Janet Jackson for KING magazine, 2006
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Because Star Wars has had the cultural impact that it has, these characters almost become public domain, where people feel a sense of ownership over them. The character was criticised, my performance was criticised, and that part sucked. But I also felt like I had some context that perhaps helped a little bit. When Episode I came out, there was a lot of excitement that they were making a new Star Wars, and it was going to be the backstory of Darth Vader. But I had friends that were upset that the character was starting off as this young kid. And I watched the film, and I loved it. It was everything I wanted and more. And I didn’t understand the disconnect between the movie that I saw, and the negativity in some of the reviews. In a way that sort of criticism, I think, comes from a certain failure of their own suspension of disbelief. If you’re gonna go sit in a theatre, and the opening scroll starts with, “A long time ago, in a galaxy far, far away”, that’s setting the stage that anything is possible. These people don’t need to sound and behave the way that we might expect. And if you’re going to sit down and think that you’re getting something that is of our current zeitgeist, then you’re setting yourself up for something else. You know what I mean?
Hayden on the backlash the prequels and his performance received, Empire Magazine
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Iain De Caestecker for ARCADIA Magazine
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CHARLIE VICKERS and MORFYDD CLARK stun in photoshoot for ENTERTAINMENT WEEKLY
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new outtakes — tom glynn-carney photographed by rhys frampton for contentsman (october 2022)
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