I know there's a lot of answers out there for this question, but personally like what do you think are the best beatle books to read? Like what's the best for you?
hello anon! I'm hyperfixated so I'll read pretty much anything on them tbh. I do like to read the more anecdotal stuff because I love gossip lol - and some of them can be so revealing (both of the Beatles themselves and the authors). But I'll read and have enjoyed lots of stuff: the big biogs, memoirs, fan accounts, academic studies, that novel by Paul's ex publicist.
anyway, here's the list of Beatles books I've read all the way through and what rating out of 5 I'd give them. The books I've rated highest have generally been the big biographies just because I think they tend to say more and tell a fuller story, since obvs that's their purpose, so they're a more satisfying read. My ratings are based on a random combo of what they can tell us about the Beatles, how interesting I find them historiographically/as Beatles reception, and how much I enjoyed reading them.
★★★★★
One Two Three Four: The Beatles in Time (Craig Brown)
The Beatles: The Authorised Biography (Hunter Davies)
Shout!: The True Story of the Beatles (Philip Norman)
Love Me Do!: The Beatles' Progress (Michael Braun)
Can't Buy Me Love: The Beatles, Britain, and America (Jonathan Gould)
The Man Who Gave the Beatles Away: The Amazing True Story of the Beatles' Early Years (Allan Williams & William Marshall)
★★★★☆
The Love you Make: An Insider's Story of the Beatles (Peter Brown & Steven Gaines)
Backbeat: Stuart Sutcliffe - The Lost Beatle (Alan Clayson & Pauline Sutcliffe)
The Gospel According to the Beatles (Steve Turner)
Lennon vs. McCartney: The Beatles, Inter-band Relationships and the Hidden Messages to Each Other in Their Song Lyrics (Adam Thomas)
Beatle! The Pete Best Story (Pete Best & Patrick Doncaster)
Dreaming the Beatles: The Love Story of One Band and the Whole World (Rob Sheffield)
A Cellarful of Noise (Brian Epstein)
Waiting for the Beatles: An Apple Scruff's Story (Carol Bedford)
John (Cynthia Lennon)
John Lennon: In My Life (Pete Shotton & Nicholas Schaffner)
Summer of Love: The Making of Sgt. Pepper (George Martin with William Pearson)
★★★☆☆
John, Paul & Me Before the Beatles: The True Story of the Very Early Days (Len Garry)
The Beatles and Me on Tour (Ivor Davis)
A Twist of Lennon (Cynthia Lennon)
At the Apple's Core: The Beatles from the Inside (Denis O'Dell with Bob Neaverson)
The Guitar's All Right as a Hobby, John (Kathy Burns)
With the Beatles (Alistair Taylor)
The Day John Met Paul: An Hour-By-Hour Account of How the Beatles Began (Jim O'Donnell)
The Beatles: I Was There (Richard Houghton)
All Our Loving: A Beatle Fan's Memoir (Carolyn Lee Mitchell & Michael Munn)
Rock Bottom (Geoff Baker)
Once There Was a Way: What if the Beatles Stayed Together? (Bryce Zabel)
Like Some Forgotten Dream: What if the Beatles Hadn't Split Up? (Daniel Rachel)
Dylan, Lennon, Marx and God (Jon Stewart)
Paul is Undead: The British Zombie Invasion (Alan Goldsher)
★★☆☆☆
Paperback Writer (Mark Shipper)
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Tues[day] 17 June 1823
8 50/60
12
D[o]wn to br[eak]f[a]st at 10 35/60. Went to my uncle tolerably this morning for the first time since I left home to do
much good which has made me all along feel rather feverish. We call[e]d on Mrs Sutcliffe. Mr S- [Sutcliffe] seems the
less vulg[a]r of the 2 - b[u]t they are a sad[l]y vulg[a]r coup[le] we saw one of their child[re]n - he spo[ke] br[oa]d Yorksh[ire] - the room
dirty and litter[e]d, and untidy past descript[io]n. Mrs Peart n[o]t at all like a gent[le]wom[a]n, unless
wh[e]n compare[e]d w[i]th Mrs Sutcliffe - a good sort of pers[o]n - h[e]r house a ver[y] good one, and beaut[ifull]y near - a
ver[y] nice gard[e]n and greenhouse int[o] w[hi]ch she shew[e]d us - ver[y] civ[i]l - h[e]r d[au]ght[e]r, Mrs Robins[o]n, Mrs W.P. [William Priestley]’s partic[ula]r
fr[ie]nd, is an attorney’s wife in the town - h[e]r fath[e]r ga[ve] up the bus[ine]ss to his son-in-law, the bank at Settle
being a bet[ter] thing - he is ver[y] rich - buys a gr[ea]t deal of land. Mrs Robins[o]n n[o]t partic[ularl]y like a gent[le]wom[a]n
b[u]t shines am[on]g such as Mrs Sutcliffe and perh[aps] ev[e]n Mrs Peart - st[oo]d ab[ou]t 10 min[ute]s w[i]th Mrs S- [Sutcliffe] and 20 w[i]th Mrs P- [Peart] and g[o]t back
to the Inn at 12 40/60. They h[a]d all s[ai]d Weathercote, the cave at Chap[e]l-in-the-dale, w[a]s the prett[ie]st thing in the
who[le] neighb[ourhoo]d - we therefo[re] determ[ine]d to go to Inglet[o]n and were off at 1 55/60 and at 4 1/2 stopt at the Bayhorse
(a pot horse) 10 1/4 m[ile]s - ord[ere]d din[ner] and beds. Pret[ty] dri[ve] - excel[len]t r[oa]d b[u]t hilly - Arswick §, a pret[ty] situat[e]d
vil[lage] on our right, soon aft[e]r we h[a]d pass[e]d Mr Walkins[o]n’s house, a ver[y] poor, whitewash[e]d concern, at a
sh[or]t dist[an]ce to the left, ab[ou]t 3 m[ile]s fr[om] Settle. Claph[a]m, 3 1/2 m[ile]s fr[om] Ingleton, a ver[y] pret[ty] vil[lage], the prett[ie]st we ha[ve] seen. Claph[a]m
lodge a tol[erabl]y handso[me] look[in]g mod[er]n house - surround[e]d w[i]th fir, Scotch and larch, plantat[io]ns - good r[oa]d b[u]t ver[y] hilly
high rock all along on our right - the width of the valley is on the left. Ingleton a tol[erabl]y neat whitewash[e]d
vil[lage] - neat ch[ur]ch. H[a]d scarce[l]y swall[owe]d my din[ner] b[u]t hav[in]g g[o]t a guide, James Greenwood (past the mid[dle] age
I sh[oul]d th[i]nk) set off w[i]th h[i]m to walk to the top of Inglebro’ at 6 5/60 - at the top at 7 35/60 - d[o]wn at
the slate quarry in 1 5/60 h[ou]r - belongs to Mr Hornby of Kirkh[a]m as lord of the Manor - b[ou]ght it of Mr Parker
of Browsholme, who b[ou]ght it of the broth[e]r of Mrs Serjeants[o]n (I suppo[se] of Camphill) Gooch, I th[in]k - his fath[e]r left
h[i]m the manor w[i]th all right to mines and min[era]ls exc[e]pt coals - these he separate[e]d fr[om] the manor, and left to his
d[au]ght[e]r Mrs Serjeants[o]n, and she ‘turns out a bet[ter] fortune than h[e]r broth[e]r’ - 8 or 9 men employ[e]d at the quarry -
the slate goes by land car[ria]ge to Gargrave, there shipp[e]d on the canal - the quarry on the left bank of the
Greta a m[ile] fr[om] Ingleton. Mr Hornby h[a]s a large flax mil, super intend[e]d by a neph[ew] of his, at Bentham -
employs there a thous[an]d hands - g[o]t a specim[e]n or 2 at the quarry - ho[me] ag[ai]n at 9 40/60, in 1/4 h[ou]r fr[om] the quarries - all done by
blast[in]g - it is the cheap[e]st way - 4 long miles to the top of Inglebro’ - walk[e]d it in 1 35/60 - r[ou]nd by the quarries made it 4 1/2
m[ile]s back - walk[e]d all r[ou]nd the top of Inglebro’ - s[ai]d to be a mile - w[e]nt upst[ai]rs to bed at 11 1/4. Ver[y] fine day. E 0.
§ Mon[day] 14 July 1823 - this Mrs W[illia]m Priestley told me the oth[e]r day, w[a]s consid[ere]d the prett[ie]st vil[lage], and Clapham the 2[n]d prett[ie]st.
Beaut[iful] prosp[ec]t fr[om] Inglebro’ - the m[oun]t[ai]n was quite clear at the top, b[u]t unfort[unatel]y it w[a]s rath[er]
thick in the valleys, and my view w[a]s m[u]ch imped[e]d tho’ still ver[y] fine.
Ingleton.
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I thought I’d posted this before, but maybe I didn’t? I did this for a university class back in 2018 as an exploration of Stu Stucliffe’s artwork, his influences and his historical context, and how emulating his style through my own lens in the present day would look.
(Disclaimer: This was an English class. I am a mere hobby artist trying to explain art to a professor who knows even less than I do lol)
Long-form essay on art history and my process below the cut, but key takeaways:
Stu’s art conveys a lot of spontaneity and raw emotion, which I tried to do
Visual features of some of Stu’s pieces that I ran with: full canvas coverage, collage, etching through many layers, geometric totems
Instead of collage out of newspaper clippings I used layered screenshots of Tweets and textposts, which is fun
Essay excerpts below the cut if you’re feeling especially academic.
The bulk of Sutcliffe’s paintings are of the Abstract Expressionist style, produced as the Abstract Expressionist movement was in wane. Characterized by its raw emotion and spontaneity, Abstract Expressionism was a means of dealing with the grim realities of the Great Depression, and in the years following World War II, the movement evolved into an energetic, defiant response to the postwar desolation throughout Europe.[1] As a young art student in a still badly scarred Liverpool, Sutcliffe lived amid the realities that influenced the development of Abstract Impressionism at a societal level. However, on a more personal level, he also stood at a juncture for change: deciding whether to pursue visual art or rock music—and after making his choice, forging ahead to create a successful and earnest career in art. As such, Sutcliffe’s works feel particularly raw and true to the spirit of Abstract Expressionism.
To better appreciate the technicalities and spirit of his art, I decided to critically examine and emulate Sutcliffe’s art style. Sutcliffe’s art flourished between 1961 and 1962, after he left the Beatles and enrolled in the Hamburg State School of Art, where he studied under pop artist Eduardo Paolozzi. Sutcliffe’s style grew more original and assured in Hamburg.[2] The traditional paintings of Sutcliffe’s Hamburg period are composed of thick layers of paint, covering all or part of the canvas, which have been scraped away in places to reveal other colors and instill a sense of depth and presence. Sutcliffe also produced a number of mixed-media pieces during this time, often with collaged newspaper cuttings and ink printing. A great many of these pieces, regardless of medium, feature repetitive, messy geometric patterns. These features in combination often convey a sense of anxiety, excitement, or chaos in Sutcliffe’s works.
In emulating Sutcliffe’s art style, I worked with a general goal of producing the unsettled emotions characteristic of Abstract Expressionism that Sutcliffe so successfully captured in his works. I also used a few of the more specific aforementioned style techniques: thick layering, elements of collage, and totemic geometric patterns. However, my piece is purely digital, created with GIMP image software; as such, part of my task became how to translate these three-dimensional features into a strictly two-dimensional, virtual medium.
I attempted to convey a sense of nervousness and anxiety with my piece—feelings I can tap into all too well, with the swift approach of graduation and the scramble to find a job in my immediate thoughts, and the looming myriad social and political problems my country currently faces. I began with a pre-made background image that gave the texture of old paper. From there, I turned to Sutcliffe’s method of using collaged newspaper articles as part of his painting surface. Given that it is 2018, I decided to update this technique to utilize a different means of public communication: social media. I took screenshots of tweets and tumblr posts I had seen recently, but I did choose them with some discretion, selecting statements that touch on my personal worries. From there, I used a set of acrylic brushes I had downloaded to create several layers of indiscriminate colorful strokes. Then, I similarly created several layers of different shades of black atop these (akin to the iridescent black painting of Sutcliffe’s pictured above). I did not extend this black to the very edges of the image, in order to expose small parts of the underlying color and collage layers and to keep a sense of discord and chaos at the edges of the piece. To achieve the scraping effect, I actually added more layers with a technique called layer masking: I superimposed portions of the colorful base layers, in the form of scrawled shapes, on top of the black layers, to make it appear that I had scraped away layers of black. The shapes are rough and spontaneous (some resembling Sutcliffe’s typical totems, some not) to give a jittery and dynamic feeling and to capture both a nervous energy and general impulsiveness of Abstract Impressionism.
[1] Kuspit, Donald. “Stuart Sutcliffe: 1940-1962.” Stuart Sutcliffe: A Retrospective, edited by Matthew H Clough and Colin Fallows, Liverpool University Press, 2008, pp. 8.
[2] Biggs, Bryan. “A Link in Something Larger.” Stuart Sutcliffe: A Retrospective, edited by Matthew H Clough and Colin Fallows, Liverpool University Press, 2008, pp. 62.
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Artifact Series J
J. Allen Hynek's Telescope
J. Edgar Hoover's Tie
J. McCullough's Golf Ball
J. Templer's Wind-Up Tin Rooster *
J. C. Agajanian’s Stetson
J.T. Saylors's Overalls
J.M. Barrie’s Swiss Trychels
J.M.W. Turner's Rain, Steam and Speed-The Great Western Railway *
J.R.R. Tolken's Ring
Jack-in-the-Box
Jack's Magic Beanstalk
Jack Daniel's Original Whisky Bottle
Jack Dawson's Art Kit
Jack Duncan's Spur *
Jack Frost's Staff
Jack Kerouac's Typewriter
Jack Ketch's Axe
Jack LaLanne's Stationary Bike *
Jack London's Dog Collar
Jack Parson's Rocket Engine
Jack Sheppard's Hammer
Jack Sparrow's Compass
Jack Torrance's Croquet Mallet
Jack the Ripper's Lantern *
Jackie Robinson's Baseball
Jackson Pollock's "No. 5, 1948"
Jackson Pollock's Pack of Cigarettes
Jackson Pollock's Paint Cans
Jack's Regisword
Jack Vettriano's "The Singing Butler"
Jack's Wrench
Jacob and Wilhelm Grimm's Kinder- und Hausmarchen
Jacob "Jack" Kevorkian's Otoscope
Jacob Kurtzberg's Belt *
Jacqueline Cochran's Brooch
Jacques Aymar-Vernay’s Dowsing Rod
Jacques Cousteau's Goggles
Jacques Cousteau's Diving Suit
Jacques-Louis David's Napoleon Crossing the Alps *
Jade Butterfly
Jadeite Cabbage
Jalal-ud-Din Muhammad Akbar's Smoke Pipe
Jamaica Ginger Bottle
Jaleel White's Hosting Chair
James Abbot McNeill Whistler's Whistler's Mother *
James Allen's Memoir
James Bartley's Britches
James Ben Ali Haggin's Leaky Fountain Pen
James Bert Garner’s Gas Mask
James Bett's Cupboard Handle
James Braid's Chair *
James Brown's Shoes
James Bulger's Sweater
James Buzzanell's Painting "Grief and Pain"
James Buzzanell’s Survey Books
James C. McReynolds’ Judicial Robe
James Chadwick's Nobel Prize
James Clerk Maxwell's Camera Lens
James Colnett's Otter Pelt
James Condliff's Skeleton Clock
James Cook's Mahiole and Feather Cloak
James Craik's Spring Lancet
James Dean's 1955 Prosche 550 Spyder, aka "Little Bastard"
James Dean's UCLA Varsity Jacket
James Dinsmoor's Dinner Bell
James Eads How’s Bindle
James Earl Ray's Rifle
James Fenimore Cooper's Arrow Heads
James Gandolfini's Jukebox
James Hadfield’s Glass Bottle of Water
James Hall III’s Shopping Bags
James Henry Atkinson's Mouse Trap
James Henry Pullen’s Mannequin
James Hoban's Drawing Utensils
James Holman’s Cane
James Hutton's Overcoat
James Joyce’s Eyepatch
James M. Barrie's Grandfather Clock
James M. Barrie's Suitcase
James Murrell's Witch Bottle
James Philip’s Riata
James Prescott Joule's Thermodynamic Generator
James Smithson's Money
James Tilly Matthews’ Air Loom
James Warren and Willoughby Monzani's Piece of Wood
James Watt's Steam Condenser
James Watt's Weather Vane
James W. Marshall’s Jar
Jan Baalsrud’s Stretcher
Jan Baptist van Helmont's Willow Tree
Jane Austen's Carriage
Jane Austen's Gloves
Jane Austen's Quill
Jane Bartholomew's "Lady Columbia" Torch
Jane Pierce's Veil
Janet Leigh's Shower Curtain
Janine Charrat's Ballet Slippers
Jan Janzoon's Boomerang *
Janis Joplin's Backstage Pass from Woodstock *
Jan Karski's Passport
Janus Coin *
Jan van Eyck’s Chaperon
Jan van Speyk's Flag of the Netherlands
Jan Wnęk's Angel Figurine
Jan Žižka's Wagenburg Wagons
The Japanese Nightingale
Jar of Dust from the Mount Asama Eruption
Jar of Greek Funeral Beans
Jar of Marbles
Jar of Molasses from The Boston Molasses Disaster
Jar of Sand
Jar of Semper Augustus Bulbs
Jar of Shiva
Jar of Sugar Plums
Jascha Heifetz's Violin Bow
Jason Voorhese's Machete
Javed Iqbal's Barrel of Acid
Jay Maynard's Tron Suit
Jean II Le Maingre's Gauntlets
Jean Baptiste Charbonneau’s Cradleboard
Jean-Baptiste-Siméon Chardin's Bubble Pipe
Jean Chastel's Silver Gun
Jean Eugène Robert-Houdin's Pocket Watch
Jean Fleury's Aztec Gold Coins
Jean-François Champollion’s Ideographic Dictionary
Jean Froissart's Mirror *
Jean-Frédéric Peugeot's Pepper Mill
Jean Hilliard’s Earmuffs
Jean Parisot de Valette’s Sword Sheath
Jean-Paul Marat's Bathtub
Jean Paul-Satre’s Paper Cutter
Jean-Pierre Christin's Thermometer
Jean Senebier's Bundle of Swiss Alpine Flowers
Jean Valnet's Aromatherapy Statue
Jean Vrolicq’s Scrimshaw
Jeanne Baret's Hat
Jeanne de Clisson's Black Fleet
Jeanne Villepreux-Power's Aquarium
Jeannette Piccard's Sandbag
Jeff Dunham's First Ventriloquist Box
Jefferson Davis' Boots
Jefferson Randolph Smith's Soap Bar
Jeffrey Dahmer's Handkerchief
Jeffrey Dahmer's Pick-Up Sticks
Jemmy Hirst's Carriage Wheel
Jenny Lind's Stage Makeup
Jeopardy! Contestant Podiums
Jerome Monroe Smucker's Canning Jars
Jerry Andrus’ Organ
Jerry Garcia's Blackbulb *
Jerry Siegel's Sketchbook
Jesse James' Saddle
Jesse James' Pistol
Jesse Owens' Hitler Oak
Jesse Owens' Running Shoes
Jesse Pomeroy's Ribbon and Spool
Jester's Mask
Jesus of Nazareth's Whip
Jesús García's Brake Wheel
Jet Engine from the Gimli Glider
Jet Glass Cicada Button
Jethro Tull's Hoe
Jeweled Scabbard of Sforza
Jiang Shunfu’s Mandarin Square
Jim Davis' Pet Carrier
Jim Fixx's Shorts
Jim Henson's Talking Food Muppets
Jim Jones' Sunglasses
Jim Londos' Overalls
Jim Robinson's Army Bag
Jim Thorpe's Shoulder Pads
Jim Ward's Piercing Samples
Jimi Hendrix's Bandana
Jimi Hendrix's Bong
Jimi Hendrix's Guitars *
Jimmie Rodgers Rail Brake
Jimmy Durante's Cigar
Jimmy Gibb Jr's Stock Car
Jimmy Hoffa's Comb
Jin Dynasty Chainwhip
Jingle Harness
Joan II, Duchess of Berry's Dress
Joan of Arc's Chain Mail
Joan of Arc's Helmet (canon)
Joan Feynman's Ski Pole
Joanna of Castile's Vase
Joan Rivers' Carpet Steamer
Joan Rivers' Red Carpet
Joe Ades's Potato Peeler
Joe Girard’s Keys
Joe Rosenthal's Camera Lens
Joel Brand's Playing Cards
Joséphine de Beauharnais' Engagement Ring
Johan Alfred Ander’s Piece of Porcelain
Johann Baptist Isenring’s Acacia Tree
Johann Bartholomaeus Adam Beringer's Lying Stones
Johann Blumhardt's Rosary
Johann Dzierzon’s Beehive Frame
Johann Georg Elser's Postcard
Johann Maelzel's Metronome *
Johann Rall's Poker Cards
Johann Tetzel's Indulgence
Johann Wolfgang von Goethe's Prism
Johannes Brahms' Coffee Creamer
Johannes Diderik van der Waals' Gloves
Johannes Fabricius' Camera Obscura
Johannes Gutenburg's Memory Paper *
Johannes Gutenburg's Printing Press *
Johannes Gutenberg's Printing Press Keys
Johannes Kepler's Planetary Model
Johannes Kepler's Telescope Lense
Johannes Kjarval’s Landscape Painting
John A. Macready's Ray-Bans *
John A. Roebling's Steel Cable
John A.F. Maitland's Musical Brainnumber *
John André’s Stocking
John Anthony Walker's Minox
John Axon's Footplate
John Babbacombe Lee’s Trapdoor
John Bardeen's Radio
John Bodkin Adams’ Stethoscope
John Brown's Body *
John Brown's Machete
John C. Koss SP3 Stereophones
John C. Lilly's Isolation Tank Valve
John Cabot's Map
John Carl Wilcke's Rug *
John Crawley's Painting
John Croghan's Limestone Brick
John Dalton's Weather Vane
John Dee's Golden Talisman
John Dee's Obsidian Crystal Ball
John Dee’s Seal of God
John DeLorean's Drawing Table
John Dickson Carr's Driving Gloves
John Dillinger's Pistol *
John D. Grady’s Satchel
John D. Rockefeller's Bible
John D. Rockefeller, Sr. and Jr.'s Top Hats
John Dwight's Hammer
John F. Kennedy's Coconut
John F. Kennedy's Presidental Limousine
John F. Kennedy's Tie Clip *
John Flaxman's Casting Molds
Sir John Franklin's Scarf
John Gay's Shilling
John Gillespie Magee, Jr.'s Pen
John H. Kellogg's Bowl
John H. Kellogg's Corn Flakes
John H. Lawrence's Pacifier
John Hancock's Quill
John Harrison’s Longcase Clock
John Hawkwood’s Lance
John Hendrix's Bible
John Henry Moore's White Banner
John Henry's Sledge Hammer
John Hetherington's Top Hat
John Holland, 2nd Duke of Exeter's Torture Rack
John Holmes Pump *
John Hopoate's Cleats
John Howard Griffin's Bus Fare
John Hunter's Stitching Wire
John Hunter's Surgical Sutures
John J. Pershing's Boots
John Jacob Astor's Beaver Pelt
John Jervis’ Ship
John Joshua Webb’s Rock Chippings
John Kay's Needle
John Keat's Grecian Urn *
John, King of England's Throne
John L. Sullivan's Boots
John Langdon Down's Stencils
John Lawson's Mannequin Legs
John Lennon's Glasses
John "Liver-Eating" Johnson's Axe
John Logie Baird's Scanning Disk *
John M. Allegro's Fly Amanita
John Macpherson's Ladle
John Malcolm's Chunk of Skin
John Malcolm's Skin Wallet
John McEnroe's Tennis Racket *
John Milner's Yellow '32 Ford Deuce Coupe
John Moore-Brabazon’s Waste Basket
John Morales' McGruff Suit
John Mytton’s Carriage
John Pasche's Rolling Stones Poster Design
John Paul Jones's Sword
John Pemberton's Tasting Spoon
John Philip Sousa's Sousaphone
John Rambo's Composite Bow
John Rykener's Ring
John Shore's Tuning Fork
John Simon's Mouthwash
John Simon Ritchie's Padlock Necklace
John Smith of Jamestown's Sword
John Snow's Dot Map
John Snow’s Pump Handle
John Stapp’s Rocket Sled
John Steinbeck's Luger
John Sutcliffe's Camera
John Sutter's Pickaxe
John Tunstall's Horse Saddle
John Trumbull's "Painting of George Washington"
John von Neumann's Abacus
John Walker's Walking Stick
John Wayne Gacy's Clown Painting *
John Wayne Gacy's Facepaint
John Wesley Hardin's Rosewood Grip Pistol
John Wesley Powell's Canoe
John Wesley Powell’s Canteen
John Wilkes Booth's Boot *
John Wilkes Booth Wanted Poster
John William Polidori's Bookcase
Johnny Ace's Gun
Johnny Appleseed's Tin Pot *
Johnny Campbell's University of Minnesota Sweater
Johnny Depp's Scissor Gloves
Johnny Smith's Steering Wheel
Johnny Weismuller's Loincloth *
Joker's BANG! Revolver
Jon Stewart's Tie
Jonathan Coulton's Guitar
Jonathan R. Davis' Bowie Knife
Jonathan Shay's Copy of Iliad/Odyssey
Jonestown Water Cooler
Jorge Luis Borges' Scrapbook
José Abad Santos' Pebble
José Delgado’s Transmitter
Jose Enrique de la Pena's Chest Piece
Jōsei Toda’s Gohonzon Butsudan
Josef Frings’ Ferraiolo
Josef Mengele's Scalpel
Josef Stefan's Light Bulbs
Joseph of Arimathea's Tomb Rock
Joseph of Cupertino's Medallion *
Joseph Day's Sickle
Joseph Ducreux's Cane
Joseph Dunninger's Pocket Watch
Joseph Dunningers’ Props
Joseph E. Johnston Confederate Flag
Joseph Force Crater's Briefcases
Joseph Fourier's Pocket Knife
Joseph Glidden’s Barbed Wire
Joseph Goebbels' Radio *
Joseph Jacquard's Analytical Loom
Joseph Bolitho Johns’ Axe
Joseph Kittinger's Parachute
Joseph Lister's Padding
Joseph McCarthy's List of Communists
Joseph Merrick's Hood
Joseph-Michel Montgolfier's Wicker Basket
Joseph Moir’s Token
Joseph Pilate's Resistance Bands *
Joseph Polchinski’s Billiard Ball
Joseph Stalin's Gold Star Medal *
Joseph Stalin's Sleep Mask *
Joseph Swan's Electric Light
Joseph Vacher's Accordion
Joseph Vacher's Dog Skull
Joseph Valachi's '58 Chevrolet Impala
Josephus' Papyrus
Joseph Wolpe's Glasses
Josephine Cochrane's Dishwasher
Joshua's Trumpet *
Josiah S. Carberry's Cracked Pot
Joshua Vicks' Original Batch of Vicks Vapor Rub
Josiah Wedgewood's Medallion
Jost Burgi's Armillary Sphere *
Jovan Vladimir's Cross
Juana the Mad of Castiles' Crown
Juan Luis Vives' Quill Set
Juan Moreira’s Facón
Juan Pounce de Leon's Chalice
Juan Ponce de León's Helmet
Juan Seguin's Bandolier
Jubilee Grand Poker Chip *
Judah Loew ben Belazel's Amulet *
Judas Iscariot’s Thirty Silver Coins
Judson Laipply's Shoes
Jules Baillarger's Decanter
Jules Leotard's Trapeze Net
Jules Verne's Original Manuscripts
Julia Agrippa's Chalice
Julia Child's Apron *
Julia Child's Whisk
Julian Assange’s Flash Drive
Julie d’Aubigny's Sabre
Julius and Ethel Rosenberg's Wedding Rings
Julius Asclepiodotus’ Shield Boss
Julius Caesar's Wreath
Julius Wilbrand's Lab Coat Buttons *
Jumanji
Jumper Cables
Junji Koyama’s Vegetables
Jure Sterk's Ballpoint Pen
Jürgen Wattenberg's Leather Provision Bag
Justa Grata Honoria’s Engagement Ring
Justin Bieber's Guitar
Justinian I's Chariot Wheel
Justin O. Schmidt's Wasp Mask
Justus von Liebig's Fertilizer Sack
Justus von Liebig's Mirror
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