and i need to be serious with everyone too im unlocking more and more with every reread. i know sister latea was giving it good to dietrich from the back after they drank together im talking by the pigtails and everything. they used the other holy sword of rabona. sister latea taught her a few verses SHE ATE HER PUSSY LIKE A POMEGRANATE she treated her like a BUFFET like a TANGY BBQ LETTUCE WRAP she had that girl Screaming. and i need it heard.
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Tick, Tick... Boom! Filming Locations
Some people have too much time on their hands. I am one of those people.
One of the things I love about Tick, Tick... Boom is the obvious affection the filmmakers have for the NYC theater scene, an affection shared with the film's subject Jonathan Larson. To that end, I recently decided to try to identify some of the filming locations in the film.
One thing that was extremely helpful in this process was the "special thanks" list in the film's credits, which names a lot of the orgs that were used in location shooting and from which I was able to make some really good guesswork.
Note that this is mainly for location shoots. Things like the recreated Moondance Diner, which was done on a set, are not included in this.
508 Greenwich Street - Jonathan's apartment
(from MWhiteShelley on Twitter/X) This is probably the most obvious location: Jonathan Larson's actual address. While interiors of the apartment itself were filmed on a set in a soundstage, it is obvious on viewing the film that there was some location shooting at the building, most prominently in "No More" when Jonathan and Michael enter and climb the stairs.
The Underground Theater at Abrons Arts Center - The musical theater workshop scene
(from their website) You'll probably recognize this brutalist theater from the Stephen Sondheim workshop scene (which, according to this video, was one of the last scenes shot) – it also briefly appears a few shots earlier in the scene where Ira Weitzman is observing Jonathan rehearsing. The Abrons Arts Center is located in the Lower East Side and is part of the Henry Street Settlement.
The Strand Bookstore - "30/90" and Sextet
(From an article by The Guardian, photo by Bruce yuanye Bi/Alamy) The Strand is instantly recognizable to New Yorkers, maybe less-so for others unless you've visited as a tourist. It's a giant independent bookstore located two blocks from Union Square. Prominently featured in "30/90" and visited by Jonathan during the "Sextet Montage" where he tries to sell some of his records.
Teatro LATEA at the Clemente - Susan's dance recital
(from their Instagram) This one was a little harder, because obviously it's just a black box theater and how many of those are there in NYC? What clued me in was 1) the Clemente Soto Velez Cultural and Educational Center, where Teatro LATEA is located, is thanked in the credits and 2) those chairs (a little bit more obvious in this photo). I've seen and worked a fair number of shows in that theater, and as soon as I noticed the very distinctive chairs for Susan's dance recital I was able to look more closely at the scene and immediately could map out the layout of Teatro Latea.
The Delacorte Theater - "Why"
Another easily recognizable location for locals, the Delacorte is the amphitheater where Jonathan sneaks in and sings "Why". It doesn't get named in the film but it does in the stage version.
Hunter College's Thomas Hunter Hall Sixth Floor North Dance Studio - The Superbia workshop
(from Facebook) This was, without question, the hardest location to find. In the film it's identified as being in the Theater District, specifically at Playwrights Horizons (an Untapped Cities article about filming locations even claims this, and uh, basically gets everything wrong). However, if you've ever been to the modern Playwrights Horizons, it looks very different, both on the inside and the outside, and while they do have rehearsal spaces in a slightly less-remodeled building on Lafayette Street, none of the spaces there look like that. The reference to Hunter College in the credits narrowed it down, and then it was just a matter of finding photos of the studios (this gallery of recent restoration work shows the different angles that you will recognize from the movie), discovering an architectural plan of some planned renovations in the building, and then looking out the windows of the building and comparing it to Google Maps street view to figure out which side of the building it was on.
...I have waaaaay too much time on my hands.
I do want to point out, Thomas Hunter Hall is actually located on Lexington Avenue between 68th and 69th, quite a few blocks northeast from the Theater District depicted in the film.
New York Theatre Workshop - The framing scenes
(from a New York Theatre Guide article) The real Jonathan Larson's artistic home, where he performed both Rent and the original version of tick, tick... BOOM! thirty years ago. Both the theater's exterior (at the start of "Louder Than Words") and interior (the tick, tick... BOOM! performance scenes) feature prominently in the movie.
Fun fact: when they were shooting the film in March, they originally planned to film the NYTW scenes inside a recreated set because there was a show playing at the theater at the time (though not referenced in the linked video, I happen to know that the show was Endlings by Celine Song, the writer/director of the recent Oscar contender Past Lives) but when filming restarted the theater was available again because of the shutdown.
Any other locations you recognized that I didn't include? Let me know! Currently trying to figure out where Michael's apartment building (Victory Towers) was located – the scene in the car leading to the arrival at teh building makes me think it's somewhere near Central Park, but that footage could also have been filmed separately.
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Can't decide which color edit I like better.
Wearing a ridiculously oversized beret I found in a thrift bag of other stuff. Possibly American Girl doll.
I didn't notice all the dust on her face until long after I took the photos. Just don't ... be on desktop I guess. Or zoom in. Don't really look close at all! Just go by vibes 😆
Actually! I think editing the photo to crop it even closer makes the top area feel less isolated and more intimate. And making the focal area of her face be more top-left and less boring center pleases me. But now you could see all the dust and wobbly lip lines even more. 🫣
Still. That orange lip color is one of my better harebrained schemes if you ask me.
Edit: Oh gods dammit, I had night shift on again. Hope y'all like BLUE
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im LATEA but hapoy graduation :) yoy dis it!!
NOT late i am sitting in my little chair waiting for people to start talking at the ceremony actually lol. Thank you!!!!
edit: well i was when i wrote this. but the reception was bad so it only.just posted lol
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