#leonard boyarsky

[thefalloutwiki]

Were you previously aware that early drafts of Fallout 2's story featured the player being ambushed by lobotomites? A renegade brotherhood soldier would then have come to rescue them. This idea was eventually scrapped, but still appeared in loading screen art by Leonard Boyarsky.

Lobotomites were finally introduced in-game in New Vegas's Old World Blues DLC.

You can see more of Leonard's art, including an uncolored sketch of this piece here

You can also read more about lobotomites here

[the-chosen-none]

Therapist: Naked Vault Boy with defined legs and arms can’t hurt you, he’s not real.

Naked Vault Boy:

[rocket-69]

Tim Cain and Leonard Boyarsky Q&A 10/23/22

Tim Cain and Leonard Boyarsky joined the Fallout Wiki discord server to answer a few questions. Jason Taylor could not attend, but all three of them answered some questions in text sent ahead of time.

Interviewer: On a different note, we’ve been having a lot of questions about the idea of the US being divided into 13 commonwealths, and why. In the Fallout Bible Tim, you said that it was Leon’s idea to use a 13 star US flag, and had an idea for 13 super states, but didn’t finish it. LeonB: I picked that flag because it looked cool, I’d never seen it before Interviewer: Which is a guiding principle for a lot of great choices, that gut feeling. LeonB: Definitely

Tim Cain: Not to backtrack too much, but did I find a note from our marketing dept with two suggestions for a name for the game: "No Man's Land" and "The Deathlands". We politely declined.

Interviewer: To elaborate a bit: A lot of fans seem to believe that everything was pre-written and pre-made, and you just rotely executed that brilliant design. As I understand it, it was closer to how Deus Ex was made, with plenty of gut feelings and bold work with the box cutters to remove what didn't work (Warren Spector mentioned cutting a 500 page design bible to just 270 pages)? LeonB: We didn't have a huge design bible, per say. Not to the detail level it sounds like he was talking about We were flying by the seat of our pants Tim Cain: I remember when I was asked for a vision statement for the game. I was surprised because the team KNEW what we were making. Then I was told it was for admin and marketing. I tried twice and failed twice, then Chris Taylor wrote an amazing one. LeonB: Certain aspects of game dev never change - no matter how carefully you think you're scoping you always have to cut content and stitch what's left back together

Interviewer: Speaking of content that wasn't cut: An interesting question comes up from time to time, that is, when implementing special encounters (aliens, the police call box, dinosaur footprint), did you ever consider them as anything beyond a cool little Easter egg? A more direct part of the story? Tim Cain: No, I don't think so. Special encounters were tied to luck and meant to be fun and a potential source for cool items. No story elements, since they might never be encountered by some players. LeonB: Mostly we made those because we thought they were funny Interviewer: (and they were, plus the increased critical chance is awesome) Tim Cain: Although it would have been funny to comvince the Master to give up his plans using a velvet Elvis painting as a bribe

Interviewer: Speaking of the Master, he (it?) seems to have gone through many iterations. The Vault 13 timeline suggests he could have been an ambulatory foe - or was he always intended to be this glorious mess that they probably carted to the Cathedral in a barrel all the way from Mariposa? (For those who don't know what I'm talking about.) LeonB: I may be misremembering, but I felt he was ambulatory enough to get to the Cathedral on his own, especially depending on what he fed on/subsumed into his body, and then he became part of the overseer's chair over time I don’t remember him ever being planned to be ambulatory in the game, though

Interviewer: Were there ever intentions of integrating more eldritch or extradimensional aspects into Fallout, such as Old Gods, Elders, and more Lovecraftian things, or was Fallout always more intended to be like Buck Rogers than Lovecraft? It certainly had the Master, his corridor of revulsion, the psykers mentioned by Avellone to be closer to Childhood's End than just spoon benders… LeonB: I love Childhood's End, but I don't think I'd read it back then It was mostly supposed to be more Road Warrior/Buck Rogers, I just loved the aesthetic of the Thing movie Tim Cain: I think the more elements you throw into an IP, the more diluted it becomes. I regret adding the ghost to the Den (and yeah, that was me) because Fallout is so rich and has so much to explore that it doesn't need the supernatural elements to be creepy Interviewer: Uh-oh, this confession will not go down well with some fans. 😉 Tim Cain: I think the IP as a whole is better when it has limits

Interviewer: we had a question about Rhombus, do you remember this take on the T-51 talking head model? It definitely looks different from the end talking heads, but a lot like the in-game sprite.

LeonB: That looks like a badly lit and textured version of the digitized clay head. Not sure what's up with that armor, we used the same armor model for all the talking heads wearing power armor, taken from the model I made for the intro Interviewer: It's from an ancient German preview for Fallout GURPS, which included a shot of the process of digitizing the models. LeonB: Weird

Interviewer: Now, while I dig that up, a question. A big question. Do ghouls poop Or rather: Do ghouls need to eat and drink? Or is ghoul biology something that was written differently whenever it needed to work a certain way (Fallout 1 has Necropolis and endings tied to water, but later on it got confused; VB design docs even have a note "do ghouls even poop") Tim Cain: To quote my favorite book title "Everyone poops" LeonB: Jason and I bout that for Tim for his birthday Tim Cain: I always thought they ate and drank and breathed. They just aged slower (but sometimes things fell off or grew weird) Thank you again, Leon LeonB: any time Interviewer: Found it. And Tim Cain won't believe what the thumb is https://www.youtube.com/watch?v=haKOhyUqk4c LeonB: Timmy! Tim Cain: Oh. My. God. I’m 12 Interviewer: What about Woody and Coffin Willie? Woody spent several weeks as a 'mummy' exhibit, and Willie was buried alive for a couple of months. Are they just a fun joke, or? Tim Cain: They remind me of The World's Smartest Orc in Arcanum. Someone was making some money…

Interviewer: And getting him to break character... Now, back to questions, since we're in the final stretch: Talking about limits, what's something either of you don't ever want to see in Fallout? Or something you could remove from Fallout like it never existed? (We already have the ghost thing on record, sir) Tim Cain: I am not a fan of the talking Deathclaws. They were meant to be the biggest baddest scariest thing ever. Not librarians. LeonB: Hear hear

Interviewer: Random question: Did the Overseer ever have a solid name? We have "Jacoren" from the concept art, but beyond that.… (for those who wonder)

LeonB: No Tim Cain: Internally, he was always referenced as Overseer LeonB: He was originally named that (obviously), but after that drawing I don't know that I ever referred to him that way again Tim Cain: That sketch really captures his eyebrows

Interviewer: Oooh, this is good. How did the original designs for the original robots (ie the floating Eyebot) come around? Was its design based on something specific that existed? LeonB: I honestly don't remember We were just trying to make robots that looked like they belonged in 50's b-movies Tim Cain: Wasn't a floating one pitched to reduce needed animations? LeonB: That's a distinct possibility

Interviewer: Given that we're slowly, but inevitably approaching the end of our roundtable, did either of you have questions you wished were asked, but never were? Aside from the ones I received and filed under cool-stuff . Alternatively, any message to the community at large? Tim Cain: Thank you all for your support. I don't go to conferences much, but when I have, I have met some of the nicest fans I could ever hope to have. Also, Fallout fans are just smarter and better looking than average, don't you think? LeonB: I can't think of any questions we missed (here or in any of the other interviews we've done), but I again want to thanks everyone for being such loyal fans to something we made as a labor of love We were hoping people would love it as much as we did, and it seems like it worked out Interviewer: Meeting you today, I believe I speak for everyone that we can see why it came out the way it did. Tim Cain: Talent (Leon) and Luck (Tim) LeonB: Aww, thanks But I've always said I cranked my Luck up to 10 It really was lightning in a bottle

Interviewer: Alright, so here's a popular question. Zusk asks; "Hey! There is this question I always wanted to ask you two. At the start of Fallout 2's development Fred Hatch proposed a outline for Fallout 2's story that didn't end up getting made. A few developers have talked a little about this in the past, but I was wondering if you could perhaps share a little more about your rationale at the time and what Fred's story entailed? Included is an excerpt from Honouring the Code: Conversations with Great Developers that goes into it a bit. Thank you for taking the time to reach out to the community like this."

Tim Cain: Fred's team's story started with the player getting amnesia and losing their memories (i.e. levels) and then wandering into a town that is colorless (just shades of grey). It turns out a computer is running it based on old episodes of Leave It To Beaver. That's mostly what I can remember LeonB: Tim has a waaaaay better memory than I do Tim Cain: Also I take LOTS of notes

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Tim Cain Text Q&A

Q: Was Fallout at any point going to be real-time like Diablo or real-time with pause? Or was it always designed with turn-based combat in mind? A: Fallout was always designed to be turn based. At one point, when Diablo had shipped and several higher-ups at Interplay were enamored with the game (or its sales figures), we were asked to consider a real time version. The projected time and money costs to change the design persuaded them that it was bad idea.

Q: Did you have the idea of the GECK while developing Fallout 1 or is that a later idea the game during the conception of Fallout 2? A: The GECK was conceived during Fallout 1's development. The proof? Page 5-34 of the manual for Fallout 1.

Q: Do you remember who came up with Nuka-Cola and why it was named as such (not wanting to tangle with the world's biggest soft drink corporation aside)? A: It was either Chris Taylor or Scott Campbell. And only they can reveal the secret behind its name.

Q: In the Building a Better RPG talk, post-mortem part you said that your past games (like the OG Fallouts and Arcanum I assume) had systems that were too complex and that it was okay to simplify or change them. Would you go back and redo Fallout with that in mind? What is your philosophy when designing? A: I don't think I would simplify Fallout's systems. In fact, I think they have been oversimplified in recent games, but I would consider simplifying their presentation. I would keep skills and traits, but I would change character creation and advancement to make it more casual friendly. This might seem like splitting hairs, but I believe that initial presentation is a huge part of onboarding players to your IP. It's possible to make rich and deep system mechanics without throwing a page of numbers at the player early in the character creation process, when many players have no idea of what character they want to make or what traits/skills/perks are important. As I showed in The Outer Worlds with skills, you can delay some decisions until the player has experienced the game and decided what they would like to explore in terms of player characteristics.

Q: When you created Fallout, did you view humanity from a cynical or hopeful perspective? On one side, the game has raiders and plenty of human flaws, besides nuclear war. On the other, humanity perseveres in the face of adversity, and changes, and tries to break the cycle through the Master/NCR/Brotherhood. A: Fallout represents many viewpoints. Some people on the team were cynical and liked to explore the darker side of human nature, while others were optimistic and hopeful that people would emerge from a cataclysmic event with a desire to make sure it never happened again. I always liked that Fallout showed that blend of perspectives.

Q: What were some setting ideas/content/artwork you considered for Fallout, but never publicly talked about or revealed publicly? A: We always wanted an equivalent to GURPS disadvantages in Fallout, but the closest we could come were traits, which were a blend of advantages and disadvantages. I eventually made flaws in The Outer Worlds.

Q: Did you establish that the Fallout timeline diverged from ours during Fallout's development? If so, did you establish when it more or less occurred (i.e. the timeline went in the Fallout direction and the transistor never caught on etc.? A: We always thought there was a divergence, but we never thought it was a single event where the timeline diverged, i.e. the invention of the transistor. Instead, Fallout represented a future that the 1950s thought might happen.

Q: Fallout was originally a sequel to Wasteland (according to Campbell) and many references remain in it. Did you see it as feasible to integrate it into the Fallout series, or at least made Fallout compatible with it? A: We made Fallout with ideas that were independent of Wasteland. It might be possible to merge the two, but I would always wonder what the point was. Why are you trying to force these two disparate IPs together?

Q: Do you remember why the Jackals and Vipers were cut? Were there any plans to involve them in the later development stages, or were they cut early on? A: I am not sure, but they seemed to be included as background information for characters like Ian. They weren't cut as much as they weren't explored.

Q: Were there any notable technical limitations, where the creative solution became an important part of the game's identity? A: So many. We explored making Fallout a 3D game, but the limitations of 3D games at the time pushed us back to an isometric game. Similar technical issues removed height features from the game. I am not sure what people consider part of the game's identity, but we surely wrestled with technical limitations.

Q: What is the one question you never get asked but wish it was? A: Why are you so awesome? :) No, seriously, fans have asked some very insightful questions over the years. Some of our answers have been "I don't know. We just kind of went with our gut feelings on that." I know it's not what people want to hear, but it's true.

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Leonard Boyarsky Text Q&A

Q: What were some of the setting ideas you considered for Fallout, but never talked about publicly? A: I think we’ve talked about all of them publicly at this point Q: What would you name the aesthetic design of Fallout 1 and 2? No, it can't just be called "Fallout style". A: I originally called it retro future fifties, I think, but the kids call it atompunk these days :P Q: What were the rules made regarding what did and did not fit Fallout's art style? A: We were very loose with our rules, especially since we started out as a non-retro fifties Road Warrior-centric inspired RPG. We also had to work with what we had in terms of time and budget, so we were a lot more flexible about what fit the setting than we would be now Q: Does the original artwork that you made (especially the unplugged television) still exist in a higher quality medium than what comes with the CD? If yes, will there ever be a book that is the Art of Fallout? A: I don’t know if the original 3d art files exist anywhere, and, if they did, what would have to be done to use them since they were made in PowerAnimator on Unix SGI machines. I have some of my original sketches in a sketchbook, but that’s about it. I wish I knew what happened to the clay heads, though, I made the Overseer’s and would love to have been able to keep it Q: What's the significance of the giant heads all over Fallout? Is it just Art Deco or something more eldritch/mysterious? A: We just thought they looked cool Q: I know that the talking heads were made with clay models and then digitized. Were the overworld sprites clay models too? A: The only other clay model was the Deathclaw, everything else was modeled in 3d programs Q: Many of Fallout's inspirations are worn on its sleeves, Mad Max, for instance, but are there any sources of inspiration which do not get enough love? A reference that you hoped everyone would pick up, but nobody did? A: The Hard-Boiled comic book mini-series by Frank Miller and Geoff Darrow and the City of Lost Children movie Q: Were there any notable technical limitations, where the creative solution became an important part of the game's identity? Specifically in terms of artwork. A: The whole reason the intro was on a TV was so that we could add noise and have a reason for any people to be fairly small in the frame but still have impact due to the difficulty of making realistic human beings back then. Also the reason for the clay heads. We also used the pixelization that was inherent in the color palleting process to make everything look dirty, which I was always very proud of but no one noticed... Q: Did you ever elaborate on your idea of the commonwealths? Tim Cain mentioned you came up with the idea while designing the alternate US flag (which DOES look cool and distinct), but did anything come out of it? A: Not that I remember Q: What's the one question you are never asked, but would like to be asked? A: I can’t think of any offhand (I’ve done a lot of FO interviews over the years 😝). If I think of any I’ll bring them up during the chat

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Jason Taylor Text Q&A

Q: What is the one thing you are particularly proud of in Fallout, but never seem to get proper credit for? A: When working on the original design we had quite a few brainstorming sessions. I remember coming up with these ideas: suggested game tile: Vault 13, reason to leave the vault: faulty "water purification chip", source of mutations: genetically engineered virus call FEV (Forced Evolutionary Virus) Q: Were there any notable technical limitations, where the creative solution became an important part of the game's identity? Or any other solutions that involved non-obvious resolves? A: Because we started out with the GURPS ruleset, we necessarily had hex-based maps. I don't know of any other CRPGs that did that. Q: Many of Fallout's inspirations are worn on its sleeves, Mad Max, for instance, but are there any sources of inspiration which do not get enough love? A: Brotherhood of Steel (designed by Scott Campbell) always felt like a nod to Pure Strain Humans in Gamma World. Ask him though! Q: Fallout was originally a sequel to Wasteland (according to Campbell) and many references remain in it. Did you see it as feasible to integrate it into the Fallout series, or at least made Fallout compatible with it? A: My understanding was Interplay did not have the copyright to Wasteland, and we weren't willing to pay for it, so we had to be careful to "not be too close to it and get sued". Q: What is the one question you never get asked, but wish it was? A: I'm not as famous as others, so I never get asked anything. :) So I would like to be asked, "What did you work on?" After Tim Cain I was the first member of the team, joining as Lead Scriptor. Because there was nothing to script (because we didn't yet have a game engine), I designed and coded a number of foundational data structures used by engine/map editor (e.g. 6 different types of map objects). Also, I wrote a number of tools including Framer, which imported Maya-rendered GIFs, allowed you to adjust offsets and animation speed, and exported .frm files containing animation and game data.

[vaulttecinterns]

They’re working on a new Vault Mascot and I have to say the preliminary drawings for him are adorable!

~Ella Carlyle

Original art by Leonard Boyarsky

[interzona-discord]

Leonard Boyarsky

[briscal]

I really think the reason why Outer Worlds didn’t have the same spark as New Vegas was Josh Sawyer not being on the team. Pentiment shows that the true heart of New Vegas was him and the writers of that game, Tim Cain and Leonard Boyarsky both have amazing tenures in games but I don’t think they completely got what made New Vegas special in the eyes of so many

[calder]

Hey there @everyone! @Tagaziel has managed to get something amazing going! For Fallout's 25th anniversary, the Fallout Wiki is organizing a community roundtable with some of the original Fallout designers: Tim Cain, Leonard Boyarsky, and Jason Taylor. If you ever wondered about elements of the original design, artwork, programming, or lore, now is the time to submit them! The cut-off date is October 15! We want to give our honored guests time to check the questions and prepare in advance. Don't worry, you'll get the chance to ask any last minute questions during the roundtable itself, around October 23. Check the Fallout Wiki frontpage (fallout.fandom.com) for details about the precise time frame! Please fill out the form below if you have any questions you want answered! https://forms.gle/S6uqc4FTrnsBCqcu7

[poelliottpovey]

Fallout

Fallout is an American post-apocalypticdrama television series created by Graham Wagner and Geneva Robertson-Dworet for Amazon Prime Video. Based on the role-playing video game franchise created by Tim Cain and Leonard Boyarsky,[a] the series stars Ella Purnell, Aaron Moten, Kyle MacLachlan, Moisés Arias, Xelia Mendes-Jones, and Walton Goggins.

(paragraph from Wikipedia)

fallout is a wide spanning franchise cover computer and mobile games and now even Netflix series that ive watched a couple times and really enjoyed it. the main character is a young woman who her and her family, as well potentially hundreds of other humans, has been living in nuclear bunker for over 100 years due to a nucluear fallout caused by a nuclear war.

(spoiler warning)

The show follows this woman as she has to trek across the apocalyptic, nuclear scorched landscape in a quest to find here dad who was kidnaped by savages who broke into their neighbouring shelter. they got into there's when our main character was supposed to get married and have kids with one of the men from the other shelter because the gene pool has become a bit limited in the 100 years of isolation meaning all the people in the shelter are now directly cousins with each other.

as previously stated i really liked the Netflix show, there are also various games however i haven't played them but they seem to follow similar journey style to the Netflix series having a character explore the surface. so with my story were a war is involved i thought back to fallout for some inspiration, i now don't want my war to be a nuclear as in the show the water is still filled with nuclear poison and that's not going to be good for pirates who spend most of there time on the water in boats.

[brummie-man-interests]

"Fallout" is an American post-apocalyptic drama television series, based on the role-playing video game franchise created by the lead programmer, developer and producer, Tim Cain [Timothy Cain] and the game designer and visual artist, Leonard Boyarsky.

[duinlam]

“The thing about happiness is that you only know you had it when it's gone.”

Fallout.

- Tim Cain, Leonard Boyarsky -

Fallout (2024).

Created by Graham Wagner, Geneva Robertson-Dworet.

Ella Purnell

[thefalloutwiki]

Pictured: Concept art of Vault 13's Overseer by Leonard Boyarsky.

You can read more about Vault 13's Overseer here

[wikiuntamed]

Top 5 @Wikipedia pages from yesterday: Monday, 22nd April 2024

Welcome, sveiki, ongi etorri, fàilte 🤗 What were the top pages visited on @Wikipedia (22nd April 2024) 🏆🌟🔥?

1️⃣: Indian Premier League "The Indian Premier League (IPL), also known as the TATA IPL for sponsorship reasons, is a men's Twenty20 (T20) cricket league held annually in India. Founded by the BCCI in 2007, the league features ten city-based franchise teams. The IPL usually takes place during the summer, between March and May..."

2️⃣: List of one-hit wonders in the United States "A one-hit wonder is a musical artist who is successful with one hit song, but without a comparable subsequent hit. The term may also be applied to an artist who is remembered for only one hit despite other successes (such as "Take On Me" by A-ha in the United States, which topped a Rolling Stone..."

3️⃣: Richard Gadd "Richard Robert Steven Gadd (born 11 May 1989) is a Scottish writer, actor and comedian. He created and starred in the 2024 Netflix drama series Baby Reindeer, based on his one-man show and real-life experience. ..."

4️⃣: Baby Reindeer "Baby Reindeer is a British drama-thriller miniseries created by and starring Richard Gadd. An adaptation of Gadd's autobiographical one-man show of the same name, the series is based on Gadd's real life experience of being stalked and sexually assaulted in his 20s. The series consists of seven..."

5️⃣: Fallout (American TV series) "Fallout is an American post-apocalyptic drama television series created by Graham Wagner and Geneva Robertson-Dworet for Amazon Prime Video. Based on the role-playing video game franchise created by Tim Cain and Leonard Boyarsky, the series stars Ella Purnell, Aaron Moten, Kyle MacLachlan, Moisés..."

[glitchpalantir]

Leonard Boyarsky is an American game designer and artist. He is best known as the lead designer of Fallout, Fallout 2, Arcanum, Vampire: The Masquerade - Bloodlines, Diablo III and The Outer Worlds.

Leonard Boyarski: Lead Designer, Artist and Legend of the Gaming Industry

Leonard Boyarsky is a name inextricably linked to the worlds we have explored and the adventures we have experienced in them. An American game designer and artist, he has catalyzed some of the most iconic game projects in history. The name Boyarsky became synonymous with high-quality game design and stunning visual aesthetics.

1. Way to glory

Leonard began his career in the video game industry in the late 1990s. His talent and passion for creating fascinating game worlds quickly attracted attention. From the very beginning, he proved to be a creative genius, able to implement the most fantastic ideas.

2. Iconic designs

One of the highlights of his career was his involvement in the development of such legendary games as Fallout, Fallout 2, and Arcanum. These projects not only brought him global recognition, but also set high standards for the genre of role-playing games.

After that, Leonard continued his triumphant career, working on projects such as Vampire: The Masquerade - Bloodlines, Diablo III and The Outer Worlds. His contributions to these games were enormous, and they became the true masterpieces of the modern gaming industry.

3. Legacy

Although Leonard Boyarsky’s career was filled with success, his influence on the industry extends far beyond his specific projects. His work inspired many young designers and artists who see him as a model of creativity and professionalism.

In the end, Leonard Boyarsky will remain not only a name on the list of honored players in the gaming industry, but also an inspiration for many generations of future creators. His work will continue to inspire and delight gamers and artists around the world over the years.

[whiteguyswearinoculusrifts]

[ad_1] Quando é a data de lançamento de The Outer Worlds 2? Já faz um tempo desde o primeiro empreendimento espacial da Obsidian Entertainment, mas tinha muito do mesmo DNA da série Fallout. Isto não é necessariamente surpreendente, já que os criadores da série Fallout, Tim Cain e Leonard Boyarsky, foram os diretores do jogo. The Outer Worlds 2 foi anunciado há alguns anos, deixando-nos sem saber quando será lançado. Uma vez que resultado, o primeiro da série de aventuras espaciais da Obsidian foi um jogo de RPG risonho, talvez prejudicado pela próxima compra do estúdio pela Microsoft. Infelizmente, embora saibamos que The Outer Worlds 2 está em desenvolvimento ativo, há muito pouco mais para fazer no momento. Logo, vamos entrar em detalhes sobre porquê especular qual poderia ser a data de lançamento de The Outer Worlds 2, muito porquê quaisquer informações adicionais ou trailers sobre a próxima sequência do jogo espacial. Especulação da data de lançamento de Outer Worlds 2 Esperamos que a data de lançamento de The Outer Worlds 2 chegue em 2025 para consoles PC e Xbox Series X|S. A Obsidian Entertainment também está trabalhando em Avowed, um RPG de fantasia em primeira pessoa semelhante à série The Elder Scrolls, logo dificilmente veremos os dois jogos em 2024. Não houve data oficialmente confirmada. The Outer Worlds 2 foi anunciado pela primeira vez em 2021 durante a apresentação do Xbox Showcase, e tudo o que sabemos sobre o jogo é o que diz o slogan: “Novo sistema solar, novidade tripulação, os mesmos Outer Worlds”. É altamente provável que mantenha o mesmo tino de humor irreverente em seu marketing do primeiro jogo. Estimamos que a sequência entrou em desenvolvimento em 2019, depois o sucesso do jogo original The Outer Worlds. Com três anos em desenvolvimento, o processo pode estar razoavelmente avançado, mas com a Obsidian Entertainment também tendo obtido sucesso com nomes porquê Grounded, seus outros títulos podem estar ocupando seu tempo agora. Os trailers de Outer Worlds 2 The Outer Worlds 2, até agora, só foi mostrado em um trailer. Nele, vemos vários planetas, monstros e humanos de fisionomia única que provavelmente não aparecerão na versão final do jogo. O narrador dos trailers explica que, na estação, “os desenvolvedores não terminaram o design, nem terminaram a história, nem terminaram qualquer gameplay que esteja realmente pronto para ser exibido”. Até agora, infelizmente, a especulação da data de lançamento de The Outer Worlds 2 supra e o teaser trailer anunciando o jogo são tudo o que temos para continuar. No entanto, certamente aprenderemos muito mais sobre o jogo espacial no horizonte – pois teremos bastante Enquanto espera até lá, confira nossas recomendações para os próximos jogos para PC que você pode esperar. [ad_2]

[gameforestdach]

Zusammenfassung: Tim Cain, der Mitbegründer der kultigen Fallout-Serie, war kürzlich in einem Podcast zu Gast und gab spannende Einblicke in die Zukunft der Franchise. In einer offenen Diskussion sprach Cain darüber, wie er sich die Serie in internationalen Landschaften wie China und Russland vorstellt. Diese Enthüllung kommt genau zu dem Zeitpunkt, an dem durch Fan-Mods wie Fallout London das Interesse an alternativen Schauplätzen geweckt wird. Tim Cain spricht über die Ausdehnung von Fallout auf internationale Schauplätze. Cain enthüllt ein bisher ungeteiltes Spielkonzept, das er geheim hält. Die Diskussion über den Fan-Mod Fallout London regt Gedanken über andere "atombombenwürdige" Städte an. Einführung Wenn man an Fallout denkt, kommen einem oft Bilder eines postapokalyptischen Amerikas in den Sinn. Aber was, wenn das nicht der Fall wäre? Was, wenn die Fallout-Serie uns in einer parallelen Welt die Möglichkeit bieten würde, postapokalyptische Szenarien in anderen Teilen der Welt zu erkunden? Genau das stellt sich Mitbegründer Tim Cain vor, wie er in einem kürzlichen Podcast mit TKs-Mantis verriet. Cains Ideen bieten einen erfrischenden Ausblick darauf, wohin die klassische Franchise als Nächstes gehen könnte. Äußerungen von Schlüsselfiguren Tim Cain über die Zukunft von Fallout "Eine Sache, die ich den Leuten immer gesagt habe, ist, dass wir, weil Fallout Amerika sehr viel um den Amerikanischen Patriotismus kreist, China und Russland erkunden wollten", sagte Cain während des Podcasts. Diese Idee wurde jedoch dadurch kompliziert, dass man Ende der 1990er Jahre jemanden hätte einstellen müssen, der sich gut mit dem Alltag dieser Länder auskennt, um es realistisch zu gestalten (GamesRadar). Noch nicht enthüllte Pläne Cain verriet außerdem, dass er ein bisher unerzähltes Konzept für ein neues Fallout-Spiel hat, das er mit niemandem geteilt hat, auch nicht mit seinem Co-Designer Leonard Boyarsky. "Wenn es jemals gemacht wird, werde ich wissen, dass es ein Zufall war", merkte er geheimnisvoll an. Fanreaktionen und Mods Die Fans sind schon seit Jahren kreativ mit der Fallout-Serie und der kommende Fan-Mod Fallout London fügt dem Feuer der internationalen Schauplätze nur noch mehr Brennstoff hinzu. Cain selbst schien von dem Mod begeistert und sagte: "Denkt an all die schönen Städte, die man in die Luft jagen könnte", und zählte dabei ikonische Orte wie den Eiffelturm, Big Ben und sogar Rio de Janeiro auf. Spekulationen und zukünftige Möglichkeiten Erkundung neuer Grenzen Die Diskussion von Tim Cain eröffnet spannende Möglichkeiten für die Zukunft der Fallout-Serie. Wenn Bethesda internationale Schauplätze erkunden würde, könnten sie eine Fülle neuer Erzählmöglichkeiten erschließen und frische Perspektiven in ihrer Herangehensweise an die düstere postapokalyptische Erzählung bieten. Es könnte ein Wendepunkt für eine Franchise sein, die bisher weitgehend auf Amerika fokussiert war. Eine frische Sicht auf alte Themen Indem man das Spiel auf internationale Landschaften ausdehnt, könnten die Schöpfer tiefer in Themen wie Nationalismus, globale Politik und kulturelle Vielfalt eintauchen, was der reichen Erzählstruktur der Franchise eine weitere Ebene hinzufügen würde. Die postapokalyptischen Schauplätze von China oder Russland könnten die perfekte Leinwand für neue Abenteuer bieten. Schlussfolgerung Obwohl Tim Cain vielleicht nicht mehr direkt an der Serie beteiligt ist, haben seine Gedanken über die Zukunft von Fallout Gewicht. Während Fan-Mods wie Fallout London das Interesse an neuen Schauplätzen wecken, erinnern uns Cains bisher unerzählte Pläne und internationalen Aspirationen daran, dass die Welt von Fallout noch unerforschte Gebiete zu bieten hat. Stimmt ihr mit Cains Vision überein? Teilt eure Gedanken unten mit!