#like some of y’all genuinely missed the entire point of huge storylines

[carolinemathildes]

watching Mike Flanagan answer the dumbest asks that people should’ve been embarrassed to send.

[sortasirius]

what makes you think the writers want deancas? not trying to be an asshole, i'm just genuinely curious as to why you think that. i know berens' episodes are pretty heavy with subtext so i can see why you'd say that he wants it, but i'm not so sure about the rest of the writers/dabb. it seems like meghan isn't a huge fan either, given her "they twisted it so fast" tweet :/ of course she's a very new writer (think she's only writing one ep this season?) but still

OKAY this is a great question, welcome to my dissertation.

I’m going to address the end of your question first. Meghan is actually DeanCas positive, she has been for quite a long time. She actually, a few years back, posted a picture of her reading a literal book about Destiel and captioned it “writing reading” or something like that.

This whole thing just comes out of a boiling over of tensions because of how nasty fandom twitter can be. Like I said here, I think this has just gotten blown out of proportion, they shouldn’t have posted all this randomly disparaging stuff, but also like...can you blame them? The fandom is a lot, we always have been, and they’re probably also under a gag order not to talk about the finale, and are annoyed that people keep asking.

So nah, Meg is not anti Destiel.

To the first part!! So let’s take a look at the show runners since Cas has been around.

Seasons 4 and 5: Kripke

Seasons 6 and 7: Gamble

Seasons 8-11ish: Carver

Seasons 11ish-15: Dabb

So starting with Kripke. Okay, yes, I will be the first to admit that we have some pretty incredible Destiel moments in these seasons, but it’s less directly written into the plot and much more from Misha and Jensen’s uhhhh ~chemistry~. The only times it was directly written into the script was when the episode was handled by someone like Edlund (“On The Head Of A Pin,” “The End,” “My Bloody Valentine”). And you have to remember, if in season 5, there are moments here and there where you’re like huh that’s suspiciously romantic dialogue, remember that Cas took Anna’s place. Anna was supposed to be endgame for Dean, but due to a myriad of issues and Misha’s general greatness, Anna was replaced with Cas.

Onto 6 and 7. Hmmm. Gamble. 6 and 7 are my two least favorite seasons and that’s no secret, and that’s not only due to the plain old weird shit in the overall storyline, but also that homegirl killed off Cas in s7 and then Bobby like four episodes later. (Also it ALWAYS rubbed me the wrong way they couldn’t have Baby in that season lol). We still had some great DeanCas moments, but again, it wasn’t really written into the overall arc (until they had to change the end of season 7 because of tanking ratings and bring Misha back lol, anyone remember the fact that Dean kept Cas’ jacket and would randomly dream of him? Yeah.). But we still had those moments, those distinctly romantic moments, probably the best example in these two seasons is from Edlund again, specifically “The Man Who Would be King,” I wrote a little about that here.

We move onto Carver, who gave us, at this point, the most overt DeanCas season with season 8 (season gr8 is a better name imo), and this is the first time Dean and Cas’ relationship is directly written as an arc of the season.  I mean, you have everything in Purgatory, Dean “seeing” Cas everywhere, the fact that he felt so guilty that Cas stayed in Purgatory that he manipulated his own memories to think that he was the one that failed Cas, because he couldn’t comprehend that Cas would want to leave him, and let’s not forget Dean snapping Cas out of Naomi’s hold on him in “Goodbye Stranger.”  It was a very obvious shift, not enough to alert the general audience, but more than enough for most of us in fandom.

It’s also important to note that this is when Andrew stopped co writing with Loflin and started writing his own episodes (”Hunter Heroici” anyone?)  I like Loflin fine, but Dabb was able to stretch his legs a little bit more once he stopped co-writing, and we also began to see some DeanCas themes in his solo episodes.

In any case, them and their issues being a big part of the seasons continued with Carver, and Berens entered the scene, his first episode (”Heaven Can’t Wait”) is one of my favorites, with human Cas and the fanfiction gap and Dean and Cas just generally being awkward and funny and sweet.  This is Bobo’s FIRST episode, remember that.  He comes right out of the gate with it.

Also in Season 9, this is when Dean takes the Mark of Cain, and the Cas/Colette mirror is born, so obviously, Dean and Cas are the fabric of the season once again.  This is also the season where Metatron says Cas is “in love with humanity,” and then immediately refers to Dean as Humanity so uhhhh yeah.

Onto season 10, Dabb and Berens continue with their greatness (I could write pages on the DeanCas date in “The Things We Left Behind” alone).  And then we have one of the best scenes in the entire show in “The Prisoner” where the Cas/Colette mirror continues and Dean, driven by grief and pain and rage and the Mark, still doesn’t kill Cas.  He still can’t kill Cas.

Season 11 is important because it takes choice away from both Cas and Dean, and shows us, as the audience, how much losing each other takes out of them. We saw in season 10 how much losing Dean takes from Cas, but what about Cas losing Dean?  Dean loses his choice with his connection to Amara this season, and loses even more when Lucifer reveals he’s been possessing Cas, and plays on Dean’s connection to Cas like a mockery.  It’s also worth noting that, similarly to season 8, Dean breaks out of the connection with Amara when he’s worried about Cas, and that’s something that even SHE is surprised by.

But then season 12, the beginning to the Renaissance.  This is when we get the writer’s that become important for what Dean and Cas are today, and, truly, why I believe they want canon Destiel as much as we do.

This is the first season with Dabb’s writers: Davy Perez, Meredith Glynn, Steve Yockey, and of course Bobo all come in with their incredible talents and gave us episode after episode of good content.  “Lily Sunder Has Some Regrets” is probably my favorite, probably the best example of what I’m saying.  An episode where Dean is called out by an enemy directly, told to “roll the dice” on Cas’ life.  And Dean won’t, it’s not even really a hesitation.  And this comes from a character that has known Dean for ten seconds.  I also wrote more in depth about this episode here.  There are also some.....distinctly domestic details we get this season, specifically in “The Future” (written by Berens and Glynn) with the mixtape.  The most tropey of tropes mixtape.  Yeah, I’ll just leave that one here.

And then season 12 ends with Cas’ death, but also with the parallel between Sam and Dean with Jess and Cas.  Sam literally has to drag Dean away from Cas, just like Dean had to drag Sam out of his burning apartment in the pilot.  The episode drives it home in every way that it can: Dean is the one left kneeling by Cas’ body, while Sam goes to find out what is upstairs.  Dean is the one who stares at the sky, finally broken.  This isn’t a random thing, this is Dean’s whole arc, it’s the entirety of the beginning of 13.  Dean’s pain, his anguish, his anger.

Season 13 starts with them burning Cas, with Dean, who has begged God to bring him back, who has split his knuckles punching a door, standing, staring at Cas’ pyre with brokenness on his face.

I mean.....

Anyway, season 13 is where it gets interesting (well, I think all of this is interesting but I’m a writer nerd so).  So Cas comes back from the Empty in “Advanced Thanatology” written by Steve Yockey, and then a wombo combo of “Tombstone” by Davy Perez next (”Brokebacknatural” as the PR said at the time).  Listen.  This is the part that SPN crossed a line that they couldn’t come back from.  With Cas being Dean’s “big win,” the fact that Dean and Cas watch movies together, “I told you, he’s an angry sleeper.  Like a bear.” Talked about it here.

This is where, in my opinion, the network stepped in, but the damage was already done.  They had already established that Cas was Dean’s big win, that Dean’s poor coping was not due to Mary’s disappearance, but solely due to Cas, and that Dean and Cas have more married energy than anyone else.  The network had nixed blatant canon at this point, and they writing room had been pushing the boundaries of what the network would allow. 

After these episodes, we see a marked drop off of DeanCas heavy scenes.  They’re still there, still a part of the fabric of the season, but not as...obvious as it had been in early season 13.

And this continued through season 14, we’re back to scraps of Destiel scenes here and there, but to me it always felt like there was something bubbling under the surface, something distinctly unsaid in the themes of the season, even after the walk back of obvious “Dean and Cas are in love” scenes.

And then we get to season 15, which, y’all know I talk about all the time.  What’s important here is that Bobo and Glynn are both executive producers, calling more of the shots than ever before.  Additionally, it’s important to note that, though they only co write occasionally, Glynn and Berens refer to each other as “work husband” and “work wife.”  Each episode has just turned up the volume, and, not for the first time, but certainly the most obvious, Dean and Cas ARE the season.  Sure, they’re trying to beat God, they’re trying to finally find peace, defeat the final big bad, but really?  This season has been about Dean, and Dean’s relationship to Cas.

And not only do we have obvious and clear Destiel in nearly every episode, but we have episodes like “Last Call” which canonize bi!Dean (wrote about that here).

And, maybe most importantly so far, we have “The Rupture,” the breakup, and “The Trap,” Dean’s confession (both written by Berens).  And here’s the thing.  These episodes feel connected, but also feel like they’re missing something.  Beren’s last episode is 15x18, “The Truth.”  We’ve all spec’ed about what could happen in this episode, and I think *I* know what it’s leading to.  But for it to be leading to that, it means that the network has to have approved what we’ve all been waiting for years for.

Who got this change to happen?  Who got the network to change their minds?  It wasn’t us.  It was them.  I am fully convinced that Dabb and Berens quite literally put their careers on the line for Dean and Cas.  They believe in them, they’ve shown that from the beginning, but the only thing standing in the way was the network, never allowing them to take the final step. 

So, to answer your question: I think the writers want canon DeanCas because they’ve already shown us that they do.  Take a look at their episodes, at Dabb’s, at Beren’s, at Glynn’s, at Perez’s, at Yockey’s.  They’ve been telling us what’s going on with Dean and Cas for years.

Sure, I’m not in their heads, I guess I don’t know for *sure* that this has been their thought process, but if we put it all together, from the marked shift when Dabb fully took over in s12, to the change right after “Tombstone,” to the new shift, the blatantly romantic shift in season 15, what else is there?

I’ve said for a long time that we, the SPN fandom, are beyond lucky to have the writer’s that we do.  They’re all going to go on to have prolific careers and we were lucky to get them at the end of our little show.  I give them a lot of credit for what we have in the show today.

Just remember, they’ve been telling us in all of s15 who Chuck is.  He says he’s the writer, right?  But a writer who doesn’t have control of his characters?  A writer who wants to do the same ending over and over because it “works”?  That doesn’t sound like a writer, it sounds like a network exec.

They’ve been showing us what they want for years, and the way s15 is going?  I think they may have convinced the network to let us have it.

[inmyarmswrappedin]

DRUCK reactions - s4 ep4

No, I haven’t forgotten about these! I’m a bit behind, but I’m still on track to finish before s5 starts. Although I hope to be done even earlier, because I don’t know if Amira N’s season is going to leave me with a lot of free time.

( @wodrueckts looked this over! 💛)

CLIP 1: Smooth operator

Amira is finishing up her prayer, when we get a quick cut to a picture of Amira and Sam pinned to Amira’s mirror. So, even though Amira and Mohammed had like three separate moments in the last clip of last episode, Druck wants us to think Sam is still in the picture (literally).

Amira gets a text from an unknown number saying, “Wow, Amira, thanks!” She asks who that is, but then checks her other messaging apps for good measure.

So last Friday, Mohammed sent himself a text from Amira’s phone, making Amira out to have for Mohammed the feelings Mohammed has for Amira. Specifically, “I really like you, but you make me really shy somehow.” I like you, but you intimidate me a bit, as Mohammed has been communicating to Amira pretty much since the start. Calling her the woman with the ice cold gaze and such.

I mean, since this is a fiction series and not real life, we know Mohammed is genuine about his feelings. He isn’t playing Amira, he’s her endgame. But this is such a fuckboy move, lol. I dare you to look me in the eye and tell me none of the Penetrator Chrises (or the Williams) would pull something like this.

Amira can’t believe this man, but she’s also charmed! Relatable.

It’s really cute that Amira is so incredulous that Mohammed asks her if texting himself from her phone is bad, that she actually says “Yes!” out loud before she texts it to him.

Mohammed can’t see how charmed Amira actually is, so he acts a bit more vulnerable and confesses he feels the same way. Or rather, that this is how he feels, since Amira wouldn’t necessarily describe herself like that. (I think Amira, rather than shy, is scared.) Of course, this too could be a tactic.

I think it’s interesting that Mohammed comes across as the biggest player of the Yousefs, certainly more than Sofiane in this early stage, but it’s Sofiane who ended up playing Imane.

Anyway, Mohammed sends Amira a song that he hopes she likes. And I think it’s cute that the song is in German. We don’t know how long Mohammed has been living in Germany, but I figure German the language didn’t hugely feature in his life back in Syria. So this is a song he heard in this new country for this girl he met in this new country.

Then Mohammed teases Amira about only listening to Arabic music, and she’s like, “yeah that’s the only music I listen to!” So Mohammed immediately sends her a voice message. Of him singing. In Arabic.

This is adorable, and Amira is obviously charmed as fuck, as am I. And if Mohammed had previously sent Amira a song to symbolize his new life in Germany, this is Mohammed sharing a part of himself from before Germany. It’s very significant and, for me, the most vulnerable he’s been in this clip.

Mohammed is also a bit embarrassed by his singing voice, but Amira clearly doesn’t care. Nobody cares, Mohammed. Keep singing!

CLIP 2: Essam does dumb things to fit in

Amira wakes up to the dulcet sounds of Essam screaming, and doesn’t get what time it is at first.

She and Mohammed were texting until 11 PM, and Amira fell asleep right as she was going to send Mohammed a song. Her last text was at 23:07 and Mohammed waited until 23:53 before wishing her a good night.

A reminder to renew her vaccines for the Australia trip comes in, and Amira first curls up with her phone. Just lost in the romance of it all, until Essam’s shriek cuts through the song lmao.

Amira checks the phone again and wakes up quick when she realizes the appointment is in 45 minutes. She swears a bit, and I’m very intrigued by this because Amira Naybet avoids swear words entirely, going for PG versions of Spanish swear words.

She’s in a rush now, but Essam has locked himself in the bathroom and refuses to come out. They have a bit of a back and forth (Amira’s threats don’t intimidate Essam at all, it seems) before Essam, having wrapped his hair in a towel, finally opens the door.

He asks Amira not to laugh at him and then reveals that he’s bleached his hair… badly. It’s not even yellow, it’s pretty much orange. Amira says he looks like Donald Trump. Trump wishes he had that much hair tbh.

Essam is actually really upset, and even hides his face in the crook of his elbow.   But fortunately he starts laughing a little once Amira cracks up at him. I don’t think I could take sad Essam, it’s completely antithetical to who he is!

Amira asks Essam why he did that to his hair, and said she would’ve helped him if he asked. Essam is all, “no, you wouldn’t. You hate me. You don’t love me at all.” And he just sounds so sincere that I believe he believes that. Like he’s so used to Amira bickering with him (and probably complaining about him to their parents lbr) that he thinks his big sister hates him. It’s just another way in which Essam’s self-esteem is absolutely fragile despite his brash nature.

Essam eventually confesses that he did it because girls (the girls he’s attracted to, that is) only like blond men. The music indicates this is a vulnerable moment for Essam. He feels like he will never be attractive to girls because he’s not white. To Essam, Amira must seem like someone who doesn’t care to fit in with white Germans, because she’s not voicing any complaints that white German boys aren’t knocking at her door. But Essam does want that. Both the white German girls and to fit in.

Anyway, Amira gets this is Essam opening up to her, so she tells him she’ll help fix up his hair. She’s in the middle of sharing her game plan when Mohammed sends a pic, which briefly distracts her.

Essam also sounds sincere when he thanks Amira, and Amira in turn assures Essam she’ll always help him… Though she’s still going to take a picture of him looking like Donald Trump.

We break out of Amira’s POV for a moment, to follow Essam a little longer as he looks at himself in the mirror and tries a Donald Trump sneer. He’s too cute to really pull it off, I’m afraid.

CLIP 3: Everyone (except Amira) is having sex!

I’ll just get it out of the way and say I don’t hate the David/Matteo make outs, nor do I think they were unnecessary.

Like the split screen editing is a bit 🤪 🤪 🤪 creativity! 🤪 🤪 🤪, but the point of this clip is that Amira is surrounded by sexually active people. And David and Matteo have always kept their PDA at cuddling and pecks on the lips in front of people, so it makes sense to me that we’d need to be back on their POV to 1. Show they are into each other, without 2. Actually talking about it with Amira, which would come across as awkward and weird because they’re not that kind of besties.

Like yes, it’s fanservice, but it makes way more sense from a storyline and character standpoint to do it like this than how other Skams handled it.

Though I find it amusing that Druck stans are so vocally opposed to the scene lmao.

Moving on, Kiki and Carlos’ screams of pleasure not only wake up the whole neighborhood from their afternoon naps, but also put off David and Matteo from pursuing their own activities in the hallway.

Amira comes up to them while they’re listening to music and is like, “hey why aren’t you going in?” They’re like, “we don’t want to mention the S word in front of you.” But Amira gets the picture quick once she comes closer to the door.

Druck teases its fans mercilessly as Matteo prods David into admitting his application film is an alien movie with flying body parts. David tries to argue that it’s deeper than that, but lbr this sounds like some campy Z movie nonsense with terrible special effects AND I’M HERE FOR IT. How dare Druck deprive me of this?

Amira’s like, “Yeah that sounds terrible.” Then she starts bickering with Mohammed over text, which makes David and Matteo very 👀 👀 (not that they’re relevant in this season lol).

Then, Sam comes in, and asks why they’re all outside. Unlike Amira, she figures it out for herself and outright asks whether they’re fucking. But she says it in a very pleased way, like she might come in and offer them drinks or condoms, ah god love you!

Amira can’t even take this bit of discussion of sex and wants to come in and end it all. I guess it’s because she’s wondering if people are just going to keep arriving and talking about Kiki and Carlos fucking, although it might also be because she doesn’t know how to be around Sam right now. (Because Sam isn’t just comfortable with people having sex, but she’s sexually active herself.)

Sam grabs Amira’s arm and says not to interrupt Kiki and Carlos, because maybe they’re doing the Happy Baby pose… And like… That’s a yoga pose. I’ll just let y’all google that.

Amira is like, ENOUGH OF THIS! And Sam’s like Okay, miss Priss! Amira wants a second opinion from David and Matteo about this prissiness, and they both plead the fifth.

Right after Sam’s called Amira prissy and put her on the defensive, Sam then says that, in the middle of making out with Abdi, she noticed Amira and Mohammed having a Moment. She’s like, I didn’t know you liked him, I’ll back off.  Amira denies being into Mohammed, but Sam doesn’t buy it.

And like… That’s it for this storyline. It’ll never come up again.

I know that doing away with the Skam love triangle pleased the fandom, but I mean, did Druck really get rid of it? They incorporated it, it features heavily in the first couple episodes and is one of the reasons Amira initially is unsure about the viability of her relationship with Mohammed… But it’s never explored in a meaningful way. It doesn’t develop Sam beyond being interested in boysssssss, it doesn’t develop Sam and Amira’s friendship or explore its nuances as well as the nuances of the hypersexualization of black women as opposed to the assumption that hijabis are repressed. Amira doesn’t even get to tell Sam she likes Mohammed onscreen, she tells Mia instead.

Again, this is a storyline that comes across as not something the writers particularly wanted to do, but they needed some filler for the first couple episodes. And the fact that the show then proceeds to decenter Sam after this, while Kiki’s role only increases, is just incredibly disappointing.

And speaking of Kiki’s presence becoming larger… With this subplot out of the way, Kiki now opens the door, looking very much like Noora when she got out of William’s car in s4. (Crazy idea, but what if it was supposed to be a reference to that? Lmao.)

She’s like, “I and Carlos just got done talking to the landlord, which was a conversation that involved no pants in my part!” Matteo calls shenanigans, Amira’s like, “right,” while Sam and David… Kinda look like they think Kiki’s never looked hotter tbh.

Like I said, I don’t have an issue with this clip, but showing Amira being surrounded by sex, yet not giving Amira the space to verbalize how she feels about this, while also getting rid of the Yousef kissing someone else angle, kinda makes this clip pointless tbh. Like the point of constantly surrounding Sana with sexually active couples was meant to make her feel like she couldn’t give Yousef what he supposedly wanted, i.e. a girlfriend who’d be physical with him.

Again, I’m not saying we have to make the Muslim main feel like shit for not being like a white German (we have enough of that with Essam), but at least give this joke a bit of depth by letting Amira talk about it. One issue with the season is that Amira gets thrown a mountain of microaggressions and ways in which she’s different, but viewers aren’t going to get the point that this adds to the pressures Amira faces unless you hit them over the head with it.

CLIP 4: Foreshadowing – the clip.

Amira is practicing boxing at home in order to have an excuse for her to be covering her hair. (Genuine curiosity, should Skams work this hard on coming up with reasons why their hijabi actresses are covering at home? Like I can see the benefit of not wanting to lead people to think hijabi cover 24/7.)

Mohammed texts her a picture of Angela Merkel doing Merkel hands on which he photoshopped a screenshot of Amira from Matteo’s season, along with the caption: Amira for Chancellor. Mohammed be like, I love this show DRUCK, love making shit posts for it.

Mohammed’s memes have put Amira in a great mood, and Mia chooses that moment to call Amira on Skype. Amira can barely get through the conversation, she’s giggling so much. Mia also comes off as really young in this chat, she acted like more of an adult in s3.

Mohammed keeps texting Amira flirty messages about Amira’s political career, and Mia notices that she’s distracted. She wants to know who’s making Amira smile so much, and Amira deflects and says it’s just her brother. Mia notes that Sam’s been raving about Amira’s brothers (so not just Mohammed), and she and Amira have a bit of a back and forth about Amira hiding Essam and Omar from them.

Then Mohammed sends Amira another meme in which he shops himself as Chancellor Amira’s spin doctor, which is both the cutest and saddest bit of foreshadowing. Amira, not being genre savvy, just finds it charming.

Mia wants to know what’s so funny, and Amira’s like, “can you keep a secret?” Mia, being a former Druck main and thus having seen some shit, is immediately alarmed about what this secret might be, and promises to not say a word.  

But there’s nothing to worry about. Nothing! Amira’s secret is that she kind of likes Mohammed. Not too much because he’s so tall and his hair is so nice and his eyes so dark. His eyebrows are terrible and so is his moustache that makes Amira zero in on his full, soft lips. Plus his body is so nice because he’s always working out! Mia’s like, so where’s the catch?

Amira’s crush is gigantic, and Mia’s so excited for her, but there’s still something holding Amira back. Maybe it’s that it all seems so easy with Mohammed, or that Amira’s not ready to revise her position that all men are shit, or you know, maybe it’s as simple as Amira enjoying being the lovesick one for once and indulging in the giddiness.

At any rate, Alex is visiting Mia next week (in Spain, where Mia totally is), so that’s coming up.  

CLIP 5: Famous last words

Amira and her mom sit down to watch a movie. Amira’s mom is happy to be spending time with her daughter, but Amira is on her phone because Mohammed has asked her, for the hundredth time now, whether she wants to go on a date with him. The man is running out of creative ways to ask Amira out, and she’s still all No ❤️

Amira’s mom wants to know who she’s texting, and Amira says it’s just Kiki. Because Kiki is Amira’s bestie now. Amira’s mom likes her though. She thinks she’s nice and also reminds the viewers of a potential Kiki storyline by commenting on her weight. In hindsight I don’t know why I ever thought s5 wouldn’t somehow deal with Kiki, because the writing is so clearly setting up a Zoë season about Kiki.

Amira’s mom says Amira never confides in her anymore, and eh. I mean, Amira did just lie about who she’s texting, but when Sana’s mom said this to Sana in Skam, it was more significant because Sana had been hiding her Russ plans from her for over three seasons. Amira has been pretty forthcoming with her mom in comparison. She knows about her friends (or about Kiki, at least) and about the trip to Australia. She doesn’t need to know about Amira’s delivery job because she doesn’t have it anymore.

Anyway, Amira bites her lip because she can’t hide this feeling anymore! She likes a boy! He’s nice and smart and cooks well, and Amira’s mom teases her that she’ll never go hungry then, as Amira just burnt the popcorn.

Amira’s mom wants to know whether the boy is handsome (of course!) and Muslim (of course! Famous last words). She wants to meet the boy, but Amira would like to get to know Mohammed better first, which is never going to happen if she keeps turning him down.

With that out of the way, they finally resume watching the movie, which seems to be a Bollywood one because the characters dance all the time. Is it a movie where the climax happens at a wedding, perhaps?? It looks like all the dancing helps Amira make her mind up, as she says, “You only live once.”

CLIP 6: Never leave the house

Amira meets Mohammed at a park, and they exchange a bunch of “Na?” because they’re dumb and into each other. Then Mohammed bravely asks Amira if she missed him, as if he didn’t know at this point that Amira is going to laugh at him. Which she does, because she says no.

They’re in the midst of some mating dance, when Amira notices a hijabi and (presumably) her daughter. She hides behind a tree, because she doesn’t want to be the hot gossip at the mosque, but Mohammed is all, “aw, I remember when I wasn’t traumatized by war and cared about trivial shit like this.”

Or maybe he doesn’t care because he never goes to the mosque. Okay, okay. I’ll stop.

At any rate, this is the first time that Mohammed says or does something that would actually pose a problem to Amira. This is quickly brushed aside because they get lost in each other’s eyes as soon as they make eye contact.

Kiki rudely interrupts this moment, but Amira’s like, “I’m busy, bye.” So she and Mohammed go on a musical montage where they box and push each other, and Mohammed sticks a flower in Amira’s hijab. Just enjoying the romance of it all! Until Amira notices Kiki’s called her three times, and I don’t want to say Kiki is the secondary love interest, but, you know.

It turns out that, while the parents were away, Essam decided to throw a rager. And he invited Kiki as he’s been working hard for her to notice him on insta. Kiki thought Amira would be attending this party when she got the invite, and has by now realized Amira wouldn’t approve of any of this.

Amira arrives at the party with Mohammed hot on her heels, and Kiki starts apologizing for thinking this was all on the up and up. Amira says her parents are at a wedding for the whole weekend, and Kiki gets distracted by Amira’s pretty lipstick. I don’t want to say Kiki is the secondary love interest, but, you know.

Amira confronts Essam, whose hair is looking a lot better than last time we saw it. Essam doesn’t seem to realize the seriousness of the situation, so Amira leans in and sniffs Essam’s breath. She asks Essam if he’s been drinking but he says no. However, he must be totally out of it because he wanders off, hypnotized by Kiki’s mermaid-esque beauty (or something).

Essam starts dancing with Kiki, who looks uncomfortable but goes along with it. At one point he puts his hand on her hip, and she grabs it and removes it from her body. Carlos (who has been blowing off his friends for weeks but is at this party, lol) notices this as it happens. Carlos shoves Essam and they start fighting.

Essam is bigger, or the German boy squad are lovers, not fighters, or Carlos was totally holding back, but either way Essam gets the upper hand and needs to be pulled off by both Amira and Mohammed. Kiki gets mad at Carlos for getting territorial over her. This is like, one of the most actually feminist moments to happen in a Skam that isn’t Skam España, I gotta say. Meanwhile Amira and Mohammed try to hold Essam accountable, but he starts feeling sick.

As this is all happening, Amira’s mom texts her to let her know that they came back because dad is, coincidentally, also sick (but not for the same reason lol).  Amira tells Kiki, who takes charge of the situation and kicks everyone out. She literally shoves people out of the house, and I just think Kiki was born to do this, tbh.

If you think about Kiki’s mom being an alcoholic, it kinda makes sense that Kiki thinks of spraying some air freshener as she leaves. She also takes a crate of bottles with her, but because this is Sana’s season, a couple are left behind. Amira and Mohammed weirdly hide them under a cushion, even though they have time to fold a blanket and regroup.

Mohammed thinks the date didn’t go too badly!

As Amira’s parents walk in, Mohammed has to carry Essam from where he was previously sitting on the floor waiting for the bathroom to be free, to a couch.

Amira’s mom is surprised to see Mohammed in the house, and I’m like, “why though?” It’s not like his outfit screams date (whereas Amira totally looks date-ready), and he and Essam are friends. Parents are so annoying, bless.

But she gets over it, especially as she notices Essam in a fetal position. She comes over to greet him and notices he’s cradling a vodka bottle like a baby, and of course she asks Amira and Mohammed what that is, cause you know, as the older sibling and friend they should be looking after him!

And then, Mohammed, Amira’s self-proclaimed spin doctor, tells Amira’s mom that he brought the bottle (and it just fell into Essam’s hands I guess lol). Amira’s mom is angry and reminds Mohammed that they’re Muslims, which makes me wonder if she knows he doesn’t believe in Allah. She’s also upset at Amira, because you know, they were just watching a movie yesterday and suddenly Mohammed is bringing vodka to her house for Essam to consume excessively, as Amira supposedly watches on in approval.

Amira doesn’t even respond, she’s so upset.

I think Druck pulled off this storyline the best out of the Sana versions, including Skam itself. One of the biggest problems with this storyline in Sana’s season is that it affected characters Sana wasn’t all that close to. Like, best buds and everything, but at the end of the day, Isak and Sana rarely hung out. Because the show is ultimately about the girl squad, not Isak’s squad or his friendship with Sana. So in Skam this storyline affected a school friend of Sana’s, his boyfriend, and a friend of her brother’s. Druck instead made it about Amira’s brother, one of Amira’s closest friends and her boyfriend.

Druck also chose to introduce this storyline in a multi pov episode, so that we got a better understanding of Kiki’s and Carlos’ mindsets going into the episode.

This will be more debatable, but I personally prefer that Druck didn’t hide the fight from us. In Skam, we don’t get to see the fight because Sana is supposed to believe those islamophobic Pepsi Max girls (and Yousef’s interpretation of why Even transferred) over her own brother. And I’m sure part of Julie’s intention was to make Skam viewers examine their own assumptions as to what happened, but the thing is… If people don’t want to examine their prejudices, they simply won’t. There are Skam viewers who, to this day, are convinced that Julie bowed to political correctness or whatever the fuck.  Druck makes all the characters’ motives clear and show us how the fight happened, and I’m sure there will still be assholes, but at least it’s not a “he said that’s what happened” situation.

It also doesn’t involve hypothetically homophobic Muslims, which was already dealt with in Isak’s (and Matteo’s) season. I personally don’t think this topic needs a rehash in a Sana season unless Sana herself is queer. Similarly, by making Amira’s brother the person to bring alcohol into the house, you don’t need to make the Sana bow down to the peer pressure of white mean girls.

Given that Essam is the one to bring alcohol into the house and to get handsy with Kiki, Druck did the absolutely correct thing and showed us Essam’s vulnerability before the fight. I would say, aside from Yousef, none of the Skam balloon squad was vulnerable in the same fundamental level that Essam is. Of course Elias is happy to hear that Even asked about him, and Mikael is quiet for a moment when he sees Even in his contact list. But ultimately, that’s friend drama. Essam changing his hair in hopes to fit in and be liked is about Essam himself.

I think Druck dropped Essam’s character arc right there because they intended season 5 to air in fall or winter last year. (Otherwise, why make Essam and Zoë Machwitz be the same age?) Now that both Zoë and Essam would be in their last year of high school, and Nora is slated to be the main instead, I hope they find a way to still fit Essam in there. So at least one Mahmood is done justice, you know.

On the downside, the focus on the Essam/Kiki/Carlos/vodka storyline means that Amira’s and Mohammed’s first date is not just cut short, but because of Druck’s time constraints, it also means that it’s mostly cuteness set to music.

Social media

Apparently Abdi heard that, without an insta, he just couldn’t match up to Mohammed, so he got one. Of course the first person he tells is Sam…

Mia posts a picture of a flamenca, because she’s in Madrid. Alex sends her a bunch of messages about arriving on Sunday, but Mia doesn’t respond to them (she did read them though).

Kiki posted a video of her workout, with Essam posting a similar video the day after to no response from Kiki. Kiki later posts a video of her yoga session, and when Essam does the same thing, he actually goes ahead and tags her in the story. The second hand embarrassment was felt across the globe.

After Amira tells Mia about her crush on Mohammed, she texts Sam to let her know as well. Sam takes it well (she’d pretty much figured it out after all). They agree to hang out later, and we get a couple pics on insta to commemorate the event. Which Abdi later copies to get Sam’s attention.    Just a terrible week for thirsty men on Druck.

Meanwhile, Matteo takes David to meet his mom, and David later posts an evocative drawing to commemorate the event. And that’s all we’re ever told about that, much to the frustration of David/Matteo stans.

Abdi poses with a sleeping Sam and posts the pic to his insta and omg, Abdi! Just stop.

Before the party, Kiki and Carlos fight over text because Carlos has decided to get a Fachabi rather than an Abi (so, like, a kind of high school diploma that would make it harder for him to go to uni, and better suited for a trade) without telling Kiki. I gotta say, I know Kiki and Carlos have moved in together and everything, but I think Carlos’ tertiary education being a team decision is way too intense for two high school graduates, as far as I see it.

There’s this one pic from Kiki’s stories where Essam is posing with a bunch of white girls, and it just gave me the worst flashbacks to those sorority videos where everyone is scarily in sync.

Final thoughts

The boy squad and balloon fight is the turning point in Sana’s season, and by moving it up and combining it with the booze left behind storyline, Druck turned it into a side storyline about Essam, instead. As I said, I think they pulled it off much better than Skam, but it also means that this is Amira’s third episode and Druck has chewed through most of the storylines in Sana’s season (including the love triangle with Noora/Sam, which is tossed aside this episode).

At this point, the only storylines left are Yousef’s lack of faith, Noorhelm drama and… The cyberbullying storyline which ends up unintentionally hurting Vilde. Ideally, Druck would’ve focused on the former of the three, and would have still gotten four episodes to really deal with it in a nuanced way, but we’ll see how that worked out.