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#let´s make it about the white sociopath again
cable-knit-sweater · 2 years
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The embargo has been lifted so the first (40 or so) reviews for The Gray Man are in & for those of you that don’t want to read the negatives or are worried about it - please don’t worry. 💙
I’ve seen the movie & fucking loved it, and having read all the reviews (I know I’m crazy 😂), I wouldn’t pay too much attention to the bad. It’s an action movie, they often have flaws that critics take way too seriously. Still, no matter how negative the review, they all still agree that Chris Evans as Lloyd Hansen is pretty fucking amazing. Some highlights under the cut to save everyone’s dash.
The Gray Man Reviews on Rotten Tomatoes
“The best of the bunch is Evans, who bears obvious delight at demolishing of his image as a squeaky clean symbol of American military might. Every movie like The Gray Man needs a villain like Evans’ Lloyd, who’s so plausibly and amusingly nuts that he makes all the mayhem that ensues a lot easier to believe.”
“A dream cast highlighted by a deliciously evil Chris Evans as your new favorite villain.”
“Evans is a delight to see cut loose, acting comically unhinged and still retaining an intimidating presence.
“These lines are all delivered with just the right amount of panache by Evans, who's devilishly electric as the sociopathic villain. “
“As much as I enjoyed Gosling back in this kind of action role, it’s quite evident that Chris Evans was always meant to be a character actor, because he’s just so great in the role of a know-it-all sociopath who doesn’t put up with failure from those he hires.”
“By the same token, the flamboyant “black hat” villain played by Chris Evans never lurks in the shadows. Sauntering with all the swinging-dick swagger possible in his loud white pants, he’ll do any and every loud and explosive thing possible to get his target.”
“Evans refuses to be typecast but remains supernaturally charming.”
Lloyd is basically the funnest bad guy since the last one Evans played (in Knives Out).
Even pre-Marvel, he’d already nailed the role of a weapons-grade douche, back in 2010’s Scott Pilgrim vs. the World.
On top of that he is matched by a game-changing role for Chris Evans, who plays the sociopathic villain of the piece and proves he has the chops to pull it off in style.
Evans’ Lloyd is really just a weapons-grade asshole, who trades in, by his own admission, “bad ethics and zero impulse control”. He’s a ton of fun to watch.
Equipped with shirts one size too small, Evans is great as the film's baddie. He delivers the one-two punch of slick put-downs and threatening physical beefiness with just enough menace and humour.
“The Gray Man” lets Evans deliciously explore his wicked side. Yes, he is the best of the "Chrises," and him doing a complete 180 from virtuous Captain America proves that once again.
Evans seems unleashed here. Playing a vain and impatient but chipper sadist with a quick wit, the actor tears into the role
Chris Evans, who plays a delicious psychopath, m steals the movie from everyone and enlivens every scene he’s in. He’s a treat to watch.
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cyarsk52-20 · 1 year
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That breaks my heart fr. 🥺
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She was so emotionally and mentally drained by the traumatic experience.
you can’t constantly hurt someone and not think about how it effects them.
Especially if you’re a man who cowardly and intentionally hurts a woman (women)
There’s a reason why people say “hell hath no fury like a woman scorned”
There’s a reason why shows like “snapped “ has been on for 32 seasons as of this month , that’s double the amount of seasons that “deadly women “ has(14 seasons)
People have a breaking point when they are pushed over the edge.
You can’t play with peoples emotions especially when they been through so much in their lives.
Honestly I’m not gonna lie and sugarcoat it when I say once again that I need that little Canadian twerp to be murdered.
Its already bad enough that he shot her but he dehumanized her because his poor ego was bruised and he let toxic masculinity and anger get in the way of better judgment , and he did this for two years and he knew what he had done and he still took great pleasure in afflicting emotional pain to someone who lied to the cops to prevent him from becoming another black man, another hashtag, another beaten or killed by police , another name, another screaming for his mother, another (insert name of black man woman or child who was abused or killed by cops or white supremacy I.e emmitt till, Trayvon martin, Eric Gardner, Mike Brown, Sandra bland, Breonna Taylor, George Floyd etc) and let all these biiitch arss gossip girls and 🐈’s arss male rappers make offensive lyrics about her and make light of her too, (just blatantly dickriding that “man”) and not giving a single fquck by the fact that they are breaking her spiritually and emotionally even after that vertically challenged twat gets his comeuppance and you wonder why I’ll always be heated about this?
That’s a sociopath.
To hell with him.
To hell with everyone dehumanize meg.
May the ancestors strike you down hard
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hollymbryan · 11 months
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Blog Tour: Top 5 Reasons to Read SOME SHALL BREAK by Ellie Marney! #tbrbeyondtours
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Welcome to Book-Keeping and my stop on the TBR and Beyond Tours blog + bookstagram tour for Some Shall Break by Ellie Marney, the sequel to 2020’s breakout hit None Shall Sleep! I absolutely loved the first book and this follow-up, and below you’ll find my top 5 reasons to read the series!
About the Book
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title: Some Shall Break (None Shall Sleep #2) author: Ellie Marney publisher: Little, Brown release date: 6 June 2023
This sequel to the New York Times bestselling None Shall Sleep is an equally electrifying, chilling thriller that brings us back into the lives of junior FBI consultants Travis Bell and Emma Lewis with a new case that may unravel everything they’ve been working for.
After a harrowingly close contact with juvenile sociopath Simon Gutmunsson, junior FBI consultants Emma Lewis and Travis Bell went their separate ways: Emma rejected her Quantico offer and Travis stayed to train within a new unit of the FBI Behavioral Science division. But the unit’s latest case is feeling eerily familiar and Kristin Gutmunsson—Simon Gutmunsson’s eccentric twin—reaches out to Travis to send a warning: Emma is in peril. When Travis and Kristin turn up evidence that points back to Daniel Huxton, the serial killer that Emma had escaped, things become more complicated. With a copycat on the loose, Emma returns to Quantico and is thrown back into her past traumas. Compelled to prevent more tragedy—even if it means putting herself in danger—Emma turns to Simon for help once again. But Simon is keeping secrets that could impact their entire investigation. Will the team be able to stop the Huxton copycat before time runs out for his next victims?
Content Warning: Murder, gore, trauma, sexual assault, sexism, violence, drug use, racism
Add to Goodreads: Some Shall Break (None Shall Sleep #2) Purchase the Book: Amazon | B&N | Bookshop.org
About the Author
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Ellie Marney is a NYT bestselling author of crime fiction. Her most recent book is The Killing Code, and her other titles include the Aurealis-winning None Shall Sleep, the Every series – starting with Every Breath – and the companion novel No Limits, White Night, and the Circus Hearts series, starting with Circus Hearts 1. Ellie’s next book, Some Shall Break, the sequel to None Shall Sleep, will be released June 2023.
Ellie’s books are published in eleven countries and have been optioned for television. She’s spent a lifetime researching in mortuaries, talking to autopsy specialists, and asking former spies how to make explosives from household items, and now she lives quite sedately in south-eastern Australia with her family.
Connect with Ellie: Website | Twitter | Instagram | Goodreads | Facebook
Top 5 Reasons to Read
I must admit I’m kind of glad this isn’t a traditional review because I’d just be gushing incoherently about how freaking much I loved Some Shall Break (and its predecessor, None Shall Sleep). So instead of rambling, let me give you my top 5 reasons to read this incredible series!
1. The early 1980s setting had me nostalgic for my childhood! Granted, I was only 7 in 1982, but I loved all the little references to things I remember from that time - songs, fashion, cars, etc.
2. I loved getting a (fictional) peek inside the beginnings of the FBI’s now-famed Behavioral Science Unit, which quickly became the gold standard for serial killer profiling.
3. These books give us the most creepy and terrifying serial killer this side of Hannibal Lecter, and I am absolutely chuffed to see the grittiness of this thriller series in young adult lit!
4. Emma Lewis is a badass, incredibly complex character that you root for with every single page you turn. Her badassery lies not in brute strength or actual abilities to kick butt, but in her strength of character, her tenacity, her intelligence, her unwillingness to be pushed around, and her feminist sensibilities (back when more mainstream feminism was still fairly new). She has *been through some shit* and has come out the other side fierce and strong, while also still dealing with the effects of her captivity. I love the quote from Adrienne Rich that she cites as her favorite: “Her wounds came from the same source as her power.”
5. Finally, more on the feminism: again, we’re dealing with very early ‘80s, so mainstream feminism was in its nascent stage, but Marney exposes the sexism inherent in not just police culture but also the culture at large at the time -- and which unfortunately still exists today. At one point Kristen says, “People only listen when women expose their pain, I suppose.” Emma later remarks, “Every woman lives in a constant state of battle-readiness.” Later, when Emma shoos away a creep in a bar by referring to her FBI partner, Travis, as her boyfriend, she notes “the irony that she has to claim connection with one man to avoid another.” I doubt I’m alone in saying each of these is all too familiar even now, 40 years after the setting of this book.
I’m not sure I can adequately convey how darn much I love this series, but I hope this list is a start! If you are *at all* a mystery/thriller lover, PICK THESE UP! Even if you don’t normally read YA, I am confident you’ll love these. And DM me with thoughts once you’re done!
RATING: 5 stars!
**Disclosure: I received a copy of this book from the publisher for purposes of this blog tour. I also bought myself the audiobook to alternate between audio and physical.
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Nukes, Putin, and Us
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Stephen J. Morris
10/10/22
Scientific Morality
Autumn has arrived in the Catskills and the yellow, red, brown, and gold leaves are floating down from the trees like snowflakes. Yesterday, I raked up all of the leaves I could and the yard looked pretty clean; green grass visible again. By the next day, however, hundreds more leaves had fallen and the yard looked as though I’d never done a thing! Now, isn’t that the perfect analogy to world politics?
Here we go again, another world crisis to worry about. The fear of nuclear annihilation is upon us. Man, in the 50’s and 60’s, young Americans were cast in a reality, horror show about how Communist Russia was poised to drop bombs on us. We were to melt like butter on a sidewalk in a heat wave.
However, here is where we arrive at the irony part: Russia is no longer a Communist country! What are they? You tell me. Your guess is as good as mine. An Oligarchy? An Autocracy? Maybe a Kleptocracy? It sure smells like Fascism to me—a cesspool of raw sewage! Some American Conservatives support Putin’s war against Ukraine. Sure they do! At least Hitler wasn’t a commie! Oh, did I say the H word? I guess I lose the argument. Fuck me! No! Fuck you!
Putin is losing the war against Ukraine, just like when Russia lost its war against Afghanistan. America was so blinded with anti-Communism that they supported the local Islamic fanatics, “the Mujaheddin.” The CIA had created this group to stop the Soviets. And what did we get for our troubles? Can you say 9-11?
So, here we are. Putin, the former KGB for the Soviets, has changed his spots. He is now a cold blooded, sociopath who always has to get his way. If you betray or disobey him, you’ll fall out of a window, get stabbed with a poison pen, and die of a massive heart attack. It was scary enough when Trump had the nuclear codes, but this Russian leader is bat shit crazy! It was rumored, recently, that Putin had cancer. I wish it was true.
We’ve got Conservatives trying to red-scare us, again, using China as the perfect, Right wing adversary: “They are Communists!” Hello! They are non-white and they are making tons of money! Then, there is A.O.C. and Bernie Sanders in their sights: “The REDS ARE COMING!” No, they are not! Communism is dying a slow death. After all, we in the U.S. buy clothes that are made in Vietnam and sold at Walmart, Kohl’s, and other family-friendly outlets. Kindly take your anti-Communism bullshit and shove it up your reactionary ass! I don’t give a shit about what some elderly, Cuban, refugee tells you! I’m sick of it, so piss off with that shit!
What we do have is this Right wing, pig—Putin—who is passive-aggressively threatening the USA. What to do? Russia is now going through a Vietnam-type of situation, similar to what we had in the late 60’s and early 70’s. He’s enacted a draft for all Russian males, 18 to 65 years old. A majority of Russians have protested the war against Ukraine. Now, they are protesting the draft. Will Putin end up like Nixon?
Given all of the macho posturing Putin has mustered, the whole world is against him. However, blatant masculinity won’t stop a nuclear bomb. For those who think that nuclear weapons will provide protection or give your country strength to rule the world, think again. Once the bomb is released, the planet will be poisoned with radiation fallout for hundreds of years or more. So, as Allen Ginsberg said in his 1950 poem, “America”--“Fuck your atom bombs!”
In conclusion: We shouldn’t be freaking out about Putin, but we have to remain alert for whatever he is up to. Let’s hope the CIA is doing their job instead of orchestrating a public relations job on us Americans. Cancer or an assassin is going to get Putin.
And you wonder why I am an anarchist? Governments create war! Governments create war crimes to protect the rich! We don’t need the rich, or the governments that protect them!
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I think they ♀️ gave me brain damage !
I got the memory of a goldfish I can't remember anything women are so they are so cruel like the combination of Hitler and the white master from 1619 of the white slave owners mixed with Hitler that's a woman women both those people were sociopaths women are the ultimate social has women seen men like tampons they use them they throw them away and when they break down women get extremely confused !
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Again I remember like a goldfish I make food in the microwave I forget about it I'm totally I forget about it most the time I'm in like a dream like stay wandering around I think I have Alzheimer's I'm a 30 year old man with Alzheimer's and dementia !
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But no doctor is going to deem me to be that way they're just going to say schizophrenic that is every doctor in the world's favorite word to use they're not going to say this person is completely messed up they're going to say it's a bad man it's a Unholy piece of s*** it's a schizophrenic send it to Hell throw it in jail beat it the rest of his f****** life !
. . .
Give it the most powerful disgusting poison you can feed in pill form Make It Sick messes mine up make it suicidal with pills driving insane charge it a trillion dollars per pill just beat the crap out of it it's a white man who's messed up in the head who can't complete task can't get his life together messed up broken can't figure anything out anymore it's like a white zombie going around.
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I'm constantly forgetting even my own thoughts I've noticed I seem to keep forgetting my own thoughts my own memories my own feelings my day is my own desires the fact I need to go to sleep I just blacked out out of nowhere everywhere I'm a Black sheep.
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I don't get time to rest I don't get time to think I don't get time to feel and pull my ears are blown out again and it's a big f****** deal.
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I can't stand anymore I can't stand it therapy doesn't help therapy does no good therapy is like sending a computer to a technician except for it's not that simple but they don't know how to process you they can't help you only love and kindness and nurturing and a quiet place for a very long time will help you and you don't get that as a man you don't get anything that would help you as a man black man white man Chinese man Japanese man it don't matter where men Where Doomed !!!
. . .
Just want to let you God damn know this, yeah I messed up reading my post you can tell that I messed up but I gave you the honest truth the best I can I really wanted to stop typing with my fingers and start typing my voice because people didn't like the way I type and it said learn the spell learn grammar so now I'm using voice typing and no one has anything to say until they start trying to say learn grammar Well, the computer doesn't understand grammar !
. . .
Anyway yeah I make really long time to talk to people I want to talk to people I want to talk I don't want to talk to me I'm like that meth head going around everybody everyone's because I'm defense and they're afraid or something where do I go in society it just feel like I feel like a ball and a pinball machine I've been that way my whole life !
. . .
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chasing-classics · 3 years
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Our Little Secret Sessions- Nate Jacobs x Reader (2)
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Pairing(s): Nate Jacobs x Reader
  Warning(s): SMUT, language, toxic relationships, older reader, NON-CON
  Summary: After landing a job as the high school’s new counselor you settle into your new home, unaware of what danger lurks just outside your front door. In Part Two, you meet another one of your students, only to be interrupted by the boy next door.
Part 1
 A couple of weeks had passed since your encounter with Nate, but the fear of what the teenage was capable of remained fresh in your mind. You could never forget the dominant, controlling look in his eyes when he had threatened you in your office. Since then, you had been unable to sleep properly and you found yourself constantly looking over your shoulder. On the bright side, you had not encountered him face-to-face since that day, but his presence could always be felt never too far away. He was like some sort of predator, a beast lurking in a dense jungle. Eyes sharp and ready to go in for the kill at any moment.
 ‘’Um miss?’’ a voice broke you out of your thoughts.
 You quickly snapped your head up, sitting straight up in your office chair as a young girl stood in the doorway. She was average height for her age, dark hair, glamorous makeup, and full lips. You had seen her walking down the hall a few times, an air of confidence always surrounding her. She reminded you of the girls you hated when you were in high school.
  ‘’I’m so sorry, please come in,’’ you extended your hand, gesturing to one of the empty chairs or the couch in front of your desk. She nodded, shutting the door behind her as she made herself comfortable.
 ‘’I’m sorry, I’m still getting used to everything here. I’m Miss y/l/n,’’ you held out your hand for her to shake. She looked down at it before slowly returning the gesture. Whether she just wasn’t used to people being polite to her or she just didn’t like you, you weren’t sure.
 ‘’Maddy,’’ she replied, her expression unreadable.
 ‘’Well how can I help you Maddy?’’ you offered a kind smile despite her semi-cold attitude.
 Her eyes flickered, searching for the right words to express her thoughts. Your brow furrowed as she visibly struggled.
 ‘’This is a safe place Maddy, whatever you tell me stays between us,’’ you encouraged.
 She bit down on her lip, hands twisting and fumbling in her lap as her leg bounced. Finally, she met your concerned gaze with a sigh.
 ‘’Do you think sexuality is a spectrum?’’ she blurted out.
  The question took you back, it taking everything in your for your mouth to stay shut.
  ‘’Well, in my opinion it certainly can be. There doesn’t necessarily have to be a one-size-fits-all or black and white approach to it. But I really think it depends on you and your preferences-‘’
 ‘’N-no. Not me,’’ she cut you off, still seemingly nervous. You arched a brow, trying to decipher what she was talking about.
 ‘’Is everything ok, Maddy?’’
  ‘’Look there’s this. . .guy who I’m seeing. And I found-‘’
 Knocking on your door made the two of you jump. A lump formed in your throat when the handle twisted and the door opened, revealing none other than Nate fucking Jacobs.
 You quickly cast a glance at Maddy who, for some reason or another, looked almost as petrified as you felt.
 ‘’Oh sorry Miss y/l/n, I didn’t know you were busy,’’ Nate practically hissed out the last word as his gaze fell upon Maddy.
  ‘’Mister Jacobs, I’m with Maddy right now. If you’d like we can schedule a meeting-‘’
 ‘’No! No, it’s ok, miss. I’ll be late for class anyway,’’ Maddy scrambled to collect her bag and rush out the door.
 ‘’I can write you a hallpass,’’ your words jumbled, practically pleading with the girl to stay so that you were not left alone with this sociopath. The smirk on Nate’s face made your blood run cold.
 Maddy murmured a quick ‘’bye’’ before the door shut closed behind Nate’s lanky figure. He scoffed, steadily turning his attention back to you as you shakily stood.
 ‘’You can’t just show up like that. I have a job to do and anyone could-‘’
 ‘’Take your pants off,’’ he abruptly interrupted you.
 A pitiful squeak, similar to that of a puny mouse cornered in a snake pit, escaped your lips as the air left your lungs.
 ‘’What?’’ you felt your heart began to beat faster as Nate took a step towards you after locking your door, sealing your fate.
 ‘’I said, take your pants off. And bend over your desk,’’ his deep voice shook you to your core.
 ‘’Nate, please,’’ you whispered, trying to sum up as much courage and dominance as you could as you stood straight and met his terrifying gaze.
 He didn’t respond as his hands descended on you. One locked itself onto the back of your neck and played with your hair as the other began to roughly grope your breasts through your flimsy shirt. His mouth pressed rough, hearted kissed onto the column of your neck as his breath fanned hot flames onto your soft skin. You felt paralyzed as his grip tightened, you having to bite your lips from crying out.
 You jumped when his large hand made its’ way underneath your shirt and the material of your bra. He easily captured a nipple between his index and middle finger and began to pinch and squeeze and tug on the sensitive bud, expertly rolling it however way he sought fit.
  ‘’L-leave,’’ you whispered. Half of you was praying and the other was making a rather pathetic attempt to reestablish authority over him.
 ‘’If I walk out that door, everyone will know how you slept with a student,’’ he threatened, biting at the soft juncture between your neck and shoulder, making you hiss in pain.
 ‘’I didn’t know!’’ you whimpered, cursing the way your body reacted to both his touch and his voice.
 Your nipples were overstimulated at this point, any rubbing against your bra or touch from Nate’s fingers had you mewling like a helpless kitten. Your knees locked together as you felt the heat expand downward from your arousal.
  ‘’The sooner you give in, the sooner I leave. The less chance you have of someone catching us,’’ he groaned, grinding his thickness into your lower abdomen so you felt what was awaiting you.
  You let out a shaky breath, nodding slowly as you nervously fumbled with your jeans. Nate all but growled when he saw the delicate lace material that hid your womanhood. His breathing labored and his cock twitched. Since he had last had you he had messed around with Maddy a few times, trying to placate his urges, trying to forget about his attractive new neighbor and school counselor. But something about you, the way you were allured him to you. He found himself craving you, imagining your cries and moans as he thrusted wildly into Maddy. He found himself becoming rougher at the thought of having you once again, all to himself. His little taboo. Today, he found he couldn’t wait any longer and found himself at your office door, ready to continue your secret little sessions.
 By the time your jeans had pooled around your ankles and your underwear shortly followed, your boots providing you with a little more height than usual, Nate grew tired of waiting. He shoved your paperwork, cleverly unhooking your phone in case anyone called, and shoved you down by your neck so that your body was painfully bent over the unforgiving surface.
 Your cheek pressed against the wood of the desk, your eyes searching for anything to focus on as you tried to block out the jingling of his belt and the sound of his zipper being pulled down. You felt the heat of his cock at your entrance as Nate folded himself onto you, his breath hitting your cheek and neck as his toned abs gently grazed your spine and ass.
 ‘’Be quiet,’’ he warned, one massive hand wrapping around your face to cover your mouth. You winced as he spit down onto your spread pussy, using his thumb as makeshift lubricate. He hummed in approval at the feel of your arousal and you didn’t need to face him to know he had a chesire cat grin on his pale face. You could feel him retreat his hips before he lunged forward and sheathed his massive dick into your tight canal. You screamed against his hand, although it was practically just muffled mewls given his tight grip as he began rotating his hips, stretching your tightness to welcome whatever he was about to give you.
 ‘’Shhhh, good girl, look at you taking it like a champ,’’ he mocked as he reluctantly pulled out, only to violently snap forward, your body lunging with his brutal movements.
 Tears pricked the corners of your eyes, but you were ashamed to admit they were in pleasure. The feeling of complete fulness outweighed the pain, but you made a pitiful attempt to reach behind you and shove him back. You yelped as his other hand locked your wrists and pinned them to the small of your back, your body helpless and completely on display as Nate continued his brutal pace. He felt every quiver, every squeeze that your sweet pussy gave him. He nearly came within the first few minutes of being inside of you, but he managed to hold off. The way you squealed under him, your smaller body rocking in tune with his thrusts, and the way your tight pink pussy latched onto him to the point he dragged your body back as he pulled out was nothing that he had ever had before. He pressed more of his weight into you, trying to keep his own grunts and moans quiet as he gripped your face and wrists.
 ‘’So good,’’ he kept repeating in your neck as he hammered into you. The wet noises and sound of his hips violently meeting your backside filled you with fear that someone would come in and catch you. Your squealing and cries slowly transformed into needy moans and whimpers, you faintly acknowledged your juices beginning to drip down your inner thighs and you felt your insides begin to coil.
 ‘’N-Nate,’’ you breathlessly cried against his palm, attempting to suck in as much air through your nose as you could. He bite down on your shoulder, tongue lapping at the faint angry marks, groaning as his pace did not let out. He was impossibly thick and girthy, filling you and hitting your cervix with every ram of his hips. Your hands twitched and knees buckled as his cock began throbbing along your velvet walls. You couldn’t help but squeeze him as your own climax began to form, causing him to hiss against your shoulder.
  ‘’Gonna fill you up, oh fuck,’’ you faintly deciphered him growling out as you were forced to take his thrusts.
 Your clit throbbed almost painfully, knuckles turning lighter as your fists clenched against your back. He abruptly released your wrists, opting to clutch the curve of your hip as he forced your body back to meet his awaiting thrusts, making you cry out every time he angrily entered you. As you cried out with each thrust, he groaned, feeling your release incredibly close. He angled his hips slightly higher and dove in, grinning as he heard your moans, your pussy locking onto his dick as your orgasm coated him. He slowed his pace just to watch the way he glistened from your juices, enjoying the sinful squelching noises you both produced as he shoved himself repeatedly into you, before regaining his violent momentum.
 His grip on you tightened impossibly as you lay limp underneath him, lost in the waves of your release. All you felt was your body being forced back and forth as Nate impaled you onto his angry member. You swore you saw actual stars bouncing around your vision before you were forced back down into reality as he removed his hand from your mouth (finally) and gripped your throat. Through his animalistic movements he angled your face back to meet his in a bruising, possessive kiss as he ensured every inch of him was buried to the hilt inside of you as he shuddered. You groaned as the warmth of his cum filled your abused pussy. He moved against you one last time before slowly pulling you out and stuffing himself back into his jeans and zipping it back up. You winced when you felt a finger trace your lower lips and shove some of his load back into your sore pussy.
 ‘’Get dressed,’’ his voice conveyed his relaxation and his gaze was surprising soft as he helped you stand up.
 You didn’t speak as you redressed, your face still flushed with a postcoital glow. He tucked some of your hair out of your face as his eyes searched yours, his thoughts unreadable. But just as his expression lingered on borderline affection, that cruel teenage-boy smirk reappeared as his hand thumbed the base of your neck in a warning grip.
 ‘’I’m going to need that hall pass.’’
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imaginewarehouse · 3 years
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Marcus White x Jonah’sSister!Reader || Oneshot
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Plot: 
You find out that you are pregnant... with Marcus' miracle baby.
Warnings: Pregnancy, panic attack
🔆  🔆  🔆
Carefully, I pick out one of the pregnancy tests from the shelf. Then grab another... 2 more... and another. Just to be sure.
As I go up to the pharmacy desk, I thank god that Tate isn't working here anymore; I never would've gotten away with this. He would've snitched to Jonah or something, for his own sociopathic enjoyment. Instead, the new guy thankfully rings up and bags my items casually, not really caring what he flings into the white plastic bag- then hands it to me with a soulless customer service smile. If I had to describe it, I'd say its if the man had been working here for years before finally letting the job kill him on the inside- just in time for the wind to change and stick his face like that. Honestly, I never see the guy without this smile. Not even in the breakroom. Its unnerving.
Still, I take the bag and smile back even though I know he for sure doesn't really mean it and turn around so I can walk (The long way around the store, so I don't pass the doors to the warehouse) towards the employee bathrooms... but stop short, jolting into panic mode immediately. Freeze, freeze, freeze!
There's Isaac, standing as tall as a bear in my path behind the aisles, with a scanner in his hand and a surprised look on his face. Or at least as surprised as he would ever convey.
Clearly, though, he saw the tests. And I'm screwed. He is absolutely the well, second last person I wanted to catch me doing this; Buying these.
A nervous smile flickers onto my face and I walk the short ways over to him, hugging the bag to my front. He's still just staring; Mouth half open and eyes a little less dead, then usual. "Oh, hey Isaac! How's is going? You got sent to pharmacy today? That s-sucks... " Honestly I didn't think he was allowed to be assigned pharmacy...
Completely by-passing the option to forget what he just saw and exchange polite chit-chat with me, he instead closes his mouth and his eyes, shakes his head and then opens his eyes again. Then inhales. "Are those what I think those are?"
"Wh-what?"
"Pregnancy tes-"
Shit- Giving him a desperate expression, revealing my true feelings today - being complete and utter panic, - I cut him off. "SHHH! Isaac! No- uh. Yes. Um... Would you believe these aren't for me?"
"Mmm... " His face twists slightly into one of thought, tightening his lips together and sizing me up. "No, I don't think so."
"Well!- " I'm totally ready to make up an excuse... but peter out as soon I try. I could do it. I could string together some kind of half-believable bullshit like 'They're for Amy', but he would still go and tell Marcus and he would find me and... I would still have to have the conversation earlier then I want to. So instead I drop the façade, and my shoulders, and show just how tired I am. "I want to find out myself before breaking the news to Marcus. Okay? He might be unhappy about the idea and then we do the test and it turns out I'm not pregnant and then I just stressed us both out, for no reason! And, on the other hand, what if he wants it and it turns out I'm wrong about this? Please, Isaac, just don't tell him yet. Please, please." I feel like no matter how many pleases I use they may still not change anything. But I'm desperate.
He stands still for a few minutes... so long in fact I think he may be in shock himself, or having some kind of drug induced anxiety attack, and am about to wave my hand up in his face or say his name again, when he finally breathes a little more obviously and I relax back down to earth. "... Well, lets go find out then, right?"
"What- You- you want to come?" Something in me relaxes at the thought- I don't really want to do this alone. I want someone there, like in the movies, to hold the box and just read me the instructions. But I imagined it would be someone I'm actually close friends with, who can hold my hand and wouldn't care that it recently touched a pee-stick. I did not expect that person to be Isaac - Isaac, who likes to watch homeless people kill each other with shopping trollies and sticks and trash can shields like in a horrible, pitiful, modern-day coliseum, - in a million years.
But he nods.
"Yeah, sure." He puts his scanner on the shelf, and we set off the way I was going. He seems to silently understand why we have to go the long way around- to avoid passing the doors to the warehouse. Or he just doesn't care. Either way, I'm thankful he doesn't try to re-rout my course. Or even mention it. "Good excuse to slack off work... besides I should probably get out of this section, anyway. Hey, it is Marcus- right?"
I sigh- I suppose the companionable silence was too much to ask for. "Yes Isaac. If its a thing, in the first place."
"Yeah, right."
___TIME SKIP___
"You're having a miracle baby, you know? He's not supposed to be able to do that- isn't that kinda... good?"
I only whimper in response from |my new home| the cubicle I've been taking the tests in, holding my head. How am I going to do this? I have college, I have this job, I have my studio apartment to continue paying rent for! Marcus and I don't even... there isn't even... we haven't labelled it yet, and... Oh god, I'm shaking.
Isaac heaves a sigh outside, his chair creaking as he shifts. "Well, that's... three positives, so far." Isaac's memorable, slow drawl seeps through the cracks in my cubicle and takes away my thoughts for a moment. And my breath.
3 positives.
3 positives.
Not one, not two... three.
... Then he goes on, a whiny tone in his voice. "Do we really need to do another one?"
I breathe in deep. I don't know what else to do. The next logical step would be telling Marcus or Jonah, but I'm ready for neither of those. So procrastination through pregnancy test, it has to be. "Uh, yes. We do. Um... can you, please?- "
"Ughhh. Yeah, yeah. I'll get you more water. Stay here." Then Isaac, who has surprisingly been very helpful, even getting me tape so I can stick the finished tests up to the door in front of me so that I can compare them easier, disappears out of the women's bathroom, leaving me with my thoughts.
I peak back up at the tests, feeling panic fill up my chest cavity like its anxiety gas and my rib cage is the gas chamber- and my heart's the poor organ at deaths row. I'm... pregnant.
Oh my god. I'm pregnant. There is a human being growing inside me, right now. A human being who will require time that I definitely don't have, money that its parents certainly could not scavenge if we scavenged for used soda cans like Myrtle and sold them in our spare time, effort that I'm terrified might not even be in me at this point... A baby that needs some semblance of a comfortable, stable home, which I do not have for it.
I'm just burrowing my face into my arms and knees atop the toilet seat when the bathroom door opens again. Looking up, I immediately ask for Isaac- because that was really freaken quick, for him.
And get a familiar, confused sounding voice call back "... No, its Amy... Sorry, I just need to pee. Are you going to be long?".
"Oh!" Oops. Immediately, head going empty with panic, I unlock the door and and jump out to let her in. "No! I just finished. Um- go ahead. I'll just wash- wash my hands."
Now seeing each other, I see Amy's forehead crease and her eyebrows furrow in confusion and concern at my pink cheeked/pale faced appearance and the panicky way I'm talking. She reaches out toward me. "... Y/N, are you okay?"
"Yeah, I'm fine!" I laugh, the most nervous sounding laugh ever. "Don't worry."
Amy's nose screws up. "... why were you waiting for Isaac?"
"We-we're just having an affair."
... what??
Her eyebrows furrow even deeper. "Okay... I'm just gonna go... pee... now... " She says slowly, gradually disappearing into the cubicle; Not quite sure what to say back to that.
I sigh in relief when her eyes aren't on me anymore and the door locks, thinking flushing some water onto my face might calm me down, when a loud GASP comes from Amy and I i m m e d i a t e l y remember the tests stuck to the wall. Fuck! Fuck, fuck, fuck!!
Amy comes right out of there, looking at me with completely new eyes now- understanding truly why I'm pale, I'm sure, and definitely why I was acting the way I was. "Y/N! You're... pregnant??!" I open my mouth to respond. Maybe say 'yes' seeing as that's the truth and the only proper answer, but I choke on my words and instead say, "Isaacs getting more water so I can take another test."
"I think 3 is a pretty conclusive number!"
"I-" She is not wrong, but I don't want to do anything else but take another easy test, and get defensive instead. "I bought four, I'm doing four!"
"Wh- Is Isaac the father!?"
"God, no." Isaac and I both spit back in offense.
I whip my head around when i realise he wasn't supposed to be there yet at all, and- there he is in the doorway.
... Jonah right behind him looking sicker then me. My jaw drops. "You brought Jonah??!"
"Uh, no, I was just waiting outside for, um," He gestures to Amy and my stomach drops. So he heard the whole thing. Could this get any worse??! Well I mean of course it could, Marcus could be here. Stupid question. Don't ask questions like that; It always summons the worst, in movies. "You're pregnant!? Who- you know what, unimportant right now. Do you wanna sit down??"
I shake my head, taking a deep breath and holding my hand out to Isaac. "No, I'm fine. I have a test to do. Water, Isaac?"
"Here." He hands me the bottle, and I go to disappear back into the cubicle before jumping back away again, remembering that Amy still needs to go and gesturing for her to go, ridiculously enough. She shakes her head and gestures back, like I'm crazy, to take it instead.
I do so and lock myself in, starting to chug the whole bottle.
A blessed silent moment passes... before Jonah speaks. "Is the 4th test really necessary?- "
"For the love of god- Let me take the fourth goddamn test for fucks sake!"
___TIME SKIP___
"... so what is it?" Amy asks 10 minutes later, breaking the deafening silence, as I sit back down on the toilet seat and hold my face in my hands again.
"... Positive... "
Isaac sighs. "Who would have guessed, really?"
No one tells him to shut up. He's right. But also no one agrees, because I'm a fucking 23 year old pregnant girl and I will kill them.
"So... what now?" Amy asks, speaking to the room, but expecting me to answer.
"Well, I'd like less people to be here, honestly." I pipe up, removing my hands from my mouth to speak clearer.
"Done. Isaac, Jonah, get out."
"What? I was here before you... lady." Isaac exclaims, offended, but a moment later I hear the door close, anyway. I assume it had something to do with Amy's signature resting bitch face- cranked up to eleven. "We'll just wait out here, then! Yell if you need us."
"Yep... " Amy responds to him, sounding exhausted and I can totally imagine her rolling her eyes right now. She takes a deep breath, and sighs it out. I hear her rest carefully down into the chair Isaac vacated. For a moment she thankfully says nothing, and I do wonder whether I should... but I don't know what to so say. So I just stay hidden in the cubicle, silent until Amy takes another deep breath and asks the question. "Who is it?"
I take a deep breath, knowing that once I say it I cant take it back, while on the other hand... its done, anyway. He's already the father and I cant change that (Would I if I could, though?) but telling Amy may either make or break my confidence in having him as the dad of my kid. Not that I have a choice... I just know that Amy's going to be worried about it and I don't know if I can handle the criticism right this moment.
Finally I spit it out though. Marcus.
...
"Oh- wow."
Uncomfortable, I shift on the closed toilet seat. "Yeah."
Her voice gets higher, clearly fake and trying to sound like this is better then she really feels it is. My heart plummets into my stomach like a terrible roller coaster. "Well, that's... " She pauses, searching for a safe word to use, assumedly. "Great!"
"... 'great?" For some reason that word, and Amy's tone... hits something wrong, in me. Panic flickers deep in my chest and my stare on the wall gets colder, harder. "... you think this is 'great'? Really? You? No, you don't. Do you hear yourself? 'Great'. Puh! This is Marcus. 'Been to jail' Marcus. 'Ex Con' Marcus. 'Creator and CEO of BOOB CHEESE', Marcus. Marcus who shits in the shower and thinks breastfeeding is akin to whipping your dick out in public, Marcus who has a tattoo of his mother on his back for Valentines day- "
Okay so maybe I'm just picking on him because I'm inadequate, because I don't have the time for a baby, because if I'm trusted with this perfect thing then I will ruin it... I'll pick work, instead of love, and they'll grow up with less of it then they should have and I'll be to blame...
But I don't want to address that yet. I cant.
"Y/N."
"Neither of us even have the money for this." I'm panicking again. "He lives with his mother! And- what if he gets mad... " I suddenly get worried, my eyes go round and I cover my mouth. "I really like him Amy. I cant have him mad at me. Not for this. Not him. Please don't let him hate m- "
"Y/N! Calm the fuck down, okay, right now. Don't speak. Just... take some deep breathes okay? First of all, Marcus is not going to be 'mad' at you. He's sure as hell is not going to hate you. You're spiralling, just take some long breaths." Amy makes it sound like a ridiculous idea with her tone, that he might be mad or he might hate me. I do as she says as she talks; take deeeeeep breaths. Slowly, I start to clam down. "He might be shocked, yeah, but he's- he's not like that. He's an idiot, not a total asshole. Take it from me, I know what I'm talking about here. I promise you. Whether he'll be good at being a parent, is... debatable." Everything she says makes sense. And she would know- you've met Adam. "But he'll be there, at the very least.
And... and you'll be a great mum, anyway."
I feel my heartbeat start to slow down again as I breath. I close my eyes, crossing my arms over my chest and rest back against the wall, carefully.
I really hope she's right on that second part.
"... thank you."
___OUTSIDE THE BATHROOM___
Jonah rubs his neck in nervousness at his sister in the bathroom dealing with something like this, pacing around the small hallway area before turning to Isaac. He raises his dark eyebrows. "So, do you know... wh-who?? I mean... the guy, that- I mean, does he work here, or... ???"
"Its Marcus." Isaac pulls out a bag of trail mix from his vest pocket and starts picking through, standing by the bathroom calmly. The brother to whom he just broke such detrimental news - that his sister, has Marcus White of BOOB CHEESEs baby inside her, - widens his eyes until they're more like dinner plates. "Yeah, they've been talking for a while, man. You didn't know?"
"I- I just thought she wasn't interested in... guys... " All her time must be busy with balancing both school and work, plus her friends... how can she possible have had time to... But on the other hand, he realises that its a bit naïve to think that his younger sister still isn't interested in 'boys'. Part of it might have been wishful thinking.
Isaac barks out a laugh. Its a stale, dry sound that makes Jonah really uncomfortable. "She also went out with Tate. Had a bit of a thing for Sayid for a while, too... "
"What!?- "
"Jonah!" At Amy's exit from the bathroom, he calms down immediately and straightens up. She raises her brows at him. She nods into the bathroom. "She wants you."
Yep- it takes him about 2 seconds to fly into the bathroom... to find his sister still hidden in the cubicle. He sighs, pressing his hand against the door. "Y/N? Amy said you wanted me. Do you want me to get you something to eat? Its just, I'm the only one who knows your snack preferences... and maybe we shouldn't eat in here, cuz its kinda gross... but if you want to, that's cool too!"
She doesn't respond for a minute, silent apart from the careful peeling of tape from the cubicle door.
Then the peeling sounds stop. A moment later her voice, sounding small and tentative as if just saying this would open Pandora's box, slips out. "... how're mum and dad gonna react?"
Its a rhetorical question. They both know it'll be bad - and they'll like Marcus even less, - , but its said so he knows what she's worried about. He sighs and leans back on the door. "Well very, very badly. But that doesn't matter right now. I'll take care of them."
"How valiant." Her voice is still small, quiet. But she sounds less scared; She always believes her big brother. Even when she knows logically that he cant protect her from them. Not their parents.
"Well, I try."
"... hm."
___TIME SKIP, BACK OUTSIDE OF THE BATHROOM___
"She is not leaving that bathroom," Isaac shakes his head. Its been an hour, and they've all been in there with her a couple times but she has not left the cubicle. Not even peaked her head out. She hasn't even e a t e n anything while she's been in there. Its starting to worry them. "Maybe we should go get Marcus."
Immediately Jonah looks up from his phone - having been reading up on pregnancy. What is going to start happening to his sister, now?? - and shakes his head, firmly. "No, she'll tell him when she feels comfortable with it. We aren't doing that."
"Yeah, it isn't up to us." Amy agrees, while still looking like on a deep, unsympathetic level that is tired of standing here... she definitely wants to drag Marcus here. But she also knows that Jonah is, unfortunately, a n n o y i n g l y, right.
Isaac heaves a deep, frustrated huff and gets comfortable on the floor.
___TIME SKIP: 3 HOURS LATER___
Finally, Jonah breathes in a deep, exhausted breath and puts his phone away. That's enough of that. He's sufficiently disgusted. He looks down the hallway, out to the store. Then to Amy playing solitaire on her phone and Isaac drawing slowly on the ground. "... Well, I mean, it's Marcus's baby too, right? He should know... right?"
"Mhm,"
"Yep, that's right."
"And... besides, Y/N might need him, right? Maybe he could get her out."
"You make some good points."
"I just wish they weren't points we already mentioned." Amy looks up from her phone and turns it off, flashing an sarcastic, displeased kind of smile. "Earlier."
"Yeah well... " He rolls his shoulders, looking away from Amy's piercing gaze- god, her face is like a loaded gun with no safety. And he's totally into it. He coughs, then whispers. "So, who wants to go get him??"
"Not it."
"I would, but ah... nah. I'm down for the count, down here."
"So... me."
Amy nods, making a 'shoo'-ing gesture with her hand. "Yep, you, Jiminy Cricket. You made us stay here for hours- you go get Marcus."
Looking to Isaac for help, Jonah is just met with the deadest eye's he has ever come upon, so he eventually sighs deeply, wiping sweaty hands on his jeans. "Fff-fine. Wait here."
___IN THE WAREHOUSE___
"Uh, hello? Hi- have you seen Marcus anywhere? Wh- No? Well if you see him can you tell him I'm looking for him? Its about Y/N."
The warehouse worker with the nametag reading 'Nigel' that Jonah's never spoken to before in his life and who prior to his words, had the new deadest eyes that Jonah has ever seen, suddenly beams- a twinkle of evil mischief in his eyes. "Oooooh, cats outta the bag, huh?"
Jonah blinks. "What?"
"You found out about Marcus and your sister, and now you're gonna beat him up? I was waiting for this moment." Nigel clarifies, actively looking around the room for Marcus now as Jonah rushes to explain that no, that is not what he's here for. Please don't say that so loudly- "HEY RICO! You seen Marcus around?? Y/N's brother's here to deliver an ass beating." Half a second passes while Jonah's ears ring from Nigel's screeching before something new apparently occurs to the warehouse worker as his eyes widen and he turns again to who must be Rico. "And you owe me 20 bucks!! Told ya he'd come!"
How often is Y/N in this place? Just seems weird, these guy's saying her name so casually... Jonah's forehead crinkles in thought as Rico rolls his eyes and groans, walking off to assumedly find Marcus. I'm learning a lot about my sister, today... Not sure how I feel about it...
Jesus Christ, has she eaten the cheese, too??!
Jonah doesn't get a moment to panic about that particular bit of nightmare material before he realises Nigel is still standing, awkwardly now, arms straight at his sides and eyebrows raised expectantly, right by him. Watching him, instead of returning to his job. Jonah raises his own eyebrows back; Shrugging. Like, what?? What do you want?
Nigel just just shrugs and shakes his head back passive aggressively, crossing his arms. Like, he doesn't know. Fine, we'll just stand in silence, then...
"Jonah! What's up, buddy? Visiting me in the warehouse- this is so nice! Want me to take my break now, cuz we totally can. Just let me wrap one last thing up and then we'll be back in my car, together. Listening to tunes; Ya know. Guy buddy stuff." T h a n k f u l l y, Marcus seems to rush from wherever he was in the depths of shelf-land when Rico apparently found him and cuts off the awkward stand off between the two men, dropping a hand on Jonah's shoulder and beaming. "What up, man?"
Quick to turn away from Nigel and get to what his mission really is at the moment, Jonah graciously ignores the touchy greeting... despite the awkwardness on his end and the fact that Nigel is still there, watching.  "Actually, I wanted to talk about, uh, Y/N."
Marcus' eyes immediately widen and his eyebrows raise, taking his hand off Jonah in favour of ringing his hands and stepping back nervously himself. "Oh, man... you found out, didn't you? Did she tell you? Cuz like, I know the bro code says its not cool to bone your friend's sister but- "
"Ah, ah, ah!" No, no, no, Jonah does not want to hear those words. No. "No, um. That's fine, whatever. Y/N's sexuality is her own. But- "
"Its a ruse, Marcus. He's here to kick your ass." Nigel insists, still very much there despite everything about this situation having nothing to do with him and instead just freaks Marcus out more as the warehouse head's eyes go even wider and he takes another step back- raising his hands in surrender.
"No, no! Nigel!- That's... no. I'm not here to kick anyone's ass! The asses here are all perfectly safe, I promise. Okay?" When Nigel's expression doesn't change a lick, Jonah gives up and just gestures off in a random direction. "Nigel, could you give us a minute, here?"
"What, so you can jump my boy here alone?"
"Alone?? Who's alone?" Jonah is getting increasingly irritated. "We're literally surrounded by other warehouse workers!! Ones who are actually doing their jobs, by the way. Maybe you should- "
Marcus finally intercepts and pats Nigel's shoulder, getting his attention from looking confrontationally at Jonah and smiles relatively softly at him. "Its okay, Nigel. If Jonah wants to kick me in my junk once- he's kinda entitled to it. Bro code and everything. Why don't you get back to work? I got this. Thanks, though." Nigel leaves, with that, but certainly not without giving Jonah one last greasy look over his shoulder and an 'Okay, Marcus. But call me, if... you know... '. Along with an extra evil squinty look at Jonah. "Yeah, yeah. Thanks bud. I know I can count on you." When Nigel is finally out of the picture, Jonah feels fatigued and just wants to get back to Y/N. At least its just him and Marcus now, though, so they should be doing that very soon. "So! What'd you want? If you really do wanna hurt me, then, can we go outside? By my car ideally, so I can drive the emergency room right after? Or you, cuz I mean... you're small, man. And I'll have to defend myself. Even if its fair. Its instinct, you know? You get it."
"I'm not gonna hurt you?? Why does everyone think- " What is wrong with people here? Do I give off a confrontational aura right now, or something??? "Ugh, whatever. Y/N needs you- she's been in the bathroom for 4 hours. We did try to get her out ourselves, but our attempts have been... l-lacklustre." Lacklustre? Okay, even he is surprised to hear that one come out of him.
"She needs... me? Like, she said that?" All of a sudden Marcus' expression changes. Worry wells in his eyes and his forehead creases, and he glances at the door out to the floor before returning to Jonah, looking restless now as his body fights with him to go, immediately. "Oh, what's wrong with her? Is she sick??"
"Uhh... in a manner of speaking... Look, I just think she needs to see you right now."
That makes the taller man move towards the door, clipboard dropped on a box on his way. "Of course; Right away man. Come on, lets go see her. So you really don't know what's wrong?? Should we pick up some root beer on the way?" Jonah follows behind, hand on his chin as he answers Marcus' questions. Wow... He did not expect such a response from him... He... kinda respects it, in a way. Its a pleasant surprise, at least.
___BACK TO YOU AND YOUR POV. God I hate third person. Its so hard, I want to cry___
"Y/N? You in here??" As soon as that voice registers in my mind, my heart beat skips in the worst way and I almost start to full on panic all over again, but thankfully instead just freeze and only widen my eyes. What the hell? The door to the employee bathroom closes as Marcus shuts himself in and you watch his boots appear under the door to your stall. "What's going on? Jonah couldn't tell me what's wrong with you," Jonah. I glare at the stall door. I'm going to kill him. "But I brought you some root beer for you- a total cure all. I promise. And some (Enter your favourite snack) cuz I know you like them. Here," He stretches up and holds the items over the stall door, and, feeling genuinely touched that Marcus was sweet enough to bring these, I get up off the toilet seat and accept them from him.
"Thank you, that's really nice. I'm... not sure, that the root beer will fix this, though." I speak carefully, sitting down and holding the items in my lap close to my stomach.  
"Course it will! I poured some in Mateo's ear once when he had an infection... I think it worked?"
Probably not. "This is a lot bigger then an ear infection... Kinda permanent, too?"
"Oh god, is it cancer?" He pauses for a moment but before I can put that particular worry at rest... or remind him that cancer is not always permanent... he makes it worse, and I fight not to facepalm. "The plague??! Its still a thing, you know. Jesus, its not that is it? Please tell me its not that! That would be the worst!" I mean... yeah, it would.
"Oh- no no! No, nothing like that!! I'm just pregnant!"
... wait.
Immediately I want to take back my words and say them differently- because is that really the way I just broke it to him?? Oh my god. My hand slaps over my mouth- then pulls back an inch to speak again, but is definitely on guard to slap again and prohibit anymore stupid to come out. "I mean! ... N-no big deal?" My voice gets tiny. "At least its not the plague, right?" I'm just making this worse, so I cover my mouth again.
Marcus does not respond, and I can imagine his face crystal clear, without having to look. He would have his mouth hanging open like a cartoon character, his shoulders have dropped, eyes are blank, and he's pale as hell. Oh god... oh god oh go oh god... I cover my whole face now and just try to breath evenly, and not talk anymore. I was right! He's not going to even like me anymore, this is going to ruin how he looks at me- I cant have Marcus look at me coldly. I really cant.
Finally, a few minutes later the door to the bathroom creaks open again and I know it's not Marcus escaping because I can still see his boots under the door and they haven't shifted in a while. Amy's voice rings out, too loudly in the stock silent bathroom. "... everything okay in here? We haven't heard anything in a while- Marcus?"
He doesn't respond.
I hear Amy walk in now, her heels click-click-clicking on the tiled floor. "Marcus? Marcus, are you okay?" She snaps her fingers, assumedly near his unresponsive face. I slip my fingers down to just cover my mouth, straining my ears to hear any movement from him. "Wake up!" Another snap. "Marcus wake up."
All of a sudden I hear shifting and his boots shift slightly and I squeeze my eyes slowly shut- now he speaks. Now's the part where he speaks. Now's the worst part! He either leaves, or stays. "Uhh... I'm awake, okay?"
...
Amy and I are both startled by the seriousness in Marcus' voice- Amy evidently in the way she responds, backing out of the room. "... Okay! Um, well talk. To Y/N. I'm... just gonna... wait outside... "
Marcus just grunts in response, turning back to my stall door. Then he wraps his knuckles against the surface and I flinch- unsure whether to unlock it and be a grown up or stay hidden away like I really, really want to. Its not like I'm afraid he'll hurt me or anything, not at all! Its just... I don't like to disappoint people and I'm terrified at seeing his face. "Y/N? Can you come out, now?"
"Ummm... no... " I wince, keeping my eyes closed to the world. As if that'll hide me from it.
"No???" He asks, bewildered.
"No... "
Marcus' voice isn't at all as cold-serious as it was when he spoke to Amy, but still. There is still definitely an unfamiliar focused quality about it, and its making me nervous. "What? Come on. What do you think's gonna happen? I'll yell at you? Come on, that's not gonna happen; Come out. "
"I'd really rather stay in here... " I fire back.
"Don't be scared of me." He really does sound trustworthy... but that fear, man; She's one unrelenting bitch.
My voice goes high pitched when I answer, too vehement to be the truth. "I-I'm not! Silly! Why would I be scared of you??" My eyes open up again and I just wince. Such a liar.
"Aghh... " I just listen to him shifting around out there looking for something for a bit, or thinking of what to say next, while I myself sit and think comfortable that there is nothing that will make this worse, seeing as I'm safe and sound in this toilet stall... before his boots disappear from my vision under the door and I hear him disappear out of the bathroom then return again almost immediately, going into the stall beside me and putting something down on the toilet seat in there.
Oh my god- he wouldn't dare! He would not-
Then all of a sudden he's climbing over the wall and I have to jump off the toilet seat and press closely to the stall door, root beer and snack still hugged in my arms like teddy bears. Marcus eases himself over the wall and onto the toilet seat before my eyes, then jumps off it to the tiles again in front of me, while I gape wide at him. "I- what- Marcus!"
"Well you weren't coming out! It was my only option!" He exclaims, and now that I see him I do relax a bit. There's no coldness in his face now, and there is certainly no unfamiliar, unfriendly seriousness, either, seeing as the man just climbed into a toilet stall to get to me. Very Marcus-y. I slowly let out a relieved breath, which is still also a 'calm down' breath as the pressure is certainly still on. I can see him, but he can also see me.
Eager to avoid the issue at hand, I snap. "You might've kicked me!"
"No, I wouldn't have." He makes a defensive 'pshhh' sound immaturely, waving me off with a hand before resting them both on his hips and looking right at me. I give him my own dubious look right back- What makes him so sure??? He rolls his eyes. "Whatever, anyway." Suddenly, a beautiful big smile spreads across his face; the kind that still makes me a little bit weak and almost forces me to smile back. Even now, in this situation. "This is great."
And then I'm speechless, mouth closed and eyebrows furrowed together. ... Great? What? Quickly he moves to clarify, before grinning that goofy grin of his. "The pregnancy! Man, I've seen enough girlfriends get pregnant over the years... its nice to see one having my baby." A moment passes and my system is just registering this reaction - not even relieved, yet. Just in shock and a little less anxiety, - before he drops his smile, raises an eyebrow, and adds: "It is mine, right?"
Still shocked, I answer as if the question was more on the lines of 'That was my cupcake that I just ate, right?'. Meaning, probably too casually. "Oh- oh, yeah! Abs- absolutely." He doesn't seem to mind.
He beams again. "Great! We'll be awesome parents- that is assuming you wanna keep the baby, right?"
"Uh... " All I want to say is yes, right now. Even as the complications of raising a baby right now linger in the forefront of my mind. But at the same time I'm looking at Marcus and I just want to. I want to have the baby, and I want to do it with him... in the moment, he's the absolute perfect person to do it with. I choke out, "Yeah."
He fist pumps the air at that response, and finally the relief starts to settle in my stomach and my heart... a smile grows on my own face. My eyes even get a little watery with the powerful relief. "YES! That's right, I'm gonna be a Dad. Whoo! We gotta tell everyone. But how, do you think? Should we get a cake or something that says it in icing?? Or should we just go out there and announce it over the speakers? Or should we just not tell anyone? Cuz on the one hand, I wanna tell everyone- but on the other... I don't really want Carol to know you're pregnant. That could be bad."
"Um... " I don't even know what to say. I just want to hug him, so I do. I step forward and wrap my arms around his middle, burying my face in his coveralls and the body I've become so familiar with over the past months that smells so uniquely - and not always so pleasantly, but definitely comforting,  - like Marcus and squeeze tight, closing my eyes. He smells like that 'new furniture' smell that's really just 'warehouse', and an unfamiliar home, and a little bit of B.O.
Thank god.
Amy was right. Of course she was. Even when I was stressing, I knew the image I had of Marcus getting mad about this didn't feel quite right, but... you have to prepare yourself for the worst, you know? I'm just so glad he's the way he is though, as he wraps his arms around my shoulders in return and bends his neck to press his cheek to my head. "I'm really happy about this. And I know we haven't figure anything out. With us, with money, with anything actually, but... we will, okay? I'll do my best, I promise."
"... Thank fuck." I chuckle, although its muffled and get a similar sound from him in return. "I'm really happy, too." He rubs my back in that rough, comforting way that guys do and I might as well melt; He's too wonderful. I bite my bottom lip, thinking my next move through before taking a deep breath and deciding to take the plunge and ask. "... hey... um... b-boyfriend?"
Marcus immediately pulls me back and holds me at arms length, a crazy-big grin splitting his face. "Oh, yes! This day just keeps getting better and better; Come on, we definitely have to tell everyone this, lets go." Excitedly, he slips past me and unlocks the stall door finally, but pauses and turns back to me before its pushed open at all. I tilt my head in curiosity- what's up? "Unless... congrats sex?"
...
Oh my god- a snort, transforming into a laugh slips out of me before I can stop it. I pull him closer by the front of his coveralls, grinning at both the idea and how silly he is and gently tug him down closer to my level. I close my lips and knit my eyebrows together understandingly. "... How about you come over after work? First we should probably deal with the others? You know, the ones hanging outside right now?"
"Oh, yeah, probably. Oh man- I'll be basically related to Jonah now!" Oh- well- not exactly but... okay fine. If it makes the guy happy. "Ha ha, look forward to seeing this face every Christmas, bro." Oh boy.
I just grin at that - Goodluck Jonah, - before leaning up the rest of the way and pressing a careful kiss to Marcus' lips which he immediately returns with enthusiasm, hands abandoning the stall lock and collecting my waist instead.
This is going to be okay.
It will work out. I hope.
BONUS:
Later in the breakroom while Marcus is busy with talking to some of the other Cloud 9 employees about the news, Jonah takes the seat next to me and I raise my eyebrows at him- he's obviously dying to say something. I know my brother at least that much. He sighs.
"So... you... haven't eaten the cheese, right? I mean, I have but I'm hoping you haven't been put through such, uh, cruel and unusual torture... "
"Oh, no. Absolutely not. I managed to convince him it was cannibalism for women." I grin, returning immediately to my Cloud 9 Caesar salad as Jonah sighs long and hard in relief, relaxing back into his chair.
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Text
potent but not real, m | kth
pairing(s): taehyung x reader
summary: You kill people. Kim Taehyung doesn’t. He assisted you with one particular kill and then he kissed you. And, like a needle of methadone, the two of you chase the high again and again, knowing there is no hope for you. But there is for him. All Taehyung has to do is to walk away from your eyes.
warnings: rated M (18+) for language, mentions of murder (non-graphic); sociopathic reader; unprotected sex (fem reader, sex in an office after hours, f-receiving oral, fucking against a desk, (symbolic) lipstick-covered motel sex, m-receiving oral, cowgirl); implied angst; non-idol!AU - office worker!Taehyung x assassin!reader (John Wick-esque)
Inspired by Methadone by Rise Against. The italicized bits are parts of the lyrics sprinkled throughout the story. If you like rock, check ‘em out!
--
The last time was a five-star hotel, but this time was a dingy motel, and you dressed appropriately. Thin-strapped flimsy black dress, kitschy animal print fur coat, strappy heels, and torn stockings, stumbling along the halls, ignored by others because you were mumbling under your breath, empty bottle in your hand, hair astray and makeup smeared.
No one wants a dirty-looking prostitute, and especially not a crazy one.
If anyone bothered to look at your face, they would have noticed how beautiful you were, caked under layers of makeup. They would have noticed that despite your erratic steps and nonsensical words, your eyes were shockingly clear, observing everything, hawk-like and hyper-focused. They would have seen that you took care not to move your left side too much, the thick fur hiding a barely-there lump.
You tipped into a door and tripped into the motel room.
The door instantly snapped closed behind your fallen body.
Locked.
love like a needle full of methadone
You rolled onto your back, looking up. Kim Taehyung stared down at you.
How did it come to this?
potent but not real, left you wanting more lipstick track-marks bleeding wet
It had only been a job, a woman this time. The higher-ups usually had you take the women. It was easy, but you needed an in, and Kim Taehyung had been that in. He was aware of what was happening and he was getting paid to keep his mouth shut. The first time you met him had been calm, neutral smiles as you greeted the tall, dark-haired man. You had worn appropriate office attire, slightly ill-fitted pants, starchy white dress shirt, big glasses, prim bun. Taehyung had greeted you at the door of the company he worked at. Your role was an outsourced advisor to help the company heads improve productivity and workflow. Taehyung led you around the floors, showing you various things, but none of it mattered. What mattered was the information Taehyung would provide you after hours. Names, schedules, addresses.
The woman had also worked at this company.
Had.
You did not ask for the reasoning. Embezzlement? Public shame? Had blackmail on someone? Had sex with the wrong rich man or woman? It didn’t matter. People die in senseless ways every day and one more meant nothing to you. That was your great skill, a skill unmatched by any other.
No remorse.
Perfect for the murder business.
And, like one truly born from the Eastern cultural mindset, instead of trying to get help or cure yourself of your apathy, you monetized your skill by becoming an assassin.
for us child, the stars refuse to shine why for us child, do the stars refuse to shine?
You followed the woman for weeks. The timing was important. Patience was key. Blending in, a different guise every week, a different method planned every day. The thing about killing for hire was that if you didn’t want to be caught, you couldn’t have a pattern. If you didn’t settle on a method, it couldn’t be connected back to you. That was the way you liked to do things.
The perfect weapon, a dangerous method.
The higher-ups were impatient, but you didn’t care. You knew what must be done and, when you’re the one doing the dirty work, you didn’t let them question you. If they wanted this to end a different way, they would have used a different assassin. But they chose you for a reason. You always had the cleanest kill, completely untraceable.
No one would ever know the Circle was involved.
It was a spotless erasure.
The reward was hefty, and, throughout the years, you earned far more than any human needed in their lifetime. Money was never your drive, but you took it all. You knew your own worth. Your work was too good to be underappreciated.
Taehyung was in on it. He knew it was going to happen. He gave you the name, the address, her usual timetable. He presented it all to you, without question, on a shadowy, starless night. You stared into his dark brown eyes, wondering why he could do such a thing. He held your gaze, dark hair pushed back, sculpted brows, serious expression. You wondered if he was broken like you, but that sort of thing was impossible.
There is no one as unhinged as you.
“Why are you this business?” he asked quietly in his deep, baritone voice.
It wasn’t accusing or beseeching. It was simply a question, no flaff attached to it.
“Because I’m well-suited for it.” You tapped the side of your head. Unsmiling. “Some screws fell loose when I was molded from the clay.”
Taehyung kept his gaze on you, blinking slowly. You expected him to recoil in disdain, be confused, or simply retreat from your unsmiling, vacant demeanor. Instead, he took a step closer.
“You shouldn’t need screws when molding from clay.”
One step closer, looking down, casting shadows all over his face.
“You only need screws when you’re making a machine.”
Taehyung leaned in and kissed you.
we wound up back here again
Fucking.
It was always a means to an end, something you did to fulfill that carnal need, a need that you did not understand very well, but it was there, and, like a starving beast, it demanded to be satisfied. Taehyung kissing you in a random office twelve stories up in a random skyscraper didn’t mean much.
But there was no consequence either.
You grabbed his head and crashed your lips to his again.
The risks were low. You knew everything about Kim Taehyung. The higher-ups of the Circle briefed you on him. You had his education history, knew every apartment he had lived in and every girlfriend he had ever dated. Had access to his credit card history, his medical records, everything.
He knew nothing about you.
Taehyung didn’t know you had no traceable past, didn’t know you had no home, didn’t know you belonged to the most powerful group of assassins the world has ever had the misfortune to create, didn’t know how many nights you spent in and out of consciousness, body traumatized and stitched back together, for you, a tool of the Circle, to be used once more.
This was your choice. Anyone could get out.
You just have to ask to die.
You sucked on his tongue and he groaned in your mouth, hands sliding between your arms to grasp your buttons and undo them one by one, thrusting his tongue in your mouth as he did so. Your breathing deepened, surrounding yourself with his warm herbal scent, fingers sinking into his cheeks, your shirt coming apart and his hands diving in, kneading your breasts with his strong hands.
Saying nothing.
There was nothing to say, because it was senseless, foolish, the worst idea imaginable. Yet, despite your demure and borderline unflattering appearance, Taehyung could see your hawk-like and hyper-focused gaze. You caught him watching you, not just your body, but your eyes, taking every opportunity to observe them. You could see his mind memorizing the shape, the iris color, the position of every lash.
Against your lips, he whispered, locking you with his stare.
“Your eyes are art to me.”
Taehyung knew. He must know that you were a highly trained assassin, which was only a pretty word for paid serial killer. It made you the lowest of the low, the worst kind of human being, the kind that does not deserve compliments or sweet nothings.
He pushed your head back and licked your neck, up your trachea, collarbone to chin, leaving a long, wet stripe of saliva.
The unnatural action made your shiver in his hands.
He kissed down, scooping your breasts out, nicking your skin with his teeth, not asking, but aware that you could break his neck at any second. The Circle could call you right now and tell you Kim Taehyung needed to die and you would kill him without hesitation or remorse.
His lips closed around your nipple and his dark eyes were on yours once more.
There were no stars tonight.
The world that you and Taehyung had created in this spare office was only lit from below by the unsuspecting city through the window.
He sucked hard. He used teeth. He licked and pulled and streams of saliva dripped down your chest, your body shuddering in his hands, hands falling back onto the desk and leaning back, Taehyung over you, your shirt falling down your upper arms, the euphoric rush almost unbearable, too much feeling for your empty heart.
No talking, no words, nothing but sound. Gasps, slurping, kissing down your stomach, skin being scraped with teeth and hands, Taehyung’s dark eyes on your face, always on your face, and you looked down at him, watching him undo your slacks, never losing control, not even as he pushed your panties down and snaked his tongue in between your folds. Your jaw clenched as his warmth invaded yours, your hand fitting on the back of his head, curling your fingers in his hair, a solid grip that could not be broken unless he finished his job. His tongue slid in and flicked your clit, stroking its ego, your hips grinding into his face, nearly suffocating him, but Taehyung said nothing, his stare never leaving, almost unnerving, but you didn’t care.
Slicker, stronger, rougher, his lips closing in, sucking and licking, teeth nicking your clit, his hands on your ass and nails digging in, pushing you to him and lengthening the stroke of your hips to his face, flooding his mouth with sweet honey and his ears with savage snarls, his eyebrow cocking, the only indication that he was asking for you to cum, fingers splayed over your ass cheeks.
You sucked in a breath and bucked into his face, hissing, clit almost painfully throbbing, and Taehyung finally shut his eyes, groaning as he drank it all like he was trapped in the desert and your leaking core was his oasis.
He didn’t bother murmuring your name.
It wasn’t your real name anyway.
like unstable chemicals combining only to explode
Assassins don’t need to procreate.
You were given options.
You chose complete removal.
Your uterus was probably in some biohazardous landfill, rotting away.
The only visible scar was mixed with the thousands all over your skin. It didn’t mean much to you.
Taehyung removed his face from between your legs, strings of your cum all over his chin. They snapped and hung downwards, so viscous that they just suspended there. He wiped it up his skin and licked it off, breathing hard.
Maybe that was all he wanted, but that was not all you wanted.
You yanked him up by his tie, nearly making him choke, and then his orgasm-stained breath was in your face. You pushed his face to the side, fitting your chin to his broad shoulder and inhaled that comforting herbal scent, the scent of Taehyung, and you unbuckled his pants, pushing them down, sliding your hand under the waistband of his underwear and pulling his already hard cock out. He gasped into your neck, grabbing your arm, but you growled, pumping his length roughly, making it swell to its full girth in your hand.
You knew how big he was. It was recorded in his medical record.
what would it take for you to notice
You pulled one of your legs out of your pants, fitted it around his waist, and shoved him inside you, grimacing, your ass against the desk. Taehyung pulled his head back, dark brown eyes wide, shocked that you took him so fast but, to you, pain was life, and this was nothing. In fact, it was welcome pain, being stretched out, sinking down on him, maintaining eye contact.
“What if–”
“It’s not possible for me to get pregnant anymore.”
He searched your eyes, looking for the lie. He mouthed the word, anymore, and there were questions, but you cared not for them, slapping your hips to his and he gasped, grabbing your leg and fucking you hard, right into the desk, sloppy, wet, but so much force, lifting you a little to sit you partially on the wood and then pound you harder, practically impaling you with his large cock. Even then, your back didn’t arch. Even then, your head didn’t tilt back. You were panting, primal noises at your throat, and his eyes were on yours, and then your moans and his moans matched, both of you committing arson, setting your worlds ablaze with lust, your nails scraping against the desk and his nails piercing your thigh, leaving bruises and marks.
Taehyung leaned in, a heavy sigh and wanton hiss, your hot breath mixing with his, loud slaps of skin on skin, his cock brutally slamming into you, your pussy tightening all around him. In an instant, one particularly jarring thrust and you felt the rush igniting all your nerves at once, a wordless gasp between your bodies as it all crashed down on him. He grunted, jaw set, closing one eye at the force of your orgasm milking his out, cramming your tightness full of his release, hot strings painting your insides, wasted in the name of senseless desire.
i am a heart on fire and all the world's a fuse so don't get close
And now, in this dingy motel, dressed like a cheap whore, you looked up at Kim Taehyung, clad in a plain green sweater vest and t-shirt, light wash jeans ripped up and showing off his muscular legs. He stood out more than you, his strong and handsome features far too difficult to disguise, but he was no one of note, a simple company man who would never be investigated for anything because he was insignificant on paper. There was nothing for Kim Taehyung to hide.
Nothing except his nights with you.
the trouble and the worth am i better off on my own?
You got off the floor and went to the bathroom to wipe off your face, frowning at the amount you had piled on to mask most of your features. Taehyung waited patiently, as he had all this time. He didn’t want to see you with all that on either. You washed your face and came out of the bathroom, shouldering out of your fur coat and draping it on a rickety chair, nearly collapsing it with the weight.
Revealing your gun holster.
It sat on your left side, within easy reach of your right hand. You had a limited number of bullets. You never wasted your shot. This wasn’t an action movie. You unclicked the buckle holding it against your body and set it on the table, the modern tool of murder looking ominously black against the cheap wood, machine-carved patterns trying to make it look fancy, but the poor staining gave away all the mechanical mistakes.
“Is that for me?”
You looked up to the deep voice.
Taehyung gazed back at you, expression unreadable, but clearly referring to the gun. His hair wasn’t styled, black-brown curls shading his forehead, parted in the middle. Hands in his pockets, ass against the end of the bed.
“No.”
A simple answer with no further explanation.
The Circle did not instruct you to kill Taehyung, but that didn’t mean they wouldn’t at some point.
They were ruthless.
Taehyung was not looking at your skimpy clothes or your bare arms and legs. His eyes were on yours, as they always were, revealing his intent, hiding nothing. He had an intimidating stare and you had a pointed one, sharpened to drink in every observation until it was a part of your memory.
There was a bottle of red wine open on one of the nightstands, with one used wine glass.
Taehyung spread legs for you, as he did many times before.
You sometimes wondered why he continued with this. There was nothing he gained from it other than the actual sex itself. Did he feel sorry for you? Did he do it because fucking a murderer was an unattainable high in itself? Did he like you? Was he just killing time like how you killed other human beings? In some way you had contaminated him, and now Taehyung could not go back to his vaguely innocent life.
It didn’t matter what the reason was.
Better you not know.
He pulled one of his hands out of his pocket, opening an object with one hand. It was a black and gold tube of red lipstick. Shockingly red, far too expensive for someone like you, with those iconic overlapping C’s. He twisted it up. His other hand appeared and beckoned you to him.
You stepped up. Taehyung handed you the tube of lipstick, looking up at you, unsmiling but strangely satisfied. He produced a cheap pocket mirror from his other pocket. Held it in front of you.
You applied the red lipstick from the bullet, right onto your full lips.
Smooth, swift strokes.
Recapped the tube and handed it back to him.
Taehyung tossed it and the mirror onto the bed behind him and cupped your cheeks, kissing you right away.
damaged goods they soon forget in choking dust where we got left
Smearing the lipstick everywhere, red track-marks all over your neck and cheeks, lips and teeth working you. The satin finish was slippery, leaving streaks on his chin as well, heavy gasps of breath mixing between your bodies as you took his face in your hands, kissing him all over too, tangling your fingers in his hair and pulling it back, painting smears like bloodstains all over his golden tan skin, Taehyung moaning depravedly under you.
Your teeth scraped right against his Adam’s apple and his eyelids fluttered, quickly righting themselves to look at you through his long, dark lashes.
He reached back and felt around for the tube of lipstick, holding it out to you once more.
The mirror was face up on the bed, reflecting a small slice of this particular circle of hell you and Taehyung had created in this motel room.
You took the red lipstick.
for us all the stars refuse to shine
His vest and t-shirt disappeared, suddenly fading into the background, body pushed back onto the bed by your strong hands, toned chest exposed and you climbing over him, lips painted already, quite accurately despite the mess on your face already. The tube was once again recapped, rolling across the cheap duvet. The bedsprings shrieked, metal grating against metal, but that was a common sound in this sinful place, a place where all bad deeds come to be executed.
Adultery.
Drug use.
Death.
All of the above, sometimes.
You stared into those dark brown eyes and sculpted brows, beautiful lips parted and smeared with scarlet, all the way down to his collarbones and you leaned forward, kiss prints all over his pecs, Taehyung’s rumbling deep baritone above you, noises of pleasure and praise, nonverbal but just as communicative, breath hitching as you sucked on his skin, adding purple to the red. Your tongue flicked against his dark nipple, staining it with red lipstick, the floral taste in your mouth now, but it didn’t matter. The pleasure more important, lips closing around the hardened nub, flicking it with your tongue, your hand trailing down his chest.
Taehyung touched your hand and turned one of your nails inward.
Your fingers curled and you raked your nails down his torso.
He moaned above you, arching his back to receive more pain.
so tap the vein and light the match we burn like stars before the crash
Every time, it felt better, more intense, your nails and your lips on his hot skin, his sound above your head, the depth of his voice vibrating his chest cavity. Down, down, undoing his pants, yanking down his underwear, and soon they faded into the background too, his naked body before you, covered in slashes of red lipstick, gasping for breath, dark brown eyes on yours.
He didn’t say your name, because he still didn’t know it.
There was nothing to know.
You didn’t have a name.
The orphanage picked one for you all those years ago, but it was no longer a part of you, lost in a fire that tragically killed your paper trail, turning you into a meaningless existence, merely a cog in the Circle’s machine. Cared for and shrouded by the shadows, adding you to a part of their watch.
You were a very important cog, but a cog nonetheless.
“Taehyung.”
Those brown orbs widened, stained lips parting.
“Yeah?”
There was too much fondness in that low tone.
but for you there's still a chance, just let go
You just stared at him.
His breathing deepened, swallowing hard. His long fingers buried into the cheap bedding, his eyes darkening as his chin lowered, licking his lips slowly. He watched you from underneath his lashes, cocking an eyebrow.
“Do whatever,” he finally breathed. “I’ll take anything.”
Your gaze flickered down and he was already hard. Something about your eyes. You dropped down, tongue sliding out, wetly running over the thick length. Taehyung sucked a breath through his teeth, hand coming up to wipe his mouth and plant back down on the bed, staining the sheets with marks of your meeting.
You wrapped your lips around it and it pulsed in your mouth, getting bigger as you lowered your head, still looking at his face, watching him shiver and groan at your lipstick-covered lips enveloping his throbbing cock. You took it all, hitting the back of your throat, so fucking much that you could barely breathe, but that didn’t matter. What mattered was the sheer ecstasy painted over Taehyung’s handsome features, turning into drawn-out gasps as you began to move, bobbing up and down, your hands on the bed, neck straining from being stuffed full of cock. You could smell him every time you reached the base, that warm herbal scent flooding your nose, his thick length twitching in your mouth, fighting the tightness of your throat. You hollowed out your cheeks, tongue rubbing against the bottom, and Taehyung’s pitch hiked, biting his lip, lashes fluttering, pants shallowing.
“Fuck, oh, fuck…”
He was already filling your mouth to the brim, swollen head punching the back of your throat, bruising it in all the right ways, your moans trapped in your chest as you sped up, sucking harder, your fingertips brushing against his skin and spreading the lipstick-laced saliva all over his balls, adding to the sensation, Taehyung crying out as he looked into your hyper-focused eyes, his own pupils blown so wide they seemed to overtake the iris, starless and consuming all the pleasure you gave him.
He clenched his jaw and gritted his teeth, suddenly gasping as he came, shooting into the roof of your mouth, the scorching heat splattering against your throat and pooling there, so much and so thick that for a second you stopped to roll your eyes back, drinking his strong taste, before shoving his cock into your mouth again, fucking his cum down your throat so your were forced to gulp it down, barely breathing, enjoying your self-produced lightheadedness and Taehyung’s wail of protest, too sensitive to take your sudden rough pace, hand clawing at the air.
You slowed, licking him all over, soft, so soft, so much saliva, his stiff cock still dribbling out his orgasm for you to lap up.
His eyes on you again.
but now there's nowhere to run and yeah, there's nowhere to hide
And now you were naked, covered in red lipstick and his bites, straddling his lower torso, Taehyung licking between your breasts as you slid your ass down onto his still wet length, painted in Chanel, saliva, and cum, reaching down to reposition him at your entrance, his eyes shimmering, hazing out, high on you. Reflecting your form poised over him, a shadow with no morality.
You sank down and he moaned, low and deep, large hands on your waist and thigh, leading you. The thin walls of the motel did nothing to hide the screaming, the crying, the bed squeaks all around you two, above and below, whispers of devious deeds being performed meters away, but none of these things mattered. Your arms circled his broad shoulders and, as always, you were face to face, hawk-like, hyper-focused, and he was in front of you, fucked-out as your ass smacked into his balls, taking all of him, stretched out to an almost painful point.
He still didn’t know your name, so instead of saying it, his hand lifted and touched your chin, bringing your face to him, a slow, messy, pining kiss, your hips rolling into his, his moans wandering into your lips, eyes half-open to watch yours, your body shuddering with need, imploring you to fuck harder, rougher, to chase your pleasure, to chase it without abandon. You shoved Taehyung down onto the bed and smacked your hips into his, hissing at the jarring sensation of your tight hole being violently expanded by his long, thick length, nails digging into his tan skin. Taehyung harmonized with your lewd moans, husky depth adding to your heavy pants, following your rhythm and bouncing his ass on the hard mattress, hitting your deeper and more forcefully.
His hand fitted over yours, locking his fingers in between your spread ones, clutching tight, louder, louder, metal bedsprings screaming, your pants shallowing, staring down at Taehyung’s face covered with scarlet lipstick smears and dark brown curls sticking to his forehead.
what would it take for you to notice that i am a hand grenade pin already pulled so don't let go 
You wiggled your hips, smacking his hardness against your walls and clenching down, ruining yourself, ruining him, feral cries and satisfied hisses mixing with Taehyung’s deep baritone, one of his hands interlocked around yours, time ticking down and ready to detonate, trapped in the murky expanse of Taehyung’s brown orbs, heartbeat roaring in your ears, so loud it felt like it was the only sound you could hear, everything fading out except Taehyung’s face and you bouncing onto his cock, nails digging into his pecs.
“Taehyung…”
Your voice, wretched.
Like a guitar string snapping suddenly while being played.
You threw your head back, overtaken by the explosive fire racing through your gasoline veins, ignited by your orgasm shattering through your core and firing upwards, pussy convulsing and clutching Taehyung’s cock mercilessly, making his eyes roll back and his head slam into the pillows, knuckles white as he gripped your hand tight, whining on the top of his lungs, the high shooting from you to him, cock jolting and spurting thick gushes of cum upwards, right into you.
A violent crescendo of illicit ecstasy.
Someone smashed something against the wall next door, most likely a lamp.
You slumped onto Taehyung’s chest, body trembling with shivers of pleasure. His torso rumbled, struggling for breath, releasing your hand and wrapping his arms around you. Nothing romantic about being covered in red lipstick, saliva, and cum dribbling out of your hole.
Taehyung shoved his chin into your hair and trapped you there for a long while.
as we chase the sun my shadow slows us down
You didn’t say anything as he cleaned you up and you cleaned him up, both sitting in the narrow, half-full, yellowed tub, far too close together, practically in each other’s lap, using bleached hotel towels to wipe off the lipstick and cum with lukewarm water.
You raised your head, hair stringy and clinging to your skin.
His dark hair was plastered to his natural glowing tan.
You leaned forward.
Taehyung waited.
You pressed your lips to his.
A touch.
you're better off and i know
You drew back.
Remembering your gun sitting on the table outside the bathroom.
Remembering the man that you had shot hours before, staging it like a suicide.
What did that man do? You didn’t ask, didn’t know. Didn’t want to know. An old man who maybe had grandkids, great-grandkids. Maybe he ruined the lives of his hired labor, staining them with sin. Maybe he was at the wrong time and wrong place. Maybe he was guiltier than you, taking victims and leaving them to suffer with traumatic memories that could ever be erased.
You stared into Taehyung’s eyes, feeling no remorse.
Taehyung took your hand.
Squeezed it tight, so tight his knuckles were white and it felt like your fingers were being crushed.
You let him hold it for ten seconds.
Then you reached over and peeled his fingers off, one by one.
Got out of the tub, picking up the towel from the ground. Drying off your body, not looking at him. Put your clothes back on, hair still wet and cold. Holster on, jacket over it. The second you opened the motel door, you were the drunken, unstable prostitute once again, mumbling under your breath, speaking to voices unknown, pointedly ignored and avoided by everyone around you, even as you stumbled through the city, wet hair swinging, the only reminder that Taehyung had been with you, dripping water onto the sidewalk.
You looked down at your hand.
The hand that could kill.
The hand Kim Taehyung squeezed and would squeeze again, barring you didn’t kill yourself by being in the murder business. When Taehyung finally got out of the bath, he would once again find the large wad of cash you had left.
Money was never the drive.
Kim Taehyung made anonymous donations to various charities in your stead, his accounting background knowing exactly how to fumble the numbers and names. He and you would never be suspected. He was a real human being, one who cared about those around him. He would know where to put the money, know how needed it most. You wouldn’t.
You didn’t know anything about compassion.
You didn’t know anything about kindness.
You didn’t know anything about love.
you're better off and i know and i know
--
masterpost
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sisterspooky1013 · 3 years
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Only One Choice, Chapter 2
Read it here on AO3 / Tagging @today-in-fic
The Hoover building is still quiet at 8 am, weary agents are sipping their second cup of coffee and wrapping their brains around the task of the day. Studying the minds of murderers, rapists and sadistic torturers is enough to spoil anyone’s breakfast, and yet they approach it clinically, objectively. The reward of knowing that you helped take a monster off the streets is barely enough to keep them going, but they do. Maybe even more than that, they live with the guilt of knowing that if they stopped, it might mean one more murdered child or assaulted woman. One more man found floating in the river. So they get up every day and do it again.
Mulder stops by A.D. Kirkbride’s office to say good morning and finds the man angrily shoving the phone back on its cradle with a plasticky crack.
“Morning, sir. Going great so far I gather?” he quips from his spot in the doorframe.
A.D. Kirkbride scoffs, running a hand through his short cropped sandy-blonde hair. Diminutive in stature, Kirkbride is someone to be taken seriously. His pointed features and gold-rimmed glasses convey the gravity of the work they do here each day in his ever-present frown.
“These goddamn worthless couriers are on my last fucking nerve,” he laments, gathering the papers on his desk into one pile with jerky, frustrated movements. “This is the third goddamn time one of them has no-showed. We need that autopsy report from Quantico today, and because this worthless fucking courier decided to get the flu or something, we have to send an agent down there to get it.” He sighs and sits back in his chair, removing his glasses and rubbing the bridge of his nose. “Can you send Agent Wilkes in here, please, so I can let him know he has to waste two fucking hours of his day driving down there?”
Mulder shrugs. “I can go get it, I haven’t even started on the Marino file yet. It’s a nice day for a drive.”
Kirkbride eyes him skeptically. “You’re a senior agent, Mulder. You’ve earned the right not to be the bitch-boy.”
Mulder laughs good-naturedly. “I appreciate that, sir, but I really don’t mind. I just got the new Radiohead cassette, it’ll give me a chance to listen to it.”
Kirkbride nods and puts his glasses back on. “I guess it’s Wilkes’ lucky day, then. It’s the autopsy report for the Dugan file, you should be able to get it from the pathologist on duty. And don’t fuck around, we need it ASAP.”
Mulder puts a hand to his chest and makes a mock-wounded face. “Me? Fuck around? I would never, sir.”
Kirkbride shakes his head with a smirk and turns back to his computer. “Get the fuck out of here, Mulder.”
It’s a beautiful late-Spring day and Mulder really does appreciate the opportunity to take a drive to Quantico, even during the morning rush hour. Removing his suit jacket and loosening his tie, he pops in the cassette and merges onto I-395 South as Thom Yorke sings Paranoid Android.
Ninety minutes later, he’s parked near the morgue; having worked out of Quantico for years before securing a spot on the small team of criminal behavioral analysts who operate out of the Hoover building, he knows his way around. He first pokes his head into the office the pathologists share and, finding it empty, he moves on to the autopsy bay. The slabs are all clean and free from corpses, which is a relief. As many crime scene photos as he’s seen, the live version always gives him the creeps. A young woman in blue scrubs is perched on a stool with her back to him, filling out a form by hand. He approaches her, speaking when he’s still several feet away so he doesn’t startle her.
“Excuse me, I’m looking for the pathologist on duty,” he says, and she swivels on her seat, her shoulder length auburn hair swinging gently with the motion.
When she turns to face him, he’s momentarily struck by how pretty she is. Her red hair is complemented by ivory skin, a light dusting of freckles across the bridge of her Grecian nose. Her eyes are a brilliant shade of blue, not unlike the morning sky he’d enjoyed on his drive down.
“I’m the pathologist on duty, how can I help you, Mr.-” she looks at him expectantly.
“Mulder, Agent Mulder,” he replies, stepping forward to offer his hand.
“How can I help you, Agent Mulder?” she asks, taking his hand with a firm, confident grip, though her palm is dwarfed by his own broad paw.
“I’ve been tasked with picking up the Dugan autopsy report. Seems like there was a snafu with the courier,” he offers, stuffing his hands in his pockets in an attempt to act casual.
She stands, and he’s again struck, but this time by how short she is, barely reaching his shoulder in her sneakers. “That’s an odd task for an agent, isn’t it?” she says as she moves to a small filing cabinet and rifles through its contents.
He moves to stand beside her, leaning against the wall. “I suppose so, but I don’t mind. Nice to take a break from profiling sociopaths now and then.” He feels his heart do a little leap at the small smile that quirks at the corner of her mouth in response. “I’m sorry, I didn’t get your name,” he continues.
She turns to him, holding out a file. “I didn’t give it,” she says dryly. “It’s Dana Scully. I did this autopsy myself, actually, and I’d be interested to know what you make of it.”
He opens the file and leafs through its contents as she returns to her post on the stool, picking up her pen. She appears to see this conversation as concluded, but he doesn’t feel ready for it to end just yet.
“Ah, yes, I’ve heard a bit about this case, though it’s not one I’m assigned to. What interests you about it?” he asks as he follows her back to where she’s sat down, taking the stool beside her without invitation. She quirks an eyebrow at him, but doesn’t say anything about it.
“My findings indicate that though there is only one entry point for the stab wound, there were at least 15 distinct entries into that same location, which would suggest that the assailant stabbed him in nearly the exact same location repeatedly. I suppose I’m wondering what would possess someone to do that.”
He watches her speak with rapt attention, transfixed by the soft, sibilant S’s that pour from her pouty mouth.
“Hey Scully, do you know of any good coffee places around here?” he asks hopefully, completely changing the subject.
She gives him a curiously incredulous look. “Scully is my last name, my first name is Dana,” she answers.
He studies her for a moment, then shakes his head slowly. “You don’t look like a Dana,” he finally says.
Her eyebrows lift and he can see that she’s fighting back a smile. “Really? What do I look like then?”
“A Scully,” he says plainly, and his heart fills to bursting at the wry smile he gets in response.
She shakes her head and turns back to the form she was filling out. “There’s a place called Cafe Adamo a few minutes away that’s pretty good,” she answers his question.
“Great, are you free now?” he asks, forcing a calm demeanor even as his palms are becoming clammy.
She snaps her head up from the form to look at him with an open-mouthed expression of surprise, and he sees a bit of panic in her eyes. Not a good sign.
“Oh,” she stammers, “I’m sorry, Agent Mulder, I have a boyfriend.” Her cheeks are reddening in a devastatingly cute way.
He keeps his expression neutral, and can’t resist messing with her a little.
“I just meant as colleagues, Scully, to discuss the file,” he says matter-of-factly.
If she was blushing before, she’s morphing into a tomato now. She closes her eyes briefly and takes a breath. “I-I am so sorry, Agent Mulder, that was very presumptuous.”
He smiles broadly, no longer able to contain how much fun he’s having with this exchange.
“I’m just messing with you, Scully. I was definitely asking you out,” he admits, and her eyes go big before she deflates a little with relief, biting her lip and looking away with a soft smile on her mouth. “Thank you for this,” he says, holding up the file. “I’ll get out of your hair.”
He stands and moves to the door, stopping just before he exits. “Say hi to that boyfriend of yours for me,” he adds, “he’s a lucky guy.”
She blushes again and he takes a moment to soak up the image before he returns to his car. Tossing the file onto the passenger seat, he flips the cassette to side B and hits the road back up to Washington, finding that he can’t seem to get his mouth to stop smiling.
————————————————————————-
She slumps through the door at half-past six, dead on her feet.
“Hey,” Ethan calls from in front of the stove, “dinner will be about twenty minutes, if you want to take a shower.”
He knows that she always likes to shower when she’s performed autopsies, not wanting the stink of the morgue to find its way onto any of their furniture.
“Thank you,” she replies, toeing off her shoes and stopping by to give him a quick kiss before she moves to the bathroom.
The hot spray of the shower is a welcome relief and she emerges feeling much more alert. They sit at the table, sharing the details of their days over shrimp scampi and white wine. They tend to be very thorough in their retelling of their workdays, and Ethan gives a play by play of a meeting with his boss before Dana tells him all about a student who challenged her in front of the class and how she shut him down. She doesn’t intentionally leave out the interaction with Agent Mulder, but it doesn’t come up somehow.
After dinner, they curl up on the couch to watch ER together. Ethan is on his back with his head propped up on the arm of the couch, and Dana fits herself into the vee of his legs, her back resting on his chest. He idly traces his fingers across her collarbone and shoulders while they watch George Clooney and Julianna Margulies grapple with being both coworkers and lovers.
This is their favorite show, and yet her mind continues to wander to those hooded green eyes, and the boyish smile that played across his pouty lower lip. He was very cute, that’s without question, but she interacts with handsome men all the time at work; why is this particular one worming his way into her brain? She shakes her head to clear the thought, then rotates her body so that she’s belly to belly with Ethan, her head resting on his chest. He kisses the crown of her head and she sighs. She’s got a good thing here, that much she knows.
Maybe she should have gotten coffee with him, though, as colleagues. Maybe.
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mrslackles · 3 years
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what do you think are gg's biggest flaws?
Ooh, Anon! It’s like you’re in my head. 
I’m busy making a video (that will probably never see the light of day) about this --  my distance from the show has really helped with some super objective clarity -- so I’ll use my notes from that to help me answer. 
I’ll preface this by saying what I was most shocked by after putting down all the points was that Rio isn’t even mentioned until really far down??
Anyway, let's get into it.
These are Good Girls' greatest flaws in my opinion (and relative to season 1 -- while I think it had its flaws too, the list is far smaller and I think that's a separate post)
1. It didn't stick to its guns
What set this show apart from others in the 'Everyday person does crime (poorly)' genre was its comedic lightness, strong friendship element, relatability and emphasis on girl power.
a) By season 2, the lightness was already slowly disappearing to make way for season 3's darkness. (Quite literally; this show said sunlight scenes for WHO.) It also stopped being as fun. Remember how it genuinely used to be fun? I mean let's not forget The Best Scene Ever where Ruby shoots Big Mike by accident and we all laughed our asses off. (Compare and contrast to a similar-in-tone-and-context scene -- or even the whole episode -- like Boomer popping up behind them as Rio's package in season 3.) I think season 3 had some great lines and laughs, but in general, the fun element was completely missing for me.
b) As was the friendship. We already know Annie and Ruby basically became Beth's backup dancers in season 2, but at least then they still seemed to have some type of agency. In season 3, they rarely question Beth's (truly questionable) decisions, don't talk to her about shit like why she's still with her horrible husband and have very few true friendship moments as they did in season 1.
c) Which made it less relatable, but what also contributed was the major plot holes (it's less easy to relate when you're constantly having to remind yourself to suspend your disbelief). And, to be honest, their stupid actions. Just the most common-sense things weren't followed, like not taking your children to a crack den or not putting a hit out on a gang leader. It's frustrating watching a TV show -- where characters are supposed to learn things, have arcs and improve over time -- and feeling like you have more logical sense than all the main characters in every scene. (WHO would think a hitman was going to use a sniper rifle on people in broad daylight on the side of the road???)
d) You don't have to look any further than the title or the stans who shout "THE SHOW IS ABOUT THE GIRLS" -- or, hell, the first 10 seconds of the show where Sara is literally talking about the glass ceiling -- to know that the main characters being women is very important to the show. If not formally feminist, it was at least supposed to be empowering or feel like "girl power" (a term I hate, but we won't get into that now).
And I think it did it pretty well in season 1 -- it actually played on my favourite theme of the show, which is the world's perception of these women being what ultimately allows them to get away with so much. (Rife with opportunities for commentary about white privilege, but also a genius way to upend patriarchal beliefs.) But more and more it seemed like the show was asking you to accept empowerment as simply "these things are being done by women, yay".
And, well.
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2. Its marketing
I'll keep this one short because I think we all know how messed up this situation is. Basically they're selling a show (every week!) that they're not making while ignoring all feedback on every social media platform. Which brings us to...
3. The marriage of Death
If I've said it once, I've said it a thousand times -- Beth's character development starts with getting rid of Dean. Her growth is stunted by him on multiple fronts and it's frustrating to viewers since she's constantly put forth as the main character. Not to mention how the audience, separately from Beth, was originally conditioned to see Dean as the scum of the earth (think of scenes like him crashing his car because he was perving on a woman jogging) so keeping them together is really... a choice. To actively root for this marriage (which seems like what the show wants, at least for the protracted moment) means either thinking Dean is a great person (which, as I said, we've only seen the opposite of) or believing he's all Beth deserves. Which leads me to...
4. Beth's (socio)path(y)
Is sociopath a 'good' word? Probably not. Have I seen dozens upon dozens of posts talking about whether Beth is one? Yes. And I see it from a huge variety of people -- from viewers who just binged the show last weekend to those who've been watching for years, the question keeps coming up. And I entirely blame the writing of the show that, by the way, I don't believe is deliberately creating Beth to get this reaction. I think she's written (and, to an extent, acted) in a way that is much too aloof and I'm not convinced it's meant to come off as cold and unfeeling as it does. Everything else leads me to believe that the audience is supposed to root for Beth, but it's just so difficult.
Beth does a lot of messed up shit that requires dialogue to sympathise with her and the inner workings of her mind, but in the later seasons Beth rarely gets to express herself verbally. And every time she does get to speak about her emotions, the dialogue is a pick-your-own-adventure between "She's in so much denial", "This person feels no emotions" and "I'll go find an analysis/fic later to explain this" (scenes like "Nothing" or "I was just bored"). Compare and contrast with some of the great scenes in season 1 where she emotes, like her paralysing shock after they first rob the store or admitting she enjoys crime, or (one of my favourites!) the one in the park where she's mimicking the other mothers beside her.
5. Brio
I said in the beginning that I was shocked Rio doesn't get mentioned until this point and that's because I've always felt like he was an integral part of the show. When people say the show is about the girls, they're truncating -- the show is about the girls getting into crime. That crime is represented by Rio over and over again -- they never bring in another criminal at his level (which is another one of its flaws, but that's also a different post); Rio is it.
And though I stand by Rio's importance, the truth is that Brio isn't as essential to the show, by which I mean that if all of the above were done well, it wouldn't be as sorely missed. In lieu of riveting plot, a fun friendship, character development and empowerment, most viewers have glommed onto Brio like a lifeboat (or ship, heh).
Unfortunately it's also what the show has most stubbornly refused to develop significantly.
It's honestly a toss-up for why I feel Brio is a flaw: is the flaw that they got together? That they never got together well enough? That the writing keeps bringing in these 'chemistry-filled' scenes that are ultimately filled with air?
I don't know. Maybe all of them; maybe just one, depending on the day.
6. Its criticism falls flat without intersectionality
This is a big one because Good Girls is *trying* to do something very clever. As mentioned previously, my favourite theme of the show is how the women's apparent innocence/vulnerability in the eyes of society is their biggest strength. The show plays with this and other interesting themes with varying levels of success, but ultimately they all fall a little flat when they don't feel intersectional.
When Ruby gets sidelined. When Turner, who sees and all but calls out by name Beth's privilege, is portrayed as the villain. When Rio is told he's gonna "pop a cap" in his young child's "ass". When the racist grandma becomes a sympathetic character whom we must later grieve. (And she really didn't have to be racist, now that I think about it? It was just that one line for laughs and that was it.) When, despite the real-world implications, Dean can loudly announce in a store that he's buying a gun to kill someone with and the show just glides past it. When Ruby has to grovel for forgiveness from Beth for trying to protect her husband and family from the system, with no acknowledgement from Beth about how their realities are different. When Rhea gets booted off the show as soon as she's done serving Beth's plot. When Rio gets treated like a prostitute for absolutely no reason. (Oh, and is accused of raping Beth and is literally spoken of as an animal and starts only existing in zero dim lighting as a one-dimensional stereotype... the list goes on.)
7. PR/The actors
I'll risk my life here to sprinkle this in because I do think it's a massive problem. The Manny/Christina of it all is just the tip of the iceberg (although wtf Good Girls? There's nothing you could do to get these two into an interview together??). The main actors do the bare minimum to promote the show and it's weird. I also think it's the height of unprofessionalism to keep characters on the show against the wishes of the majority of the audience just because you enjoy their actors (Boomer confirmed; Dean highly suspected). While, on the flip side of the coin, limiting a character's screentime because you aren't best buddies with them. Having less and less Rio when he's such a fan favourite is dumb; as is not including him in any series marketing material. It feels personal and that isn't how a TV show should be run.
8. The entire hair and wardrobe department needs a stern talking-to
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popculturebuffet · 3 years
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Static Shock: Shock to the System and Aftershock Review
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“You know what? 13 years ago, me and some friends sat in a restaurant all night and daydreamed about the kinds of stories we would tell if we had the chance. We wanted to expand the concept of superhero to include characters that kind of looked like us, who had some of the same background, experiences and dreams as we did. We wanted to create something fun that a new generation would respond to the same way we responded to our childhood heroes -and damn if we didn't succeed beyond my wildest dreams. Today, Static Shock is a household name with millions of fans of all ages (Is there stuff I'd do differently? Yeah, almost all of season four but why nitpick?) Static is the most successful thing I've ever helped create and I'm both proud and gratified that people have taken it into their hearts. “ 
Dwayne McDuffie, Co-Creator of Static and Writer for Static Shock
This review is dedicated to Dwayne McDuffie and Robert L. Washington III.                                                        Rest In Power Static Shock is awesome. I grew up with the show watching it both first run on the WB and second run on Cartoon Network and loved it as much as I did other large parts of my childhood courtsey of DC like Batman the Animated Series, Teen Titans and both Justice League Shows. What makes this unique among the DC Properties is that Static wasn’t really a big name when he got a show. He wasn’t even part of the DC Universe. 
See as I had no idea for probably a good decade, Static actually came from Milestone Comics, a company ran by and focused on african americans. The goal was understandable: While black heroes existed at the time, and there were some fantastic ones like Storm, Jim Rhodes and Steel... these guys weren’t the center of their universes. The big faces of the big  companies, Spider-Man, Wolverine, Hulk, Iron Man, Superman, Batman, Wonder Woman, The Flash.. were white. So milestone was a shakeup of that with the main teams and heroes all being black, from Icon, an alien who’d lived among man but rather than end up in kansas like say superman ended up imprinting on a slave woman centuries ago and has been with us since, who was encouraged by an energetic teenager named Rocket to put on a costume and do something with his powers and his community, Hardware, a tech genius who had his work stolen by a white asshole and wanted to fight back and BLood Syndicate, a group of gang members all caught in the “The Big Bang”, a huge fight between all of Dakota, the midwest city where the comics take place, that ended when the police released a bunch of experimental gas that gave them all super powers. 
As most of you who have watched the show already know, this is where Static comes from. Static was the company making their own Spider-Man, i.e. a nerdy teenager who suddenly gets super powers, in this case Virgil Hawkins who at the prodding of a friend took a gun to The Big Bang to get revenge on a bully. .but ultimately couldn’t go through with it, decided it wasn’t him and got rid of the gun and ran.. and still ended up in it, becoming Static, a young hero dedicated to using his powers to fight other “Bang Babies”.. a term that dosen’t really sound that great and they really should’ve thought through. But Phrasing aside the character was great and I look forward to reading more and only haven’t because I have to buy the issues gradually, but DC is currently re-releasing the individual issues of Static, Icon, and Hardware weekly in anticipation of a reboot of Milestone Coming in May digitally on Comixology at only 2 bucks a pop, and rereleased the original print collections that were long out of print for 10 bucks each, though i’m getting static on it’s own since i’ts really not that much less expensive as it only collects four issues while Icon and Hardware both collect 8, so I can wait a bit there on Hardware and already own Icon: A Hero’s Welcome.. and really need to review it at some point. 
While Milestone’s output was good, at least from the two books i’ve read, with Robert Washinton III, who sadly not only ahs also passed but was fucking homeless for a while  in the 2000′s.. what the actual hell, writing Static alongside Dwayne McDuffie, whose later moved onto animation writing tons of Static episodes all of them classics including the school shooting episode, the first three rubberbandman episodes and both Anasazi episodes. Point is it had good writers and artists and even had a distrbution deal with DC, so they had a leg up on the glut of other comic book companies.. but happened to start at the start of the comic book crash, a huge downturn in sales in the 90′s as the speculator boom, i.e. a bunch of people assuming every number one would be worth golden and silver age money, forgetting a character has to BUILD INTREST and this stuff takes time, and whose attempts to sell fast flooded the market with comics no one wanted,, caused the roof to cave in and with a bunch of assholes pegging milestone as a “Company for black people” rather than you know, a company trying to add fucking diversity and represntation to the comics industry, and that simply wanted a unvierse that was centered around people of color instead of white guys. The company eventually had to shut down, and was left to lisencing.  This is where the show comes in. Producers HAD been trying to make shows based on Milestone for a while, as far back as the mid-90s and the company was was all for it but the closest it got was an x-men style team series using various characters whose first draft was terrible and whose second draft by Alan Burnett, a producer on various DC Animated shows who’d go on to produce Static Shock, that McDuffie and others really liked but sadly did not get picked up. eventually though with presistance Static ended up getting a series and as I said McDuffie went on to write for it though he did not develop it. Some changes went into place naturally to make it work for an early 2000′s kids show and while i’ll probably miss so since again, only read one issue as we go. But due to Milestone coming back my intrest was peaking, hence finally reading the copy of Icon I had to buy from the library years ago due to keeping it overdue but am now EXTREMLEY glad I own as i’ts incredibly rare and really damn good, and wanting to read static, doing so lately since it’s finally on digtiial and again not too expensive. So join me as I give you a shock to the system and revisit this hell of a series to see if it holds up.. which just to cut that short it does and i’m only holding off binging MORE because I want the first two eps to be fresh enough in my head to review properly.. and also go over the various voice actors because that’s a thing with me now and charcter co-creator dwayne mcduffie because he’s awesome. 
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As I like to do when covering a series first episodes, let’s run down the voice cast. 
First up is an UTTER LEGEND, and I use the term voice acting legend a lot, and mean it every time and have good reason to use it when I say it, and Phil LaMarr is a GOD in the buisness, having done a metric ton of voice acting roles, and being easily the most proflific black voice actor in animation. He’s also done some acting work, mostly in pulp fiction which I have not seen, but his true staying power and talent is in animation so here’s just the roles I feel are most notable or may not be very notable but i’m bringing up anyway because it’s my list. 
His roles besides Virgil include Lester Payton the Texas Ranger who showed up for one very good episode of king of the hill to be badass and show up the hickish, stupid and very punchable local Sheriff, Gearld’s obnoxious older brother Jamie O on Hey Arnold, Hermes Conrad from futurama, Carver from the Weekenders (PUT IT ON PLUS DISNEY), Axel Foley for exactly one bit in Clerks the Animated Series, but anyone whose seen it will know exactly which one, Micheal on the Proud Family, Black Vulcan on Harvey Birdman (In His Pants), Hector Con Carne and Dracula on Grim Adventures of Billy and Mandy and Evil Con Carne, Jack on Samurai Jack something I didn’t know for decades (and I didn’t know about the carver thing till today though i’ts obvious in hindsight), John Motherfucking Stewart on Justice League and later Steel and Adult Static in the Unlimited seasons, Osmosis Jones on Ozzy and Drix, Bolbi Strogofski on Jimmy Neutron (And yes i’m just as shocked as you are.), Wilt on Foster’s Home for Imaginary Friends, Marcus on Life and Times of Juniper Lee, Bull Sharkowski on My Gym Partner is A Monkey and Also a Sociopath Please Help God My Life is a waking nightmare..... okay the rest of that title is implied but we all watched the same show, we all know in our hearts that was the title
Moving on, he was also, and yes there’s MORE: Maxie Zeus on The Batman, Philly Phil on Class of 3000, Both Robertsons AND Fancy Dan on the Spectacular Spider-Man, Jazz on Transformers Animated, Kit Fisto and Bail Organa on Star Wars the Clone Wars, Gambit and Bolivar Trask on Wolverine and the X-Men, Aquaman I, L-Ron and Green Beetle on Young Justice, J.A.R.V.I.S. and Wonder Man (Simon Williams) In Avengers: Earth’s Mightiest Heroes, Gabe and Carny on Kaijudo: Rise of the Duel Masters (Really miss that game and have been snapping up what cards I can get lately), Baxter Stockman in the 2012 Teenage Mutant Ninja Turtles (And there’s also an awesome photo of him with 2003 Baxter... the two best together in one place. I got chills), Dormammu (I’ve come to bargin) in various Marvel Shows, Noville in Mighty Magiswords, Zach’s dad Marcus in Milo Muprhy’s Law, Craig’s Douchey Brother Benard on Craig of the Creek, showing he’s clearly come full circle, And Mr. Scully on the Casagrndes. And given It took about two paragraphs to cover all of this, yeah, I MEANT legend. 
Next we have Kevin Micheal Richardson as Virgil’s Dad Robert, and it’s the first time since I started introducing Voice Actors on a show that i’ve overlapped. I already covered him during the second episode of legend of the three caballeros, but for the short version he’s also very acomplished, very damn good and I somehow missed he played the old blind guy in hey arnold> Needless to say the dude is awesome. 
Virgil’s Sister Sharon is played by Michele Morgan who was in the rap group BWP and did some smaller roles outside of this the one exception being Juicy on the PJ’s, which I have not watched much of but REALLY do not like, though i’ll at least give it credit for being a decently long lasted black claymation sitcom at at time when there were, and hoenstly still aren’t, many black animated shows. 
Back to long casting sheets, next up is Jason Marsden, who is one of my faviorites as i’ve realized recently as Ritchie. As I also found out only recently he started on the Sitcom Step By Step and while that show is .. ehhhhhhhhh, he is great in it because he’s great in everything. He also apparently has his own internet variety show which I have to watch now. His roles include Max Goof, ironically given I was just talking about that role a few days ago, Haku in the english dub of Spirted Away, Micheal, the kid being yelled at by a bunch of 80′s cartoons characters not to take drugs in Cartoon All-Stars to the Rescue!, Nermal in the DTV Garfield movies and The Garfield Show, Tino on the Weekenders (SERIOUSLY DISNEY), Snapper Carr on Justice League, Rikochet on Mucha Lucha! for the last season (Why I do not knkow and while I love the guy he was not the right choice), Felix on Kim Possible, Chase Young on Xiaolin Showdown (WHich I did not realize was him and now I do easily his best role and I REALLY should’ve), Red Star and Billy Numerous on Teen Titans, Speedy on Batman Brave and the Bold, Impulse/Kid Flash II on Young Justice, and Fingers on Kaijudo. He hasn’t done as much lately which is a shame but hopefully i’tll pick up again. 
Next up is Hotstreak, Virgil’s brutal bully turned unhinted pyromancer played by DANIEL COOKSY, another actor i’m happy to talk about and another faviorite I haven’t seen much of lately. Daniel was an actor from childhood, playing Budnick on Salute Your Shorts, but he quickly gained a long and storied catalogue of VA Work: His first big roll was as Montana Max on Tiny Toon Adventures and if there is a god he’ll be back for the reboot, Stoop Kid on Hey Arnold, the incomprable Jack Spicer on Xiaolin Showdown, far and away his best role and part of why Chronicles sucked so bad was he was he didn’t get to reprise the role, The titular Dave the Barbarian, Django of the Dead on El Tigre (Had no idea), Kicks utterly insufferable big Brother Brad on Kick Buttowski and apparently he’s back at it again after laying low for a bit as he’s voicing Snag in Long Gone Gultch.. which I already really needed to watch but hot damn, I missed him. Sign me up. 
Frieda, Virgil’s crush and close friend who in the comics was his main confidante and love intrest but here is eventually pushed aside, is voiced by Danica Mckeller whose work didn’t seem all that familiar.. until I found out she was Ms. Martian on Young Justice. Hello, Megan. Very talented and she did get a major role in a dc show eventually so good for her. Can’t wait for season 4. 
So with our major players out of the way,  let’s talk about Dwayne. McDuffie is an AWESOME man and my respect has grown for him more and more with time. A writer and editor at Marvel, McDuffie has a decent resume doing smaller but awesome books, which I got most of for free last year when Marvel was giving out free digital collections due to the lock down, like Damage Control, a sitcom set in the marvel universe about the company that picks up after superhero battles and the logistics and antics that insue and Dethlok, about a pacfist trapped inside a cyborg zombie. He was as mentioned one of Milestone’s founders, and wrote Icon, Hardware and co-wrote the first few issues of Static. He’d go on to a pretty stacked career in animation, writing on this show and Justice League before becoming  story editor and show runner for Unlimited , even making a return to comics as a result writing the Marvel miniseries beyond and an arc of Fantastic Four in which Black Panther and Storm filled in for Reed and Sue while the two of them worked on their marriage after Reed did.. pretty much everything he did in Civil War. He also became head writer and show runner for Ben 10: Alien Force and Ultimate Alien, revamping the franchise a bit, and Alien Force, at least the first two seasons are awesome and I feel people overreacted on the changes. Ultimate Alien is okay, but has it’s problems but the finale was awesome and left the man’s legacy on a high note.. as he sadly passed in 2011 due to heart complications. He is truly missed and produced some utterly amazing stuff whlie he was alive. So on that melacholy note let’s see what happens when his creation hits the tv screen shall we?
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Shock to the System:
This episode is written by Christopher Simmons, who is apparently a huge art designer guy.. but i’m not sure that’s the same chirsptoher simmons. Much more notable is the writer of the episode after this Stan Berkowitz, who was showrunner for season 1 and has done a LOT of DCAU work and is suprising talent, having written a lot of awesome Justice League episodes including Secret Society and The Royal Flush One. Point is we’re in first class hands.  Before the episode itself I want to talk about the intro and how it’s unique among DCAU shows. Like most Western Animation the intros for DCAU shows didn’t change much over the seasons with the most I can see is JLU changing up the footage to preview the current episode and later adding Hawkgirl to the intro after her return to the team. I THINK superman the animated series changed some of it’s footage too, but I can’t confrim it and may of just been imagining it. As i’ve talked about on my blog it’s normally a pet peeve of mine, mostly because shows you know, change after season 1, characters get added some one shot characters used for the intro never return, and after a while it can feel dated especially in more recent shows where the status quo is not at all set in stone and things change quite a bit. But sometimes it can be good enough that either the dated elements don’t matter or general enough that you don’t need to change it and i’ts just that good.. and given Batman the Animated Series has both in spades, you can see why i’ts probably my golden standard for intros and after superman the animated series DC mostly followed suit. But being part of the teen superhero boom of the 2000′s Static is unique in that it splits the diffrence: It’s intro gets the character across perfectly like a good intro should starting with Virgil getting out of bed and running a comb across his head before showing off to his sister to bug her and literally running into his dad who hand shim his bag and smiles, silently showing off his family. He then runs to school and runs into some trouble.. and said trouble changes for each intro, with Rubberband Man for season 1, Kanga (Whose name I only know because I happened to run across it) for season 2 and your guess is as good as mine for seasons 3 and 4, though Hotstreak is a constant. They still save some money for seasons 1 and 2 by recycling some animation.. but that’s alright with mea s it was good animation, and the improtant thing is cycling out old villians for new ones, while Season 3 is the only out and out redo to show off Richie taking on the Gear identity, adding about 10 seconds of intro to let him show off.  Seriously it’s an utterly great intro and like the other DCAU intros outside of superman, stuck in my brain. 
The other change that’s ENTIRELY diffrent from the rest of htem is that the music changes each time. The first two have the same formula just with a difrent vocalist and backing track: a superhero theme but with some hip hop beat boxing over it. The first intro is fine enough, not specattcular but stilll god. The second song.. is eh. Not really great and feels like a marked downgrade from season 1 and just dosen’t blend an ocrehstiral superhero theme with the beatbox elements NEARLY as well. The third song though is my faviorite.. even if I HATED Little Romeo as a  kid because I really did not like his nick show, it’s more a straight up rap song, but it has a faster beat that fits the intro better, and Romeo’s bragging fits Virgil’s character and penchant for Spidey quips perfectly. I also find it ironic that the theme that blends in with the dcau the most, the first season’s, is the one from BEFORE they decided to put it in the same universe. Still this season’s intro slaps, I just like the LIttle Romeo one a bit more.  The opening scene is picture perfect. Some masked crooks looting a warehouse are loading some stolen TV’s into a van when suddenly the lights come on one by one above one of the crooks before his tv switches to various channels before going haywire. Cue our heroes’ entrance. Let’s tak ea good look at him
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Static’s Costume is awesome. While I prefer the season 3 redesign, and clearly DC agrees as the redeisgn was used for both pre and post new-52 when they used him, and while he’s getting a fresh design for the reboot, said design takes a lot of cures from said outfit. As for how the outfit differs from the comics itself  this is the design he had in the comics
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It didn’t change much from the first issue, with the exception of his now iconic big puffy jacket which was added pretty early into the character’s history but I was unaware of that and just assumed he had the bodysuit the whole time. The more you know. But as you can see outside of the cool puffy jacket over a costume the two couldn’t be more diffrent. While the Dakotaverse outfit is more a standard superhero outfit, with some regular clothes touches on top the first cartoon outfit comes off more realistic, looking fantastic, but still coming off as something two teenagers could realistically have thrown together with what clothes they could buy, while still looking awesomely superheroy. IN short it’s perfect and only topped by the season 3 onward look...
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But the slicker look, with an even cooler jakcet and the new colors all fitting the lighting ascetic better, but fits: not only has Virgil come along farther since he started, but with Richie now having a genius brain as Gear, he can provide a far slicker, far more professional superhero outfit on the budget the two have.  This show is just great  at costume design. 
So getting back to the episode at hand, Static puts up a huge sign in elecrticy saying “Bad guys here”, PFFFT, and then hides away and narrates that a few days ago he’d be the last person anyone would’ve expected to be a hero. Cue Flashback. 
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We meet Virgil Hawkins on an average day: rapping into his razor, getting into a petty argument with his older sister Sharon, as a younger brother myself I relate to this, and talking to his dad who tries to get them to cut that out. We find out his mom has passed via his sister making really terrible eggs and saying that’s how mom made them. Exposition! Though we do get a great bit through this as when his sister gets distracted by her boyfriend calling, he uses the opportunity of her leaving the room to dump the eggs.. after having earlier jokingly prayed to his mom for a way out of breakfast. “Thanks for looking out for me mom” That’s both very sweet and very hilarious. 
This is a change from the comics it turns out as I was utterly flored to find Virgil’s mom alive and well when reading the first issue of Static. Turns out this was a change made during development and one Dwane McDuffie admitted in the interview I got the tribute quote from to not liking as he had a good reason for having Virgil have a nuclear family, as most black families in media at the time were just one single parent and a kid or two with the other having either left or died. He wasn’t too bothered by it as while he preferred what he came up with in the first place, the show DID get some really good stories out of her being gone and didn’t just have her be absent because shut up. Virgil is still working over her death and the way HOW she died ends up playing an important role in this episode and gives Virgil a dislike of guns, as she died to gang violence. So the change wasn’t for stupid or racist reasons, but likely both to keep the character count down while giving them something to work with for storylines. Or it could’ve been for stupid reasons and the writers simpily made lemonade out of that very dumb lemon, either way it ended up working.  Virgil also plans to ask his friend Frieda out. Frieda was a bigger deal in the comics, being Virgil’s friend and confidante as well as his ocasional love intrest, but here while she was inteded to at least be his love intrest here, that sorta fizzled out. As for the best friend role we meet her replacement in Richie, which McDuffie conceded was the kind of change a studio would make swapping out a female character for a male one. That being said the crew made the best of it and Richie is awesome, a bit of an overcompensating dipstick at times, but a good sounding board and pal for virgil and funny as hell too. He was also gay, something only revealed post series by McDuffie.. but unlike say Dumbledore, it’s a bit easier to swallow here: The early 2000′s were an even worse time for gay characters in tv let alone cartoons, and if they couldn’t kiss or have sex scenes on regular tv, there was no way we were getting any representation in a children’s show. So it was largely just hinted at by Richie overcompensating in how “into girls” he was and i’m once again fine with this being word of god as it was literally the best they could do and his counterpart in the comics was also gay, if not as relevant.  Ritch encourages Virgil to work on his opening to ask her out as it’s awkward as heck, hits a bit close to home.. but I do appricate the show just .. having him try and ask her out from the first episode. They likely would’ve drug thigns out a bit granted had they used Frieda more, i’m not blind to the convetions of the time. .but as someone who got the very wrong idea from tv that just waiting around meant a girl would like you eventually, when no you need to actually try even if rejection happens, I honestly wish we had more of this in media than the other garbage morals at the time. 
So he prepares to , not helped by her mentioning guy after guy is asking her out.... but before he can F-Stop, the future hotstreak, shows up.  F-STOP
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That being said...... it’s not as bad as the original gangster name for the comic’s version, Biz Money B. Yes BIZ MONEY B
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So yeah while F-Stop is no more intimidating, it at least means I can stop laughing. Francis, because I can’t type F-Stop without laughing and this review is already behind, shoves Virgil out of the way and agressively hits on Frieda, even saying “you smell good”, the international sign your a douchebag and also to call the police. Virgil steps up to the guy and gets PAINFULLY slammed into the lockers, something I give the animation team a lot of credit for, as you can FEEL how fucking painful that was. Virgil is saved by Wade, another local gangbanger who in the comics was a close friend of Virgils but here saves him seemingly just because.. seemingly. 
On the way home though Virg’s problems don’t end as naturally, the giant sized asshole with nothing better to do has his goons corner virgil before VIOLENTLY beating him.. off screen but the noises, and the clear brusies including a black eye, on virgil afterwords.. just holy damn i’m suprsied they got away with this but it shows just how horrifing it was and that this is a step above regular bullying, which make no mistake is absoluttley terrible and the series would later do an episode on it and school shootings, into straight up gang violence. Wade shows up again and gets the bastards to flee.. but also makes it clear he can’t keep doing this.. and forces Virgil to meet him at his base under the bridge. And it’s a tense sequence, with Virgil KNOWING this is a bad idea but having no real choice and Wade making it abundantly clear that he wants Virgil to join his crew, and makes a chilling point: while Virgils dad RIGHTFULLY dosen’t want his son to join a gang as Virgil points out.. he can’t be there for him all the time and eventually one of those times, Francis will be around. And he may not surivive that. Virgil nods noncomittaly.  At home it gets even more grim as he dosen’t open up to his family, understandably as his dad would jsut say to call the police and well.. we’ve seen how the police treat black people. At best they’d just try and use Virgil as an informant and that likely wouldn’t end fucking well for Virgil. Ritchie points out he can’t join a gang, virgil’s mom died that way.. see told you it’d be important to the plot.. but I like how the story dosen’t offer an easy answer.. well okay he gets electric powers soon enough but without the fantastic element this is just an innocent kid caught between either joining the very thing his mom hated or hoping a system not built to protect him will keep him alive. It’s utterly saddening and chilling and holy shit is it amazing a cartoon in the early 2000′s was able to get away with.. ANY OF THIS, and they handle it great, paired down a bit from the comics but even then it’s still incredibly balsy they got THIS much in. 
Naturally Wade calls in his favor and our hero is forced to come running.. and soon finds out Wade’s brought him in for a massive gang war. Welcome to the big bang, baby. He hands Virgil a gun as things get started and Virgil.. drops the thing and tries to escape, in a harrowing sequence.. and runs into Francis because god apparently REALLY hates this kid today. As if to prove that the police show up and while that prevents a beating, they demand they disassemble. then release untested gas on them because of course they do. 
As a result the big bang truly begins, with the various gang members getting mutated.. and naturally so does virgil. Though he wakes up the next day seemingly fine. How’d he get home? Does his dad know where he was?
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I don’t know and we’re not getting any answers, but Virgil soon finds weird stuff happening like his clock shorting out, change being attracted to him and his razor going wild. It’s only once he get sback to his room he gets an inkling of what’s going on and calls Ritchie to meet him at the Junk yard.. though it is a bit of a dick move as he dosen’t you know, tell him anything about Wade or Francis right away. He does at the yard though.. and that he has powers, having finally figured out how to use them to a point. And the series does provide a decent justification later as to why he’d get this so quickly: Virgil is a smart kid, gets great grades at school and apparnetly there’s even an episode later where he gets a scholarship to a fancy genius school. So him getting how elctromagntisim works or being a quick study on it makes perfect sense. 
Richie suggest the obvious.. to become a superhero. And the thought.. hadn’t occured to Virgil. It’s honestly a nice twist on the old trope. That he hadn’t thought of it, not because he’s selfish or any of that or needs to learn a hard lesson, those have been done.. simply because the rush of getting his powers, and implicitly of having a way out of his current predciament, a way to keep Francis off his back and keep Wade from pulling him in further. His own path. But once i’ts brought up.. he jumps on it. Part of it is being a nerd like you or I, of course he wants to.. and being a good intetioned one, he knows this is the right thing to do. It’s waht makes a superhero a hero: Anyone can get powers in a universe like this, esepcailly the dcau, but it takes true courage and heart to use them selflessly and knowing you’ll be in danger. It’s why I love surperheroes: they often didn’t ask for this but they do it anyway because somebody’s gotta. We also get an intresting wrinkle is superman is, at least I think in this episode I could’ve missed it or misremembered things, mentioned as a fictional character. That’s because originally like the comics this wasn’t part of the DCAU.. but eventually the crew decided it shared staff from it, shared a network, both first run and on reruns, why not just make it part of the DCAU proper. I fully support this decisionf: While i’m midly annoyed unlimited never really used anything from static shock outside of Static himself in the time travel episode, despite you know Static and Gear having BEEN to the tower and not being much younger than Kara and defintely older than Courtney, I chalk it up to weird rights issues or something like that. But having Batman, Batman Beyond, Superman, Green Lantern and the Justice League itself all guest star was a good idea, and expanded both static’s universe and gave the DCAU something differnt as most heroes in it were older and more experinced in contrast to the up and coming virgil. Again really would’ve been nice if he and gear could’ve been a part of the expanded league but production might of just been too far ahead or, given he had his own series, they might just have wanted to stick to toher characters. Also begs the question why Icon or Hardware wasn’t adapted for the expanded League but hey, questions for later and the tricky logisitics of the milestone rights might’ve been the issue. I don’t know I wasn’t in the room. 
So we get a costume montage, including Black Vulcan from Superfriends, who again ironically would be voiced by Lamarr not too long after this, though weirdly they DON’T use his outfit from the comics for this montage. I mean why not? It fits the gag and would’ve been a good second to last choice.But what could’ve been aside we get our winner and cut back to present day...
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Thanks boys. Static finds out one of the things in the warehouse is a shipment of computers for the school and can’t help but show off, showing up to the school, where Frieda and Richie are setting up for the dance, and dropping off the computers, and even saying his catchphrase for the first time “I’ll put a shock to your system” (Which Richie chimes in with awesome line and I agree, great catcphrase), before helping set up and flirting with frieda. 
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Though as Richtie says he’s a natural. He’s not wrong as he can work a crowd. .but back it up too as his first run out had him easily taking out the crooks, and as many teen superheros and fans of heroes of hte type, myself included will tell you, getting it right in one is not easy. Not even Miles MOrales was immune. All Static needs now is a villian. 
And the end of the episode provides one as we see, in horrifc and once again damn suprising detail most of hte new metas aren’t doing so good and are melting and other stuff and we catch up with Francis whose burning up.. and naturally given that hair, though given he named himself F-Stop it’s the least of his problems, he’s got fire powers and escapes to “Have me some fun”
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So with that we end episode 1. And it’s excellent, a great way to introduce the hero and while the warehouse opening is a bit superflous, it is a decent addition, showing our heroes first outing in costume and giving us a bit of an action scene to get us through the very heavy rest of the episode. But the rest of the episode is no less grippping, telling the tale of a teen caught in an unwinnable scenario who suddenly finds a way out. And speaking of which waht of Wade? Will we see him again? Is he perhaps Ebon, the series big bad as I thought when I was a kid? What comes of the man who directly caused static’s origin?
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Yeahhh that’s the one mistep I think the pilot makes. Frieda is understandable as that was likely a simple change in creative direction. This though? Why build this guy up if your not going to bring him back. I mean where he went was probably the grave, as he probably did due to his mutation, but it’s still VERY weird to spend a whole episode focusing on this guy, building him up as a big personal threat to our hero.. and NOT have him become the series big bad. And maybe he WAS supposed to be ebon and they just changed their mind. I don’t know but it bothers me it bothers me a lot. Otherwise though flawless. ONe more to go. 
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Aftershock: We open outside an electronics store, as our heroes watch the news reacap what happened in the first episode, with the media dubbing it the Big Bang and revealing their could be hundreds of “Metahumans”, as Virgil dubs after deciding the media’s term “Mutant” dosen’t fit, a nice wink to the fact that that’s the term used in dc comics and I believe milestone but could be wrong there. Me I like the term, has a nice ring to it. 
At the store while Richie mulls over waht this means Static finds out he’s a human CD player.... this was before mp3 players and streaming on your phone made them horribly obsolete mind you and if you don’t know what one is congradualtions you live in some sort of bubble and you made me feel really old junior. 
Frieda happens to be there and Virgil quips “What’s the matter they run out of britney cds”. Dude she’s not bad. Also be careful what you wish for man. Nickeback returned the year after this. You have not truly suffered through bad music yet my young friend. They spot a kid looking feverish, and he soon turns into a purple werewolf, as you do. It’s a bang baby.. those are richie’s exact word and you may not want to start a panic there bud. Just saying your best friend is one. THeir not all like this. Our heroes book it only to run into Francis who naturally refuses to let them leave and only doesn’t try to beat up Virgil because Virgil points otu the werewolf and nonplussed, he goes to fight it, scarring it off by revealing his own powers. He’s now dubbed himself Hotstreak which points for getting an actually good name kid. No points for what happens next as unsuprisingly getting powers did NOT mak ehim a better person and he attacks Virgil who blocks with a garbage can lid and thankfully is blasted into an ally. Richie tries to guard frieda for damn obvious reasons but gets hsi shirt burnt up because shut up Thankfully Static shows up, and we get our firsdt full on superhuman fight as both fight each other with aplomb, and it’s a damn good fight.. and one that goes pear shaped for Virg as he’s caught off guard when he finds out Hotstreak can use his powers to fly, and tackles him and his previous trauma causes him to freeze up. Thankfully , as Frieda put in a call earlier, the fire department arrive and HOt streak has to retreat, though Virgil is bummed that he “Choked”. And I love this as it not only shows Virgil’s inepxerince, as this is his first time fighting a bad guy but that just because he HAS power now dosen’t mean trauma and his previous fear of Hotstreak goes away or you won’t freeze up from time to time. It dosen’t make him weak or anything like some assholes would call it .. it makes him human. Humans make mistakes, and it makes him all the more relatable that he’s not pefect and that he did freeze up as I know I certainly would at last once in the circumstances. 
Things don’t get better at dinner as Sharon and Pops argue over the bang babies with Pops calling them a meance and Sharon pointing out Static exists so they can’t all be bad. See assuming a group of superhumans are bad because a handful of them ar edick sis why the x-men had to get their own island nation. You can only save an ungreatful populous so many times before you say “fuck it i’m getting my own island, pay me for life saving drugs, save your damn selves and stop doing genocides on us. Kay thanks”. But he does bring up a valid point that rattles his son: We don’t know anything about the Bang Babies or their biological structures and it’s likely they might further mutate into monsters, Static included. 
Virgil, understandably, wants to check this and thus he and richie compare blood samples in science, to no real conclusion. She he checks out with his doctor who assumes he’s sexually active in a great getting crap past the radar bit and a bit of realisim, but he agrees to the test though if something came up he would have to tell Virgil’s dsad and is up front about this. Nice dose of realisim.
That night City Council has a meeting and the Mayor TRIES to deflect Papa Hawkins questions about the bang babies which again, while being a judgmental ass as not every person hit was a gang member (Virgil, and as we discover later some others), and not every gang member is there by choice, some by circumstnace some, like virgil almost was, because they HAD no other option. Again years of reading x-men may of just made me a bit touchy on assholes admitely assuming superpower people bad. But it’s clear the public is upset and while she says an investigation is underway... Virgil and Richie are not only not convinced, but figure she’s actively covering it up. And unlike everyone else there who probably suspects the same, they can do something about it and tail her.  It’s during this, and cleverly as I didn’t realie till writing this using similar skills to his human cd player act, Virgil listens in and discovers whose behind it: Edwin Alva, whose apparently richer than bill gates and a beloved phinarophist Alva, as it turns out, was actually the arch enemy of Hardware in the comics, taking advantage of the guy in his civiliian idtentiy and thus casuing him to launch a war on the asshole. He does transition into this series well though, being the one behind the gas that caused it and with the mayor agreeing to back off, planning to simply dump the info about the big bang on a disc then destroy everything for now till the heat dies down. Yup sounds like a corprate douchebag. 
Static tails him, finds the lab and infiltrates it, stealing the disc.. but getting caught by Alva’s goon, and trapped in a glass prison, forced to use ALL his power to escape and barely getting out alive, but not before bouncing off alva’s car. Still he now has the proof.. and meanwhile Hotstreak, who I was wrong did get captured, is forced to take pill sbut spits them out once the orderly is gone. Dude.. WHY DIDN’T YOU WATCH HIM. Make sure he swallows that shit especially since, as he has no powers right now and can’t harm you. 
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Hotstreak escapes off screen and our heroes discuss the disc before he shows up, and we get a REALLY fucking amazing scene: Virgil ducks into an Alleway and ritchie is worried.. and Virgil disarms him with just one word responses Ritchie: Virg you can’t take him.  Virgil: Gotta. Ritchie: Well at least wait for the fire department Virgil: Can’t.  It’s simpile but it gets the point across: This is his fight, he can’t wait for help, and people need him. And this is what makes a true hero: It’s easy to be a hero when everythings going well.. but it’s the true ones who stick it out against the odds and fight anyway. And he’s going to.  So we get one hell of a fight, though naturally Hotstreak burns up the disc. And I do like this as it dosen’t feel contrived.. yes Static could’ve left it with ritchie.. but he wasn’t thinking in the moment and dind’t really have time to think abotu the disc, only that people were being hurt and he was all they had between them and Hotstreak. It was no choice at all. Still that pisses Virgil off that the last night’s work is now worthless, and he fully charges up and curbstomps francis who retreats into a clearing. Hostreak brags when static follows, as even he’s figured out Static needs to be around metal, as he’s usually on his disc or the street, and in the park there suppodsidly isn’t any. But he’s not THAT smart as Virgil points out two things: one, he hoped to do this on PURPOSE so they wouldn’t be around people and no on e would get hurt and 2).. this is a city, there’s metal everywhere.. and he awesomely and cleverly proves it by unlodging a sewage pipe with his powers and dousing his foe, winning and proving his stuff. I love this solution, it’s a clever spider-man type way to disarm him, using smarts and the einvroment instead of just brute forcing it. Though the sewage part wasn’t intetional our hero still won and gets praise from the people dumb enough to follow the fight. 
However at home Virgil points out it was  Pyrrhic Victory and shows off his smarts by telling the tale behind it, which I didn’t know,because tv tropes didn’t exist yet: king pyrhus fought the romans and WON.. but had so little armies left that he still lost overall. That’s what this feels like to Virgil: he beat hotstreak but any chance at a cure for Bang Babies and Alva going to jail for causing them is gone. His mood does get a boost though as the doctor calls and reveals he’s fine, he just has a bit too much elctrolytes and just needs to lay off teh salt. He celebrates, we get a quick gag and the episode ends
Aftershock is another stellar episoe, giving us Virgil’s first super foe and a personal one at that, while showing some growth. As richie tells him he’s not virgil anymore he’s static and he can’t let his past get to him.. and he does’nt going from cowering in fear to easily beating his foe with simple logic. It’s a good followup that answers questions you may have from the first ep, like what does this do to virgil’s body, who supplied the gas, and why has no one done anything about this, and sets up another villian for Static in Alva. Great stuff. I highly recommend these episodes and the show as a whole: it’s fast paced, grounded and enjoyable, having just enough levity to not be too dour but just enough tension and stakes to be intresting. A throughly fantastic superhero show and one that i’d certainly love to revisit on this blog If you have an episode of static or the dcau in general you’d want me to cover, my comissions are open and details are on a tab on my blog or can be gotten simply by asking me via ask or dm. Tommorow we’re going deeper underground, there’s too much damage in this town as the Lena Retrospective continues. So expect gay ducks, straight ducks and some terrfirmains. See you next rainbow. 
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biblio-bitch · 4 years
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Detroit Evolution Commentary Pt. 3 [FINAL]
It’s been a while, sorry. Life sucks ass sometimes and I had to do some transferring to my new laptop. I’ll write down some more fun facts as an apology. Disclaimer: This is all stuff I noticed, inferred, or interpreted. I didn’t write the film, anything I’ve interpreted is just that, an interpretation based on things I noticed using my experiences and knowledge. 
Fun fact #1: I have attempted to write in a proper novel style at least five times. After watching DE and watching @octopunkmedia ‘s script breakdowns and such, I've started writing scripts instead. I’m much farther along in those than I ever have been in books. 10/10 amazing for my visual based concepts.
Fun fact #2: My mental health was rapidly declining and I was losing interest in quite literally everything at the time the film was released. Watching the film and fixating on it for a month straight not only inspired me but helped me regain control of my life. Watching streams by the cast and Michelle while I worked for school made my productivity skyrocket.
Fun fact #3: I recently developed a tic that I now can’t get rid of. It was out of control for about twenty minutes right before I began writing this post. However, when I began re-watching the film (partially because it’s a comfort for me and I’m quite honestly terrified of what’s happening in the US right now) it stopped. So that’s fun.
As usual, spoilers and swearing under the cut! Quick note: If there should be a trigger warning on this or anything else I post, please let me know! I’m horrible at remembering to tag triggers. I’ll also be doing some quick posts on Umbrella Academy and my severe obsession with Jason Todd soon. Have fun!
As usual, here’s a list of people I know the users of in case you’d like to check any of them out. I’m likely missing people so feel free to let me know who I’m missing so I can add them!
Maximilian Kroger - Nines (@ maximiliankroger)
Christopher (Chris) Trindade - Gavin (@ trindabago)
Michael Smallwood - Chris Miller (@ michaelsmallwoodforever)
Carla Kim - Tina Chen (@ carlahkim)
Jillian Geurts - Ada (@ jilbobaggins_nyc)
Michelle Iannantuono - (@ octopunkmedia)
JJ Goller - Lazzo (@ quasar.cos)
Brett Mullen - Cinematographer (@ brettmullendirector)
Austin Butts - Sound Design (@ austinbytts)
Tiare Solis - Valerie (@ tiareleiana)
So I decided to put all of the rest into this post. It’s a long one. Not even that sorry about it bc I love this film with my entire heart. Warning for me getting sidetracked. I use a lot of Supernatural references but it’s because I’m visiting my dad and he’s binge watching the show. I like Dean and only Dean, don’t bully me for it.
The Wrist Grip™️ in the bedroom before Nines moves back
Shoutout to Maximilian Kroger’s muscles u go dude
Lighting Symbolism™️, big theme through the movie, honestly I think it’s beautiful and they did a wonderful job with it.
The little nod from Gavin as he starts talking about his nightmare 
You can see Gavin gearing up to move, like not in a normal way, in a “oh god I don’t know if I have the energy to do this” way and that’s Relatable™️
The little smile from Nines as they sit together
The SHARK PLUSHIE I LOVE HIM (THE SHARK HAS AN INSTAGRAM @ sharktreuse)
Nines being domestic, making coffee and breakfast, being Soft.
Shirt change??? Either I’m blind or he’s wearing a different shirt in the morning (He is. He’s wearing a t shirt at night and a buttoned collar shirt in the morning. Perhaps he changed? He’s wearing normal pants so he probably changed but he’s not wearing that same shirt in the next scene)
Ada eye rolling at them being passive aggressive dumbasses. Same. Apparently Jillian kept fucking with them which is,, so valid. 
The lighting in this scene (the office pt. 2) makes Maximilian look Android-white and outlined in the CyberLife blue-ish color. Very symbolic, I have no idea if it was intentional.
Another shoutout, this time to Maximilian’s eyebrows, the expressiveness is *chef’s kiss*.
“You can thank me later, Casanova.” Nines: *confused Android noises* 
Honorable mention to Michael’s Foo Fighters t shirt in the bar, it’s vintage.
Nines is in fact wearing a different shirt now. Not the same shirt from the morning bedroom scene. I also think he’s wearing a different jacket. Less of a peacoat and more of a leather jacket. Nice.
Shoutout to Tina’s (not irl) wife, Valerie! And her weird crush on Hank! I honestly can’t wait to see her in Seven Deadly Synths!!
Ada DODGING the questions that Nines is asking because she is SHADY. 
Also, he looks to Gavin when he talks about wanting to be more human. Recurring theme of him perceiving himself as lacking because of his ace-ness/android-ness, like he can’t give Gavin what he wants. Honestly I know that the android thing is a thinly veiled metaphor for race in canon but I kinda like thinking of it as a metaphor for being LGBT+ and in Nines’ case, specifically ace. Might not make sense but it does in my brain??
Gavin Senses Are Tingling and Nines is GONE. Leaving the bar for ur not-bf to try to talk things out like adults??? King shit.
Also electric lighter, fun, I genuinely didn’t know those existed
SHIRT WITH UNBUTTONED COLLAR
“You don’t want to help me, you want to fix me.” What a loaded line. Because in a way, it’s almost true? Like, Nines has this entire simulation of Gavin in his ideal world, and obviously that version of Gavin has probably been idealized at least a bit. Nature of humanity, and Nines might not be human but he’s got the Brain Things. And at that moment, it’s nearly true that Nines wants Gavin to be like that ideal Gavin. Obviously Nines wants Gavin as Gavin, but there’s the edge of that simulation there, still. 
But Nines does want to help Gavin, and that’s where he’s wrong. Nines wants Gavin to get better, wants to help stop the nightmares, etc. But by pointing that out, I think it’s partially why Nines can accept letting go of Simulation!Gavin when Ada attacks him. Because he knows that the simulation of Gavin will never be the real Gavin, and this line sort of helps him understand that he can’t really keep Sim!Gavin anyways.
Again idk if that’s legit but that’s definitely something I felt from that while watching.
Nines is constantly very controlled, but when he walks away from Gavin you can see him straining to keep that composure and not let his anger show. 
Ada looking So Done With This Shit when Nines comes back from talking with Gavin outside of the bar
“I’m sure this will be like...every other time.” Oh honey. Oh my sweet child. I am so very sorry. It most definitely will not be.
Ada’s exasperated Eyebrow Raise before taking a drink. If that ain’t the mood sis.
I love Ada’s bat wings on her outfits. 
Gavin being a stalker and putting his hood up. 
“I’m...certain that most of the credit can go to you.” IMMEDIATE ANGER. Must Defend Boyfriend.
I SO WANTED HIM TO SAY “WISDOM” WHILE TALKING ABOUT GAVIN’S SKILLS BECAUSE IT WOULD MIRROR HIM TELLING GAVIN THAT HE ISN’T WISE BEFORE THEY LEFT FOR THE STAKEOUT. He didn’t, but instinct is a better word for Gavin anyways.
Nines has Suspicion™️...press X for doubt... 
*Only vaguely related rant warning*
I do feel that we as a fandom tend to make Connor almost childishly innocent despite him being likely one of the least kind and least innocent characters. The characterization of Nines in this--and pardon me for the off topic rant--where he’s a fully grown man and acts like it is so much more realistic. Nines is a cop, as is Connor. 
Even post deviancy, they were designed and equipped to handle murder. Nines, in a lot of fandom content, tends to come off as an exasperated older brother or a gritty and mean detective, or even worse, essentially a sociopath who feels nothing in contrast to Connor’s childish and extreme innocence. I dislike both. Seeing Nines be a normal fucking person is so relieving, I’m serious. There’s still those elements of ‘oh he’s only been properly alive for like a year, right? He probably doesn’t get Chris’ Casanova reference.’ but it’s not to such an extreme that it overtakes all of his personality traits.
Like, yeah, ok, I get why a lot of fandom content does that. In order to balance what we see Connor do (and in order to further push the Hank as a father line) we over-emphasize the not getting references and such. Honestly I see the same in content for Castiel from Supernatural. Nines, when he’s added, often HAS to be a lot darker in order to make that seem not as jarring and unrealistic.
Doesn’t mean I enjoy it. If you do? That’s great, good for you, but I don’t like seeing those characters be portrayed as such one dimensional extremes. People aren’t like that. On the off chance that someone is such an extreme, there’s still other aspects of their personality.
DE has done an amazing job at not flattening their personalities. Nines and Gavin are three-dimensional and incredibly interesting characters I find myself invested in every time I watch it.
*Onto the commentary again.*
Gavin is still being a stalker
“Particular fascination with the RK line” AHAHA funny. She’s also an RK, and she likely knows more than Nines because her programming is based on information gathering. Her fascination begins and ends with what their programming can do for her.
The little computer details in Ada’s eyes as she copies Nines’ OS, and again in Nines’ eyes when he’s in the alley alone. I believe Michelle did all of that and I am just amazed every time I watch. 
The warped voice effect.
Gavin shifting to hold Nines as soon as he passes out
The ethereal colored lighting is very good for the mood, space hospital vibes
Shoutout to the latex suit they put Maximilian in! That’s not CG! He’s wearing a full body white latex suit. I’m so sorry.
Gavin looks so tired talking to Dr. Maria. His posture is defensive, pulled into himself. Shoulders hunched, arms pulled in. Eye bags, messy hair. Boy looked messed up. Somebody hug him.
Nines’ hair being disheveled and messy in the corrupted Zen Garden, rivaling his assertion that in his ideal world (Aka the normal Zen Garden) his appearance is polished, signifying the loss of control and the loss of the Zen Garden being a safe, ideal space for him. Same concept with Sim!Gavin being corrupted.
Nines: *wakes up in his mindspace*
Also Nines, immediately: GAVIN!!1!!1
Nines believes in CONSENT!! You do not go into someone’s program without asking, ADA.
Ada’s “poor widdle baby” face as Nines is freaking out because she trapped him. Mood.
Tina wearing a low turtleneck and a flannel is Peak Gay, especially next to Gavin “I wear the same leather jacket+hoodie combo every single day and probably the same jeans for a month” Reed, aka the most disastrous and chaotic bisexual I have ever seen. Again, a mood, I honestly felt that one.
The face when Nines realizes that Ada isn’t deviant yet. 
Gavin is blaming himself somebody stop this idiot. 
“Not without Nines.” What a softie.
“The last thing I said to him was ‘I don’t need you’.” BITCH WHAT THE FUCK MY HEART.
Gavin calling Tina “T” in that soft voice is so sweet omg
Ugh the bisexual LIGHTING is KILLING ME, ESPECIALLY as Gavin sits at Nines’ bedside
Tina encouraging Gavin. WLW/MLM solidarity. 
Fun fact: Chris Trindade told Maximilian not to react at all to the big speech but Maximilian literally started crying during it and there’s footage somewhere of the Dramatic Single Tear rolling down his face while he’s still ‘in stasis’.
Yes, I double checked the streams to make sure I got this right, I love the concept though.
Look I cannot get into the speech because I will write 1.5k words on it, but I will say this: It made me cry. The acting, the writing, it’s iconic. The amount of love and devotion they got without even saying the words “I love you” was amazing. Chris is so very talented. 
THERES A TAKE WHERE GAVIN FALLS ASLEEP NEXT TO NINES’ HOSPITAL BED AKSDGAKL IM SCREAMING
Tina is the best wingman ngl
The glitches in Zen Gavin are amazing. The sequence when he’s deleting the Zen Garden is also amazing. I use amazing a lot but it’s deserved.
Nines deleting the Zen Garden and Sim!Gavin is very symbolic of letting go of all of the fake stuff, letting go of the fear he was holding that kept him from confessing to Gavin and I love that
Nines sitting silently straight up. 
Gavin is highly intelligent and I’m so glad Octopunk embraces that. 
*another vaguely related rant warning*
Ok let me tell y’all a thing because this RUINS MY LIFE. People tend to take characters like Percy Jackson or Dean Winchester, whose intelligence isn’t outwardly obvious from the get-go, and remove it entirely. Percy is reduced to an idiot who can’t tie his own shoes and Dean is often shown basically unable to research without Sam. Both of those are bullshit. 
Percy has ADHD and Dyslexia, so when often we categorize smart as only book-smart, Percy’s intelligence as a battle strategist and his actual knowledge gets erased. Dean is usually the more physical and shoot-first-never-ask-questions type, and his intelligence is severely downplayed. He made an EMP detector from scratch. Made a shotgun, remembers how to kill things, is a very good hunter, especially on his own. But that’s thrown away because he’s not book-smart.
I despise when people take characters who are talented and smart in ways that aren’t just reciting the periodic table and reduce them to muscles and angst or drooling children. 
Octopunk having a scene where Gavin is working through a case, already having done the things that Chris, someone who was only recently promoted, suggests, is just affirming Gavin’s intelligence in a way I wish I could be not surprised by. Gavin is smart, and luckily I haven’t seen much downplaying that fact. He’s a detective for a reason. Unfortunately I think it might be because the fandom tends to turn Connor and Nines into actual children, but a win is a win.
Now I’m not saying I don’t love a good himbo character but I literally had to stop interacting with Percy Jackson content because people wrote him as incapable.
*Moving on*
“I think I can help with that.” Bitch why are you so dramatic I love him so much.
Nines’ t-shirt says “Detroit City Marathon” 
“You...undead asshole.” What an iconic line. I need a t-shirt. 
“I...hate you.” “You love me.” Harkens back to the beginning where the roles are reversed. Yes I used that unironically. Words are fun.
Gavin looking scared right before The Kiss™️ 
THE PULSE POINT!! THE SCENE WAS SUPER EMOTIONAL SO MICHELLE WANTED THEM TO DO YOGA ZEN SHIT TO PREPARE AND THEN THEY JUST DID THE THING BUT THEY PUT IN THE PULSE POINT 
ANYWAYS THAT’S WHAT GAVIN IS FEELING FOR ON NINES’ WRIST RIGHT BEFORE THE KISS.
I thought that was cute when I learned it in one of the streams.
Nines’ LED spinning blue when they finally kiss asgladkaf 
“What dipshit programmed you to do that?” “I’m the most advanced android ever made, detective-“ “oh you are such a fuckin’ prick!” “Takes one to know one.” I canNOT with them, I laughed my ASS off
The little broken laugh Nines does
Nines rubbing his hands over Gavin’s while they talk about Gavin’s jacket
Shoutout to Chris’ surprised pikachu face. (Tina is also there) That was a joke take, it’s in the gag reel, too. The face wasn’t supposed to make it into the film but Michelle added it. (In the gag reel, Carla yells “Let’s go to Denny’s!” At the end.) 
And Ada’s leather pants. Honestly?? She’s so pretty. I love her. They’re all really attractive it’s actually terrifying.
Nines and Tina being a part of the Gay Turtleneck Gang
Nines’ untucked turtleneck
Tina being a Smart Girl. (Nines calling her “Officer” and her replying with “I’ll make detective someday.”
Chris being Exhausted during the whole meeting. Me too dude.
Chris and Tina doing literally nothing while Gavin and Nines have a whole heart to heart
The WHITE COAT. Tina in her blues. Chris’ Foo Fighters shirt. They’re such icons but they absolutely look like a group of gay ppl who did NOT decide on a theme.
The fight sequence is impressive, considering that they’re literally not stunt actors. I’m not a fight choreographer or stunt person so That’s really all I have to say on that.
Chris patting Gavin’s gun after he explains what he’s doing. \
As a Jason Todd lover the crowbar is unfortunate (had to, sorry)
Nines’ smirk and the TURTLENECK as he spins away from Ada with the crowbar. Iconic. The Big Dick Energy. Especially for someone who doesn’t have a dick.
Chris being a Dad when Gavin runs off to go stop the body calibration
Ada just YEETS Gavin. Iconic.
Ada: *doing the villain “you won’t shoot me, you’re too moral” thing*
Chris: Shut the fuck up *shoots her*
Deviancy sequence, iconic
“You’re awake now” bitch get your own tag line, Markus became Robot Jesus for this shit
He’s HOLDING HER HAND while DEFENDING HER!! PLATONIC HAND HOLDING
Gavin trusting Nines’ decision immediately. Amazing. THAT’S LOVE BITCH.
The SMILES after Ada leaves!! They know they made the right choice!
Ugh the COLOR SYMBOLISM!! This is one thing that Michelle has touched on herself! Gavin isn’t wearing white in this scene because he’s not ‘fixed’, he never will be! He has trauma and he’s just barely beginning to heal from it with Nines’ help. He’s wearing grey, lighter than his usual, but still grey because they aren’t pure or innocent and they’re not perfect!! And that’s the fucking point!! It’s also a contrast against Sim!Gavin wearing white! Sim!Gavin was an idealized version of Gavin in Nines’ idealized world!! Real Gavin isn’t that!! So he’s wearing grey!!
Gavin immediately understanding that Nines is Ace and that it’s ok!! Beautiful!
“You’ve been a whole person since the day you woke up” YES!! YOU DO NOT NEED SEX TO BE WHOLE!! FUCK YEAH!!! (this is ace excitement. In the months since writing this I realized I’m aro-ace and trans so fuck yeah for ace rep.) 
Gavin being a dick and making Nines tell him about the skin thing
THE KISS!! They slowly move more into the light!! Because they’re getting better TOGETHER!!
Ok before I sign off, it’s only 3 am so I think I’m awake enough to talk about this, I like that they bring up that Gavin has like, actual issues that he needs to get through. Let’s be 100% honest here, I see Gavin as having ADHD, depression, and probably a form or symptoms of PTSD. He’s kinda fucked up and I’m gonna be real here he needs some therapy. He’s got trauma and needs to work through it. 
I like that at the end they explicitly have Nines understand and accept that that’s what needs to happen. As someone who has actually had relationships ruined because of trauma (on both sides) that we were unprepared to work through together, if I had seen something like that? Game changer. As it was, most relationships I had seen were idealized and seemed to “fix” those issues by way of just being in a relationship. Thanks major media. 
Now that the Detroit Evolution post series is over, I’m gonna be a bit sentimental and say that this film quite literally changed my life. Seriously. Michelle is such a big inspiration for me and I can only hope to be the same for someone else. 
If you ever have a chance to check out any of the amazing people who worked on this film, please do. To put into context how big this was: I changed my ideal college major from Forensics to Film. 
That’s it that’s all, ending this post at 3:24 am before I literally start crying over it. Thanks for suffering through my long-winded explanations, I hope you enjoyed. Have a wonderful day.
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365days365movies · 3 years
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February 2, 2021: Pretty Woman (1990)
ALL RISE FOR THE KING AND QUEEN OF ROMANCIA!
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First, we bow to the Actor King of Romancia, Richard Gere. Gere is a DYNAMO of romantic movies, having starred in The Second Best Exotic Marigold Hotel, American Gigolo, An Officer and a Gentleman, Sommersby, Autumn in New York, Chicago, Shall We Dance?, Runaway Bride, and of course, Pretty Woman. He was crowned king of this fictionation both because of his film prowess, and because DUDE HAS DATED A LOT OF FAMOUS PEOPLE GODDAMN
Second, we bow to the Actress Queen of Romancia, Julia Roberts.
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Roberts’ resume is equally romantic, including films such as Notting Hill, My Best Friend’s Wedding, Eat Pray Love, Steel Magnolias, Mystic Pizza, Runaway Bride, and of course, Pretty Woman. She was crowned queen of this fictionation because, I mean...it’s Julia Roberts, man. Who else was gonna be queen, Meg Ryan? She’s too busy ruling the Holy Romance Empire.
Yes. Yes, I will be visiting the Holy Romance Empire soon.
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Anyway, one of the advisors to this great land was the now sadly passed Garry Marshall, a seasoned romantic movie director, responsible for The Princess Diaries (and its terrible sequel), Beaches, Runaway Bride (shit, should I watch this one?), and those bad holiday romance movies from the late 2000′s. You know, Valentine’s Day, New Year’s Eve, Mother’s Day? Yeah, that’s the guy.
Marshall was appointed an advisor of Romancia because of his role as director of the film...you know.
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Enough navel-gazing; let’s get into Pretty Woman, shall we? I, for one, am looking forward to venturing further into the land of Romancia! SPOILERS AHEAD!!!
Recap
We start at a party where...George Costanza?
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Huh! Phil Stuckey (Jason Alexander), a lawyer and kind of an asshole, is romancing women at a party, held on the behalf of Edward Lewis (Richard Gere), a businessman from New York. However, he’s currently in California away from his unhappy girlfriend back east, who’s feeling a tad neglected by the constantly busy Edward.
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Meanwhile, on a less-than-great side of town lives Vivian Ward (Julia Roberts), a prostitute working the mean streets of Hollywood. Making her way to the red-light district, she enters the Blue Banana Club (which is...a name, that’s for sure), where she finds her roommate Kit De Luca (Laura San Giacomo). Laura’s unfortunately spent their rent on drugs, during the height of the cocaine epidemic in Hollywood.
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The two meet each other on the street, where Edward’s lost, and struggling with Phil’s stick-shift Lotus Espirit. She offers to give him directions for money, and he reluctantly accepts. She gets in, and guides him back to his hotel. As he struggles to drive, she displays her knowledge of cars from back home. He then offers to drive the car for him, and also shows her prowess as a driver. Which...is pretty neat.
He asks how much she makes in her profession, as the two roll up to his hotel. As they begin to part ways, he asks her instead to accompany him into the hotel. She’s about as charmed and gawky as I would be going into a sick-ass hotel like that. The elevator in it has a FUCKING SOFA INSIDE, YES PLEASE
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Edward’s a little embarrassed by her gawking, but they quickly get past it. Edward’s graveyard-still complacency is contrasted by her manic pixie energy. Not that she’s a manic pixie dream girl...I think. It’s more of a “rock-and-balloon” relationship deal. When Vivian busts out the condoms (she’s a “safety-girl”), Edward instead says he wants to “talk.”
During this talk, it’s revealed that his girlfriend has officially broken up with him, leaving him conspicuously single. He asks if she can stay the entire night, and she agrees for a price, to which he gladly agrees. They spend the night getting to know each other, although Edward is doing business during much of it. And she’s watching TV, and it gives off these kinda weird daddy-daughter vibes (not kink-shaming, mind you), and it’s...mildly uncomfortable.
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This quickly progresses into her beginning to seduce him, and the two presumably have sex. We cut away just before anything happens, though. Afterwards, Edward takes a shower, as Vivian falls asleep, taking her wig off for the first time.
The next morning, Edward talks to Phil about an upcoming business purchase, when Vivian walks into the room. He’s ordered breakfast for them. ALL OF THE BREAKFAST. Seriously, everything on the menu. Motherfucker, do you KNOW HOW EXPENSIVE ROOM SERVICE IS? WE GET IT YOU’RE RICH
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He reveals just how rich he is, noting that he buys companies on the brink of failure, and then sells pieces of the companies he buys. Vivian equates this to a chop-shop, which seems extremely accurate. On another call, Phil tells him that it would be better if he had a date. And it looks like...he already has one.
Yeah, Phil “hires” Vivian to be his girlfriend for a week. For $3000, she accepts, and I feel just a little icky. And yet...I dunno, we’ll see. He’s doing this purely to avoid romantic attachment, which is a little weird, but understandable? Maybe?
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At this point, we get one of the most iconic scenes in the film, as the uptight women at a Rodeo Drive store tell her to leave, like assholes. They’ll get their comeuppance, though. OHHHHHH, THEY’LL get it. This compounds when the hotel manager, Barnard “Barney” Thompson (Héctor Elizondo), questions her presence there. And while it seems that he’s going to kick her out, he actually helps her out with an outfit.
Meanwhile, Edward’s business deal begins to go somewhat south, until Edward takes advantage of GOVERNMENT CORRUPTION. Anyway, Vivian goes to a local department store, where Barney’s friend Bridget (Elinor Donahue) helps her out with a cocktail dress. When she heads back, Barney acts like a bro once again and teaches her proper etiquette, Emily Post style.
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Edward heads back to the hotel, where Vivian is waiting for him. And she looks cuuuuuuuuuuute. Edward thinks so, too, and they head to the corporate dinner. There waitselderly businessman James Morse (Ralph Bellamy), and his grandson David (Alex Hyde-White). We get a taste of just how vicious of a businessman Edward is, and Vivian makes a much better impression on the Morses than Edward does. Also, Eddie’s kind of a sociopath, huh? Or, at least, he has some sociopathic tendencies. I dunno his pure emotionlessness is rubbing me a weird way.
After the dinner goes VIOLENTLY south, the two begin to relate to each other a bit more. He notes that he prefers not to bring emotion into business, although he apparently does like Mr. Morse. He also notes that his father died a month ago, but it doesn’t appear to affect him much. Still he heads downstairs to get some air. Later, Vivian gets the bellhop, Dennis (Patrick Richwood) to help her find him, and she does. He’s playing piano like a GODDAMN MANIAC HOLY SHIT! Just like, “Don’t mind me, I’m just playing an operetta to PUT THE KNIFE FEELINGS TO SLEEP IAMTHEZODIACKILLER.” This manic performance is followed by the two just...fuckin’ on the piano. They just FUCK IN THE LOUNGE RIGHT ON THAT PIANO JESUS CHRIST GUYS
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The next morning, post-musex, they go to get outfits together, in which Gere buys a massive set of outfits, and we get the first makeover montage this month! He also flashes even more sociopathic flair with a clothing store owner, goddamn. And that’s...when we get the song.
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I mean, we had to get this song in here at some point, right? She also engages in the most iconically HUGE moment of the film. You know what I’m talking about, and it’s beautifully cathartic, my Lord.
Meanwhile, at work, Edward’s starting to...lose it, I guess? As Phil’s encouraging him to close in on Morse for the kill, Edward’s beginning to grow a heart. And may I note that he’s been in this relationship for TWO DAYS. Jesus, buddy, you’ve really never had a meaningful relationship, huh? They eventually go to a polo match for business reasons, here Phil finally meets Vivian. Vivian also notices that none of the high-society people here seem like, well...friends.
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Turns out that David Morse is one of the polo players, and Vivian starts to speak with him. Phil, meanwhile, notices this, and suspects her of being a corporate spy. And Edward, like an ABSOLUTE ASSHOLE, tells her that Vivian’s a prostitute. Phil LITERALLY IMMEDIATELY GOES AFTER HER, and solicits her like a fucking CREEP.
This obviously very much upsets her, and she chews Edward out back at the hotel. And the argument that follows IMMEDIATELY puts me on Vivian’s side, because Edward’s being a sociopathic douchenozzle. Goddamn. She rightfully wants to leave, and he just lets her. And here’s the real kicker; she doesn’t take the money.
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And that’s when Edward sincerely apologizes to her, as best as he can. And yeah, he’s a little sociopathic, but I can see that the dude is trying? The two make up, and once again open up to each other. Edward starts to realize, in turn, that he legitimately has feelings for her. And we head into the third act of the film.
The next day, Edward leaves work early to go on a date with Vivian, and Phil asks if the date is with “the hooker.” And Edwards flashes him a look that’s just...knifey. I’m still not convinced he isn’t the Zodiac Killer. He takes her to an opera in San Francisco, before which we get this scene.
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Adorable. God, I love Vivian. Also Dennis and Barney are the best, and they’re super fucking invested, and I am HERE for it. Their date to the opera is...sublime. Understand, my girlfriend and I watched this entire film together, and we’re both in love with Vivian and the opera after it. Imma take her to the opera on a date one of these days, I swear it.
That night, they play chess together, and Edward actually takes the following day off. He also actually sleeps in a bed for once, instead of going to work. And this is when my girlfriend the following phrase:
Is he sculpting her, or is she sculpting him?
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OK, that fantastic question is one of the reasons we’re together, but also a very interesting point. Lemme explain here. This is very much a Pygmalion story in a few ways. While not a straight adaptation by any means, this film is definitely taking a few ideas from the Pygmalion trope. See, if you don’t know, Pygmalion’s a Greek myth about a sculptor who falls in love with his statue. It’s been adapted multiple times throughout the history of the arts, but the most prominent version of this was the stage musical My Fair Lady, famously adapted into a film starring Audrey Hepburn in 1964.
And again, a lot of adaptations of that, too. While Pretty Woman isn’t explicitly an adaptation of either work, the themes are still present in the work. So, yeah, it’s a good point. In this version, she’s changing him as much as he’s changing her. The sculpture is sculpting the sculptor. Which is cool.
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And then, as we had that cute little revelation, Vivian tells Edward that she loves him. And OH FUCK. It’s the last day. And when he says he doesn’t want this to be the last of them together, she takes it as romantic. But when he essentially proposes making her a beck-and-call girl, putting her up in an apartment and hooking her up with dresses...she’s understandably not interested. She says that, as a little girl, she dreamed of a white knight that would sweep her off her feet and take her away. But Edward isn’t that knight.
Have I mentioned how much I love Vivian? Because Vivian’s fuckin’ fantastic, Jesus Christ.
Edward decides to leave, and says that he’s done all he can at this point. He leaves, and she’s shattered. Kit, meanwhile, comes to visit her at the hotel, and she admits that she’s fallen in love with him. While Kit’s initially worried about it, she says that they could maybe settle down and buy some diamonds and a horse. I also love Kit.
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Meanwhile, at the meeting with Mr. Morse, Edward turns the tables on Phil and his yes-men, and asks to speak with Mr. Morse alone. Phil’s gobsmacked by this, but agrees. Once they’re alone, Edward admits that he no longer wishes to buy his company and destroy it. Instead, he wants to help him rebuild his company. And Morse agrees, telling Edward that he’s proud of him.
Phil, EXTREMELY irritated by this, and decided to make his way to talk to Edward at the hotel. And that’s when he finds Vivian. FUUUUUUUUCK. As expected, Phil tries to r*pe her, and that’s when Edward shows up, and BEATS THE FUCK OUT OF HIM.
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Edward tells Phil off, calling him an EVEN BIGGER sociopath than he is, and kicks him out. Friendship ended with Phil. Now Vivian is his best friend. But despite this, Vivian still realizes that their relationship, at least the one she wants, seems impossible. Conceding, and on his way back to New York now, Edward pays her, and tells her to call him if she ever needs anything. 
But he asks her to stay one more night with him, not because of money...BUT BECAUSE OF LOVE. And she replies that she can’t...and they part ways. Vivian goes to say goodbye to Barney, who still rules. He calls a cab for her, and says that she can visit them anytime. My girlfriend says that she would leave me for Barney, and I agree. I agree so much, because she deserves the best, and the best is Barney, and I could never BE Barney. 
I could never be Barney.
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It’s over now, as the song in the background says, and Edward laments his lost relationship as the thunder rolls in. Vivian decides to finally go to San Francisco, and finish high school, inspired by Edward’s love and faith for her. She passes that faith onto Kit as she says goodbye. Fuuuuuuck, man, this goodbye hurts as well.
Edward goes to the lobby, and talks to Barney one last time. AND BARNEY TELLS EDWARD WHERE VIVIAN WENT, LIKE A GODDAMN CHAMPION. WHY CAN’T I BE AS PERFECT AS BARNEY????
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He makes his way to her apartment, and buys flowers from a woman with a Cockney accent, WHICH IS A MY FAIR LADY REFERNCE! HOLY SHIT! He arrives in a white limo at her place, overcomes his fear of heights and climbs a fire escape in a metaphorical tower to rescue his princess. 
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THAT’S HOLLYWOOD, BABY! And it’s Pretty Woman as well. That was a very heartwarming film, and I’m very glad that I watched it! Is it perfect? Ehhhhhhhh, see you at the Review.
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hardygalwrites · 3 years
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Anime/Manga: Hetalia
Characters: England and 2P!England
Synopsis: "We are not just ourselves, you know. We're our people as well. I may be some other aspect of the people, but I am the people all the same."
Assaulted and made a prisoner in his own home, England is forced to endure the hospitality of an unexpected and very unwelcome visitor, who puts England's self-deprecating attitude into a whole different perspective.
Note: Originally published on FFN sometime in 2016, deleted, then edited and republished early 2018. TW for force-feeding
The powerful voices of Bostridge and Drake, singing their cover of Franz Schubert's Die Forelle, echoed about the kitchen as the strawberry tarts were pulled from the oven. He inhaled the sweet-scented smoke and sighed pleasurably. But for the sounds of frustrated exertion that could be heard above the tenors of Bostridge and Drake, it was all near perfect. He frowned and quickly went on with finishing up the tarts.
Soon, he had the sugary little pastries displayed on a fine china plate, which he carried into the dining room. All the while, his feet danced in time with Schubert's lied - around the overturned table, over the shattered vase, between the splintered halves of the broken chair. He came to a stop at the dining table and set the tarts in front of his dining companion, just as the song ended.
There was no other sound now, besides the light static of the record player, though that too was gone once he removed the needle from the record. He smiled down at his companion. Then, he noticed the blood making slick the cords around his companion's wrists.
"Well, goodness," he exclaimed. "What did you do to yourself?"
His companion was silent, knuckles white about the arms of his chair, posture stiff, countenance stony, overall just looking plain inhospitable.
He sighed, tutting disappointedly. "You can't go hurting yourself like that, all right?"
He pinched his companion's stiff cheek, drawing a wince, and went to sit across from him. "After all, I don't want all my hard work to go to waste. It's been a fair while since I cooked a full on dinner for someone."
His companion simply glared, teeth bared in a distasteful snarl, which he easily countered with a benign grin. This persisted for several seconds.
"...Not very talkative, are y–?"
"Damn it, what the bloody hell do you want!?"
"And no wonder!" he gasped. "Did you kiss mum with that mouth?"
His companion strained to release himself from the chair, only inflicting more damage to his wrists. "You broke into my house, ransacked my drawing room, and–!"
"Broke into your house?" he exclaimed, offended. "My dear Iggy– Ah, do you mind if I call you Iggy? It's something that the boys sometimes call me. I know it's meant to be demeaning, but I can't help but find it adorable. Do your boys give you any affectionate nicknames?"
Bad-tempered silence was the only reply.
He nodded understandingly. "Ah, I see. Touchy subject."
"Oh, shut up," the other muttered. He tilted his head back, sighing. "Why are you here?"
"Well, I heard about you - don't ask me how - and I thought, well, why not go visit?" He clasped his hands. "I wanted to see how alike we are. And judging by the state of your kitchen, I imagine we are not quite so alike as I'd hoped. A tart?"
His companion curled his lip. "Untie my hands first."
"Oh, no, no, no, if I do that you'll jump at me! Here..." He plucked a beautifully crafted tart from the plate. "Open wide!"
The seated individual cringed, leaning back as far as his bonds would allow. "Like hell I'm eating from your hands!"
"Now, that's rude. I do wash them before and after I cook; what uncivilized brute doesn't? Really though, I insist." He poked the tart at the seam of his companion's tightly sealed lips. "Come on, open up! You know, my little boys loved it when I played the 'eat your food' game, especially when they were being disagreeable."
"And how does that go?" the other growled, only speaking when the tart was lifted away.
He lifted a finger, smiling brightly. "Oh! How about a demonstration."
Holding up the tart again, he leaned in close to his companion. "So I'd do this, and I'd say something to the effect of, 'Sweetheart, you need to eat your food.' And if they still said no..."
He gave his companion an expectant look, prodding him with the tart. A shake of the head was all he received, and he smiled.
"Well, if they still said no, then I'd do this."
Quick as lightning, he lashed out with his free hand, gripping his companion's jaw in a vice. A tight squeeze forced his companion's lips open, and he popped the tart between them with a happy giggle and manually aided his reluctant guest into chewing the treat.
As soon as said treat was gone, his companion jerked out of his grip, cursing furiously. "You bloody git! You son of a hell damned wanker!"
He gasped, affronted. "Goodness me, you really do need to work on that language of yours!"
His companion glared at him dangerously, slowly rotating his jaw.
"Oh, don't give me that look. Such language was hardly called for, and I know for a fact that my food can't be that bad. Scone?"
"You're mad." His companion released an odd sound that was something akin to a laugh. "Yes, that's it. You're stark raving mad."
He returned the laugh, choosing a scone from one of the plates. "Mad, yes. An absolute freak. One might even say a punk. I acknowledge this with full acceptance."
He picked up a knife and pressed it against his chest, as though making a vow. "As our dear gentleman, Mr. Carroll, once so aptly wrote, 'We're all mad here.'"
Laughing again, he cut the scone in half and lathered one half with jam. "Or at least, that's the case where I come from. Everyone there is depressed, sociopathic, and just plain mad. You ought to visit sometime."
"I ought not."
"Ought too! But let's not argue. Here, try the scone."
Despite his offer, those lips were once again sealed.
"Come now dearest, you don't want to play the 'eat your food' game again, do you?"
His companion scowled, but opened his mouth, and he happily pushed the scone between his companion's lips lips. Looking him straight in the eye, his companion bit down on the scone and shut his mouth. He waited expectantly, but his companion's jaw remained otherwise unmoving.
He frowned. "Go on! Chew it! ...If you don't chew it I'll have to make you."
He waved the jam knife in front of his companion's face, only to pull back when his companion lunged at him like a mad-eyed Jack-in-the-Box. The yelp that had escaped him quickly turned into laughter as his companion was halted by his bonds.
Clapping his hands, he exclaimed, "Oh, that was naughty of you. Very sly! Ah, but really, I would finish that scone if I were you."
His companion groaned frustratedly.
Two quick chews and a swallow later, he nodded approvingly. "Good lad. You really ought to eat a little more slowly though. Eating fast is so American, and it does terrible things to the digestive system."
"Tell me," his companion growled, continuing to work at his bonds. "When your store of cyanide and strawberry preserves runs dry, do you feed off of the humiliation you inflict on others?"
He smiled, buttering up the second half of the scone. "It's funny, my loving big brother asked me the exact same thing..."
"And what did you say?"
"'Brother dear, I never humiliate others,'" he quoted sincerely. "'They're humiliated, but only because they perceived it that way.'"
He took a bite out of the buttered scone and shrugged. "If you find it humiliating, that's your problem. Tea? Or perhaps you want to finish your scone..."
The other laughed humorlessly. "Oh, a lovely principle you've got there."
"Tea it is, then."
"I'm sure that your friends agree wholeheartedly with that little philosophy. That is if you even have any friends."
He sent his companion a reproving look as he prepared a cuppa. "No need to be sarcastic, Iggy dear. I do have friends, thank you very much, though at this point I am unsure whether or not I can say the same for you."
"I do have... some friends." His companion squirmed, something besides frustration and anger crossing his facial features.
He smiled sympathetically, returning to the preparation of the tea. "Ah, I've been there, mate. There was a time when not a person in the world wanted to be my friend. Then they discovered my wicked cooking skills, and the fact that I am a stubborn little man who won't take no for an answer."
He turned back to his guest, teacup and saucer in hand.
Instantly, his companion's face darkened, as did his voice. "You force-fed me scones and tarts, but I swear that if you try to force-feed me tea I will give you the soundest thrashing you'll have ever received in your life."
"Tough words coming from a man with jam on his mouth."
His companion started, evidently having been unaware of the strawberry jam staining his upper lip, and he laughed.
"Oh, you are adorable," he sighed, managing to wipe away the offending gob of preserve in spite of his companion's evasive flinch. "If you're really so adverse to our veritable lifeblood, I'll set it aside for later. Remember though, it's best served hot."
He set the cup and saucer aside, within reaching distance of his companion, who hissed, "Well, maybe if you bloody untied me, I could enjoy it to my leisure."
"Well, maybe if you weren't such a foul-mouthed little troublemaker, I would consider doing so," he retorted cheerfully. "Oh come now, dearest, enough with the glaring. You have such a handsome face if I do say so myself, and you shouldn't mar it with that drab expression."
He pinched his companion's cheek. "You ought to smile more!"
His companion pulled away with a snarl. "Stop telling me what I ought and ought not to do! I don't care to have anyone telling me how to live my life, least of all you!"
"I'm sorry, I hope you'll forgive my playing shrink, but maybe that's why you're so lonely. You rely solely on self-deprecation and slow-learned lessons, as opposed to outside criticism and well-meant advice."
"You don't know a damn thing about me."
"Don't I, now?" He raised an eyebrow. "I am you, after all. We've both gone through the same history, made same choices, suffered the same consequences..."
"I am nothing like you," the other hissed, glaring.
He succeeded in startling his companion by clasping his face and examining it closely. "Hm, unkempt hair, handsome facial structure, eyes not too far from the blue spectrum, subjectively svelte, impeccable fashion sense - though I can see that you prefer stark green over something a little softer - and of course those uncontrollable brows... I'm sorry, but what was your point?"
"Let go of me," his companion snapped, tearing his face away. "The resemblance is superficial at best."
"On the contrary, I daresay that if we had a test, we'd find that we share the same DNA!"
"Our DNA is that of the people, you idiot; of course it'd be the same."
"That's just my point!" he exclaimed, spreading his hands. "We are not just ourselves, you know. We're our people as well. I may be some other aspect of the people, but I am the people all the same."
"Oh, is there some aspect of the English people often associated with pastry-obsessed psychopaths who insist on overbearing hospitality that I am unaware of?"
"Again with the sarcasm. My dear Iggy," he said, regarding his companion with pity, as one would regard a man who was too slow to fully participate in the world around him. "You would be surprised at what aspects are so prominent within our lovely culture, and yet so unclear to ourselves.
"Now..." He clasped his hands. "How about a teacake?"
"What do you mean by that?" the other demanded.
He grinned obligingly. Picking up a small teacake, he held it out in front of his companion.
"You see this? Foreigners associate this notoriously delicious baked good with our country. It is what the tourists come here for. It is the epitome of traditional English baking. And I baked it," he declared proudly, placing a hand on his chest. "Now, based on your own argument of us having nothing in common, and judging by the frankly miserable remains found in your kitchen, what do you think that means for you?"
His companion maintained a sullen silence, and he continued. "You are simply another aspect of our people that I had never quite considered having existed until now. An unfortunate aspect, but an aspect nonetheless. ...And on that note, open wide!"
His companion deliberately turned his face away.
He sighed. "Really dearest, we aren't honestly going to do this again, are we? Come on, open up."
His companion leaned away still further.
"You're not sulking now, are you? That's very childish of you, darling. ...Don't look at me like that, you know it's true." He sighed again. "I'm giving you one more chance to accept this graciously, Iggy, else I'll have to let our little game commence. Open wide now."
His companion glared defiantly.
The following struggle was an interesting one, and he found himself being quite impressed with his companion; for someone tied hand a foot to a chair, he was a jolly good fighter.
"Good gracious, you are a troublemaker," he exclaimed, finally succeeding in getting a firm grip on his companion's face. "It's only a teacake, no need to make a kerfuffle over it."
The other continued to struggle, and he was starting to feel rather exasperated. "Oh, honestly, my boys never put up this much of a fuss. Not even America was this troublesome!"
"Really?" his companion hissed between clenched teeth. "Was he always defiant of you?"
"Has been since his discovery and continues to be so. Now open..."
"Funny, because my boys always loved my cooking. They enjoyed my company."
It was as though an electric charge had gone through him. He stood paralyzed, teacake held limply in his hand and his grip slackening.
His companion took the chance to pull away from the loosening grip, a triumphant glint appearing in his green eyes as he said, "So what exactly does that say about you, Iggy?"
His own eyes narrowed, and he managed to regain a sharp grip on the other's face, pulling him close. The teacake lay forgotten on the carpeted floor as he spoke, voice quiet but filled with malice.
"Oh, that is clever of you. Flaunting your past as though it's something special, something better, that's just jolly. And yet the joke is still on you, dearest," he sang, smile returning. "We still end up in the same boat. And we both know that our boys left it a long time ago."
Smack.
His vision went white and he staggered back. A painful throbbing emitted from his forehead and went on to take over the rest of his head. His companion lay on the floor, the chair having become unbalanced and tipping over backwards. The two groaned in tandem with each other.
As he pressed a hand to his forehead, trying to stem the pain, something began to build up in his throat, slow but powerful. Before he could identify what it was, it burst forth from his mouth in the form of hysterical laughter. He laughed for what seemed like hours, when in reality it may have only been seconds. By the time he was finished, the pain had died down and his whole body felt exhausted.
He wiped a tear away from his eye, giggling tiredly. "I feel like I may have overstayed my welcome."
His companion still lay on the floor, staring up at him with a strange look on his face. "You're one mad bastard."
"Yes, yes I know." He sighed, straightening his bowtie and cuffs. "Takes one to know one, doesn't it?"
With a wink and a bright smile, he turned away.
"Hey, you can't just leave me here!"
"Can't I, now?"
"I'm a seasoned British soldier! I've escaped from concentration camps! It's only a matter of time before I get out of this!"
"That's what I'm counting on," he said cheerfully. "Sorry I won't be able to see your great escape, but I do have to run. Don't worry though, I'll leave Schubert to keep you company."
Already humming a few bars of Die Forelle, he put the needle on the record. The powerful voices of Bostridge and Drake soon rang throughout the house once again. But for the broken furniture and shattered objects strewn about, and the sounds of frustrated exertion and furious cursing rising above the powerful tenors, everything seemed exceptionally ordinary.
Smiling benignly, steps dancing in time with the lied, he left the room and closed the door behind him.
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nelllraiser · 3 years
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the kids are alright | adam, ariana, athena, blanche, connor, nell, orion, & winston
TIMING: a few days before the full moon. LOCATION: connor’s beach house. PARTIES: @walker-journal, @letsbenditlikebennett, @athenaquinn, @harlowhaunted, @connorspiracy, @nelllraiser, @3starsquinn, @danetobelieve SUMMARY: just a truly wholesome and youthful time.
Connor didn’t know what everyone liked, so he tried to get a little of everything; chips, dip, beers, spirits (no pun intended), and a few takeout menus scattered around in case they wanted to order. The house wasn’t huge by any means, but one thing he prided himself on was having a bloody good entertainment system, complete with several consoles and a massive telly. They’d have some fun. Watch some shit movies, play some Mario Party, forget that the world outside was shit, at least for a few hours. As the first knock at the door came, he headed over to answer it. “Hey, welcome. Come on in. Make yourself at home. Telly and consoles are obviously in here, but we have this bit of beach as well if we decide we want to take it outside.”
While Ariana wasn’t sure of who all would be in attendance tonight, she knew she hadn’t wanted to leave Athena back at the apartment. Especially with everything that had happened recently, she knew they could both use a fun evening. When she knocked on the door, she smiled brightly as Connor greeted them and introduced him to Athena. “I think I’ll skip testing my luck with the beach, I’m more interested in seeing how I can build a new entertainment system for ya anyway,” she turned to Athena and said, “This is my friend Athena. Athena, this is Connor. You may have seen some of his YouTube videos.” She held up a bag and added, “We brought some extra snacks, too.” 
She wasn’t entirely sure that she was up for a party, but she also knew that she didn’t want to be all by herself with her thoughts. So when Ariana had offered to bring her along to the party, Athena had quickly agreed. “Hi.” She waved to Connor from where she was standing behind Ariana. “I don’t watch a lot of YouTube outside of some videos about baking, or science, or one of my sorority sisters has a vlog channel, so I’m subscribed to that… but still! Nice to meet you.” She grinned, and it still didn’t feel entirely comfortable, but she knew that she had to get back to the usual routine to some degree sooner or later. She nodded over at the bag Ariana was holding up, using that time to look around the house. Her fingers, bare except for one with a golden ring that Amanda had gotten her for her birthday, found her cross necklace and she twisted it around, a bit out of a nervous habit. “Thanks for letting me come, it looks like you have a really nice place.”
“Always love a good snack,” Connor teased. “That’s why Adam’s coming.” Pity that boy was so painfully heterosexual. “Hi, love,” he greeted as Ariana introduced Athena. “Nice to meet you. Nobody else is here yet, but come on in, have a drink, let Ariana check out my furniture…” He gave a little chuckle, helping himself to a beer. 
Nell and Blanche had arrived in tandem, sporting their matching ‘burn your bra’ crop tops in a yin and yang color scheme with Nell in black, and one of her best friends in white. As she walked through the open front door, an amused grin cracked her lips as she saw Blanche and her hadn’t been the only ones to have a similar idea. “Well I’m glad we all got the memo,” she said with a nod towards Athena and Ariana’s complimentary jerseys, knowing full well there had been no such thing. Then she was raising a hand to wave a group greeting towards everyone, and presenting the plate she’d brought. “I brought these- they’re brownies obviously, but the kind that might make you astral project a couple planes over.” Probably stuffed with enough homegrown pot to get an elephant high, they were a staple when it came to party favors.
Orion had been to Connor’s on quite a few occasions now. Since the two had first met up at the old haunted house that Rio had grown up learning about, the two had hung fairly often while Rio helped film and edit videos every now and again. He was still clearly a beginner, but either Connor was desperate for the help or just enjoyed Rio’s company. He came hand in hand with Winston, overly excited for the night. Ever since his birthday, people seemed to walk on pins and needles around him and he didn’t know how to convince him that he was completely fine without potentially coming across as a sociopath. “Connor’s place is nice! He has a really cool set up for editing videos. Maybe you two can geek out about computer stuff together?” Rio grinned as the two made towards the front door.
Connor took a look at everyone’s outfits. “Well, if you brought bras to burn, I already mentioned we’ve got the beach for a little campfire,” he teased. “And Nell, maybe we let people settle in for a bit before getting high on brownies, yeah?” He gave her a playful grin. “But I like the way you think.” There was another ring from the doorbell, and he momentarily excused himself to go answer. It was Rio and his roommate. Holding hands. Cool. “Hey, you made it,” he greeted, smiling over at Rio. “Did you know we were supposed to coordinate? Everyone else has come dressed in pairs,” he teased, then looked to Winston. “Hi. Nice to meet ya. I’m Connor. Come on in.” He led them inside to the rest of the group. Now that almost everyone had arrived, he made sure everyone had a drink and knew where the snacks were, and where the bathroom was. “Just waiting for Adam then. For movies we’ve got pretty much anything that’s on Netflix, Prime, Hulu, or anything I can illegally download.” 
Glancing around the room, Winston shot Nell and Blanche a knowing smile before keeping their hands tightly interlaced with Orion’s. Things seemed to have relatively blown over with Athena, the fact that she was here with Ariana was a separate matter. “Thanks for the invite, if I’d known we were supposed to coordinate I’d have joined in but I guess we’re always the last to hear about these fun facts…” Winston gave a gentle smile before continuing into the house. They were about to mention that they were pretty sure they could connect Connor’s place up to the database in their home, but they weren’t sure that they wanted to potentially share any info that was not entirely secure. “Adam’s coming too? This really is going to be a party.” Winston just hoped he wasn’t armed with assault rifles and grenades this time.
 “Hey guys,” Blanche gave a wave. She hadn't expected Athena to be here, but then again, she also hadn't expected Rio either, especially after… everything. But she wasn't one to judge when people needed to blow off steam. “I would highly recommend the brownies. Once, you know, we’ve all settled in.” She nudged Nell playfully. “I have a 12 pack of beer too if anyone wants a drink.” She set it down on an end table, before curiously eyeing the TV. “Alright then, why don't we focus on picking a movie while we wait for Adam -” would he roll in with kegs like he did at Nic’s party? She fought back a snide internal comment, reminding herself that she promised to rewind for the evening, and honestly… she was so tired of being angry. Not just at Adam, but with everyone. “What genre are we feeling? Horror?” she asked, hopefully.
It seemed like she and Athena hadn’t been the only ones who showed up matching. Ariana waved to Blanche and Nell appreciating their crop tops. She stood up to grab some drinks for her and Athena though she was pretty sure she’d be skipping out on the brownies. She’d never tried them before and wasn’t sure a big group of people was the place to start. “I’ll take you up on one of those beers. Did you want one, Athena?” At the mention of horror movies, Ariana shrugged. “Sounds a little close to real life, but I’m down.” 
She figured that her brother was going to be here. Athena gave a small, half-wave to Rio, though she didn’t look over at him for too long. They hadn’t been together since everything and she still wasn’t sure what she was supposed to do. The idea of the brownies wasn’t especially appealing, even if part of her wondered if Nell’s addition to it was a bit more magical than most. “Uh, sure.” She said, looking at Ariana. “If there’s cider I’d prefer that but beer can do.” She waved at Nell and Blanche. “Nice matching.” It didn’t hurt to at least appear pleasant, and she could only do so much to calm down her nerves - getting into an argument wasn’t going to help with any of that. “What horror films? I can’t say I’m super expert on that genre.” Ironically enough.
There was the sound of a large truck pulling up and a loud bawdy conversation on the street about someone being manscaped with a weedwacker, only for said someone to shout back an incoherent taunt about some physically impossible things Adam’s mother engaged in last night. More voices joined in the from the truck until it was unclear where mothers, weedwhackers, body hair, contortionist sex positions, chocolate fudge, and lighter fluid all fit into this. However all involved seemed to part even more cheerful than before and the car departed. 
Sporting a letterman jacket and a red baseball cap with faint stains of a deeper scarlet,  Adam burst in smelling faintly of lock-room soap and the lingering grass scent of the football field. 
Still flush with post-practice endorphins, Adam vaulted over the back of the nearest free couch as if it were a track hurdle and crashed down into the open seat. 
“Sup my bodacious bastards?”
"Horror is good by me. Blair Witch or something? Could always go with Scream. Classic slasher." Connor grabbed a cider for himself. He had bought enough so that nobody needed to bring their own, but it was a nice gesture. It wasn't long before Adam turned up. You really couldn't miss him. "Life of the party, I see," Connor greeted. "The loud-mouthed jock of my dreams,” he teased, his grin flashing all the way up to his eyes. “Want a beer mate? We were just deciding on a movie." 
Nell abandoned her pot filled brownies on the coffee table, grabbing a few drinks after waving a welcome to Winston and Orion, and first offering one to Blanche with a “For you” before taking another. Then she plopped herself down on the same couch before also handing one to Adam should he want it. “And here you go, ‘bodacious’;” she said with a slight snort. Nell couldn’t pretend that she wasn’t a bit worried to have the two of them in the same place after Winn’s death, but maybe alcohol was another key factor in glossing all of that over for the moment being. She popped open the top of her own bottle with a household spell, realizing she’d forgotten a bottle opener before taking a swig of it. “I’m right here,” she joked at the mention of Blair Witch, even if she knew it was less about witches and more about general spookiness.
Swallowing a mouthful of beer, Winston watched Adam enter the room. This was not your classic set up, hunters, werewolves, exorcists, spellcasters and god knew what else. But they were their friends and Winston was doing their best to be more normal in their endeavours and their life. “Not everything is about you Nell sweetie,” Winston reached down and plucked a brownie from the plate, tentatively nibbling on it and smiling. Thank God they weren’t driving tonight. “I’ve heard that Midsommar is meant to be really good, Heritage too. Not sure if any of those appeal to you. They’re meant to be more nordic or something? I don’t know. I read something about them a while back.”
The place was full of familiar faces, and maybe for the first time Orion found himself at what could basically be considered a party surrounded completely by people that he considered friends. Or at least, friends plus one very odd addition in the first of his twin sister. She stuck close with Ariana. The pair still baffled Rio, seeing them together and matching was even more jarring. Coupled with Blanche and Nell wearing the same thing maybe Rio and the others really had missed some sort of memo. Athena’s small wave was maybe a step, but not much of one. Rio returned the wave, both of them turning their backs to each other as Rio made his way to the kitchen, pondering whether or not he was going to drink. He decided to go for it after a long moment’s hesitation and picked a cider, “It’s someone’s job to make sure I don’t get drunk. I have an embarrassingly small tolerance.” He said aloud to no one in particular, only sort of joking and then found his way to the couch where Adam had just leapt over, “A cult movie may be hitting a bit close to home, don’t you think?” Rio laughed, but shrugged the concern away, “It looks pretty though. I’m down for anything.”
Connor was pretty indifferent to any drama that might have existed between anyone in the group, so he didn’t pay any mind to Blanche’s reaction to Adam. "Yes, Nell, you're our White Crest witch, very different," Connor teased. Since everyone was here, it wouldn't do any harm to grab a brownie. He'd just have to pace himself. "Oh shit, if we're talking 'high brow' horror," he made little air quotes around the words, "Hereditary and Midsommar would be sick. Get Out, too. I just figured we'd probably want something we can get pissed and stoned to and not pay that much attention," he snickered. "Oh, there's also Happy Death Day and The Babysitter if we want newer Netflix shit." He shrugged, sipping his drink. “I’m not fussed though. Whatever anyone else wants to watch.” 
It was good to see Adam in seemingly better spirits than the last time she saw him. Ariana still felt a twinge of guilt that her trust in others had nearly led to his death, but he was here now and they were all going to have a good time. “Hey, Adam,” she greeted with a wave as he swung over the couch. She looked back to Athena with a small smile and said, “Cider it is.” She made her way to the kitchen and chimed in, “I’m not sure Winston, I’m pretty sure Nell took a DNA test and she’s 100% that witch.” She grabbed a beer for herself and a cider for Athena. It dawned on her that she hadn’t seen any of the movies mentioned but she laughed a bit over the cult part. “I’ve seen like none of those, so I’m good with whatever.” She slid back into her seat by Athena and handed her a cider. “Here you go,” she said brightly. She knew Athena was still down over everything that happened and she wanted this to be a nice night for both of them. Hell, she was pretty sure everyone in this room needed a break from White Crest being White Crest and she wanted that for all of them. 
She gave a small wave to Adam as he arrived. At least he seemed to be in relatively good spirits, which was something. “How’s it going Adam?” She raised an eyebrow. “This feels a little different than our usual sort of party, doesn’t it?” Athena nodded at Ariana’s comment, watching as she went over to grab the drinks. “One of my sisters is a sociology and film double major and wrote a paper about Get Out - she had us all watch it so I actually have seen that, but I can’t say I’m too familiar with the others.” She did know that if anything was too full of jump scares she might react poorly, but that was what fiddling with the hem of her shirt was for, wasn’t it? She accepted the cider from Ariana and took a sip. “Whatever everyone else wants to go with.” She couldn’t help but sigh when she noticed that her brother had the same drink as her, though only a small smile covered her lips.
Connor had a big grin on his face as they drank and chatted. It had been a while since he'd had a proper group of friends like this. He had friends, of course, but high school and college he'd still been coming into his own as a medium and starting up his YouTube channel. People thought he was kind of weird. In White Crest, he wasn't weird at all. He was probably one of the most normal. "Okay, we're gonna have to take votes on the movie," he snickered, smoking his vape. "Probably something on the less serious side of things, yeah? We've got enough shit going on. Happy Death Day or The Babysitter are both on Netflix." He got a feeling there was a little more going on with the ‘serious’ side of things than he knew about, but he didn’t want to stick his nose into other people’s business. This night was about relaxing, not rehashing the bad shit.
Adam had once been taught that he’d been born to stand apart from humanity, amongst but not a part of it. The preservation of mankind’s destiny required forsaking anything that’d inhibit neutrality or cause a Hunter to become entangled in disputes between human beings. Thus Adam had grown up play-acting, his life during the day just a pleasant cover identity for who he really was. 
Now it was all he was. 
This reversal tugged at Adam as he watched his friends banter and meander on the way to actually choosing a movie. All his life Adam had been told to focus, remain vigilant against the inevitable return of the old gods. Was that why he lost his powers? Focusing too much on enjoying humanity’s company instead of protecting it? 
These and other thoughts whirled behind Adam’s grin as he accepted the beer. “Glad my beach body lives rent free in your head Con,” Adam replied with a wink to Connor at the mention of being the jock of his dreams. 
“Dunno about Happy Death Day, I’ve had about enough dead chick drama for a while.”
Adam ‘thought’ for a moment, which is to say he took a few glugs of beer like a man dying of thirst in the desert and went with the first idea that popped up in his brain when the alcohol hit his system. 
“Let’s do truth or dare while we decide? Bet that should be a trip with well...us”
Blanche had a hold on the remote, somewhat zoning out while people debated the choice in movie. She was doing that more, lately, but she had always been easily distracted. That was more because ghosts though. Only at the mention of Truth or Dare did Blanche snap out of it. Leaning against the armrest, she took a sip of her beer, glancing over at Adam. Considering it a moment, she put the remote down. “I'm down for a game of Truth or Dare,” she said, glancing around. Was this what all parties were like? She looked over at Nell, almost a little unsure for a second. “Sounds like fun?”
In all honesty, Nell much preferred the concept of Truth or Dare in comparison to a movie. At this rate with all the strangeness that made its home in White Crest, horror flicks were nearly laughable at times. Besides- Truth or Dare was probably something that demanded more attention, which was a welcome distraction from current stressors. And that was the whole point of this get together, wasn’t it? Giving Blanche a reassuring nod, Nell sat straighter on the couch as if readying herself for the game. “Let’s do it.” She took another draw of her drink before looking around the circle with a new and challenging glint in her eyes. “Who wants to go first?”
“Truth or Dare? That’s on Netflix as well,” Connor said, flicking through the horror suggestions until he found it. Only a few clicks in did he realise that wasn’t what Adam had been referring to. “Oh, did you mean the actual game?” He laughed, just switching to a music playlist in the background and folding his feet under him while he made himself comfy on the sofa. “Wait a minute, I’m down and everything, but someone’s gonna have to explain what rules we’re playing by. Everyone does ‘em different.” 
Truth or dare sounded like the worst idea possible. Orion did not consider himself to be a very daring person by nature. But at the rate life had been going the last month, he wasn’t exactly keen on the idea of answering any truths either. Not that he was far bound to answer truthfully anyways... unless that was a thing in White Crest. Regardless, the result terrified him. But the Rio here tonight wanted to be the okay version of Rio. The one not bogged down by the death of his parents. So he took a long drink from the cider and wiped at his mouth, making the gesture overly dramatic to try to hide the soured look he gave from the taste of alcohol. “Me. I’ll go first. Dare me.” This was absolutely a bad idea, but Rio had gotten pretty good at those. “Oh. Rules?” Rio heard what Connor questioned, but had never played the game before. “Cool. Well explain the rules and then dare me.”
This was just about the last game that Athena wanted to play. Even if she chose truth, which she wasn’t planning to, she could still omit certain aspects of it. It came along with her training and she didn’t trust most people here enough to reveal any deep secrets. So dares it would be - and it seemed like her brother was following the same path. “I mean, different versions are different but you get asked truth or dare - if it’s truth, someone can ask you any question about anything,” she raised an eyebrow at him, “and if it’s dare then you have to do whatever they ask. There’s sometimes consequences for not completing either.” She took a sip of her drink. “But dare? Since you’re new at this, we can start easy. I dare you to drink the rest of your cider in under a minute.” She crossed her legs. “Whoever’s up next, I also choose dare.”
Orion was surprised that Athena had been the first one to dare him. She had even been pretty lenient, daring him to just finish his drink. Easier said than done to a complete lightweight who had no experience drinking, but as far as the things he could have been dared to do this felt like he was getting off easily. “Done.” He had seen the movies before, so Rio kneeled down on one knee and tipped the bottle against his mouth, chugging as fast as he could. The drink instantly turned bitter against his tongue and he thought it would never end. But if he could survive his birthday he could finish a cider. He finally finished the thing off with an explosive coughing followed by him falling back on his butt. “I’m totally not going to puke.” He wasn’t sure if he was telling everyone that or trying to convince himself not to.
Adam stood up from the couch and strode to the far side of the room, gingerly stepping over and around people so as to not crunch knees or beers. He took an empty solo cup and placed it on a piece of furniture. The footballer knelt next to the door and produced a small grip-exercise ball. He offered the little squishy ball to Athena with a grin.. 
“I dare you to close your eyes and try to throw this call in the cup. Take a shot each time you miss.” 
Adam performed another one-handed vault over the back of the into his seat, but the alcohol and post-practice endorphins in his system caused the Hunter to land far more ignominiously in a heap of sinewy limbs and cushions.
“Truth”
“Easy-peasy.” Athena smirked, before standing up. She handed her cider to Ariana and grabbed the ball from Adam. “I’ve got this no problem.” She took the ball and closed her eyes, concentrating on the location of the solo cup before rolling her shoulders and giving a small toss, eyes flickering open as she heard it hit the inside. She turned around, walking by Adam before bending over to whisper in his ear. “I do have excellent reflexes, just to remind you.” She found her space back by Ariana again. “Feeling rather successful right now, I think.”
”Wow, nice!” Connor enthused as Athena hit the shot. “I’ve got a truth,” he blurted out, feeling the effects of his drink and Nell’s magic brownies, a pleasant tingling sensation overtaking his body. “Have you never done anything even the slightest bit gay? Because honestly, only the most heterosexual guy ever could have not understood those sword crossing comments,” he laughed at the memory. Ah, simpler times, when he didn’t know that half these people were murderers and there weren’t freshly resurrected evil spirits out to get them. Then again, Connor was starting to get the impression that stuff was common in White Crest. Best not get too comfortable. “And you can truth or dare me all you want. I’m not bothered, mate.” 
Ariana watched somewhat in awe as Athena performed her dare. It was definitely impressive to watch and she couldn’t help the small grin on her face as Athena came back over to take her seat by her. “That was awesome,” she said as she gave Athena a small pat on the back. There was another dare to be dished out so she quickly chimed in, “Connor, I dare you to do a dance challenge as your next YouTube video. I’m thinking the In My Feelings Challenge.” She realized that meant it was her turn, so she added, “I pick dare for myself.” 
“A Dance Challenge?” Connor snorted, waving his hand, affectionately dismissive. “That’s not my style, babe. Oh, I could definitely do it on TikTok though. You didn’t say which platform it had to be on.” He whipped out his phone, looking up a couple. “I can probably film it right now, since I’m tipsy, but you’ll have to hold my phone.” He looked up a few examples then got up, only a little wobbly on his feet. “I have no fucking idea how to do this shit,” he laughed, looking over to Ariana and handing her his phone. He’d watched a few versions of the thing he was trying to recreate. “Ready?”  
Adam hadn’t been raised with particularly strong feelings on different sexualities other than that they existed. Really, Dad had been far more concerned that his sons knew the proper masculine values of honor, wilderness survival, coordinated squad tactics, and the domestic arts of building explosives from homemade materials rather than getting hung up on what dangly bits were going where. 
“Uh,” Adam thought about Conner’s question. “Was never really wired that way, but after I pledged I was curious bout what I was missing,” the footballer acknowledged with a shameless ease. “Talked to some frat brothers who were all about that life, and they uh…showed me around…in the showers.” 
“Was kinna funnish-awkward,” he admitted with a shrug, “but not really my speed…. not sure that lgeit counts as gay though. It was just educational, y’know?”
Nell saw her opportunity as it became Ariana’s turn for a dare, and leaned forward on the couch to set down her now empty bottle on the table, feeling a nice, warm buzz as the alcohol began to do its work. She hummed for a moment, as if taking her time to come up with a suitable enough dare for the girl. Ariana knew how to go big or go home— which admittedly was something the two of them had in common. “I dare you to....” Then the idea came to her. What was the most horrendous thing that White Crest had to offer? “Match with a mime on Tinder. Match with the mime- and have at least five back and forths of texts.” Then Nell sat back, satisfied with her work to say, “And I’ll take a dare.”
“Educational and gay,” Connor nodded. “Sorry I missed it.” He made sure Ariana was ready to record and then going into the routine. He pretty much nailed it. Although he was a little drunk, it was evident that the experience and intent behind the moves was there. “Did I forget to mention I did ballet and theatre for years?” He winked into the camera before grabbing it for Ari so he could edit and laugh. “Aw, that was sick. Sorry, what was that?” His expression changed when he heard what Nell’s dare was. “There are mimes on tinder?” 
Ariana whooped and cheered into the camera as Connor finished showing off his moves. She tilted her head surprised by his revelation. “That explains the moves,” she said with a laugh, “Gotta respect a guy who knows ballet, right?” As Nell took the chance to dare her, she looked to her with a raised brow that was practically challenging her to do her worst. She burst out laughing at the thought of mimes on Tinder. “Oh god,” she said through laughs, “Blanche get over here and help me mime-ify my Tinder.” It was only a few back and forth messages. Hopefully, the profile update wouldn’t ruin future matches, but she found she was losing interest in it anyhow, especially with her current roommate. “I’m thinking more dramatic and artsy to go with the mime vibe?” 
“Nell!” Blanche said, “That's cruel!” But she was laughing. She pushed herself to her feet, though, and carefully made her way to grab Ariana’s phone. “Artsy, got it.” A Connoisseur of Mime. Don't talk to me if you don't mime. And if you do mime… you know what to do ;-----). Blanche read over what she wrote, before she grinned, hanging the phone back to Ariana. “Happy swiping!” Which meant… Blanche turned to Nell, a mischievous smile on her face. “In order to get revenge for poor Ariana… I dare you to call the Stripe Club to inquire about employment opportunities and if you get an interview, you gotta go.” Blanche said proudly. 
She paused, considering her own options. “Truth. For me, I mean.”
“There are definitely mimes on Tinder,” Nell confirmed with a grin, having seen some of them for herself during perusals of the app. “Maybe Ari will find her true love with a mime, who knows?” It was disturbing to say the least, though sometimes she’d match with a mime just to troll them for a while. After all— every mime was guilty by association. She should have expected the mimery to be turned back on her, but still pulled a revolted face at the thought of going anywhere near a mime establishment. “If I die- it’s your fault,” she pointed an accusing finger towards Blanche all while googling the number for the Stripe Club. She wasn’t sure who exactly it was that asked Blanche her truth while Nell began her job search at a mime strip club and Ariana commenced her swiping. Someone was leaning over to watch the dance video Connor had made, and another person was getting up to grab another drink from the fridge. The air was warm and bright as the night stretched onwards, and it seemed that against all odds the youth of White Crest had finally managed to find a single evening where they were allowed to exist only as themselves, and not the people the world forced them to be. 
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ratingtheframe · 3 years
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Everything wrong with... Ep 3 - Pretty Woman
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*sigh* *big sigh*.  I’m back here giving you another politically charged review of a film I like to call a femmeçade:
Femmeçade /fɛm//fəˈsɑːd/ noun noun: femmeçade; plural noun: femmeçades; 1. A genre of films directed by men that forefront yet misinterpret the female narrative and representation on screen. "Pretty Woman is the worst femmeçade of them all in the way it depicts women as the lesser gender"  (definition by yours truly).
I have to say, I have never felt more compelled, more angry in my entire life to write such a review and tear this film down until there is nothing left but the underlining, prominent misogynistic aspects of this film. I am talking about the 1990s classic, Pretty Woman starring Richard Gere and Julia Roberts. Now a musical, the film has survived three waves of feminism (if you count MeToo), and yet is still available to access for our entertainment. Even though censorship is less common in the Western World, the only good thing about watching Pretty Woman would be to see how vile and unacceptable it is in the eyes of our modern and ever changing society. It truly brought tears of anger to my eyes to watch such a film and see how its lead was shoved into the spotlight for a round or two of humiliation and prodding by the fingers and eyes of the male gaze. There is A LOT to go through here, so grab a snack and buckle in as I put Pretty Woman to shame.
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Let's just start with the title itself Pretty Woman, a pretty lazy title for a film if you ask me. I understand it does what it says on the tin, like any title should, however the irksome thing about the film and title is what it’s selling. The lust and beauty of Julia Roberts as opposed to her character or story for that matter. Stood alongside Richard Gere in thigh high boots with her legs for days, months and years on show. We get it, Julia Roberts is a beauty, but why does a film have to focus on that sole part of her? By doing this it creates the idea that it’s her only asset and BOY does this film do a good job at reminding us just that. They’ve got the man’s vote and supposedly the woman’s seeing as the story is about them or who they’d like to be. WRONG, seeing as the crew behind Pretty Women were mostly men themselves. The writers, cinematographer, director, producers, best boys and gaffers, you name it. So who was this film for if it wasn’t to satisfy at least it's mostly male crew members?
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Male satisfaction are the appropriate words to use when we are introduced to our leading lady in close up shots of her bra and knickers. Vivian is played by the highly talented and ordained Julia Roberts. Ever since seeing Erin Brodkovich which bagged her an Oscar in 2001, I’ve been in love with her spirit and confidence on screen. As we all know she is certainly one of Hollywood’s shiniest stars, up there with the elites like Meryl Streep, Viola Davis and Angelina Jolie. Why she decided to sign onto such a film, I would hate to speculate seeing as Feminism was more of a dirty secret than a positive movement back in the 1990s. Many (mostly men, though women too, especially those in the film business) would accuse the movement of threatening the comfortability and fun out of life’s pleasures, like women wearing makeup, dresses and being groped at office parties (sarcasm). However, as we now know, feminism isn’t the demon that the 1990s tried to make it out to be and I hope that Julia Roberts was unaware of feminism back then rather than being a strong opposer of it. 
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Vivian Ward is a hooker living and working on the streets of LA, the city of dreams as some may brandish it. She lives with her roommate Kit (Laura San Giacomo) and between them they spend their nights trying to scrape enough money for their rent. I’m glad that sex work isn’t as scrutinised as it was back then and another arresting aspect of Pretty Woman is the way it depicts the so called “atrocities” of being a sex worker. The propriety and haughtiness of those who laid eyes upon Kit or Vivian was degrading and dehumanising, simply because they choose to lead a different lifestyle to those around them. It seemed so archaic, almost Victorian like the way people ogled and gazed upon Vivian at the hotel where she was taken in by her male counterpart. Pretty Woman again proves itself to be an anti-feminsit horror show for shaming women on choosing what to do with their own bodies and how they dress. We need to cut this BS out of society ASAP that women dress in certain ways to attract the attention of the opposite sex. Clothes are a form of expression and 9 times out of 10, that expression hasn’t anything to do with wanting to be leered at in public. Enough with the victim shaming as well; asking women what they wore when they were sexually assaulted. Instead let's ask what the attackers were THINKING when they decided to prey on an innocent victim....
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One night whilst Vivan is looking for clients, she meets the so called delectable and mouth droppingly handsome male lead that is Edward Lewis, played by Richard Gere. I didn’t get the hype at all as I felt Vivan to have enough personality and lust for life to fill both of her and Richard Gere’s character. Edward Lewis was wooden, stern and boring, and despite this, Vivian seems to see more in him beyond her usual hookups. That’s another irritating thing about Pretty Woman. Edward Lewis didn’t have to do FUCK ALL to prove his love or worthiness in the life of Vivian. 
He didn’t have to (nor did) change one thing about himself throughout the entire film and that’s not only extremely sexist, but shit filmmaking. Did the writer of completely forget or give up on Edward Lewis’ character arc whilst he was too busy making drooling over Vivian? All Edward Lewis had to do was wave his card around and POOF Vivian was at his knees. No wonder the 1990s shamed feminists because this is the exact sort of crap they were trying to prevent from happening on screen. It may seem like fun and games when Edward Lewis tells Vivian to go shopping, buy herself a new dress for dinner, but in reality this is just a fresh case of misogyny, served up with a side of degradation and bigotry for dessert. 
Edward Lewis goes as far to hire Vivian for the week as his...escort? His actual motive isn’t known and we are left as an audience to conclude that it’s because she’s pretty. Again, selling the film title through and through and deminishing the worth of women with each scene. Vivian is never actually asked what she wants, nor do we get to know her seeing as Edward’s inflated ego and wallet covers up most of the screen time whilst watching this film. If you didn’t think this film could get any more horrific is the age gap between Julia Roberts and Richard Gere at the time of filming, to which Roberts was 22 and Gere, 40.
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One moment in particular that proved this film to have zero substance to it, is when Vivian eventually gets down on Edward and to my absolute horror, her bra strap is INCREDIBLY and shockingly inauthentically loose. Like falling off loose. Not one woman in the world who chooses to wear a bra; not in China, India, Pakistan, the U.S, Ukraine, Hooker, doctor, astronaut, teacher, hairdresser or not would ever EVER wear their bra strap so loose. An impractical and uncomfortable choice, this tiny infinitesimal yet significant part of this film showed that this film doesn’t care or know how to show accurate female representation on screen and goes against any sense of providing women with strong characters they can use as role models. And all from one bra strap. 
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The shopping and transformation part to this film had to be the big red thumb that stood out the most from the eternity of this film as AGAIN for the fifteenth time this film has proved itself to be in favour of entertaining those who like to ogle at Vivian as opposed to getting to know her. Edward thrusts his card at her once again (without giving her much choice, a common behavioural pattern associated with sociopaths and abusers) and she goes to Rodeo Drive to essentially pretty herself up for him so that Edward isn’t judged by those he introduces Vivian to. 
When Vivian had attempted to go shopping alone on Rodeo Drive in her casual attire, the female employees of one of the stores behaved abominably towards her, classing her as someone who didn’t have the means or appearance to shop in such a place. This film just got even worse as not only do we have the opposite gender dictating the appearance of women, we’re having our own sisters do the same whilst investing in the patriarchal narrative of the way women should be seen in public. At this point you may think I’m going crazy and repeating myself, of which I am doing both, however once you’ve fully taken the time to wake up and smell the patriarchy’s cup of coffee, there’s no turning back. These details become smoke signals that turn into epiphanies and realisations that have you questioning is this really okay? And a Pretty Woman is NOT okay.
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Once Vivian has had her transformation (so kindly afforded by the dominant Edward Lewis) she seemingly begins to enjoy her new life as a piece on the side, until she is presented with Edward’s lawyer, Philip Stuckley.
So here’s what we have so far on our checklist of misogyny and anti-feminsit motifs to Pretty Women
A poster and title created in the eye of the male gaze CHECK
A female character whose worth is based on her desirability and propriety CHECK
A mediocre white man who doesn’t progress and gets his way through charm, money and power CHECK
Women who take unkindly to other women because they don’t fit the normalised standards of the patriarchy CHECK
Shaming women for their dress sense and career choices CHECK
Lack of women in general, most of which don’t speak throughout the film CHECK
The list could go on but another motif to add to the list from this film that acts as big shiny wrecking ball that smashes up feminism and leaves its values in the dust is sexual assault. Or attempted sexual assault at that, as when we see Phillip Stuckley’s first interaction with Vivian he says right out that he knows she’s a hooker, whilst running the edge of his sunglasses down Vivian’s arm and suggesting they get together after Edward’s demise back to wherever he came from. EW, this was one of the many moments of the film where I had to swallow my vomit. Phillip attempts to rape Vivian back at Edward’s penthouse suite, when luckily Edward comes in to stop it happening, which was the most decent thing he did the entire film. Edward’s lawyer represented a hoard of men that existed back then and now who feel entitled to a woman’s body, hooker or not. Even though Pretty Woman had dug itself a big enough hole, by the time I got to this part of the film I had been sold on the idea that this film is completely out of line with women’s liberation and empowerment. It’s just one big game to prod and poke at women, seeing how far they can go, which in itself is a metaphor for sexual assault. 
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I’ll wrap up on the lack of diversity in Pretty Women. Because the world affords white men and women more luxuries and privileges than people of colour, they were at the forefront of this story whilst black and asian minorities were put in the background as butlers, maids and chauffeurs. It makes me so angry that on top of being a whirlwind of misogyny and sexism that such a film would have the audacity to misrepresent minorities entirely and highlight their so called use as servicing white people. IT. IS. GETTING. OLD.
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Hopefully you’ve made it to the end of this “review” (kinda) and seen the damaging implications such a film has on our society. On reading Feminists Don’t Wear Pink and Other Lies curated by Scareltt Curtis, I read that “Books and things reflect what’s happening in the world, Hollywood movies DICTATE IT and MOULD what people think”. 
You may think movies don’t matter or a film of the 1990s doesn’t matter, but if we are to learn from our mistakes and progress our movements, we must unpick the past and see it for how it was. Movies are our culture, our representation of what we’ve learnt or seen in the world. I don’t want to see women as sexual objects without their permission. I don’t want to see them being moulded by the patriarchy or by women who support it. I don't want to see women only good enough to be hookers, wives or mistresses. I want women to be the strongest versions of themselves and for films to buckle up and show that shit on screen.
Pretty Woman can kiss my ass and if it’s a film you like in  unlike it. Pronto.
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