#lightfast
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colleendoran · 2 years ago
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I went to a lot of comic cons in college. My impression was that most of the creators were… creatives. People that spend long hours in front of a drawing board or a typewriter, building worlds out of the aether that is their brain(s). That’s illustration to me. Physically manifesting the metaphysical, moment by moment. Picking the best moments for each beat of the story.
I -flat out- went to school to be a comic book artist. I just cannot fathom feeding my wife and my boys by manifesting the images in my head into a monthly income. But hey, that’s me. Your work is a continuous source of inspiration and joy for me.
My eldest son loves the power rangers. He he drew the green ranger in pencil on a canvas. He then painted the drawing with acrylic. He had a full-on meltdown when the painting didn’t look as good as he wanted it to look.
I sat with him and explained the process of creating comic book artwork. From blueline to publication. I spoke with him about the value of perseverance, and the value of using mixed media. He waited a day and then outlined his painting with Sharpie. He BEAMED with pride when he showed me the final product. Made me so, so happy.
Rodin was a hack. Dude had no deadlines, and no narrative outline.
Keep being awesome. You are an inspiration to me, to my boys, and to generations to come.
I am so glad you are encouraging your son to make art and enjoy it, and it is great that you find so much to appreciate in comic art and have so much respect for those who make it. We all truly appreciate it.
A few thoughts, if I may.
If you want your son to understand and appreciate mixed media, you might want to move him away from using markers like Sharpies.
If you are concerned about the longevity of the original art, I regret to inform you alcohol based markers such as Sharpies and Copics are not lightfast. That is to say, they fade on exposure to UV light. They do not use pigmented inks, they use dyes.
The fading may not happen today, it may not happen tomorrow, but it will happen sooner than you would like. Many well-known cartoonists who used Sharpies on their original comic pages, or did commissions sketches using them, have seen the art fade markedly (pun intended) over time.
Here's what that looks like.
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This Klaus Janson commission has just about gone home to Jesus.
Try to switch to pigment based markers, such as those from Faber Castell, or go wild and learn to use a crow quill.
Also, while I truly appreciate your kind compliments, it's not necessary to do that at another artist's expense.
Rodin was the complete opposite of the definition of "hack".
A hack is a term originally used for one who works on tight deadlines to publisher specifications, and produces poor quality work.
That's not Rodin.
Rodin was a spectacular talent who earned his place in the canon. He came from humble beginnings and spent the first two decades of his career sculpting decorative architectural elements. He obtained his place as a fine artist after many years of struggle.
And even then, a fine artist often works to deadline, as there are salons and exhibit specs that must be met, as well as the requirements of patrons and clients, to say nothing of the grueling formal training aspiring artists were subjected to in the ateliers.
His work often contains strong narrative elements as well, as evidenced by his design for The Gates of Hell.
In fact, for most of the history of modern art, narrative elements were considered anti-art. As someone who prefers 19th century genre art, this attitude is bummerific.
The term "hack" comes from the 17th century term "Grub Street Hacks".
Back in the day writers did not get royalties. Bookstores usually published books and paid writers a flat fee and never another penny, which resulted in a lot of very broke writers, or writers who came from wealthy families who could afford to scorn the sordid topic of coin.
Grub Street was located in London where a lot of book publishers were housed next to brothels and flophouses. It's now known as Milton Street. This area was the location of the lowliest of the low publishing joints.
The great Samuel Johnson was once a Grub Street Hack.
I've just read the most wonderful book about Samuel Johnson which has many amazing details about the development of publishing. The Club: Johnson, Boswell and The Friends Who Shaped an Age. My highest recommendation, though some will be very upset by attitudes and behaviors toward the women in these men's lives.
Johnson, despite many years of poverty, was able to escape after his work eventually earned him a royal pension. When well-thought of creative people couldn't make royalties, they were supported by wealthy patrons and the royal pension system.
While I don't have a formal education, I spent many years doing research for auction catalogues and ghost writing articles about art history, which is why I am annoyingly pedantic about it all to this day.
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tppart · 9 months ago
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Any of you recognize this person? 👀
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achronalart · 5 months ago
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A PSA about art materials and longevity: If you intend your art to last, you should use archival lightfast art materials made for artists, NOT paints or markers made for hobbyists or designers (Looking at you, Copic markers). Know your materials!
Whether it’s old fashioned gouache paints or modern markers, designer’s art materials WILL fade and change or even destroy your artworks, no matter how strong or bright their colors may look at first.
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An example: This is the cover of the “New Yorker” magazine dated March 12, 1938, made from a color photograph of a gouache painting by illustrator Garrett Price.
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(The pale greyish splotches on the 1938 magazine cover are age spots on the paper and not part of the original artwork.
This is called "foxing" in the antiquarian book collecting world.)
This is a photo of Garrett Price's original gouache painting — in the condition it was in at a 1999 auction.
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Haunting!
What happened? Over the years daylight or maybe just even time passing faded the colors of the gouache paint Price used … Because designers’ gouache paint is not a permanent artist’s material. It’s not MADE to last.
When you put the two images side by side it’s even more stark. The central woman's deep rose pink dress has faded to a barely-there ghost-beige.
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The rich green cornucopia looks completely different.
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Most of the blue ribbons and pink flowers are completely gone, leaving the purple parts as faint mauve ghosts hanging in the air.
Even the nice black outlines are gone. Black should be a permanent color!
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The pretzels have faded to a pale doughy mass.
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Gouache paints are made to be bright for ephemeral advertising art and posters. They really are not suitable for any art that is meant to last. Any artist interested in the longevity of their hard work should use archival materials such as artist’s watercolors or professional acrylic paints instead of designers' gouache or markers, no matter how attractive the colors.
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And don't think that because this was from 1938 things have changed that much. They were still selling designer gouache with fugitive pigments when I was an art student and art supply stores are still selling them now. And those markers are modern.
Know your materials!
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dippityart · 1 month ago
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old painting that my dear friend uses as a lampshade
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aquaaquors · 2 months ago
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daincrediblegg · 6 months ago
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Honestly I think the reason I haven’t drawn as much in the last few years is due to the simple fact that my last sketchbook had shitty paper
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crunchy girls just want to marry the kind of man who will say "Certainly we can try to culture a spirulina pond in the backyard, my beloved."
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subbyp · 6 months ago
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me: 3/4 libreoffice: did you mean ¾? me: no, I did not mean that libreoffice: see, I think you did mean ¾ me: I can assure you I did not libreoffice: ah, then you must mean 03/04/2025 me: no, it's just plain text. "3 or 4" libreoffice: oh, I understand now! me: do you? libreoffice: yes! me: what do I mean, then? libreoffice: me: libreoffice: 45355.00
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mila-mm · 2 years ago
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punk-raphaelite · 10 months ago
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I didn’t end up painting today but I did do some major clean up in my studio, fixed my beige wall problem, and read a bunch of forum posts about alizarin crimson
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304wv66 · 2 years ago
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2014 vs 2023... to be loved truly is to be changed 😔💖
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vampyrfagg · 1 year ago
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eye twitching if i see another instagram artist say everyone should just use cheap acrylic paint bc its basically the same as expensive paints im gonna start killing
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tppart · 10 months ago
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Haven't done a portrait since last November but I think I still got it 😀 the challenge I gave myself this time was to use the 5 different brands of Derwent pencils I own, three of which I've never used before even after having them for years. Some were more fun to use than others but I think they gave me a good final result! Whaddya think!
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mochillery · 2 years ago
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Custom designed with a vent clip 🚗 Mostly made with cotton yarn which isn't lightfast...but looks so cute 😺 Would look great as an ornament/ charm 😈
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businesscatfelix · 1 year ago
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Congratulations on pulling that guy twice
thank you anon. i had actually lost faith in ever getting him so i ended up buying some singles from a local store about two months ago, i was kind of amazed i got two in one sitting.
i also got this
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which is going straight into my binder
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mildmayfoxe · 2 years ago
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top 5 fav colours to use in prints
HOT PINK
LIME GREEN
NEON YELLOW
ELECTRIC BLUE
black
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