#ks syntax

[finishinglinepress]

FLP CHAPBOOK OF THE DAY: Kyivsky Waltz | Київський вальс a love story | історія кохання by KS Lack | КШ Лек

On SALE now! Pre-order Price Guarantee: https://www.finishinglinepress.com/product/kyivsky-waltz-київський-вальс-a-love-story-історія-коханн/

KS Lack is a writer and letterpress printer from New York who is interested in the interplay between presswork and poetry, and in transcending constraints by working with them. Her work has appeared in various publications and galleries including Proteus Gowanus, Main Street Arts, The Center for Book Arts, Eastern Iowa Press, Red Flag #Poetry, The Clemente, and Inverted Syntax. She is a founding member of the Introspective Collective consortium of artists. KS has been living with chronic pain since childhood.

From 1994 to 1996, KS Lack lived in Kyiv, #Ukraine, where she helped start Dzerkalo Tyzhnia (The Mirror Weekly), one of Ukraine’s first independent newspapers.

All of the author’s proceeds from this publication will be donated to Razom, an NGO dedicated to providing humanitarian aid to Ukraine. For more information, go to https://www.razomforukraine.org/

PRAISE FOR Kyivsky Waltz | Київський вальс a love story | історія кохання by KS Lack | КШ Лек

Kyivsky Waltz/Київський Вальс is both timely and timeless. Through a masterful interweaving of poems, typeset, and images, this chapbook takes the reader on a lyrical journey through Kyiv in the 1990s, as experienced by a perceptive and heartbreakingly honest young American woman. We hear the “small symphonies” and “rumbling bursts” of the Ukrainian language. We taste the “tang of a morning’s kiss/mushrooms misted with earth.” We smell the roses and lilacs below a lovers’ room. With a poet-journalist’s attentive eye, KS Lack infuses her story with everyday detail, always through an intensely personal lens—full of yearning, tenderness, pain, confusion, repulsion, pleasure, beauty, and, ultimately, love. The evocative images of this love story will haunt your memory long after you put it down.

–Nicole Svobodny, Senior Lecturer in Global Studies, Washington University in St. Louis

Kyivsky Waltz/Київський Вальс leads us through the steps of a transformation, the one that inevitably occurs in the encounter of a foreign place, and of its inhabitants and culture. The poems, demonstrating how small details or words can carry greater significance, convey a journey from disorienting estrangement, to intimate understanding, and love. Through various poetic movements, KS Lack chronicles a dance, at the end of which, two foreigners can say “But here nothing is yours or mine––just ours.” With this heartfelt collection, Lack reminds us that #love, like language, is a pas de deux.

–Beatrice Szymkowiak, author of B/RDS

A mixture of visually-laden poetry and equally breathtaking artwork, Kyivsky Waltz/Київський Вальс by KS Lack takes you on a sensual, metaphorical, and emotional journey of the seasons

–Jason Masino, author of Sinner’s Prayer

Please share/please repost #flpauthor #preorder #AwesomeCoverArt #poetry #chapbook #read #poems #Ukraine

[silenceofthewave]

Soundwave quickly zeroed in on the tab containing the personal protection protocols. While it was impressive, alarm bells quickly began to ring when it spotted the dummy code for his viruses. Brainstorm was not the only mech in this building who had personal experience devising such weapons.

Soundwave quickly scrolled through the code, reading every measure that was in place with practiced ease. Brainstorm had mentioned being on the "same side" for a time, and it was no wonder. His coding reeked of Decepticon training; modules Soundwave itself had overseen the creation of. Still, he had a clear and distinct "voice" within the syntax, quirks and the like. While Brainstorm had learned something from the Decepticons, he had obviously built his own skillset.

While this was certainly impressive, this probably was the last thing Soundwave wanted to see right out of the gate. Though reverse engineering something this complex would be useful, Soundwave couldn't help its reservations. There was enough room for one master virus creator, and that was Soundwave. It could at least trust itself to play by the rules.

"KS Solutions: Not in the business of using offense as the best defense." Soundwave said, slowly handing back the datapad.

Brainstorm bustles into the building almost as soon as it opens. He's kept an optic out for months. Because what better way to get a new laboratory for even more feats than with a brand new firm? He hadn't been expecting to be handing a resume data pad that has several tabs open to Soundwave of all mech, but sure! They had technically been on the same side of the battle for a little while! Why not?

"I know I'm over qualified. Head engineer on the Lost Light, built a paradox proof time machine -we don't talk about that one-, and several, several weapons that were used both on and off the battlefield." He looked proud of himself behind his mask.

Brainstorm had basically ambushed Soundwave on the way to its office. It had heard a bit of commotion out in the halls, but figured it was the already hired employees celebrating the opening of the firm. It had not been expecting their daytime security guard to come rushing through mere moments after the datapad was in its hands.

Soundwave held up a servo to calm the guard before looking to this...prospect. It listened carefully, frowning under its visor a bit more with every sentence. After he finished, Soundwave didn't respond. It simply looked over the datapad, flipping through tabs, staring at the mechanical schematics that were being provided as examples of his work.

Finally, Soundwave looked up again and tilted its helm to the side.

"Brainstorm?" A small ex-vent. "KS Solutions: Specializes in cloud based software engineering regarding cybersecurity systems. Does not have the capacity now, or in the near future, for hardware development. You are...aware of this, correct?"

[itskeej]

Bunch of icons I made for my TH profiles of these lads. From top to bottom:

- Jaxon - Dallan - Aster - Killscreen - Syntax

The first two were referenced, reference images can be found in the description of the images on TH!

I... guess people can use these if they want (with credit)? BUT TBH I’m not too sure who would wanna when I got not a lot of content regarding these lads HAH.

[sorrowfulsoul]

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A Aa Ab Ac Ad Ae Af Ag Ah Ai Aj Ak Al Am An Ao Ap Aq Ar As At Au Av Aw Ax Ay Az

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E Ea Eb Ec Ed Ee Ef Eg Eh Ei Ej Ek El Em En Eo Ep Eq Er Es Et Eu Ev Ew Ex Ey Ez

F Fa Fb Fc Fd Fe Ff Fg Fh Fi Fj Fk Fl Fm Fn Fo Fp Fq Fr Fs Ft Fu Fv Fw Fx Fy Fz

G Ga Gb Gc Gd Ge Gf Gg Gh Gi Gj Gk Gl Gm Gn Go Gp Gq Gr Gs Gt Gu Gv Gw Gx Gy Gz

H Ha Hb Hc Hd He Hf Hg Hh Hi Hj Hk Hl Hm Hn Ho Hp Hq Hr Hs Ht Hu Hv Hw Hx Hy Hz

I Ia Ib Ic Id Ie If Ig Ih Ii Ij Ik Il Im In Io Ip Iq Ir Is It Iu Iv Iw Ix Iy Iz

J Ja Jb Jc Jd Je Jf Jg Jh Ji Jj Jk Jl Jm Jn Jo Jp Jq Jr Js Jt Ju Jv Jw Jx Jy Jz

K Ka Kb Kc Kd Ke Kf Kg Kh Ki Kj Kk Kl Km Kn Ko Kp Kq Kr Ks Kt Ku Kv Kw Kx Ky Kz

L La Lb Lc Ld Le Lf Lg Lh Li Lj Lk Ll Lm Ln Lo Lp Lq Lr Ls Lt Lu Lv Lw Lx Ly Lz

M Ma Mb Mc Md Me Mf Mg Mh Mi Mj Mk Ml Mm Mn Mo Mp Mq Mr Ms Mt Mu Mv Mw Mx My Mz

N Na Nb Nc Nd Ne Nf Ng Nh Ni Nj Nk Nl Nm Nn No Np Nq Nr Ns Nt Nu Nv Nw Nx Ny Nz

O Oa Ob Oc Od Oe Of Og Oh Oi Oj Ok Ol Om On Oo Op Oq Or Os Ot Ou Ov Ow Ox Oy Oz

P Pa Pb Pc Pd Pe Pf Pg Ph Pi Pj Pk Pl Pm Pn Po Pp Pq Pr Ps Pt Pu Pv Pw Px Py Pz

Q Qa Qb Qc Qd Qe Qf Qg Qh Qi Qj Qk Ql Qm Qn Qo Qp Qq Qr Qs Qt Qu Qv Qw Qx Qy Qz

R Ra Rb Rc Rd Re Rf Rg Rh Ri Rj Rk Rl Rm Rn Ro Rp Rq Rr Rs Rt Ru Rv Rw Rx Ry Rz

S Sa Sb Sc Sd Se Sf Sg Sh Si Sj Sk Sl Sm Sn So Sp Sq Sr Ss St Su Sv Sw Sx Sy Sz

T Ta Tb Tc Td Te Tf Tg Th Ti Tj Tk Tl Tm Tn To Tp Tq Tr Ts Tt Tu Tv Tw Tx Ty Tz

U Ua Ub Uc Ud Ue Uf Ug Uh Ui Uj Uk Ul Um Un Uo Up Uq Ur Us Ut Uu Uv Uw Ux Uy Uz

V Va Vb Vc Vd Ve Vf Vg Vh Vi Vj Vk Vl Vm Vn Vo Vp Vq Vr Vs Vt Vu Vv Vw Vx Vy Vz

W Wa Wb Wc Wd We Wf Wg Wh Wi Wj Wk Wl Wm Wn Wo Wp Wq Wr Ws Wt Wu Wv Ww Wx Wy Wz

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[elaho]

A (Basic) Guide to Matoran Names

When Bionicle first launched, the names used for most characters were derived directly from Maori (ex. “Tahu” means “burn”), but LEGO later adapted to include English grammar, syntax, and spelling in their name design. This cultural fusion became “The Matoran/Agori Language”, with words on Mata Nui maintaining a strong Polynesian flare, and those within the giant robot (and on Bara Magna) keeping a Germanic/Latin nature.

Basically, Matoran names have five (5) distinct characteristics:

They…

Have no more than three (3) syllables per word (ex. Roo’da’ka, Kai’la’ni, Hel’ryx)

Can start with a single vowel (a, e, i, o, u) but not a single consonant (ex. A’ma’ya, K’ma’ya)

Can have the floating letters “k”, “n”, and “s” added to a syllable, but only if they come after a vowel (ex. Ma’to’ran, Fen’rak, Vhi’so’rak, Vas’tus)

Have an extra “h” to soften pronunciation between a consonant and vowel (ex. Hah’li, Whe’nu’a, Kar’zah’ni)

Can have different spelling w/ same pronunciation, but never more than three (3) letters per syllable (ex. Pu’ku --> Pew’ku; Ma’ku --> Mac’ku)

Grammar and phonotactics can get way more complicated than this, but just the basics have been super helpful in naming my own characters (ex. Tongass, Taiga).

For anyone who wants to know more details about Matoran names, check out the “read more” section below; I’ll be adding more grammar and phonetic stuff as it comes along.

Syllables

All Matoran names have four (4) basic syllables:

 [V] single vowel (a, e, i, o, u),

[CV] consonant + vowel (examples: ka, gu, ri…),

[VV] vowel + vowel (i.e. diphthongs [examples: ai, ea, ou…])

[CVV] consonant + diphthong [examples: kai, xia, lao…]

Names can be one (1), two (2), or three (3) syllables long, but single syllable names must have at least 1 consonant and 1 vowel (ex. Kongu’s Gukko “Ka”); Because single syllable names are so short, up to 5 different letters can be used, but shouldn’t have more than 3 sounds in total (ex. Gresh’ --> G-RE-SH) (ex. Skrall’ --> SK- RA- LL)

Normally names have no more than three (3) syllables per word, with only two exceptions (i.e. Takanuva [4] and Protodermis [4]). All other names in the Matoran Universe have 3 syllables or less, but names could be made with up to 4 in rare circumstances.

Adding Extra Letters

The letter “r” can be added to basic [CV] syllables, but only if

It’s added after a plosive consonant (“b”, “p”, “t” or “k”) and the vowel “a” (ex. Ac’kar, Bo’tar, Car’a’par, Bar’ra’ki) Or

It’s placed between a plosive consonant and a vowel (ex. Bru’ta’ka, Skrall’, Kraa’ta

The floating letters “k”, “n”, and “s” can be added to a basic syllable, but only if they come after a vowel* (ex. Ma’to’ran, Fen’rak, Vhi’so’rak, Vas’tus); *The exception to this is “s”, which can be added before [CV] syllables starting with “k” (ex. Skak’di, Skrall’), or after consonants to imply a plural (ex. Pouks’)

Names can have different spellings but can’t have more than three (3) letters per syllable* (ex. Pu’ku --> Pew’ku); syllables can also have extra vowels or consonants added to emphasize/elongate their sound, but they must:

1.      Be a repeating vowel or consonant (ex. Skrall’, Skaa’di, Kii’na),

2.      Keep the original sound (ex. Bo’tar, [not Boo’tar]), and

3.      Only have 1 repeating letter per name (ex. Kii’na, [not Kii’naa or Kiii’na])

*Exceptions: single syllable names (see details above); names with 1 repeating letter (ex. Gaa’ki Ja’ller); and syllable letter/sound combinations ending in “-st” and “-sh” (ex. Go’rast)

Spelling and Pronunciation

Names with syllable starting in “ll” and ending in “-er” have the “ah” pronunciation instead of “ur” (ex. Ja’ller, pronounced “Jala”)

[livesets-dj-mixes-edm-podcasts]

Download Bad Syntax - Best Drum and Bass Podcast 328 – Bad Syntax & Illusion for free now!

Artist: Bad Syntax Show: Bad Syntax – Best Drum and Bass Podcast 328 – Bad Syntax & Illusion Quality: 320 Kbps 48000 Khz Genre: Drum & Bass Source: RSS

Discover more Bad Syntax live sets & radioshows HERE | Listen or download more Best Drums & Bass Podcast episodes HERE

Bad Syntax – Best Drum and Bass Podcast 328 – Bad Syntax & Illusion Tracklist

ITS OUR BIRTHDAY! Well, more specifically, Abducted LTD’s birthday. Hard to believe its been 7 whole years since we started things off there. as a celebration, we dropped a few classics from the label sprinkled into the resident mix tonight, and we also have a VICIOUS guest mix by Illusion! Drop in and rock out with us!

Bad Syntax Tracklist

Cooh – Crash [Abducted LTD]

Blast – Dead End [Surveillance]

2Whales & TR Tactics – Weak [High Resistance]

Burr Oak – No Light Will Shine On [Eatbrain]

Rico – Lie, Cheat N Steal [Close 2 Death]

BorkerBrothers – Perception (Finalfix RMX) [Hanzom]

Pish Posh – Frogman (4Mulate RMX) [Abducted LTD]

Blast – Hopeless [Surveillance]

Black Sun empire – Dont You Stasis (V O E RMX) [Blackout]

Rico – Insatiable [Close 2 Death]

Burr Oak – Dissent [Eatbrain]

Theoretical – Cuttlefish [Neuropunk]

Wresker & Kilobite – Dead Space [Abducted LTD]

Blast – Space Cowboys [Surveillance]

Katharsys – Slippery Slope (Current Value RMX) [Othercide]

Black Sun Empire – Arakkis (Rillium RMX) [Blackout]

Intercept – Nexus [Protocode]

North Base & Pulsar – Them Old School Vibes [Nemesis]

KS – Make Some Noise [Abducted LTD]

Black Sun Empire – Stasis (Waeys RMX) [Blackout]

Loudek – In My Mind U Are All [Future Formation]

Gobs de BXL – 350 [Space Pirate]

Focusfire – Rustle [Neuropunk]

BorkerBrothers & Surge ft BLKJuzo – ID (Notequal RMX) [Hanzom]

Rune & Kaiza – Ooze [Abducted LTD]

Agressor Bunx – Lethal Rain [Eatbrain]

Heu – Dragonflies [Terra Firma]

Alyess – Too Late [Four Corners]

Black Yukon Sucker Punch – Buried (Vegas RMX) [Yukon Punch]

Pish Posh – The Moon [Abducted LTD]

Blast – Bad Sectors [Surveillance]

Sovryn & AL/SO – Korsakov]

BorkerBrothers – Perception (Surge RMX) [Hanzom]

Black Sune Empire – Driving Insane (Eatcolors RMX) [Blackout]

Focusfire – No Wasting [Neuropunk]

Dose – Sanctuary [Abducted LTD]

“Bad Tunes” of the week

Knoxz – Cross Roads [Formation]

Black Yukon Sucker Punch – Buried (Vegas RMX) [Yukon Punch]

Maykors – Mammals [Four Corners]

Cutworx – In Out [Data]

Black Sun Empire – Arakkis (Rillium RMX) [Blackout]

Illusion Tracklist

SOUL DILLA – Babylon Don’t Sleep (Negative Sound Recordings)

ILLUSION – Pruf (Negative Sound Recordings)

KUMARION – 1984 (Play Me Records)

TRACED – The Reckoning (Kill Tomorrow)

ILLUSION – NWO (Negative Sound Recordings)

ILLUSION – Last Week (Negative Sound Recordings)

DROPTEK – Wormholes (Korsakov Music)

SKORE – Machine Routine (Co-Lab Recordings)

ILLUSION feat. Soul Dilla – Fiery Phoenix (Negative Sound Recordings)

MANTA – Watching Waves (DIASCOPE)

2WHALES – Vitalik (High Resistance)

NON GRATA – Yummi (Negative Sound Recordings)

ILLUSION – Out Of Control (Negative Sound Recordings)

The podcast Bad Syntax – Best Drums & Bass Podcast is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

Follow us on: Facebook, Twitter, Instagram, Reddit & VK

[edmlivesets4u-blog]

Listen or download Bad Syntax - Best Drum and Bass Podcast 328 – Bad Syntax & Illusion for free now!

Artist: Bad Syntax Show: Bad Syntax – Best Drum and Bass Podcast 328 – Bad Syntax & Illusion Quality: 320 Kbps 48000 Khz Genre: Drum & Bass Source: RSS

Discover more Bad Syntax live sets & radioshows HERE | Listen or download more Best Drums & Bass Podcast episodes HERE

Bad Syntax – Best Drum and Bass Podcast 328 – Bad Syntax & Illusion Tracklist

ITS OUR BIRTHDAY! Well, more specifically, Abducted LTD’s birthday. Hard to believe its been 7 whole years since we started things off there. as a celebration, we dropped a few classics from the label sprinkled into the resident mix tonight, and we also have a VICIOUS guest mix by Illusion! Drop in and rock out with us!

Bad Syntax Tracklist

Cooh – Crash [Abducted LTD]

Blast – Dead End [Surveillance]

2Whales & TR Tactics – Weak [High Resistance]

Burr Oak – No Light Will Shine On [Eatbrain]

Rico – Lie, Cheat N Steal [Close 2 Death]

BorkerBrothers – Perception (Finalfix RMX) [Hanzom]

Pish Posh – Frogman (4Mulate RMX) [Abducted LTD]

Blast – Hopeless [Surveillance]

Black Sun empire – Dont You Stasis (V O E RMX) [Blackout]

Rico – Insatiable [Close 2 Death]

Burr Oak – Dissent [Eatbrain]

Theoretical – Cuttlefish [Neuropunk]

Wresker & Kilobite – Dead Space [Abducted LTD]

Blast – Space Cowboys [Surveillance]

Katharsys – Slippery Slope (Current Value RMX) [Othercide]

Black Sun Empire – Arakkis (Rillium RMX) [Blackout]

Intercept – Nexus [Protocode]

North Base & Pulsar – Them Old School Vibes [Nemesis]

KS – Make Some Noise [Abducted LTD]

Black Sun Empire – Stasis (Waeys RMX) [Blackout]

Loudek – In My Mind U Are All [Future Formation]

Gobs de BXL – 350 [Space Pirate]

Focusfire – Rustle [Neuropunk]

BorkerBrothers & Surge ft BLKJuzo – ID (Notequal RMX) [Hanzom]

Rune & Kaiza – Ooze [Abducted LTD]

Agressor Bunx – Lethal Rain [Eatbrain]

Heu – Dragonflies [Terra Firma]

Alyess – Too Late [Four Corners]

Black Yukon Sucker Punch – Buried (Vegas RMX) [Yukon Punch]

Pish Posh – The Moon [Abducted LTD]

Blast – Bad Sectors [Surveillance]

Sovryn & AL/SO – Korsakov]

BorkerBrothers – Perception (Surge RMX) [Hanzom]

Black Sune Empire – Driving Insane (Eatcolors RMX) [Blackout]

Focusfire – No Wasting [Neuropunk]

Dose – Sanctuary [Abducted LTD]

“Bad Tunes” of the week

Knoxz – Cross Roads [Formation]

Black Yukon Sucker Punch – Buried (Vegas RMX) [Yukon Punch]

Maykors – Mammals [Four Corners]

Cutworx – In Out [Data]

Black Sun Empire – Arakkis (Rillium RMX) [Blackout]

Illusion Tracklist

SOUL DILLA – Babylon Don’t Sleep (Negative Sound Recordings)

ILLUSION – Pruf (Negative Sound Recordings)

KUMARION – 1984 (Play Me Records)

TRACED – The Reckoning (Kill Tomorrow)

ILLUSION – NWO (Negative Sound Recordings)

ILLUSION – Last Week (Negative Sound Recordings)

DROPTEK – Wormholes (Korsakov Music)

SKORE – Machine Routine (Co-Lab Recordings)

ILLUSION feat. Soul Dilla – Fiery Phoenix (Negative Sound Recordings)

MANTA – Watching Waves (DIASCOPE)

2WHALES – Vitalik (High Resistance)

NON GRATA – Yummi (Negative Sound Recordings)

ILLUSION – Out Of Control (Negative Sound Recordings)

The podcast Bad Syntax – Best Drums & Bass Podcast is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

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[stephaniemarlowftw]

FULL OF HELL SHARE “ARMORY OF OBSIDIAN GLASS” AS ‘WEEPING CHOIR’ RELEASE DATE APPROACHES

"Full of Hell leave a crater no matter where they tread" - Revolver Magazine  

Full Of Hell have shared the official audio for “Armory of Obsidian Glass” off their highly anticipated new album Weeping Choir. Listen to the new track, featuring the inimitable Lingua Ignota on guest vocals, on YouTube.

Please Post and Share “Armory of Obsidian Glass” now: https://youtu.be/XkS7PSB5iH4

Guest vocalist Lingua Ignota comments: “‘Armory of Obsidian Glass’ rips, and is probably my favorite FOH track to date, so it was a great pleasure to work on it. I wanted my vocals to provide a counterpoint to all the savagery, to pick up on and accentuate harmonic things happening in the music in an unexpected way. I think the effect overall is chilling, wild, and I’m excited for people to hear it — many thanks to my friends for letting me contribute to this amazing song."

Full of Hell make their Relapse debut with their most explosive album to date, Weeping Choir. Dynamic, pissed, and wholly urgent, the highly anticipated Weeping Choir is a definitive statement of intent by one of the underground’s most dynamic and virulent entities.  Full of Hell have once again culled the extreme elements from hardcore, metal, and power electronics to redefine darkness and sheer brutality. Distorted guitars, and ominous, disparate electronics grind and gnash against rapid-fire drumming, as Full of Hell take themes of religion, loss, hatred, and set them ablaze. Recorded by the critically acclaimed Kurt Ballou at GodCity Studio, Weeping Choir sees Full of Hell fully unleashed.

Full of Hell will the headline the Weeping Caustic Torment North American tour with labelmates PRIMITIVE MAN & GENOCIDE PACT starting May 24 at Maryland Deathfest. All confirmed tour dates are available below. Following that tour, Full of HellL return to Europe for a co-headlining trek with The Body beginning July 4 at the legendary Roskilde Festival. Full of Hell & The Body will perform a collaborative setlist on various dates throughout the tour. More info about these tour can be found here.

Weeping Choir is due out May 17th — physical packages are available for pre-order via Relapse.com and digital downloads / streaming services are available here.

FULL OF HELL Tour Dates:

---Weeping Caustic Torment Tour Dates---

May 24  Baltimore, MD @ Maryland Deathfest 

May 25  Columbus, OH @ Spacebar ^

May 26  Chicago, IL @ Reggies ^

May 27  Kansas City, KS @ Riot Room ^

May 28  Denver, CO @ Syntax Physic Opera ^

May 29  Salt Lake City, UT @ Kilby Court ^

May 30  Las Vegas, NV @ Bunkhouse ^

May 31  Oakland, CA @ Metro ^

Jun 01  Los Angeles, CA @ Teragram ^

Jun 02  San Diego, CA @ Brick By Brick ^

Jun 03  Phoenix, AZ @ Club Red ^

Jun 04  Albuquerque, NM @ Sister ^

Jun 05  Oklahoma City, OK @ 89th St ^J

un 06  Fort Worth, TX @ Ridglea ^

Jun 07  Austin, TX @ Austin Terror Fest ^

Jun 08  Little Rock, AR @ MOTM Fest ^

Jun 09  Nashville, TN @ The End ^

Jun 10  Detroit, MI @ Sanctuary ^

Jun 11  Toronto, ON @ Velvet Underground ^

Jun 12  Montreal,QC @ Bar Le Ritz ^

Jun 13  Boston, MA @ Middle East ^

Jun 14  New York, NY @ Brooklyn Bazaar ^ 

^ w/ Primitive Man, Genocide Pact 

 --- European Tour July 4-20, Select Dates w/ The Body ---

Jul 04  Roskilde, DK @ Roskilde Festival +

Jul 05  Kassel, DE @ Goldgrube

Jul 06  Leipzig, DE @ Conne Island

Jul 07  Warsaw, PL @ Poglos *

Jul 08  Prague, CZ @ Modra Vopice

Jul 09  Budapest, HU @ Durer KertJ

ul 10  Munich, DE @ Backstage

Jul 11  Paris, FR @ GibusJ

ul 12  London, UK @ The Dome +

Jul 13  Dour, BE @ Dour Festival +

Jul 15  Nijmegen, NL @ Valkhof Festival

Jul 16  Berlin, DE @ Zukunft am Ostkreuz

Jul 18  Helsinki, FI @ Kuudes Linja *

Jul 19  Tampere, FI @ Vastavirta-Klubi *

Jul 20  Lahti, FI @ Torvi * 

* Full of Hell Only+ Collaboration Setlist 

--- All South American Dates w/ Rotten Sound --- 

Sep 04  Bogota, CO @ Ace of Spades

Sep 05  Lima, PE @ Hensley Bar

Sep 06  Santiago, CL @ Club Blonde

Sep 07  São Paulo, BR @ Setembro Negro Festival

Full of Hell is:

Dylan Walker

Spencer Hazard

Dave Bland

Sam DiGristine 

http://fullofhell.com/

Full of Hell on Facebook

Full of Hell on Instagram

Full of Hell on Bandcam

pwww.fullofhell.com/merch

Album Art Credit: Mark McCoy

Photo Credit: Reid Haithcock

[feliciahemphill-blog]

Caterpillar KITTY B15 Testimonial.

Today is actually the first day of Barney's Affection Yourself Appeal Event! You are actually most welcome to read the neat info on these top dog kinds. Maplewood Brewing Co., beautypretty.info Chicago, IL. This distillery is preparing to make rye, malt and oat bourbons. When they go across along with also more hazardous, they also produce an unsafe type canines. " The Rottweiler is one of the much more preferred pets in The U.S.A., however these canines are actually except the unskilled or novice pet dog owner. Good Feelings Distilling, Olathe, KS. This company is organizing to release Headbanger and Gunk Roadway Blended Whiskeys. 6 & Twenty Whiskey, Powdersville, South Carolina. Founded in 2012, this whiskey creates Six & Twenty wheat bourbons, Carolina Rouge Bourbon and 6 & Twenty Blue, a vatting of wheat or grain scotch and Kentucky bourbon. Some folks think inclinations are a type intellect in animals. Charleston Distilling Co., Charleston, SC. This whiskey organizes making Calhoun's Rye Bourbon as well as Calhoun's Whiskey. Yankee Distillers, Clifton Park, NY. This distillery organizes to release a rye and a bourbon. 2DC in Ch1 sp., 3DC in upcoming 2 voids, corner set, #dc in next 2 gaps, 3DC in Ch1 sp. SC to final DC from exact same collection. Our team have the Victorian era to thank for the domestication from the home kitty that brought the life from cats to our wall surfaces, publications, clothing as well as almost every item around us. This distillery brings in a corn scotch.

Sutherland Distilling Co., Livermore, CA. This whiskey is actually planning to discharge Diablo's Shade Bourbon, Rye as well as Corn whiskeys, as well as is growing older a diehard. They are actually planning on wheat as well as malt whiskeys also. They likewise create Brimstone Corn Scotch, a great smoky corn whiskey, a malt scotch as well as a diehard. Syntax Moods, Greeley, CO. This whiskey creates Lesson X White Pet dog, an unaged, peated bourbon produced off malt as well as wheat or grain, Lesson X White Cat, an unaged wheat or grain bourbon, Training class X Bourbon as well as Major Feline Whisky, a wheat or grain scotch. " Hounds are good family dogs, enthusiastic and helpful. Crochet a covering =2DC-1CH-2DC in the establishment space in each covering in the previous line. You are doing a HUGE benefit to all cat-lickers, their cats, plus all other life on earth through ruining their pests cats for all of them as humanely as that. I want the legislations were actually as strict for pussy-cats as they are with canines, and that proprietors were actually secured extra behind where their pussy-cats walk. Copper Shot Distillery, Bastrop, TX. This distillery organizes to earn Luster Corn Scotch. Dehner Whiskey, Clive, IA. This distillery is dealing with Red Shoes Corn Whiskey and a whiskey and bourbon under the tag Growth and also Lawless American Whiskey, bourbon and rye (that is unclear from the label whether the Lawless bourbons are actually sourced or not) and also Old Barrel Bourbon. Turn and utilizing the area in the final row, continue hold back for your 8th line, by completing the collection you started with the establishment 3. In the end from the row, carry out not link off, and also do not fasten ... pull out a long stitch as well as freely link this. Leave behind a somewhat long tail and decrease. This puts together the final setting as Tony checks out the main door of Holsten's. Walking Stick Land Distilling Co., Baton Rouge, LA. This company markets OMFW (Initial Mississippi Floated Scotch), a Tennessee bourbon mash bourbon floated down the Mississippi River as well as completed in Cognac casks.

[angrycollectordaze-me-blog]

Assignment代写：African American language

下面为大家整理一篇优秀的assignment代写范文- African American language，供大家参考学习，这篇论文讨论了美国黑人语言。黑人语言，指的是一种具有非裔美国人特征的美式英语方言。黑人语言主要通用于居住在美国南部及其他城市里，教育程度不高，经济收入和社会地位相对较低的黑人和少数白人之间。尽管黑人英语和所谓的标准美国英语不同，但是它并不是一个混乱而且任意变化的语言变体，它在语音和句法等方面的变化都有一定的规律可循。也就是说，黑人英语有着自己的语言体系。

The so-called black language is an American English dialect with African American characteristics. It is mainly used by blacks and minorities living in the southern United States and other cities with low education levels, low economic income and relatively low social status. However, in recent years, American black English has gradually become an important social dialects rather than to simply national dialect, in all sorts of awards ceremony, in the popular rap songs, and of all kinds of movies in Hollywood, TV sets, black English is popular. It is absolutely wrong to discriminate against or exclude black English as inferior English, and there is no basis in linguistics. Black English though and the so-called standard American English is different, but it is not a chaos and any change of language variants, it changes in pronunciation and syntax, etc all have certain rules to follow, in other words, black English has its own language system. So, let's have a preliminary understanding and discussion of black English.

The first black slaves were transported to the United States in 1619, and there was no final word on the origin of black English in the United States. There are two main ideas in the academic world. One is the dialect hypothesis. After the first slaves arrived in the United States, they were sold to work on plantations in the southern states. For the need of communication, they can only learn from white English, but because of the racial discrimination and isolation of white and black could not be equal exchanges, only learned basic syntactic structure and keep a certain differences. Black slaves used learned white English to communicate in their own communities, and when it was passed down from generation to generation, these retained differences were reinforced and eventually became a linguistic variant of English. Another view is the Creole hypothesis, which holds that black English is the result of the change from early Creole to English. Between the 16th and 19th centuries, many African slaves who spoke different languages were brought together, and "language contact led to the production of lingua franca." Through communication with each other, different language has had the contact, so he began to borrow from each other between language some language form, eventually evolved a pidgin language can understand each other. This simple pidgin has been creolized since the second and third generations of blacks learned it from their parents as their mother tongue. With the influence of white English rise, "because of the influence of the prestigious language, Creole of Creole" will happen, so the Creole evolving, finally produce the black English. Above the second view's most scholars agreed that, although these two views is different and there is some controversy, but still have to recommend it, and said about the origin of black English, can have yet to draw a conclusion.

In black English, the most common phonetic feature is th, which often sounds like t or d. For example, Thursday sounds like Dursday, while sore looks like dough. In addition, not pronouncing /r/ after vowels is also a phonetic feature of black English. Remember remembah usually happens, but ever can also be evah. Black English is often weakened by the consonants at the end of words, especially in informal situations. For example, in standard American English, the passed will weaken the consonant sound of the end of the word in black English and pronounce it like pas. Desk will also be pronounced as des. Any consonant consonant consonants ending in -st, -sk, and -nd will be weakened in black English. In terms of phonetic differences, the last feature of black English is to put the word stress in front of it, especially in the two-syllable words such as police and motel.

There are many differences between the spelling rules of black English and the standard American English. Some spelling rules have been accepted by most people and have become the national spelling method. The most obvious rule is to change the end of the -er to the end of the -a, as in the case of player. In addition, ks or CKS will also be changed to a single x at the end, and the most common one is that thanks is written as thanx. Re and e, which are usually hard to hear in rapid pronunciation, are also often omitted in black English. For example, the word "more" will be directly omitted as mo. These rules have become almost the norm in black English, while the following rules have become almost universal in the United States. Now, gotta, wanna, outta, kinda and sorta, which have appeared in Hollywood movie dialogues many times, are black English that will change going to, want to, out of, kind of and sort of of of. Removing the g at the back of -ing is already a national spelling rule, such as goin ', nothin 'and so on.

The most obvious syntactic difference between black English and standard American English is generally in the use of the be verb. In the black English, if the action or state is habitual or often happens, will only be used in the sentence, if it is not the case, then be verb is usually omitted. For example, Kathy always be telling lie. In this sentence, "Socks are mine." In addition to being used for habitual events, the verb "Be" can also Be used for future tense in black English. In addition, in the present tense, black English usually omit a verb or directly with be prototype, for example, Daniel really good boy, or Linda be hot girl. In standard American English, respectively, should be Daniel really is a good boy and Linda is a hot girl.

Another obvious syntactic feature of black English is the double negation or even multiple negation. I ain't know nothin 'about it. Double negation can also be traced back to Shakespeare's time in standard English, so multiple negative sentences like Don't nobody say nothin 'after that are definitely original in black English. If the listener is a non-black English speaker or is not familiar with black English, such words are bound to cloud him.

As the main language used by the special group of African Americans, American black English reflects the culture, tradition and long history of slavery and discrimination of African Americans. As the most widely used minority language in American society, and as a highly valued social language in the United States, black English is bound to play an increasingly important role.

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51due为留学生提供最好的assignment代写服务，亲们可以进入主页了解和获取更多assignment代写范文 提供北美作业代写服务，详情可以咨询我们的客服QQ：800020041。

[jillmckenzie1]

Arts Caravan

You can glean a lot of information off the walls of a dive bar toilet. I read these with some interest because they often imply curious information about women, of which I am one. For instance, you can read the walls at 3 Kings and learn that Johanna is F–ing Hot. You can take a peek into the potties at Bar Bar and learn that their bartender s–ks d–k. At the Star Bar, by contrast, it’s beneficial to keep one’s nether regions well-aired, which is not information about women specifically, but may be helpful nonetheless. I have no way to verify these statements. But I did get the useful and fact-checked tidbit from a poster in the penny-floored lavatory at the Syntax Physic Opera that the Arts Caravan would be performing there.

The Arts Caravan, an ever-evolving sideshow-with-circus, shows up at the Syntax on last-Thursdays of each month. The Syntax sits farther down Broadway than most of my familiar haunts, about halfway between the densely-placed venues of Lodo and the art district blossoming around Santa Fe and Hampden. It’s conveniently close to a Sam’s Club, though, in case you need a flat of toilet paper along with your eclectic live entertainment. I made plans to attend.

The show was listed for 6:00pm and I rolled in at 6:15 with my mouth still blue from cursing the Denver traffic. I gave my name at the ticket desk and found my way to Zia Pixie, the queen of this gypsy caravan. She informed that while the website says 6:00, the actual event was scheduled for 6:30, with an expected start time of 7:00. Thus, I arrived 15 minutes late just to be 45 minutes early. The restroom poster did not make this schedule clear. But the happy hour specials were nice and so I stood around and drank gin and ate French fries for an hour, which is exactly what my “Eat Better in 2019” resolution is all about. I drank gin and ate spuds and handled the many questions posed to a woman alone at a bar, for which I feel that 45 minutes is more than adequate time. I took my drink and wandered around to look at the antique porn on the walls and wondered if it was really antique or if it had been made to look that way with vintage techniques. Either way, it’s pretty.

The second in the Arts Caravan cast to get acquainted with me was Griffin, the resident gentleman, in the style of Colonel Sanders, but with less chicken and just as much charm. He introduced himself as the host of the evening and kissed my hand, which rarely happens to women alone in bar and felt a bit like a throwback to the time of the vintage nudie pics.

The show began promptly at 7:00, with “Griff” calling us to order and introducing the acts, which ranged from dance to poetry to fire play and sideshow. The opening act was a guitar-playing duo covering some pop tunes melodically and pleasantly. The show then moved on to Zia Pixie doing a fire act, which was quite enjoyable. I do a small bit of fire performance myself and it’s both harder and easier than it seems. She presented the tricks and fire transfers with panache and showmanship, all to the soundtrack of a song with the refrain “I’m your nickelodeon,” which confused the hell out of me. In my Millennial mind, “Nickelodeon” is a television station that shows cartoons in the morning and Bob Newhart reruns at night. Griffin repeated this term several times and I sneaked my phone out to Google it. Turns out, “nickelodeon” is a term for a jukebox or a 5-cent admission theater. Context implies “accessible entertainment,” which worked well for a reference to Arts Caravan.

The show progressively got weirder as it moved away from coffee shop-type guitars and into sideshow material, including Slim the Living Cyborg. I’ve met Slim many times backstage and he once told me that the best way to practice sword-swallowing is by practicing with glow sticks, “like a hooker.” I do not intend to verify this statement. If fact checked, it may be useful to someone, woman or otherwise. Anyway.

Slim’s schtick is modifying his body (the “living cyborg” thing) and the doing strange things with the remainder of it. This includes hanging chains of heavy objects from his pierced septum and pierced nipples and doing the classic “blockhead” trick, which is done by inserting stiff objects into one’s nasal passages. And, of course, sword swallowing, no glow sticks in sight. It’s curious stuff. Some circus tricks are illusions, of course, but some are just real. Hanging things from your nipples is exactly what it looks like; it’s a skill, not an illusion. Slim’s top trick is stapling things to himself–preferably money, and preferably high-denomination bills. You can staple your money to his body yourself; the higher the denomination, the more sensitive the area to be stapled. This usually includes “cheeks, both kinds, and taint,” but I think the venue restrictions might limit that. Nobody offered a high enough bill to see how that last offer would have played out anyway, although I’m sure it would, at the very least, be curious to watch because stapling is another thing that is not an illusion.

Another artist, Cybill, performed a spoken-word piece with some sexy lingerie and a rose. The petals came off the rose in a quite impressive fallout. I’d watch that again. She returned later to do a pretty bool belly dance with impressive abs. I’d watch that again, too. I don’t care who you are, looking at pretty ladies is a nice way to pass your evening (see: vintage nudie pics); so much the better when they do skilled performances, too. I’d like to get up on my feminist high horse about valuing women for what they do (as we totally should), but I’d be lying if I said that we’re not nice to look at. Both things can be true, and that’s not an illusion either.

After the show, I declined a drink from a guy and headed home, forgetting my credit card at the bar. Circus is a fun break from reality. I highly recommend that all of us take a deep draught of that drink every now and again. Your next chance to see the friendly and curious folks of the Arts Caravan happens on February 28! Should be a nice chance to warm up and jam out with a charming group of people who happen to be both illusory and real. This is a verified fact.

from Blog https://ondenver.com/arts-caravan/

[stephaniemarlowftw]

FULL OF HELL SHARE “BURNING MYRRH” MUSIC VIDEO, ANNOUNCE NEW ALBUM

Their Relapse Debut LP Weeping Choir will be out May 17th, 2019.

Please Post and Share: https://youtu.be/ob6y1mmILfc

Extreme harsh-grinding quartet FULL OF HELL make their Relapse debut with their most explosive album to date, Weeping Choir, coming May 17th. Dynamic, pissed, and wholly urgent, the highly anticipated Weeping Choir is a definitive statement of intent by one of the underground’s most dynamic and virulent entities.  

Watch the official video for Weeping Choir’s opening track “Burning Myrrh,” directed by Cody Stauder, on YouTube.

On Weeping Choir, FULL OF HELL have once again culled the extreme elements from hardcore, metal, and power electronics to redefine darkness and sheer brutality. Distorted guitars, and ominous, disparate electronics grind and gnash against rapid-fire drumming, as FULL OF HELL take themes of religion, loss, hatred, and set them ablaze. Recorded by the critically acclaimed Kurt Ballou atGodCity Studio, Weeping Choir sees FULL OF HELL fully unleashed. Abrasive, confrontational, none equal!  

FULL OF HELL will the headline the Weeping Caustic Torment North American tour with labelmates Primitive Man & Genocide Pact starting May 24 at Maryland Deathfest. All confirmed tour dates are available below. Following that tour, FULL OF HELL return to Europe for a co-headlining trek with The Body beginning July 4 at the legendary Roskilde Festival. Full of Hell & The Body will perform a collaborative setlist on various dates throughout the tour. More info about these tour can be found here.

Weeping Choir is due out May 17th on CD/LP/CS/Digital. Physical packages are available for pre-order via Relapse.com. Digital Downloads / Streaming Services are available here.

FULL OF HELL are featured as the cover artists for Decibel Magazine’s April 2019 issue. The band will release a limited Decibel Flexi exclusive track “Thundering Hammers,” remixed by JK Broadrick, in the near future.

FULL OF HELL Tour Dates:

---Weeping Caustic Torment Tour Dates---

May 24  Baltimore, MD @ Maryland Deathfest 

May 25  Columbus, OH @ Spacebar ^

May 26  Chicago, IL @ Reggies ^

May 27  Kansas City, KS @ Riot Room ^

May 28  Denver, CO @ Syntax Physic Opera ^

May 29  Salt Lake City, UT @ Kilby Court ^

May 30  Las Vegas, NV @ Bunkhouse ^

May 31  Oakland, CA @ Metro ^

Jun 01  Los Angeles, CA @ Teragram ^

Jun 02  San Diego, CA @ Brick By Brick ^

Jun 03  Phoenix, AZ @ Club Red ^

Jun 04  Albuquerque, NM @ Sister ^

Jun 05  Oklahoma City, OK @ 89th St ^

Jun 06  Fort Worth, TX @ Ridglea ^

Jun 07  Austin, TX @ Austin Terror Fest ^

Jun 08  Little Rock, AR @ MOTM Fest ^

Jun 09  Nashville, TN @ The End ^

Jun 10  Detroit, MI @ Sanctuary ^

Jun 11  Toronto, ON @ Velvet Underground ^

Jun 12  Montreal,QC @ Bar Le Ritz ^

Jun 13  Boston, MA @ Middle East ^

Jun 14  New York, NY @ Brooklyn Bazaar ^ 

^ w/ Primitive Man, Genocide Pact 

 --- European Tour July 4-20, Select Dates w/ The Body ---

Jul 04  Roskilde, DK @ Roskilde Festival +

Jul 05  Kassel, DE @ Goldgrube

Jul 06  Leipzig, DE @ Conne Island

Jul 07  Warsaw, PL @ Poglos *

Jul 08  Prague, CZ @ Modra Vopice

Jul 09  Budapest, HU @ Durer Kert

Jul 10  Munich, DE @ Backstage

Jul 11  Paris, FR @ Gibus

Jul 12  London, UK @ The Dome +

Jul 13  Dour, BE @ Dour Festival +

Jul 15  Nijmegen, NL @ Valkhof Festival

Jul 16  Berlin, DE @ Zukunft am Ostkreuz

Jul 18  Helsinki, FI @ Kuudes Linja *

Jul 19  Tampere, FI @ Vastavirta-Klubi *

Jul 20  Lahti, FI @ Torvi * 

* Full of Hell Only

+ Collaboration Setlist 

Sep 06-08 Sao Paulo, BR Setembro Negro Festival  

Weeping Choir Tracklist:

1. Burning Myrrh

2. Haunted Arches

3. Thundering Hammers

4. Rainbow Coil

5. Aria of Jeweled Tears

6. Downward

7. Armory of Obsidian Glass

8. Silmaril

9. Angels Gather Here

10. Ygramul The Many

11. Cellar of Doors 

FULL OF HELL is:

Dylan Walker

Spencer Hazard

Dave Bland

Sam DiGristine 

http://fullofhell.com/

Full of Hell on Facebook

Full of Hell on Instagram

Full of Hell on Bandcamp

www.fullofhell.com/merch

Album Art Credit: Mark McCoy

Artist photo credit: Reid Haithcock

[stephaniemarlowftw]

FULL OF HELL Announce Weeping Caustic Torment North American Tour with Primitive Man and Genocide Pact

Extreme metal quartet FULL OF HELL announce the Weeping Caustic Torment North American tour with Relapse labelmates Primitive Man and Genocide Pact. The tour begins May 24 at Maryland Deathfest and ends June 14 in Brooklyn, NY. All confirmed tour dates are available below.

Additionally, FULL OF HELL have finished recording their 4th full-length album Weeping Choir with Kurt Ballou at God City (Converge, Nails, High on Fire). The album is expected to be released in Mid-2019. Stay tuned for more updates and music in the near future.

FULL OF HELL was recently unveiled as the cover artist for Decibel Magazine’s April 2019 issue. Extremely limited copies are available HERE.

Weeping Caustic Torment Tour Dates:

May 24  Baltimore, MD @ Maryland Deathfest

May 25  Columbus, OH @ Spacebar

May 26  Chicago, IL @ Reggie’s

May 27  Kansas City, KS @ Riot Room

May 28  Denver, CO @ Syntax  Physic Opera 

May 29  Salt Lake City, UT @ Kilby Court

May 30  Las Vegas, NV @ Bunkhouse

May 31  Oakland, CA @ Metro

June 1  Los Angeles, CA @ Teragram

June 2  San Diego, CA @ Brick By Brick

June 3  Phoenix, AZ @ Club Red

June 4  Albuquerque, NM @ Sister

June 5  Oklahoma City, OK @ 89th St.

June 6  Ft. Worth, TX @ Ridglea

June 7  Austin, TX @ Austin Terror Fest

June 8  Little Rock, AR @ MOTM Fest

June 9  Nashville, TN @ The End

June 10  Detroit, MI @ Sanctuary

June 11  Toronto, ON @ Velvet Underground

June 12  Montreal, QC @ Bar Le Ritz

June 13  Boston, MA @ Middle East

June 14  Brooklyn, NY @ Brooklyn Bazaar

FULL OF HELL is:

Dylan Walker

Spencer Hazard

Dave Bland

Sam DiGristine 

http://fullofhell.com/

Full of Hell on Facebook

Full of Hell on Instagram

Full of Hell on Bandcamp

www.fullofhell.com/merch