#lévy gorvy

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Contact sheet picturing Senga Nengudi and Maren Hassinger performing with R.S.V.P. at Pearl C. Woods Gallery, Los Angeles, May 1977 [Photographs by Harmon Outlaw. Courtesy Senga Nengudi, Thomas Erben Gallery, Lévy Gorvy, and Sprüth Magers]

From: Individual Collective: A Conversation with Senga Nengudi, by Allie Tepper, «Living Collections Catalogue», Walker Art Center, Minneapolis, MN, 2019

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Lévy Gorvy Dayan

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Senga Nengudi and Maren Hassinger performing with R.S.V.P. at Pearl C. Woods Gallery, Los Angeles, May 1977. Photograph by Harmon Outlaw. Courtesy Senga Nengudi, Thomas Erben Gallery, Lévy Gorvy, and Sprüth Magers.

Senga Nengudi (née Sue Irons; born September 18, 1943) is an African-American visual artist and curator. She is best known for her abstract sculptures that combine found objects and choreographed performance. She is part of a group of African-American avant-garde artists working in New York City and Los Angeles, from the 1960s and onward. Via W

Maren Hassinger (born Maren Louise Jenkins in 1947) is an African-American artist and educator whose career spans four decades.

Hassinger uses sculpture, film, dance, performance art, and public art to explore the relationship between the natural world and industrial materials. She incorporates everyday materials in her art, like wire rope, plastic bags, branches, dirt, newspaper, garbage, leaves, and cardboard boxes. Hassinger has stated that her work “focuses on elements, or even problems—social and environmental—that we all share, and in which we all have a stake…. I want it to be a humane and humanistic statement about our future together.” Via Wikipedia

2. Nengudi and Hassinger resting before their performance at Pearl C. Woods Gallery, Los Angeles, May 1977. Photograph by Harmon Outlaw. Courtesy Senga Nengudi, Thomas Erben Gallery, Lévy Gorvy, and Sprüth Magers.

3. Contact sheet picturing Senga Nengudi and Maren Hassinger performing with R.S.V.P. at Pearl C. Woods Gallery, Los Angeles, May 1977. Photographs by Harmon Outlaw. Courtesy Senga Nengudi, Thomas Erben Gallery, Lévy Gorvy, and Sprüth Magers.

Source and more: https://walkerart.org/collections/publications/side-by-side/individual-collective-a-conversation-with-senga-nengudi/

#SengaNengudi #MarenHassinger #blackartist #blackwomenartists #artherstory #artbywomen #womensart #palianshow #art #womenartists #femaleartist #artist #AfricanAmerican #visualartist #artcurator #blackherstory

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Yves Klein and the Tanigble World. Lévy Gorvy Dayan, Madison Ave.

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Check out Tu Hongtao, Grove of Calligraphy (2022), From Lévy Gorvy Dayan

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A happening staged by Yves Klein

Credit…The Estate of Yves Klein c/o Artists Rights Society (ARS), New York/ADAGP, Paris, via Lévy Gorvy Dayan, New York; Photo by Harry Shunk and Janos Kender, via The Getty Research Institute, Los Angeles

[fashionbooksmilano]

Mikhalene Thomas

Roxane Gay, Kelle Jones and  Roxane Gay

Phaidon, London/New York 2022, 288 pages, 225 illustrations, 31 × 24,5 cm,  ISBN  9780714878317

euro 125,00

email if you want to buy booksinprogressmilano@yahoo.it

The first comprehensive monograph on Mickalene Thomas, a key figure in 21st-century contemporary art

Over the past two decades, Mickalene Thomas's critically acclaimed and extensive body of work has spanned painting, collage, photography, video, and the immersive installations that have become her signature. With influences ranging from nineteenth-century painting to popular culture, Thomas's art articulates a complex and empowering vision of aspiration and self-image through gender and race while expanding on and subverting common definitions of beauty, sexuality, and celebrity. This book, made in close collaboration with Thomas, is the first to survey the breadth of her extraordinary career. Publication coincides with the opening of Mickalene Thomas's first global exhibition, Beyond the Pleasure Principle, at Lévy Gorvy galleries in New York, London, Paris, Hong Kong, and Galerie Nathalie Obadia, Paris.

27/04/23

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

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Yves Klein and the Tangible World | Lévy Gorvy Dayan

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Antonio Velardo shares: LGDR, Superstar Art Gallery, Implodes After Just Two Years by Robin Pogrebin

By Robin Pogrebin Jeanne Greenberg Rohatyn will return to her previous business and Dominique Lévy, Brett Gorvy and Amalia Dayan will continue under a new name. Published: August 18, 2023 at 12:58PM from NYT Arts https://ift.tt/B9QYzdf via IFTTT

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So We Can Know. Writers of Color on Pregnancy, Loss, Abortion, and Birth, Edited by Aracelis Girmay, Haymarket Books, Chicago, IL, 2023. Cover Art: Senga Nengudi, Studio Performance with R.S.V.P., (silver gelatin print), Photograph by Ken Peterson, 1977 [© Senga Nengudi, Ken Peterson. Thomas Erben Gallery, Lévy Gorvy, Sprüth Magers]

[abwwia]

Senga Nengudi and Maren Hassinger performing with R.S.V.P. at Pearl C. Woods Gallery, Los Angeles, May 1977. Photograph by Harmon Outlaw. Courtesy Senga Nengudi, Thomas Erben Gallery, Lévy Gorvy, and Sprüth Magers. Source and more: https://walkerart.org/collections/publications/side-by-side/individual-collective-a-conversation-with-senga-nengudi/

[blackberryvision]

Yves Klein and the Tanigble World. Lévy Gorvy Dayan, Madison Ave.

[distinktionsfetzen]

Check out Tu Hongtao, Sublime Landscape (2019-22), From Lévy Gorvy Dayan

[ubu507]

Yves Klein’s “Anthropometries,” circa 1960.

Credit…The Estate of Yves Klein/Artists Rights Society (ARS), New York/ADAGP, Paris; via Lévy Gorvy Dayan, New York