting)
Nina Henninger (Location Casting)
Feature Film — Non-Theatrical Release
‘The Rocky Horror Picture Show’
Bernard Telsey, Abbie Brady-Dalton
Cesar A. Rocha (Associate)
Junie Lowry Johnson, Libby Goldstein
Mark Fincannon (Location Casting)
Craig Fincannon (Location Casting)
Lisa Mae Fincannon (Location Casting)
Monica Kelly (Associate)
Children’s Pilot and Sequence (Live Action)
DISNEY CHANNEL/Bruce Birmelin
Girl Meets World
Sally Stiner, Barbie Block
Julie’s Greenroom
Bernard Telsey
Conrad Woolfe (Associate)
Nicky, Ricky, Dicky & Dawn
Danielle Aufiero, Amber Horn
Steven Tylor O’Connor (Associate)
School of Rock
Suzanne Goddard-Smythe
Ty Harman (Associate)
Television — Cartoon
Reality Series
Are You the One?
Damon Furberg, Heather Allyn
Authentic Life: We Are Transitioning
Tony Miros
Short Films
Crowbar Smile
Eyde Belasco
Perfect Roast Potatoes
Rich Mento
Public Talking
Adrienne Stern
The Sub
Amanda Lenker Doyle
Shortform Collection
Confess
Fern Champion, Sharon Lieblein
Troy Daniel Smith (Associate)
Now We Are Talking
Alexis Frank Koczara
Party Girl
Nickole Doro, Shayna Sherwood
Single By 30
Sherrie Henderson, Romy Stutman
Vanessa Knight (Associate)
Tales of Titans
Amanda Lenker Doyle, Chrissy Fiorilli-Ellington
Tween Fest
Amanda Lenker Doyle
New York Broadway Theater — Comedy or Drama
Tara Rubin
Felicia Rudolph (Associate)
Heidi Griffiths, Jordan Thaler
New York Broadway Theater — Musical
‘Natasha, Pierre & the Great Comet of 1812’
Courtesy of Matt Ross Public Relations
New York Broadway Theater — Revival, Comedy or Drama
‘Six Degrees of Separation’
David Caparelliotis, Nancy Piccione
New York Broadway Theater — Revival, Musical
Tara Rubin, Eric Woodall
Kaitlin Shaw (Associate)
Claire Burke (Associate)
Tara Rubin, Merri Sugarman
Claire Burke (Associate)
New York Theater — Comedy or Musical
New York Theater — Perform
Small Mouth Sounds
Henry Russell Bergstein, Lauren Port
William Cantler, Bernard Telsey, Karyn Casl, Adam Caldwell
Regional Theater East
A Sign of the Times
Tara Rubin
Felicia Rudolph (Associate)
American Son (MA manufacturing)
Pat McCorkle, Katja Zarolinski
American Son (NJ manufacturing)
Pat McCorkle, Katja Zarolinski
An American Daughter
William Cantler, Karyn Casl
The SpongeBob Musical
Patrick Goodwin, James Calleri, Paul Davis
Regional Theater West
A View From the Bridge
Karyn Casl, Patrick Goodwin
Really
Phyllis Schuringa
An Octoroon
James Calleri, Erica Jensen, Amy Potozkin
Barbecue
Phyllis Schuringa
Merrily We Roll Along
Beth Lipari
Los Angeles Theater
The 24th Yearly Young Playwrights Festival
Erica S. Bream, Cara Chute Rosenbaum
The House at Scarsdale: A Memoir for the Stage
Nicole Arbusto
The Tragedy of both JFK (as Told by William Shakespeare)
Erica S. Bream, Cara Chute Rosenbaum
Waiting for Godot
Amanda Lenker Doyle, Chrissy Fiorilli-Ellington
When Jazz Had the Blues
Michael Donovan
Richie Ferris (Associate)
Particular Theatrical Performance
A Chorus Line
Margery Simkin, Michael Donovan
Richie Ferris (Associate)
Crazy For You
Tara Rubin, Kaitlin Shaw
Felicia Rudolph (Associate)
Wonderful Town
Jim Carnahan
Theater Tours
Courtesy of Joan Marcus
Fun Home
Jim Carnahan, Jillian Cimini
Hamilton (West Coast National Tour)
Bethany Knox
Rebecca Scholl (Associate)
Hamilton (Chicago Company)
Bethany Knox
Rebecca Scholl (Associate)
Hedwig and the Angry Inch
James Calleri, Paul Davis
The Curious Incident of the Dog in the Night-Time
Daniel Swee, Cindy Tolan
What is Hot on The Hollywood Reporter
from Society http://www.nsorchidsociety.com/artios-casting-society-award-nominations-2018/
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Details from: Tension 12 (Australian and International Arts : December 1987) (1987) - features Geoff Lowe (interview by Ashley Crawford), Jim Jarmusch (interview by Kerry Doole), Lindy Lee (by Ted Colless), Wim Wenders (by Melanie Brellis), "Images from Japan" (by Ashley Crawford), Nick Cave (interview by Melanie Brellis), 4AD Records (interview by Bruce Elder), Trisha Brown (interview by Shelley Lasica), Syd Mead (interview by Chad Taylor), "Dennis Hopper: Out of the Sixties" by Robin Barden, "Television: A New Aesthetic", Paul Morley's ASK reviewed by McKenzie Wark, and much more. - One copy via our website and in the bookshop. - TENSION (1983-1990) was one of the central "popular" culture arts periodicals to come out of Melbourne in the 1980s, emerging from the ashes of Virgin Press. Independently published and edited by critic Ashley Crawford, Tension magazine lasted for 25 bi-monthly issues dedicated to Art, Music, Fashion, Theatre, Film, Photography, across reviews, interviews, reports, critical essays and artist pages. Now an important document of culture in Australia, and especially Melbourne in the 1980s, issues featured the writing and contributions of Paul Taylor, McKenzie Wark, Mike Parr, John Nixon, Catharine Lumby, Philip Brophy, Adrian Martin, Ashley Crawford, Peter Tyndall, Jean Baudrillard, Timothy Leary, Gerard Malanga, Keith Haring, Gerald Murnane, and many more. In 1985 Crawford, with John Buckley, staged an exhibition issue of the magazine, 'Visual Tension', at ACCA featuring the work of Howard Arkley, Marianne Baillieu, Peter Booth, Paul Boston, Peter Cripps, Richard Dunn, Maria Kozic, John Lethbridge, Geoff Lowe, Linda Marrinon, John Matthews, John Nixon, Stieg Persson, Robert Rooney, Gareth Sansom, Vivienne Shark LeWitt, Imants Tillers, Peter Tyndal, Jenny Watson, John Young. - #worldfoodbooks #tension (at WORLD FOOD BOOKS)
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Casting Society to Honor Barry Levinson, Kevin Huvane at Artios Awards
http://styleveryday.com/2017/10/08/casting-society-to-honor-barry-levinson-kevin-huvane-at-artios-awards/
Casting Society to Honor Barry Levinson, Kevin Huvane at Artios Awards
Casting director Victoria Thomas will receive the Hoyt Bowers Award.
CAA’s Kevin Huvane, filmmaker Barry Levinson and casting director Victoria Thomas will be honored by the Casting Society of America at its 33rd annual Artios Awards, which will be held Jan. 18 simultaneously at the Beverly Hilton Hotel in Beverly Hills and Stage 48 in New York City.
Huvane, partner and managing director at CAA, will receive the Lynn Stalmaster Award for Career Achievement, recognizing his contributions to the industry. The honor is named after the first casting director in history to win an honorary Academy Award.
Levinson, the Oscar-winning director, screenwriter and producer whose credits range from Rain Man to HBO’s recent The Wizard of Lies, will be presented with the Marion Dougherty New York Apple Award, which is given to an individual who has made a special commitment to the New York entertainment industry through their collaboration with casting directors and which is named after pioneering casting director Marion Dougherty.
Artios Award-winner Thomas, whose credits include award-winning films such as Django Unchained, Hidden Figures, Edward Scissorhands, Sid and Nancy, Straight Outta Compton and Detroit, will be honored with the Hoyt Bowers Award for outstanding contribution to the casting profession. The award is named after casting director Hoyt Bowers. was a brilliant casting director and a supportive mentor.
CSA also announced its 2018 nominees for outstanding achievement in casting in the television, theatre, shortform series and short film categories. Nominees for feature film will be announced early next year.
The full list of television, theatre, shortform series and short film nominees follows:
TELEVISION PILOT AND FIRST SEASON – COMEDY
Atlanta — Alexa L. Fogel, Tara Feldstein Bennett (Location Casting), Chase Paris (Location Casting), Kathryn Zamora-Benson (Associate)
Better Things — Felicia Fasano, Tara Nostramo (Associate)
Dear White People — Kim Coleman
I Love Dick — Eyde Belasco
Insecure — Victoria Thomas
TELEVISION PILOT AND FIRST SEASON – DRAMA
13 Reasons Why — Kerry Barden, Paul Schnee, Barbara Fiorentino, Nina Henninger (Location Casting), Joey Montenarello (Associate), Terese Classen (Associate)
The Crown — Nina Gold, Robert Sterne
The Handmaid’s Tale — Sharon Bialy, Sherry Thomas, Russell Scott, Robin D. Cook (Location Casting), Jonathan Oliveira (Associate)
This Is Us — Bernard Telsey, Tiffany Little Canfield, Josh Einsohn, Ryan Bernard Tymensky (Associate)
Stranger Things — Carmen Cuba, Tara Feldstein Bennett (Location Casting), Chase Paris (Location Casting), Wittney Horton (Associate)
Westworld — John Papsidera, Deanna Brigidi (Associate)
TELEVISION SERIES COMEDY
Black-ish– Alexis Frank Koczara, Christine Smith Shevchenko
Crazy Ex-Girlfriend — Felicia Fasano, Venus Kanani, Tara Nostramo (Associate)
Girls — Jennife Eustons
Transparent — Eyde Belasco
Silicon Valley — Jeanne McCarthy, Nicole Abellera Hallman, Leslie Woo
Veep — Dorian Frankel, Sibby Kirchgessner, Marlise Gunzenhauser (Associate)
TELEVISION SERIES DRAMA
Black Mirror — Jina Jay, Henry Russell Bergstein (Location Casting)
Bloodline — Debra Zane, Shayna Markowitz, Lori Wyman (Location Casting), Marie-Thérèse Verbruggen (Associate), Erin Fragetta (Associate)
Homeland — Judy Henderson, Kimberly Graham (Associate)
The Affair — Ross Meyerson, Julie Tucker
The Americans — Rori Bergman
LIMITED SERIES
Big Little Lies — David Rubin, Melissa Pryor (Associate)
Fargo — Rachel Tenner, Jackie Lind (Location Casting), Stephanie Gorin (Location Casting), Charlene Lee (Associate)
Feud: Bette and Joan — Robert J. Ulrich, Eric Dawson, Carol Kritzer, Jennifer K.M. Treadwell (Associate)
The Night Of — Avy Kaufman, Sabrina Hyman, Susanne Scheel (Associate)
When We Rise — Sheila Jaffe, Gail Goldberg, Sean Cossey (Location Casting), JJ Ogilvy (Location Casting), Nina Henninger (Location Casting)
FEATURE FILM – NON THEATRICAL RELEASE
Hairspray Live — Bernard Telsey, Abbie Brady-Dalton, Cesar A. Rocha (Associate)
Killing Reagan — Junie Lowry Johnson, Libby Goldstein, Mark Fincannon (Location Casting), Craig Fincannon (Location Casting), Lisa Mae Fincannon (Location Casting), Monica Kelly (Associate)
The Immortal Life of Henrietta Lacks — Cindy Tolan, Meagan Lewis (Location Casting), Daniel Cabeza (Associate)
The Rocky Horror Picture Show, Let’s Do the Time Warp Again — Robert J. Ulrich, Eric Dawson, Carol Kritzer, Stephanie Gorin (Location Casting), Alex Newman (Associate)
The Wizard of Lies– —Ellen Chenoweth, Susanne Scheel (Associate)
CHILDREN’S PILOT AND SERIES (LIVE ACTION)
Bunk’d — Howard Meltzer
Girl Meets World — Sally Stiner, Barbie Block
Julie’s Greenroom — Bernard Telsey, Conrad Woolfe (Associate)
Nicky, Ricky, Dicky & Dawn — Danielle Aufiero, Amber Horn, Steven Tylor O’Connor (Associate)
School of Rock — Suzanne Goddard-Smythe, Ty Harman (Associate)
TELEVISION ANIMATION
American Dad! — Linda Lamontagne
Bob’s Burgers — Julie Ashton-Barson
Bojack Horseman — Linda Lamontagne
Family Guy — Linda Lamontagne
Peanuts — Matthew Jon Beck
REALITY SERIES
Are You the One? — Damon Furberg, Heather Allyn
Born This Way — Sasha Alpert
Project Runway — Sasha Alpert
Real World — Sasha Alpert
True Life: We Are Transitioning — Tony Miros
SHORT FILMS
Crowbar Smile — Eyde Belasco
Perfect Roast Potatoes — Rich Mento
Plea — Marin Hope
Public Speaking — Adrienne Stern
The Sub — Amanda Lenker Doyle
SHORTFORM SERIES
Confess — Fern Champion, Sharon Lieblein, Troy Daniel Smith (Associate)
Now We’re Talking — Alexis Frank Koczara
Party Girl — Nickole Doro, Shayna Sherwood
Single By 30 — Sherrie Henderson, Romy Stutman, Vanessa Knight (Associate)
Tales of Titans — Amanda Lenker Doyle, Chrissy Fiorilli-Ellington
Tween Fest — Amanda Lenker Doyle
NEW YORK BROADWAY THEATRE – COMEDY OR DRAMA
A Doll’s House Part 2 — David Caparelliotis, Lauren Port
Heisenberg — Nancy Piccione
Indecent — Tara Rubin, Felicia Rudolph (Associate)
Oslo — Daniel Swee
Sweat — Heidi Griffiths, Jordan Thaler
NEW YORK BROADWAY THEATRE – MUSICAL
Charlie and the Chocolate Factory — Rachel Hoffman
Come From Away — Rachel Hoffman
Groundhog Day — Jim Carnahan, Jillian Cimini (Associate)
Natasha, Pierre & the Great Comet of 1812 — Duncan Stewart, Benton Whitley, Andrea Zee (Associate)
War Paint — Craig Burns, Bernard Telsey
NEW YORK BROADWAY THEATRE – REVIVAL, COMEDY OR DRAMA
Jitney — David Caparelliotis, Nancy Piccione
Six Degrees of Separation — Daniel Swee
The Front Page — David Caparelliotis, Lauren Port
The Glass Menagerie — David Caparelliotis, Lauren Port
The Little Foxes — David Caparelliotis, Kelly Gillespie
NEW YORK BROADWAY THEATRE – REVIVAL, MUSICAL
Falsettos — Tara Rubin, Eric Woodall, Kaitlin Shaw (Associate), Claire Burke (Associate)
Hello Dolly — Craig Burns, Bernard Telsey
Miss Saigon — Tara Rubin, Merri Sugarman, Claire Burke (Associate)
Sunday in the Park With George — Carrie Gardner, Stephen Kopel
Sunset Boulevard — Tara Rubin, Eric Woodall
NEW YORK THEATRE – COMEDY OR MUSICAL
A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Center of New York City — William Cantler, Karyn Casl
How to Transcend a Happy Marriage — Daniel Swee
Sweeney Todd — Cesar A. Rocha
Sweet Charity — Judy Henderson, Ally Beans
The Band’s Visit — Tara Rubin
NEW YORK THEATRE – DRAMA
Dead Poet’s Society — William Cantler, Karyn Casl
Small Mouth Sounds — Henry Russell Bergstein, Lauren Port
The Hairy Ape — Tiffany Little Canfield, Cesar A. Rocha (Associate)
The Wolves — William Cantler, Karyn Casl
Yen — William Cantler, Bernard Telsey, Karyn Casl, Adam Caldwell
REGIONAL THEATRE EAST
A Sign of the Times — Tara Rubin, Felicia Rudolph (Associate)
American Son – MA production — Pat McCorkle, Katja Zarolinski
American Son – NJ production — Pat McCorkle, Katja Zarolinski
An American Daughter — William Cantler, Karyn Casl
Assassins — Tara Rubin
The SpongeBob Musical — Patrick Goodwin, James Calleri, Paul Davis
REGIONAL THEATRE WEST
A View From the Bridge — Karyn Casl, Patrick Goodwin
Actually — Phyllis Schuringa
An Octoroon — James Calleri, Erica Jensen, Amy Potozkin
Barbecue — Phyllis Schuringa
Merrily We Roll Along — Beth Lipari
Zoot Suit — Pauline O’con
LOS ANGELES THEATRE
The 24th Annual Young Playwrights Festival — Erica S. Bream, Cara Chute Rosenbaum
The House in Scarsdale: A Memoir for the Stage— Nicole Arbusto
The Tragedy of JFK (as Told by William Shakespeare) — Erica S. Bream, Cara Chute Rosenbaum
Waiting for Godot — Amanda Lenker Doyle, Chrissy Fiorilli-Ellington
When Jazz Had the Blues — Michael Donovan, Richie Ferris (Associate)
SPECIAL THEATRICAL PERFORMANCE
A Chorus Line — Margery Simkin, Michael Donovan, Richie Ferris (Associate)
Aida — Rachel Hoffman
Big River — Jay Binder
Crazy for You — Tara Rubin, Kaitlin Shaw, Felicia Rudolph (Associate)
Wonderful Town — Jim Carnahan
THEATRE TOURS
Fun Home — Jim Carnahan, Jillian Cimini
Hamilton – West Coast National Tour — Bethany Knox, Rebecca Scholl (Associate)
Hamilton – Chicago Company — Bethany Knox, Rebecca Scholl (Associate)
Hedwig and the Angry Inch — James Calleri, Paul Davis
The Curious Incident of the Dog in the Night-Time — Daniel Swee, Cindy Tolan
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