REVEREND KRISTIN MICHAEL HAYTER AT THALIA HALL
(photographed by me)
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I will be with you always
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Lingua Ignota by Stefaan Temmerman, 2019.
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Lingua Ignota - May 2022 @ Thalia Hall, Chicago
© Morgan DiDomizio
Instagram: @ morgue_y
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The most irritating RYMers, in my opinion, are not the esoteric-charts-obsessed avant-teens but the users who immediately call anything with any amount of depth “pretentious”
Seeing this wayyy too much in the comments (I don’t feel like reading reviews yet) of the new Kristin Hayter (formerly Lingua Ignota) album, albeit “pretentious” seems to be, more often than not, replaced with “corny” or “gimmicky.”
“The gospel and fake distortion gimmick gets old after a little bit and then it just keeps going…” Have you considered that she never intended for it to be a gimmick? That she manipulated the tape herself? Or are you maybe not listening to it in good faith by assuming that it’s purely a product for attention and fame, and that she’s somehow not capable of real experimentation?
I love RYM as a site and as a concept, but just as in Everywhere Else On The Internet, misogyny is still very real, and that feels present in the reception (still only a very small part — I think wayyy more people like the album than dislike it) of SAVED!
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i’ll be at both chicago shows for rev kmh if any buds wanna say hi :)
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Lingua Ignota @ Oslo, London – 30/09/19
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